<?xml version="1.0" encoding="UTF-8"?>
<METS:mets xmlns:METS="http://www.loc.gov/METS/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xlink="http://www.w3.org/1999/xlink" xsi:schemaLocation="http://www.loc.gov/METS/ http://www.loc.gov/standards/mets/mets.xsd  http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-0.xsd" ID="ITEM_1263" OBJID="ITEM_1263" LABEL="Making and charring a charcoal pile" TYPE="Intangible" >

<METS:metsHdr CREATEDATE="2026-05-27T02:36:57" ID="HDR_ITEM1263" AMDID="AMD_ITEM1263" >
<METS:agent ROLE="ARCHIVIST" TYPE="INDIVIDUAL" >
<METS:name>Super User</METS:name>
<METS:note></METS:note>
</METS:agent>
<METS:agent ROLE="CREATOR" TYPE="INDIVIDUAL" >
<METS:name></METS:name>
<METS:note></METS:note>
</METS:agent>
<METS:agent ROLE="OTHER" TYPE="OTHER" >
<METS:name>Omeka MetsExport Plugin</METS:name>
<METS:note>The software used to generate this document is called Omeka MetsExport, which operates as a plugin for Omeka. Documentation can be found at http://github/MetsExport/</METS:note>
</METS:agent>
</METS:metsHdr>

<METS:dmdSec ID="DMD_ITEM1263" >
<METS:mdWrap ID="MDW_ITEM1263_dc" LABEL="Dublin Core" MDTYPE="DC" >
<METS:xmlData>
<dc:title>Making and charring a charcoal pile</dc:title>
<dc:description>The charcoal clamp is a way of producing charcoal by arranging wood covered in spruce branches and &quot;stöbbe&quot; and is lit and chars in controlled circumstances. It's constructed by heating the wood with very little oxygen supply which makes the wood turn to charcoal instead of going up in flames and turning to ashes. The charcoal pile that is built annually at the event &quot;Gammelvala&quot;, Brunskog, Värmland, takes about two days to build (with 12 people) and measures 4 1/2 m ∅. Depending on the wood used you can produce charcoal for grill, smithing and/or tar. The pile chars for approx. six days and up to 90% of the wood gets turned into charcoal. At least two people guard it during, at all times.</dc:description>
<dc:contributor>iain</dc:contributor>
<dc:language>Swedish</dc:language>
<dc:type>Intangible</dc:type>
<dc:identifier>592</dc:identifier>
<dc:alternative title>Kolmilning</dc:alternative title>
<dc:date submitted>02/09/2025</dc:date submitted>
<dc:references>https://pub.epsilon.slu.se/4379/1/Fjellstrom_J_2001.pdf
https://www.platabergensgeopark.se/portfolio/kolarna-i-erdalen/
https://www.platabergensgeopark.se/wp-content/uploads/2021/10/Kolmilans-konstruktion10.png</dc:references>
<dc:extent> x  x </dc:extent>
<dc:spatial coverage>current,59.6564613,12.8910436;</dc:spatial coverage>
</METS:xmlData>
</METS:mdWrap>
<METS:mdWrap ID="MDW_ITEM1263_item_type_metadata" LABEL="Item Type Metadata" MDTYPE="DC" >
<METS:xmlData>
<item_type_metadata:knowledge>Our informant who’s been doing this the longest in the volunteer group (15 years) that are responsible for the charring tells that it's nearly impossible to learn by reading and must be learnt by doing. It's a tacit knowledge that's required and a very sensuous type of understanding They have made a standardizations e.g. with the measurements of the wood but each year they learn something new, as they are only building one each year. How to tend to the pile with the hit of a sledgehammer and skewers, as well as understanding the different type of smoke that rises are crucial.</item_type_metadata:knowledge>
<item_type_metadata:practitioners>About twelve people meet each year, mostly local people. Out of the twelve practitioners, three are under 30 years, three between 30-40, and he rest are older. All of the volunteers are male, but they have had women included in the work as well. They are welcoming to women joining the group.</item_type_metadata:practitioners>
<item_type_metadata:origins and change>This type of coal productions have used throughout the ages and in various forms and sizes. The charcoal production of Western Värmland (this region) has also been studied by the local ethnologist Nils Keyland (1867-1924). From being a practice that was primarily done for the iron productions at a larger scale during the 18th century, for the wood coal to extract the iron from the ore, to being a way to produce fuel during the war, the charcoal is now not used in iron production or blacksmithing, but sold as a luxurious product as BBQ coal.</item_type_metadata:origins and change>
<item_type_metadata:organisations>Brunskogs hembygdsgård, which can be translated into Brunskog's &quot;heritage farm&quot; or &quot;old farmstead&quot;,  or collection of older buildings, run and managed by the local heritage association. Charcoal piles have been constructed at many local &quot;heritage farms&quot; throughout Sweden from the last part of 20th century.. There does not seem to exist a joint organisation in Sweden that safeguards or functions as a knowledge hub for this practice.</item_type_metadata:organisations>
<item_type_metadata:places>See organisations. It's also constructed at schools such as Sätergläntan, a school for crafts in neighbouring region Dalarna.</item_type_metadata:places>
<item_type_metadata:technological threats description>Today it's only practicied for preserving.</item_type_metadata:technological threats description>
<item_type_metadata:weakened practice description>As there are only volunteer practitioners, gathering for making one pile a year, there's a reduced practice.</item_type_metadata:weakened practice description>
<item_type_metadata:policy threats description>There's a lack for these types of practices.</item_type_metadata:policy threats description>
<item_type_metadata:loss threats description>As fewer are practicing, there's a lack of knowledge. Fewer have their own relation to the practice, as the war years are further away where this was still a stronger practice, which weakens the cultural significance.</item_type_metadata:loss threats description>
<item_type_metadata:place description>Brunskog, Arvika and the west parts of Värmland is a region where art and handicrafts have a long and strong tradition and that’s still largely present today. At the turn of the century 1900’s, many Swedish artists came to the area and an artists' colony, Rackstadkolonin, was established. The new ideas and expressions these artists brought with them along with the well-established and skilled craftsmanship that already existed here have contributed to the well-known arts and crafts area Arvika is today. The arts and crafts are greatly appreciated here by both practitioners, residents and visitors and are seen as a great asset and strong brand for the area. Arvika is a town of about 14.000, and the municipality has about 25.000 habitants. Brunskog's parish has about 2.000 inhabitants.</item_type_metadata:place description>
<item_type_metadata:artefacts>To make the process easier and more manageable they are using power tools to prepare the materials, such as cutting the wood. Otherwise the tools mainly used during the process are sledgehammer, iron bar and shovel. They also put on a chimney for the last part of the charring, which is also traditional but a later practice. During the event the volonteers are dressing in clothes that resemble that of a late 1800's and early 1900's cut, fabric and with the &quot;slokhatt&quot;, a slouch hat which is a floppy felt hat usually worn by workers during that era in Sweden.</item_type_metadata:artefacts>
<item_type_metadata:social sustainability>Yes, it's  social sustrainability in the practice for the participants and the community.</item_type_metadata:social sustainability>
<item_type_metadata:environmental sustainability>It could be argued that it's actually, albeit small, a threat to the environment to practice this type of charring coal. Even though no LCA have been carried out, the more moderns ways of charring coal could be much more environmentally sustainable.</item_type_metadata:environmental sustainability>
<item_type_metadata:economic sustainability>There's no economic sustainability, even though they sell the charred coal as a exclusive product.</item_type_metadata:economic sustainability>
<item_type_metadata:state of the practice>endangered</item_type_metadata:state of the practice>
<item_type_metadata:wiki>https://culturality.museum/wiki/index.php/Making_and_charring_a_charcoal_pile</item_type_metadata:wiki>
<item_type_metadata:prim media>1262</item_type_metadata:prim media>
<item_type_metadata:place>Brunskog, Värmland, Sweden</item_type_metadata:place>
<item_type_metadata:external id>RV_CP_08</item_type_metadata:external id>
<item_type_metadata:technological threats>Industrial production</item_type_metadata:technological threats>
<item_type_metadata:policy threats>Lack of conservation policy</item_type_metadata:policy threats>
<item_type_metadata:weakened practice>Aged practitioners,Diminishing participation,Diminishing youth interest,Halted transmission between generations,Reduced practice</item_type_metadata:weakened practice>
<item_type_metadata:loss threats>Loss of knowledge,Loss of cultural significance</item_type_metadata:loss threats>
<item_type_metadata:sdg>Good Health and Wellbeing,Sustainable Cities and Communities</item_type_metadata:sdg>
<item_type_metadata:function>Up until the 1940's charcoal was still being produced this way in Värmland, also to support the fuel for wood gas fuelled cars during the war. Depending on what type of wood being charred, different coal is produced. Today the wood used is birch, which makes for great grill coal, and is being sold as exclusive local coal, which is a pride for the folk museum where &quot;Gammelvala&quot; is held. Each year, when the event &quot;Gammelvala&quot; starts, an inaugurator is chosen to light the pile as an honour, alternating each year between a man and a woman. A few years back it was the governor of Värmland, and this year it will be a popular comedian lightning the pile.
As very few charcoal piles are made in Värmland these days, this is an event which the organization Brunskogs hembygdsgård are proud of and many visitors come to witness it.</item_type_metadata:function>
<item_type_metadata:knowledge transfer>A volunteer group of about twelve people are meeting each year to construct the pile and tend to it. They meet at weekends in late spring to construct it. The volunteers are all doing this out of their own interest and are mostly local inhabitants. Our informant who is in charge has learnt from the previous leader, and the pile has been made annually at &quot;Gammelvala&quot; for 60 years. Since the pile is made for the event, it's made doing summer, but traditionally they charred during the winter.</item_type_metadata:knowledge transfer>
<item_type_metadata:context>A tradition and ritual is to not talk about fire or burning, to both be clear in communication that this is not about burning but charring, but different practitioners might also find that it's bad luck. It's also customary to give a name to the pile, which the volonteers choose the second day (when they have &quot;gotten to know who the charcoal pile is&quot;). Additionally, many outside of the practice associate the stories of charring coal with the poet Dan Andersson (from neighbouring region of Dalarna), which has written poems about the practice.</item_type_metadata:context>
<item_type_metadata:field worker>Kajsa Stinnerbom, Sara Olsson</item_type_metadata:field worker>
</METS:xmlData>
</METS:mdWrap>
<METS:mdWrap ID="MDW_ITEM1263_europeana" LABEL="Europeana" MDTYPE="DC" >
<METS:xmlData>
<europeana:europeana type>TEXT</europeana:europeana type>
</METS:xmlData>
</METS:mdWrap>
</METS:dmdSec>

<METS:amdSec ID="AMD_ITEM1263" >
</METS:amdSec>

<METS:fileSec ID="FILES_ITEM1263" >
</METS:fileSec>

<METS:structMap >
<METS:div TYPE="ITEM" DMDID="DMD_ITEM1263" AMDID="AMD_ITEM1263" >
</METS:div>

</METS:structMap>
</METS:mets>
