1 100 1975 https://culturality.museum/omeka/files/original/e2b51c3412557b82ee6f0d55af200f3f.jpeg ae43d29a7ee05a1e1a4cc90ac4d92126 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Thomas Salzer Identifier An unambiguous reference to the resource within a given context 2363 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. DescriptionEN English Description Thomas Salzer throws pottery in his home studio with a view of Lake Racken. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thomas throws pottery 02 Type The nature or genre of the resource Still Image Description An account of the resource Thomas Salzer throws pottery in his home studio with a view of Lake Racken. Contributor An entity responsible for making contributions to the resource Stefan Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2026:05:18 16:01:53 Medium The material or physical carrier of the resource. Cropped photo Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Stefan Barkman https://culturality.museum/omeka/files/original/926924fec098b09716ae26d4d4d6362c.JPG 7871bf64cb0e6982154e82e85113118a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Thomas Salzer Identifier An unambiguous reference to the resource within a given context 2363 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. DescriptionEN English Description Thomas Salzer throws pottery in his home studio with a view of Lake Racken. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thomas throws pottery 01 Type The nature or genre of the resource Still Image Description An account of the resource Thomas Salzer throws pottery in his home studio with a view of Lake Racken. Contributor An entity responsible for making contributions to the resource Stefan Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2026:05:18 16:03:04 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Stefan Barkman https://culturality.museum/omeka/files/original/a7d765d6ab30670a4e5cdcd07a395d52.jpeg da554a5564a87f5a68a5efba4f21ea5d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. DescriptionEN English Description Thomas Salzer sits at his potter's wheel in his home studio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of Thomas Salzer Type The nature or genre of the resource Still Image Description An account of the resource Thomas Salzer sits at his potter's wheel in his home studio. Contributor An entity responsible for making contributions to the resource Stefan Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Medium The material or physical carrier of the resource. Cropped photo Date A point or period of time associated with an event in the lifecycle of the resource 2026:05:18 16:04:33 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Stefan Barkman Artisan An artisan Contact stefan.barkman@regionvarmland.se Author Stefan Biographical Text He has been working with clay since his teenage years, first as an apprentice to his mother, and then with potters in various studios in Sweden and the USA. Since 2025, he has been supplying restaurant ware to The Winery Hotel in Solna, Restaurang Bleck in Stockholm, Hellas Storstugan in Nacka, Djursholm Country Club, and Restaurang Regi in Arvika. His ceramics are also featured at the Rackstad Museum. Thomas' hope is to create someone's favorite tea mug or breakfast bowl, one that can bring function and joy for years to come. Occupation Other Retired teacher Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Thomas_Salzer Field Worker Stefan Barkman Gender male Email The email address of the museum. thomas@salzers.se Phone The phone number +46 (0)70-608 37 09 Prim Media 2365 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thomas Salzer Type The nature or genre of the resource Artisan Description An account of the resource Thomas throws functional ware from Swedish, Danish, Dutch, and English stoneware clays. His glazes contain wood ash from kitchen stoves and fireplaces, which gives life and color to the glaze surface, while also varying depending on where the clay is dug up and what type of wood is burned. In the wood-fired kiln, he lets the flames and the fire have the final say, with 12 hours of intense firing leaving clear traces of hot flames and molten ash on the unglazed outer parts of the pots. Contributor An entity responsible for making contributions to the resource Stefan Identifier An unambiguous reference to the resource within a given context 1002 Source A related resource from which the described resource is derived artisans Spatial Coverage Spatial characteristics of the resource. current,59.70809,12.634; Language A language of the resource English,Swedish Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Thomas Salzer Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://www.salzers.se Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Sweden https://culturality.museum/omeka/files/original/31928be3bc3b3ce0844bd65cbe985d49.jpeg d29ad0063e70e435f74ddba3ab9445c7 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. DescriptionEN English Description Frej is sitting on a wood log working on a spoon outside his house. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Frej carving a spoon Type The nature or genre of the resource Still Image Description An account of the resource Frej is sitting on a wood log working on a spoon outside his house. Contributor An entity responsible for making contributions to the resource Stefan Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 2026:05:21 16:11:33 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Stefan Barkman https://culturality.museum/omeka/files/original/e82498047592fe164fe69e722c3e76d7.JPG 3fe68cf4ee1ec5a36e16721b0d2bba63 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ritamaki Barn Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Spatial Coverage Spatial characteristics of the resource. current,60.149169,12.541633; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/56fd83e49dc718076ce87c9d1f8d5178.JPG cefb409f265b6811b0b27bf711943e37 Panorama ry Rotation Y 200 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ritamaki Smoke Cabin Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Spatial Coverage Spatial characteristics of the resource. current,60.149147,12.54162; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Artisan An artisan Contact cc274@st-andrews.ac.uk Author cc274@st-andrews.ac.uk Email The email address of the museum. info.wildbynature.uk@gmail.com Prim Media 2323 Field Worker Catherine Anne Cassidy Gender female Occupation other (specify),other (specify) Shop https://wildbynature-uk.com/collections/ Material Description natural oils, tallow, milk, beeswax and botanicals, many of which are sourced locally from the Scottish Highlands, including using honey and beeswax from mine or my friends beehives here in Brora. Social Media The social media links. facebook,https://www.facebook.com/people/Wild-By-Nature/61566338644307/;instagram,https://www.instagram.com/wild_by_nature_scotland?igsh=N3doZXByZXh4djI0&utm_source=qr; Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Gabbie_of_WIld_by_Nature Material tallow,soap,body oils Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gabbie of WIld by Nature Type The nature or genre of the resource Artisan Description An account of the resource I am Gabbie, the maker behind Wild by Nature and I can be found nestled in the heart of Brora in the Scottish Highlands. Wild by Nature was once my dream, so to be able to watch my dream grow has been an incredible journey. From formulating my very first products to now seeing others enjoy them has given me such a sense of personal achievement. I have been inspired by the wild beauty of the Scottish Highlands where I live and rugged Cornwall where I grew up and raised my own family. Wild by Nature began with a simple idea. I wanted to create everyday Skin Care products that are made with quality ingredients that have been carefully chosen. Everything is made by hand using traditional methods. I work with natural oils, tallow, milk, beeswax and botanicals, choosing ingredients for how they feel on the skin rather than how they look on a shelf. Many of which are sourced locally from the Scottish Highlands. Including using honey and beeswax from mine or my friends beehives here in Brora. Wild by Nature is shaped by my love of nature, slower living, and products that are made to be used. I endeavour to be considerate to the environment, it’s not always easy. So much of my packaging can be recycled, composted or repurposed. I don't aim for perfection, but I do aim for honest simple recipes, using considered ingredient all of which are made in small batches. Language A language of the resource English Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Identifier An unambiguous reference to the resource within a given context 966 Source A related resource from which the described resource is derived artisans Spatial Coverage Spatial characteristics of the resource. current,58.01170191886565,-3.852946042500534; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Scotland Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Gabbie of WIld by Nature Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://wildbynature-uk.com/ https://culturality.museum/omeka/files/original/9f7819c440fb8838ed9e0bd365363708.webp bd81d323b22ae3ecc650f6d5911e79f1 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photo of Gabbie from Wild about Nature Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Artisan An artisan Contact cc274@st-andrews.ac.uk Author cc274@st-andrews.ac.uk Prim Media 2320 Field Worker Catherine Anne Cassidy Gender male Occupation ceramics Material Description unglazed ceramic porcelain figures Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/David_Woodley Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource David Woodley Type The nature or genre of the resource Artisan Description An account of the resource Helmsdale Pottery was a distinctive Scottish studio pottery founded in 1973 by David and Penny Woodley in the Highland village of Helmsdale, Sutherland. The pottery became well known for its handcrafted porcelain animal sculptures, especially birds, owls, ducks, puffins, hares, and other wildlife inspired by the rugged Scottish landscape. Penny Woodley was not only a ceramic artist but also an active member of the Helmsdale community, a previous director of Timespan Museum. Together, David and Penny Woodley developed a recognizable artistic style that reflected the wildlife and coastal environment of the Scottish Highlands and gained a loyal following among collectors of British studio pottery. Since their retirement, Helmsdale Pottery pieces remain collectible examples of late twentieth-century Scottish art pottery. Vintage examples regularly appear in auctions, antique shops, and collectors’ markets, admired for their craftsmanship, individuality, and connection to Highland artistic traditions. Date A point or period of time associated with an event in the lifecycle of the resource 1973 Language A language of the resource English Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Identifier An unambiguous reference to the resource within a given context 964 Source A related resource from which the described resource is derived artisans Spatial Coverage Spatial characteristics of the resource. current,58.11668204184647,-3.655138492100112; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Scotland Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. David Woodley https://culturality.museum/omeka/files/original/50c03c6ebfe1a4715a4418527400715e.png e277115b28b4bac037c246b04c2f8da6 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photo of Migrating Fieldfares Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/png License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Timespan Museum Artisan An artisan Contact cc274@st-andrews.ac.uk Author cc274@st-andrews.ac.uk Prim Media 2320 Field Worker Catherine Anne Cassidy Gender female Occupation ceramics Material Description unglazed porcelain ceramic animal figures Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Penny_Woodley Material ceramic porcelain Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Penny Woodley Type The nature or genre of the resource Artisan Language A language of the resource English Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Identifier An unambiguous reference to the resource within a given context 963 Source A related resource from which the described resource is derived artisans Spatial Coverage Spatial characteristics of the resource. current,58.11668204184647,-3.655138492100112; Description An account of the resource Helmsdale Pottery was a distinctive Scottish studio pottery founded in 1973 by David and Penny Woodley in the Highland village of Helmsdale, Sutherland. The pottery became well known for its handcrafted porcelain animal sculptures, especially birds, owls, ducks, puffins, hares, and other wildlife inspired by the rugged Scottish landscape. Penny Woodley was not only a ceramic artist but also an active member of the Helmsdale community, a previous director of Timespan Museum. Together, David and Penny Woodley developed a recognizable artistic style that reflected the wildlife and coastal environment of the Scottish Highlands and gained a loyal following among collectors of British studio pottery. Since their retirement, Helmsdale Pottery pieces remain collectible examples of late twentieth-century Scottish art pottery. Vintage examples regularly appear in auctions, antique shops, and collectors’ markets, admired for their craftsmanship, individuality, and connection to Highland artistic traditions. Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Scotland Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Penny Woodley https://culturality.museum/omeka/files/original/8d6789e063725380dd9ed9238e06c02d.jpg 9ddeb57f1b4af3d132effb5e89d37065 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photo of Loch nan Eun made by Suzie Makenzie Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Artisan An artisan Contact cc274@st-andrews.ac.uk Author cc274@st-andrews.ac.uk Field Worker Catherine Anne Cassidy Gender female Occupation other (specify),other (specify) Material Description Collagraph is currently my main medium of choice. It is an endlessly versatile and exciting printmaking medium which can be printed either in relief, or intaglio, or as a combination of both, and is an environmentally-friendly way of making prints which are pulled from textured, collaged plates. Mountboard is used as the basis for the plate. The board is incised using a scalpel, and areas of the top layer peeled off to reveal the underlying surface. Artists’ mediums are added to create further areas of texture and occasionally other elements are also glued onto the plate. Once completed the plate is sealed and left to dry before prints are taken from it using an etching press. Many of my prints combine this traditional printmaking method with the use of digitally-prepared coloured chine colle papers, printed using archival inks on mulberry paper and applied during the intaglio printing process. Most of the prints are in limited editions, never greater than thirty; I often make 'varied editions' where the same plate is used to print from, but each image is unique because changes are made perhaps in colour, the way the plate is wiped, or by added chine colle elements. Social Media The social media links. facebook,https://www.facebook.com/mackenziefineart;instagram,https://www.instagram.com/suzie.mackenzie.printmaker; Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Suzie_Makenzie Prim Media 2318 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Suzie Makenzie Type The nature or genre of the resource Artisan Description An account of the resource Suzie MacKenzie studied Fine Art as a mature student at the University of Loughborough, before returning to the northern Highlands of Scotland where she now lives and works. In 2013 she attended a series of workshops at the Highland Print Studio in Inverness which rekindled her interest in collagraph, and since that time has predominantly worked in the medium. Suzie draws on her previous career as a teacher as well as her printmaking experience to teach occasional workshops, and has been involved in delivering projects to local community groups. She has described her process for Jackson's Art blog and AccessArt, and has written a book on the subject entitled Making Collagraph Prints, published by The Crowood Press in May 2019. She is a member of the Society of Scottish Artists and has recently completed a Master of Arts degree with Distinction in Contemporary Art and Archaeology at the University of the Highlands and Islands. Suzie’s work has been exhibited nationally and internationally and can be seen in exhibitions, galleries and at print fairs across Scotland and the north of England. She has had collagraph prints selected for the Center for Contemporary Printmaking's Tenth Biennial International Miniature Print Exhibition in 2015, Royal Birmingham Society of Artists’ biennial Print Prize Exhibition in 2014 and 2016, the Society of Scottish Artists’ 118th and 119th Annual Exhibitions, and was invited to exhibit in the Master Printmakers show at Leeds Craft Centre and Design Gallery in 2017. In 2022 she was awarded a commission by the Royal Society of Antiquaries of Scotland, working with Archaeology Shetland to create an artwork on the theme of climate change archaeology. Her work is held in private collections in UK, Europe, North America and Australasia. Language A language of the resource English Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Identifier An unambiguous reference to the resource within a given context 962 Source A related resource from which the described resource is derived artisans Spatial Coverage Spatial characteristics of the resource. current,57.97700702315164,-3.980254411669347; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Scotland Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Suzie Makenzie Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://www.mackenziefineart.co.uk https://culturality.museum/omeka/files/original/06a920ce69352465cd4e52046e521a83.jpg 8e33edf3363046aeb29ae351eef9c427 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photo of Mike Carter from Englewoodstine Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Artisan An artisan Contact cc274@st-andrews.ac.uk Author cc274@st-andrews.ac.uk Prim Media 2316 Field Worker Catherine Anne Cassidy Gender male Occupation woodwork Material Description woodworker specialising in found materials along the coast, made into unique pieces of art Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Mike_Carter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mike Carter Type The nature or genre of the resource Artisan Description An account of the resource Mike Carter of Engelwoodstine is a woodworker based in the north‑east Highlands of Scotland, creating distinctive pieces from materials gathered along the rugged coastline. Drawing inspiration from the textures, forms, and histories shaped by sea and weather, their work transforms found wood into one‑of‑a‑kind artworks. Each piece reflects a deep connection to place, with driftwood and reclaimed fragments reimagined into sculptural forms that highlight the natural character of the material. Blending craftsmanship with an organic, expressive style, Mike Carter’s work captures the raw beauty of the Highland coast and gives new life to what the tide leaves behind. Language A language of the resource English Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Subject The topic of the resource Art,PEOPLE Identifier An unambiguous reference to the resource within a given context 961 Source A related resource from which the described resource is derived artisans Spatial Coverage Spatial characteristics of the resource. current,58.11668204184647,-3.655138492100112; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Scotland Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Mike Carter https://culturality.museum/omeka/files/original/b237c29119a18dde244081f08e3380ac.png 2cc1019a48e720fb09dcd7bc4da55cb3 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photo of ceramic owl by Two Deer Ceramics by Ursula Hargreaves Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/png License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Artisan An artisan Contact cc274@st-andrews.ac.uk Author cc274@st-andrews.ac.uk Prim Media 2312 Field Worker Catherine Anne Cassidy Gender female Occupation fibre and textile crafts Material Description felting pictures and 3D animals Social Media The social media links. facebook,https://www.facebook.com/donnascrafts18/;instagram,https://www.instagram.com/donnascrafts18?fbclid=IwY2xjawR2Tl1leHRuA2FlbQIxMABicmlkETFMRE0xT2pHdTZwMXdyWnBDc3J0YwZhcHBfaWQQMjIyMDM5MTc4ODIwMDg5MgABHsVc5_vA7dgl-tztrBugl3QCVIb0z9RuYJU-Eg-3zqng8OMLOOBWtihWlqO7_aem_5iuRCUe6iuXzL-4yjaV4vg; Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Donna_Sutherland Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Donna Sutherland Type The nature or genre of the resource Artisan Description An account of the resource Donna Sutherland is a fibre artist from Thurso in the far north of Scotland, known for her characterful felted creations under the name Donna’s Crafts. She specialises in needle felting both detailed picture scenes and charming three-dimensional animals, bringing warmth and storytelling into each piece. Affectionately known as the “mouse mum,” Donna is especially recognised for her tiny felted mice, often depicted in imaginative everyday scenes that capture humour, personality, and a strong sense of narrative. Her work combines careful craftsmanship with a playful, creative spirit, making each piece both unique and full of life. Language A language of the resource English Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Extent The size or duration of the resource. x x Subject The topic of the resource Art Identifier An unambiguous reference to the resource within a given context 960 Source A related resource from which the described resource is derived artisans Spatial Coverage Spatial characteristics of the resource. current,58.592046927569406,-3.5198090736893373; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Scotland Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Donna Sutherland https://culturality.museum/omeka/files/original/26f20e5760a0b8771b26d70eca92c618.png c0efd6d159fb35724b52dee205ac42a8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photo of felted mice by Donna's Crafts Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/png License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Artisan An artisan Contact cc274@st-andrews.ac.uk Author cc274@st-andrews.ac.uk Prim Media 2314 Field Worker Catherine Anne Cassidy Gender female Occupation ceramics Shop https://www.etsy.com/shop/TwoDeerPottery Social Media The social media links. instagram,https://www.instagram.com/twodeerpottery/; Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Ursula_Hargreaves_ Shop Type Etsy Shop ID 43038215 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ursula Hargreaves Type The nature or genre of the resource Artisan Description An account of the resource Ursula Hargreaves is a ceramic artist based in Brora in the Scottish Highlands and the maker behind Two Deer Ceramics. Her work is deeply inspired by the surrounding landscape and wildlife, which is reflected in her distinctive, small-batch pieces. She creates expressive, often one-of-a-kind animal sculptures alongside decorative, food-safe pieces. Combining traditional craftsmanship with a contemporary, artistic style, her ceramics capture a strong sense of place and whimsy. Language A language of the resource English Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Subject The topic of the resource Art Identifier An unambiguous reference to the resource within a given context 959 Source A related resource from which the described resource is derived artisans Spatial Coverage Spatial characteristics of the resource. current,58.011716412029685,-3.852220773537787; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Scotland Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Ursula Hargreaves Artisan An artisan Contact cc274@st-andrews.ac.uk Author cc274@st-andrews.ac.uk Email The email address of the museum. louisenadin97@gmail.com Prim Media 2309 Field Worker Catherine Anne Cassidy Gender male Occupation ceramics Shop https://www.ardbeagceramics.co.uk/stockists Material Description wheel turned stoneware ceramics Social Media The social media links. facebook,https://www.facebook.com/ardbeagceramics;instagram,https://www.instagram.com/louisenadin; Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Simon_Nadin Material Clay Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Simon Nadin Type The nature or genre of the resource Artisan Description An account of the resource Simon first handled clay at school and while this early work showed great promise in execution and design, the opportunity to further develop his innate skillset always seemed to take second place to his first great passion, rock climbing. Simon has climbed all over the world and on many different rock types and has a huge affinity to surface detail, nuance of pattern and textured features. His photographic skills have recorded many of these landscapes over the years and Simon’s reputation for good composition in published photographic works was always going to translate into clay, just as soon as he was prepared to sit down for long enough to start making. This happened in earnest during ‘lockdown’ and he has not looked back. Simon is quickly mastering skills required for repetition throwing and is selling well. Simon’s practical interest in firing the kiln as well as an enthusiasm to experiment with locally dug clays in slip decoration will ensure that Ard Beag Ceramics is home to two unique potters, Date A point or period of time associated with an event in the lifecycle of the resource 1997 Language A language of the resource English Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Subject The topic of the resource Art Identifier An unambiguous reference to the resource within a given context 958 Source A related resource from which the described resource is derived artisans Spatial Coverage Spatial characteristics of the resource. current,58.011716412029685,-3.852220773537787; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Scotland Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Simon Nadin Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://www.ardbeagceramics.co.uk/ https://culturality.museum/omeka/files/original/ef9d08e767e28882a5acea4db92ce851.webp df3bb2f059242366162323527ca267eb Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photo of Simon Nadin of Ard Beag Ceramics Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Artisan An artisan Contact cc274@st-andrews.ac.uk Author cc274@st-andrews.ac.uk Email The email address of the museum. louisenadin97@gmail.com Prim Media 2307 Field Worker Catherine Anne Cassidy Gender female Area Relation incomer Occupation ceramics Shop https://www.ardbeagceramics.co.uk/stockists Material Description wheel thrown stoneware ceramics Social Media The social media links. facebook,https://www.facebook.com/ardbeagceramics/;instagram,https://www.instagram.com/louisenadin; Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Louise_Nadin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Louise Nadin Type The nature or genre of the resource Artisan Description An account of the resource Back in the 1980’s, as part of a teacher training degree, Louise studied ceramics under the direction of Brian Dewberry and quickly progressed to wheel thrown work which became a consuming and engaging lifetime passion. Being unable to concentrate wholly on making pottery for a living, Louise set out on a career in education that included teaching, management and curriculum development of arts and crafts in a range of schools and community settings. She never lost sight of her commitment to making and over the years ensured that her skills were further developed on courses led by many eminent potters in the world of British Studio ceramics; John Leach, Josie Walter, Kyra Kane, Sebastian Blackie, Andy Mason, David and Margaret Frith, Matthew Blakeley, Nic Collins, David Roberts, Patricia Shone to name but a few and to whom she is indebted to their generosity in sharing their expertise. In 1997 a small workshop was established in Derbyshire where Louise began to develop her own style and processes in the making of wheel thrown domestic stoneware, but the limitations of a small shed became evident and the move to a more appropriate venue in Scotland, with space for the proposed wood burning kiln, happened in 2006. A bigger studio enabled a bigger output and the development of simple white porcelain proved popular with the buying public. This was encouraging, but the commitment to build the wood fired kiln went through a number of processes before finally settling on a design with support from Fergus Stewart, a brilliant potter on the west coast at Lochinver. The successful first and subsequent firings since 2019 have ensured the next chapter in the development of Ard Beag Ceramics and a determination to produce good quality, handmade, functional pottery through the exciting and tenuously manageable medium of fire. Date A point or period of time associated with an event in the lifecycle of the resource 1997 Language A language of the resource English Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Subject The topic of the resource Art Identifier An unambiguous reference to the resource within a given context 957 Source A related resource from which the described resource is derived artisans Spatial Coverage Spatial characteristics of the resource. current,58.011716412029685,-3.852220773537787; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Scotland Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Louise Nadin Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://www.ardbeagceramics.co.uk/ https://culturality.museum/omeka/files/original/11feb9002bf872d75fc123bff1d37048.png 7dc9785d7aa419c06dd746a0b56175f9 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photo of Louise Nadin of Ard Beag Ceramics Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/png License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Iona Morrison https://culturality.museum/omeka/files/original/ec78ada5e02f702a92973f9b81d53e0d.jpg 870edbcbbb9fcdc1b74d25e0c61cfb82 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photo of Netty Sopata Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/9977f823e3dd589c9ea255cdb37b9847.webp 15c1367d6ac75148a0033b6efd954184 https://culturality.museum/omeka/files/original/04c592c73fb44829d26e5d0df57dfcf4.png 3e028f898a2d2284df0b1e148e439324 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Carol Sinclair Identifier An unambiguous reference to the resource within a given context 18 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photo of Carol Sinclair Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Format The file format, physical medium, or dimensions of the resource image/png Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Artisan An artisan Contact cc274@st-andrews.ac.uk Author cc274@st-andrews.ac.uk Email The email address of the museum. sarah@storywalks.scot Prim Media 2303 Gender female Area Relation incomer Occupation other (specify),other (specify) Shop https://booking.storywalks.scot/ Material Description guided walks through the Cairngorms National Park sharing local stories, history, Gaelic, ecology, and songs associated with the area. Social Media The social media links. facebook,https://www.facebook.com/strathspeystorywalks/;instagram,https://www.instagram.com/strathspeystorywalks/; Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Sarah_Hobbs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sarah Hobbs Type The nature or genre of the resource Artisan Description An account of the resource Sarah Hobbs is a mountain lover, storyteller, and quiet explorer whose journey has taken her from Derbyshire through Norway, Egypt, and London before settling in the Scottish Highlands. Now based in Aviemore, she is deeply inspired by the landscapes, people, and reindeer of the Highlands, which continue to shape both her personal and creative life. A fascination with hill placenames led Sarah to begin learning Scottish Gaelic, opening the door to a rich world of stories, songs, and cultural traditions connected to the land and its communities. These influences are woven into her walks and storytelling, with a particular affection for Gaelic working songs — òrain obrach — and the informal tradition of shared songs and stories around the pub table. Throughout her career, Sarah has worked with communities to uncover hidden narratives and amplify overlooked voices as a way of creating social change. Her work has addressed systemic inequalities in health and education across the UK, and she has also organised cultural expeditions for young people to the Middle East and South Asia, encouraging peer-to-peer learning beyond stereotypes. Her walks, as Strathspey Storywalks, continue this ethos, exploring hidden gems and untold stories embedded within the landscape — stories that are often forgotten, silenced, or overlooked. At the heart of her work is a desire to place stories back where they belong, reconnecting people with the land and skyscape through a process of “re-storying” place. The walks evolve with the seasons and with Sarah’s own changing interests, creating experiences that are rooted in curiosity, connection, and discovery. Date A point or period of time associated with an event in the lifecycle of the resource 2020 Language A language of the resource English Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Subject The topic of the resource ENVIRONMENT,HISTORY,INTANGABLE HERITAGE,Natural history,PEOPLE,RECREATION AND TOURISM,SOCIAL HISTORY Identifier An unambiguous reference to the resource within a given context 956 Source A related resource from which the described resource is derived artisans Spatial Coverage Spatial characteristics of the resource. current,57.194602320286144,-3.8244933863580957; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Scotland Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Sarah Hobbs Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://www.storywalks.scot/ https://culturality.museum/omeka/files/original/2a333495030d63b2c449eef4796a2b9b.jpg 17e98217fd9eee9d1bd734f3807c1d83 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photo of Sarah Hobbs Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2026:05:15 16:34:19 Spatial Coverage Spatial characteristics of the resource. current,57.19452411349963,-3.8246648013135216; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Artisan An artisan Contact cc274@st-andrews.ac.uk Author cc274@st-andrews.ac.uk Prim Media 2301 Gender male Area Relation incomer Occupation woodwork,musician Shop https://greenshanks.bandcamp.com/ Social Media The social media links. facebook,https://www.facebook.com/profile.php?id=61560359075581#;instagram,https://www.instagram.com/greenshanks_music/; Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Will_Boyd-Wallis Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Will Boyd-Wallis Type The nature or genre of the resource Artisan Description An account of the resource Will Boyd-Wallis is a Highland-based singer-songwriter, woodworker, ecologist, and land manager whose music is deeply rooted in the landscapes, wildlife, and communities of Scotland’s Highlands and islands. Performing under the name Greenshanks, his songs are passionate, poignant, and hopeful reflections on life, love, and restoration, shaped by a lifelong connection to the natural world. Using rich open tunings on his well-travelled guitalele and acoustic guitar, Will creates a distinctive sound that complements his reflective, soulful vocals. A finalist at the 2023 Danny Kyle Open Stage during Celtic Connections in Glasgow, he has performed alongside some of Scotland’s most respected musicians and songwriters. Alongside songwriting, woodwork provides another important creative outlet. From beautifully functional pieces to eccentric creations that are aesthetically joyful yet delightfully pointless, much of Will’s work is carved or turned outdoors using a traditional foot-powered pole lathe, reflecting his connection to craftsmanship, sustainability, and the natural world. Language A language of the resource English Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Subject The topic of the resource Music,PEOPLE Identifier An unambiguous reference to the resource within a given context 955 Source A related resource from which the described resource is derived artisans Spatial Coverage Spatial characteristics of the resource. current,57.26489031241642,-3.6578953614019607; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Scotland Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Will Boyd-Wallis Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://greenshanks.com/ https://culturality.museum/omeka/files/original/1e79631a14350e280f594dfdf53614d5.jpg 6536256bc7fe5a6acb36566485735cef Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photo of Will Boyd Wallis Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Spatial Coverage Spatial characteristics of the resource. current,57.26554281681665,-3.656897042944192; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Catherine Anne Cassidy https://culturality.museum/omeka/files/original/80c6365d8e2f65811357784e25324a27.jpg 314d452b694dbd482e6b2686599f394c https://culturality.museum/omeka/files/original/b8e7318594e3ee5293d295f0ea82fd3b.mtl 9fefa9c96015d84626aaae8a7b343b86 https://culturality.museum/omeka/files/original/9365e34283a5d0f74b47da02526ea19a.obj c56fd42c0ae9c9b79d9ff0f7c112e05b https://culturality.museum/omeka/files/original/ec1bd82103eec785e2804da158e49aab.jpg 5331d9a74a5c02c0c5539ef020adcc36 https://culturality.museum/omeka/files/original/85ce1a9ff1e7e0d24b5b834e52709cc5.jpg 7763fcef429a103dcd83cf24a5a29969 https://culturality.museum/omeka/files/original/8678b64c499eb9eecd4d4210a96a9522.jpg b2847e4025096794e4f74f3106a495b5 https://culturality.museum/omeka/files/original/48b9339095f67268ec0fad65a07892ce.glb d1848f91babddda056dbab7ca2fb76f8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Highlands and Islands Identifier An unambiguous reference to the resource within a given context 434 3D Object Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wooden mallet Type The nature or genre of the resource 3D Object Date A point or period of time associated with an event in the lifecycle of the resource 16/10/2025 Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Identifier An unambiguous reference to the resource within a given context bba75f302914429b80bf133762d79822 Spatial Coverage Spatial characteristics of the resource. current,57.26552403987315,-3.656897042944192; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. 3D Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. University of St Andrews Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://sketchfab.com/models/bba75f302914429b80bf133762d79822/embed Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Catherine Anne Cassidy Artisan An artisan Contact cc274@st-andrews.ac.uk Author cc274@st-andrews.ac.uk Phone The phone number +44 (0)1397 712121 Prim Media 2298 Field Worker Catherine Anne Cassidy Gender female Area Relation native Occupation other (specify),other (specify) Shop https://www.greatglencharcuterie.com/shop Material Description smoked local venison charcuterie Social Media The social media links. instagram,https://www.instagram.com/greatglencharcuterie; Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Anja_Baak Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anja Baak Type The nature or genre of the resource Artisan Description An account of the resource In the heart of the Scottish Highlands, Anja Baak's small family-run business The Great Glen Charcuterie specialises in handcrafted charcuterie made using the finest Scottish venison. Based in the village of Roy Bridge, the business is rooted in a deep respect for the landscape, local ingredients, and traditional craftsmanship. Originally from The Netherlands, Anja moved to Scotland more than 20 years ago after falling in love with the country’s rugged beauty and exceptional natural produce. Her passion for venison began while living on a Highland estate, where she and Jan Jacobs became closely connected to the sustainable management of the local wild deer population. Inspired by the quality and flavour of the meat, she started experimenting with smoking and curing venison at home using a hand-built smoker in the garden. What began as a passion shared with family and friends soon grew into a dedicated artisan business, producing distinctive smoked and cured venison charcuterie that celebrates the rich flavours and traditions of the Highlands. Language A language of the resource English,Dutch Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Subject The topic of the resource PEOPLE Identifier An unambiguous reference to the resource within a given context 954 Source A related resource from which the described resource is derived artisans Spatial Coverage Spatial characteristics of the resource. current,56.91289392170995,-4.905333462474276; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Scotland Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Anja Baak Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://www.greatglencharcuterie.com/ https://culturality.museum/omeka/files/original/d1163318ab06fb77aee5667dd4c2672e.png 9b5f9cf7d26747d78bcc753201ede259 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. DescriptionEN English Description A photo of Anja Baak and Jan Jacobs of The Great Glen Charcuterie in Roy Bridge, Scotland. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photo of Anja Baak and Jan Jacobs Type The nature or genre of the resource Still Image Description An account of the resource A photo of Anja Baak and Jan Jacobs of The Great Glen Charcuterie in Roy Bridge, Scotland. Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/png License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Spatial Coverage Spatial characteristics of the resource. current,56.91664222346483,-4.899840397084767; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/622f9e5bf3b80542c86c50d0c7f711fc.JPG 3fe68cf4ee1ec5a36e16721b0d2bba63 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Root Cellar Identifier An unambiguous reference to the resource within a given context 2265 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ritamaki Root Celar Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Spatial Coverage Spatial characteristics of the resource. current,60.149169,12.541633; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Artisan An artisan Contact cc274@st-andrews.ac.uk Author cc274@st-andrews.ac.uk Email The email address of the museum. aaronsterritt@hotmail.com Prim Media 2295 Field Worker Catherine Anne Cassidy Gender male Area Relation native Occupation woodwork Shop https://www.aaronsterrittwoodwork.co.uk/online-store/SHOP-c63034004 Material Description greenwoodworker, furniture and sculpture, tree felling, handtools Social Media The social media links. twitter,https://x.com/ASWoodwork;facebook,https://www.facebook.com/AaronSterrittWoodwork; Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Aaron_Sterritt Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aaron Sterritt Type The nature or genre of the resource Artisan Description An account of the resource Aaron Sterritt lives and works in Scotland within the Cairngorms National Park. ​Aaron Sterritt Woodwork creates contemporary pieces that are inspired by the natural characteristics of the wood in which he works. It takes creative imagination to visualise a tree transformed into a stunning individual piece of art, sculpture or furniture. That is what Aaron Sterritt does on a daily basis. Aaron’s creativity and relationship with wood is in his DNA. Raised in a log cabin in the heart of the Scottish Highlands – Aaron was born to work with wood. Aaron’s understanding of wood and how he stamps his personality on it is totally focused on shaping and crafting wood in a natural way. Splitting the wood along the cells of the grain, keeping the strength of the timber intact, creating beautiful natural shapes. Aaron’s skill is then to take the split wood and form it into a piece of furniture or sculpture that are one off creations. This is done by the axe; shave horse, drawknife and spoke shave tools. The end result is a combination of creativity, a deep understanding of wood and the craftsmanship skills to create truly beautiful functional and decorative items. Aaron runs green woodworking workshops at his workshop outside Forres, Scotland. Green woodworking is a traditional practice using fresh wood still full of sap allowing the tools to split, slice, shave and cleave through the wood with ease. He uses techniques that have been developed over hundreds of years, that are in harmony with the nature and qualities of the wood itself. No prior wood working experience is necessary, courses are for all abilities. Language A language of the resource English Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Extent The size or duration of the resource. x x Identifier An unambiguous reference to the resource within a given context 953 Spatial Coverage Spatial characteristics of the resource. current,57.527881702267976,-3.664064454740475; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Scotland Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Aaron Sterritt https://culturality.museum/omeka/files/original/daa41dfd38b0c79787b4f793e83ff864.jpg bdf33dc496e108c9020b53d393293ae3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artisan: Aaron Sterritt Identifier An unambiguous reference to the resource within a given context 2296 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. DescriptionEN English Description A photo of green woodworker Aaron Sterritt. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photo of Aaron Sterritt Type The nature or genre of the resource Still Image Description An account of the resource A photo of green woodworker Aaron Sterritt. Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Spatial Coverage Spatial characteristics of the resource. current,57.527879665731334,-3.6640454886586937; Date A point or period of time associated with an event in the lifecycle of the resource 2026:05:14 15:54:24 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/6c5c8c71980e768426f88a986873c553.jpg 9e6a347b6573ea703c21d769d39da2d5 https://culturality.museum/omeka/files/original/085f56e05035342c157a7d92a8d4af12.mtl 2aa11432dc1a95bbe69d10063a11abd6 https://culturality.museum/omeka/files/original/13a1b330dfa4b5094d5c6a205159af78.obj 385be11d00c343a619ea6d19e52f7eb1 https://culturality.museum/omeka/files/original/db81df96dec8995fa2657c5c2fe3a157.jpg b4e9751c4a0da2478a4cea9506e609c6 https://culturality.museum/omeka/files/original/dfdb85dbf19eff5a2f191775ea4ca32b.jpg f5b46d028c901712bf5c760364a96987 https://culturality.museum/omeka/files/original/1bbfadf59d59bb9e64b3858524db7342.jpg b8e79b814c23f71557bd952b43a57317 https://culturality.museum/omeka/files/original/ae6a32a417aa7cc17b2005200823af5a.glb 4922ba35257b062d091e4b059a52b25a 3D Object DescriptionEN English Description 3D model of a wooden stool with a black woven base, made by Aaron Sterritt of Aaron Sterritt Woodwork Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wood stool with woven black seat Type The nature or genre of the resource 3D Object Description An account of the resource 3D model of a wooden stool with a black woven base, made by Aaron Sterritt of Aaron Sterritt Woodwork Date A point or period of time associated with an event in the lifecycle of the resource 24/3/2026 Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource text/plain Alias/WaveFront Object License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Identifier An unambiguous reference to the resource within a given context 976319aa7cfb4e708affc0b41936a85b Spatial Coverage Spatial characteristics of the resource. current,57.527897994557044, -3.6640454886586937; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. 3D Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Applied Arts Scotland Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://sketchfab.com/models/976319aa7cfb4e708affc0b41936a85b/embed Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Catherine Anne Cassidy Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Test media Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/c1027cc1da8db1be1b0cb2ab26000f20.jpg b67d2485597ab532968f661215aa601b Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. DescriptionEN English Description Photo of ceramic artist Patricia Shone Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photo of Patricia Shone Type The nature or genre of the resource Still Image Description An account of the resource Photo of ceramic artist Patricia Shone Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2021:11:17 12:34:24 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/0106dfd473211eea1bc8010ee5e9700a.jpg 0fa811a1af5b62057c628dbb6094b7c9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Highlands and Islands Identifier An unambiguous reference to the resource within a given context 434 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. DescriptionEN English Description A photo of a grey earthenware bowl made by Patricia Shone from the Isle of Skye, Scotland. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Grey Earthenware Bowl Type The nature or genre of the resource Still Image Description An account of the resource A photo of a grey earthenware bowl made by Patricia Shone from the Isle of Skye, Scotland. Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2026:05:14 15:13:04 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Catherine Anne Cassidy Artisan An artisan Contact cc274@st-andrews.ac.uk Author cc274@st-andrews.ac.uk Field Worker Catherine Anne Cassidy Gender female Area Relation incomer Occupation ceramics Shop https://www.patriciashone.co.uk/shop-online/ Material Description Hand formed ceramic clay pieces using raku, wood fired and saggar firing processes. Social Media The social media links. twitter,https://x.com/patriciashone?lang=en;facebook,https://www.facebook.com/PatriciaShoneCeramics/;instagram,https://www.instagram.com/patriciashoneceramics/; Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Patricia_Shone Prim Media 2292 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Patricia Shone Type The nature or genre of the resource Artisan Description An account of the resource Patricia Shone has lived and worked on the Isle of Skye for the past 30 years. She was born in Scotland and grew up in South Devon where she met clay at school. After studying ceramics in London, finances and a love of cooking led her into work as a chef both there and in Italy. Eventually, this took her to Skye where she returned to making pots. “My work has developed in a kind of isolation both in location and in the methods I use to form my pieces. This is a place where I can feel small and insignificant in the face of monumental natural forces. It is a feeling I rejoice in, when the only possible way to contain the enormity of love for life is to utterly surrender to it. The feel of raw clay in my hands is a prime motivation for making, a physical connection to the physical world around me. It’s a visceral process, not always comfortable, often challenging and increasingly tiring. My work is hand formed in all aspects of its concept and creation. It is based on the controlled forms of functional vessels whilst being released from the constraints of function by the ruptured textured surfaces. I am looking for the points of contact and balance between the maker and the material, neither having mastery over the other. I have learned to give precedence to the physical process over and above intellectual input, giving voice to my inner and non verbal senses. The formation of clay is mostly from millennia of climatic erosion. The origins of the material lie in the enduring rock beneath our feet. The processes of firing that a potter uses to complete their work replicate some of the monumental forces which create and erode the matter of the universe. It’s big stuff! The nature of clay used in this way allows me to speak of the continued erosion and weathering of the land we live on; the traces made by the passage of humans across the surface of our planet; the tensions between the container and its contents.” Patricia has developed techniques in her clay work which reflect these processes. Contrary to the compressive methods associated with traditional clay practice, her pieces are hand formed by texturing and stretching from solid lumps of clay. This process extenuates the surfaces allowing the natural textures of the material to develop. The muted, natural colours of the finished pots are achieved by using different clay bodies and by the various firing processes. She has been a selected member of the Craft Potters’ Association of Great Britain since 2015, her work is collected internationally and she has work in several national and International collections. Date A point or period of time associated with an event in the lifecycle of the resource 1985 Language A language of the resource English Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Subject The topic of the resource Art Identifier An unambiguous reference to the resource within a given context 952 Spatial Coverage Spatial characteristics of the resource. current,57.33648206344149,-6.238861083984375; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Scotland Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Patricia Shone Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: University of St Andrews Identifier An unambiguous reference to the resource within a given context 4 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 2285 Material recycled silver Natural Cultural Cultural Craft metalwork Field Worker Catherine Anne Cassidy Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Silver Eagle Brooch Type The nature or genre of the resource Physical Object Description An account of the resource A recycled silver eagle brooch with topography details of the Cairngorm National Park, created by Amy Ferguson Niven. Creator An entity primarily responsible for making the resource 2284 Language A language of the resource English Subject The topic of the resource Fashion Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Identifier An unambiguous reference to the resource within a given context 951 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 14/05/2026 Spatial Coverage Spatial characteristics of the resource. current,57.26298268908859,-3.6481103558198336; Date Modified Date on which the resource was changed. 14/05/2026 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/d6d2e8c61a693806d82178d4e52fed74.png 4e72e2e42e182d44f00da4ad8f5f6b0e Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. DescriptionEN English Description Photo of Lucy Mcdonald, natural fibre artist from Banchory, Scotland. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lucy Macdonald Type The nature or genre of the resource Still Image Description An account of the resource Photo of Lucy Mcdonald, natural fibre artist from Banchory, Scotland. Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/png License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Spatial Coverage Spatial characteristics of the resource. current,57.05354039808949,-2.4749932171963627; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Artisan An artisan Contact cc274@st-andrews.ac.uk Author cc274@st-andrews.ac.uk Email The email address of the museum. lucy@arratextiles.co.uk Gender female Occupation fibre and textile crafts Shop https://www.arratextiles.co.uk/shop Material Description Heritage weaving techniques, contemporary digital design, natural fibres, sustainable textile processes, site-specific textile collections and commissions, natural dyeing, hand-weaving on multi-shaft looms, self-taught tapestry techniques, layered textile composition, landscape- and seascape-inspired design Exploration of texture, rhythm, and place through textiles Social Media The social media links. facebook,https://www.facebook.com/arratextiles;instagram,https://www.instagram.com/arratextiles; Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Lucy_Macdonald Prim Media 2288 Field Worker Catherine Anne Cassidy Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lucy Macdonald Type The nature or genre of the resource Artisan Description An account of the resource I am a textile artist and designer with a rural studio on the edge of Banchory in North East Scotland. I work primarily with hand woven textiles which explore the relationships between place, material, and memory. My practice blends heritage weaving techniques with contemporary digital design, using natural fibres and sustainable processes to create site-specific capsule collections, artworks, and commissions. Rooted in a respect for traditional craft, my work is often inspired by the landscapes and seascapes that surround me. I incorporate natural dyeing, hand-weaving on multi-shaft looms, and a self-taught tapestry approach, building layered textile compositions that echo the textures, rhythms, and stories of place. Since launching Arra Textiles in 2016, I have developed collections for home and body, exhibited nationally and internationally and taken part in a residency which continue to shape how I make and think. Sustainability is central to my practice and I am currently transitioning toward a fully traceable and locally grounded studio model, connecting materials back to land and process. I see textiles as both a sensory and narrative medium. My practice is driven by curiosity, care for materials and a desire to create work which invites a closer look. Date A point or period of time associated with an event in the lifecycle of the resource 2016 Language A language of the resource English Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Identifier An unambiguous reference to the resource within a given context 950 Spatial Coverage Spatial characteristics of the resource. current,57.05353948071467,-2.474989173123399; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Scotland Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Lucy Macdonald https://culturality.museum/omeka/files/original/1101297fa6b29fbc472cf0cd93da5feb.png 9625a63349b72a7fcbed2d846f7d07d1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Highlands and Islands Identifier An unambiguous reference to the resource within a given context 434 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. DescriptionEN English Description Photo of Amy Ferguson Niven of The Third Aye, a jeweller working with recycled silver and gold, located in the Cairngorms National Park, Scotland. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amy Ferguson Niven Type The nature or genre of the resource Still Image Description An account of the resource Photo of Amy Ferguson Niven of The Third Aye, a jeweller working with recycled silver and gold, located in the Cairngorms National Park, Scotland. Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/png License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Spatial Coverage Spatial characteristics of the resource. current,57.262979070378815,-3.6481155336866142; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/bee6199b800d029a55356758fd4e8762.png b96bc6d745dc0516ecf41dd192befb87 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Highlands and Islands Identifier An unambiguous reference to the resource within a given context 434 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. DescriptionEN English Description Eagle brooch made out of recycled silver, created by Amy Ferguson Niven from The Third Aye. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eagle Silver Brooch Type The nature or genre of the resource Still Image Description An account of the resource Eagle brooch made out of recycled silver, created by Amy Ferguson Niven from The Third Aye. Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/png License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 15/09/2025 Spatial Coverage Spatial characteristics of the resource. current,57.2629808999535,-3.6481155336866142; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Catherine Anne Cassidy Artisan An artisan Contact cc274@st-andrews.ac.uk Author cc274@st-andrews.ac.uk Email The email address of the museum. amy@thethirdaye.com Gender female Occupation metalwork Shop https://www.thethirdaye.com/jewellery-making-classes-make-your-own-wedding-rings Material Description jewellery making in recycled silver and gold Social Media The social media links. facebook,https://www.facebook.com/TheThirdAyeJewellery;instagram,https://www.instagram.com/the_third_aye/; Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Amy_Ferguson_Niven Prim Media 2286 Material recycled gold,recycled silver Field Worker Catherine Anne Cassidy Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amy Ferguson Niven Type The nature or genre of the resource Artisan Description An account of the resource Amy is a jeweller and creative practitioner whose work bridges art, ecology, and personal storytelling. Initially drawn to both the arts and sciences, she studied Jewellery & Silversmithing before dividing her time between marine conservation work around the world and developing her jewellery practice in Edinburgh. Later settling with her husband in the Cairngorms National Park, Amy established a home, jewellery studio, gallery, and workshop space alongside a luxury garden cabin for visitors. Her practice evolved organically from commissions created for friends and families seeking meaningful, personal pieces to mark marriages, birthdays, and other significant moments. Amy’s work is rooted in collaboration, drawing on themes of personal history, ecology, and philosophy. She frequently works with inherited or family gold, melting and reforming it into contemporary designs using traditional techniques. Many of her pieces incorporate contour lines and landscapes connected to the stories and places that hold significance for her clients. Living and working in a rural environment has also shaped Amy’s interest in cultural sustainability and the relationship between creative practice and tourism. Together with her husband, she views their decision to build a livelihood as artists in the Highlands as both a leap of faith and an ongoing opportunity to connect with and learn from creative communities around the world. Language A language of the resource English Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Identifier An unambiguous reference to the resource within a given context 949 Spatial Coverage Spatial characteristics of the resource. current,57.26298333938629,-3.6481177891465544; Subject The topic of the resource PEOPLE Source A related resource from which the described resource is derived artisans Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Scotland Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Amy Ferguson Niven Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://www.thethirdaye.com/ Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. External ID LAPONTE_AR_61 Place The town or city Beekeeping museum, Tanes, Asturias, Spain Craft metalwork Material Metal Material Source Unknown Technique Unknown Tool Unknown Function Designed to extract honey from the comb without destroying it. Creation Purpose For sale Production Quality Unknown Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Honey extractor Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Extractor de miel Type The nature or genre of the resource Physical Object Contributor An entity responsible for making contributions to the resource Carmen Pérez Maestro Language A language of the resource Spanish Spatial Coverage Spatial characteristics of the resource. current,43.2038384146373,-5.39500544539384; Extent The size or duration of the resource. 90cm x 80cm x cm Date A point or period of time associated with an event in the lifecycle of the resource 21st century Description An account of the resource A manual centrifugal metal device designed to separate honey from the comb without destroying it. It works by spinning uncapped frames at high speed to expel the honey, allowing the comb to be reused by the bees. It consists of a cylindrical drum, an internal rotating basket, and a tap for the honey to flow out. Made of stainless steel, cylindrical in shape and supported on legs. Manufactured by the brand Lega, it features two hinged lids and a hand crank. Identifier An unambiguous reference to the resource within a given context 947 Europeana Specific elements of the Europeana Semantic Elements. Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. External ID LAPONTE_AR_60 Place The town or city Beekeeping museum, Tanes, Asturias, Spain Craft metalwork Material Metal Material Source Unknown Technique Unknown Tool Unknown Function Designed to extract honey from the comb without destroying it. Creation Purpose For sale Production Quality Unknown Conecept La Moderna Apicultura was founded in May 1919 with the aim of becoming the first company in Spain dedicated to the industrial manufacture of beehives and beekeeping equipment, and it is also one of the most historic in Europe. Its creation was closely linked to King Alfonso XIII, who had a strong interest in agriculture, particularly beekeeping. The monarch commissioned his close circle to establish a company to promote the specialisation and professionalisation of beekeeping in Spain, as there were no establishments where the necessary equipment could be purchased, and beekeepers were forced to produce their own hives in a rudimentary manner. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Antique honey extraction machine Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Extractor de miel Type The nature or genre of the resource Physical Object Contributor An entity responsible for making contributions to the resource Carmen Pérez Maestro Language A language of the resource Spanish Spatial Coverage Spatial characteristics of the resource. current,43.2038384146373,-5.39500544539384; Extent The size or duration of the resource. 90cm x 80cm x cm Date A point or period of time associated with an event in the lifecycle of the resource first half 20th century Description An account of the resource A manual centrifugal metal device designed to separate honey from the comb without destroying it. It works by spinning uncapped frames at high speed to expel the honey, allowing the comb to be reused by the bees. It consists of a cylindrical drum, an internal rotating basket, and a tap for the honey to flow out. This model was manufactured in the first half of the 20th century by the factory ‘La Moderna Apicultura’, based in Madrid. References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://lamodernaapicultura.es/la-primera-tienda-de-miel-en-madrid/ Identifier An unambiguous reference to the resource within a given context 946 Europeana Specific elements of the Europeana Semantic Elements. Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. External ID LAPONTE_AR_59 Place The town or city Beekeeping museum, Tanes, Asturias, Spain Craft woodwork Material Wood Material Source Unknown Technique For the manufacture of the trobo, truébano and wooden hive box, logs that were fairly dry and hollow were selected, as they were easier to bore out and hollow using a gouge. In Asturias, chestnut wood was preferred, although examples can also be found in oak, elm, ash, and other woods. Their dimensions generally range from 60 to 120 cm in length and around 50 cm in diameter, with the trunk walls left at an approximate thickness of 5 cm, providing insulation against both cold and external heat. Tool Unknown Function Beehive Creation Purpose Personal use Production Quality Unknown Conecept In traditional Asturian beekeeping, the basic unit of the apiary is the ‘trobo’ (from the Latin dolium, meaning vessel), a name used across most of the Astur-Leonese area; it is also known as ‘truébano’ in regions closer to Cantabria. Inside the trobos, one or two crosses made of thin sticks (rockrose, poplar, heather, etc.) were placed. These, known as justres, are where the bees begin to build their combs, in which they rear brood and store pollen and honey. These combs are not straight, as in modern hives, but take on a variety of shapes and sizes and cannot be removed without breaking. The crosses, or justres, also determined how much comb and honey the beekeeper could harvest, leaving the remainder for the bees to survive the winter. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Beehive Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Truébano/Colmena Type The nature or genre of the resource Physical Object Contributor An entity responsible for making contributions to the resource Carmen Pérez Maestro Language A language of the resource Spanish Spatial Coverage Spatial characteristics of the resource. current,43.2038384146373,-5.39500544539384; Extent The size or duration of the resource. cm x cm x cm Date A point or period of time associated with an event in the lifecycle of the resource Unknown Description An account of the resource Two examples of vertical beehives made from tree trunks, approximately 70 cm in height. One is rectangular, while the other is cylindrical. They have lids. The rectangular one is made from wooden planks, while the cylindrical one is made from the tree trunk itself. References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://www.abejaspaisajeculturalasturias.org/que-buscamos/colmenas/ Identifier An unambiguous reference to the resource within a given context 945 Europeana Specific elements of the Europeana Semantic Elements. Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. External ID LAPONTE_AR_58 Place The town or city Beekeeping museum, Tanes, Asturias, Spain Craft woodwork Material Wood Material Source Unknown Technique A bundle of thin sticks bound together with three plant-based ties. Tool Unknown Function Beehive Creation Purpose Personal use Production Quality Unknown Conecept In traditional Asturian beekeeping, the basic unit of the apiary is the ‘trobo’ (from the Latin dolium, meaning vessel), a name used across most of the Astur-Leonese area; it is also known as ‘truébano’ in regions closer to Cantabria. Inside the trobos, one or two crosses made of thin sticks (rockrose, poplar, heather, etc.) were placed. These, known as justres, are where the bees begin to build their combs, in which they rear brood and store pollen and honey. These combs are not straight, as in modern hives, but take on a variety of shapes and sizes and cannot be removed without breaking. The crosses, or justres, also determined how much comb and honey the beekeeper could harvest, leaving the remainder for the bees to survive the winter. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Beehive Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Truébano/Colmena Type The nature or genre of the resource Physical Object Contributor An entity responsible for making contributions to the resource Carmen Pérez Maestro Language A language of the resource Spanish Spatial Coverage Spatial characteristics of the resource. current,43.2038384146373,-5.39500544539384; Extent The size or duration of the resource. cm x 45cm x 120cm Date A point or period of time associated with an event in the lifecycle of the resource Unknown Description An account of the resource A very rustic beehive made from locally sourced materials, created by weaving together various plant stems to form a cylindrical container. It measures approximately 1,2 metres in length and 45 cm in diameter. References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://www.abejaspaisajeculturalasturias.org/que-buscamos/colmenas/ Identifier An unambiguous reference to the resource within a given context 944 Europeana Specific elements of the Europeana Semantic Elements. Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain Intangible External ID ZRCSAZU_CR_01 Place The town or city Škofja Loka, Gorenjska, Slovenia Place Description Škofja Loka, one of Slovenia’s oldest and best-preserved medieval towns, is rich in historical, natural, social, cultural, and economic significance. Founded in the 10th century, Škofja Loka was a key administrative center under the rule of the Bishops of Freising, who governed the area for over 800 years. The town’s medieval layout remains largely intact, with landmarks like Škofja Loka Castle, historic townhouses, and remnants of defensive walls. Historically, Škofja Loka thrived on trade, crafts, and agriculture, with traditional industries such as ironworking, textile production, and woodworking playing an essential role. Today, the local economy is diverse, with tourism, small-scale manufacturing, and services being dominant sectors. Domains fibre and textile crafts Knowledge Wet felting requires a combination of technical skills, artistic creativity, and knowledge of materials to successfully transform raw wool fibers into durable felted fabric. More complex pieces, such as garments, require some engineering skills such as tailoring, knowledge of materials and shrinkage, and knowledge of shaping felt. While wet felting is accessible to beginners, refining these skills allows artisans to create intricate and high-quality felted pieces. Knowledge Transfer In Škofja Loka and Slovenia in general, the knowledge of wet felting is passed on in group and individual workshops led by experienced craftsmen. Practitioners Today, wet felting is primarily practiced by women who have learned the technique through various courses both locally and internationally. In the past, hatters relied on wet felting skills to create their products. However, modern hatmakers now purchase pre-made felt bases (such as cones), making traditional wet felting techniques largely obsolete in their craft. Function Felting supports local artisan businesses and sustainable fashion. Many Slovenian craftspeople sell handmade felted products—such as clothing, accessories, and home décor—at local markets, online, and through eco-conscious brands. For individuals, wet felting serves as a creative outlet that allows self-expression through color, texture, and form. Many practitioners, especially women, participate in felting groups, workshops, and local craft associations, where they share knowledge, collaborate, and support one another. Origins and change Archaeological findings and historical records of wool processing in medieval Slovenia suggest that felting was part of the broader wool industry that thrived in the region during the Middle Ages. Historically, wet felting was a practical skill used primarily by hatmakers and makers of gloves and felt boots/stockings. Today the practice has shifted towards artisans, hobbyists, and artists, mostly women who have learned the craft through workshops, artistic circles, and modern courses. Wool is still used, but felters have access to imported fine wool (e.g., merino), silk fibers, and synthetic blends that allow for greater variety in texture and design. Wet felting in Slovenia has evolved from a functional necessity in rural and professional textile work to a creative, artisanal, and sustainable craft. Organisations No specific organisation is linked to this practice. Places The most closely linked to this activity is Škofja Loka, where in the past there was a hat factory where hats were made from start to finish. Artefacts Wet felting is still done using minimal tools, such as wooden boards, different rollers, and manual handwork, with soap to help fibers bond. Today modern felters use bubble wrap, specialized felting needles, and synthetic felting mats, felting machines and various modern tools that are not specifically designed for this use but are adapted by the craftsman to his own needs (e.g. electric sanding machines) to speed up and refine the process. Climate Threats Loss of biodiversity,Deterioration of material Economic Threats Insufficient financial resources,Increased income disparity Technological Threats Industrial production,Use of modern materials Policy Threats Educational standardisation Globalisation New pastimes Weakened Practice Diminishing youth interest Loss Threats Loss of knowledge,Material shortage,Loss of cultural significance SDG Decent work and economic growth,Industry, innovation and infrastructure,Sustainable cities and communities,Responsible consumption and production,Life on land,Community engagement Climate Threats Description Biodiversity loss could affect breeding practices, especially of the breeds less economically profitable for the wool (on the account of meat). Material deterioration poses a significant threat to wet felting because it directly affects the quality, durability, and longevity of both raw materials (wool and fibers) and finished felted products. Modern wool processing processes can affect the material's abilities, and access to local wool is difficult in Slovenia. Economic Threats Description Products made with the wet felting technique are of a higher price class due to the labour intensive production. There is a limited market for such products in Slovenia, and artisans have to look for financial resources in several activities (e.g. workshops and trainings, selling products in different shops). Technological Threats Description Machine-made felt and synthetic alternatives, such as polyester felt, have largely replaced traditional hand-felted wool products, diminishing the demand for handmade felting. The rise of fast fashion and mass production has further shifted consumer interest away from artisanal felted goods, which require more time and craftsmanship. Additionally, modern textiles like acrylic and polyester blends offer a cheaper, more uniform, and durable alternative, making them more commercially appealing than labor-intensive wet felting. Policy Threats Description Wet felting is rarely included in school curricula or mainstream creative programs, limiting opportunities for young people to discover and appreciate the craft. Globalisation Description The rise of new pastimes and digital entertainment has significantly impacted the way people engage with traditional crafts like wet felting. New pastimes have reduced direct engagement with traditional crafts but have also created new digital pathways for learning. Weakened Practice Description A decline in youth engagement poses a significant threat to the future of wet felting, as fewer young people are learning and continuing the craft. The economic viability of handmade felting is uncertain, making it less attractive as a professional pursuit. There is also risk of reducing interest in traditional, time-consuming crafts like wet felting. Loss Threats Description Traditional wet felting skills once essential for hat-making have been largely replaced by industrial production, leading to a decline in expertise and knowledge transmission. Local Slovenian wool is becoming harder to obtain due to changes in sheep farming, reduced wool processing facilities, and market competition from imported fibers. Wet felting products, once essential for everyday life (e.g., hats, footwear, textiles), are now seen as decorative or artisanal rather than necessities, reducing their cultural relevance and demand. State of the practice stable Social sustainability Wet felting supports various aspects of social sustainability by promoting gender equality, inclusivity, education, community development, and well-being. Wet felting is traditionally practiced by women, offering economic independence through small businesses, craft cooperatives, and fair-trade initiatives. Wet felting requires minimal equipment and can be adapted for children, seniors, and people with disabilities, making it an inclusive craft. Teaching wet felting helps safeguard cultural heritage and traditional craftsmanship. Schools, community centers, and art programs incorporate felting into hands-on learning, enhancing artistic expression, fine motor skills, and patience.Felting workshops, group projects, and cooperative ventures bring people together, fostering collaboration, social cohesion, and peacebuilding. The repetitive motions of felting are meditative and stress-relieving, making it useful in art therapy and mental health programs. Engaging in handcrafted work promotes mindfulness and well-being, counteracting the fast-paced digital world. Environmental sustainability Wet felting aligns with environmental sustainability through its use of natural materials, low-impact production methods, and waste reduction strategies. Sourced from sheep, wool is biodegradable, renewable, and requires less processing than synthetic fibers. Using Slovenian or regionally sourced wool reduces the carbon footprint associated with imported textiles. Unlike synthetic fibers (e.g., polyester), wool does not release microplastics into the environment. Wet felting uses natural soap and water, avoiding toxic dyes or chemicals found in industrial textile production. Wool scraps and leftover fibers can be repurposed into smaller projects, insulation, or composted, minimizing textile waste. Wet felting is done manually, requiring no electricity-intensive machinery, reducing energy consumption compared to factory-based textile production. Felted wool products naturally decompose over time, unlike synthetic fabrics that contribute to landfill waste. Many felted products are sold at local artisan markets, reducing the environmental impact of long-distance transportation. Unlike industrial textile factories, wet felting is often done in small workshops or homes, reducing large-scale manufacturing emissions. Economic sustainability Wet felting supports economic sustainability by providing market access, income diversification, fair trade opportunities, and alternative economic systems. Wet felting allows individuals, especially in rural areas, to create and sell unique, handmade products such as accessories, clothing, and home décor. Many artisans practice felting as a secondary source of income, supplementing traditional farming, textile work, or other crafts. Unlike mass-produced textiles, felted products are often sold through fair trade networks, ensuring fair compensation for artisans. Wet felting provides employment opportunities for women, older adults, and rural communities, promoting economic inclusion. Handcrafted felted goods are often produced and sold within local markets, craft fairs, and sustainable shops, reducing reliance on globalized mass production. Felted products promote the slow fashion movement, discouraging disposable, fast-fashion consumption and supporting ethical production. Learning wet felting allows individuals to create their own textiles, reducing dependence on industrial products. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wet felting Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Mokro polstenje Type The nature or genre of the resource Intangible Contributor An entity responsible for making contributions to the resource Katarina Šrimpf Vendramin Language A language of the resource Slovene Description An account of the resource Wet felting is a traditional fiber art technique that transforms wool or other natural fibers into a dense, durable fabric by using moisture, heat, and agitation. The process involves layering raw wool, sprinkling it with warm, soapy water, and then repeatedly rolling, rubbing, or pressing the fibers together. As the wool’s tiny scales catch and bond, it forms a tightly interlocked material known as felt. This versatile craft is used to create everything from clothing and accessories to decorative items and art pieces, and it offers a tactile, hands-on way to explore the unique properties of wool. Creator An entity primarily responsible for making the resource 448 Identifier An unambiguous reference to the resource within a given context 943 Europeana Specific elements of the Europeana Semantic Elements. Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Slovenia Intangible External ID RV_CP_07 Place The town or city Western part of Värmland, Sweden Place Description The western part of Värmland is rich in lakes and waterways that offer a nature experience and are an important part of local identity. It is a landscape in Värmland, and especially the western part (a cultural region consisting of Eda, Arvika, Årjäng municipality, with parts of Kil and Sunne municipalities) is characterised by countryside, smaller towns, villages, forests, lakes, mires, and agriculture. It is an area associated with culture largely because many artisans have lived there, the presence of folk high schools with cultural education, the Ingesund College of Music, and cultural organisations. This area has had close relations with Norway, which continue through trade, work, and cultural exchanges. Domains performing arts,social practices, rituals and festive events Knowledge The ability to play by ear requires knowledge. The folk music environment is notably driven by volunteers, amateurs, and culture bearers, some of whom may be professionals. The Swedish model of municipality-run music schools also plays an important role in transmission. Informal settings, including evenings for playing together, as well as events for playing and dancing, create an inclusive environment where professionals, amateurs, and new practitioners meet and play together. Knowledge Transfer Informal settings, music school, courses, friends and events. Practitioners There is a wide range of practitioners of all ages, where the love of the music and/or a particular tradition usually brings people together. Both older and younger are practitioners, and there is no gender division. Music education might sometimes not show the breadth of the field, and some are more drawn to solo or duo playing, while others (perhaps more men) are drawn to ensemble playing. People might also enter the scene of folk music from jazz. Function Notably, many practitioners express a close, meaningful relationship to the dance, which, together with the music, makes up the folk music scene and culture, both on a local and a larger scale. Some practitioners say that playing a concert is meaningful first and foremost in relation to the presence of dance, whereas others express that it's only the playing that matters. Sometimes the music is referred to by some as "Gebrauchsmusik" or "bruksmusik" (Swedish). Folk music is also performed in churches, for concerts, as well as weddings and funerals. Origins and change Folk music has transformed in Värmland and has shifted through time. Important work has been done in the latter half of the 20th century through the gathering of information from older practitioners (by learning from them), which has made the traditions more vibrant. Polska, for example, was heavily influenced by modern songs and dances in the first half of the 20th century, whereas now it's a very much alive and thriving tradition. Organisations Ingesund College of Music in Arvika, as well as several organisations that arrange dance evenings where "spelmän" and "spelkvinnor" (lit. playing men and playing women) or the gender neutral term and commonly used "folkmusiker" (lit. folk musician) are playing for sets. There's also "spelmanslag", a form of amateur organisations where players gather and play a repertoire together. On a national level organizations or actors such as: The Song Archive by National Collections of Music, Theater and Dance, "Svenska visarkivet", the Swedish Musical Heritage database by the Royal Swedish Academy of Music, "Levande musikarkiv", as well as the Swedish Institute for Language and Folklore and the folk music centre Folkmusikens hus host archives. Places Ingesund College of Music in Arvika, as well as several other places which one can access, such as hembygdsgårdar or bygdegårdar, are important places. Parties and events. Music makes people want to gather, and the places where music is played attract an audience. Artefacts Music instruments, fiddles being the most common. Economic Threats Insufficient remuneration Decontextualization Misappropriation Loss Threats Loss of protective status SDG Good health and well-being,Sustainable cities and communities Economic Threats Description There is a culture of transferring knowledge for free and playing for free, so insufficient remuneration poses a threat to professional musicians Decontextualization Description There might be a threat in that nationalists could misappropriate the expression of the music and use it as a tool for propaganda. Loss Threats Description It has not lost its protective status, but it could be argued that it lacks one. State of the practice stable Social sustainability The practice unifies generations and people with its essence of learning through transmission, learning by ear, and playing together. Environmental sustainability N/A Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Folk music in Western Värmland, in a Scandinavian folk music tradition Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Västvärmländsk folkmusik, i en skadinavisk tradition Type The nature or genre of the resource Intangible Contributor An entity responsible for making contributions to the resource Sara Olsson, Kajsa Stinnerbom Language A language of the resource Swedish, Norwegian Description An account of the resource The folk music played in western Värmland varies but can be described as consisting of polska, reinländer (schottis), waltz, halling, as well as some polka and, to a lesser extent, also gånglåt and mazurka. Polska is a musical style in 3/4 time and also a folk dance. Truplets in the music are very common in the playing style in Värmland, as well as rhythmic staggered beats and musical drills and embellishments, which together make up a sort of melodic grammar. The style is referred to as a "värmlandspolska", "jössehärspolska", and it is also common to use more descriptive names such as "kort trea" or "kort etta" to showcase the rhythms. The music is played together or solo, and strongly associated with, but not dependent on, dance. The songs and the dance are learned in tradition, which is also evolving. Fiddles and violas are the most common instruments, as well as, for example, guitar, mandolas, harmonica, accordion and wind instruments. Identifier An unambiguous reference to the resource within a given context 942 Europeana Specific elements of the Europeana Semantic Elements. Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Sweden Intangible External ID MN_CP_08 Place The town or city Ramavuolle, Reinåsen, Tjeldsund, Troms, Norway Place Description Markasámi village Domains fibre and textile crafts Knowledge How to make the warp, how to put the threads through the rigid heddle loom for the wanted pattern. How to do regular weaving, and how to "pick" different patterns. Knowledge Transfer Between people, courses/classes, duodji societies/clubs Practitioners Mainly women, though some men do it too. Function Traditional bands are made for use on the gákti / Sámi traditional dress, as well as for other purposes. Origins and change The technique is very old. The production of the heddles/looms/njiskun themselves has been modernised and mass-produced. Organisations Local Sámi Duodjilag (Sámi handicrafts clubs), Duodjeinstituhtta, Sámij åhpadusguovdásj/Samernas utbildningscentrum in Jokkmokk (Sweden) Places In this area: Várdobáiki samiske senter, Stuornjargga samiid duodji Artefacts Gákti/traditional Sámi clothes and children's crib (Komse), but also used for other cultures, including the bunad traditions in Norway. Climate Threats Deterioration of material Technological Threats Industrial production,Surge of new technologies,Use of modern materials Decontextualization Touristification,Misappropriation Weakened Practice Aged practitioners,Diminishing participation,Diminishing youth interest,Haltered transmission between generations,Reduced practice Loss Threats Loss of ancestral language,Loss of cultural spaces,Loss of knowledge SDG Decent work and economic growth Climate Threats Description If the practitioner cannot get a hold of material, they cannot do the cultural practice Technological Threats Description Use of industrial production, new technologies and modern (for example, synthetic materials) can make the products cheaper and more popular, and might contribute to threatening the cultural practice if there are fewer and fewer buyers of the products/users of the products made by the cultural practice Decontextualization Description Touristification and the misappropriation of woven objects can lead to reduced use of the cultural practice if users/buyers of the products no longer want to use traditionally made products, instead opting for "fake" products. Weakened Practice Description If fewer and fewer people are interested in learning the practice and using the products, the practice might disappear. If the transmission between generations stops and the aged practitioners disappear, it will be much harder to keep the cultural practice alive. Loss Threats Description Words and terms explaining how to weave, and also the parts of the loom/parts of the yarn, techniques, etc., disappear, and a lot of knowledge can disappear with them, as some of the Sámi terms might be more descriptive and explanatory than the Norwegian or English ones. Safeguarding activities Duodjeinstituhtta has practitioners who hold workshops and courses in different areas where there are interested participants. Different Sámi duodjilag (handicrafts clubs) also do courses. State of the practice declining Social sustainability Inclusivity - anyone can learn the cultural practice. Environmental sustainability Use of natural materials, mainly wool and cotton. Economic sustainability Diversifying income sources - practitioners can make and sell products while still managing to work normally. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weaving bands with njiskun/ rigid heddle Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Båndveving med njuskun/grindvev Type The nature or genre of the resource Intangible Contributor An entity responsible for making contributions to the resource Kjersti Robertsen Language A language of the resource Norweigan and northern Sámi Description An account of the resource Weaving bands for traditional clothes or other purposes on a rigid heddle. The heddle is traditionally made from wood or antler, but modern ones are also made with modern materials like plastic. Creator An entity primarily responsible for making the resource 1459 Identifier An unambiguous reference to the resource within a given context 941 Europeana Specific elements of the Europeana Semantic Elements. Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Norway Intangible External ID MN_CP_07 Place The town or city Ramavuolle/Reinåsen, Tjeldsund, Troms, Norway Place Description Markasámi village Domains leatherwork Knowledge How much or little to process the reindeer skin for the desired finished product Knowledge Transfer Between people in families and duodji-societies/clubs Practitioners Duojárs/ duodji (Sámi handicrafts) practitioners, both male and female, all ages from youths to elderly. Function It is part of making the materials for the traditional Sámi crafts/duodji Origins and change The manual methods of removing flesh from the skins are very old, but the method of using the electrical screwdriver is newer. Places Sápmi Technological Threats Industrial production,Surge of new technologies Weakened Practice Aged practitioners,Diminishing participation,Diminishing youth interest,Haltered transmission between generations Loss Threats Loss of cultural spaces,Loss of knowledge,Material shortage Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reindeer skin processing Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Fjerning av kjøtt, fett og hinner på reinskinn med elektrisk skrutrekker med pusseball Type The nature or genre of the resource Intangible Contributor An entity responsible for making contributions to the resource Kjersti Robertsen Language A language of the resource Norweigan and northern Sámi Description An account of the resource An electric screwdriver with a ball attachment is used to remove flesh and thin flesh films, preparing the reindeer skin for processing. Traditionally, this has been done with different scraping tools. Identifier An unambiguous reference to the resource within a given context 940 Europeana Specific elements of the Europeana Semantic Elements. Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Norway Intangible External ID LAPONTE_CP_10 Place The town or city Asturias, Spain Place Description Traditional wood craftsmanship in Asturias is one of the pillars of its artisanal heritage, closely linked to rural life, vernacular architecture and everyday living. It is deeply connected to the region’s history, economy and identity. Today, it remains important because it defines the region's culture, reflects adaptation to the natural environment, preserves historical and artisanal heritage, contributes to the economy and tourism, and represents a sustainable practice. Domains woodwork,social practices, rituals and festive events,knowledge and practices concerning nature and the universe,culinary practices Knowledge A specialist in traditional wood craftsmanship in Asturias needs to master technical, cultural and practical knowledge, as well as an understanding closely linked to the land, tradition and climate. For example, they must be familiar with local woods such as chestnut and oak, master traditional joinery techniques without nails, know how to build and restore hórreos, make madreñas, adapt their work to the humid climate, and understand Asturian cultural traditions to preserve the authenticity of the objects. Knowledge Transfer Nowadays, traditional wood craftsmanship in Asturias is mainly passed down within families, from parents to children, in artisan workshops where it is learned through hands-on practice. However, it is also transmitted through vocational training in carpentry and cabinet-making, direct apprenticeships with craftspeople, and activities such as fairs and associations that help to promote and preserve this knowledge. In some ethnographic museums, workshops related to this craft are also held. Practitioners Wood craftsmanship in Asturias has traditionally been, and still is today, a predominantly male occupation. The traditional specialisations that still exist, although they are now scarce, include madreñeros, who specialise in making madreñas; builders and restorers of hórreos and paneras; and woodturners, who specialise in shaping wood using a lathe, a machine that spins the piece so it can be formed with tools such as gouges and chisels. There are also artisans who combine tradition with contemporary design in their work. Function Today in Asturias, wood craftsmanship fulfils important social functions such as preserving cultural identity, strengthening community life, passing on traditional knowledge, generating local employment, promoting sustainable values and protecting heritage, making it a key activity for keeping Asturian traditions and rural ways of life alive. Origins and change The main change has been the introduction of mechanical tools. There has also been a shift in the type of objects produced, as items that were once made from wood for everyday use are now typically made from metal or ceramic, while today wooden objects are often produced as decorative reproductions. Finally, there has been a decline in the overall production of wooden goods. Organisations In Asturias, there is the Asociación de Amigos de la Madera Les Forgaxes (Forgaxes means “wood shavings” in Asturian). It is an organisation dedicated to preserving the trades associated with wood, as well as providing a space for sharing knowledge and bringing together people who practise this craft. Each year, it organises a gathering to promote the work of master artisans. There are also several ethnographic museums, such as those in Grandas de Salime, the Museum of the Asturian People in Gijón, and museums in Quirós and Grau. There is also a specific museum dedicated exclusively to wood, known as the Museum of Wood and the Madreña in Caso. In relation to traditional wooden architecture, there is the Hórreo Interpretation Centre in Bueño, as well as an organisation dedicated to preserving this type of traditional architecture, known as the Asociación de Amigos del Hórreo Asturiano. Economic Threats Insufficient financial resources Weakened Practice Aged practitioners,Diminishing participation,Diminishing youth interest,Reduced practice Loss Threats Loss of knowledge,Material shortage SDG Zero hunger,Good health and well-being,Decent work and economic growth,Life on land Economic Threats Description In the specific case of hórreos and paneras, public funding from institutions to maintain them is limited. Weakened Practice Description As with many manual crafts, the tradition is being lost due to the disappearance of the use of wooden objects, replaced by cheaper materials, and consequently, there is less interest in learning and developing the craft. Loss Threats Description As with many manual crafts, the tradition is being lost due to the disappearance of the use of wooden objects, replaced by cheaper materials, and consequently, there is less interest in learning and developing the craft. State of the practice declining Social sustainability N/A Environmental sustainability It is an activity that does not pollute the environment. Economic sustainability Although there are few artisans who make a living from this work, it does provide economic sustainability for those who practise it. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Traditional woodworking Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Trabajo tradicional en madera Type The nature or genre of the resource Intangible Contributor An entity responsible for making contributions to the resource Carmen Pérez Maestro Language A language of the resource Spanish Description An account of the resource Traditional woodwork in Asturias has been fundamental to the development of everyday life. Wood has been used in: - Traditional construction: granaries such as hórreos and paneras. Elements of a hórreo include pegoyos, muela, colondras, viguetes, tiyeres, tentemozos, aguilones, tornos and pontones. - Asturian furniture and household items: escañu (bench), tayuelu (small stool), arca (chest), masera (dough trough), espetera (plate rack), vasar (shelf unit), alacena (cupboard) and truviecu (log seat). Also common joinery techniques in furniture, decorative carving, and other utensils such as zapicas, xarres (jugs), bowls, chopping boards, desca and salpimenteru (salt and pepper container). - Musical instruments: gaita (bagpipe), castanets, pitos (whistles), chiflu (flute), gaita rabil, rabel and bandurria. - Wooden footwear: the madreña. Made from a single piece of wood and designed to protect the feet from cold, snow and mud in rural areas. They are characterised by having three pegs (“tarugos”) on the sole, which raise the foot off the ground. Creator An entity primarily responsible for making the resource 2272 Identifier An unambiguous reference to the resource within a given context 939 Europeana Specific elements of the Europeana Semantic Elements. Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain Artisan An artisan External ID LAPONTE_PR_09 Place The town or city Soto de Rey, Ribera de Arriba, Asturias, Spain Area Relation native Area Reason Miguel is a native of Soto de Rey, a village in the municipality of Ribera de Arriba in Asturias. This area (Soto de Rey) has allowed him to be in contact with various natural areas, including the forests where he obtains the wood he uses for his work. Likewise, this village is home to the Ixuxu association, to which he has belonged for three years and which has enabled him to train in woodworking. Occupation woodwork Involvment part-time paid job Biographical Text Miguel Prieto Conde is a 21-year-old who is dedicated to traditional wood carving. He was born and raised in Soto de Rey, a rural Asturian village, which has allowed him to explore the natural areas and forests where he sources his wood. During the COVID-19 pandemic, Miguel began experimenting with wood carving on his own. His grandfather taught him and left him some tools with which he began his journey to learn the craft of woodworking. Over time, Miguel met and joined Ixuxu, a cultural and environmental association where he has continued his learning under the guidance of professionals. He is currently looking for ways to become a professional carpenter and get involved in projects and the production of larger pieces, such as wooden beams for construction. In the future, he wants to devote himself entirely to woodworking and believes it is important for more young people to get involved in the world of craftsmanship in order to keep the traditions and identity of Asturias alive. Email The email address of the museum. miguelprietoconde@gmail.com Phone The phone number 34 / 634 85 97 59 Social Media The social media links. instagram,https://www.instagram.com/tayu.artesania; knowledge1 Working with wood requires a variety of skills, not only technical knowledge but also knowledge of the forest. According to Miguel, artisans who work with wood must have a deep understanding of the forest and its needs: the times of year when wood can be obtained, which trees need pruning, which branches can be cut without damaging or causing disease in the tree, etc. Carpenters can be agents that help the forest, since they cut overgrown branches that could bring down the entire tree (as with chestnut trees, which need to be pruned). Fallen wood is also collected, and the forest is cleared of debris that can cause fires in the summer. Miguel mentions that it is also necessary to have a lot of patience and dedication, as it is difficult to navigate the forest, find wood, cut/process it, and transport it to the workshop. Once in the workshop, it must also be dried, cleaned, checked for cracks, fungi, or insects, cut, sanded, etc. All these tasks are done by hand and take a lot of time. It is important to note that in the production of wooden crafts, it is not only the time spent carving the piece and applying the final finishes that counts, but also the time and work involved in going to the forest to obtain the raw material. Knowledge Acquisition Miguel taught himself how to work with wood. Since the COVID-19 pandemic began, he started picking up a knife and small pieces of wood to carve them. His grandfather taught him a little about wood carving, but nothing advanced or any particular technique, as his grandfather was not a carpenter. Over time, he continued his self-taught learning until he met and joined Ixuxu: Ixuxu is a cultural and environmental association founded in 1990 with the aim of preserving and promoting biological and cultural diversity. Ixuxu promotes a symbiotic relationship between humans and their natural environment: one that is mutually enriching and regenerative. This involves the responsible use of natural resources and ensures the creation of a cultural landscape that is unique and full of character. In this association, Miguel has received lessons from more professional carpenters on how to work with wood. Knowledge Transfer Yes, Miguel has occasionally taught basic woodcarving workshops. For example, he was invited by the La Ponte ecomuseum to give a workshop for beginners, emphasising the properties of wood, how to obtain and process this material, and the different types of tools. In addition, at the Ixuxu association, of which he is a member, Miguel has taught workshops to foreign volunteers who come for temporary stays. However, Miguel is not a professional teacher and does not make a living from formal teaching. material1 Miguel works with local woods and prefers “hardwoods” such as chestnut, oak, and ash. material2 The wood is obtained sustainably from local woods of Asturias; there are specific times of the year when this wood can be harvested, and only the parts that do not cause damage to the tree are cut, so that the tree can regenerate. Wood that has already fallen or been broken by natural causes (such as lightning, an animal breaking a branch, etc.) is also used. material3 Miguel works on a small scale using traditional methods. He does not use industrial production methods, so he does not produce large amounts of waste. Any leftover wood is always put to good use, for example, as firewood, in the vegetable garden, or in compost and compost toilets. production1 Traditional techniques for wood carving using hand tools, such as scrapers, knives, chisels, and gouges. production2 The main tools Miguel works with are: the “rasero” (a knife with two wooden handles), a pocket knife, an axe, chisels, and gouges. He also uses different types of sandpaper and, on some occasions, an electric sander, but Miguel tries to avoid using power tools because the finish is not the same. According to Miguel, traditional tools force you to work in the direction of the wood grain, while power tools can work in any direction and at a faster speed. Although the finish looks the same, the quality is not the same. Handcrafted work is always of better quality, and the pieces are more durable. production3 During the interview, Miguel mentioned that he “considers himself fortunate” in terms of obtaining tools, as they have been inherited from his grandfather or other people who want to support him in his learning. They are old tools, but of very good quality, and require constant maintenance. Miguel believes it is important to have a self-sufficient relationship with tools: you have to learn how to maintain them properly or even learn how to make them. This is part of the craft: understanding how tools work and appreciating the traditional tools that have been passed down, as this is part of passing down traditions from generation to generation. production4 It does not require any energy sources. All the work is done manually. Nor does it require fire, fuel, water, etc. Occasionally, an electric sander is used, but it is very rare and only for small jobs. production5 Miguel works on a small scale using traditional methods. He does not use industrial production methods, so he does not produce large amounts of waste. Any leftover wood is always put to good use, for example, as firewood, in the vegetable garden, or in compost and compost toilets. workshop Yes, he uses the workshop of Ixuxu, the association he belongs to. The workshop is a very simple space with stone walls, a wooden roof, and a ceramic floor. It is a type of temporary hut located outdoors that is still undergoing improvements. It contains all kinds of traditional tools, a workbench, and some spaces for storing wood. products1 At the moment, Miguel focuses on making small pieces such as spatulas, small paddles and spoons for domestic use, pendants for necklaces, key rings, pipes, and small stools. But now he is learning to make larger pieces for construction use, such as wooden beams. products2 Most of his pieces are intended for domestic use. However, in the future, he wants to focus on creating pieces specifically for construction. products3 He sometimes attends craft markets and also sells some pieces on Ixuxu. But he usually sells his pieces through his Instagram account (people contact him there), with friends or family in the local area. products4 At the moment, he does not provide any services. Occasionally, people approach him to repair things, but these are small, sporadic jobs, such as fixing the handles of agricultural tools. products5 Occasionally, people approach him to repair items such as smoking pipes or agricultural tools that need a new handle. However, Miguel does not specialise in restoration or repair services. products6 Most customers are local people, people who attend craft markets, friends, and family. products7 No. tourism1 No. Currently, the artisan does not work in any program focused on tourism. During the interview, he mentions that the Ixuxu association, of which he is a member, has a volunteer program that attracts foreigners. During their stay, they learn some things about the traditional uses of wood, but Miguel is not currently focused on launching a program specifically for tourists. tourism2 Bueno al día de hoy, no he tenido mucha relación con el turismo. Pero bueno en el programa de voluntariado de Ixuxu llegan algunos extranjeros que aprender sobre los usos tradicionales de la madera, pero el turismo no es algo que hemos trabajado. partnership Yes, 3 years ago, Miguel joined Ixuxu: a cultural and environmental association founded in 1990 with the aim of preserving and promoting biological and cultural diversity. Ixuxu promotes a symbiotic relationship between humans and their natural environment: one that is mutually enriching and regenerative. This involves the responsible use of natural resources and ensures the creation of a cultural landscape that is unique and full of character. Ixuxu has other lines of work, such as agriculture and landscape regeneration, among others, but it also has a small workshop where Miguel has become involved and collaborates on the project by doing woodwork. Ixuxu has provided Miguel with a space to work, tools, and knowledge from other people with experience in carpentry. In the interview, Miguel mentions that the small workshop was a little neglected, but that he is now looking to revitalise it. In the future, he wants to turn the workshop into an open space for co-creation, so that artisans from other disciplines can share their techniques and work on projects together, and so that other beginners can come and learn about woodworking. challenges1 Currently, Miguel's challenge is to become a certified professional artisan and make woodworking his full-time job. During the interview, Miguel comments that becoming a full-time artisan is a distant prospect, as the self-employed worker system does not provide the support and assistance he needs to take that step. He needs another job (another source of income) to cover his needs. He also questions whether it is worth registering in the self-employed system as a professional artisan, as the taxes to be paid are very high and are not in proportion to what an artisan can earn (which is generally a minimum income). challenges2 Para mí lo más difícil es dar el paso a profesionalisarse, y hacer todo en regla. Es algo que requiere tiempo, esfuerzo y estaría bien estar en contacto con organizaciones que ofrezcan ayudas a personas como nosotros que estamos iniciando proyectos. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Miguel Prieto Conde Type The nature or genre of the resource Artisan Contributor An entity responsible for making contributions to the resource Sofía Gonzalez Sandoval Date A point or period of time associated with an event in the lifecycle of the resource 2004? Language A language of the resource Spanish Spatial Coverage Spatial characteristics of the resource. current,43.3076249,-5.86046299000000; Identifier An unambiguous reference to the resource within a given context 937 Europeana Specific elements of the Europeana Semantic Elements. Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain Artisan An artisan External ID LAPONTE_PR_07 Place The town or city San Salvador, Quirós, Principado de Asturias, Spain Area Relation incomer Area Reason After the pandemic, they decided to leave their jobs and move from Madrid Occupation ceramics Involvment full-time paid job Biographical Text Patricia and Adrián are a couple of artisans living in a small village in the municipality of Quirós. A few years ago, they decided to leave Madrid to start their own project: a ceramics studio that combines traditional techniques with a contemporary approach. Email The email address of the museum. 34 618 92 20 67 Social Media The social media links. facebook,https://www.facebook.com/tierrayfuegotallerdeceramica;instagram,https://www.instagram.com/ceramica_tierrayfuego/; knowledge1 To create their pieces, they use a rolling pin to produce clay slabs, along with a wide range of modelling and texturing tools. These include specialised instruments, such as awls, as well as non-specialised items such as toothbrushes, utility knives, and various types of brushes, many of which are everyday household tools. Knowledge Acquisition Self-taught and thanks to his father. Knowledge Transfer Yes, they teach their skills to individuals who participate in their workshops. These training activities are conducted in their own workspace and are adapted to the characteristics and needs of the participants, whether they are adults, young people, or specific groups. Their teaching approach is based on practical demonstration and personalised guidance throughout the creative process. material1 Their work involves the use of refractory ceramic clay, porcelain, and recycled glass obtained from used bottles. Each material is selected based on the type of piece and the aesthetic effects they aim to achieve. material2 The artisans primarily use clays of Spanish origin, sourced from the regions of Tarragona and Alicante. They are also considering incorporating black clay from Asturias, although they must first conduct tests to determine its suitability for the firing temperatures required. material3 Waste generated in their working process is virtually zero. All clay scraps are fully recovered and reused, reintegrating them into the production cycle. When working with glass or other materials, any remaining fragments are reused whenever possible or managed through formal recycling systems. production1 They employ highly personal techniques developed through experimentation, self-invented methods, and adaptations of techniques used by other artisans. Their practice is grounded in an ongoing process of testing and refinement. production2 They primarily use tools inherited from one of the artisan’s father, complemented by the extensive use of their own hands, which play an essential role in the creation process. production3 They maintain both a practical and an emotional relationship with many of their tools, as many are inherited family items. Beyond their functional value, these tools carry emotional significance, connecting their work with memory and tradition. production4 They do not yet have an operational kiln. They acquired a second-hand electric kiln from the 1990s, but they still need to obtain certain components and additional tools in order to bring it into operation. production5 No waste is generated during the production process. If a finished piece is not suitable for sale, the artisans keep it for their own personal use, thereby preventing any form of disposal. workshop No, the practitioners do not have a separate space used exclusively for their own work. They use the same workshop for both their production and workshops with third parties. The workshop is located on the ground floor of their home, but it functions as an independent space with its own access and organisation, allowing activities to be carried out without interfering with the domestic area. products1 The practitioners create pieces that reproduce façades of houses and other constructions, both real and imagined. They also produce porcelain and ceramic pendants, as well as items such as incense holders and ashtrays made from a combination of ceramic and recycled glass. products2 For sale products3 Their items are sold primarily at craft markets, both in Asturias and in other regions. products4 They offer workshops for a wide range of audiences, delivered both in their own workspace and in schools and other institutions. They also manage and organise markets featuring a variety of local artisans. products5 No, they do not provide repair or reutilisation services. products6 Their customer base is highly diverse, including private individuals and tourists who attend markets, as well as local companies requesting bespoke pieces. They also collaborate with institutions, such as museums, which commission works on specific themes. Special commissions generally come from local organisations, enabling them to support and strengthen a circular local economy. products7 They do not currently hold any specific certifications. However, they are members of a local association that is exploring the possibility of establishing an artisanal designation of origin associated with the “Valles del Trubia”. tourism1 Yes, the practitioners receive a wide range of visitors and clients, including both local residents and tourists who spend weekends in the area. One of their main tourism-related activities is the offer of ceramics workshops, which can be booked throughout the year. They do not specify whether their tourists are domestic or international, as their approach does not differentiate by origin. tourism2 "Más allá de participar en mercados grandes, creo que es una parte de la democracia participar en la vida de los concejos." "No solo turistas, sino gente de la zona, eso es lo que está bien." partnership Yes, they are members of the neighbourhood association “L’Abellugu” and of the craft association “Arte por las Manos”, which has more than one hundred members. They also take part in various co-creation projects with local artisans, fostering knowledge exchange and mutual collaboration. They collaborate with various public institutions, such as local schools and museums, for which they create specific pieces or souvenir products. They do not currently engage in formal collaborations with academic research institutions. challenges1 One of the main challenges they face is unfair competition from individuals who sell products that are not genuinely handmade. This issue undermines both the recognition of the craft and the economic sustainability of those who work authentically. challenges2 No compréis por internet, ese es el mayor problema." "Cuando hablamos de comprar artesanía yo lo entiendo como comprar algo que está hecho con el alma y con las manos." "El niño seguía llorando porque quería específicamente el colgante que había visto, quería ese; son piezas únicas." Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Martínez de Juana, Andrián; Cervera Gustodio, Patricia Type The nature or genre of the resource Artisan Contributor An entity responsible for making contributions to the resource Maria José Tudela Date A point or period of time associated with an event in the lifecycle of the resource 1981 Language A language of the resource Spanish Spatial Coverage Spatial characteristics of the resource. current,43.1642031567794,-5.97880474556343; Identifier An unambiguous reference to the resource within a given context 936 Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://tallerdeceramicaenasturias.wordpress.com/ Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain Artisan An artisan External ID AAS_PR_03 Place The town or city Habost, Port of Ness, Isle of Lewis Area Relation incomer Area Reason Moved in 2006 to commence a kiltmaking apprenticeship in Stornoway Occupation fibre and textile crafts Biographical Text Netty moved to the Isle of Lewis in 2006 to take up a kiltmaking apprenticeship. After two years, she started her own business and explored using locally woven Harris Tweed in her designs. This led to a number of commissions and displays, including at Norton & Sons, Savile Row, and through this contemporary kilt production for fashion designer Christopher Kane. After fifteen years of working on a self-employed basis, Netty started teaching part-time Fashion Design at the local higher education college. Since then, she has continued her kiltmaking and garment design business, but on a reduced scale, whilst also fulfilling the role of board member with Applied Arts Scotland, project managing national and international craft-focused projects, and, recently, becoming editor of the community newspaper – Fios. An area Netty has developed over the past twenty years is usung the wool form her families flock of Hebridean Sheep to be washed, cardded and spun in to weaving yarn at Uist Wool. This yarn has then been woven into Harris Tweed by a local weaver. Email The email address of the museum. nettysopata@gmail.com Phone The phone number 07881 273 966 Social Media The social media links. instagram,https://www.instagram.com/diggorybrown/; knowledge1 Traditional hand-tailoring techniques applied to kilt-making: measurement, pleat calculations, chalking-out, hand sewing, and steam pressing. Knowledge Acquisition Served a traditional apprenticeship and then adapted the skills to develop Harris Tweed kilts. Harris Tweed is heavier than the traditional tartan cloth used to make kilts. Knowledge Transfer Yes, through evening classes at the local arts centre. material1 Harris Tweed. Leather (for straps) and brass, other metals for buckles. material2 Local Harris Tweed mills material3 Donates them to local higher education college production1 Calking out (to mark the pleats and kilt pattern); hand sewing (using a thimble); steam pressing (to set the pleats). production2 Thimble, measuring tape (inches), pattern master (straight edge ruler to mark out the pleats). Steam Iron and pressing table. Needle and scissors. production3 Tape and thimble belonged to her grandmother, who was a home-based seamstress in London. production4 Electricity for lighting and the steam press. Peat for a heating stove in the studio. production5 Cut-away' segments of cloth are donated to the local college for students to use in mood boards, etc. workshop Yes. The upstairs area of her home is a dedicated studio space. products1 Handtailored kilts and contemproray garments products2 For sale products3 The kiltmaking service is no longer advertised, and commissions are completed on a word-of-mouth basis only. products4 Bespoke one-to-one orders products5 Only for kilts products6 Locally based clients for repairs and alterations. Visitors to the Hebrides who have a connection to the location and/or want to have something created for them that resonates with the location. products7 Harris Tweed label tourism1 Netty used to display work and take orders at the local music festival: HebCelt. This four-day festival attracts the perfect target market for bespoke kilts. The tourists at this event are from a range of national and international locations. partnership Applied Arts Scotland challenges1 Outwith the HebCelt festival, accessing physical events to display and take orders was not cost-efficient due to being located on an island. Prim Media 2306 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Annette Sopata Type The nature or genre of the resource Artisan Contributor An entity responsible for making contributions to the resource Netty Sopata Date A point or period of time associated with an event in the lifecycle of the resource 1978? Language A language of the resource English Spatial Coverage Spatial characteristics of the resource. current,58.4917648473254,-6.23148173863765; Identifier An unambiguous reference to the resource within a given context 935 Europeana Specific elements of the Europeana Semantic Elements. Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Scotland https://culturality.museum/omeka/files/original/667769edbff48bff81d8c97c56f9fdc1.png 3cb6451e0d6af5b267593814a42cd2eb https://culturality.museum/omeka/files/original/c974f3f7fee9efcdec917b8a0c827673.png ea6615f204a78f1b13917211718202ca https://culturality.museum/omeka/files/original/3328aeacd50e6488be537ceff5120c29.png 0713f4bf8644aee7bd4fcb80738726c8 https://culturality.museum/omeka/files/original/9061452476a8cea92b6aa14cddc6d257.png badc26d1a9f954da73ac40581d8449f0 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. 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TEXT Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Root Cellar Site Institutional nature Museum, Ecomuseum, Extended Museum, Territorial Museum, Cultural Center, Memory House, e-Museum, etc Studio Prim Media 2327 Zoom Min 17.5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barn Type The nature or genre of the resource Site Extent The size or duration of the resource. cm x cm x cm Identifier An unambiguous reference to the resource within a given context 929 Source A related resource from which the described resource is derived finnskogen Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 11/05/2026 Contributor An entity responsible for making contributions to the resource iain Spatial Coverage Spatial characteristics of the resource. current,60.14923596723795,12.542175021953883; Date Modified Date on which the resource was changed. 05/18/2026 10:06:55 am Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Barn Site Institutional nature Museum, Ecomuseum, Extended Museum, Territorial Museum, Cultural Center, Memory House, e-Museum, etc Cultural Heritage Prim Media 1414 Zoom Min 15 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Stone Type The nature or genre of the resource Site Extent The size or duration of the resource. cm x cm x cm Identifier An unambiguous reference to the resource within a given context 928 Source A related resource from which the described resource is derived finnskogen Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 11/05/2026 Contributor An entity responsible for making contributions to the resource iain Date Modified Date on which the resource was changed. 05/11/2026 02:08:46 pm Spatial Coverage Spatial characteristics of the resource. current,60.139144,12.549936; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. The Stone Site Institutional nature Museum, Ecomuseum, Extended Museum, Territorial Museum, Cultural Center, Memory House, e-Museum, etc Building Prim Media 1420 Zoom Min 17.5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hayloft Type The nature or genre of the resource Site Extent The size or duration of the resource. cm x cm x cm Identifier An unambiguous reference to the resource within a given context 927 Source A related resource from which the described resource is derived finnskogen Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 04/05/2026 Contributor An entity responsible for making contributions to the resource iain Date Modified Date on which the resource was changed. 05/11/2026 02:01:18 pm Spatial Coverage Spatial characteristics of the resource. current,60.149423363876046,12.541066997218879; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Hayloft Site Institutional nature Museum, Ecomuseum, Extended Museum, Territorial Museum, Cultural Center, Memory House, e-Museum, etc Building Prim Media 1422 Zoom Min 17.5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sauna Type The nature or genre of the resource Site Extent The size or duration of the resource. cm x cm x cm Identifier An unambiguous reference to the resource within a given context 926 Source A related resource from which the described resource is derived finnskogen Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 04/05/2026 Contributor An entity responsible for making contributions to the resource iain Spatial Coverage Spatial characteristics of the resource. current,60.14906837113763,12.540821878938006; Date Modified Date on which the resource was changed. 05/04/2026 09:53:53 am Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Sauna Site Institutional nature Museum, Ecomuseum, Extended Museum, Territorial Museum, Cultural Center, Memory House, e-Museum, etc Cultural Heritage Prim Media 1436 Zoom Max 15 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 7-Torp Type The nature or genre of the resource Site Extent The size or duration of the resource. cm x cm x cm Identifier An unambiguous reference to the resource within a given context 912 Source A related resource from which the described resource is derived finnskogen Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 08/04/2026 Contributor An entity responsible for making contributions to the resource iain Spatial Coverage Spatial characteristics of the resource. current,60.14718154317803,12.533361911773683; Date Modified Date on which the resource was changed. 04/08/2026 10:27:36 am Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. 7-Torp Site Institutional nature Museum, Ecomuseum, Extended Museum, Territorial Museum, Cultural Center, Memory House, e-Museum, etc Cultural Heritage Prim Media 1419 Zoom Max 17.5 Zoom Min 15 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ritamaki Type The nature or genre of the resource Site Extent The size or duration of the resource. cm x cm x cm Identifier An unambiguous reference to the resource within a given context 911 Source A related resource from which the described resource is derived finnskogen Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 07/04/2026 Contributor An entity responsible for making contributions to the resource iain Spatial Coverage Spatial characteristics of the resource. current,60.14915,12.541461; Date Modified Date on which the resource was changed. 04/07/2026 03:31:28 pm Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Sweden Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Ritamaki https://culturality.museum/omeka/files/original/468e08b7a50589a80eb5b36a50e9d43d.png 96388e636a573ef2a22b3964bea81f7f Custom Pin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ritamäki_Finngård_Emblem Type The nature or genre of the resource Custom Pin Format The file format, physical medium, or dimensions of the resource image/png License A legal document giving official permission to do something with the resource. In Copyright (InC) Identifier An unambiguous reference to the resource within a given context 910 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/92d6c3a097224fd3691f12b0ea1f8f79.png e06d8b08950247330a04ec4638048713 Custom Pin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 7-croft_start_3 Type The nature or genre of the resource Custom Pin Format The file format, physical medium, or dimensions of the resource image/png License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Identifier An unambiguous reference to the resource within a given context 909 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Site Institutional nature Museum, Ecomuseum, Extended Museum, Territorial Museum, Cultural Center, Memory House, e-Museum, etc Cultural Heritage Prim Media 1431 Zoom Min 15 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Österby Type The nature or genre of the resource Site Extent The size or duration of the resource. cm x cm x cm Identifier An unambiguous reference to the resource within a given context 908 Source A related resource from which the described resource is derived finnskogen Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 07/04/2026 Contributor An entity responsible for making contributions to the resource iain Spatial Coverage Spatial characteristics of the resource. current,60.14624952360838,12.518709003925325; Date Modified Date on which the resource was changed. 04/07/2026 03:31:14 pm Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Sweden Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Österby Site Institutional nature Museum, Ecomuseum, Extended Museum, Territorial Museum, Cultural Center, Memory House, e-Museum, etc Cultural Heritage Prim Media 1434 Zoom Min 15 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kissalamp Type The nature or genre of the resource Site Extent The size or duration of the resource. cm x cm x cm Identifier An unambiguous reference to the resource within a given context 907 Source A related resource from which the described resource is derived finnskogen Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 07/04/2026 Contributor An entity responsible for making contributions to the resource iain Spatial Coverage Spatial characteristics of the resource. current,60.15808234952466,12.532533109188082; Date Modified Date on which the resource was changed. 04/07/2026 03:28:51 pm Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Sweden Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Kissalamp Site Institutional nature Museum, Ecomuseum, Extended Museum, Territorial Museum, Cultural Center, Memory House, e-Museum, etc Cultural Heritage Prim Media 1430 Zoom Min 15 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lebiko Type The nature or genre of the resource Site Extent The size or duration of the resource. cm x cm x cm Identifier An unambiguous reference to the resource within a given context 906 Source A related resource from which the described resource is derived finnskogen Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 07/04/2026 Contributor An entity responsible for making contributions to the resource iain Spatial Coverage Spatial characteristics of the resource. current,60.15251888873133,12.512743771076204; Date Modified Date on which the resource was changed. 04/07/2026 03:31:01 pm Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Sweden Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Lebiko Site Institutional nature Museum, Ecomuseum, Extended Museum, Territorial Museum, Cultural Center, Memory House, e-Museum, etc Cultural Heritage Prim Media 1433 Zoom Min 15 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sweden Norway Border Type The nature or genre of the resource Site Extent The size or duration of the resource. cm x cm x cm Identifier An unambiguous reference to the resource within a given context 905 Source A related resource from which the described resource is derived finnskogen Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 07/04/2026 Contributor An entity responsible for making contributions to the resource iain Spatial Coverage Spatial characteristics of the resource. current,60.15527595952535,12.525052428245544; Date Modified Date on which the resource was changed. 04/07/2026 03:30:02 pm Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Sweden Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Sweden Norway Border Site Institutional nature Museum, Ecomuseum, Extended Museum, Territorial Museum, Cultural Center, Memory House, e-Museum, etc Cultural Heritage Prim Media 1428 Zoom Min 15 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sweden Norway Border Type The nature or genre of the resource Site Extent The size or duration of the resource. cm x cm x cm Identifier An unambiguous reference to the resource within a given context 904 Source A related resource from which the described resource is derived finnskogen Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 07/04/2026 Contributor An entity responsible for making contributions to the resource iain Spatial Coverage Spatial characteristics of the resource. current,60.145305,12.520652; Date Modified Date on which the resource was changed. 04/07/2026 03:29:45 pm Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Sweden Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Sweden Norway Border https://culturality.museum/omeka/files/original/7501ebd9779ba04c8e42199b95c2fe25.png 5a2e0b629063a4a9cfd33b353d69db4f Custom Pin Icon Size 100 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Norway Sweden Border Icon Type The nature or genre of the resource Custom Pin Format The file format, physical medium, or dimensions of the resource image/png License A legal document giving official permission to do something with the resource. In Copyright (InC) Identifier An unambiguous reference to the resource within a given context 903 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/d4a62f40bd84a7b427b5ea76e555cafe.jpg d5d7efb1960d2b82318cd5923bfbd655 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID RV_AR_14(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woven necklace, longer model in several shades of blue Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2024-12-06 Spatial Coverage Spatial characteristics of the resource. current,59.6574488,12.890542; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ulrika Jäger, Sara Olsson Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Sweden https://culturality.museum/omeka/files/original/6224e64c10aec373c50225df3eccc7fd.jpg 32a641bfde4933eedc1306323ee01351 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID RV_AR_13(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woolen scarf in pale colour with patterns of darker leaves Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2024-12-06 Spatial Coverage Spatial characteristics of the resource. current,59.6574488,12.890542; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ulrika Jäger, Sara Olsson Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Sweden https://culturality.museum/omeka/files/original/239c3f87486f49328cb340d0e915c54a.jpg b070f34976ab11cfd685159d5a51b85f Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID RV_AR_12(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource White hanging lamp in linen yarn Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2024-12-06 Spatial Coverage Spatial characteristics of the resource. current,59.6574488,12.890542; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ulrika Jäger, Sara Olsson Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Sweden https://culturality.museum/omeka/files/original/cf76140457eacde0eb4f9e4939259d70.jpg 292980c1a4a5002cd41f6f4293acceb1 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID RV_AR_11(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Square pillow with zig-zag pattern in mainly warm colours Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2024-12-06 Spatial Coverage Spatial characteristics of the resource. current,59.6574488,12.890542; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ulrika Jäger, Sara Olsson Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Sweden https://culturality.museum/omeka/files/original/a908fd43d5ad72d1c0fd63a6ba61410c.mp4 4a9e0407b005b1db54880f9c2b386747 Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Indoor, Therese Henner at her loom in her studio, weaving. Video at an angle from behind Type The nature or genre of the resource Moving Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource video/mp4 License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 2024-02-16 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. VIDEO Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Susanne Johansson Sadri Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://culturality.museum/galleries/upload/RV_CP_03_01_-1.mp4 https://culturality.museum/omeka/files/original/69aa06d3ee7bd0016a5ddc0354bc1f60.jpg 3ec0cb8655eeb9912120792f1d11848b Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Images of some of Henner's plant dyed yarns Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 2024-12-06 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ulrika Jäger, Sara Olsson https://culturality.museum/omeka/files/original/13eac1b3b87091475d5e050ca6580677.JPG 70ac1925c757f4393db6dacdd6545dba Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Indoor, Therese Henner at her loom in her studio, weaving. Image in profile view. Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2024-02-16 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Susanne Johansson Sadri https://culturality.museum/omeka/files/original/f4ba10657e740a95835cc4ed24b326e2.jpg 45d7e004086bbf782976475b87a806df https://culturality.museum/omeka/files/original/0570cd1de81b5e6791c381f164d2db75.mtl 9925a475ff49b93ab1d0fdd9890183d8 https://culturality.museum/omeka/files/original/8bfab1bbc7ecfc0d689014bf8200c90b.obj 3433d668a790a823e27d72e81780a401 https://culturality.museum/omeka/files/original/2c949af27daa4c273646412906b8ba08.jpg 3e8165a7f32f448c48ff2632fcd9cdb0 https://culturality.museum/omeka/files/original/918d2dd599a3d348b1e42694d5a2664b.jpg 3f431f2b2bb6bb9bfd44082cdf269023 https://culturality.museum/omeka/files/original/527606d23796a402e980ebd4f2001779.jpg fec90817a7302463e674a35315d34af0 https://culturality.museum/omeka/files/original/c1857bdb25436ae517f59b641505a72f.glb b89ee452908e29d0d6f87c5ae0281f3b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Upper Carniola Identifier An unambiguous reference to the resource within a given context 436 3D Object DescriptionEN English Description Black shawl created by Anja Musek Process Photogrammetry Vertices 1632119 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Black Shawl Type The nature or genre of the resource 3D Object Description An account of the resource Black shawl created by Anja Musek Date A point or period of time associated with an event in the lifecycle of the resource 07/04/2025 Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource text/plain Alias/WaveFront Object License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Identifier An unambiguous reference to the resource within a given context 1dc2e0ef36554d52b073143f2d742bb9 Spatial Coverage Spatial characteristics of the resource. current,46.16634484507867,14.307198810651277; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. 3D Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. University of St Andrews Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://sketchfab.com/models/1dc2e0ef36554d52b073143f2d742bb9/embed Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Catherine Anne Cassidy https://culturality.museum/omeka/files/original/cb6f2b47bf98e63a27560d7196000bdb.png 47215cf22acfcccdb88a44119e1ce26d Tour Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ERM Heimtali Museum Type The nature or genre of the resource Tour Description An account of the resource ERM Heimtali Museum ERM Heimtali Museum is located in the old municipal school building, completed in 1864. The school operated in the building until 1932, when it was moved to Heimtali Manor, where it remains to this day. 28. On 28 November 1987, on the anniversary of the local school, the Heimtali Local History Museum was opened in the old schoolhouse under the leadership of local resident Johannes Kokk. Under his guidance, the collection of local heritage and old objects was also begun. One part of the museum’s display dealt with the history of local school and cultural life, while the other focused on rural culture and agricultural tools. Johannes Kokk remained the museum’s director until 1992. In 1994, the museum was purchased by textile artist Anu Raud using the prize money from the Jakob von Uexküll Revival Award. Anu Raud added to the existing collections her own collection of ethnographic and national textiles, previously kept in the museum room at Kääriku Farm, and began renovating the building with her own funds and with the help of sponsors. 2009. In 2009, when the Estonian National Museum celebrated its 100th anniversary, Anu Raud donated her private museum’s property and collections in their entirety to ERM in order to ensure the museum’s future development. Since 1 June 2010, the museum has officially borne the name ERM Heimtali Museum. Today, the museum’s collections include materials related to local school life and tools from the surrounding area, as well as cabinet- and chestfuls of traditional textile examples from different regions of Estonia. The museum also has a library devoted to folk art, home culture, and art. 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