Super User Omeka MetsExport Plugin The software used to generate this document is called Omeka MetsExport, which operates as a plugin for Omeka. Documentation can be found at http://github/MetsExport/ Black Clay Pottery of Molelos Molelos Black Pottery is a traditional craft involving ceramics fired in a reducing atmosphere, characterised by wheel-throwing, polishing/buffing and traditional firing (in wood-fired kilns; today also gas-fired). Historically one of the largest centres for black pottery in Portugal (documented since the 16th century), it maintains family and professional production, combining utilitarian (thick pottery) and decorative types, with a strong local identity. iain Intangible 732 Barro Preto de Molelos; Olaria de Molelos 27/10/2025 https://7maravilhas.pt/portfolio/louca-preta-de-molelos/ https://www.patrimoniocultural.gov.pt/wp-content/uploads/2025/01/Ficha-MatrizPCI.pdf https://www.youtube.com/watch?v=W3FS07QYpD0 x x current,40.530278,-8.095556; Preparation of pastes (mixture of “weak” and “strong” clays), wheel throwing, polishing with pebbles, controlled drying and reduction firing ("soenga"; wood/gas kilns). Potters and craftspeople from Molelos; today, men and women share specialised tasks. Attested since the 16th century; between the 19th and 20th centuries, it was one of the largest national centres. In the 20th century, wood-fired kilns appeared, followed by gas-fired kilns; partial mechanisation of clay preparation; maintenance of the pottery workshop in a demonstration context. Tondela City Council Workshops and kilns in various locations within the parish (Raposeiras, Machorro, Vela); Tondela Municipal Museum (black pottery room). The introduction of gas kilns and modern techniques may alter the traditional character of reduction firing. Limited profitability, ageing workforce and industrial competition. The migration of young people to urban centres in search of employment and education has contributed to the depopulation of rural areas in Tondela and the decline of craft activities. Many descendants of potters did not remain in Molelos, which interrupted the family succession in the workshops. This migration reduces the number of potential apprentices and threatens the continuity of local craft production, which depends on constant presence in the community and direct access to raw materials. A black clay potter in Molelos (Tondela), António Manuel Matos Marques began his career at the age of 14, learning from his uncle (who in turn had learned from his grandfather). He has more than four decades of continuous practice, producing mainly utilitarian and decorative pieces on a potter's wheel, with a traditional burnished finish. He continues to fire his pieces in a reducing environment (wood-fired kiln) and values the transmission of know-how — he even taught a colleague when he was 19. In the workshop, the polishing stage is often carried out by local craftswomen (e.g. Lurdes Coimbra). Among his current pieces are jugs (c. 20 minutes/unit), baking trays and tableware, preserving the formal grammar of the Molelos pottery centre. Utility items; decorative objects. Black clay pottery contributes to social sustainability by strengthening local identity and a sense of belonging to the Molelos community. The practice involves families and different generations, promoting social cohesion and the appreciation of traditional knowledge. The participation of women in polishing and finishing the pieces reinforces gender equality and the recognition of complementary roles. Public demonstrations of the ‘soenga’ encourage intergenerational dialogue and heritage education. The practice upholds principles of environmental sustainability, using natural and local raw materials (clay extracted in the region and wood from controlled sources). The reuse of clay scraps and firing in traditional kilns are examples of a circular economy. Despite environmental restrictions on firing, potters have adapted their processes — combining gas kilns and occasional soengas — to reduce emissions and preserve the heritage character of black clay. Molelos pottery contributes to the economic sustainability of the region, ensuring craftsmanship and promoting products with local identity and added value. The certification of Louça Preta de Molelos (2020) has opened up new market opportunities and increased the value of this craft product. Collaboration with designers and cultural institutions allows for diversification of income sources and increased visibility for the sector, although the economic balance remains fragile in the face of industrial production. Transmission occurs through demonstrations, workshops and sharing between generations. declining https://culturality.museum/wiki/index.php/Black_Clay_Pottery_of_Molelos Molelos, Tondela, Portugal UAVEIRO_CP_02 Insufficient renumeration Industrial production Rural-urban migration Touristification Research,Community Engagement,Collaboration with other organisations Good Health and Wellbeing,Decent Work and Economic Growth,Industry Innovation and Infrastructure Supply of cooking and tableware, decorative objects and affirmation of the territory's identity; heritage and tourism promotion (public demonstrations of soenga). Intergenerational transmission through family lines (e.g. grandfather → uncle → António Marques) and practical learning in workshops; annual demonstration of soenga reinforces the continuity of know-how. Molelos black clay is linked to local cuisine, where some recipes are prepared in black clay pots, giving them a unique flavour. TEXT