Annette Sopata

Dublin Core

Title

Annette Sopata

Date

1978?

Contributor

Netty Sopata

Language

English

Type

Artisan

Identifier

935

Spatial Coverage

current,58.4917648473254,-6.23148173863765;

Europeana

Country

Scotland

Artisan Item Type Metadata

Biographical Text

Netty moved to the Isle of Lewis in 2006 to take up a kiltmaking apprenticeship. After two years, she started her own business and explored using locally woven Harris Tweed in her designs. This led to a number of commissions and displays, including at Norton & Sons, Savile Row, and through this contemporary kilt production for fashion designer Christopher Kane. After fifteen years of working on a self-employed basis, Netty started teaching part-time Fashion Design at the local higher education college. Since then, she has continued her kiltmaking and garment design business, but on a reduced scale, whilst also fulfilling the role of board member with Applied Arts Scotland, project managing national and international craft-focused projects, and, recently, becoming editor of the community newspaper – Fios. An area Netty has developed over the past twenty years is usung the wool form her families flock of Hebridean Sheep to be washed, cardded and spun in to weaving yarn at Uist Wool. This yarn has then been woven into Harris Tweed by a local weaver.

External ID

AAS_PR_03

Prim Media

2306

Social Media

instagram,https://www.instagram.com/diggorybrown/;

Phone

07881 273 966

Occupation

fibre and textile crafts

Knowledge Acquisition

Served a traditional apprenticeship and then adapted the skills to develop Harris Tweed kilts. Harris Tweed is heavier than the traditional tartan cloth used to make kilts.

Knowledge Transfer

Yes, through evening classes at the local arts centre.

Area Relation

incomer

knowledge1

Traditional hand-tailoring techniques applied to kilt-making: measurement, pleat calculations, chalking-out, hand sewing, and steam pressing.

Area Reason

Moved in 2006 to commence a kiltmaking apprenticeship in Stornoway

material1

Harris Tweed. Leather (for straps) and brass, other metals for buckles.

material2

Local Harris Tweed mills

material3

Donates them to local higher education college

production1

Calking out (to mark the pleats and kilt pattern); hand sewing (using a thimble); steam pressing (to set the pleats).

production2

Thimble, measuring tape (inches), pattern master (straight edge ruler to mark out the pleats). Steam Iron and pressing table. Needle and scissors.

production3

Tape and thimble belonged to her grandmother, who was a home-based seamstress in London.

production4

Electricity for lighting and the steam press. Peat for a heating stove in the studio.

production5

Cut-away' segments of cloth are donated to the local college for students to use in mood boards, etc.

workshop

Yes. The upstairs area of her home is a dedicated studio space.

products1

Handtailored kilts and contemproray garments

products2

For sale

products3

The kiltmaking service is no longer advertised, and commissions are completed on a word-of-mouth basis only.

products4

Bespoke one-to-one orders

products5

Only for kilts

products6

Locally based clients for repairs and alterations. Visitors to the Hebrides who have a connection to the location and/or want to have something created for them that resonates with the location.

products7

Harris Tweed label

tourism1

Netty used to display work and take orders at the local music festival: HebCelt. This four-day festival attracts the perfect target market for bespoke kilts. The tourists at this event are from a range of national and international locations.

partnership

Applied Arts Scotland

challenges1

Outwith the HebCelt festival, accessing physical events to display and take orders was not cost-efficient due to being located on an island.

Place

Habost, Port of Ness, Isle of Lewis

Citation

“Annette Sopata,” VERAP, accessed May 26, 2026, https://culturality.museum/omeka/items/show/2270.

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