María Pérez

Dublin Core

Title

María Pérez

Description

Maria has been a master jet artisan for 30 years. She started as a jeweler, but nowadays, working with jet is more important.

Date

70´s

Contributor

iain

Type

Artisan

Identifier

399

Spatial Coverage

current,43.480178,-5.43423190753304;

Europeana

Country

Spain

Europeana Data Provider

María Pérez

Europeana Type

TEXT

Artisan Item Type Metadata

Biographical Text

Maria has been a master jet artisan for 30 years. She started as a jeweler, but nowadays, working with jet is more important.

External ID

LAPONTE_PR_03

Prim Media

682

Contact

mariaperezazabache@hotmail.es

Social Media

facebook,https://www.facebook.com/Azabache.maria.perez;instagram,https://www.instagram.com/maria.perez.azabache/;

Phone

605 01 27 70

Occupation

fibre and textile crafts

Knowledge Acquisition

Jet came into the artisan’s life by chance. She was starting out in jewelry making, and after settling in the village, Néstor Costales (the last master artisan of Argüeru) gave her a small raw jet stone. From that moment on, she began to get her hands dirty with it, and jewelry took a back seat. She taught herself how to work with the mineral, and after many years of practice, she has ended up teaching others

Knowledge Transfer

Yes, she conducts jet carving workshops in her museum-shop in Villanueva

Field Worker

Carmen Pérez Maestro

Gender

female

Area Relation

incomer

knowledge1

It is essential to recognize that the raw material is authentic Jurassic jet, understand its characteristics, and be familiar with the carving techniques.

Area Reason

She was born in the city of Gijón, but since 1997, she has been living in a small village with 15 inhabitants called La Madrera

material1

She works with jet and silver.Sometimes she uses other gemstones to create her pieces.

Involvment

full-time paid job

material2

The jet is local, and the silver is foreign

material3

The stone is fully utilized

production1

She applies jewelry techniques to work with jet. Cutting, carving, and polishing are the processes followed to work the stone

production2

She works with dental prosthetic tools, which operate with a micromotor, such as diamond discs and tungsten carbide burs

production3

There is no special relationship with the tools. Although her favorite tools are the diamond disc and the thickest carbide bur.

production4

Electricity

production5

During the jet carving process, a very fine brown dust is generated. This is absorbed by small electric vacuum cleaners while working

workshop

Maria has a workshop in her house in the village, but she also has an educational space (in the form of a small museum), a learning area, and a shop in Villaviciosa

products1

Unique jewelry pieces with precious metals, jet from Asturias, and other gemstones. Rings, pendants, necklaces, earrings, rosettes, bracelets, etc

products2

For sale

products3

In person at the store in Villaviciosa

products4

Educational classroom-museum, workshops and jewelry for sale

products5

It's not something that happens regularly, but there have been people who have brought her objects to repair

products6

The people who attend the regular workshops are usually locals, while those who visit the educational classroom-museum are typically outsiders. People of all kinds purchase her jewelry

products7

All the pieces that leave her shop come with a certificate stating that they are made with authentic Asturian Jurassic jet, handmade, and are unique pieces. However, it is not an official label, but rather one issued by the artisan herself.

tourism1

The relationship she has with tourism is educational, as the place she has in the village houses an educational classroom-museum that is visited by both domestic and foreign tourists

tourism2

"El azabache esta relacionado con el turismo por que es un bien cultural y es de la zona y la conjunción que hay en el local de Villaviciosa con tienda exposición y talleres de la asociación es lo que utilizamos para difundir y dar a conocer el azabache"

partnership

She is the president of the association 'Jurassic Jet of Villaviciosa,' which was founded in 2017 after serious disagreements with the jet artisan guild and in response to the uncontrolled invasion of foreign materials replacing genuine jet. The association is made up of artisans, geologists, gemologists, botanists, biologists, archaeologists, researchers, and others... in short, defenders of authentic jet and its cultural heritage. Their interest is investigative, educational, and informative. She collaborates with the University of Oviedo in their university extension courses

challenges1

The challenges faced by this sector, from the lack of raw materials to the urgent need for training and greater institutional support.The high-quality Asturian jet, originating from Jurassic protopine trees and unique for its physical properties, is in a critical situation due to the scarcity of raw material. It has reached the point where artisans are forced to search through rubble piles since its extraction is not permitted. Another challenge facing the industry is the unfair competition from materials sold as jet, which in reality, are not. María Pérez insists that it is vital to differentiate authentic Asturian jet from lignite coming from Bulgaria or Argentina, which dominates the market. Lastly, there is the challenge of the continuity of the craft, as without raw material, it cannot continue

challenges2

"La declaratoria de Bien de Interes Cultural (BIC) del azabache no es suficiente, hay que dar más pasos, determinar verdaderamente lo que es y no que no es (el verdadero azabache)".

references

http://www.azabachejurasico.com/ https://www.lne.es/villaviciosa/2025/01/15/cultura-azabache-joya-asturiana-lucha-113396508.html https://pegadosalatierra.elcomercio.es/maria-perez-maestra-azabachera-villaviciosa/

Citation

“María Pérez,” VERAP, accessed July 14, 2025, https://culturality.museum/omeka/items/show/683.

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