Super User Omeka MetsExport Plugin The software used to generate this document is called Omeka MetsExport, which operates as a plugin for Omeka. Documentation can be found at http://github/MetsExport/ Weaving bands with njiskun/ rigid heddle Weaving bands for traditional clothes or other purposes on a rigid heddle. The heddle is traditionally made from wood or antler, but modern ones are also made with modern materials like plastic. iain Norwegian,Sami Intangible 722 Båndveving med njuskun/grindvev 13/10/2025 13/10/2025 Duodjeinstituhtta Várdobáiki samisk senter Stuornjargga Samiid Duodji x x current,68.58500463557306,16.70555667334062; how to make the warp, how to put the threads through the rigid heddle loom for the wanted pattern. How to do regular weaving, and how to "pick" different patterns. Probably mainly women, but some men also do it. The technique is very old. The production of the heddles/looms/njiskun themselves have been modernized and mass produced. Local Sámi Duodjilag (Sámi handicrafts clubs), Duodjeinstituhtta, Sámij åhpadusguovdásj/Samernas utbildningscentrum in Jokkmokk (Sweden) In this area: Várdobáiki samiske senter, Stuornjargga samiid duodji If the practitioner cannot get a hold of material, they cannot do the cultural practice Use of industrial production, new technologies and modern (for example Synthethic materials) can make the products cheaper and more popular, and might contribute to threathening the cultural practice if there are less and less buyers of the products/users of the products made by the cultural practice Touristification and misappropriation of woven objects can contribute to less use of the cultural practice if users/buyers of the products do no longer want to use the traditionally made products instead of the "fake" products. If less and less people are interested to learn the practice, and less people are interested in using the products, the practice might disappear. If the transmission between generations stops and the aged practitioners disappear, it will be much harder continuing keeping the cultural practice alive. Words and terms explaining how to weave, and also the parts of the loom/parts of the yarn, techniques etc. disappear, and a lot of knowledge can disappear with them, as some of the Sámi terms might be more descriptive and explaining than the Norwegian or English ones. Markasámi village Gákti/traditional Sámi clothes and childrens crib (Komse), but also used for other cultures, including the bunad traditions in Norway. Inclusivity - anyone can learn the cultural practice. Use of natural materials, mainly wool and cotton. Diversifying income sources - practitioners can make and sell products while still managing to work normally. Duodjeinstituhtta have practitioners who hold workshops and courses in different areas where there are interested participants. Different Sámi duodjilag (handicrafts clubs) also do courses. declining 1768 Ramavuolle, Reinåsen, Tjeldsund, Troms, Norway MN_CP_11 Deterioration of material Industrial production,Surge of new technologies,Use of modern materials Touristification,Misappropriation Aged practitioners,Diminishing participation,Diminishing youth interest,Halted transmission between generations,Reduced practice Loss of ancestral language,Loss of cultural spaces,Loss of knowledge Decent Work and Economic Growth Traditional bands made for use on the gákti/ Sámi traditional dress, as well as other purposes. Between people, courses/classes, duodji societies/clubs Oral traditions for learning the crafts, certain woven bands for male/female/different families, for childrens crib (Komse), Robertsen, Kjersti University of St Andrews TEXT