Super User Omeka MetsExport Plugin The software used to generate this document is called Omeka MetsExport, which operates as a plugin for Omeka. Documentation can be found at http://github/MetsExport/ Full Storm yarn skein, raw color Yarn skein made out of Gammalnorsk sheep breed from the Lofoten islands, raw color. 687 2024 iain Norwegian Physical Object 429 Full Storm ullnøste rå farge 02/07/2025 10/07/2025 https://lofoten-wool.no/en https://www.nibio.no/prosjekter/amazing-grazing-baerekraftig-kjott-og-ull-fra-sau-som-beiter-i-norsk-utmark?locationfilter=true https://www.smabrukarlaget.no/aktuelt/bonde-og-smaabruker/, https://www.norskekunsthandverkere.no/kunstnerregister/ragnhild-lie https://husflid.no/ https://www.utdanningsforbundet.no/ https://www.bondelaget.no/ Esther Haukeland, Innføring til plantefarging. Cappellen, 1982. Animalia: Norwegian wool Standard. https://www.animalia.no/no/Dyr/ull-og-ullklassifisering/norsk-ullstandard/ Beder, Nicolina J., Seyður Ull Tøting. SPF. Sprotin, 2010. Flååt, Inger. Votter i Namdalen. Nauma Husflidslag, 2010. Grimstad, Ingun K. and Sårdal, Tone t. Norsk Strikkehistorie. Vormedal Forlag. 2018. Grimstad, Ingun K. and Sårdal, Tone T. Ren ull. Aschehoug, 2013. Hrútaskrá. https://www.rml.is/is/kynbotastarf/saudfjarraekt/hrutaskra Joensen, Robert. Seyðabókin. SPF. Sprotin, 2015. Johnston, Elizabeth and Juuhl, Marta K. The warp-weighted loom. Kljásteinavefstadurinn: kljásteinar klingja. Oppstadveven: klingande steinar. Skald, 2016. Kjellmo, Ellen. Båtrya i gammel og nyt tid. Orkana, 1996. Sundbø, Annemor. Usynlege Trådar i Strikkekunsten. Samlaget, 2006. https://www.norskebilledkunstnere.no/ current,68.1490556685704,13.7622515654953; fibre and textile crafts Industrial washing machine, industrial comb, and industrial spinning machine. Unwinded in the worshop. 818 Gammalnorsk sheep wool Stamsund, Lofoten, Norway MN_AR_01 Cultural For making textile objects by knitting, crochet, needle binding or other techniques For sale Spinning, industrial spinning. The wool is sorted out from the sheep of the local farmers, selecting the kinds of wool according to the desired textiles the yarn will be more adecuate for. Then is sent to the wool mill to clean it, comb it and spin it, after which it returns to Stamsund, to the Lofoten wool headquarters. There, the yarn is unwinded and made into skeins for selling Lofoten islands The use of local wool from old sheep breeds that are adapted to the climate and landscape as a way of preserving animals that pre-date industrialized production, makes customers feel more connected with the culture and the land. Both the tourists who look for an exclusive, locally made and usable souvenir, and the people who buy the yarn to craft their clothes look for the feeling of doing something good for the planet and the local economy. The branding of the wool also refers to elements of cultural interest, landscape and climatic characteristics of the region using suggestive names and photographs. Small production Rebeca Franco Valle TEXT