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<rdf:Description rdf:about="https://culturality.museum/omeka/items/show/734">
    <dcterms:title><![CDATA[RV_CP_03(02)]]></dcterms:title>
    <dcterms:description><![CDATA[Plant dyed yarns, dyed by Therese Henner]]></dcterms:description>
    <dcterms:date><![CDATA[2024-12-06]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,59.6574488,12.890542;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/733">
    <dcterms:title><![CDATA[RV_CP_03(01)]]></dcterms:title>
    <dcterms:description><![CDATA[Therese Henner at her loom in her studio, weaving. Image in profile view.]]></dcterms:description>
    <dcterms:date><![CDATA[2024-02-16]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
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</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/732">
    <dcterms:title><![CDATA[Felting]]></dcterms:title>
    <dcterms:alternative><![CDATA[Tovning/filtning]]></dcterms:alternative>
    <dcterms:description><![CDATA[Felting is a technique of joining fibers together. It can be done dry or wet, and Carina Haglund uses wet felting. In Swedish there are two different words usually used for felting: “tovning” which is most used, or “filtning”. “Tovning” can also be translated to roughly “tangling [of fibers]”, whereas “filtning” has the same etymology root as “felt” in English. Filtning (or felting in English) is done wet, and Haglund expresses that she rather presents what she makes in her studio as filtning, rather than tovning.]]></dcterms:description>
    <dcterms:creator><![CDATA[701]]></dcterms:creator>
    <dcterms:dateSubmitted><![CDATA[19/06/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[Tova- gammal teknik på nytt sätt. Gunilla Paetau Sjöberg Får boken- Anders Jansson, Nina Östman Felt passion- Ellen Bakker, RIchard Assman Att välja färg- Berit Bergström]]></dcterms:references>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:language><![CDATA[Swedish]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[413]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,59.729006,13.322161;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/731">
    <dcterms:title><![CDATA[RV_CP_02(02)]]></dcterms:title>
    <dcterms:description><![CDATA[Carina Haglund using the felting machine built by her husband]]></dcterms:description>
    <dcterms:date><![CDATA[2023-08-11]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/730">
    <dcterms:title><![CDATA[RV_CP_02(01)]]></dcterms:title>
    <dcterms:description><![CDATA[Carina Haglund in her workshop felting a small wool disk]]></dcterms:description>
    <dcterms:date><![CDATA[2025-01-10]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,59.729006,13.322161;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/729">
    <dcterms:title><![CDATA[RV_CP_02(02)]]></dcterms:title>
    <dcterms:description><![CDATA[Carina Haglund's felting machine]]></dcterms:description>
    <dcterms:date><![CDATA[2024-09-25]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,59.729006,13.322161;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/728">
    <dcterms:title><![CDATA[RV_CP_02(01)]]></dcterms:title>
    <dcterms:description><![CDATA[Carina Haglund in her workshop rolling and felting at the table]]></dcterms:description>
    <dcterms:date><![CDATA[2024-02-21]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,59.729006,13.322161;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/727">
    <dcterms:title><![CDATA[Entrelac]]></dcterms:title>
    <dcterms:alternative><![CDATA[Näverstickning / Kontsrikk on the Norweigian side of the Finn forest]]></dcterms:alternative>
    <dcterms:description><![CDATA[Entrelac is a knitting technique that is strongly reminicent of woven/braided birch back, which is traditionally made and used in the area. See RV_CP_01(01)]]></dcterms:description>
    <dcterms:creator><![CDATA[695]]></dcterms:creator>
    <dcterms:dateSubmitted><![CDATA[19/06/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[15/09/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[Marias vantar. En bok om näverstickning - vantar, mössor, småslöjd. Inez Assk ISBN9789186699659 Kontstrikk. Ruth Gullbekk Bolstad. ISBN9788291195353]]></dcterms:references>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:language><![CDATA[Swedish]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[412]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,59.8376399,13.1230106;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/726">
    <dcterms:title><![CDATA[RV_CP_01(01)]]></dcterms:title>
    <dcterms:description><![CDATA[Inez Assk holding a local and traditional pack basket woven in birch bark using the same design language as entrelac]]></dcterms:description>
    <dcterms:date><![CDATA[2024-11-21]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,59.8376399,13.1230106;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/725">
    <dcterms:title><![CDATA[Hot and warm forging of a bird form by hand, and machanical hammer]]></dcterms:title>
    <dcterms:alternative><![CDATA[Varm smiinig av fygel med hånd,og  mekanisk hammer ]]></dcterms:alternative>
    <dcterms:description><![CDATA[Forging is working with iron, and other metals.Warm and hot forming requires a forge to warm up the metals, The hot and warm metals can be formed into shapes with the help of hammers, anvil, pliers and other tools. The different warming, temperatures and cooling methodes give different reults and properties to the finished products. ]]></dcterms:description>
    <dcterms:creator><![CDATA[689]]></dcterms:creator>
    <dcterms:dateSubmitted><![CDATA[19/06/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://nordnorge.com/aktiviteter/smeden-i-sund-smir-skarver-pa-stein/ https://eng.handverksinstituttet.no/ https://norsksmedforening.wordpress.com/ Bergland, Håvar: Kunsten å smi: teknikk of tradisjon, Gyldendal yrkesopplæring, 2000 Bergland, Håvar: Knivsmeden : knvimakerarbeid og smiing  Pehrson, Sjur Axel: Smedarbeid - vg2 og vg3, Yrkeslitteratur, 2009. Wefring, Christoffer-Gørrissen, Johan : Konstruksjons- og Verktøystål. Anvendelse og varmebehandling. Oslo, 1971 Norén, Karl-Gunnar-Enander, Lars: Nya järnsmidesboken. Nielsen Norén Förlag, 2008. Silje Sandø Rullestad:Den norrøne jernaldersmeden i tekst og kontekst Masteroppgave i arkeologi IAKH Det humanistiske fakultet Universitetet i Oslo Vår 2007 https://www.nb.no/items/8a8865bf9110dbe9f467b0267d2e3b9d?page=7&searchText=%22tor-vegard%20m%C3%B8rkved%22 https://www.nb.no/items/61c68e36aa516c4aa9cca0c97e99d4fa?page=3&searchText=kongeskarven https://www.nb.no/items/c0240c5d62c4528b227147d06f3d68ba?page=17&searchText=%22tor-vegard%20m%C3%B8rkved%22 https://www.nb.no/items/0b1664793a4dc5032499662692b054bc?page=0&searchText=%22kong%20olav%20V%22]]></dcterms:references>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:language><![CDATA[Norwegian]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[411]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,68.004948,13.207371;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/724">
    <dcterms:title><![CDATA[MN_CP_03(01)]]></dcterms:title>
    <dcterms:description><![CDATA[Tor-Vegard Mørkved demonstrates how he creates a bird figure by using hand hammers and mechanical hammers]]></dcterms:description>
    <dcterms:date><![CDATA[2025-01-29]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,68.0050057898097,13.2073345266891;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/723">
    <dcterms:title><![CDATA[MN_CP_03(02)]]></dcterms:title>
    <dcterms:description><![CDATA[Tor-Vegard Mørkved holding a hot bird formed steel with pliers]]></dcterms:description>
    <dcterms:date><![CDATA[2025-01-29]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,68.0050218626983,13.2073023401822;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/722">
    <dcterms:title><![CDATA[MN_CP_03(01)]]></dcterms:title>
    <dcterms:description><![CDATA[Tor-Vegard Mørkved demonstrates how he creates a bird figure by using hand hammer]]></dcterms:description>
    <dcterms:date><![CDATA[2025-01-29]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,68.0050218626983,13.2073023401822;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/721">
    <dcterms:title><![CDATA[Knitting and weaving practices]]></dcterms:title>
    <dcterms:description><![CDATA[The know-how about curating, harvesting and selecting the best parts of the sheep wool and different uses according to its natural properties: socks, sweaters, woven fabrics and felted wools. Knitting has been a practiced traditionally carried out at home by women. Spinning, knitting and weaving was common knowledge un homes up until 100 years ago, when industrial production begun to take over home-made textiles. Knitting culture has survived in Lofoten to greater extends than in other European countries, and traditional pattern and techniques are still known. Every piece of clothing, being socks, sweaters, mittens or hats, requiere speceific knowledge about stitch density, patterning and wool texture. When industrial dyes were not widely available, local natural plants and likens would do the coloring. The knowledge about plant use was mostly orally transmitted for generations. Currently, some of said traditions can be found in crafting manuals and school education, all of which is used to produce unique sweaters in Lofoten wool. ]]></dcterms:description>
    <dcterms:creator><![CDATA[687]]></dcterms:creator>
    <dcterms:dateSubmitted><![CDATA[19/06/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://lofoten-wool.no/en/pages/menneskene https://lofoten-wool.no/en https://www.nibio.no/prosjekter/amazing-grazing-baerekraftig-kjott-og-ull-fra-sau-som-beiter-i-norsk-utmark?locationfilter=true https://www.smabrukarlaget.no/aktuelt/bonde-og-smaabruker/, https://www.norskekunsthandverkere.no/kunstnerregister/ragnhild-lie https://husflid.no/ https://www.utdanningsforbundet.no/ https://www.bondelaget.no/ Esther Haukeland, Innføring til plantefarging. Cappellen, 1982. Animalia: Norwegian wool Standard. https://www.animalia.no/no/Dyr/ull-og-ullklassifisering/norsk-ullstandard/  Beder, Nicolina J., Seyður Ull Tøting. SPF. Sprotin, 2010. Flååt, Inger. Votter i Namdalen. Nauma Husflidslag, 2010. Grimstad, Ingun K. and Sårdal, Tone t. Norsk Strikkehistorie. Vormedal Forlag. 2018. Grimstad, Ingun K. and Sårdal, Tone T. Ren ull. Aschehoug, 2013. Hrútaskrá. https://www.rml.is/is/kynbotastarf/saudfjarraekt/hrutaskra Joensen, Robert. Seyðabókin. SPF. Sprotin, 2015. Johnston, Elizabeth and Juuhl, Marta K. The warp-weighted loom. Kljásteinavefstadurinn: kljásteinar klingja. Oppstadveven: klingande steinar. Skald, 2016. Kjellmo, Ellen. Båtrya i gammel og nyt tid. Orkana, 1996. Sundbø, Annemor. Usynlege Trådar i Strikkekunsten. Samlaget, 2006. https://www.norskebilledkunstnere.no/]]></dcterms:references>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:language><![CDATA[Norwegian]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[410]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,68.1490556685704,13.7622515654953;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/720">
    <dcterms:title><![CDATA[MN_CP_02(01)]]></dcterms:title>
    <dcterms:description><![CDATA[Ragnhild Lie shows how to knit with circular needles. Two threads (white and brown) are used to create a pattern.]]></dcterms:description>
    <dcterms:date><![CDATA[2024-12-05]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,68.1490844508489,13.7622262690289;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/719">
    <dcterms:title><![CDATA[Wool fiber processing]]></dcterms:title>
    <dcterms:description><![CDATA[The know-how about curating, harvesting and selecting the best parts of the sheep wool and different uses according to its natural properties: socks, sweaters, woven fabrics and felted wools. Different breeds will shed different wool textures. Banking on traditional knowledge, finding the best kinds of wool from different sheep breeds and applying it to modern uses comes from cycles of investigation and practice developed throughout the decades. The yarn is colored using natural dyes many of which have been used for centuries. ]]></dcterms:description>
    <dcterms:creator><![CDATA[687]]></dcterms:creator>
    <dcterms:dateSubmitted><![CDATA[19/06/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[04/07/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://lofoten-wool.no/en https://www.nibio.no/prosjekter/amazing-grazing-baerekraftig-kjott-og-ull-fra-sau-som-beiter-i-norsk-utmark?locationfilter=true https://www.smabrukarlaget.no/aktuelt/bonde-og-smaabruker/, https://www.norskekunsthandverkere.no/kunstnerregister/ragnhild-lie https://husflid.no/ https://www.utdanningsforbundet.no/ https://www.bondelaget.no/ Esther Haukeland, Innføring til plantefarging. Cappellen, 1982. Animalia: Norwegian wool Standard. https://www.animalia.no/no/Dyr/ull-og-ullklassifisering/norsk-ullstandard/  Beder, Nicolina J., Seyður Ull Tøting. SPF. Sprotin, 2010. Flååt, Inger. Votter i Namdalen. Nauma Husflidslag, 2010. Grimstad, Ingun K. and Sårdal, Tone t. Norsk Strikkehistorie. Vormedal Forlag. 2018. Grimstad, Ingun K. and Sårdal, Tone T. Ren ull. Aschehoug, 2013. Hrútaskrá. https://www.rml.is/is/kynbotastarf/saudfjarraekt/hrutaskra Joensen, Robert. Seyðabókin. SPF. Sprotin, 2015. Johnston, Elizabeth and Juuhl, Marta K. The warp-weighted loom. Kljásteinavefstadurinn: kljásteinar klingja. Oppstadveven: klingande steinar. Skald, 2016. Kjellmo, Ellen. Båtrya i gammel og nyt tid. Orkana, 1996. Sundbø, Annemor. Usynlege Trådar i Strikkekunsten. Samlaget, 2006. https://www.norskebilledkunstnere.no/]]></dcterms:references>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:language><![CDATA[Norwegian]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[409]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,68.1490556685704,13.7622515654953;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/718">
    <dcterms:title><![CDATA[MN_CP_01(03)]]></dcterms:title>
    <dcterms:description><![CDATA[Ranghild Lie explains about sheep types and their wool, and the stages of preparation of the raw material]]></dcterms:description>
    <dcterms:date><![CDATA[2024-12-05]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,68.1490844508489,13.7622262690289;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/717">
    <dcterms:title><![CDATA[MN_CP_01(02)]]></dcterms:title>
    <dcterms:description><![CDATA[Ranghild Lie explains about sheep types and their wool, and the stages of preparation of the raw material]]></dcterms:description>
    <dcterms:date><![CDATA[2024-12-05]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,68.1490844508489,13.7622262690289;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/716">
    <dcterms:title><![CDATA[MN_CP_01(01)]]></dcterms:title>
    <dcterms:description><![CDATA[Ranghild Lie explains about sheep types and their wool, and the stages of preparation of the raw material]]></dcterms:description>
    <dcterms:date><![CDATA[2024-12-05]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
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</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/715">
    <dcterms:title><![CDATA[LAPONTE_CP_02(04)]]></dcterms:title>
    <dcterms:date><![CDATA[2025-02-07]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.480178,-5.43423190753304;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/714">
    <dcterms:title><![CDATA[LAPONTE_CP_02(03)]]></dcterms:title>
    <dcterms:date><![CDATA[2025-02-07]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.480178,-5.43423190753304;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/713">
    <dcterms:title><![CDATA[LAPONTE_CP_02(02)]]></dcterms:title>
    <dcterms:date><![CDATA[2025-02-07]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.480178,-5.43423190753304;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/712">
    <dcterms:title><![CDATA[LAPONTE_CP_02(01)]]></dcterms:title>
    <dcterms:date><![CDATA[2025-02-07]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.480178,-5.43423190753304;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/711">
    <dcterms:title><![CDATA[Jet culture]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cultura del azabache]]></dcterms:alternative>
    <dcterms:description><![CDATA[The presence of high-quality jet deposits in Asturias enabled, since ancient times, its mining and artisanal use, giving rise to a culture centered around the properties of this unique mineral. Its believed protective nature generated strong demand for handcrafted creations, which were sold mainly outside the region, both in traditional forms like amulets and in more unique versions, as various pieces of jewelry]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[18/06/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[15/09/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[408]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/710">
    <dcterms:title><![CDATA[Jet culture]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cultura del azabache]]></dcterms:alternative>
    <dcterms:description><![CDATA[The presence of high-quality jet deposits in Asturias enabled, since ancient times, its mining and artisanal use, giving rise to a culture centered around the properties of this unique mineral. Its believed protective nature generated strong demand for handcrafted creations, which were sold mainly outside the region, both in traditional forms like amulets and in more unique versions, as various pieces of jewelry]]></dcterms:description>
    <dcterms:creator><![CDATA[683]]></dcterms:creator>
    <dcterms:dateSubmitted><![CDATA[18/06/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[18/06/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.youtube.com/watch?v=X7CzYi6DnR0 Campón, E., Fernández, C. J., & Solans, J. (1978). El azabache de los yacimientos de Oles (Asturias). Trabajos de Geología, (10), 161-167. Vevia, M. V. B. (2024). El azabache asturiano y la reina Victoria. ArqueoTimes, (9), 36-38. Mata, Á. F. (2005). Iconografía jacobea en azabache. Los Caminos de Santiago. Arte, Historia y Literatura, 169-212. Menéndez Menéndez, A. (2021, January). Aproximación al pasado, presente y futuro de la industria azabachera, un patrimonio cultural, material e inmaterial, en vías de extinción. In I Simposio anual de Patrimonio Natural y Cultural ICOMOS España (pp. 479-492). Editorial Universitat Politècnica de València.]]></dcterms:references>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[407]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/709">
    <dcterms:title><![CDATA[Faro's pottery]]></dcterms:title>
    <dcterms:alternative><![CDATA[Alfarería de Faro]]></dcterms:alternative>
    <dcterms:description><![CDATA[There are two types of pottery: black pottery, obtained by reducing iron-rich clay, which has been documented since the 11th century in various closed forms (puchero, barbón, penada, cider jug...), and glazed and enamelled pottery, which appears from the 13th century (escudilla, plate, jug, botijo...). The latter has the peculiarity of having two firings, the second one to fix the glaze and the paint, with geometric, vegetal and zoomorphic decorations, the most singular being the páxara, the most representative colours being green and yellow.
The 18th century was the time of greatest splendour, with more than 70 potters. The arrival of earthenware would gradually lead to a decline in activity, until the only pottery workshop that has survived since the middle of the 20th century, making pieces in the same way as they were made in the Middle Ages.]]></dcterms:description>
    <dcterms:creator><![CDATA[681]]></dcterms:creator>
    <dcterms:dateSubmitted><![CDATA[18/06/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[18/06/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[de Aldecoa, E. I. (1985). La cerámica vidriada de Faro: motivos decorativos. Liño: Revista anual de historia del arte, (5), 235-246. Busto, M. (2021). Sistematización arqueológica de las producciones de cerámica esmaltada y vidriada de Faro de Liminas (Astrurias, España) desde el siglo XVI al XVIII. Jaén: UJA Editorial. Menéndez, J. J. A. (1997). Un ejemplo de continuidad en la producción de ceràmica desde la Edad Media al siglo XX: Faro (Asturies-España). Olaria: Estudos Arqueológicos, Históricos e Etnológicos, (2), 93-100. https://www.youtube.com/watch?v=I_FpkQ5c6jM https://www.google.com/search?q=videos+taller+de+faro+ceramica&rlz=1C1RLNS_esES958ES961]]></dcterms:references>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[406]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.355833,-5.794167;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/708">
    <dcterms:title><![CDATA[Javier Ortiz del Peño]]></dcterms:title>
    <dcterms:source><![CDATA[artisans,asturiasmap,people]]></dcterms:source>
    <dcterms:date><![CDATA[1963]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:language><![CDATA[Asturian,Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[405]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.3335411671039,-5.5446023832244;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/707">
    <dcterms:title><![CDATA[UNIOVI_PR_01(01)]]></dcterms:title>
    <dcterms:description><![CDATA[Interview with Javier Ortiz del Peño]]></dcterms:description>
    <dcterms:date><![CDATA[2024-11-27]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[audio/mp3]]></dcterms:format>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.3335455978306,-5.5446023832244;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/706">
    <dcterms:title><![CDATA[UNIOVI_PR_01(01)]]></dcterms:title>
    <dcterms:description><![CDATA[Javier Ortiz del Peño's workshop]]></dcterms:description>
    <dcterms:date><![CDATA[2024-11-27]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.3335455978306,-5.5446023832244;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/705">
    <dcterms:title><![CDATA[Therese Henner]]></dcterms:title>
    <dcterms:source><![CDATA[artisans,people,varmlandmap]]></dcterms:source>
    <dcterms:date><![CDATA[1986]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:language><![CDATA[Swedish]]></dcterms:language>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[404]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,59.6574488,12.890542;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/704">
    <dcterms:title><![CDATA[RV_PR_03(01)]]></dcterms:title>
    <dcterms:description><![CDATA[Interview with Therese Henner]]></dcterms:description>
    <dcterms:date><![CDATA[2024-12-06]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,59.6574488,12.890542;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/703">
    <dcterms:title><![CDATA[RV_PR_03(02)]]></dcterms:title>
    <dcterms:description><![CDATA[Therese Henner sitting at loom. View from front and natural dyed yarns hanging on string above heddles]]></dcterms:description>
    <dcterms:date><![CDATA[2024-12-06]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,59.6574488,12.890542;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/702">
    <dcterms:title><![CDATA[RV_PR_03(01)]]></dcterms:title>
    <dcterms:description><![CDATA[Therese Henner looking into camera, wearing scarf and band she's woven herself. Winter landscape in background]]></dcterms:description>
    <dcterms:date><![CDATA[2024:02:16 12:10:06]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,59.6574488,12.890542;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/701">
    <dcterms:title><![CDATA[Carina Haglund]]></dcterms:title>
    <dcterms:source><![CDATA[artisans,people,varmlandmap]]></dcterms:source>
    <dcterms:date><![CDATA[1966]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:language><![CDATA[Swedish]]></dcterms:language>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[403]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,59.729006,13.322161;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/700">
    <dcterms:title><![CDATA[RV_PR_02(01) Audio]]></dcterms:title>
    <dcterms:description><![CDATA[interview with Carina Haglund]]></dcterms:description>
    <dcterms:date><![CDATA[2025-01-10]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[audio/mp3]]></dcterms:format>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,59.7283287,13.2991595;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/699">
    <dcterms:title><![CDATA[RV_PR_02(01)-photosphere]]></dcterms:title>
    <dcterms:description><![CDATA[insta360 photo of Haglund's workshop]]></dcterms:description>
    <dcterms:date><![CDATA[2025-01-10]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Panorama]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,59.728256184413,13.3208881260733;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/698">
    <dcterms:title><![CDATA[RV_PR_02(03)]]></dcterms:title>
    <dcterms:description><![CDATA[Winter. Haglunds workshop in the left side of the image and house on the right.]]></dcterms:description>
    <dcterms:date><![CDATA[2025-02-21]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,59.728256184413,13.3208881260733;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/697">
    <dcterms:title><![CDATA[RV_PR_02(02)]]></dcterms:title>
    <dcterms:description><![CDATA[Winter. Portrait of Carina Haglund, on stair to one of her houses. Her workshop is the red builidng in the left corner]]></dcterms:description>
    <dcterms:date><![CDATA[2025-02-21]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,59.728256184413,13.3208881260733;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/696">
    <dcterms:title><![CDATA[RV_PR_02(01)]]></dcterms:title>
    <dcterms:description><![CDATA[Portrait of Carina Haglund inside her workshop]]></dcterms:description>
    <dcterms:date><![CDATA[2025-02-21]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,59.728256184413,13.3208881260733;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/695">
    <dcterms:title><![CDATA[Inez Assk]]></dcterms:title>
    <dcterms:source><![CDATA[artisans,people,varmlandmap]]></dcterms:source>
    <dcterms:date><![CDATA[1936]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:language><![CDATA[Swedish]]></dcterms:language>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[402]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,59.8376399,13.1230106;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/694">
    <dcterms:title><![CDATA[RV_PR_01(01)]]></dcterms:title>
    <dcterms:description><![CDATA[Inez Assk in her home, knitting]]></dcterms:description>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,59.8376399,13.1230106;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/693">
    <dcterms:title><![CDATA[RV_PR_01(01)]]></dcterms:title>
    <dcterms:description><![CDATA[Interview with Inez Assk]]></dcterms:description>
    <dcterms:date><![CDATA[2024-11-20]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[audio/mp3]]></dcterms:format>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,59.8376399,13.1230106;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/692">
    <dcterms:title><![CDATA[MN_PR_02(03)]]></dcterms:title>
    <dcterms:description><![CDATA[Interview with Tor-Vegard Mørkved]]></dcterms:description>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/691">
    <dcterms:title><![CDATA[MN_PR_02(02)]]></dcterms:title>
    <dcterms:description><![CDATA[Interview with Tor-Vegard Mørkved]]></dcterms:description>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/690">
    <dcterms:title><![CDATA[MN_PR_02(01)]]></dcterms:title>
    <dcterms:description><![CDATA[Interview with Tor-Vegard Mørkved]]></dcterms:description>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/689">
    <dcterms:title><![CDATA[Tor-Vegard Mørkved]]></dcterms:title>
    <dcterms:source><![CDATA[artisans,people]]></dcterms:source>
    <dcterms:date><![CDATA[1965]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:language><![CDATA[English,Norwegian]]></dcterms:language>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[401]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,68.004948,13.207371;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/688">
    <dcterms:title><![CDATA[MN_PR_02]]></dcterms:title>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/687">
    <dcterms:title><![CDATA[Ragnhild Lie]]></dcterms:title>
    <dcterms:source><![CDATA[artisans,lofotenmap]]></dcterms:source>
    <dcterms:date><![CDATA[1966]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:language><![CDATA[Norwegian]]></dcterms:language>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[400]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,68.1490556685704,13.7622515654953;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/686">
    <dcterms:title><![CDATA[MN_PR_01]]></dcterms:title>
    <dcterms:description><![CDATA[Interview with Ragnhild Lie]]></dcterms:description>
    <dcterms:date><![CDATA[2024-12-05]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,68.1490556685704,13.7622515654953;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/685">
    <dcterms:title><![CDATA[LAPONTE_PR_03 (02)]]></dcterms:title>
    <dcterms:description><![CDATA[Maria Pérez en su taller de Villaviciosa]]></dcterms:description>
    <dcterms:date><![CDATA[2025-02-07]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/684">
    <dcterms:title><![CDATA[LAPONTE_PR_03 (01)]]></dcterms:title>
    <dcterms:description><![CDATA[Maria Pérez en su taller de Villaviciosa]]></dcterms:description>
    <dcterms:date><![CDATA[2025-02-07]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/683">
    <dcterms:title><![CDATA[María Pérez]]></dcterms:title>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:date><![CDATA[70´s]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[399]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.480178,-5.43423190753304;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/682">
    <dcterms:title><![CDATA[LAPONTE_PR_03 (01)]]></dcterms:title>
    <dcterms:description><![CDATA[Maria Pérez en su taller de Villaviciosa]]></dcterms:description>
    <dcterms:date><![CDATA[2025-02-07]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/681">
    <dcterms:title><![CDATA[Orlando Morán Fernandez]]></dcterms:title>
    <dcterms:source><![CDATA[artisans,asturiasmap,people]]></dcterms:source>
    <dcterms:date><![CDATA[1970s]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[398]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.355833,-5.794167;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/680">
    <dcterms:title><![CDATA[LAPONTE_PR_02(02)]]></dcterms:title>
    <dcterms:description><![CDATA[Interview with Orlando Morán]]></dcterms:description>
    <dcterms:date><![CDATA[2024-12-19]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.355833,-5.794167;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/679">
    <dcterms:title><![CDATA[LAPONTE_PR_02(01)]]></dcterms:title>
    <dcterms:description><![CDATA[Interview with Orlando Morán]]></dcterms:description>
    <dcterms:date><![CDATA[2024-12-19]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.355833,-5.794167;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/678">
    <dcterms:title><![CDATA[LAPONTE_PR_02(01)]]></dcterms:title>
    <dcterms:description><![CDATA[Orlando Morán in his workspace at the Cultural Factory of Avilés]]></dcterms:description>
    <dcterms:date><![CDATA[2024-12-19]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.355833,-5.794167;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/677">
    <dcterms:title><![CDATA[Natalia Su&aacute;rez]]></dcterms:title>
    <dcterms:source><![CDATA[artisans,asturiasmap]]></dcterms:source>
    <dcterms:date><![CDATA[1970s]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[397]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.461498,-6.039444;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/676">
    <dcterms:title><![CDATA[LAPONTE_PR_01(03)]]></dcterms:title>
    <dcterms:description><![CDATA[Natalia Suárez making a vase]]></dcterms:description>
    <dcterms:date><![CDATA[2025-01-23]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.461389,-6.039444;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/675">
    <dcterms:title><![CDATA[LAPONTE_PR_01(02)]]></dcterms:title>
    <dcterms:description><![CDATA[Interview with Natalia Suárez]]></dcterms:description>
    <dcterms:date><![CDATA[2024-12-03]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.461389,-6.039444;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/674">
    <dcterms:title><![CDATA[LAPONTE_PR_01(01)]]></dcterms:title>
    <dcterms:description><![CDATA[Interview with Natalia Suárez]]></dcterms:description>
    <dcterms:date><![CDATA[2024-12-03]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.461389,-6.039444;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/673">
    <dcterms:title><![CDATA[LAPONTE_PR_01(08)]]></dcterms:title>
    <dcterms:description><![CDATA[Natalia Suárez's set of tools and creations]]></dcterms:description>
    <dcterms:date><![CDATA[2024-12-03]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.461389,-6.039444;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/672">
    <dcterms:title><![CDATA[LAPONTE_PR_01(07)]]></dcterms:title>
    <dcterms:description><![CDATA[Natalia Suárez outside the workspace]]></dcterms:description>
    <dcterms:date><![CDATA[2024-12-03]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.461389,-6.039444;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/671">
    <dcterms:title><![CDATA[LAPONTE_PR_01(06)]]></dcterms:title>
    <dcterms:description><![CDATA[Natalia Suarez inside the workspace]]></dcterms:description>
    <dcterms:date><![CDATA[2024-12-03]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.461389,-6.039444;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/670">
    <dcterms:title><![CDATA[LAPONTE_PR_01(05)]]></dcterms:title>
    <dcterms:description><![CDATA[Outside of the workspace]]></dcterms:description>
    <dcterms:date><![CDATA[2024-12-03]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.461389,-6.039444;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/669">
    <dcterms:title><![CDATA[LAPONTE_PR_01(04)]]></dcterms:title>
    <dcterms:description><![CDATA[Outside of the workspace]]></dcterms:description>
    <dcterms:date><![CDATA[2024-12-03]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.461389,-6.039444;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/668">
    <dcterms:title><![CDATA[LAPONTE_PR_01(03)]]></dcterms:title>
    <dcterms:description><![CDATA[Interior of the workspace]]></dcterms:description>
    <dcterms:date><![CDATA[2024-12-03]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.461389,-6.039444;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/667">
    <dcterms:title><![CDATA[LAPONTE_PR_01(02)]]></dcterms:title>
    <dcterms:description><![CDATA[Interior of the workspace]]></dcterms:description>
    <dcterms:date><![CDATA[2024-12-03]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.461389,-6.039444;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/666">
    <dcterms:title><![CDATA[LAPONTE_PR_01(01)]]></dcterms:title>
    <dcterms:description><![CDATA[Interior of the workspace]]></dcterms:description>
    <dcterms:date><![CDATA[2024-12-03]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.461389,-6.039444;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/665">
    <dcterms:title><![CDATA[CJMM_CP_02_weaving Anuta Stan]]></dcterms:title>
    <dcterms:description><![CDATA[Anuta Stan, weaver of Săpânța presenting the steps of wool weaving]]></dcterms:description>
    <dcterms:date><![CDATA[2024_12_14]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/664">
    <dcterms:title><![CDATA[CJMM_CP_02]]></dcterms:title>
    <dcterms:description><![CDATA[Anuta Stan, weaver of Săpânța presenting the steps of wool weaving]]></dcterms:description>
    <dcterms:date><![CDATA[2024_12_14]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/663">
    <dcterms:title><![CDATA[Weaving]]></dcterms:title>
    <dcterms:alternative><![CDATA[A țăse]]></dcterms:alternative>
    <dcterms:description><![CDATA[.Săpânța is not a common village, precisely because it holds on its territory a rare treasure, hard to value in money or words – CIMITIRUL VESEL (THE MERRY CEMETERY). The Merry Cemetery of Săpânța – globally unique and world value monument, where tomb’s crosses are not only guarding the graves, but they are also explicitly speaking in words. The Merry Cemetery of Săpânța, where the epitaphs, unique in the word, show the richness and originality of the Romanian life philosophy and the Romanian mentality of thinking lively and authentically even about after-life things.]]></dcterms:description>
    <dcterms:creator><![CDATA[657]]></dcterms:creator>
    <dcterms:dateSubmitted><![CDATA[12/06/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[15/09/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[Memoria Ethnologică: https://www.memoria-ethnologica.ro/articole/page/98/ ]]></dcterms:references>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[396]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,47.966669,23.7;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/662">
    <dcterms:title><![CDATA[Traditional women belt]]></dcterms:title>
    <dcterms:alternative><![CDATA[Brâu]]></dcterms:alternative>
    <dcterms:description><![CDATA[One of the most important manifestations of traditional culture, the result of the creative effort of a whole community and a real brand
of identity, is the traditional/popular costume. In Maramures, the most important piece of clothing and the element that establishes the genesis of the Romanian folk costume is the shirt, which synthesizes the most traditional elements and, at the same time,
the most numerous artistic elements of ornamentation. For both man and women the belt is a defining part of the shirt, that beyond its functionality, simbolizes the magic protective circle. The women belt that in some areas of Maramures can have a length up to 4 meters it secures both the shirt and the skirt and protects the ones whom wears it from evil, ensuring prosperity and fertility. ]]></dcterms:description>
    <dcterms:creator><![CDATA[657]]></dcterms:creator>
    <dcterms:date><![CDATA[2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[12/06/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[04/07/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.memoria-ethnologica.ro/wp-content/uploads/port-traditional-natalia-lazar-56-71-82-83.pdf]]></dcterms:references>
    <dcterms:extent><![CDATA[80cm x 7cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Romanian]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[395]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,47.9667699419435,23.6999999964607;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/661">
    <dcterms:title><![CDATA[CJMM_AR_02(02)]]></dcterms:title>
    <dcterms:description><![CDATA[Simple wool belt made by Anuța Stan ]]></dcterms:description>
    <dcterms:date><![CDATA[2024-12-12]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,47.96676994194350,23.69999999646070;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/660">
    <dcterms:title><![CDATA[CJMM_AR_02(01)]]></dcterms:title>
    <dcterms:description><![CDATA[Simple wool belt made by Anuța Stan ]]></dcterms:description>
    <dcterms:date><![CDATA[2024-12-12]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,47.96676994194350,23.69999999646070;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/659">
    <dcterms:title><![CDATA[Traditional shoulder bag]]></dcterms:title>
    <dcterms:alternative><![CDATA[Trăistă, trăistută, desagă in Romanian]]></dcterms:alternative>
    <dcterms:description><![CDATA[The components that define the image of the traditional costume are the traiste (shoulder bags) and desagi (saddle bags). These items serve both a functional-utilitarian and an informational-aesthetic role.
Their purpose and usability distinguish them as trăistuțe (small bags), traiște (larger shoulder bags), and desagi (saddle bags).
The variation within this group of items was determined by criteria such as size, color, ornamentation, and the raw materials used. Based on the materials from which they were made, traiste and desagi could be crafted from hemp, wool, or finely woven wool (lâniță).
The way these bags were carried also differed. Trăistuțele and traiștele were worn over the shoulder or diagonally, in a style called "arcește". Desagi, on the other hand, were carried bilaterally, either over the shoulder or across a saddle. They were most commonly made from a single integral piece of fabric. Trăistuțele and traiștele were complemented by baieră, brâu, or bată, which helped support and carry them over the shoulder . These straps could be made by twisting multiple threads together, weaving them with two heddles, or handpicking the patterns. Some trăistuțe and desagi featured pave (folded extensions) that made them more spacious.
Trăistuțele were an essential accessory for children, especially for those attending school, as they were used to carry textbooks and other school supplies at the end of the 19th century and the beginning of the 20th century. According to field informants, trăistuțele were also used by children when they went Christmas carolling (colindatul) and New Year’s Eve wishing (uratul), where they collected the gifts offered by the householders as tokens of goodwill and prosperity.]]></dcterms:description>
    <dcterms:creator><![CDATA[657]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[12/06/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[04/07/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[30cm x 15cm x 23cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.memoria-ethnologica.ro/?s=traist%C4%83]]></dcterms:medium>
    <dcterms:language><![CDATA[Romanian]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[394]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,47.9667699419435,23.6999999964607;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/658">
    <dcterms:title><![CDATA[CJMM_AR_01(01)]]></dcterms:title>
    <dcterms:description><![CDATA[The weaver working on traditional wool shoulder bag in Maramures]]></dcterms:description>
    <dcterms:date><![CDATA[2024:12:12 13:04:32]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,47.96676994194350,23.69999999646070;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/657">
    <dcterms:title><![CDATA[Anuța Stan]]></dcterms:title>
    <dcterms:source><![CDATA[artisans,taralapusuluimap]]></dcterms:source>
    <dcterms:date><![CDATA[1961]]></dcterms:date>
    <dcterms:contributor><![CDATA[iao@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:language><![CDATA[Romanian]]></dcterms:language>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[393]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,47.9667699419435,23.6999999964607;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/656">
    <dcterms:title><![CDATA[Carolling]]></dcterms:title>
    <dcterms:alternative><![CDATA[Colinda]]></dcterms:alternative>
    <dcterms:source><![CDATA[taralapusuluimap]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[12/06/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[28/10/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:language><![CDATA[Romanian]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[392]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,47.8355,24.0132;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/655">
    <dcterms:title><![CDATA[Highland and Islands]]></dcterms:title>
    <dcterms:description><![CDATA[Highland and Islands shape from https://mapit.mysociety.org/area/135013.html Contains public sector information licensed under the Open Government Licence v3.0.]]></dcterms:description>
    <dcterms:source><![CDATA[highlandandislands]]></dcterms:source>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/vnd.google-earth.kml+xml]]></dcterms:format>
    <dcterms:medium><![CDATA[https://mapit.mysociety.org/area/135013.html]]></dcterms:medium>
    <dcterms:type><![CDATA[Geolocated]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/654">
    <dcterms:title><![CDATA[Laboratorio Biomim&eacute;tico-ARBIO]]></dcterms:title>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:type><![CDATA[Museum]]></dcterms:type>
    <dcterms:identifier><![CDATA[391]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/653">
    <dcterms:title><![CDATA[Yolanda Gonz&aacute;lez]]></dcterms:title>
    <dcterms:description><![CDATA[One of the areas of the laboratory is ARBIO, dedicated to the production of biodegradable fabrics that the made by kÖs firm of Constantino and Yolanda uses to make some of its pieces. This collaboration is part of the key points of the lab, which seeks synergies with designers, experts, researchers, and the community in general. Constantino learned to sew with his mother and later trained in Fashion and Clothing. Inspired by his research and interest in textile history and historical recreation, he established the made by kÖs brand in 2013, combining traditional inspiration with contemporary designs, after a work of reproducing old pieces based on paintings and photographs with traditional scenes, especially from the 19th century. After a few years, Yolanda joined, who also began sewing with her mother, as well as with her grandmother and her aunts. She is in charge of reproducing the pieces based on Constantino’s model, as well as the more business work, related to suppliers and orders. Her line of garments, with very selected projects, are produced on a small scale and locally, proposing pieces inspired by rural areas, village life and traditional clothing, incorporating current elements to give rise to handmade designer pieces]]></dcterms:description>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[390]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/652">
    <dcterms:title><![CDATA[Constantino Menéndez]]></dcterms:title>
    <dcterms:description><![CDATA[One of the areas of the laboratory is ARBIO, dedicated to the production of biodegradable fabrics that the made by kÖs firm of Constantino and Yolanda uses to make some of its pieces. This collaboration is part of the key points of the lab, which seeks synergies with designers, experts, researchers, and the community in general. Constantino learned to sew with his mother and later trained in Fashion and Clothing. Inspired by his research and interest in textile history and historical recreation, he established the made by kÖs brand in 2013, combining traditional inspiration with contemporary designs, after a work of reproducing old pieces based on paintings and photographs with traditional scenes, especially from the 19th century. After a few years, Yolanda joined, who also began sewing with her mother, as well as with her grandmother and her aunts. She is in charge of reproducing the pieces based on Constantino’s model, as well as the more business work, related to suppliers and orders. Her line of garments, with very selected projects, are produced on a small scale and locally, proposing pieces inspired by rural areas, village life and traditional clothing, incorporating current elements to give rise to handmade designer pieces]]></dcterms:description>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[389]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/651">
    <dcterms:title><![CDATA[Manuel Persa]]></dcterms:title>
    <dcterms:description><![CDATA[Marlén, biodigital architect and Manuel, biodigital designer and craftsman, make up the Laboratorio Biomimético, a project based on biomimesis, that is, on the attentive observation of nature, directly through field trips, or indirectly, with readings and documentaries. Through this observation and profound understanding, they seek to implement the solutions of nature, a designer with thousands of years of experience, to human challenges.]]></dcterms:description>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[388]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/650">
    <dcterms:title><![CDATA[Marl&eacute;n L&oacute;pez]]></dcterms:title>
    <dcterms:description><![CDATA[Marlén, biodigital architect and Manuel, biodigital designer and craftsman, make up the Laboratorio Biomimético, a project based on biomimesis, that is, on the attentive observation of nature, directly through field trips, or indirectly, with readings and documentaries. Through this observation and profound understanding, they seek to implement the solutions of nature, a designer with thousands of years of experience, to human challenges.]]></dcterms:description>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[387]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/649">
    <dcterms:title><![CDATA[Alfar de Llamas del Mouro]]></dcterms:title>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:modified><![CDATA[25/07/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[386]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/648">
    <dcterms:title><![CDATA[Artesan&iacute;as Forcinas]]></dcterms:title>
    <dcterms:description><![CDATA[The artisan who created the Basket bag item.]]></dcterms:description>
    <dcterms:source><![CDATA[artisans,asturiasmap]]></dcterms:source>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[385]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/647">
    <dcterms:title><![CDATA[Monika Hint]]></dcterms:title>
    <dcterms:description><![CDATA[Monika Hint, an student of the University of Tartu Viljandi Culture Academy, runs her own studio, Koordikamber, in Koordi farm in Viljandi county. Collaborating with fellow artisans, local farmers, and hunters, she uses bone, horn, leather, wool, and other natural, often recycled materials to create products that build on and develop further traditional technologies.]]></dcterms:description>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[384]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/646">
    <dcterms:title><![CDATA[Stan Maria]]></dcterms:title>
    <dcterms:description><![CDATA[Creates clothes with her mother Dominica Stan.]]></dcterms:description>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[383]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/645">
    <dcterms:title><![CDATA[Dominica Stan]]></dcterms:title>
    <dcterms:description><![CDATA[Creates clothes with her daughter Stan Maria.]]></dcterms:description>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[382]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/644">
    <dcterms:title><![CDATA[Federica Busani]]></dcterms:title>
    <dcterms:source><![CDATA[artisans,images]]></dcterms:source>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[381]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/643">
    <dcterms:title><![CDATA[Rachele Didero]]></dcterms:title>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[380]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/642">
    <dcterms:title><![CDATA[Paz Mesa]]></dcterms:title>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[379]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/641">
    <dcterms:title><![CDATA[Rut Olsson]]></dcterms:title>
    <dcterms:description><![CDATA[Rut Orrmalm Olsson, producer of textile handicraft, started at the shop in May 2008 and left the shop three years later. Göran Söderström, goldsmith from Lannavaara, joined us in October 2008.]]></dcterms:description>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[378]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/640">
    <dcterms:title><![CDATA[Carl-Johan Lejrin]]></dcterms:title>
    <dcterms:description><![CDATA[Creates handspun yarn using spinning-wheel. The wool used are from Carl-Joahns own sheep, which are of an older local breed of sheep “Värmalndsfår”. These particular sheep produce a varying wool spanning for qualities used for tapestry to yarn for felting cloth. Apart from the sheering of the sheep, Carl-Johan has done all the prework such as washing, carding, to the spinning, to the finishing treatment.]]></dcterms:description>
    <dcterms:source><![CDATA[artisans,varmlandmap]]></dcterms:source>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[377]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/639">
    <dcterms:title><![CDATA[Fisherman's 3-Ply Knitted Gansey]]></dcterms:title>
    <dcterms:subject><![CDATA[Art,MARINE LIFE,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[This is a fine example of a traditional 'Helmsdale' patterned fisherman's gansey or jumper, dating back to
the mid-20th century. The design features motifs that include the diamond shape of herring nets and the
cable patterns reminiscent of rope and rigging. This particular jumper was typically worn on special
occasions or Sundays, rather than while at sea. Fisherwomen, who were skilled knitters, created ganseys
during their spare time as they awaited the herring catch to arrive at the quayside.]]></dcterms:description>
    <dcterms:date><![CDATA[Mid-20th century]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[09/06/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[376]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.11668012077829,, -3.6541763990927962;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/638">
    <dcterms:title><![CDATA[Fisherman's 3-Ply Knitted Gansey]]></dcterms:title>
    <dcterms:subject><![CDATA[Art,MARINE LIFE,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[This is a fine example of a traditional 'Helmsdale' patterned fisherman's gansey or jumper, dating back to
the mid-20th century. The design features motifs that include the diamond shape of herring nets and the
cable patterns reminiscent of rope and rigging. This particular jumper was typically worn on special
occasions or Sundays, rather than while at sea. Fisherwomen, who were skilled knitters, created ganseys
during their spare time as they awaited the herring catch to arrive at the quayside.]]></dcterms:description>
    <dcterms:date><![CDATA[Mid-20th century]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[09/06/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[375]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.11668012077829,, -3.6541763990927962;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/637">
    <dcterms:title><![CDATA[01_Gansey_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/636">
    <dcterms:title><![CDATA[Fisherman's 3-Ply Knitted Gansey]]></dcterms:title>
    <dcterms:description><![CDATA[This is a fine example of a traditional 'Helmsdale' patterned fisherman's gansey or jumper, dating back to the mid-20th century. The design features motifs that include the diamond shape of herring nets and the cable patterns reminiscent of rope and rigging. This particular jumper was typically worn on special
occasions or Sundays, rather than while at sea. Fisherwomen, who were skilled knitters, created ganseys
during their spare time as they awaited the herring catch to arrive at the quayside.]]></dcterms:description>
    <dcterms:source><![CDATA[images]]></dcterms:source>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/634">
    <dcterms:title><![CDATA[Felted sweater]]></dcterms:title>
    <dcterms:subject><![CDATA[Fashion]]></dcterms:subject>
    <dcterms:description><![CDATA[This is a sweater in crafted in wet-felting technique, created entirely from a single piece of felt. The seamless construction demonstrates a high level of expertise in both felting and garment shaping, as the entire form is sculpted during the felting process rather than being cut and stitched together. ]]></dcterms:description>
    <dcterms:creator><![CDATA[448]]></dcterms:creator>
    <dcterms:date><![CDATA[2016]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[28/05/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[10/06/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[35cm x 53cm x 125cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Slovene]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[373]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,46.16670752477649,14.30700671376705;]]></dcterms:spatial>
</rdf:Description></rdf:RDF>