16 100 1899 https://culturality.museum/omeka/files/original/5d5ee56cf596663778f8578a3b5ee3c4.png d8ec4f99a61a919d1ee965d408957b01 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_CP_04 Image Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/png License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: University of St Andrews Identifier An unambiguous reference to the resource within a given context 4 Intangible Prim Media 1766 Context Beekeeping is related, for example, to the traditional use of home remedies to treat stings. The most commonly used consist of applying or rubbing the sting area with different substances or plants: sweat from the armpits or testicles; smegma; mud or soil; dung; honey; garlic; parsley; houseleeks (Sempervivum montanum); "millo de rey" (an unknown plant); llantaine (Plantago media), and fern root. Other less widespread remedies included placing a silver coin (Taladriz, Ibias municipality) or sheep dung (Teyeo, Lena municipality). To relieve the pain of stings, infusions of a/triaca (Tanacetum vulgare) were also taken, especially in eastern Asturias. This practice also has a cultural connection with language. Abeyeiro and abeyista are Asturian terms used in some municipalities in the western part of the region to refer to people who keep bees. In Asturias, the word meleiro (honey seller) is used to describe "a person who sells honey," as well as someone with a gentle, mellifluous character who charms with their conversation. Likewise, the term miel (honey) is used to describe people with a soft and kind character, calling them "meixamiel," or applying the saying: "Faiste de miel y cómente les mosques" ("You are made of honey and eaten by flies"). Field Worker Carmen Pérez Maestro Climate Threats Loss of biodiversity,Invasive species Economic Threats Insufficient financial resources Weakened Practice Diminishing participation,Diminishing youth interest,Reduced practice Loss Threats Loss of cultural spaces,Loss of knowledge SDG Zero Hunger,Good Health and Wellbeing,Affordable and Clean Energy,Climate Action External ID LAPONTE_CP_04 Knowledge Management techniques are one of the most crucial aspects of apicultural production, as human capacity to work with bees directly affects the sustainability and productivity of the apiary. In western Asturias, a set of techniques was traditionally known that allowed for the maintenance and expansion of beehives: natural swarms were captured during May and June, and it was also possible to induce artificial swarms when necessary. In March, the old wax at the bottom of the hives—known to encourage the spread of wax moths and hinder proper brood development—was removed. Colonies were fed if required, and finally, a portion of the bees’ harvest was extracted, ensuring that enough was left behind for the colony to survive the winter. By contrast, in the central-eastern areas of Asturias, beekeeping operations were generally reduced to two basic tasks: the capture of swarms in spring—an essential practice to maintain the apiary—and the complete extraction of honey and wax. For this purpose, the heaviest hives were selected, and all the bees were killed in the process. The coexistence of these two extraction methods—one involving partial harvesting ("cutting" or "castrating" the hive), and the other involving total extraction through the destruction of the colony—clearly delineates a fundamental difference between the apicultural practices of western Asturias and those of the central and eastern zones (López, 1994). Abeyeiros (traditional Asturian beekeepers) are drawn to the behavior and biology of bees, demonstrating a profound and often intuitive understanding of the species they work with. Knowledge Transfer The learning of bee care was done, as with all teachings related to rural life, within the family. The youngest children, who did not take part in the hard tasks, would instead accompany their grandparents or parents to capture swarms in the spring and visit the beehives with them. Practitioners Although beekeeping is generally considered a male activity, in western Asturias—where bees play a significant role in the domestic economy and the apiaries are scattered throughout the countryside—it was traditionally an exclusively male occupation. Conversely, in the central and eastern regions of Asturias, it was common for women to take care of hives within their homes. Currently, the majority of practitioners remain men; however, there is also a notable presence of women, with both young men and women actively involved in the practice. Function Beekeeping represents an economic supplement or even a primary source of income for some beekeepers, particularly through the production of honey, wax, propolis, and other derivatives. This activity is closely linked to Asturian rural identity and has historical ties to traditional practices. In the context of rural depopulation and the loss of traditional occupations, sustaining beekeeping is viewed as an act of cultural resistance and the preservation of intangible heritage. Origins and change Traditional hives in Asturias are vertical and fixed-frame, meaning the combs are attached permanently to the hive body and can only be removed by breaking them. In contrast, modern movable-frame hives feature combs placed in removable frames that can be extracted without damage and then returned after honey extraction. The advantage of the latter system lies not only in harvesting honey without harming the bees but also in the ability to easily inspect and manipulate the colony. Until a few decades ago, more rudimentary methods were used to calm the bees during hive management: a tile with burning dung; a mechón or fumeiro—a bundle of old rags rolled up, which was the most common method; an escacio (an epiphytic lichen) harvested from trees; and oak bark. Nowadays, bellows smokers are employed. Organisations The Federation of Beekeepers’ Associations of Asturias (FAPI) represents beekeepers before official bodies, private entities, and other institutions, advocating for the collective interests of the apicultural community. Additionally, ADAPAS (Association for the Defense of Bees of the Principality of Asturias) works to protect and promote the welfare of bees in the region. Places Two specific constructions from this activity, of great ethnographic value, are the talameiros or talameras and, above all, the cortinos, beehives built in the mountains that appear in the western part of Asturias. Both types of beehives were and still are scattered across the sunny slopes of the low mountains and served to protect the hives from fire and bears. At the Beekeeping Museum of Caso, the life cycle of bees and their importance for the natural balance of the planet are displayed, helping to understand the foundations of the beekeeper’s work and the applications of the products obtained. Through its exhibition, one can observe the evolution of hives, the work involved in their preparation, the care they required, and the extraction of honey. Alongside this, there is an interesting collection of tools, utensils, and clothing necessary for beekeepers to carry out their work. The Beekeeping House in Los Mazos, Boal, is a center for dissemination and interpretation related to the art of bee breeding: traditional beekeeping, modern beekeeping, products extracted from the hive, life within the colony... At the Asturias People’s Museum in Gijón, there is also a collection of objects related to traditional beekeeping: hives of different types, honeycomb cutters, smokers, containers for storing honey, and wax presses. Artefacts Truebano, queisieyu o coxedor (se emplea para coger los enjambres que huyen lejos del colmenar o que se posan en la rama de un árbol), ahumadores de fuelle o soplón, cortadeiras, esmielgadoras o jegras empleadas por los abeyeiros están formadas por un mango y una hoja de doble filo y curva. Recipientes para almacenar la miel, trobos da mel o truébanos del miel, si son de madera y olla, el puchero, la tarreña, la xarrina y el pucherín si son de cerámica. Climate Threats Description Reduction of floral diversity. Invasive species—the Asian hornet (Vespa velutina), a predator of bees and a cause of stress in the hives, which reduces food collection. Deterioration of traditional structures for protecting the hives and access to them. Economic Threats Description No hay suficiestes ayudas por parte de las administraciones públicas para el mantenimiento de la apicultura. Safeguarding activities Activities organized by the two associations (see the organizations section). State of the practice declining Social sustainability Its main role is the maintenance of ecosystems and biodiversity precisely through entomophilous pollination carried out by the beekeeping population. Its environmental contribution can be measured both by an improvement in the final agricultural production, in quantity and quality, and by its contribution to the maintenance of biodiversity. No other livestock sector uses natural resources as sustainably while simultaneously providing environmental benefits and supporting rural areas, thus contributing to their maintenance and development. Therefore, it is an example of a Sustainable and Environmentally Beneficial Production Model, understood as one in which economic interests (production of honey and hive products that provide profitability to beekeeping operations), social aspects (settling populations in rural areas where there are hardly any other economic activities), and the environment (not only respectful of the environment but also providing a service to society through the pollination of our fields) converge. Environmental sustainability Contributing to the maintenance of the vegetation layer in our environment, to the production of pastures, apples, blueberries, chestnuts, cherries, etc Economic sustainability Beekeeping represents an economic supplement or even a primary source of income for some beekeepers, especially through the production of honey, wax, propolis, and other derivatives. Place The town or city Toda la provincia de Asturias Place Description Beekeeping in Asturias has a long-standing tradition, with a production structure linked to small-scale operations where self-consumption was a primary purpose of the harvests. This cultural practice is associated not only with traditional and ancestral knowledge and techniques, but also with a rich material heritage, as well as the important role of the "abeyeru" or "abeyeiro", the specialist in this type of livestock. Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Apicultura_artesanal_ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Apicultura artesanal Type The nature or genre of the resource Intangible Description An account of the resource Beekeeping has historically been an integral part of rural life in Asturias. According to the census conducted by the Marquis of Ensenada in the mid-18th century, a total of 65,813 beehives were documented in the region. The cultural and economic relevance of apiculture is reflected in practices such as the inclusion of hives and apiaries in dowries provided by parents to their daughters upon marriage, as well as in testamentary bequests—such as that of Licentiate Juan Sierra de Castañedo (from the municipality of Allande), who in 1659 stated: “a good hive shall be given to the priest attending my death, and if there are two, each shall take one.” The imposition of wax-based tributes by monastic institutions on Asturian peasants further contributed to the entrenchment, expansion, and institutionalization of beekeeping in the region. By 2007, official records indicated the presence of approximately 25,000 beehives within the Principality of Asturias. Of these, 13,232 were registered under the Federation of Beekeepers’ Associations of the Principality of Asturias (FAPI), and were managed by a total of 776 apiarists. Asturias exhibits an average of approximately 15 hives per beekeeper, with a significant number of practitioners operating at small scale. This pattern reveals a high degree of dispersion of beekeeping activity across the Asturian territory. While the overall volume of honey production may be modest, the ecological benefits in terms of pollination, as well as the high quality of bee-derived products—such as honey, pollen, and propolis—underscore the continued importance of apiculture in the region. Creator An entity primarily responsible for making the resource 1204 Extent The size or duration of the resource. x x Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 721 Source A related resource from which the described resource is derived asturiasmap References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Avila, J. (2022). Los otros apicultores de Taramundi (Asturias). Vida apícola: revista de apicultura, (232), 58-61. Copena, D.(2023). Abejas melíferas y comunidades rurales: una caracterización de los principales elementos patrimoniales en Galicia y Asturias. Cuadiernu: Revista internacional de patrimonio, museología social, memoria y territorio, (11), 121-146. Díaz, E. y J. Naves (2010). Los colmenares tradicionales del noroeste de España. AÇAFA On Line 3: 1-37. López, X. (1994). Las abejas, la miel y la cera en la sociedad tradicional asturiana. Real Instituto de Estudios Asturianos. López, J (2022). Arqueología de la apicultura en la Asturias preindustrial. New Approaches to the Archaeology of Beekeeping, 216. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 13/10/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Apicultura artesanal Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/1310d95e8c871b95ea17d3b9bc23f9bb.png f632bfcb50bcdef6f8e8fb6bc379039f Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MN_CP_11 Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/png License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: University of St Andrews Identifier An unambiguous reference to the resource within a given context 4 Intangible Prim Media 1768 Context Oral traditions for learning the crafts, certain woven bands for male/female/different families, for childrens crib (Komse), Field Worker Robertsen, Kjersti Climate Threats Deterioration of material Technological Threats Industrial production,Surge of new technologies,Use of modern materials Decontextualization Touristification,Misappropriation Weakened Practice Aged practitioners,Diminishing participation,Diminishing youth interest,Halted transmission between generations,Reduced practice Loss Threats Loss of ancestral language,Loss of cultural spaces,Loss of knowledge SDG Decent Work and Economic Growth External ID MN_CP_11 Knowledge how to make the warp, how to put the threads through the rigid heddle loom for the wanted pattern. How to do regular weaving, and how to "pick" different patterns. Knowledge Transfer Between people, courses/classes, duodji societies/clubs Practitioners Probably mainly women, but some men also do it. Function Traditional bands made for use on the gákti/ Sámi traditional dress, as well as other purposes. Origins and change The technique is very old. The production of the heddles/looms/njiskun themselves have been modernized and mass produced. Organisations Local Sámi Duodjilag (Sámi handicrafts clubs), Duodjeinstituhtta, Sámij åhpadusguovdásj/Samernas utbildningscentrum in Jokkmokk (Sweden) Places In this area: Várdobáiki samiske senter, Stuornjargga samiid duodji Artefacts Gákti/traditional Sámi clothes and childrens crib (Komse), but also used for other cultures, including the bunad traditions in Norway. Climate Threats Description If the practitioner cannot get a hold of material, they cannot do the cultural practice Technological Threats Description Use of industrial production, new technologies and modern (for example Synthethic materials) can make the products cheaper and more popular, and might contribute to threathening the cultural practice if there are less and less buyers of the products/users of the products made by the cultural practice Decontextualization Description Touristification and misappropriation of woven objects can contribute to less use of the cultural practice if users/buyers of the products do no longer want to use the traditionally made products instead of the "fake" products. Weakened Practice Description If less and less people are interested to learn the practice, and less people are interested in using the products, the practice might disappear. If the transmission between generations stops and the aged practitioners disappear, it will be much harder continuing keeping the cultural practice alive. Loss Threats Description Words and terms explaining how to weave, and also the parts of the loom/parts of the yarn, techniques etc. disappear, and a lot of knowledge can disappear with them, as some of the Sámi terms might be more descriptive and explaining than the Norwegian or English ones. Safeguarding activities Duodjeinstituhtta have practitioners who hold workshops and courses in different areas where there are interested participants. Different Sámi duodjilag (handicrafts clubs) also do courses. State of the practice declining Social sustainability Inclusivity - anyone can learn the cultural practice. Environmental sustainability Use of natural materials, mainly wool and cotton. Economic sustainability Diversifying income sources - practitioners can make and sell products while still managing to work normally. Place The town or city Ramavuolle, Reinåsen, Tjeldsund, Troms, Norway Place Description Markasámi village Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weaving bands with njiskun/ rigid heddle Type The nature or genre of the resource Intangible Description An account of the resource Weaving bands for traditional clothes or other purposes on a rigid heddle. The heddle is traditionally made from wood or antler, but modern ones are also made with modern materials like plastic. Language A language of the resource Norwegian,Sami Extent The size or duration of the resource. x x Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 722 Source A related resource from which the described resource is derived lofotenmap References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Duodjeinstituhtta Várdobáiki samisk senter Stuornjargga Samiid Duodji Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 13/10/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Båndveving med njuskun/grindvev Spatial Coverage Spatial characteristics of the resource. current,68.58500463557306,16.70555667334062; Date Modified Date on which the resource was changed. 13/10/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. University of St Andrews https://culturality.museum/omeka/files/original/aa71485dc7ea85640b6c52f5be545df2.jpg c41c2eb64672c83df366c3e188f233b8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sheepskin with fleece Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez https://culturality.museum/omeka/files/original/8bece047af24e33679f00cb7ba15ffb0.jpg b3f8a8ec1484dbc9697ab583b6c83343 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sheepskin with fleece Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025-06-06 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1770 Material Sheepskin from Xalda breed Natural Cultural Cultural Function Decoration, rug, baby cradle base, cushion lining, bag material, among others. Creation Purpose Direct sale to customers. Technique To create this piece, the lamb must be slaughtered at around six months of age, or once it reaches the appropriate size. After slaughter, the hide is removed through a series of precise cuts along the animal’s body. The tanning process is carried out naturally using salt. This traditional method removes excess moisture and preserves the fleece. Unlike industrial tanning, which involves harsh chemical treatments, salt tanning maintains the wool’s original properties. If conventional chemicals used in the leather industry were applied, the fleece would detach completely, resulting in the loss of one of the material’s key qualities. Once tanned and dehydrated with salt, the hide is hung to dry. Traditionally, in rural villages, hides were hung on the outer walls of hórreos—elevated granaries typical of northern Spain—where they were protected from direct sunlight to prevent damage to the fleece. Marina and Rodrigo use drying frames for this process, which allows for even drying. Once dry, the hide becomes stiff and cardboard-like in texture, but gradually softens with use. To accelerate this process, moisturizing creams can be applied to improve its flexibility. Lambs of the Xalda breed, native to Asturias, produce small-sized hides that are highly valued for their quality and unique characteristics. Today, this activity represents a promising business opportunity, as it allows for the reuse of a by-product that is typically discarded in the meat industry. In Spain, there are factories dedicated to hide production, although most operate on an industrial scale, and even large multinational furniture companies use this type of material. On a semi-artisanal level, there are tanneries that produce conventional hides without fleece, especially in the neighboring region of Galicia, where small factories still exist. However, in Asturias, there are no traditional tanneries available to process the hides. Marina and Rodrigo could increase their production if they had acce Material Source These sheepskins originate from lambs raised and processed at Marina and Rodrigo’s livestock farm. Conecept This object has practically disappeared in Asturias, as it is rarely used today for cradles or saddles. Nevertheless, for many people it holds a value beyond decoration, as it is made from the hide of a native sheep breed and serves as a way to connect with rural life through an item that, although now primarily decorative, carries strong cultural and symbolic significance. Production Quality Produced in batches of 40 to 50 units, depending on the flock size and slaughter schedule. External ID UNIOVI_AR_41 Field Worker Rodríguez Pérez, Santiago Craft leatherwork Tool Containers for salt tanning, and drying frames. Place The town or city Tene, Quirós, Asturias, Spain Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Sheepskin_with_fleece Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sheepskin with fleece Type The nature or genre of the resource Physical Object Description An account of the resource This product is a sheepskin tanned naturally using salt, which preserves both the hide and the animal’s original fleece. Salt tanning is a traditional technique that avoids the use of harsh chemicals, maintaining the natural properties of the wool, such as its softness, durability, and thermal insulation capacity. Historically, these fleeces were used as a base in cradles for babies due to their waterproof and insulating qualities. The structure of the wool repels moisture and allows for good air circulation, helping to maintain a stable body temperature. Additionally, its softness and natural texture provided a comfortable and safe surface for newborns. They were also used as padding in saddles, offering comfort and thermal protection for the rider. In rainy regions of northern Spain, it was common to cover the foreheads of oxen and cows yoked for agricultural work with skins from dogs, sheep, goats, or badgers, to prevent moisture from weakening the leather straps (corniales), thus ensuring the effectiveness of the draft. Today, sheepskin fleeces have found new uses in home decor. They are highly valued as rugs, sofa or armchair covers, and decorative elements in interior spaces, thanks to their rustic and cozy aesthetic. They are also used in fashion and accessories, such as bags or outerwear. In addition to their functionality, naturally tanned sheepskins are a sustainable option, as they make use of a by-product of livestock farming and avoid polluting industrial processes. This makes them an environmentally friendly alternative, aligned with current trends in responsible consumption. Date A point or period of time associated with an event in the lifecycle of the resource Sheepskins are produced throughout the year, depending on lambing dates and the age of the animals. The documented piece was made a few months prior to our visit. Creator An entity primarily responsible for making the resource 1616 Language A language of the resource Spanish Extent The size or duration of the resource. 90cm x cm x 50cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 723 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. La piel de las ovejas, ardi-larrua. Atlas Etnográfico de Vasconia. Disponible en: https://atlasetnografico.labayru.eus/index.php/La_piel_de_las_ovejas_ardi-larrua Fajardo Hernández, R. M. (2020, enero 23). Más de un Siglo de Carneros en El Hierro, 1920-2020. Gaceta del Meridiano. https://www.gacetadelmeridiano.com/index.php/la-isla/156-cultura/6209-mas-de-un-siglo-de-carneros-en-el-hierro-1920-2020 Rodríguez Rodríguez, A. (1997). La tecnología de la piel y el cuero en la prehistoria de Canarias. Una aproximación etnoarqueológica. El Museo Canario, 52, 11-31. https://accedacris.ulpgc.es/jspui/handle/10553/24250 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 13/10/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Piel de cordero con pelo natural, zalea (spa..) Spatial Coverage Spatial characteristics of the resource. current,43.204933648779495,-5.993876638159771; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/3580a44df329a5fefc13c2fe9e531b08.jpg 543d3489ee47583d5cb62d88f549cb90 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Knitted wool jacket / cardigan Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025-06-06 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez https://culturality.museum/omeka/files/original/d95f1ebcd83f353200523549de66f32e.jpg d37f172c5ec2e66372a36bc43fd5e0e7 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Knitted wool jacket / cardigan Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025-06-06 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez https://culturality.museum/omeka/files/original/4054ae80f070f959d464786c1d02af1d.jpg 21523dfe477036a8b4db6bc3f142e5a0 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Knitted wool jacket / cardigan Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025-06-06 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez https://culturality.museum/omeka/files/original/1ed8995921d5c767fc1a75a8527ee114.jpg 8d73fe6d40ba7c200792e277457883ba Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Knitted wool jacket / cardigan Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025-06-06 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez https://culturality.museum/omeka/files/original/476a73b83abe21e7fa4e2a83682c80d9.jpg ad1d3f07d51c9de325d988d50622e823 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Knitted wool jacket / cardigan Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025-06-06 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez https://culturality.museum/omeka/files/original/188e83a04bd4ad295f0807d193a07c2d.jpg 063c00abe7fd79ddc87541f3fa8cb3d6 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Knitted wool jacket / cardigan Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025-06-06 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez https://culturality.museum/omeka/files/original/121197c0fdbcebd3a5184807ede6b872.jpg 98154996379bb4e7d8f9e32a3a51510e Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Knitted wool jacket / cardigan Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025-06-06 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez https://culturality.museum/omeka/files/original/944f51c544f12212adc2ac2ec7b77998.jpg dd244690d21fd1772f0f7c499bcb5c8d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Knitted wool jacket / cardigan Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025-06-06 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1775 Material Virgin wool from Xalda sheep, available in three natural shades: black, grey, and white — the original colors of the animal. Natural Cultural Cultural Function Unisex knitwear Creation Purpose Direct sale to customers. Technique The wool comes from local farms in Asturias, where native sheep breeds are raised. Marina personally selects the raw material, respecting the natural colors of the wool and avoiding the use of dyes, which adds authenticity and sustainability to the process. Once collected, the wool is sent to a specialized spinning mill, where it undergoes washing, carding, and spinning using traditional methods that preserve the quality of the material. The prepared yarn is then returned to Marina, who carefully selects the wool cones before sending them to a knitting workshop located in Béjar (Salamanca). This workshop is run by a small family business and is equipped with specific knitting machinery (tricotosa), allowing for the creation of uniquely handcrafted knitwear. Each garment is designed by Marina, who blends tradition, respect for materials, and a contemporary aesthetic. The entire process is carried out without the use of dyes, maintaining the natural tones of the wool and reducing environmental impact. Material Source The wool comes from Xalda sheep raised on farms in Asturias. The buttons are made from Spanish olive wood and have been manufactured in Spain. Conecept Knitted fabrics began to gain popularity in Spain during the 20th century. Prior to that, women knitted wool socks, stockings, and other garments at home using four needles. With the invention of knitting machines and the rise of hand knitting with needles, domestic production expanded to include sweaters and jackets. These jackets, simple in design and intended for warmth, were widely worn in the rural areas of northern Spain, although they have gradually been replaced by synthetic garments. The use of wool from native sheep breeds aims to reconnect clothing traditions with local identity and landscape. Production Quality Limited-run production External ID UNIOVI_AR_42 Field Worker Rodríguez Pérez, Santiago Craft fibre and textile crafts Tool Machinery for washing, carding, and spinning wool; knitting machinery. Occasional finishing touches with knitting needles. Place The town or city Tene, Quirós, Asturias, Spain Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Knitted_wool_jacket_/_cardigan Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Knitted wool jacket / cardigan Type The nature or genre of the resource Physical Object Description An account of the resource This jacket is made from pure virgin wool sourced from Xalda sheep, a native breed of Asturias known for the quality of its fiber and its adaptation to rural environments. The design is simple and functional, featuring two front pockets, long sleeves, and an open front without lapels. The buttons are crafted from Spanish olive wood, adding a natural and artisanal touch that reinforces the garment’s sustainable character. The jacket follows a classic rural style, reinterpreted by Marina with a focus on comfort and versatility. Her goal was to create an open garment suitable for all seasons, and especially practical for breastfeeding, without compromising on aesthetics or functionality. The result is a practical, adaptable piece with a strong identity. Although originally conceived as a unisex jacket, experience showed that many potential customers were unable to purchase it due to sizing limitations. As a result, Marina has begun developing a men’s version in a larger size, expanding its market potential while maintaining the essence of the original design. The jacket was launched recently, but is not yet available for purchase on her website. It represents a proposal that blends tradition, sustainability, and contemporary design, highlighting local resources through artisanal fashion. Date A point or period of time associated with an event in the lifecycle of the resource The jackets are produced continuously, depending on the availability of raw materials and demand. This particular piece was made in 2025 and is currently stored in stock, ready for commercial distribution. Creator An entity primarily responsible for making the resource 1616 Language A language of the resource Spanish Extent The size or duration of the resource. 60cm x cm x 50cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 724 Source A related resource from which the described resource is derived asturiasmap References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Kensington, S. (2024, septiembre 1). The Evolution and Impact of the Cardigan: A Knitted Icon. Paul James Knitwear. https://www.pauljamesknitwear.com/blogs/guide/history-of-cardigans Llorente, L. (2022). Los tejidos de entreguerras, 1920-1939. Modelos del mes. Museo del Traje, 4. https://www.cultura.gob.es/dam/jcr:b414b4b1-0da1-44bb-937a-90b2f4c4e331/mdm11-2022-tejidos-digital.pdf R., B. (2013, junio 19). Imagesa—Industria Madrileña de Géneros de Punto—Pueblo Nuevo. Historias matritenses. https://historias-matritenses.blogspot.com/2013/06/imagesa-industria-madrilena-de-generos.html Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 13/10/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Chaqueta de punto de lana Spatial Coverage Spatial characteristics of the resource. current,43.204933648779495,-5.993876638159771; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/bcce41397bae54353631ce8e0d16f5d1.jpg 3f8718fea7f68e6db5e6bff3317305ba Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Headscarf / pañoleta Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez https://culturality.museum/omeka/files/original/29e8a63487e9d1b857374dd30a25e205.jpg e1cd4c2db7b61ba4bcee7019b50672b2 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Headscarf / pañoleta Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1782 Material Virgin wool from Xalda sheep, available in three natural shades: black, grey, and white — the original colors of the animal. Natural Cultural Cultural Function Warm head scarf Creation Purpose Direct sale to customers. Technique The wool comes from local farms in Asturias and has been carefully selected by Marina, preserving the natural colors of the Xalda sheep breed (black, grey, and white). The raw material is sent to a specialized spinning mill, where it undergoes washing, carding, and spinning processes. Marina crafts these headscarves by hand, knitting with needles. At times, to speed up production, she collaborates with another artisan who uses a knitting machine (tricotosa), while maintaining the handcrafted nature of each piece. Material Source The wool comes from Xalda sheep raised on farms in Asturias. Conecept Knitted fabrics began to gain popularity in Spain during the 20th century. Before that, women knitted wool socks, stockings, and other garments at home using four needles. With the invention of knitting machines and the spread of hand knitting, domestic production expanded to include sweaters and jackets. The design of this headscarf recalls the traditional scarves worn by rural women as part of their attire until the early 20th century, as well as those used in everyday fashion for many years afterward. Today, the use of women’s headscarves has largely fallen out of practice. This model, made from native sheep’s wool —an innovation compared to traditional materials like linen or cotton— aims to offer a contemporary garment that also evokes the past. Its purpose is to reconnect clothing traditions with cultural identity and the surrounding landscape. Production Quality Limited-run production External ID UNIOVI_AR_43 Field Worker Rodríguez Pérez, Santiago Craft fibre and textile crafts Tool Machinery for washing, carding, and spinning wool; knitting needles; machines for knitted fabrics (tricotosa). Place The town or city Tene, Quirós, Asturias, Spain Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Headscarf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Headscarf Type The nature or genre of the resource Physical Object Description An account of the resource This headscarf is made from pure virgin wool sourced from Xalda sheep, a native breed of Asturias. Its simple design is inspired by the traditional scarf that Asturian women used to wear to cover their heads until just a few decades ago. Although the traditional headscarf gradually disappeared with the rise of modern fashion, scarves continued to be used throughout the 20th century to keep the head warm during colder months. This reinterpretation of the traditional scarf, now crafted in knitted wool, is an original design by Marina. It was born out of a personal need for warmth and has evolved into a practical and versatile winter accessory, now available for purchase. Date A point or period of time associated with an event in the lifecycle of the resource The headscarves are produced continuously, depending on the availability of raw materials and demand. The piece in question was made in 2025 and is currently stored in stock, ready for sale. Language A language of the resource Asturian,Spanish Extent The size or duration of the resource. 40cm x cm x 100cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 725 Source A related resource from which the described resource is derived asturiasmap References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Argüelles Sánchez, L. (1986). Indumentaria popular en Asturias. GH Ed. Roza, G. (2006). La indumentaria tradicional asturiana: Guía práctica. Gloria Roza Cuesta. Santoveña Zapatero, F. (2018). Traje tradicional, indumentaria popular y construcción del cuerpo en Asturias (1860-1920). Muséu del Pueblu d’Asturies; Fundación Municipal de Cultura, Educación y Universidad Popular; Ayto. de Gijón / Xixón. https://sedeelectronica.gijon.es/publicacions/show/8549-traje-tradicional-indumentaria-popular-y-construccion-del-cuerpo-en-asturias-1860-1920/ Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 13/10/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Pañoleta Spatial Coverage Spatial characteristics of the resource. current,43.204933648779495,-5.993876638159771; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/ec0785c3d8f8bc0049ccba5b89e08dd7.jpg 548b4dd6bf519d0cf0c93a4243d3ddcd Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Baby Bonnet / capota Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025-06-06 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez https://culturality.museum/omeka/files/original/9e2229598964982cd9fd4a5ca426c2b2.jpg c4477c9e90dfe318f7987e64c70c055c Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Baby Bonnet / capota Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025-06-06 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1786 Material Virgin wool from Xalda sheep, available in three natural shades: black, grey, and white — the original colors of the animal. Natural Cultural Cultural Function Warm headwear for babies and young children Creation Purpose Direct sale to customers. Technique The wool comes from local farms in Asturias and has been carefully selected by Marina, preserving the natural colors of the Xalda sheep breed (black, grey, and white). The raw material is sent to a specialized spinning mill, where it undergoes washing, carding, and spinning processes. Marina crafts these headscarves by hand, knitting with needles. At times, to speed up production, she collaborates with another artisan who uses a knitting machine (tricotosa), while maintaining the handcrafted nature of each piece. Material Source The wool comes from Xalda sheep raised on farms in Asturias. Conecept Knitted fabrics began to gain popularity in Spain during the 20th century. Before that, women knitted wool socks, stockings, and other garments at home using four needles. With the invention of knitting machines and the rise of hand knitting, domestic production expanded to include a wide range of garments such as jackets and sweaters, as well as accessories like gloves, hats, and scarves. The baby bonnet is not part of traditional Asturian attire, but it has been adopted in modern times thanks to the growing popularity of knitted fabrics. This particular model, made from native sheep’s wool, aims to be a contemporary garment that also evokes the past. Its purpose is to reconnect clothing traditions with cultural identity and the surrounding landscape. Production Quality Limited-run production External ID UNIOVI_AR_44 Field Worker Rodríguez Pérez, Santiago Craft fibre and textile crafts Tool Machinery for washing, carding, and spinning wool; knitting needles; machines for knitted fabrics (tricotosa). Place The town or city Tene, Quirós, Asturias, Spain Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Baby Bonnet Type The nature or genre of the resource Physical Object Description An account of the resource This baby bonnet is made from pure virgin wool sourced from Xalda sheep, a native breed of Asturias. The design is very simple: a cap that fully covers the head, with two woolen ties to fasten it at the front. It is a practical and versatile garment, designed to keep little ones warm during the winter. It originated from Marina’s personal need for a warm accessory, and is now part of her handcrafted collection, available for purchase. Date A point or period of time associated with an event in the lifecycle of the resource The baby bonnets are produced continuously, depending on the availability of raw materials and demand. The piece in question was made in 2025 and is currently stored in stock, ready for sale. Creator An entity primarily responsible for making the resource 1616 Language A language of the resource Spanish Extent The size or duration of the resource. 50cm x cm x 30cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 726 Source A related resource from which the described resource is derived asturiasmap References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Joicey, C. (2025). History of Fashion for children. Thames & Hudson. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 13/10/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Capota Spatial Coverage Spatial characteristics of the resource. current,43.204933648779495,-5.993876638159771; Date Modified Date on which the resource was changed. 13/10/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/7a2861d149176b345a63e87ddc110d7b.jpg 7119de647c3ab81e5ddb493616edc23c Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wool socks / calcetos Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025-06-06 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez https://culturality.museum/omeka/files/original/6ed805dab4618a86c96cc1bf777c4391.jpg 475a77961c446f52fbca97730c0f33b9 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UNIOVI_AR_45(02) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/6d241f1f48d9b97b6b1299f741c394b4.jpg 918169f6da5b54f2ab5be8ca06e8a6dd Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UNIOVI_AR_45(03) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1788 Material Virgin wool from Xalda sheep, available in three natural shades: black, grey, and white — the original colors of the animal. Natural Cultural Cultural Function Garment providing warmth for the feet. Creation Purpose Direct sale to customers. Technique Traditionally, women carried out the entire wool process at home —shearing, washing, carding, and spinning— and continuously knitted socks and stockings for family members using the resulting yarn. Typically, the socks are knitted with undyed sheep’s wool, using four wooden needles. The wool comes from local farms in Asturias and has been selected by Marina in the natural colors of Xalda sheep: black, grey, and white. The raw material is sent to a spinning mill, where it undergoes washing, carding, and spinning. Marina handcrafts these socks herself. Material Source The wool comes from Xalda sheep raised on farms in Asturias. Conecept Wool socks are one of the most iconic garments of traditional Asturian attire, and their use has endured almost to the present day. Originally, women knitted them at home for the entire family, using four wooden needles. With the industrialization of sock production and the decline of traditional rural life, this typically female craft ceased to be practiced domestically. Nevertheless, these socks remain in demand—not only for historical reenactments or traditional folklore groups. The natural properties of wool make them especially suitable for everyday use, and in fact, merino wool is beginning to reappear in sportswear due to its beneficial qualities. This piece aims to be a contemporary garment rooted in tradition, reconnecting clothing with local identity and landscape. Production Quality Limited-run production. External ID UNIOVI_AR_45 Field Worker Rodríguez Pérez, Santiago Craft fibre and textile crafts Tool Machinery for washing, carding, and spinning wool; knitting needles. Place The town or city Tene, Quirós, Asturias, Spain Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Wool_socks Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wool socks Type The nature or genre of the resource Physical Object Description An account of the resource These socks are made from pure virgin wool sourced from Xalda sheep. Hand-knitted wool socks —known as calcetos in Asturian— have long been part of traditional Asturian attire, and they remain one of the few garments that have endured to the present day. While traditionally they were monochrome, usually white or black, more recent designs have introduced a variety of patterns and colors. In this case, the socks are made from undyed raw wool, and by combining naturally colored wool, decorative motifs are also created. Date A point or period of time associated with an event in the lifecycle of the resource The socks are produced continuously, depending on the availability of raw materials and demand. This particular item was crafted in 2025 and is currently held in stock, ready for sale. Creator An entity primarily responsible for making the resource 1616 Language A language of the resource Asturian,Spanish Extent The size or duration of the resource. 25-40cm x cm x cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 727 Source A related resource from which the described resource is derived asturiasmap References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Argüelles Sánchez, L. (1986). Indumentaria popular en Asturias. GH Ed. Roza, G. (2006). La indumentaria tradicional asturiana: Guía práctica. Gloria Roza Cuesta. Santoveña Zapatero, F. (2018). Traje tradicional, indumentaria popular y construcción del cuerpo en Asturias (1860-1920). Muséu del Pueblu d’Asturies; Fundación Municipal de Cultura, Educación y Universidad Popular; Ayto. de Gijón / Xixón. https://sedeelectronica.gijon.es/publicacions/show/8549-traje-tradicional-indumentaria-popular-y-construccion-del-cuerpo-en-asturias-1860-1920/ Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 13/10/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Calcetines de lana, calcetos Spatial Coverage Spatial characteristics of the resource. current,43.204933648779495,-5.993876638159771; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. 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Title A name given to the resource Borgh Pottery Studio - Sue Blair Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2024:10:04 12:57:21 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/816d29c598bbe1d04e1416e8922c9e84.jpg 9cb4d823c4565372f676b8b7727a915a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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Title A name given to the resource Borgh Pottery Studio - Sue Blair Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2024:10:04 13:05:18 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/972d3415205a3eff1ce4df92fce5ecfe.jpg 00c3d672a50e0a134c2e65e12a12d2d8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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Title A name given to the resource Borgh Pottery Studio - Sue Blair Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2024:10:04 13:07:38 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/e49f54cdffbd8db037b04683a10adba5.jpg 7c1f88d7bccdf0a5e1b7006b9c122cbb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Borgh Pottery Identifier An unambiguous reference to the resource within a given context 235 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Borgh Pottery Studio - Sue Blair Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2024:10:04 13:08:22 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. 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Title A name given to the resource Museum: Butt of Lewis Lighthouse Identifier An unambiguous reference to the resource within a given context 1372 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Butt of Lewis Lighthouse Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2024:10:03 16:03:03 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/ed3aed76c9262b8986d707c11ad3baa9.jpg 7820dda88239bebff02028c0b7d483f1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Butt of Lewis Lighthouse Identifier An unambiguous reference to the resource within a given context 1372 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Butt of Lewis Lighthouse Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2024:10:03 16:11:15 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/c59ca9aa1c3edae9bd20dde59cfc1d08.jpg af2cfc98b51f3fac56c8a11ad49c0cc3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Butt of Lewis Lighthouse Identifier An unambiguous reference to the resource within a given context 1372 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Butt of Lewis Lighthouse Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2024:10:03 16:13:24 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/8a178fada32b5db6443295b6d1d9c6f1.jpg 9ce13f7c913862a505cae3f872c1adf0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Clan MacQuarrie Community Centre Identifier An unambiguous reference to the resource within a given context 1378 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Clan MacQuarrie Community Centre Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2024:10:03 14:43:01 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/ec14f3b7e1ad860456807a55300d2415.jpg 5ab38f686eb600d8711fd99fd7e11670 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Clan MacQuarrie Community Centre Identifier An unambiguous reference to the resource within a given context 1378 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Clan MacQuarrie Community Centre Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2024:10:03 14:43:52 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/9db96de3b39950e7f0dce6f5abc21fc4.jpg 2523059716bb5fb41fc3603e7d5d2155 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Collection: Grinneabhat Identifier An unambiguous reference to the resource within a given context 864 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Grineabhagh Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2024:10:01 07:53:56 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/4b87dffeb2f2b077c5ccfeccba08f971.jpg d5e0e3a543597680f18acc67e0cd3398 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Collection: Grinneabhat Identifier An unambiguous reference to the resource within a given context 864 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Grineabhagh Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2024:10:01 08:00:05 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/a9b3d27438f5c293468d216e82de0419.jpg a6470f6344b08c898c999ea708488da3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Isle of Harris Distillery Identifier An unambiguous reference to the resource within a given context 237 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Isle of Harris Distillery Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2024:10:02 14:08:04 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/83447a74cdefa2540f010030370704bb.jpg e0d97a6db31ee4ee84be37da016aad87 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Isle of Harris Distillery Identifier An unambiguous reference to the resource within a given context 237 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Isle of Harris Distillery Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2024:10:02 14:09:09 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/a13f1ba7c63cf85e5e5ff1ad4b12b96c.jpg 85913bc12c96c918125dff769ea35092 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Isle of Harris Distillery Identifier An unambiguous reference to the resource within a given context 237 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Isle of Harris Distillery Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2024:10:02 14:14:40 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/a75edd37d53985f42415f26d07f72166.jpg 823f4fcafd5d05f5483130e70407b09b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Isle of Harris Distillery Identifier An unambiguous reference to the resource within a given context 237 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Isle of Harris Distillery Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2024:10:02 14:20:29 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/76594b6d3604871bfa28a98864c42568.jpg 5007a7c20af93305af103a15c0983cec Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Rokodelski Arts and Crafts Centre Škofja Loka, Slovenia Identifier An unambiguous reference to the resource within a given context 1373 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rokodelski Arts and Crafts Centre Škofja Loka, Slovenia Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:27 09:57:29 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/ee7114f8148207e82a4d638b686e6aa6.jpg 72d33c869248f670cf25b86890f269ec Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Rokodelski Arts and Crafts Centre Škofja Loka, Slovenia Identifier An unambiguous reference to the resource within a given context 1373 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rokodelski Arts and Crafts Centre Škofja Loka, Slovenia Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:27 09:58:16 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/499327041f88a96653939ebc76c71995.jpg e3b82d303bf9c54b51c69fee1f91f896 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Rokodelski Arts and Crafts Centre Škofja Loka, Slovenia Identifier An unambiguous reference to the resource within a given context 1373 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rokodelski Arts and Crafts Centre Škofja Loka, Slovenia Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:27 09:58:54 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/477c1da470ad2bbbea8afd7d59fa7cf9.jpg 8b794dace5ef4b6eb65c0d0565df67ca Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Rokodelski Arts and Crafts Centre Škofja Loka, Slovenia Identifier An unambiguous reference to the resource within a given context 1373 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rokodelski Arts and Crafts Centre Škofja Loka, Slovenia Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:27 09:59:45 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/6286d1b1c31ec25f6cc5ec2b53a9e4da.jpg 3d3b3cdd671f18d9b7e9fffe68c4c4fc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Rokodelski Arts and Crafts Centre Škofja Loka, Slovenia Identifier An unambiguous reference to the resource within a given context 1373 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rokodelski Arts and Crafts Centre Škofja Loka, Slovenia Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:27 10:00:19 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/214a6cab926fd5757c91a155f040cce8.jpg 8f1f9aa1eb98f0aa09731b4ef534b72e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Rokodelski Arts and Crafts Centre Škofja Loka, Slovenia Identifier An unambiguous reference to the resource within a given context 1373 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rokodelski Arts and Crafts Centre Škofja Loka, Slovenia Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:27 10:06:39 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/275547689adbf808da1a90bcb456625a.jpg fd51b8fe7ae4dbd29fd407c3142c7e10 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Atelje Amuse, Škofja Loka, Slovenia Identifier An unambiguous reference to the resource within a given context 1374 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Atelje Amuse, Škofja Loka, Slovenia Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:27 10:39:07 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/de7e0ad41a0ca01a3f65fbdda376b7c2.jpg 986e5372f48eb0025552433b231359cb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Atelje Amuse, Škofja Loka, Slovenia Identifier An unambiguous reference to the resource within a given context 1374 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Atelje Amuse, Škofja Loka, Slovenia Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:27 10:39:51 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/a1a43310c4cbb9ec015ea8ae51bf3164.jpg 0c605a266364c3c58d1ecfc5f5babfe7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Atelje Amuse, Škofja Loka, Slovenia Identifier An unambiguous reference to the resource within a given context 1374 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Atelje Amuse, Škofja Loka, Slovenia Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:27 10:40:27 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/11c153205de4a6bdf1197764b85ed3d6.jpg 97216b0e21256d3f69e885187f5f7435 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Atelje Amuse, Škofja Loka, Slovenia Identifier An unambiguous reference to the resource within a given context 1374 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Atelje Amuse, Škofja Loka, Slovenia Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:27 10:54:41 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/942176c556d43b7b24433ee569e871fb.jpg 0135040e270dd5ac1d7d11f187538b76 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Atelje Amuse, Škofja Loka, Slovenia Identifier An unambiguous reference to the resource within a given context 1374 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Atelje Amuse, Škofja Loka, Slovenia Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:27 10:55:51 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/3c27093558c402044f02644840c53b36.jpg a7ba3422c69b75b8ad3ba79c5809d82b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Krmelj Blacksmiths, Škofja Loka, Slovenia Identifier An unambiguous reference to the resource within a given context 1376 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Krmelj Blacksmiths, Škofja Loka, Slovenia Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:27 13:58:48 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/2cbce7a488bc69d4ff831c1830e6585a.jpg a51d740ed8343d46bd2bb12fffa6b1cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Krmelj Blacksmiths, Škofja Loka, Slovenia Identifier An unambiguous reference to the resource within a given context 1376 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Krmelj Blacksmiths, Škofja Loka, Slovenia Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:27 13:59:13 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/47ed06ec176f839ff489415bfbe35e54.jpg ead260d1cd7eaa34bc28a8b84f67f0db Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Krmelj Blacksmiths, Škofja Loka, Slovenia Identifier An unambiguous reference to the resource within a given context 1376 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Krmelj Blacksmiths, Škofja Loka, Slovenia Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:27 13:59:44 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/6b435102333996d3ba631b95dcd4310c.jpg 9bbd5734322c74f937805f8088d89760 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Krmelj Blacksmiths, Škofja Loka, Slovenia Identifier An unambiguous reference to the resource within a given context 1376 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Krmelj Blacksmiths, Škofja Loka, Slovenia Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:27 14:00:17 Europeana Specific elements of the Europeana Semantic Elements. 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Title A name given to the resource Krmelj Blacksmiths, Škofja Loka, Slovenia Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:27 14:06:29 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/8d2bacc505856506354c5701ae04d064.jpg 2dbd3f35889b7092959a6b3d544f6b55 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Krmelj Blacksmiths, Škofja Loka, Slovenia Identifier An unambiguous reference to the resource within a given context 1376 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Krmelj Blacksmiths, Škofja Loka, Slovenia Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:27 14:06:55 Europeana Specific elements of the Europeana Semantic Elements. 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Title A name given to the resource Krmelj Blacksmiths, Škofja Loka, Slovenia Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:27 14:07:19 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/7bc9770f3a63cf19b4ff0e7f618f0ef9.jpg 049bd6a123d107bb10a122ab3d2e372a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Krmelj Blacksmiths, Škofja Loka, Slovenia Identifier An unambiguous reference to the resource within a given context 1376 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Krmelj Blacksmiths, Škofja Loka, Slovenia Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:27 14:19:08 Europeana Specific elements of the Europeana Semantic Elements. 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Title A name given to the resource Krmelj Blacksmiths, Škofja Loka, Slovenia Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:27 14:19:36 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/be2c23dd00827baf0c75441065195316.jpg c9779146b8359b748946240981f022a9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Krmelj Blacksmiths, Škofja Loka, Slovenia Identifier An unambiguous reference to the resource within a given context 1376 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Krmelj Blacksmiths, Škofja Loka, Slovenia Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:27 14:20:08 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/01f95094d413d04e311b051d9a3582b6.jpg 41739934ab25b4993f9c894265426c9b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Dvorec Visoko, Skofja Loka, Slovenia Identifier An unambiguous reference to the resource within a given context 1377 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dvorec Visoko, Skofja Loka, Slovenia Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:27 15:18:16 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/1387aa879364272c6eae6b5f0c139c13.jpg 4da1424948bfa4b30337159cf38a0d15 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Dvorec Visoko, Skofja Loka, Slovenia Identifier An unambiguous reference to the resource within a given context 1377 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dvorec Visoko, Skofja Loka, Slovenia Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:27 15:20:40 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/209260224724490ebefa4c34c6f7fe39.jpg 5abc1cbed36a97d71582323c2e8dbde1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Dvorec Visoko, Skofja Loka, Slovenia Identifier An unambiguous reference to the resource within a given context 1377 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dvorec Visoko, Skofja Loka, Slovenia Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:27 15:21:42 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/011d2082d32412fdcde584f680e4493c.jpg f2374a32363c070d99eb955e6426a597 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Dvorec Visoko, Skofja Loka, Slovenia Identifier An unambiguous reference to the resource within a given context 1377 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dvorec Visoko, Skofja Loka, Slovenia Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:27 15:22:54 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/ecc1f12dedc8fc395710bd698981cd7b.jpg 727b8c191e77c2a4f21388377d08a28d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Dvorec Visoko, Skofja Loka, Slovenia Identifier An unambiguous reference to the resource within a given context 1377 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dvorec Visoko, Skofja Loka, Slovenia Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:27 15:26:27 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/a46de23d7d75341e4e7b28eabf756160.jpg ede60d66347148ce660749ceba01c605 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Dvorec Visoko, Skofja Loka, Slovenia Identifier An unambiguous reference to the resource within a given context 1377 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dvorec Visoko, Skofja Loka, Slovenia Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:27 15:27:15 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: University of St Andrews Identifier An unambiguous reference to the resource within a given context 4 Intangible Context Related practices include metalworking/blacksmithing; agricultural grain handling and volumetric measuring (e.g., the corredor); a strong repair–reuse culture (tool upkeep, patching/retinning, recycling offcuts); oral transmission/apprenticeship with workshop jargon and templates; community/market work (fairs, seasonal gutter maintenance); and heritage/tourism through restoration and public demos/workshops. Economic Threats Insufficient renumeration,Rapid economic transformation Weakened Practice Diminishing participation,Diminishing youth interest,Halted transmission between generations,Reduced practice SDG Quality Education,Decent Work and Economic Growth External ID UAVEIRO_CP_01 Knowledge Cutting, shaping, riveting/welding; marking out and reading measurements; volume calibration (measuring sticks). Technical drawing & layout: reading/sketching simple plans; sheet-metal geometry (developments for cones/prisms); marking out with rule, dividers/compass, and scriber. Measuring & calibration: accurate use of rulers, gauges and templates; volumetric calibration for grain measures (e.g., the corredor). Cutting & edge prep: straight/curved cuts with hand snips and bench shears; deburring and safe edge treatment. Forming & shaping: hand forming over stakes/anvils; bending/folding, rolling beads (“canelinhos”) on a beading machine; setting angles with wooden mallet. Joining methods: locked seams, lap seams, riveting, and tin soldering (flux control, heat management, “tirar o lume”/clean-up). Finishing & QA: truing (“rigor”), leak and watertightness tests for gutters/containers; functional fit on site. Material knowledge: properties of zinc/galvanised sheet (thicknesses, work-hardening, corrosion behavior), compatible solders and fasteners. Tool care & safety: maintenance of snips, stakes, soldering irons/torches; safe handling of heat, sharp edges, and fumes. Contextual knowledge: local building uses (gutters/downpipes), agricultural uses (grain measuring), and repair practices. Knowledge Transfer Practical and oral learning, usually in family workshops. Practitioners Tinsmiths/blacksmiths; apprenticeship in workshop. Function Production of everyday utensils and containers; preservation of traditional know-how. Origins and change Tinsmithing is a pre-industrial craft involving the cold working of sheet metal to make and repair domestic, agricultural, and construction utensils. In Portugal, it became established with tinplate and later with galvanized sheet (zinc). Until the mid-20th century it played a central role (gutters, watering cans, funnels, containers), but industrialization and plastics reduced demand, shifting the craft to niches (repairs, custom orders, heritage). Tools have modernized without losing the core know-how, and transmission moved from the master–apprentice model to mixed formats; today the craft focuses on maintaining built heritage, producing durable and custom pieces, and the cultural/touristic valorization of traditional knowledge. Organisations Museu Terras de Besteiros (Lands of Crossbowmen Museum), the University of Aveiro, Places The practice is in decline in the region, with few tinsmiths still working. It is a profession that is no longer passed on to younger people, as it once was. Artefacts Hand snips and bench shears; folding brake; stakes/anvils and bick; wooden and steel mallets; hammers; punches and rivet sets; seamers/groovers. Beading machine (“caneleira”/“máquina de carrete”) for rolling stiffening beads. Soldering iron or blowtorch, flux/appliances; clamps and simple jigs. Measuring/marking tools: steel rule, dividers/compass, protractor/angle blocks, scriber, templates. Domestic/agricultural: funnels, watering cans, buckets, oil cans, storage containers. Measuring device: corredor — grain-measuring vessel (volume-calibrated). Weakened Practice Description The practice is in decline: there are fewer active practitioners due to competition from industrial products and lower demand for repairs; young people's interest is reduced by the perception of low returns and the lack of training courses; the intergenerational transmission that previously took place in family workshops has been interrupted; and daily activity has been restricted to niche areas (restoration, specific orders). Together, these factors — a market dominated by plastic/mass production, an unattractive economy, the closure of workshops and a lack of training — are squeezing the viability of the craft and accelerating the loss of skills. Safeguarding activities No measures have been taken. State of the practice endangered Social sustainability The practice is in sharp decline: there are few practitioners left (mostly elderly), young people's interest is low, intergenerational transmission has been broken, workshops have closed, and the market has been replaced by industrial/plastic products. Demand is sporadic (restoration/orders), making economic continuity unviable and putting the know-how at risk of disappearing within a generation without urgent safeguarding measures. Environmental sustainability Metalworking contributes to environmental sustainability by extending the useful life of utensils through repair and custom-made parts, avoiding replacements and waste; it uses zinc/galvanised steel, a durable and 100% recyclable material, and reuses scrap metal in the workshop itself. Production is local and small-scale, reducing logistics/transport footprint, and the process is low energy consumption (cold work, heat only during welding). Economic sustainability Even in decline, bodywork can contribute to local economic sustainability by: generating repair work and custom-made parts. Place The town or city Lobão da Beira - Tondela, Portugal Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Handcrafted sheet metal work (working with zinc sheets). Type The nature or genre of the resource Intangible Description An account of the resource Traditional practice of working with zinc sheet metal to produce utensils (e.g. gutters, grain measuring troughs, funnels, pitchers). Today, tinsmithing is merely a residual activity, reminiscent of other crafts that were once more prominent. The municipality of Tondela is no exception. It is therefore important to learn about this art form, which is almost extinct, and to understand the whole range of objects that tinsmiths used to make in the past, now struggling against competition from equivalent items made from other materials, mainly plastic. Language A language of the resource Portuguese Extent The size or duration of the resource. x x Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 731 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://old.cm-tondela.pt/index.php/servicos/museu-terra-de-besteiros/investigacao/funilaria http://programasaberfazer.gov.pt/arte/latoaria Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 27/10/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Funilaria, latoaria Spatial Coverage Spatial characteristics of the resource. current,40.521326,-8.032804; Creator An entity primarily responsible for making the resource 918 Date Modified Date on which the resource was changed. 28/10/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. University of St Andrews Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: University of St Andrews Identifier An unambiguous reference to the resource within a given context 4 Intangible Context Molelos black clay is linked to local cuisine, where some recipes are prepared in black clay pots, giving them a unique flavour. Economic Threats Insufficient renumeration Technological Threats Industrial production Demographic Threats Rural-urban migration Decontextualization Touristification Climate Actions Research,Community Engagement,Collaboration with other organisations SDG Good Health and Wellbeing,Decent Work and Economic Growth,Industry Innovation and Infrastructure External ID UAVEIRO_CP_02 Knowledge Preparation of pastes (mixture of “weak” and “strong” clays), wheel throwing, polishing with pebbles, controlled drying and reduction firing ("soenga"; wood/gas kilns). Knowledge Transfer Intergenerational transmission through family lines (e.g. grandfather → uncle → António Marques) and practical learning in workshops; annual demonstration of soenga reinforces the continuity of know-how. Practitioners Potters and craftspeople from Molelos; today, men and women share specialised tasks. Function Supply of cooking and tableware, decorative objects and affirmation of the territory's identity; heritage and tourism promotion (public demonstrations of soenga). Origins and change Attested since the 16th century; between the 19th and 20th centuries, it was one of the largest national centres. In the 20th century, wood-fired kilns appeared, followed by gas-fired kilns; partial mechanisation of clay preparation; maintenance of the pottery workshop in a demonstration context. Organisations Tondela City Council Places Workshops and kilns in various locations within the parish (Raposeiras, Machorro, Vela); Tondela Municipal Museum (black pottery room). Artefacts Utility items; decorative objects. Economic Threats Description Limited profitability, ageing workforce and industrial competition. Technological Threats Description The introduction of gas kilns and modern techniques may alter the traditional character of reduction firing. Demographic Threats Description The migration of young people to urban centres in search of employment and education has contributed to the depopulation of rural areas in Tondela and the decline of craft activities. Many descendants of potters did not remain in Molelos, which interrupted the family succession in the workshops. This migration reduces the number of potential apprentices and threatens the continuity of local craft production, which depends on constant presence in the community and direct access to raw materials. Safeguarding activities Transmission occurs through demonstrations, workshops and sharing between generations. State of the practice declining Social sustainability Black clay pottery contributes to social sustainability by strengthening local identity and a sense of belonging to the Molelos community. The practice involves families and different generations, promoting social cohesion and the appreciation of traditional knowledge. The participation of women in polishing and finishing the pieces reinforces gender equality and the recognition of complementary roles. Public demonstrations of the ‘soenga’ encourage intergenerational dialogue and heritage education. Environmental sustainability The practice upholds principles of environmental sustainability, using natural and local raw materials (clay extracted in the region and wood from controlled sources). The reuse of clay scraps and firing in traditional kilns are examples of a circular economy. Despite environmental restrictions on firing, potters have adapted their processes — combining gas kilns and occasional soengas — to reduce emissions and preserve the heritage character of black clay. Economic sustainability Molelos pottery contributes to the economic sustainability of the region, ensuring craftsmanship and promoting products with local identity and added value. The certification of Louça Preta de Molelos (2020) has opened up new market opportunities and increased the value of this craft product. Collaboration with designers and cultural institutions allows for diversification of income sources and increased visibility for the sector, although the economic balance remains fragile in the face of industrial production. Place The town or city Molelos, Tondela, Portugal Place Description A black clay potter in Molelos (Tondela), António Manuel Matos Marques began his career at the age of 14, learning from his uncle (who in turn had learned from his grandfather). He has more than four decades of continuous practice, producing mainly utilitarian and decorative pieces on a potter's wheel, with a traditional burnished finish. He continues to fire his pieces in a reducing environment (wood-fired kiln) and values the transmission of know-how — he even taught a colleague when he was 19. In the workshop, the polishing stage is often carried out by local craftswomen (e.g. Lurdes Coimbra). Among his current pieces are jugs (c. 20 minutes/unit), baking trays and tableware, preserving the formal grammar of the Molelos pottery centre. Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Black_Clay_Pottery_of_Molelos Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Black Clay Pottery of Molelos Type The nature or genre of the resource Intangible Description An account of the resource Molelos Black Pottery is a traditional craft involving ceramics fired in a reducing atmosphere, characterised by wheel-throwing, polishing/buffing and traditional firing (in wood-fired kilns; today also gas-fired). Historically one of the largest centres for black pottery in Portugal (documented since the 16th century), it maintains family and professional production, combining utilitarian (thick pottery) and decorative types, with a strong local identity. Extent The size or duration of the resource. x x Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 732 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://7maravilhas.pt/portfolio/louca-preta-de-molelos/ https://www.patrimoniocultural.gov.pt/wp-content/uploads/2025/01/Ficha-MatrizPCI.pdf https://www.youtube.com/watch?v=W3FS07QYpD0 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 27/10/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Barro Preto de Molelos; Olaria de Molelos Spatial Coverage Spatial characteristics of the resource. current,40.530278,-8.095556; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/a7ff0a53711b36ab2e8505a34b5a125c.JPG d270e681d8c1ca0795d8dba41fa2e77d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UAVEIRO_PR_01 (1) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/519aa53c07784001ced59486f5ca888f.JPG b31f7123511cbb1f51f0fa462a9b50cd Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UAVEIRO_PR_01 (2) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:10:27 11:11:45 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Artisan An artisan Author iain Phone The phone number 351 967061360 Biographical Text A black clay potter in Molelos (Tondela), António Manuel Matos Marques started in the art at the age of 14, learning from his uncle (who in turn had learned from his grandfather). He has more than four decades of continuous practice, producing mainly utilitarian and decorative pieces on a potter's wheel, with a traditional burnished finish. He continues to fire his pieces in a reducing environment (wood-fired kiln) and values the transmission of know-how — he even taught a colleague when he was 19 years old. In the workshop, the polishing stage is often carried out by local craftswomen (e.g. Lurdes Coimbra). Among his current pieces are jugs (c. 20 minutes/unit), baking trays and tableware, preserving the formal grammar of the Molelos pottery centre. External ID UAVEIRO_PR_02 Knowledge Acquisition António Marques learned the art at the age of 14 from his uncle, who in turn had inherited it from his grandfather, perpetuating a family tradition spanning several generations. The know-how was passed on orally and through daily practice in the workshop, observing and repeating gestures, techniques and work rhythms until he achieved full autonomy. Knowledge Transfer The craftsman passed on his craft to a colleague when he was 19 years old and occasionally participates in demonstrations, particularly at annual festivals and local cultural events. Teaching takes place in a practical manner, through direct supervision at the wheel and by sharing techniques for preparing and polishing clay. Gender male Occupation ceramics Involvment full-time paid job knowledge1 The potter masters all stages of traditional black clay production: the extraction and preparation of clays (‘weak clay’ and ‘strong clay’), modelling on the wheel, burnishing and polishing with pebbles, controlled drying and firing in a wood-fired kiln with a reducing atmosphere. It also requires sensitivity to the temperature, colour and texture of the clay, as well as empirical knowledge of drying and firing times. material1 Black clay of Molelos material2 The clay is obtained from local barriers in the parish of Molelos and surrounding areas, in clay soils rich in iron, suitable for the production of black clay. Traditionally, the potter himself extracted and prepared the clay, selecting different types (‘weak clay’ and ‘strong clay’) to create the right mixture for the wheel and firing. Currently, part of the raw material is collected in controlled areas or purchased from regional suppliers, ensuring the continuity of traditional quality and reducing the physical effort of manual extraction. material3 Clay scraps are reused in their entirety. The potter collects the dry scraps, grinds them up and mixes them with fresh clay and water, creating a new paste suitable for modelling. This recycling process is common practice among Molelos potters and ensures waste reduction. Only fragments of already fired pieces that are impossible to reuse are discarded, usually in specific areas next to the workshop. production1 Potter's wheel; manual shaping of moulds. production2 Potter's wheel; hand tools; river stones, wooden sticks. production3 The tools are extensions of the potter's hands and symbols of family continuity. The wheel is central to the practice; the hand tools and burnishing stones reflect the connection to nature and inherited tradition. production4 It uses firewood (pine, oak, eucalyptus) in traditional kilns and, in some cases, propane gas for controlled firing. Electricity is used in the potter's wheel. production5 The black clay production process generates very little waste. The main ‘leftovers’ are unused clay or clay that dries too quickly, which is recycled: it is crushed again, moistened and reintegrated into the new mixture. The water used in preparation and polishing is reused whenever possible. Fragments of broken or deformed pieces after firing are the only non-reusable waste; these are usually deposited next to the workshop and sometimes reused to fill land or paths. workshop The potter has his own workshop located in Molelos, a parish in the municipality of Tondela, in central Portugal. The space is a traditional masonry building, adapted over the years, which houses the potter's wheel, the drying area for the pieces and the wood-fired kiln used for firing. It is a functional environment, organised into sequential work areas — clay preparation, modelling, polishing and firing — reflecting the accumulated practical knowledge. The space is heated by a wood-burning fireplace, which is also used to dry some pieces during the winter. The workshop retains the family and artisanal character typical of Molelos potteries, being a place of production and, at the same time, of knowledge transfer. Next to the workshop is the shop with pieces on display and for sale. The wood-fired kiln is located outside the workshop. products1 He produces utilitarian and decorative pieces in black clay: jugs, pitchers, bowls, pots, wine jugs, sugar bowls, flower vases, baking dishes and pitchers, as well as design pieces inspired by the Molelos tradition. products2 It is his profession. products3 Sell the products in the shop next to the workshop and in specialist shops selling typical Portuguese handicrafts. products4 No. products5 No. products6 Tourists, local customers, restaurants, local shops. products7 Yes. Molelos Black Pottery has been certified since 2020 as a ‘Certified Handcrafted Product’, recognised by PPART - Programme for the Promotion of Handicrafts and Micro-enterprises (IEFP, Portugal). This certification distinguishes traditional handcrafted production, guaranteeing the authenticity of the techniques, materials and manufacturing processes. The pieces by potter António Manuel Matos Marques are thus covered by this collective certification, valuing black clay as a heritage product of local origin. tourism1 Yes. He participates in public demonstrations of ‘soenga’ and welcomes visitors to his workshop. The activities take place at local cultural events, with national and international audiences interested in traditional ceramics. tourism2 “Já não podemos cozer todas as peças na soenga, como os antigos, mas é muito importante fazermos esta soenga uma vez por ano — para mostrar às pessoas como era e para que não se perca esta arte.” partnership He collaborates with other potters, the Terras de Besteiros Museum and Tondela Municipal Council in demonstrations of traditional pottery techniques and cultural projects. He participates in initiatives with schools and researchers on black clay. challenges1 Difficulty in obtaining clay and firewood; ageing potters; lack of generational succession; low profitability and environmental restrictions on traditional firing; logistical and market challenges in rural areas. challenges2 “Se há tarefas duras, ir à barreira extrair e carregar o barro é uma delas! Hoje, com este processo, além da qualidade do barro, poupamo-nos muito.” references https://www.youtube.com/watch?v=W3FS07QYpD0 https://www.cm-tondela.pt/1309/barro-negro-de-molelos https://7maravilhas.pt/portfolio/louca-preta-de-molelos/ Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/António_Manuel_Matos_Marques Prim Media 1859 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource António Manuel Matos Marques Type The nature or genre of the resource Artisan Description An account of the resource A black clay potter in Molelos (Tondela), António Manuel Matos Marques started in the art at the age of 14, learning from his uncle (who in turn had learned from his grandfather). He has more than four decades of continuous practice, producing mainly utilitarian and decorative pieces on a potter's wheel, with a traditional burnished finish. He continues to fire his pieces in a reducing environment (wood-fired kiln) and values the transmission of know-how — he even taught a colleague when he was 19 years old. In the workshop, the polishing stage is often carried out by local craftswomen (e.g. Lurdes Coimbra). Among his current pieces are jugs (c. 20 minutes/unit), baking trays and tableware, preserving the formal grammar of the Molelos pottery centre. Date A point or period of time associated with an event in the lifecycle of the resource 1969 Language A language of the resource Portuguese Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 733 Source A related resource from which the described resource is derived artisans Spatial Coverage Spatial characteristics of the resource. current,40.530278,-8.095556; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Portugal Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. António Manuel Matos Marques https://culturality.museum/omeka/files/original/5c1cf6e7bb4a75648c6dde1a3225e15e.JPG 94fda1103245ee1b9f3d8b28f2bba219 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UAVEIRO_PR_02_PHONE_01_01 Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/3b254ac91e0ddc2d663d1446c64fd75e.JPG e5b483f42929e3d7e4317828aa763aa2 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UAVEIRO_PR_02_PHONE_01_02 Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/f4c7661c73b705d16b6341cedcbaf451.JPG ee7014dce717a7072af3915332c7c2ad Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UAVEIRO_PR_02_PHONE_01_03 Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/65f2c186e81a15073a9544e1ac050511.JPG 878e682301e3d18990e2440ce6efe370 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UAVEIRO_PR_02_PHONE_01_05 Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/681ea0daa377bc71666b835c4bf93cef.JPG 467ddc59e85f76d2fcb1535dd7c3c6ad Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UAVEIRO_PR_02_PHONE_01_07 Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:04:15 11:43:42 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/b219c187a579e3e91c7a71f7fd810453.JPG 46c46fee11fe35156cb579b766bd64be Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UAVEIRO_PR_02_PHOT_PHONE_01_01 Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:04:15 11:30:07 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/01fdb02501b44824aeaa64f2b76e1752.JPG 207c0ff724ccc8939a3cc22b28dfa1f0 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UAVEIRO_PR_02_PHOT_PHONE_01_02 Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Natural Cultural Cultural External ID UAVEIRO_AR_05 Material galvanised sheet metal Function Used for signaling and communication. Used for music, sports and traffic signaling, and also for emergency signaling. Technique tinsmithing Material Source Galvanised metal Production Quality Production is carried out according to demand, the artifacts are made to order. Craft metalwork Tool The craftsman uses a pair of scissors to cut the galvanised sheet metal. The craftsman uses pliers to make bends in the metal and build the shape of the whistle. On the anvil, the sheet is given a curved shape with the help of a hammer, which is used to strike the sheet. Place The town or city Lobão da Beira, Tondela, Portugal Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Metal whistle Type The nature or genre of the resource Physical Object Language A language of the resource Portuguese Extent The size or duration of the resource. 5cm x 3cm x 2cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 734 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 27/10/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Apito Spatial Coverage Spatial characteristics of the resource. current,40.521326,-8.032804; Description An account of the resource A small object wind instrument that produces a shrill sound. Creator An entity primarily responsible for making the resource 918 Source A related resource from which the described resource is derived craftedobjects,portugalobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://uniaodasfreguesiastondelanandufe.pt/2022/01/18/museu-terras-de-besteiros/ Date Modified Date on which the resource was changed. 27/10/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material galvanised sheet metal Natural Cultural Cultural Function Used for decoration Creation Purpose The artisan uses scraps of sheet metal to cut out the petals and leaves, which are then used to construct the flowers. It is a way of reusing waste from the production of other artefacts. Technique tinsmithing Material Source Galvanised metal Production Quality The artisan reuses waste from the production of other artefacts and, when there are no orders, he makes decorative flowers. External ID UAVEIRO_AR_06 Craft metalwork Tool The craftsman uses a pair of scissors to cut the galvanised sheet metal. On the anvil, the leaf is given a curved shape with the help of a hammer, which is used to hit the leaf. He also uses tin solder to join the parts that join the leaves and flowers to the main stem. Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Decorative_Flowers Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Decorative Flowers Type The nature or genre of the resource Physical Object Description An account of the resource Hand-painted metal flowers Date A point or period of time associated with an event in the lifecycle of the resource 2025 Creator An entity primarily responsible for making the resource 918 Language A language of the resource Portuguese Extent The size or duration of the resource. 20cm x 20cm x 50cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 735 Source A related resource from which the described resource is derived craftedobjects,portugalobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://uniaodasfreguesiastondelanandufe.pt/2022/01/18/museu-terras-de-besteiros/ Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 27/10/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Flores decorativas Spatial Coverage Spatial characteristics of the resource. current,40.521326,-8.032804; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Black clay of Molelos Natural Cultural Cultural Function It is used to drink liquids in such a way that does not leak through the holes around the artifact. It is necessary to discover the secret of drinking without spilling the liquid. Creation Purpose The jar of secrets is an emblematic piece of pottery, handmade especially in the art of black pottery from Bisalhães and black clay from Molelos. Technique The jar of secrets is made from black clay from Molelos and its shape is achieved using special molds. The clay is molded by hand and the jar is fired in open ovens in the earth (SOENGA), where a reduction firing technique is used to obtain the characteristic black color. The secret of the jar lies in the presence of hidden openings, which allow the liquid to escape unexpectedly. Material Source The potter collects black clay from a local plot of land designated for the extraction of the material. Conecept In the countryside, rural workers used these jugs because they kept the water relatively cool, especially in summer. Production Quality The artisan actively continues to produce this piece, as it is one of the most sought-after items by customers. External ID UAVEIRO_AR_07 Craft ceramics Tool The pitcher of secrets is made with black ckay from Molelos with molds to give it the shape. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pitchers of secrets Type The nature or genre of the resource Physical Object Description An account of the resource It is a decorative clay jug with a trick for drinking water without getting wet. Date A point or period of time associated with an event in the lifecycle of the resource 2025 Creator An entity primarily responsible for making the resource 1858 Language A language of the resource Portuguese Extent The size or duration of the resource. 10cm x 10cm x 25cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 736 Source A related resource from which the described resource is derived craftedobjects,portugalobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://uniaodasfreguesiastondelanandufe.pt/2022/01/18/museu-terras-de-besteiros/ https://www.patrimoniocultural.gov.pt/wp-content/uploads/2025/01/Ficha-MatrizPCI.pdf Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 27/10/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Bilha dos segredos Spatial Coverage Spatial characteristics of the resource. current,40.530278,-8.095556; Date Modified Date on which the resource was changed. 27/10/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT