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<dc:title>Grey seagul skein</dc:title>
<dc:description>Yarn skein made out of Kvit Sau sheep breed from the Lofoten islands. It is dyed using local reinfann (Tanacetum vulgare). Double thread yarn, 315m pr. 100g.</dc:description>
<dc:creator>687</dc:creator>
<dc:date>2024</dc:date>
<dc:contributor>iain</dc:contributor>
<dc:language>Norwegian</dc:language>
<dc:type>Physical Object</dc:type>
<dc:identifier>430</dc:identifier>
<dc:alternative title>Gråmåke nøste</dc:alternative title>
<dc:date submitted>02/07/2025</dc:date submitted>
<dc:date modified>10/07/2025</dc:date modified>
<dc:references>https://lofoten-wool.no/en
https://www.nibio.no/prosjekter/amazing-grazing-baerekraftig-kjott-og-ull-fra-sau-som-beiter-i-norsk-utmark?locationfilter=true
https://www.smabrukarlaget.no/aktuelt/bonde-og-smaabruker/,
https://www.norskekunsthandverkere.no/kunstnerregister/ragnhild-lie
https://husflid.no/
https://www.utdanningsforbundet.no/
https://www.bondelaget.no/
Esther Haukeland, Innføring til plantefarging. Cappellen, 1982.
Animalia: Norwegian wool Standard. https://www.animalia.no/no/Dyr/ull-og-ullklassifisering/norsk-ullstandard/ 
Beder, Nicolina J., Seyður Ull Tøting. SPF. Sprotin, 2010.
Flååt, Inger. Votter i Namdalen. Nauma Husflidslag, 2010.
Grimstad, Ingun K. and Sårdal, Tone t. Norsk Strikkehistorie. Vormedal Forlag. 2018.
Grimstad, Ingun K. and Sårdal, Tone T. Ren ull. Aschehoug, 2013.
Hrútaskrá. https://www.rml.is/is/kynbotastarf/saudfjarraekt/hrutaskra
Joensen, Robert. Seyðabókin. SPF. Sprotin, 2015.
Johnston, Elizabeth and Juuhl, Marta K. The warp-weighted loom. Kljásteinavefstadurinn: kljásteinar klingja. Oppstadveven: klingande steinar. Skald, 2016.
Kjellmo, Ellen. Båtrya i gammel og nyt tid. Orkana, 1996.
Sundbø, Annemor. Usynlege Trådar i Strikkekunsten. Samlaget, 2006.
https://www.norskebilledkunstnere.no/</dc:references>
<dc:extent>26cm x 12cm x cm</dc:extent>
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<item_type_metadata:craft>fibre and textile crafts</item_type_metadata:craft>
<item_type_metadata:tool>Industrial washing machine, industrial comb, and spinning machine. Hand dyed with traditional techniques.</item_type_metadata:tool>
<item_type_metadata:prim media>835</item_type_metadata:prim media>
<item_type_metadata:material>Hvitsau sheep wool, cochineal (Tanacetum vulgare)</item_type_metadata:material>
<item_type_metadata:place>Stamsund, Lofoten, Norway</item_type_metadata:place>
<item_type_metadata:external id>MN_AR_02</item_type_metadata:external id>
<item_type_metadata:natural cultural>Cultural</item_type_metadata:natural cultural>
<item_type_metadata:function>For making textile objects by knitting, crochet, needle binding or other techniques</item_type_metadata:function>
<item_type_metadata:creation purpose>For sale</item_type_metadata:creation purpose>
<item_type_metadata:technique>Spinning, industrial spinning. The wool is sorted out from the sheep of the local farmers, selecting the kinds of wool according the desired textiles that the yarn will be more adecuated for. Then is sent to the wool mill to clean it, comb it and spinn it, after which it returns to Stamsund, to the Lofoten wool headquarters. There, the yarn is died and made into skeins, tagged and prepared for selling. </item_type_metadata:technique>
<item_type_metadata:material source>Lofoten islands</item_type_metadata:material source>
<item_type_metadata:conecept>The use of local wool from old sheep breeds that are adapted to the climate and landscape as a way of preserving animals that pre-date industrialized production, makes customers feel more connected with the culture and the land. Both the tourists who look for an exclusive, locally made and usable souvenir, and the people who buy the yarn to craft their clothes look for the feeling of doing something good for the planet and the local economy. The branding of the wool also refers to elements of cultural interest in the area using suggestive names and photographs. In this case, the name of the yarn refers to the local heather that grows in abundance on the Norwegian Coasts. The European species of the Cochineal has been used for coloring wool yarn for centuries, as far back as the Viking Age (800-1150 AD).</item_type_metadata:conecept>
<item_type_metadata:production quality>Small production</item_type_metadata:production quality>
<item_type_metadata:field worker>Rebeca Franco Valle</item_type_metadata:field worker>
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