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<rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2061">
    <dcterms:title><![CDATA[Interior de la queser&iacute;a]]></dcterms:title>
    <dcterms:date><![CDATA[2025-08-14]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2060">
    <dcterms:title><![CDATA[Exterior de la queseria]]></dcterms:title>
    <dcterms:date><![CDATA[2025-08-14]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
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</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2059">
    <dcterms:title><![CDATA[Exterior de la queseria]]></dcterms:title>
    <dcterms:date><![CDATA[2025-08-14]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
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</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2058">
    <dcterms:title><![CDATA[The practitioners entrevistados Beatriz Rodr&iacute;guez, Francisco Wagner y un colaborador del proyecto]]></dcterms:title>
    <dcterms:date><![CDATA[2025-08-14]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
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</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2057">
    <dcterms:title><![CDATA[Beatriz Rodr&iacute;guez and Francisco Wagner]]></dcterms:title>
    <dcterms:description><![CDATA[Beatriz Rodríguez and Francisco Wagner are shepherds, cattle farmers, and producers of Gamonéu del Valle cheese in Parda, Cangas de Onís. The Gamonéu cheese is a traditional blue cheese from Asturias and parts of the Picos de Europa, Its creation dates back to ancient times and forms an important part of Asturian cultural heritage, both tangible and intangible. Beatriz and Francisco are recognized as the first producers of organic/ecological Gamonéu del Valle cheese. Their product has Protected Designation of Origin status and has been certified by COPAE since 2021. The aim of Beatriz and Francisco's cheese small factory, called “Queseria de la Casa Vieya,” is to produce 100% artisanal (using ancestral techniques) and organic cheese using three types of milk: goat's milk, sheep's milk, and cow's milk. To achieve this goal, they maintain a traditional system of small-scale grazing and livestock farming with a few Casina cows, 32 sheep, and 60 “Bermeya” goats. ]]></dcterms:description>
    <dcterms:source><![CDATA[artisans,asturiasmap]]></dcterms:source>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[793]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.35107,-5.12749781;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2056">
    <dcterms:title><![CDATA[UberdonCheese Label]]></dcterms:title>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2055">
    <dcterms:title><![CDATA[Interview video]]></dcterms:title>
    <dcterms:date><![CDATA[2025-04-22]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
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</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2054">
    <dcterms:title><![CDATA[Jose Luis Alonso Zaragoza]]></dcterms:title>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:date><![CDATA[1995]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[792]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.34833333,-5.1275;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2052">
    <dcterms:title><![CDATA[Gamoneu Cheese]]></dcterms:title>
    <dcterms:alternative><![CDATA[Queso Gamoneu]]></dcterms:alternative>
    <dcterms:description><![CDATA[It is a fatty, matured cheese with a natural rind, which can be made with cow’s, sheep’s, and/or goat’s milk. It is lightly smoked and has slight Penicillium blooms along the edges. Gamoneu becomes a blue-veined cheese after a long aging period in the cave. With a shorter maturation time, it is predominantly white to yellowish in color, with greenish-blue veins of Penicillium spreading from the outside toward the center. The paste is semi-hard and crumbly, with a strong but not overpowering aroma, and smoky notes. Some wheels are quite large, weighing up to eight kilograms, with an intense smoky aroma and a spicy flavor]]></dcterms:description>
    <dcterms:creator><![CDATA[2057,2054]]></dcterms:creator>
    <dcterms:source><![CDATA[asturiasmap]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[18/12/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[19/12/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[González-Álvarez, M. (2015). Denominaciones de Origen y Parques Nacionales: actividad quesera en Picos de Europa. Revista de humanidades (25), 57-84.
Monesma, E. (2003). La vida de los pastores de los Picos de Europa y el queso de Gamoneu. Oficios Perdidos. Documental. https://www.youtube.com/watch?v=RTFXabGx6Ro
Oliveira e Oliveira, T. C. D. (2023). Revalorização de alimentos símbolo de comunidades-território. Os casos do mel virgem de abelhas Pisilnekmej no território maseual (México) e do queijo Gamonéu de pastores de Picos de Europa (Espanha).
Prieto, D. (2019). La Escuela de Pastores de Picos de Europa: revitalizando la cultura de pastoreo quesero. PH: Boletín del Instituto Andaluz del Patrimonio Histórico, 27(98), 298-307.
Polledo, M. (2024). Evidencias arqueológicas de actividad humana en áreas de alta montaña: los Picos de Europa y su entorno durante la prehistoria. En RUIZ-FERNÁNDEZ, J., LUELMO-LAUTENSCHLAEGER, R., PÉREZ-DÍAZ, S., GARCÍA-HERNÁNDEZ, C., LÓPEZ-SÁEZ, J.A., ALBA-SÁNCHEZ, F., GALLINAR, D., RUIZ-ALONSO, M., GARCÍA, A., GONZÁLEZDÍAZ, B., (Eds.) Socio-ecología, arqueología y geohistoria de los paisajes de montaña ibéricos: una mirada multidisciplinar. Oviedo: CeCodet (Universidad de Oviedo) – Ed. Trabe. págs. 491–507.
Valle, F. (2007). Quesos artesanos de la comarca oriente de Asturias. Llanes: Consorcio del Oriente de Asturias.]]></dcterms:references>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:language><![CDATA[Asturian,Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[790]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.314444,-5.066667;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2051">
    <dcterms:title><![CDATA[Wooden Boat]]></dcterms:title>
    <dcterms:alternative><![CDATA[Sgoth]]></dcterms:alternative>
    <dcterms:description><![CDATA[Wooden, dipping lug sailing boat traditionally used for fishing in the sea areas surrounding the Hebrides. ]]></dcterms:description>
    <dcterms:source><![CDATA[craftedobjects,scotlandobjects,highlandandislands]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[18/12/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[06/04/2026]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:language><![CDATA[Scottish Gaelic]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[789]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58,-6;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2050">
    <dcterms:title><![CDATA[Oich Niseachpost pre- rennovation by Mark Stockl]]></dcterms:title>
    <dcterms:date><![CDATA[20/09/24]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2049">
    <dcterms:title><![CDATA[Oich Niseachpost rennovation by Mark Stockl]]></dcterms:title>
    <dcterms:date><![CDATA[2025-01-10]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2048">
    <dcterms:title><![CDATA[Mug]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cup]]></dcterms:alternative>
    <dcterms:description><![CDATA[ A green, hand-thrown mug, with handle, made by potter Sue Blair (AAS_PR_001) of Borve Pottery.]]></dcterms:description>
    <dcterms:creator><![CDATA[234]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects,scotlandobjects,highlandandislands]]></dcterms:source>
    <dcterms:date><![CDATA[11/01/25]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[18/12/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[13cm x 8cm x 12cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[788]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.4,-6.44;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2047">
    <dcterms:title><![CDATA[Green, hand thrown mug.]]></dcterms:title>
    <dcterms:date><![CDATA[17/12/25]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
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    <dcterms:title><![CDATA[Taramundi traditional knifemaking]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cuchillería o navajas (navayas) de Taramundi]]></dcterms:alternative>
    <dcterms:description><![CDATA[The Taramundi knife-making tradition is an artisanal practice rooted in the rural economy of western Asturias, Spain. It consists of the handcrafted production of knives, folding blades, and other cutting tools, combining metalworking with woodcraft. This practice is distinguished by its integration of functional design and aesthetic refinement, resulting in objects that are both utilitarian and symbolic of local identity.  Historically, knife-making in Taramundi emerged as a complementary activity to subsistence farming during the eighteenth century, when access to iron ore and abundant water resources enabled the development of small-scale metallurgy. Artisans employed hydraulic hammers and forges powered by local streams, creating a distinctive technological landscape that shaped the craft’s evolution. The knives produced were primarily intended for domestic and agricultural use, reflecting the practical needs of rural households. The process involves several stages: forging and tempering steel blades, shaping wooden handles (often from native species such as boxwood) and assembling the components with meticulous attention to durability and balance. Traditional knives are characterized by their simplicity, ergonomic design, and decorative elements such as hand-carved motifs or inlaid metal details. Over time, the craft incorporated innovations, including stainless steel and modern tools, while preserving core artisanal techniques transmitted through generations.  Beyond its technical dimension, Taramundi knife-making embodies cultural values of resilience, adaptability, and craftsmanship. It represents a form of intangible heritage that connects material culture with social identity, as the craft historically reinforced household economies and community cohesion. Today, it functions as a marker of authenticity and local pride, attracting collectors and tourists who seek objects that symbolise continuity with the past.  In contemporary contexts, the practice has b]]></dcterms:description>
    <dcterms:creator><![CDATA[2004]]></dcterms:creator>
    <dcterms:source><![CDATA[asturiasmap]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[01/12/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[02/12/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[García Grinda, J. L. (2011). Turismo y rehabilitación del patrimonio natural y sociocultural en zonas del interior: potencialidad y riesgos. Revista Universitaria de Turismo y Patrimonio, 2(1), 45–62. 
Pérez de Castro, R. (1985). Artesanía de Taramundi: Cuchillos y navajas. Narria: Estudios de artes y costumbres populares, (39–40), 24–30. Universidad Autónoma de Madrid. ISSN 0210-9441 
Quintana López, P. (2005). La labranza y transformación artesanal del hierro en Taramundi y los Oscos. Siglos XVI-XXI. Aportación a su conocimiento (2 volumes, 848 pp.). Asociación “Os Castros” de Taramundi. 
Quintana, J. C., & Muñiz, I. G. (2025, July 8). Juan Carlos Quintana, Museo de la Cuchillería: “Queremos contar cómo se utilizaba la madera”. Revista FusionAsturias. Retrieved from https://fusionasturias.com/concejos/taramundi/juan-carlos-quintana-museo-de-la-cuchilleria-queremos-contar-como-se-utilizaba-la-madera.htm]]></dcterms:references>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:language><![CDATA[Asturian,Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[776]]></dcterms:identifier>
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