Annette Sopata
Dublin Core
Title
Annette Sopata
Date
1978?
Contributor
Netty Sopata
Language
English
Type
Artisan
Identifier
935
Spatial Coverage
current,58.4917648473254,-6.23148173863765;
Europeana
Country
Scotland
Artisan Item Type Metadata
Biographical Text
Netty moved to the Isle of Lewis in 2006 to take up a kiltmaking apprenticeship. After two years, she started her own business and explored using locally woven Harris Tweed in her designs. This led to a number of commissions and displays, including at Norton & Sons, Savile Row, and through this contemporary kilt production for fashion designer Christopher Kane. After fifteen years of working on a self-employed basis, Netty started teaching part-time Fashion Design at the local higher education college. Since then, she has continued her kiltmaking and garment design business, but on a reduced scale, whilst also fulfilling the role of board member with Applied Arts Scotland, project managing national and international craft-focused projects, and, recently, becoming editor of the community newspaper – Fios. An area Netty has developed over the past twenty years is usung the wool form her families flock of Hebridean Sheep to be washed, cardded and spun in to weaving yarn at Uist Wool. This yarn has then been woven into Harris Tweed by a local weaver.
External ID
AAS_PR_03
Prim Media
2306
Phone
07881 273 966
Occupation
fibre and textile crafts
Knowledge Acquisition
Served a traditional apprenticeship and then adapted the skills to develop Harris Tweed kilts. Harris Tweed is heavier than the traditional tartan cloth used to make kilts.
Knowledge Transfer
Yes, through evening classes at the local arts centre.
Area Relation
incomer
knowledge1
Traditional hand-tailoring techniques applied to kilt-making: measurement, pleat calculations, chalking-out, hand sewing, and steam pressing.
Area Reason
Moved in 2006 to commence a kiltmaking apprenticeship in Stornoway
material1
Harris Tweed. Leather (for straps) and brass, other metals for buckles.
material2
Local Harris Tweed mills
material3
Donates them to local higher education college
production1
Calking out (to mark the pleats and kilt pattern); hand sewing (using a thimble); steam pressing (to set the pleats).
production2
Thimble, measuring tape (inches), pattern master (straight edge ruler to mark out the pleats). Steam Iron and pressing table. Needle and scissors.
production3
Tape and thimble belonged to her grandmother, who was a home-based seamstress in London.
production4
Electricity for lighting and the steam press. Peat for a heating stove in the studio.
production5
Cut-away' segments of cloth are donated to the local college for students to use in mood boards, etc.
workshop
Yes. The upstairs area of her home is a dedicated studio space.
products1
Handtailored kilts and contemproray garments
products2
For sale
products3
The kiltmaking service is no longer advertised, and commissions are completed on a word-of-mouth basis only.
products4
Bespoke one-to-one orders
products5
Only for kilts
products6
Locally based clients for repairs and alterations. Visitors to the Hebrides who have a connection to the location and/or want to have something created for them that resonates with the location.
products7
Harris Tweed label
tourism1
Netty used to display work and take orders at the local music festival: HebCelt. This four-day festival attracts the perfect target market for bespoke kilts. The tourists at this event are from a range of national and international locations.
partnership
Applied Arts Scotland
challenges1
Outwith the HebCelt festival, accessing physical events to display and take orders was not cost-efficient due to being located on an island.
Place
Habost, Port of Ness, Isle of Lewis
Citation
“Annette Sopata,” VERAP, accessed May 26, 2026, https://culturality.museum/omeka/items/show/2270.
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