<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2367">
    <dcterms:title><![CDATA[Thomas throws pottery 02]]></dcterms:title>
    <dcterms:description><![CDATA[Thomas Salzer throws pottery in his home studio with a view of Lake Racken.]]></dcterms:description>
    <dcterms:date><![CDATA[2026:05:18 16:01:53]]></dcterms:date>
    <dcterms:contributor><![CDATA[Stefan]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Cropped photo]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2366">
    <dcterms:title><![CDATA[Thomas throws pottery 01]]></dcterms:title>
    <dcterms:description><![CDATA[Thomas Salzer throws pottery in his home studio with a view of Lake Racken.]]></dcterms:description>
    <dcterms:date><![CDATA[2026:05:18 16:03:04]]></dcterms:date>
    <dcterms:contributor><![CDATA[Stefan]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2365">
    <dcterms:title><![CDATA[Portrait of Thomas Salzer]]></dcterms:title>
    <dcterms:description><![CDATA[Thomas Salzer sits at his potter's wheel in his home studio.]]></dcterms:description>
    <dcterms:date><![CDATA[2026:05:18 16:04:33]]></dcterms:date>
    <dcterms:contributor><![CDATA[Stefan]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Cropped photo]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2363">
    <dcterms:title><![CDATA[Thomas Salzer]]></dcterms:title>
    <dcterms:description><![CDATA[Thomas throws functional ware from Swedish, Danish, Dutch, and English stoneware clays.
His glazes contain wood ash from kitchen stoves and fireplaces, which gives life and color to the glaze surface, while also varying depending on where the clay is dug up and what type of wood is burned.

In the wood-fired kiln, he lets the flames and the fire have the final say, with 12 hours of intense firing leaving clear traces of hot flames and molten ash on the unglazed outer parts of the pots.]]></dcterms:description>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:contributor><![CDATA[Stefan]]></dcterms:contributor>
    <dcterms:language><![CDATA[English,Swedish]]></dcterms:language>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[1002]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,59.70809,12.634;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2362">
    <dcterms:title><![CDATA[Frej carving a spoon]]></dcterms:title>
    <dcterms:description><![CDATA[Frej is sitting on a wood log working on a spoon outside his house.]]></dcterms:description>
    <dcterms:date><![CDATA[2026:05:21 16:11:33]]></dcterms:date>
    <dcterms:contributor><![CDATA[Stefan]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2327">
    <dcterms:title><![CDATA[Ritamaki Barn]]></dcterms:title>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Panorama]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,60.149169,12.541633;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2326">
    <dcterms:title><![CDATA[Ritamaki Smoke Cabin]]></dcterms:title>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Panorama]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,60.149147,12.54162;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2324">
    <dcterms:title><![CDATA[Gabbie of WIld by Nature]]></dcterms:title>
    <dcterms:description><![CDATA[I am Gabbie, the maker behind Wild by Nature and I can be found nestled in the heart of Brora in the Scottish Highlands. Wild by Nature was once my dream, so to be able to watch my dream grow has been an incredible journey.

From formulating my very first products to now seeing others enjoy them has given me such a sense of personal achievement. I have been inspired by the wild beauty of the Scottish Highlands where I live and rugged Cornwall where I grew up and raised my own family.

Wild by Nature began with a simple idea. I wanted to create everyday Skin Care products that are made with quality ingredients that have been carefully chosen.

Everything is made by hand using traditional methods. I work with natural oils, tallow, milk, beeswax and botanicals, choosing ingredients for how they feel on the skin rather than how they look on a shelf. Many of which are sourced locally from the Scottish Highlands. Including using honey and beeswax from mine or my friends beehives here in Brora.

Wild by Nature is shaped by my love of nature, slower living, and products that are made to be used. I endeavour to be considerate to the environment, it’s not always easy. So much of my packaging can be recycled, composted or repurposed.

I don't aim for perfection, but I do aim for honest simple recipes, using considered ingredient all of which are made in small batches.
]]></dcterms:description>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[966]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.01170191886565,-3.852946042500534;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2323">
    <dcterms:title><![CDATA[Photo of Gabbie from Wild about Nature]]></dcterms:title>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2321">
    <dcterms:title><![CDATA[David Woodley]]></dcterms:title>
    <dcterms:description><![CDATA[Helmsdale Pottery was a distinctive Scottish studio pottery founded in 1973 by David and Penny Woodley in the Highland village of Helmsdale, Sutherland. The pottery became well known for its handcrafted porcelain animal sculptures, especially birds, owls, ducks, puffins, hares, and other wildlife inspired by the rugged Scottish landscape.

Penny Woodley was not only a ceramic artist but also an active member of the Helmsdale community, a previous director of Timespan Museum. Together, David and Penny Woodley developed a recognizable artistic style that reflected the wildlife and coastal environment of the Scottish Highlands and gained a loyal following among collectors of British studio pottery.

Since their retirement, Helmsdale Pottery pieces remain collectible examples of late twentieth-century Scottish art pottery. Vintage examples regularly appear in auctions, antique shops, and collectors’ markets, admired for their craftsmanship, individuality, and connection to Highland artistic traditions.]]></dcterms:description>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:date><![CDATA[1973]]></dcterms:date>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[964]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.11668204184647,-3.655138492100112;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2320">
    <dcterms:title><![CDATA[Photo of Migrating Fieldfares]]></dcterms:title>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2319">
    <dcterms:title><![CDATA[Penny Woodley]]></dcterms:title>
    <dcterms:description><![CDATA[Helmsdale Pottery was a distinctive Scottish studio pottery founded in 1973 by David and Penny Woodley in the Highland village of Helmsdale, Sutherland. The pottery became well known for its handcrafted porcelain animal sculptures, especially birds, owls, ducks, puffins, hares, and other wildlife inspired by the rugged Scottish landscape. 

Penny Woodley was not only a ceramic artist but also an active member of the Helmsdale community, a previous director of Timespan Museum. Together, David and Penny Woodley developed a recognizable artistic style that reflected the wildlife and coastal environment of the Scottish Highlands and gained a loyal following among collectors of British studio pottery.

Since their retirement, Helmsdale Pottery pieces remain collectible examples of late twentieth-century Scottish art pottery. Vintage examples regularly appear in auctions, antique shops, and collectors’ markets, admired for their craftsmanship, individuality, and connection to Highland artistic traditions.]]></dcterms:description>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[963]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.11668204184647,-3.655138492100112;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2318">
    <dcterms:title><![CDATA[Photo of Loch nan Eun made by Suzie Makenzie]]></dcterms:title>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2317">
    <dcterms:title><![CDATA[Suzie Makenzie]]></dcterms:title>
    <dcterms:description><![CDATA[Suzie MacKenzie studied Fine Art as a mature student at the University of Loughborough, before returning to the northern Highlands of Scotland where she now lives and works. In 2013 she attended a series of workshops at the Highland Print Studio in Inverness which rekindled her interest in collagraph, and since that time has predominantly worked in the medium. Suzie draws on her previous career as a teacher as well as her printmaking experience to teach occasional workshops, and has been involved in delivering projects to local community groups. She has described her process for Jackson's Art blog and AccessArt, and has written a book on the subject entitled Making Collagraph Prints, published by The Crowood Press in May 2019. She is a member of the Society of Scottish Artists and has recently completed a Master of Arts degree with Distinction in Contemporary Art and Archaeology at the University of the Highlands and Islands.

Suzie’s work has been exhibited nationally and internationally and can be seen in exhibitions, galleries and at print fairs across Scotland and the north of England. She has had collagraph prints selected for the Center for Contemporary Printmaking's Tenth Biennial International Miniature Print Exhibition in 2015, Royal Birmingham Society of Artists’ biennial Print Prize Exhibition in 2014 and 2016, the Society of Scottish Artists’ 118th and 119th Annual Exhibitions, and was invited to exhibit in the Master Printmakers show at Leeds Craft Centre and Design Gallery in 2017. In 2022 she was awarded a commission by the Royal Society of Antiquaries of Scotland, working with Archaeology Shetland to create an artwork on the theme of climate change archaeology. Her work is held in private collections in UK, Europe, North America and Australasia.]]></dcterms:description>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[962]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,57.97700702315164,-3.980254411669347;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2316">
    <dcterms:title><![CDATA[Photo of Mike Carter from Englewoodstine]]></dcterms:title>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2315">
    <dcterms:title><![CDATA[Mike Carter]]></dcterms:title>
    <dcterms:subject><![CDATA[Art,PEOPLE]]></dcterms:subject>
    <dcterms:description><![CDATA[Mike Carter of Engelwoodstine is a woodworker based in the north‑east Highlands of Scotland, creating distinctive pieces from materials gathered along the rugged coastline. Drawing inspiration from the textures, forms, and histories shaped by sea and weather, their work transforms found wood into one‑of‑a‑kind artworks. Each piece reflects a deep connection to place, with driftwood and reclaimed fragments reimagined into sculptural forms that highlight the natural character of the material. Blending craftsmanship with an organic, expressive style, Mike Carter’s work captures the raw beauty of the Highland coast and gives new life to what the tide leaves behind.]]></dcterms:description>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[961]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.11668204184647,-3.655138492100112;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2314">
    <dcterms:title><![CDATA[Photo of ceramic owl by Two Deer Ceramics by Ursula Hargreaves]]></dcterms:title>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2313">
    <dcterms:title><![CDATA[Donna Sutherland]]></dcterms:title>
    <dcterms:subject><![CDATA[Art]]></dcterms:subject>
    <dcterms:description><![CDATA[Donna Sutherland is a fibre artist from Thurso in the far north of Scotland, known for her characterful felted creations under the name Donna’s Crafts. She specialises in needle felting both detailed picture scenes and charming three-dimensional animals, bringing warmth and storytelling into each piece. Affectionately known as the “mouse mum,” Donna is especially recognised for her tiny felted mice, often depicted in imaginative everyday scenes that capture humour, personality, and a strong sense of narrative. Her work combines careful craftsmanship with a playful, creative spirit, making each piece both unique and full of life.]]></dcterms:description>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[960]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.592046927569406,-3.5198090736893373;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2312">
    <dcterms:title><![CDATA[Photo of felted mice by Donna's Crafts]]></dcterms:title>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2311">
    <dcterms:title><![CDATA[Ursula Hargreaves]]></dcterms:title>
    <dcterms:subject><![CDATA[Art]]></dcterms:subject>
    <dcterms:description><![CDATA[Ursula Hargreaves is a ceramic artist based in Brora in the Scottish Highlands and the maker behind Two Deer Ceramics. Her work is deeply inspired by the surrounding landscape and wildlife, which is reflected in her distinctive, small-batch pieces. She creates expressive, often one-of-a-kind animal sculptures alongside decorative, food-safe pieces. Combining traditional craftsmanship with a contemporary, artistic style, her ceramics capture a strong sense of place and whimsy.]]></dcterms:description>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[959]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.011716412029685,-3.852220773537787;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2310">
    <dcterms:title><![CDATA[Simon Nadin]]></dcterms:title>
    <dcterms:subject><![CDATA[Art]]></dcterms:subject>
    <dcterms:description><![CDATA[Simon first handled clay at school and while this early work showed great promise in execution and design, the opportunity to further develop his innate skillset always seemed to take second place to his first great passion, rock climbing.  Simon has climbed all over the world and on many different rock types and has a huge affinity to surface detail, nuance of pattern and textured features.  His photographic skills have recorded many of these landscapes over the years and Simon’s reputation for good composition in published photographic works was always going to translate into clay, just as soon as he was prepared to sit down for long enough to start making.   This happened in earnest during ‘lockdown’ and he has not looked back.  Simon is quickly mastering skills required for repetition throwing and is selling well.  Simon’s practical interest in firing the kiln as well as an enthusiasm to experiment with locally dug clays in slip decoration will ensure that Ard Beag Ceramics is home to two unique potters, ]]></dcterms:description>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:date><![CDATA[1997]]></dcterms:date>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[958]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.011716412029685,-3.852220773537787;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2309">
    <dcterms:title><![CDATA[Photo of Simon Nadin of Ard Beag Ceramics]]></dcterms:title>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2308">
    <dcterms:title><![CDATA[Louise Nadin]]></dcterms:title>
    <dcterms:subject><![CDATA[Art]]></dcterms:subject>
    <dcterms:description><![CDATA[Back in the 1980’s, as part of a teacher training degree, Louise studied ceramics under the direction of Brian Dewberry and quickly progressed to wheel thrown work which became a consuming and engaging lifetime passion.  Being unable to concentrate wholly on making pottery for a living, Louise set out on a career in education that included teaching, management and curriculum development of arts and crafts in a range of schools and community settings.   She never lost sight of her commitment to making and over the years ensured that her skills were further developed on courses led by many eminent potters in the world of British Studio ceramics; John Leach, Josie Walter, Kyra Kane, Sebastian Blackie, Andy Mason, David and Margaret Frith, Matthew Blakeley, Nic Collins, David Roberts, Patricia Shone to name but a few and to whom she is indebted to their generosity in sharing their expertise. 

In 1997 a small workshop was established in Derbyshire where Louise began to develop her own style and processes in the making of wheel thrown domestic stoneware, but the limitations of a small shed became evident and the move to a more appropriate venue in Scotland, with space for the proposed wood burning kiln, happened in 2006.  A bigger studio enabled a bigger output and the development of simple white porcelain proved popular with the buying public.  This was encouraging, but the commitment to build the wood fired kiln went through a number of processes before finally settling on a design with support from Fergus Stewart, a brilliant potter on the west coast at Lochinver.  The successful first and subsequent firings since 2019 have ensured the next chapter in the development of Ard Beag Ceramics and a determination to produce good quality, handmade, functional pottery through the exciting and tenuously manageable medium of fire.  ]]></dcterms:description>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:date><![CDATA[1997]]></dcterms:date>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[957]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.011716412029685,-3.852220773537787;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2307">
    <dcterms:title><![CDATA[Photo of Louise Nadin of Ard Beag Ceramics]]></dcterms:title>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2306">
    <dcterms:title><![CDATA[Photo of Netty Sopata]]></dcterms:title>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2305">
    <dcterms:title><![CDATA[Photo of Carol Sinclair]]></dcterms:title>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2304">
    <dcterms:title><![CDATA[Sarah Hobbs]]></dcterms:title>
    <dcterms:subject><![CDATA[ENVIRONMENT,HISTORY,INTANGABLE HERITAGE,Natural history,PEOPLE,RECREATION AND TOURISM,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Sarah Hobbs is a mountain lover, storyteller, and quiet explorer whose journey has taken her from Derbyshire through Norway, Egypt, and London before settling in the Scottish Highlands. Now based in Aviemore, she is deeply inspired by the landscapes, people, and reindeer of the Highlands, which continue to shape both her personal and creative life.

A fascination with hill placenames led Sarah to begin learning Scottish Gaelic, opening the door to a rich world of stories, songs, and cultural traditions connected to the land and its communities. These influences are woven into her walks and storytelling, with a particular affection for Gaelic working songs — òrain obrach — and the informal tradition of shared songs and stories around the pub table.

Throughout her career, Sarah has worked with communities to uncover hidden narratives and amplify overlooked voices as a way of creating social change. Her work has addressed systemic inequalities in health and education across the UK, and she has also organised cultural expeditions for young people to the Middle East and South Asia, encouraging peer-to-peer learning beyond stereotypes.

Her walks, as Strathspey Storywalks, continue this ethos, exploring hidden gems and untold stories embedded within the landscape — stories that are often forgotten, silenced, or overlooked. At the heart of her work is a desire to place stories back where they belong, reconnecting people with the land and skyscape through a process of “re-storying” place. The walks evolve with the seasons and with Sarah’s own changing interests, creating experiences that are rooted in curiosity, connection, and discovery.]]></dcterms:description>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:date><![CDATA[2020]]></dcterms:date>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[956]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,57.194602320286144,-3.8244933863580957;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2303">
    <dcterms:title><![CDATA[Photo of Sarah Hobbs]]></dcterms:title>
    <dcterms:date><![CDATA[2026:05:15 16:34:19]]></dcterms:date>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,57.19452411349963,-3.8246648013135216;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2302">
    <dcterms:title><![CDATA[Will Boyd-Wallis]]></dcterms:title>
    <dcterms:subject><![CDATA[Music,PEOPLE]]></dcterms:subject>
    <dcterms:description><![CDATA[Will Boyd-Wallis is a Highland-based singer-songwriter, woodworker, ecologist, and land manager whose music is deeply rooted in the landscapes, wildlife, and communities of Scotland’s Highlands and islands. Performing under the name Greenshanks, his songs are passionate, poignant, and hopeful reflections on life, love, and restoration, shaped by a lifelong connection to the natural world.

Using rich open tunings on his well-travelled guitalele and acoustic guitar, Will creates a distinctive sound that complements his reflective, soulful vocals. A finalist at the 2023 Danny Kyle Open Stage during Celtic Connections in Glasgow, he has performed alongside some of Scotland’s most respected musicians and songwriters.

Alongside songwriting, woodwork provides another important creative outlet. From beautifully functional pieces to eccentric creations that are aesthetically joyful yet delightfully pointless, much of Will’s work is carved or turned outdoors using a traditional foot-powered pole lathe, reflecting his connection to craftsmanship, sustainability, and the natural world.]]></dcterms:description>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[955]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,57.26489031241642,-3.6578953614019607;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2301">
    <dcterms:title><![CDATA[Photo of Will Boyd Wallis]]></dcterms:title>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,57.26554281681665,-3.656897042944192;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2300">
    <dcterms:title><![CDATA[Wooden mallet]]></dcterms:title>
    <dcterms:date><![CDATA[16/10/2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[bba75f302914429b80bf133762d79822]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,57.26552403987315,-3.656897042944192;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2299">
    <dcterms:title><![CDATA[Anja Baak]]></dcterms:title>
    <dcterms:subject><![CDATA[PEOPLE]]></dcterms:subject>
    <dcterms:description><![CDATA[In the heart of the Scottish Highlands, Anja Baak's small family-run business The Great Glen Charcuterie specialises in handcrafted charcuterie made using the finest Scottish venison. Based in the village of Roy Bridge, the business is rooted in a deep respect for the landscape, local ingredients, and traditional craftsmanship.

Originally from The Netherlands, Anja moved to Scotland more than 20 years ago after falling in love with the country’s rugged beauty and exceptional natural produce. Her passion for venison began while living on a Highland estate, where she and Jan Jacobs became closely connected to the sustainable management of the local wild deer population. Inspired by the quality and flavour of the meat, she started experimenting with smoking and curing venison at home using a hand-built smoker in the garden.

What began as a passion shared with family and friends soon grew into a dedicated artisan business, producing distinctive smoked and cured venison charcuterie that celebrates the rich flavours and traditions of the Highlands.]]></dcterms:description>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:language><![CDATA[English,Dutch]]></dcterms:language>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[954]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.91289392170995,-4.905333462474276;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2298">
    <dcterms:title><![CDATA[Photo of Anja Baak and Jan Jacobs]]></dcterms:title>
    <dcterms:description><![CDATA[A photo of Anja Baak and Jan Jacobs of The Great Glen Charcuterie in Roy Bridge, Scotland. ]]></dcterms:description>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.91664222346483,-4.899840397084767;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2297">
    <dcterms:title><![CDATA[Ritamaki Root Celar]]></dcterms:title>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Panorama]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,60.149169,12.541633;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2296">
    <dcterms:title><![CDATA[Aaron Sterritt]]></dcterms:title>
    <dcterms:description><![CDATA[Aaron Sterritt lives and works in Scotland within the Cairngorms National Park. ​Aaron Sterritt Woodwork creates contemporary pieces that are inspired by the natural characteristics of the wood in which he works. It takes creative imagination to visualise a tree transformed into a stunning individual piece of art, sculpture or furniture. That is what Aaron Sterritt does on a daily basis.
Aaron’s creativity and relationship with wood is in his DNA. Raised in a log cabin in the heart of the Scottish Highlands – Aaron was born to work with wood.
Aaron’s understanding of wood and how he stamps his personality on it is totally focused on shaping and crafting wood in a natural way. Splitting the wood along the cells of the grain, keeping the strength of the timber intact, creating beautiful natural shapes.
Aaron’s skill is then to take the split wood and form it into a piece of furniture or sculpture that are one off creations. This is done by the axe; shave horse, drawknife and spoke shave tools.
The end result is a combination of creativity, a deep understanding of wood and the craftsmanship skills to create truly beautiful functional and decorative items.
Aaron runs green woodworking workshops at his workshop  outside Forres, Scotland. Green woodworking is a traditional practice using fresh wood still full of sap allowing the tools to split, slice, shave and cleave through the wood with ease. He uses techniques that have been developed over hundreds of years, that are in harmony with the nature and qualities of the wood itself. No prior wood working experience is necessary, courses are for all abilities.
]]></dcterms:description>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[953]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,57.527881702267976,-3.664064454740475;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2295">
    <dcterms:title><![CDATA[Photo of Aaron Sterritt]]></dcterms:title>
    <dcterms:description><![CDATA[A photo of green woodworker Aaron Sterritt.]]></dcterms:description>
    <dcterms:date><![CDATA[2026:05:14 15:54:24]]></dcterms:date>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,57.527879665731334,-3.6640454886586937;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2294">
    <dcterms:title><![CDATA[Wood stool with woven black seat]]></dcterms:title>
    <dcterms:description><![CDATA[3D model of a wooden stool with a black woven base, made by Aaron Sterritt of Aaron Sterritt Woodwork]]></dcterms:description>
    <dcterms:date><![CDATA[24/3/2026]]></dcterms:date>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[text/plain Alias/WaveFront Object]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[976319aa7cfb4e708affc0b41936a85b]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,57.527897994557044, -3.6640454886586937;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2293">
    <dcterms:title><![CDATA[Test media]]></dcterms:title>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2292">
    <dcterms:title><![CDATA[Photo of Patricia Shone]]></dcterms:title>
    <dcterms:description><![CDATA[Photo of ceramic artist Patricia Shone]]></dcterms:description>
    <dcterms:date><![CDATA[2021:11:17 12:34:24]]></dcterms:date>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2291">
    <dcterms:title><![CDATA[Grey Earthenware Bowl]]></dcterms:title>
    <dcterms:description><![CDATA[A photo of a grey earthenware bowl made by Patricia Shone from the Isle of Skye, Scotland. ]]></dcterms:description>
    <dcterms:date><![CDATA[2026:05:14 15:13:04]]></dcterms:date>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2290">
    <dcterms:title><![CDATA[Patricia Shone]]></dcterms:title>
    <dcterms:subject><![CDATA[Art]]></dcterms:subject>
    <dcterms:description><![CDATA[Patricia Shone has lived and worked on the Isle of Skye for the past 30 years. She was born in Scotland and grew up in South Devon where she met clay at school. After studying ceramics in London, finances and a love of cooking led her into work as a chef both there and in Italy. Eventually, this took her to Skye where she returned to making pots.
“My work has developed in a kind of isolation both in location and in the methods I use to form my pieces. This is a place where I can feel small and insignificant in the face of monumental natural forces. It is a feeling I rejoice in, when the only possible way to contain the enormity of love for life is to utterly surrender to it.
The feel of raw clay in my hands is a prime motivation for making, a physical connection to the physical world around me. It’s a visceral process, not always comfortable, often challenging and increasingly tiring. My work is hand formed in all aspects of its concept and creation. It is based on the controlled forms of functional vessels whilst being released from the constraints of function by the ruptured textured surfaces. I am looking for the points of contact and balance between the maker and the material, neither having mastery over the other. I have learned to give precedence to the physical process over and above intellectual input, giving voice to my inner and non verbal senses.
The formation of clay is mostly from millennia of climatic erosion. The origins of the material lie in the enduring rock beneath our feet. The processes of firing that a potter uses to complete their work replicate some of the monumental forces which create and erode the matter of the universe. It’s big stuff! The nature of clay used in this way allows me to speak of the continued erosion and weathering of the land we live on; the traces made by the passage of humans across the surface of our planet; the tensions between the container and its contents.”
Patricia has developed techniques in her clay work which reflect these processes. Contrary to the compressive methods associated with traditional clay practice, her pieces are hand formed by texturing and stretching from solid lumps of clay. This process extenuates the surfaces allowing the natural textures of the material to develop. The muted, natural colours of the finished pots are achieved by using different clay bodies and by the various firing processes.
She has been a selected member of the Craft Potters’ Association of Great Britain since 2015, her work is collected internationally and she has work in several national and International collections.]]></dcterms:description>
    <dcterms:date><![CDATA[1985]]></dcterms:date>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[952]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,57.33648206344149,-6.238861083984375;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2289">
    <dcterms:title><![CDATA[Silver Eagle Brooch]]></dcterms:title>
    <dcterms:subject><![CDATA[Fashion]]></dcterms:subject>
    <dcterms:description><![CDATA[A recycled silver eagle brooch with topography details of the Cairngorm National Park, created by Amy Ferguson Niven. ]]></dcterms:description>
    <dcterms:creator><![CDATA[2284]]></dcterms:creator>
    <dcterms:dateSubmitted><![CDATA[14/05/2026]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[14/05/2026]]></dcterms:modified>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[951]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,57.26298268908859,-3.6481103558198336;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2288">
    <dcterms:title><![CDATA[Lucy Macdonald]]></dcterms:title>
    <dcterms:description><![CDATA[Photo of Lucy Mcdonald, natural fibre artist from Banchory, Scotland.]]></dcterms:description>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,57.05354039808949,-2.4749932171963627;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2287">
    <dcterms:title><![CDATA[Lucy Macdonald]]></dcterms:title>
    <dcterms:description><![CDATA[I am a textile artist and designer with a rural studio on the edge of Banchory in North East Scotland. I work primarily with hand woven textiles which explore the relationships between place, material, and memory. My practice blends heritage weaving techniques with contemporary digital design, using natural fibres and sustainable processes to create site-specific capsule collections, artworks, and commissions.
Rooted in a respect for traditional craft, my work is often inspired by the landscapes and seascapes that surround me. I incorporate natural dyeing, hand-weaving on multi-shaft looms, and a self-taught tapestry approach, building layered textile compositions that echo the textures, rhythms, and stories of place.
Since launching Arra Textiles in 2016, I have developed collections for home and body, exhibited nationally and internationally and taken part in a residency which continue to shape how I make and think. Sustainability is central to my practice and I am currently transitioning toward a fully traceable and locally grounded studio model, connecting materials back to land and process.
I see textiles as both a sensory and narrative medium. My practice is driven by curiosity, care for materials and a desire to create work which invites a closer look.]]></dcterms:description>
    <dcterms:date><![CDATA[2016]]></dcterms:date>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[950]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,57.05353948071467,-2.474989173123399;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2286">
    <dcterms:title><![CDATA[Amy Ferguson Niven]]></dcterms:title>
    <dcterms:description><![CDATA[Photo of Amy Ferguson Niven of The Third Aye, a jeweller working with recycled silver and gold, located in the Cairngorms National Park, Scotland.]]></dcterms:description>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,57.262979070378815,-3.6481155336866142;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2285">
    <dcterms:title><![CDATA[Eagle Silver Brooch]]></dcterms:title>
    <dcterms:description><![CDATA[Eagle brooch made out of recycled silver, created by Amy Ferguson Niven from The Third Aye.]]></dcterms:description>
    <dcterms:date><![CDATA[15/09/2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,57.2629808999535,-3.6481155336866142;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2284">
    <dcterms:title><![CDATA[Amy Ferguson Niven]]></dcterms:title>
    <dcterms:subject><![CDATA[PEOPLE]]></dcterms:subject>
    <dcterms:description><![CDATA[Amy is a jeweller and creative practitioner whose work bridges art, ecology, and personal storytelling. Initially drawn to both the arts and sciences, she studied Jewellery & Silversmithing before dividing her time between marine conservation work around the world and developing her jewellery practice in Edinburgh.

Later settling with her husband in the Cairngorms National Park, Amy established a home, jewellery studio, gallery, and workshop space alongside a luxury garden cabin for visitors. Her practice evolved organically from commissions created for friends and families seeking meaningful, personal pieces to mark marriages, birthdays, and other significant moments.

Amy’s work is rooted in collaboration, drawing on themes of personal history, ecology, and philosophy. She frequently works with inherited or family gold, melting and reforming it into contemporary designs using traditional techniques. Many of her pieces incorporate contour lines and landscapes connected to the stories and places that hold significance for her clients.

Living and working in a rural environment has also shaped Amy’s interest in cultural sustainability and the relationship between creative practice and tourism. Together with her husband, she views their decision to build a livelihood as artists in the Highlands as both a leap of faith and an ongoing opportunity to connect with and learn from creative communities around the world.]]></dcterms:description>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[949]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,57.26298333938629,-3.6481177891465544;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2282">
    <dcterms:title><![CDATA[Honey extractor]]></dcterms:title>
    <dcterms:alternative><![CDATA[Extractor de miel]]></dcterms:alternative>
    <dcterms:description><![CDATA[A manual centrifugal metal device designed to separate honey from the comb without destroying it. It works by spinning uncapped frames at high speed to expel the honey, allowing the comb to be reused by the bees. It consists of a cylindrical drum, an internal rotating basket, and a tap for the honey to flow out. Made of stainless steel, cylindrical in shape and supported on legs. Manufactured by the brand Lega, it features two hinged lids and a hand crank.]]></dcterms:description>
    <dcterms:date><![CDATA[21st century]]></dcterms:date>
    <dcterms:contributor><![CDATA[Carmen Pérez Maestro]]></dcterms:contributor>
    <dcterms:extent><![CDATA[90cm x 80cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[947]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.2038384146373,-5.39500544539384;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2281">
    <dcterms:title><![CDATA[Antique honey extraction machine]]></dcterms:title>
    <dcterms:alternative><![CDATA[Extractor de miel]]></dcterms:alternative>
    <dcterms:description><![CDATA[A manual centrifugal metal device designed to separate honey from the comb without destroying it. It works by spinning uncapped frames at high speed to expel the honey, allowing the comb to be reused by the bees. It consists of a cylindrical drum, an internal rotating basket, and a tap for the honey to flow out. This model was manufactured in the first half of the 20th century by the factory ‘La Moderna Apicultura’, based in Madrid.]]></dcterms:description>
    <dcterms:date><![CDATA[first half 20th century]]></dcterms:date>
    <dcterms:contributor><![CDATA[Carmen Pérez Maestro]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://lamodernaapicultura.es/la-primera-tienda-de-miel-en-madrid/]]></dcterms:references>
    <dcterms:extent><![CDATA[90cm x 80cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[946]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.2038384146373,-5.39500544539384;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2280">
    <dcterms:title><![CDATA[Beehive]]></dcterms:title>
    <dcterms:alternative><![CDATA[Truébano/Colmena]]></dcterms:alternative>
    <dcterms:description><![CDATA[Two examples of vertical beehives made from tree trunks, approximately 70 cm in height. One is rectangular, while the other is cylindrical. They have lids. The rectangular one is made from wooden planks, while the cylindrical one is made from the tree trunk itself.]]></dcterms:description>
    <dcterms:date><![CDATA[Unknown]]></dcterms:date>
    <dcterms:contributor><![CDATA[Carmen Pérez Maestro]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.abejaspaisajeculturalasturias.org/que-buscamos/colmenas/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[945]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.2038384146373,-5.39500544539384;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2279">
    <dcterms:title><![CDATA[Beehive]]></dcterms:title>
    <dcterms:alternative><![CDATA[Truébano/Colmena]]></dcterms:alternative>
    <dcterms:description><![CDATA[A very rustic beehive made from locally sourced materials, created by weaving together various plant stems to form a cylindrical container. It measures approximately 1,2 metres in length and 45 cm in diameter.]]></dcterms:description>
    <dcterms:date><![CDATA[Unknown]]></dcterms:date>
    <dcterms:contributor><![CDATA[Carmen Pérez Maestro]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.abejaspaisajeculturalasturias.org/que-buscamos/colmenas/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x 45cm x 120cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[944]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.2038384146373,-5.39500544539384;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2278">
    <dcterms:title><![CDATA[Wet felting]]></dcterms:title>
    <dcterms:alternative><![CDATA[Mokro polstenje]]></dcterms:alternative>
    <dcterms:description><![CDATA[Wet felting is a traditional fiber art technique that transforms wool or other natural fibers into a dense, durable fabric by using moisture, heat, and agitation. The process involves layering raw wool, sprinkling it with warm, soapy water, and then repeatedly rolling, rubbing, or pressing the fibers together. As the wool’s tiny scales catch and bond, it forms a tightly interlocked material known as felt. This versatile craft is used to create everything from clothing and accessories to decorative items and art pieces, and it offers a tactile, hands-on way to explore the unique properties of wool.]]></dcterms:description>
    <dcterms:creator><![CDATA[448]]></dcterms:creator>
    <dcterms:contributor><![CDATA[Katarina Šrimpf Vendramin]]></dcterms:contributor>
    <dcterms:language><![CDATA[Slovene]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[943]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2277">
    <dcterms:title><![CDATA[Folk music in Western Värmland, in a Scandinavian folk music tradition]]></dcterms:title>
    <dcterms:alternative><![CDATA[Västvärmländsk folkmusik, i en skadinavisk tradition]]></dcterms:alternative>
    <dcterms:description><![CDATA[The folk music played in western Värmland varies but can be described as consisting of polska, reinländer (schottis), waltz, halling, as well as some polka and, to a lesser extent, also gånglåt and mazurka. Polska is a musical style in 3/4 time and also a folk dance. Truplets in the music are very common in the playing style in Värmland, as well as rhythmic staggered beats and musical drills and embellishments, which together make up a sort of melodic grammar. The style is referred to as a "värmlandspolska", "jössehärspolska", and it is also common to use more descriptive names such as "kort trea" or "kort etta" to showcase the rhythms. The music is played together or solo, and strongly associated with, but not dependent on, dance. The songs and the dance are learned in tradition, which is also evolving. Fiddles and violas are the most common instruments, as well as, for example, guitar, mandolas, harmonica, accordion and wind instruments.]]></dcterms:description>
    <dcterms:contributor><![CDATA[Sara Olsson, Kajsa Stinnerbom]]></dcterms:contributor>
    <dcterms:language><![CDATA[Swedish, Norwegian]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[942]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2276">
    <dcterms:title><![CDATA[Weaving bands with njiskun/ rigid heddle]]></dcterms:title>
    <dcterms:alternative><![CDATA[Båndveving med njuskun/grindvev]]></dcterms:alternative>
    <dcterms:description><![CDATA[Weaving bands for traditional clothes or other purposes on a rigid heddle. The heddle is traditionally made from wood or antler, but modern ones are also made with modern materials like plastic.]]></dcterms:description>
    <dcterms:creator><![CDATA[1459]]></dcterms:creator>
    <dcterms:contributor><![CDATA[Kjersti Robertsen]]></dcterms:contributor>
    <dcterms:language><![CDATA[Norweigan and northern Sámi]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[941]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2275">
    <dcterms:title><![CDATA[Reindeer skin processing]]></dcterms:title>
    <dcterms:alternative><![CDATA[Fjerning av kjøtt, fett og hinner på reinskinn med elektrisk skrutrekker med pusseball]]></dcterms:alternative>
    <dcterms:description><![CDATA[An electric screwdriver with a ball attachment is used to remove flesh and thin flesh films, preparing the reindeer skin for processing. Traditionally, this has been done with different scraping tools.]]></dcterms:description>
    <dcterms:contributor><![CDATA[Kjersti Robertsen]]></dcterms:contributor>
    <dcterms:language><![CDATA[Norweigan and northern Sámi]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[940]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2274">
    <dcterms:title><![CDATA[Traditional woodworking]]></dcterms:title>
    <dcterms:alternative><![CDATA[Trabajo tradicional en madera]]></dcterms:alternative>
    <dcterms:description><![CDATA[Traditional woodwork in Asturias has been fundamental to the development of everyday life. Wood has been used in:
- Traditional construction: granaries such as hórreos and paneras. Elements of a hórreo include pegoyos, muela, colondras, viguetes, tiyeres, tentemozos, aguilones, tornos and pontones.
- Asturian furniture and household items: escañu (bench), tayuelu (small stool), arca (chest), masera (dough trough), espetera (plate rack), vasar (shelf unit), alacena (cupboard) and truviecu (log seat). Also common joinery techniques in furniture, decorative carving, and other utensils such as zapicas, xarres (jugs), bowls, chopping boards, desca and salpimenteru (salt and pepper container).
- Musical instruments: gaita (bagpipe), castanets, pitos (whistles), chiflu (flute), gaita rabil, rabel and bandurria.                                 
- Wooden footwear: the madreña. Made from a single piece of wood and designed to protect the feet from cold, snow and mud in rural areas. They are characterised by having three pegs (“tarugos”) on the sole, which raise the foot off the ground.]]></dcterms:description>
    <dcterms:creator><![CDATA[2272]]></dcterms:creator>
    <dcterms:contributor><![CDATA[Carmen Pérez Maestro]]></dcterms:contributor>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[939]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2272">
    <dcterms:title><![CDATA[Miguel Prieto Conde]]></dcterms:title>
    <dcterms:date><![CDATA[2004?]]></dcterms:date>
    <dcterms:contributor><![CDATA[Sofía Gonzalez Sandoval]]></dcterms:contributor>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[937]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.3076249,-5.86046299000000;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2271">
    <dcterms:title><![CDATA[Martínez de Juana, Andrián; Cervera Gustodio, Patricia]]></dcterms:title>
    <dcterms:date><![CDATA[1981]]></dcterms:date>
    <dcterms:contributor><![CDATA[Maria José Tudela]]></dcterms:contributor>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[936]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.1642031567794,-5.97880474556343;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2270">
    <dcterms:title><![CDATA[Annette Sopata]]></dcterms:title>
    <dcterms:date><![CDATA[1978?]]></dcterms:date>
    <dcterms:contributor><![CDATA[Netty Sopata]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[935]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.4917648473254,-6.23148173863765;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2267">
    <dcterms:title><![CDATA[Finnforest Popup]]></dcterms:title>
    <dcterms:description><![CDATA[The popup for the map.]]></dcterms:description>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2266">
    <dcterms:title><![CDATA[Loft Storage]]></dcterms:title>
    <dcterms:source><![CDATA[finnskogen]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[11/05/2026]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[05/14/2026 03:47:35 pm]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[931]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,60.14892415342802,12.541338874725627;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2265">
    <dcterms:title><![CDATA[Root Cellar]]></dcterms:title>
    <dcterms:source><![CDATA[finnskogen]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[11/05/2026]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[05/18/2026 09:58:31 am]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[930]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,60.14887660744219,12.542554973624648;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2264">
    <dcterms:title><![CDATA[Barn]]></dcterms:title>
    <dcterms:source><![CDATA[finnskogen]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[11/05/2026]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[05/18/2026 10:06:55 am]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[929]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,60.14923596723795,12.542175021953883;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2263">
    <dcterms:title><![CDATA[The Stone]]></dcterms:title>
    <dcterms:source><![CDATA[finnskogen]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[11/05/2026]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[05/11/2026 02:08:46 pm]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[928]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,60.139144,12.549936;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2262">
    <dcterms:title><![CDATA[Hayloft]]></dcterms:title>
    <dcterms:source><![CDATA[finnskogen]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/05/2026]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[05/11/2026 02:01:18 pm]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[927]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,60.149423363876046,12.541066997218879;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2261">
    <dcterms:title><![CDATA[Sauna]]></dcterms:title>
    <dcterms:source><![CDATA[finnskogen]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/05/2026]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[05/04/2026 09:53:53 am]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[926]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,60.14906837113763,12.540821878938006;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2247">
    <dcterms:title><![CDATA[7-Torp]]></dcterms:title>
    <dcterms:source><![CDATA[finnskogen]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[08/04/2026]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[04/08/2026 10:27:36 am]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[912]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,60.14718154317803,12.533361911773683;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2246">
    <dcterms:title><![CDATA[Ritamaki]]></dcterms:title>
    <dcterms:source><![CDATA[finnskogen]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[07/04/2026]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[04/07/2026 03:31:28 pm]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[911]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,60.14915,12.541461;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2245">
    <dcterms:title><![CDATA[Ritam&auml;ki_Finng&aring;rd_Emblem]]></dcterms:title>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Custom Pin]]></dcterms:type>
    <dcterms:identifier><![CDATA[910]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2244">
    <dcterms:title><![CDATA[7-croft_start_3]]></dcterms:title>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Custom Pin]]></dcterms:type>
    <dcterms:identifier><![CDATA[909]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2243">
    <dcterms:title><![CDATA[&Ouml;sterby]]></dcterms:title>
    <dcterms:source><![CDATA[finnskogen]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[07/04/2026]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[04/07/2026 03:31:14 pm]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[908]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,60.14624952360838,12.518709003925325;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2242">
    <dcterms:title><![CDATA[Kissalamp]]></dcterms:title>
    <dcterms:source><![CDATA[finnskogen]]></dcterms:source>
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    <dcterms:title><![CDATA[Lebiko]]></dcterms:title>
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    <dcterms:title><![CDATA[Sweden Norway Border]]></dcterms:title>
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    <dcterms:title><![CDATA[Sweden Norway Border]]></dcterms:title>
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    <dcterms:title><![CDATA[Woven necklace, longer model in several shades of blue]]></dcterms:title>
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    <dcterms:title><![CDATA[Woolen scarf in pale colour with patterns of darker leaves]]></dcterms:title>
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    <dcterms:title><![CDATA[White hanging lamp in linen yarn]]></dcterms:title>
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    <dcterms:title><![CDATA[Square pillow with zig-zag pattern in mainly warm colours]]></dcterms:title>
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    <dcterms:title><![CDATA[Indoor, Therese Henner at her loom in her studio, weaving. Video at an angle from behind ]]></dcterms:title>
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    <dcterms:title><![CDATA[Images of some of Henner's plant dyed yarns]]></dcterms:title>
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    <dcterms:title><![CDATA[Indoor, Therese Henner at her loom in her studio, weaving. Image in profile view.]]></dcterms:title>
    <dcterms:date><![CDATA[2024-02-16]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
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    <dcterms:description><![CDATA[Black shawl created by Anja Musek]]></dcterms:description>
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    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
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    <dcterms:title><![CDATA[ERM Heimtali Museum]]></dcterms:title>
    <dcterms:description><![CDATA[ERM Heimtali Museum ERM Heimtali Museum is located in the old municipal school building, completed in 1864. The school operated in the building until 1932, when it was moved to Heimtali Manor, where it remains to this day. 28. On 28 November 1987, on the anniversary of the local school, the Heimtali Local History Museum was opened in the old schoolhouse under the leadership of local resident Johannes Kokk. Under his guidance, the collection of local heritage and old objects was also begun. One part of the museum’s display dealt with the history of local school and cultural life, while the other focused on rural culture and agricultural tools. Johannes Kokk remained the museum’s director until 1992. In 1994, the museum was purchased by textile artist Anu Raud using the prize money from the Jakob von Uexküll Revival Award. Anu Raud added to the existing collections her own collection of ethnographic and national textiles, previously kept in the museum room at Kääriku Farm, and began renovating the building with her own funds and with the help of sponsors. 2009. In 2009, when the Estonian National Museum celebrated its 100th anniversary, Anu Raud donated her private museum’s property and collections in their entirety to ERM in order to ensure the museum’s future development. Since 1 June 2010, the museum has officially borne the name ERM Heimtali Museum. Today, the museum’s collections include materials related to local school life and tools from the surrounding area, as well as cabinet- and chestfuls of traditional textile examples from different regions of Estonia. The museum also has a library devoted to folk art, home culture, and art. ERM Heimtali Museum is open to visitors: Tue–Sat 9 am–5 pm Heimtali, 71102 Viljandi County, Estonia]]></dcterms:description>
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    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
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    <dcterms:title><![CDATA[Ritamäki Sign]]></dcterms:title>
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    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
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    <dcterms:title><![CDATA[7-crofttrail_emblem]]></dcterms:title>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
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    <dcterms:title><![CDATA[Valli Sign]]></dcterms:title>
    <dcterms:source><![CDATA[finnskogen]]></dcterms:source>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
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    <dcterms:title><![CDATA[Ritam&auml;ki Sign]]></dcterms:title>
    <dcterms:source><![CDATA[finnskogen]]></dcterms:source>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
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    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
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    <dcterms:title><![CDATA[Forest Test]]></dcterms:title>
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    <dcterms:title><![CDATA[Ritamäki Finngård Emblem]]></dcterms:title>
    <dcterms:source><![CDATA[finnskogen]]></dcterms:source>
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    <dcterms:title><![CDATA[The Stone]]></dcterms:title>
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