Triple Curvature, Textile Necklace
Dublin Core
Title
Triple Curvature, Textile Necklace
Description
Textile necklace in several strands and in various colours of green and blue.
Creator
705
Source
craftedobjects
Date
2023
Contributor
iain
Language
Swedish
Type
Physical Object
Identifier
455
Alternative Title
Trippel Kurvatur, textilt halssmycke
Date Submitted
02/07/2025
References
Konsten att väva. En praktisk handbok. Av Åsa Pärson och Amica Sundström. ISBN: 9978-91-7887-085-1
Handbok i vävning. Bindningslära med konstvävnader. Av Ulla Cyrus- Zetterström. ISBN: 91-36-00445-6
Tapestry with pulled warp. INspiration, Technique and the Creative Process. Av Susan Iversen. ISBN: 987-0-7643-5933
A handweavers patterns book. Av Marguerite Proter Davison
Extent
56cm x 23cm x cm
Spatial Coverage
current,59.6574488,12.890542;
Europeana
Europeana Type
TEXT
Physical Object Item Type Metadata
Wiki
https://culturality.museum/wiki/index.php/Triple_Curvature,_Textile_Necklace
Material
100% linen, necklace lock with magnet of nickel and stainless metal
Natural Cultural
Cultural
Craft
fibre and textile crafts
Tool
Smaller counterbalance loom: "Lill-Jonas" from "GP Snickerier", Motala Sweden. wind a warp, spool rack, lease sticks, warping trapeze, metal reed (40:10), sleying hook, scissors, measuring tape, needle, wax, textile glue, cardboard
Place
Brunskog, Arvika, Sweden
Material Source
Linen yarn: Garnhuset i Kinna, garnhusetkinna.se Holma Hälsningland Garner holma,se , Klässbols Linneväveri klassbols.se, Kasthall kastall.com, Kalinka Lingarn , Järbo lingarn SWE jarbo.se. Also left over yarn from previous projects and local weaving association. Lock for necklace from overseas.
Technique
Handwoven necklace in own design in tabby and weft-faced rep. The shape was made from the technique "pulled warp"
Function
Necklace for everyday use and for festive occations.
Creation Purpose
Sample model for exhibition and own usage
Production Quality
Unique, one of a kind as of october 2024
Conecept
The keeping of local crafts traditions, traditional patterns and techniques. The goal is to continue and transfer the traditional expression and give these artefacts a place in the contemporary interior and design context. Development of the woven craft towards jewellery as a personal expression. Applied arts and interior artefacts are made with care and thought about material, sustainability and care towards the environment. Practical sustainability lies in the use of something that can be used in generations.
External ID
RV_AR_14
Citation
705, “Triple Curvature, Textile Necklace,” VERAP, accessed July 5, 2025, https://culturality.museum/omeka/items/show/784.
Embed
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