Frej Lonnfors
Dublin Core
Title
Frej Lonnfors
Source
artisans,varmlandmap
Date
1987
Contributor
iain
Language
Swedish
Type
Artisan
Identifier
583
Spatial Coverage
current,59.7265854,13.1227098;
Europeana
Country
Sweden
Europeana Data Provider
Lonnfors, Frej
Object
https://frejlonnfors.com/
Europeana Type
TEXT
Artisan Item Type Metadata
Biographical Text
Lonnfors is a professional craftsperson (slöjdare). He both works with production and with teaching. He is inspired by older crafting techniques and folkloristic elements. Lonnfors has been celebrated for his chip-carving patterns.
External ID
RV_PR_04
Prim Media
1226
Contact
frej@frejlonnfors.com
Phone
070-6671335
Occupation
woodwork,artist
Knowledge Acquisition
Lonnfors has crafted in wood througout his life and studied and learned through making. He has both been to school -Sätergläntan, in Dalarna, Sweden - where he was allowed to skip the first year (of three), because he was so knowledgable and he has also taught himself.
Knowledge Transfer
Lonnfors has taught as a teacher at Sätergläntan - Institutet för slöjd och hantverk (see RV_CP_04), for five years as well as in grade school for five years. He holds courses as part of his enterprise.
Field Worker
Ulrika Jäger, Kajsa Stinnerbom
knowledge1
Lonnfors has the knowledge nessesary to handle the relevant tools for hand crafting in wood as well as picking out the material. Making shrink pots and decorating them with chip carving is one of Lonnfors signature products. He also knows how to pick out the right material both from a mill, but also in the forest.
Area Reason
Lonnfors is born and grew up in Hagfors (region of Värmland), but have lived and worked in Dalarna a few years. Since a year back, he's living with his family in Värmland, but now outside of Västra Ämtervik. He came back because he was looking for a place to live in Värmland with his partner and they found an older property.
material1
Local swedish wood, and one of his favourites is birch
material2
From local sawing mills and from local forests.
material3
He burns the leftovers in his stove.
production1
Primarily carving in fresh and drier wood. Also the associated practices with getting the materials. See RV_AR_16, RV_AR17, RV_AR_18, RV_AR_19, RV_AR_20. Lonnfors dosen't use machines.
production2
Knife, saw, adz, chalk reel, brace, axe, draw knife, v shaped carving knife, gouges, plane, auger, wooden frame saw, calipers, marking gauge, figure saw, drawing compass, ruler. See RV_CP_05(01-03).
production3
Lonnfors prefers simple tools that have been used historically; tools he can take care of, and mend himself. One of his axes (shown in RV_CP_05(01)) is one he has used throughout his life as a crafter. He changes the handle when needed.
production4
Electric heating, stove and geothermal heating.
production5
Only shavings that can be burnt in the stove.
workshop
Lonnfors' studio is in the bottom floor of his residantal house.
products1
Lonnfors makes bespoke artecats and reconstructions of older artefacts that he wants to recreate. He also has a production. Among others, the handicraft developers of Sweden have places orders for traditional linen preparing tools and for courses. Primarily he makes applied arts, such as craft for everyday use.
products2
Exhibitions, sales, for own use, tools for courses. Also takes bespoke orders.
products3
The company Svenskt tenn, museums, and he himself sells.
products4
He can mend objects that are broken. He holds courses and lectures.
products5
Yes
products6
Museums and he gets neq customers through holding courses (his name is spread and it's a mouth to mouth spreading of the word). Lonnfors says that it's crucial and important to meet with people. It's not about merit, but the impression that affects the image of his work. Region and istitutions are also his customers.
products7
No
tourism1
No, not directly. Maybe through courses, but he can't say for sure.
tourism2
Jag kommer inte ha kursverksamhet här för förbipasserande turiser men men men det går ju absolut att ha samarbeten med ställen som där turister samlas så att säga så att man kan ha nån täljworkshop eller kortare kurser eller så där på platser där folk ändå är som en del av en upplevelse eller så har jag tänkt också för för företag och så där om man vill göra något med personalen det är ju inte turiseter då men ja. Hitta såna former. Så i framtiden kommer det kommer säkert vara mer av den varan..vad ska man säga...såna samarbeten med andra resmål eller så. Jag tror att det vore smart. (cirka 38 minuter in i intervjun).
partnership
No, not more than previously mentioned.
challenges1
Lonnfors has had about one exhibition a year, but will probably not keep on doing that. Reason being he can't sell artecats and can't take more orders when preparing for an exhibition, and therefor the production comes to a halt. Also, he's not selling the objects at the exhibitions, but when it's over. It's a good way to show his work, but he will still make a change with his way of working. / Also, he can't see any challanges with living in a rural place, but feels it's just right for him and that he would be uninspired and not satisfied if he lived more urban.
challenges2
Jag är nog en ganska ognällig person som inte funderar så mycket på sånt som stör så men....men det finns en orsak till att vi letat ett hus som ligger så här...jag vill tillexempel inte ha min verksamhet i en tätare byggd stad. Det har jag inte gått igång på tanken för det skulle vara utmanande för mig. (cirka 62 minuter in i intervjun.
references
https://www.hemslojd.se/med-ett-svaj-som-jimi-hendrix/ https://butiken.sormlandsmuseum.se/inredning-mode/burk-med-skuren-dekor-stor.html https://www.svenskttenn.com/se/sv/formgivare/formgivare-frej-lonnfors/
Citation
“Frej Lonnfors,” VERAP, accessed April 2, 2026, https://culturality.museum/omeka/items/show/1220.
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