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<dc:title>Norwegian knit sweater &amp;quot;Field Crop&amp;quot;</dc:title>
<dc:description>Sweater made out of local wool, using raw color yarn, and plant-dyed yarns.</dc:description>
<dc:creator>756</dc:creator>
<dc:date>2024</dc:date>
<dc:contributor>iain</dc:contributor>
<dc:language>Norwegian</dc:language>
<dc:type>Physical Object</dc:type>
<dc:identifier>526</dc:identifier>
<dc:alternative title>Norsk strikkegenser &quot;Markens Grøde&quot;</dc:alternative title>
<dc:date submitted>02/07/2025</dc:date submitted>
<dc:date modified>05/08/2025</dc:date modified>
<dc:references>https://lofoten-wool.no/en https://www.nibio.no/prosjekter/amazing-grazing-baerekraftig-kjott-og-ull-fra-sau-som-beiter-i-norsk-utmark?locationfilter=true https://www.smabrukarlaget.no/aktuelt/bonde-og-smaabruker/, https://www.norskekunsthandverkere.no/kunstnerregister/ragnhild-lie https://husflid.no/ https://www.utdanningsforbundet.no/ https://www.bondelaget.no/ Esther Haukeland, Innføring til plantefarging. Cappellen, 1982. Animalia: Norwegian wool Standard. https://www.animalia.no/no/Dyr/ull-og-ullklassifisering/norsk-ullstandard/ Beder, Nicolina J., Seyður Ull Tøting. SPF. Sprotin, 2010. Flååt, Inger. Votter i Namdalen. Nauma Husflidslag, 2010. Grimstad, Ingun K. and Sårdal, Tone t. Norsk Strikkehistorie. Vormedal Forlag. 2018. Grimstad, Ingun K. and Sårdal, Tone T. Ren ull. Aschehoug, 2013. Hrútaskrá. https://www.rml.is/is/kynbotastarf/saudfjarraekt/hrutaskra Joensen, Robert. Seyðabókin. SPF. Sprotin, 2015. Johnston, Elizabeth and Juuhl, Marta K. The warp-weighted loom. Kljásteinavefstadurinn: kljásteinar klingja. Oppstadveven: klingande steinar. Skald, 2016. Kjellmo, Ellen. Båtrya i gammel og nyt tid. Orkana, 1996. Sundbø, Annemor. Usynlege Trådar i Strikkekunsten. Samlaget, 2006. https://www.norskebilledkunstnere.no/</dc:references>
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<item_type_metadata:craft>fibre and textile crafts</item_type_metadata:craft>
<item_type_metadata:tool>Cable needles, and double-pointed needles.</item_type_metadata:tool>
<item_type_metadata:prim media>838</item_type_metadata:prim media>
<item_type_metadata:material>Lofoten Hvitsau wool</item_type_metadata:material>
<item_type_metadata:place>Stamsund, Lofoten, Norway</item_type_metadata:place>
<item_type_metadata:external id>MN_AR_03</item_type_metadata:external id>
<item_type_metadata:natural cultural>Cultural</item_type_metadata:natural cultural>
<item_type_metadata:function>Wearable, clothing</item_type_metadata:function>
<item_type_metadata:creation purpose>For sale</item_type_metadata:creation purpose>
<item_type_metadata:technique>Hand-knitting, stockinette for the main body and rib stitch for the cuffs and neckline. Traditional patterns, but in a new twist. Pattern from the Faroe Island (Farøeværing) . Islender Johannes . Rettstrikk or glattstrikk, branbørd, bolen (belly) ett ermea (arms). Barestikke (yoke) rundtbarestikke came in the 50's. The other sweater raglan with trapezoidal stitches.</item_type_metadata:technique>
<item_type_metadata:material source>Vestvågøy, Nordland</item_type_metadata:material source>
<item_type_metadata:conecept>The use of local wool from old sheep breeds that are adapted to the climate and landscape as a way of preserving animals that pre-date industrialized production, makes customers feel more connected with the culture and the land. Both the tourists who look for an exclusive, locally made souvenir, and the people who buy the yarn to craft their clothes look for the feeling of doing something good for the planet and the local economy. The branding names of the wool also refer to the evocating cultural and natural elements of the region.</item_type_metadata:conecept>
<item_type_metadata:production quality>Made by customer request / bespoken</item_type_metadata:production quality>
<item_type_metadata:field worker>Rebeca Franco Valle</item_type_metadata:field worker>
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