<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://culturality.museum/omeka/items/show/632">
    <dcterms:title><![CDATA[Felted Sweater]]></dcterms:title>
    <dcterms:description><![CDATA[Image of felted sweated created by Anja Musek of Atelje Amuse from Škofja Loka, Gorenjska, Slovenia.]]></dcterms:description>
    <dcterms:date><![CDATA[13/2/2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,46.166885853818485,14.307178375143756;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/630">
    <dcterms:title><![CDATA[Felted jacket]]></dcterms:title>
    <dcterms:description><![CDATA[3D model of a felted jacket created by Anja Musek from Atelje Amuse in Škofja Loka, Gorenjska, Slovenia.]]></dcterms:description>
    <dcterms:source><![CDATA[slovenia,sloveniaobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[text/plain Alias/WaveFront Object]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,46.16631355821959,14.307227555703253;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/628">
    <dcterms:title><![CDATA[Felted jacket]]></dcterms:title>
    <dcterms:description><![CDATA[Image of a felted jacket made by Anja Musek from Škofja Loka, Gorenjska, Slovenia. .]]></dcterms:description>
    <dcterms:date><![CDATA[13/2/2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,46.16631590130656,14.30722304478371;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/627">
    <dcterms:title><![CDATA[UAveiro Masters&rsquo; students visit in 2024: Learning to weave with linen]]></dcterms:title>
    <dcterms:description><![CDATA[UAveiro Masters’ students visit in 2024: Learning to weave with linen.]]></dcterms:description>
    <dcterms:date><![CDATA[2024:03:22 16:42:40]]></dcterms:date>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.65796247357286,-7.913503646850587;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/626">
    <dcterms:title><![CDATA[UA.LABDESIGN 2023: Learning to scutch the linen]]></dcterms:title>
    <dcterms:description><![CDATA[UA.LABDESIGN 2023: Learning to scutch the linen]]></dcterms:description>
    <dcterms:date><![CDATA[2023:07:17 17:16:05]]></dcterms:date>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.63864168914507,-7.908782958984376;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/625">
    <dcterms:title><![CDATA[Chapel of Bezerreira and the peaks of the Caramulo Mountain Range]]></dcterms:title>
    <dcterms:description><![CDATA[Chapel of Bezerreira and the peaks of the Caramulo Mountain Range]]></dcterms:description>
    <dcterms:date><![CDATA[2023:08:10 20:41:20]]></dcterms:date>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/623">
    <dcterms:title><![CDATA[Horn container]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cuerna]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[A large horn container featuring a wide range of decorative motifs and notable inscriptions. Garlands, plants, and flowers are accompanied by animals and hybrid creatures. One inscription indicates ownership: “I belong to Juan Rodríguez” (“Soy de Juan Rodríguez”), while another reflects on the creation of the object: “I cannot do it better / because my sight is failing / and I also lack / both study and the help of grace” (“No puedo acerlo [sic] mejor / porque la vista me falta / también faltan falta [sic] los / estudios y la yuda [sic] de gracia”).]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1875/1900]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[15/05/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[37cm x 26cm x 14cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[370]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/622">
    <dcterms:title><![CDATA[57_Cuerna_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/621">
    <dcterms:title><![CDATA[Horn container]]></dcterms:title>
    <dcterms:description><![CDATA[A large horn container featuring a wide range of decorative motifs and notable inscriptions. Garlands, plants, and flowers are accompanied by animals and hybrid creatures. One inscription indicates ownership: “I belong to Juan Rodríguez” (“Soy de Juan Rodríguez”), while another reflects on the creation of the object:“I cannot do it better / because my sight is failing / and I also lack / both study and the help of grace” (“No puedo acerlo [sic] mejor / porque la vista me falta / también faltan falta [sic] los / estudios y la yuda [sic] de gracia”).]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[72913f9e2701443b83a695c1f14594e7]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/620">
    <dcterms:title><![CDATA[Castanet]]></dcterms:title>
    <dcterms:alternative><![CDATA[Castañuela]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,Music,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Castanet used for musical accompaniment. The body is entirely decorated with geometric motifs, with a prominent eight-petal rosette featured at the center. A carved inscription shows the date “VIII-XXXIIII” (August 1934). This piece comes from Cangas del Narcea and displays the typical characteristics of the area: large size and rich ornamentation.]]></dcterms:description>
    <dcterms:date><![CDATA[1934]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[13/05/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[4,2cm x 16,1cm x 13,4cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[369]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.17909168948726,, -6.547336638230115;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/619">
    <dcterms:title><![CDATA[54_Castanet_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/618">
    <dcterms:title><![CDATA[Castanet]]></dcterms:title>
    <dcterms:description><![CDATA[Castanet used for musical accompaniment. The body is entirely decorated with geometric motifs, with a prominent eight-petal rosette featured at the center. A carved inscription shows the date “VIII-XXXIIII” (August 1934). This piece comes from Cangas del Narcea and displays the typical characteristics of the area: large size and rich ornamentation.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[c1b8829f2cd74bdeaa735c17d5799072]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.17503703174155,, -6.546673165893869;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/614">
    <dcterms:title><![CDATA[Animal collar]]></dcterms:title>
    <dcterms:alternative><![CDATA[Collera]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Wooden collar with riveted iron reinforcements at both ends, connected by an iron piece designed to hold a bell. The wood is decorated with carved six-petal flowers distributed around the entire piece.]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1900/20]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[08/05/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[30cm x 15cm x 5cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[366]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/613">
    <dcterms:title><![CDATA[45_Collar_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/612">
    <dcterms:title><![CDATA[Animal collar]]></dcterms:title>
    <dcterms:description><![CDATA[Wooden collar with riveted iron reinforcements at both ends, connected by an iron piece designed to hold a bell. The wood is decorated with carved six-petal flowers distributed around the entire piece.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[aaea4ca99d9b4fa88661c0ee02ffd985]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/611">
    <dcterms:title><![CDATA[46_Stirrups_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/610">
    <dcterms:title><![CDATA[Stirrups]]></dcterms:title>
    <dcterms:description><![CDATA[Wooden stirrups reinforced with wrought iron, which is shaped into stylized vegetal forms on the front side of the object.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[0c1f67b8bc354b3d9ed243d71e7a3129]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/609">
    <dcterms:title><![CDATA[Stirrups]]></dcterms:title>
    <dcterms:alternative><![CDATA[Estribos]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Wooden stirrups reinforced with wrought iron, which is shaped into stylized vegetal forms on the front side of the object.]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1865/1900]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[07/05/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[07/05/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[20cm x 30cm x 17cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[365]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/608">
    <dcterms:title><![CDATA[Animal collar]]></dcterms:title>
    <dcterms:alternative><![CDATA[Collera]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Wooden collar for livestock, featuring a brass plate nailed to the surface and decorated with stamped motifs. The initials “M. A.” likely indicate the owner of the animal, and the rest of the carved decorations include vegetal patterns and circles. An iron piece connects both ends of the collar, which originally held a bell.]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1940/1950]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/05/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[34cm x 19cm x 7cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[364]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/607">
    <dcterms:title><![CDATA[44_Collar_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/606">
    <dcterms:title><![CDATA[Animal collar]]></dcterms:title>
    <dcterms:description><![CDATA[Wooden collar for livestock, featuring a brass plate nailed to the surface and decorated with stamped motifs. The initials “M. A.” likely indicate the owner of the animal, and the rest of the carved decorations include vegetal patterns and circles. An iron piece connects both ends of the collar, which originally held a bell.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[8c8110a6236b45adac578ffce48925fd]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/605">
    <dcterms:title><![CDATA[Basket bag]]></dcterms:title>
    <dcterms:alternative><![CDATA[Bolso]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Basket with a cubic shape and a lid attached with two hinges. A semicircular handle allows for comfortable transport. This type of basketry from Forcinas comes from one of the most important workshops, which employed over eighty artisans during the second half of the twentieth century, known for its high quality, design, and attention to trends]]></dcterms:description>
    <dcterms:creator><![CDATA[648]]></dcterms:creator>
    <dcterms:date><![CDATA[ca. 1960/1990]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/05/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[10/06/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[21cm x 24cm x 23cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[363]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.47931293883955,-6.108989116308012;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/604">
    <dcterms:title><![CDATA[42_Cesta_Report]]></dcterms:title>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/603">
    <dcterms:title><![CDATA[Basket bag]]></dcterms:title>
    <dcterms:description><![CDATA[Basket with a cubic shape and a lid attached with two hinges. A semicircular handle allows for comfortable transport. This type of basketry from Forcinas comes from one of the most important workshops, which employed over eighty artisans during the second half of the twentieth century, known for its high quality, design, and attention to trends]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[f5d56bfebceb40f5a01e74a52e0970df]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.47933134194361, ,-6.109141580203449;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/602">
    <dcterms:title><![CDATA[Horn Container]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cuerna]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[A carved horn with a wooden base. Used as a gaxapu, its surface is decorated with various motifs. A man riding a horse, vegetals, and flowers are part of the decorative program, which concludes with two animals: a peacock and a snake. The latter takes the shape of an "S" to begin the inscription "Soy de Jose Cavallin" ("I belong to Jose Cavallin").]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1885/1900]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/05/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[17cm x 10cm x 7cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[362]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/601">
    <dcterms:title><![CDATA[41_Cuerna_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/600">
    <dcterms:title><![CDATA[Horn container]]></dcterms:title>
    <dcterms:description><![CDATA[A carved horn with a wooden base. Used as a gaxapu, its surface is decorated with various motifs. A man riding a horse, vegetals, and flowers are part of the decorative program, which concludes with two animals: a peacock and a snake. The latter takes the shape of an "S" to begin the inscription "Soy de Jose Cavallin" ("I belong to Jose Cavallin").]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[ba725a6095204996951b9e5a9e52d35e]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/599">
    <dcterms:title><![CDATA[Horn container]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cuerna]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Horn container with an iron handle. The front side features a scene of a man with a scythe, surrounded by garlands and vegetal motifs. The inscription “I belong to Manuel Jesús Calvo” (“Soy de Manuel Jesús Calvo”) indicates the ownership of the object.]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1875/1880]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/05/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[20cm x 12cm x 8cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[361]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/598">
    <dcterms:title><![CDATA[40_Cuerna_Report]]></dcterms:title>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/597">
    <dcterms:title><![CDATA[Horn container]]></dcterms:title>
    <dcterms:description><![CDATA[Horn container with an iron handle. The front side features a scene of a man with a scythe, surrounded by garlands and vegetal motifs. The inscription “I belong to Manuel Jesús Calvo” (“Soy de Manuel Jesús Calvo”) indicates the ownership of the object.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[f748092136ce48bdb5dc4ac68bbe7a56]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/596">
    <dcterms:title><![CDATA[Horn container]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cuerna]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Horn container with an iron handle and the inscription “I belong to Benjamín Cabeza” (“Soy de Benjamín Cabeza”). Used as a gaxapu, this object features various geometric and vegetal motifs, such as garlands, palmettes, a circle, and a heart.]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1875/1890]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/05/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[20cm x 12cm x 9cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[360]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/595">
    <dcterms:title><![CDATA[39_Cuerna_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/594">
    <dcterms:title><![CDATA[Horn container]]></dcterms:title>
    <dcterms:description><![CDATA[Horn container with an iron handle and the inscription “I belong to Benjamín Cabeza” (“Soy de Benjamín Cabeza”). Used as a gaxapu, this object features various geometric and vegetal motifs, such as garlands, palmettes, a circle, and a heart.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[c013bdd64a034affaec9d05c4cbdafe6]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/593">
    <dcterms:title><![CDATA[Wooden container]]></dcterms:title>
    <dcterms:alternative><![CDATA[Gaxapu]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Chestnut wood gaxapu with a body that has a semicircular base. The front side features floral and geometric motifs and retains traces of red and blue polychromy. On the back, a handle allows the object to be attached to a belt.]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1925/1950]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/05/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[24cm x 7cm x 8,3cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[359]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.390477401348235,-5.6686668561143945;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/592">
    <dcterms:title><![CDATA[30_Gaxapu_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/589">
    <dcterms:title><![CDATA[30_Gaxapu_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/588">
    <dcterms:title><![CDATA[Wooden container]]></dcterms:title>
    <dcterms:description><![CDATA[Chestnut wood gaxapu with a body that has a semicircular base. The front side features floral and geometric motifs and retains traces of red and blue polychromy. On the back, a handle allows the object to be attached to a belt.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[0c6980b8dbbe42558af36f78360eeafe]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.393123617422184,-5.66946029663086;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/587">
    <dcterms:title><![CDATA[Stirrups]]></dcterms:title>
    <dcterms:alternative><![CDATA[Estribos]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Wooden stirrups featuring geometric and vegetal motifs carved on their various sides. A handle at the top is also decorated.]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1900/20]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[01/05/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[14cm x 20cm x 14cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[357]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/586">
    <dcterms:title><![CDATA[38_Stirrups_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/585">
    <dcterms:title><![CDATA[Stirrups]]></dcterms:title>
    <dcterms:description><![CDATA[Wooden stirrups featuring geometric and vegetal motifs carved on their various sides. A handle at the top is also decorated.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[10f9243ec54d4d27a608f855f1ba1b13]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/584">
    <dcterms:title><![CDATA[Wooden container]]></dcterms:title>
    <dcterms:alternative><![CDATA[Gaxapu]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Chestnut wood gaxapu with a prismatic body that narrows toward the base. The three front faces are carved with geometric and vegetal motifs, highlighting a central rosette and the initials “M. A.” A handle allows it to be attached to a belt, keeping the sharpening stone submerged in water and ready for use with the scythe.]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1925/1950]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[30/04/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[25cm x 8,8cm x 7,5cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[356]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.24844165220961,, -6.427881691050573;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/583">
    <dcterms:title><![CDATA[37_Gaxapu_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/582">
    <dcterms:title><![CDATA[Chestnut wood gaxapu]]></dcterms:title>
    <dcterms:description><![CDATA[Chestnut wood gaxapu with a prismatic body that narrows toward the base. The three front faces are carved with geometric and vegetal motifs, highlighting a central rosette and the initials “M. A.” A handle allows it to be attached to a belt, keeping the sharpening stone submerged in water and ready for use with the scythe.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.24911321099368,-6.427881691050573;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/581">
    <dcterms:title><![CDATA[Wooden container]]></dcterms:title>
    <dcterms:alternative><![CDATA[Gaxapu]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Wooden container with a prismatic shape—semicircular at the base and square at the mouth—used to hold water in which the sharpening stone is kept. A handle on the back allows it to be attached to a belt. The front features geometric motifs with various patterns, highlighting the inscription “A. A.”]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1901/1933]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[30/04/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[23cm x 6,7cm x 6,5cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[355]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/580">
    <dcterms:title><![CDATA[29_Gaxapu_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/579">
    <dcterms:title><![CDATA[Wooden container]]></dcterms:title>
    <dcterms:description><![CDATA[Wooden container with a prismatic shape—semicircular at the base and square at the mouth—used to hold water in which the sharpening stone is kept. A handle on the back allows it to be attached to a belt. The front features geometric motifs with various patterns, highlighting the inscription “A. A.”]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[8b0aaed765d441bca278f81b87bd0524]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/578">
    <dcterms:title><![CDATA[36_Gaxapu_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/577">
    <dcterms:title><![CDATA[Wooden container]]></dcterms:title>
    <dcterms:description><![CDATA[Wooden gaxapu with a prismatic body and a semicircular base. On the back, a handle allows it to be attached to a belt, holding the sharpening stone for the scythe. On the front, two horseshoes with a nail between them appear at the top, while a large rosette is carved in the center. The lower part features various carved geometric motifs and surface textures.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[c1340ead5db44648bede9d36faf2b6ad]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.31105608586045, ,-5.558235681663994;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/576">
    <dcterms:title><![CDATA[Wooden container]]></dcterms:title>
    <dcterms:alternative><![CDATA[Gaxapu]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Wooden gaxapu with a prismatic body and a semicircular base. On the back, a handle allows it to be attached to a belt, holding the sharpening stone for the scythe. On the front, two horseshoes with a nail between them appear at the top, while a large rosette is carved in the center. The lower part features various carved geometric motifs and surface textures.]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1940]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[29/04/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[29/04/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[23cm x 8,5cm x 7,8cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[354]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.311085256732035 ,-5.558339999400979;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/575">
    <dcterms:title><![CDATA[Stamp]]></dcterms:title>
    <dcterms:alternative><![CDATA[Marco]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Small circular wooden stamp used to mark Casín cheese. A handle allows it to be held and used to stamp the carved geometric solar disc on its surface.]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1910/1920]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[29/04/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[4cm x 8,5cm x 8,1cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[353]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.20731872247282, ,-5.39944447236579-5.39944447236579;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/574">
    <dcterms:title><![CDATA[28_Marco_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/573">
    <dcterms:title><![CDATA[Stamp]]></dcterms:title>
    <dcterms:description><![CDATA[Small circular wooden stamp used to mark Casín cheese. A handle allows it to be held and used to stamp the carved geometric solar disc on its surface.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[a2f6fd89454641278e61655831ae3b93]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.206114248588044,-5.400166511535645;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/572">
    <dcterms:title><![CDATA[Wooden container]]></dcterms:title>
    <dcterms:alternative><![CDATA[Gaxapu]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Gaxapu used to keep the sharpening stone in water for the scythe. This wooden container has a prismatic body supported by four small feet. A handle allows it to be attached to a belt, and geometric motifs surround the initials “V. V.” on the front of the object.]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1940]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[29/04/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[23,5cm x 7,7cm x 7,2cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[352]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.15756360763985,, -5.97445001885254;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/571">
    <dcterms:title><![CDATA[35_WoodenContainer_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/570">
    <dcterms:title><![CDATA[Wooden container]]></dcterms:title>
    <dcterms:description><![CDATA[Gaxapu used to keep the sharpening stone in water for the scythe. This wooden container has a prismatic body supported by four small feet. A handle allows it to be attached to a belt, and geometric motifs surround the initials “V. V.” on the front of the object.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[d4e4509d14104ebe96032c5c94adc99b]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.15760973366247,-5.973730087280273;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/569">
    <dcterms:title><![CDATA[Horn container]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cuerna]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Horn container with an iron handle and a wooden base, traditionally used for milking in mountainous areas. It features inscriptions on both sides: “I belong to Jose” (“Soy de Jose”) and “Enrique Mart.,” accompanied by garlands and vegetal motifs. Two fish appear below the first inscription, and a carved clock stopped at a quarter to twelve completes the decorative programme.]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1875/1900]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[29/04/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[23cm x 16cm x 10cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[351]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/568">
    <dcterms:title><![CDATA[34_HornContainer_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/567">
    <dcterms:title><![CDATA[Horn Container]]></dcterms:title>
    <dcterms:description><![CDATA[Horn container with an iron handle and a wooden base, traditionally used for milking in mountainous areas. It features inscriptions on both sides: “I belong to Jose” (“Soy de Jose”) and “Enrique Mart.,” accompanied by garlands and vegetal motifs. Two fish appear below the first inscription, and a carved clock stopped at a quarter to twelve completes the decorative program.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[0f4070f2fa694b11b2e8cf17ac8deeab]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/565">
    <dcterms:title><![CDATA[Horn container]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cuerna]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Horn container decorated with an inscription framed by garlands and other vegetal motifs. A carved inscription reads: "Hunting place of His Excellency, the Marquess of Rodriga, Caleao, 16 11 21" ("Coto de caza de El Exmo. Sr. Marqués de la Rodriga Caleao 16 11 21"). The inscription is accompanied by a hunting scene featuring a man riding a horse with a rifle, a chamois, and a dog.]]></dcterms:description>
    <dcterms:date><![CDATA[1921]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[28/04/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[18cm x 11cm x 10cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[349]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.15529321113028,-5.411960135906423;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/564">
    <dcterms:title><![CDATA[33_Cuerna_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/563">
    <dcterms:title><![CDATA[Horn container]]></dcterms:title>
    <dcterms:description><![CDATA[Horn container decorated with an inscription framed by garlands and other vegetal motifs. A carved inscription reads: "Hunting place of His Excellency, the Marquess of Rodriga, Caleao, 16 11 21" ("Coto de caza de El Exmo. Sr. Marqués de la Rodriga, Caleao 16 11 21"). The inscription is accompanied by a hunting scene featuring a man riding a horse with a rifle, a chamois, and a dog.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[3a825cf14c1a4dba84823ec5cbc3d54f]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.15548997424733, ,-5.4120976453084415;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/560">
    <dcterms:title><![CDATA[32_Cuerna_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/559">
    <dcterms:title><![CDATA[Horn container]]></dcterms:title>
    <dcterms:description><![CDATA[Horn container, used as a gaxapu due to its wooden base, featuring a handle for attaching it to a belt. Garlands and flowers decorate the piece, alongside a scene showing a woman with a rake and a man holding a scythe. The inscription, partially erased, indicates the ownership of the object: “I belong to Juan ¿Gil?” (“Soy de Juan ¿Gil?”).]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[31ffe7dfa6154a45816d0b204d6ab8e9]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/558">
    <dcterms:title><![CDATA[Horn container]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cuerna]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Horn container, used as a "gaxapu" due to its wooden base, featuring a handle for attaching it to a belt. Garlands and flowers decorate the piece, alongside a scene showing a woman with a rake and a man holding a scythe. The inscription, partially erased, indicates the ownership of the object: “I belong to Juan ¿Gil?” (“Soy de Juan ¿Gil?”).]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1875/1910]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[23/04/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[23/04/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[16,5cm x 11cm x 7,3cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[347]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/557">
    <dcterms:title><![CDATA[Horn container]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cuerna]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Horn container, used as a "gaxapu" due to its wooden base, featuring a handle for attaching it to a belt. Garlands and flowers decorate the piece, alongside a scene showing a woman with a rake and a man holding a scythe. The inscription, partially erased, indicates the ownership of the object: “I belong to Juan ¿Gil?” (“Soy de Juan ¿Gil?”).]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1875/1910]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[23/04/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[346]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/556">
    <dcterms:title><![CDATA[Horn Container]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cuerna]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Horn container with a wooden base, featuring a wide range of decorative motifs. Garlands, plants, and other geometric patterns accompany a herding scene with a shepherd, his dog, and a cart pulled by a cow. An inscription indicates the ownership of the piece: “I belong to Jose Cavallin” (“Soy de Jose Cavallin”).]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1900/10]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[23/04/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[16cm x 9,7cm x 8,6cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[345]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/555">
    <dcterms:title><![CDATA[31_Cuerna_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/552">
    <dcterms:title><![CDATA[31_Cuerna_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/551">
    <dcterms:title><![CDATA[Horn Container]]></dcterms:title>
    <dcterms:description><![CDATA[Horn container with a wooden base, featuring a wide range of decorative motifs. Garlands, plants, and other geometric patterns accompany a herding scene with a shepherd, his dog, a cow, and a cart pulled by a heart-shaped figure. An inscription indicates the ownership of the piece: “I belong to Jose Cavallin” (“Soy de Jose Cavallin”).]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[dacd2522b0ba4329b0000f022e722eb1]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/550">
    <dcterms:title><![CDATA[Stamp]]></dcterms:title>
    <dcterms:alternative><![CDATA[Marco]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Carved circular wooden stamp for Casín cheese, featuring a handle. The inscription "Berginia Prao." surrounds a geometric sun positioned at the center of the composition. Additional geometric motifs encircle the inscription, completing the decoration of the stamp]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1930 / 1940]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[23/04/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[23/04/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[6cm x 12cm x 11cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[343]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.20370228555462,-5.389736565017222;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/549">
    <dcterms:title><![CDATA[7_Stamp_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/548">
    <dcterms:title><![CDATA[Stamp]]></dcterms:title>
    <dcterms:description><![CDATA[Carved circular wooden stamp for Casín cheese, featuring a handle. The inscription "Berginia Prao." surrounds a geometric sun positioned at the center of the composition. Additional geometric motifs encircle the inscription, completing the decoration of the stamp]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[a42e9ce65718450497f0fdbb86336d49]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.20348660442605,-5.389888286590577;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/547">
    <dcterms:title><![CDATA[Viseu D&atilde;o-Laf&otilde;es]]></dcterms:title>
    <dcterms:description><![CDATA[The Viseu, Dão e Lafões Region (VDLR), in central Portugal, is a richly textured cultural landscape shaped by centuries of human settlement, agricultural practice, and artisanal tradition. Comprising fourteen municipalities across 3,483 km², this predominantly rural region is marked by the interplay between its natural environment and the diverse cultural expressions that continue to define local identity. 

Mountain ranges such as Caramulo, Arada, and Montemuro frame a landscape of terraced fields, dense forests, and river valleys shaped by the Dão, Vouga, and Paiva rivers. These features have not only influenced settlement and mobility but have also fostered distinctive architectural and material traditions, including granite farmhouses, schist villages, and intricate dry-stone walls. The territory’s environmental diversity supports a deep cultural continuity, where traditional knowledge and adaptive practices remain integral to community life. 

The region's historical depth is visible in its wealth of archaeological and built heritage—from megalithic monuments and Roman thermal baths to medieval sanctuaries and pilgrimage routes. This rich patrimony is preserved and interpreted through local museums, community associations, and cultural centres that actively engage with both residents and visitors. 

Craftsmanship occupies a vital role in this cultural context. Rich archaeological sites, historic thermal baths, and a strong legacy of crafts, such as black clay pottery from Molelos, linen weaving in the Dão Valley, and chestnut wood basketry in São Pedro do Sul, testify to a long-standing relationship between people and place. These practices are not merely remnants of the past but continue to evolve through cooperative networks, educational programmes, and intergenerational transmission. Blacksmithing, wood carving, and embroidery further complement this artisanal landscape, offering both cultural depth and economic potential.

Annual festivals, ethnographic museums, and local gastronomy further showcase a cultural identity that is both living and evolving. Events such as the Feira de São Mateus in Viseu or the Rota do Linho celebrate rural heritage, music, and seasonal rhythms, while culinary traditions, including Dão wines, “chanfana” goat stew, and artisanal cheeses, connect the region’s agricultural base with its expressive culture. Whether through pilgrim paths, wine routes, or community-led heritage initiatives, the Viseu Dão-Lafões Region offers an immersive cultural experience rooted in authenticity, creativity, and ecological sensibility. It is a territory where historical memory, landscape, and human expression intersect and sustain a vibrant sense of place while embracing new forms of cultural reinvention.
]]></dcterms:description>
    <dcterms:language><![CDATA[Portuguese]]></dcterms:language>
    <dcterms:type><![CDATA[Landscape]]></dcterms:type>
    <dcterms:identifier><![CDATA[342]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.5214805,-8.0841874;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/546">
    <dcterms:title><![CDATA[Stamp]]></dcterms:title>
    <dcterms:alternative><![CDATA[Marco]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Carved wooden stamp made to mark Casín cheese. This piece features the name of the producer: "Dorotea" on one side and the surname "Alonso" on the opposite. The name is accompanied by decorative motifs on the remaining sides, including geometric symbols and a rosette.]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1940]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[22/04/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[16cm x 4cm x 8cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[341]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.182928000066944,-5.3450536940955145;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/545">
    <dcterms:title><![CDATA[26_Marco_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/544">
    <dcterms:title><![CDATA[Stamp]]></dcterms:title>
    <dcterms:description><![CDATA[Carved wooden stamp made to mark Casín cheese. This piece features the name of the producer: "Dorotea" on one side and the surname "Alonso" on the opposite. The name is accompanied by decorative motifs on the remaining sides, including geometric symbols and a rosette.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[6fd336e779104f42b8a41ef8b9c2d0c8]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.18139740772211,-5.346050262451173;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/543">
    <dcterms:title><![CDATA[Stamp]]></dcterms:title>
    <dcterms:alternative><![CDATA[Marco]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Carved wooden object used to stamp the name of the cheesemaker. One side displays the surname "González," while the opposite side features the letters "R." and "M.," along with a heart and geometric motifs as decoration. This piece was specifically made to mark Casín cheese, a traditional product from the Caso region from Asturias.]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1910/940]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[22/04/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[16cm x 3.6cm x 3,4cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[340]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.15583,-5.412292;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/542">
    <dcterms:title><![CDATA[25_Marco_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/541">
    <dcterms:title><![CDATA[Stamp]]></dcterms:title>
    <dcterms:description><![CDATA[Carved wooden object used to stamp the name of the cheesemaker. One side displays the surname "González," while the opposite side features the letters "R." and "M.," along with a heart and geometric motifs as decoration. This piece was specifically made to mark Casín cheese, a traditional product from the Caso region from Asturias.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[a1de15e28ee84bf1ac609f9e50c1e5e4]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.155480911291896,-5.412204265594483;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/540">
    <dcterms:title><![CDATA[Lunchbox]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cimbreira]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Wooden lunchbox with a lid, used for transporting food. The lid fits perfectly onto the box and is decorated with carved lines. Two arrows, one on the lid and one on the body, indicate how to align them properly to close it and keep the contents secure.]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1900]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[21/04/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[9cm x 14cm x 14cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[339]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.534695959627165,-6.287532448768617;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/539">
    <dcterms:title><![CDATA[22_Lunchbox_Report]]></dcterms:title>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/538">
    <dcterms:title><![CDATA[Lunchbox]]></dcterms:title>
    <dcterms:description><![CDATA[Wooden lunchbox with a lid, used for transporting food. The lid fits perfectly onto the box and is decorated with carved lines. Two arrows, one on the lid and one on the body, indicate how to align them properly to close it and keep the contents secure.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[40f2e91b03ed41928b2ea8c2db79898b]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.534238274198984,-6.287312507629395;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/537">
    <dcterms:title><![CDATA[Jug]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cántara]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[A clay jug used to transport water, with two handles and vertical decorative motifs on the body of the piece. These lines are carved, and this is the only part of the object that preserves the original burnishing. This type of pottery, produced in this workshop, had a strong influence in northern Spain.]]></dcterms:description>
    <dcterms:creator><![CDATA[Pottery Workshop from Miranda]]></dcterms:creator>
    <dcterms:date><![CDATA[ca. 1880/1900]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[21/04/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[21/04/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[34cm x 36cm x 29cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[338]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.53968020368842,-5.946725606918336;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/536">
    <dcterms:title><![CDATA[19_Jug_report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/535">
    <dcterms:title><![CDATA[Jug]]></dcterms:title>
    <dcterms:description><![CDATA[A clay jug used to transport water, with two handles and vertical decorative motifs on the body of the piece. These lines are carved, and this is the only part of the object that preserves the original burnishing. This type of pottery, produced in this workshop, had a strong influence in northern Spain.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[1fc7faf8b0164a2eaa39db37d14ae2e9]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.539892620989555,-5.946494936943055;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/531">
    <dcterms:title><![CDATA[Jar]]></dcterms:title>
    <dcterms:alternative><![CDATA[Xarra]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Pre-industrial glazed pottery painted with blue motifs that contrast with the white background of the piece. The decoration features lines of varying thicknesses—both vertical and horizontal—which cover the body, the mouth of the jar, and the foot. Originating in the 18th century, this type of pottery was known as “del Rayu” (“from El Rayu”), as most of the workshops were established in that part of the city.

]]></dcterms:description>
    <dcterms:creator><![CDATA[Pottery Workshop from El Rayu]]></dcterms:creator>
    <dcterms:date><![CDATA[ca. 1900/36]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[20/04/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[21/04/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[23cm x 17cm x 16cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[337]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.39462806644227,-5.644783973693848;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/530">
    <dcterms:title><![CDATA[18_Jar_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/529">
    <dcterms:title><![CDATA[White and Blue Glazed Jar]]></dcterms:title>
    <dcterms:description><![CDATA[Pre-industrial glazed pottery painted with blue motifs that contrast with the white background of the piece. The decoration features lines of varying thicknesses—both vertical and horizontal—which cover the body, the mouth of the jar, and the foot. Originating in the 18th century, this type of pottery was known as “del Rayu” (“from El Rayu”), as most of the workshops were established in that part of the city.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.39457057097661,-5.644268989562989;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/527">
    <dcterms:title><![CDATA[Horn Container]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cuerna]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Large horn container with an iron handle, decorated with various motifs. In this case, the inscription "Soy de Enrique" ("I belong to Enrique") features a prominent letter "E" that ends in the shape of a monkey. The rest of the decoration includes butterflies, a crown, a human figure, and vegetal motifs. Most of these types of pieces came from Extremadura with the shepherds, and the larger ones—like this example—were used to safely store liquids such as milk.]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1875/1900]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[19/04/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[21/04/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[40cm x 20cm x 13cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[336]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/526">
    <dcterms:title><![CDATA[17_Cuerna_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/525">
    <dcterms:title><![CDATA[Horn]]></dcterms:title>
    <dcterms:description><![CDATA[Large horn container with an iron handle, decorated with various motifs. In this case, the inscription "Soy de Enrique" ("I belong to Enrique") features a prominent letter "E" that ends in the shape of a monkey. The rest of the decoration includes butterflies, a crown, a human figure, and vegetal motifs. Most of these types of pieces came from Extremadura with the shepherds, and the larger ones—like this example—were used to safely store liquids such as milk.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[3225a197b7a54e0495080194fd19f78b]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/524">
    <dcterms:title><![CDATA[Single-handled Pot]]></dcterms:title>
    <dcterms:alternative><![CDATA[Puchero de un asa]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[The large number of pots found in the Asturian region highlights the importance of “pucheros” and legumes in Asturian gastronomy. This particular piece was made at the Faro pottery workshop and features the traditional black finish characteristic of the area.]]></dcterms:description>
    <dcterms:creator><![CDATA[Pottery Workshop from Faro]]></dcterms:creator>
    <dcterms:date><![CDATA[19th/20th]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[18/04/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[21/04/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[8cm x 12cm x 1ocm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[335]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.35556828820078,-5.7935285568237305;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/523">
    <dcterms:title><![CDATA[12_Pot_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/522">
    <dcterms:title><![CDATA[Single-handled pot]]></dcterms:title>
    <dcterms:description><![CDATA[The large number of pots found in the Asturian region highlights the importance of “pucheros” and legumes in Asturian gastronomy. This particular piece was made at the Faro pottery workshop and features the traditional black finish characteristic of the area.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[e628f53740f649118c4f41b1ff49eace]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.35813671794957,-5.788593292236329;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/521">
    <dcterms:title><![CDATA[Door handle]]></dcterms:title>
    <dcterms:alternative><![CDATA[Picaporte]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Iron door handle featuring two distinct decorative shapes—one resembling a heart, and the other composed of various geometric forms. The handle itself includes geometric motifs, such as circles and lines, crafted in brass.]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1825/1875]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[17/04/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[21/04/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[8cm x 47cm x 14cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[334]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/520">
    <dcterms:title><![CDATA[10_DoorHandle_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/519">
    <dcterms:title><![CDATA[Door handle]]></dcterms:title>
    <dcterms:description><![CDATA[Iron door handle featuring two distinct decorative shapes—one resembling a heart, and the other composed of various geometric forms. The handle itself includes geometric motifs, such as circles and lines, crafted in brass.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[edf0674c041544d1926814367e9ac813]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/518">
    <dcterms:title><![CDATA[LAPONTE_PR_01]]></dcterms:title>
    <dcterms:description><![CDATA[Interior of the workspace]]></dcterms:description>
    <dcterms:date><![CDATA[2024-12-03]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.461389,-6.039444;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/516">
    <dcterms:title><![CDATA[CJMM_PR_02(03)]]></dcterms:title>
    <dcterms:description><![CDATA[Anuța Stan in her workshop]]></dcterms:description>
    <dcterms:date><![CDATA[2024:12:12 13:05:04]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,47.9667699419435,23.69999999646070;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/515">
    <dcterms:title><![CDATA[CJMM_PR_02(02)]]></dcterms:title>
    <dcterms:description><![CDATA[Anuța Stan in her workshop]]></dcterms:description>
    <dcterms:date><![CDATA[2024-12-12]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,47.9667699419435,23.69999999646070;]]></dcterms:spatial>
</rdf:Description></rdf:RDF>