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Värmland stands out as a place of large stretches of forest which slopes down into long and narrow lakes that connect into rivers like Klarälven. In these forests and by these rivers, arts and craft traditions have grown. Today, Värmland is well known for its many artisans in different areas such as ceramics, textiles, literature and music. Its rich cultural heritage is a point of pride and defines everyday life in the region. &#13;
&#13;
Below you may explore some of Värmland’s cultural heritage through tangible and intangible examples. Why not learn more about the Potters of Arvika’s ceramics, or the folklore of herbalism in Värmland’s Finnskogen (“Forest of the Finns”)? With this unique access to a gallery of artisans and their crafts, you may explore world-famous practices whilst also being introduced to local, sequestered practices. </text>
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              <text>Tawing, sewing, cutting, smoothing, drilling. It is the form of the scrotum, among other things, that fascinates the artisan Monika Hint. Seeking to make the most of this material, she combines skin with textiles for durability, functionality and looks, and with details made of bone, which is another favorite material of hers. She either taws scrotums with alum and salt, which produces results quickly, or tans them in acidified rye flour. In the latter case, scrotums are soaked for several days in fermented cereal mixture made of flour. In addition to rye, wheat, barley, and oats can be used to process leather. Flour tanning is one of the oldest tanning technologies in Estonia and is particularly suitable for sheep and ram skins. </text>
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              <text>Collaborating with local farmers, hunters and other artisans, Monika Hint uses and often recycles bone, horn, leather, wool and other natural materials to create products that build on and develop further traditional methods and artefacts. The pouches made in Koordikamber are organic for the simple reason that nowadays only organic farms keep rams, i.e. uncastrated male sheep. The scrotums come from a small organic farm in southern Estonia.</text>
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              <text>While these products are of high quality and exclusive, they come from an ethos of subsistence that for centuries used to define rural life in Estonia. Monika Hint aims to keep the production process as nature-friendly, local, simple and resource efficient as possible. This means using as few resources as possible, recycling as much possible and minimizing waste. In fact, much of what she works with is waste: byproducts and materials that others have no use for. </text>
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              <text>The scrotums are delivered to Monika Hint maybe twice a year in batches of approximately 10. Because this raw material is so precious, and the traditional techniques used to process it tend to be time-consuming and labor-intensive, Monika Hint makes artefacts out of ram’s scrotum only a couple of times a year. </text>
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                <text>Monika Hint, an student of the University of Tartu Viljandi Culture Academy, runs her own studio, Koordikamber, in Koordi farm in Viljandi county. Collaborating with fellow artisans, local farmers, and hunters, she uses bone, horn, leather, wool, and other natural, often recycled materials to create products that build on and develop further traditional technologies. Koordikamber also offers courses and workshops. Tanning and tawing are traditional leather processing methods in Estonia. While tanning requires vegetables or flour, alum and salt are used &#13;
in tawing. Until the beginning of the 20th century, these skills were widely practised domestically, though there also existed village tanners. During the 17–19th centuries leather pouches made of ram’s scrotums were used as money bags and tobacco pouches. They were tanned along with the skins and decorated with applique, beads, copper rings and fabric. Nowadays the pouch is suitable for coins, cellphone, pipe, dice, tobacco, talisman etc</text>
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                <text>Paz Mesa had her first contact with textile crafts through her mother, who taught her how to spin the wool of her own flock of Xalda sheep; a task that she carried out together with her sisters. They later would give the wool already spun to a cousin who was a weaver, for her to make the garments. However, her work as a professional in the field began two years ago, after an eleven-year training period with different national and international artisans. She works mainly with wool, linen &#13;
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