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    <dcterms:title><![CDATA[UNIOVI_PR_06(06)]]></dcterms:title>
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    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
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    <dcterms:title><![CDATA[UNIOVI_PR_06(19)]]></dcterms:title>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
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    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
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</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2047">
    <dcterms:title><![CDATA[Green, hand thrown mug.]]></dcterms:title>
    <dcterms:date><![CDATA[17/12/25]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2048">
    <dcterms:title><![CDATA[Mug]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cup]]></dcterms:alternative>
    <dcterms:description><![CDATA[ A green, hand-thrown mug, with handle, made by potter Sue Blair (AAS_PR_001) of Borve Pottery.]]></dcterms:description>
    <dcterms:creator><![CDATA[234]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects,scotlandobjects,highlandandislands]]></dcterms:source>
    <dcterms:date><![CDATA[11/01/25]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[18/12/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[13cm x 8cm x 12cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[788]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.4,-6.44;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2049">
    <dcterms:title><![CDATA[Oich Niseachpost rennovation by Mark Stockl]]></dcterms:title>
    <dcterms:date><![CDATA[2025-01-10]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2050">
    <dcterms:title><![CDATA[Oich Niseachpost pre- rennovation by Mark Stockl]]></dcterms:title>
    <dcterms:date><![CDATA[20/09/24]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2051">
    <dcterms:title><![CDATA[Wooden Boat]]></dcterms:title>
    <dcterms:alternative><![CDATA[Sgoth]]></dcterms:alternative>
    <dcterms:description><![CDATA[Wooden, dipping lug sailing boat traditionally used for fishing in the sea areas surrounding the Hebrides. ]]></dcterms:description>
    <dcterms:source><![CDATA[craftedobjects,scotlandobjects,highlandandislands]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[18/12/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[18/12/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:language><![CDATA[Scottish Gaelic]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[789]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58,-6;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2052">
    <dcterms:title><![CDATA[Gamoneu Cheese]]></dcterms:title>
    <dcterms:alternative><![CDATA[Queso Gamoneu]]></dcterms:alternative>
    <dcterms:description><![CDATA[It is a fatty, matured cheese with a natural rind, which can be made with cow’s, sheep’s, and/or goat’s milk. It is lightly smoked and has slight Penicillium blooms along the edges. Gamoneu becomes a blue-veined cheese after a long aging period in the cave. With a shorter maturation time, it is predominantly white to yellowish in color, with greenish-blue veins of Penicillium spreading from the outside toward the center. The paste is semi-hard and crumbly, with a strong but not overpowering aroma, and smoky notes. Some wheels are quite large, weighing up to eight kilograms, with an intense smoky aroma and a spicy flavor]]></dcterms:description>
    <dcterms:creator><![CDATA[2057,2054]]></dcterms:creator>
    <dcterms:source><![CDATA[asturiasmap]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[18/12/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[19/12/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[González-Álvarez, M. (2015). Denominaciones de Origen y Parques Nacionales: actividad quesera en Picos de Europa. Revista de humanidades (25), 57-84.
Monesma, E. (2003). La vida de los pastores de los Picos de Europa y el queso de Gamoneu. Oficios Perdidos. Documental. https://www.youtube.com/watch?v=RTFXabGx6Ro
Oliveira e Oliveira, T. C. D. (2023). Revalorização de alimentos símbolo de comunidades-território. Os casos do mel virgem de abelhas Pisilnekmej no território maseual (México) e do queijo Gamonéu de pastores de Picos de Europa (Espanha).
Prieto, D. (2019). La Escuela de Pastores de Picos de Europa: revitalizando la cultura de pastoreo quesero. PH: Boletín del Instituto Andaluz del Patrimonio Histórico, 27(98), 298-307.
Polledo, M. (2024). Evidencias arqueológicas de actividad humana en áreas de alta montaña: los Picos de Europa y su entorno durante la prehistoria. En RUIZ-FERNÁNDEZ, J., LUELMO-LAUTENSCHLAEGER, R., PÉREZ-DÍAZ, S., GARCÍA-HERNÁNDEZ, C., LÓPEZ-SÁEZ, J.A., ALBA-SÁNCHEZ, F., GALLINAR, D., RUIZ-ALONSO, M., GARCÍA, A., GONZÁLEZDÍAZ, B., (Eds.) Socio-ecología, arqueología y geohistoria de los paisajes de montaña ibéricos: una mirada multidisciplinar. Oviedo: CeCodet (Universidad de Oviedo) – Ed. Trabe. págs. 491–507.
Valle, F. (2007). Quesos artesanos de la comarca oriente de Asturias. Llanes: Consorcio del Oriente de Asturias.]]></dcterms:references>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:language><![CDATA[Asturian,Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[790]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.314444,-5.066667;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2054">
    <dcterms:title><![CDATA[Jose Luis Alonso Zaragoza]]></dcterms:title>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:date><![CDATA[1995]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[792]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.34833333,-5.1275;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2055">
    <dcterms:title><![CDATA[Interview video]]></dcterms:title>
    <dcterms:date><![CDATA[2025-04-22]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2056">
    <dcterms:title><![CDATA[UberdonCheese Label]]></dcterms:title>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2057">
    <dcterms:title><![CDATA[Beatriz Rodr&iacute;guez and Francisco Wagner]]></dcterms:title>
    <dcterms:description><![CDATA[Beatriz Rodríguez and Francisco Wagner are shepherds, cattle farmers, and producers of Gamonéu del Valle cheese in Parda, Cangas de Onís. The Gamonéu cheese is a traditional blue cheese from Asturias and parts of the Picos de Europa, Its creation dates back to ancient times and forms an important part of Asturian cultural heritage, both tangible and intangible. Beatriz and Francisco are recognized as the first producers of organic/ecological Gamonéu del Valle cheese. Their product has Protected Designation of Origin status and has been certified by COPAE since 2021. The aim of Beatriz and Francisco's cheese small factory, called “Queseria de la Casa Vieya,” is to produce 100% artisanal (using ancestral techniques) and organic cheese using three types of milk: goat's milk, sheep's milk, and cow's milk. To achieve this goal, they maintain a traditional system of small-scale grazing and livestock farming with a few Casina cows, 32 sheep, and 60 “Bermeya” goats. ]]></dcterms:description>
    <dcterms:source><![CDATA[artisans,asturiasmap]]></dcterms:source>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[793]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.35107,-5.12749781;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2058">
    <dcterms:title><![CDATA[The practitioners entrevistados Beatriz Rodr&iacute;guez, Francisco Wagner y un colaborador del proyecto]]></dcterms:title>
    <dcterms:date><![CDATA[2025-08-14]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
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    <dcterms:title><![CDATA[Exterior de la queseria]]></dcterms:title>
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    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
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    <dcterms:title><![CDATA[Exterior de la queseria]]></dcterms:title>
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    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2061">
    <dcterms:title><![CDATA[Interior de la queser&iacute;a]]></dcterms:title>
    <dcterms:date><![CDATA[2025-08-14]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
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</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2062">
    <dcterms:title><![CDATA[Interior de la quesería]]></dcterms:title>
    <dcterms:date><![CDATA[2025-08-14]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
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</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2063">
    <dcterms:title><![CDATA[Interior de la queser&iacute;a]]></dcterms:title>
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    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
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    <dcterms:title><![CDATA[Interior de la queser&iacute;a]]></dcterms:title>
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    <dcterms:title><![CDATA[Interior de la queser&iacute;a]]></dcterms:title>
    <dcterms:date><![CDATA[2025-08-14]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2066">
    <dcterms:title><![CDATA[Interior de la queser&iacute;a]]></dcterms:title>
    <dcterms:date><![CDATA[2025-08-14]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2067">
    <dcterms:title><![CDATA[ Imagen de Alba a la entrada del museo de la apicultura]]></dcterms:title>
    <dcterms:date><![CDATA[2025-06-19]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2068">
    <dcterms:title><![CDATA[Alba López Garrido]]></dcterms:title>
    <dcterms:source><![CDATA[artisans,asturiasmap]]></dcterms:source>
    <dcterms:date><![CDATA[1991]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[794]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.360259,-5.844758;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2069">
    <dcterms:title><![CDATA[Asturian Bagpipe Manufacturing]]></dcterms:title>
    <dcterms:alternative><![CDATA[Fabricación de gaita asturiana]]></dcterms:alternative>
    <dcterms:description><![CDATA[The Asturian bagpipe belongs to the group of aerophones with a flexible air reservoir and, in its most common form, consists of a mouth-blown blowpipe, a bass drone with a single reed, and a conical chanter with a double reed. The earliest surviving examples in Asturias date from the mid-19th century, although iconographic sources and written records suggest that the instrument may have been introduced as early as the Middle Ages (Fernández, 2008). ]]></dcterms:description>
    <dcterms:source><![CDATA[asturiasmap]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[19/12/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[19/12/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[Fernández, Juan Alfonso (2008a): La gaita y el oficio de gaitero en Asturias. Etno-Folk: revista galega de etnomusicoloxía 11, p. 59-82.
Fernández, Juan Alfonso (2008b) La gaita asturiana: características y evolución. Etno-Folk: revista galega de etnomusicoloxía, 2008, no 11, p. 171-197.
López , Fernándo (2021). Los nuevos contextos sonoros de la gaita asturiana, 1980-2020 (Bachelor's thesis). Universidad de Oviedo.]]></dcterms:references>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:language><![CDATA[Asturian]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[795]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2070">
    <dcterms:title><![CDATA[Casin Cheese]]></dcterms:title>
    <dcterms:alternative><![CDATA[Queso casín, Quesu Casín]]></dcterms:alternative>
    <dcterms:description><![CDATA[Casín, which is produced by only two small dairies in Asturias, is one of the cheeses with the oldest written references in the world, one of the most intense in flavour, protected by a Designation of Origin since 2011, and unique in its method of production. Casín takes its name from its place of origin: the municipality of Caso, which also gives its demonym to the Asturian Mountain cattle breed, or “casina” cow, which yields little milk but of exceptional flavour thanks to the excellent pastures on which it feeds. Documentary references to Casín date back to the 14th century, when it was known as queso assadero. The cheesemaking technique used for Casín cheese arose from the need to achieve a safe and long-lasting method of preservation in an area where mild temperatures and the predominance of rainy, overcast days create high ambient humidity, which hinders the drying of the curds produced by milk coagulation. Thus, kneading emerged as the customary method of combining several small-format curds into a single piece. Repeating this process resulted in drier, more compact pastes, producing a longer-lasting product without the need for pressing. To facilitate kneading, the ‘rabilar machine’ was developed (see description below).]]></dcterms:description>
    <dcterms:source><![CDATA[asturiasmap]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[19/12/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[D.O.P (n/d). El queso Casin. http://www.dopquesocasin.es/
D.O.P (2008). PLIEGO DE CONDICIONES DE LA DENOMINACIÓN DE ORIGEN PROTEGIDA (DOP) “QUESO CASÍN”
Marcet, I., Rendueles, M., & Díaz, M. (2023). De la que tábemos faciendo un quesu…. Ciencies. Cartafueyos Asturianos de Ciencia y Teunoloxía, 13. pp 81-93
SOCIEDAD ASTURIANA DE ESTUDIOS ECONÓMICOS E INDUSTRIALES (1985). Los quesos artesanales asturianos. Oviedo: Gráficas Summa.
Videos: Canal Prestosu | Secretos de Asturias: queso Casín https://www.youtube.com/watch?v=eISrTnGZ2wU; ]]></dcterms:references>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:language><![CDATA[Asturian,Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[796]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.18138889,-5.34055556;origin,43.37416667,-5.35861111;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2076">
    <dcterms:title><![CDATA[Annette Sopata]]></dcterms:title>
    <dcterms:date><![CDATA[47]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[x x]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[802]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58,6;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2077">
    <dcterms:title><![CDATA[Sheep Shearing ]]></dcterms:title>
    <dcterms:alternative><![CDATA[Clipping ]]></dcterms:alternative>
    <dcterms:description><![CDATA[Sheep Shearing is a process used by crofters in the hebrides to remove the old wool or 'fleeces' from their sheep when the new groeth starts to 'rise' in the late summer. The traditional method of shearing is to use hand-held shears – this is till practised by some crofters in Ness, but there  is also travelling shearer who can be paid per sheep to shear using elctric clippers. Tradiotnally the shearing process would have been conducted at the village 'fanks' – commnical handling areas for  livestock that sit on the common grazing land. As the sheep are sheared a team of usually woemn, would clean off, roll up and bag the fleeces ready for the wool board to collect. Alternatively, the wool can be kept and processed at micro mills on behalf of the crofter but this is very rare and an expensive process to complete. ]]></dcterms:description>
    <dcterms:creator><![CDATA[2076]]></dcterms:creator>
    <dcterms:source><![CDATA[highlandandislands]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/01/2026]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[05/01/2026]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:language><![CDATA[English,Scottish Gaelic]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[803]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58,-6;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2078">
    <dcterms:title><![CDATA[Shearing using hand shears]]></dcterms:title>
    <dcterms:date><![CDATA[2017-06-26]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2079">
    <dcterms:title><![CDATA[Rolling the fleeces at the fank ]]></dcterms:title>
    <dcterms:date><![CDATA[2025-08-01]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2080">
    <dcterms:title><![CDATA[Shaering using machine clippers / shears ]]></dcterms:title>
    <dcterms:date><![CDATA[2025-08-01]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2082">
    <dcterms:title><![CDATA[Harris Tweed]]></dcterms:title>
    <dcterms:description><![CDATA[Woollen cloth handwoven on a single width Hattersley Loom by a weaver in the Isle of Harris. The wool used in this cloth comes from a flock of Hebridean sheep owned by AAS_PR_06. After shearing it was washed, carded and spun at Uist Wool micro-mill and then woven into Harris Tweed. ]]></dcterms:description>
    <dcterms:creator><![CDATA[2076]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects,scotlandobjects,highlandandislands]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[06/01/2026]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[06/01/2026]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[40000cm x cm x 75cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Scottish Gaelic]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[805]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58,-6;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2083">
    <dcterms:title><![CDATA[Diggory borwn Harris Tweed ]]></dcterms:title>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2084">
    <dcterms:title><![CDATA[Therese Henner Touch screen exhibit]]></dcterms:title>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[text/x-uri]]></dcterms:format>
    <dcterms:type><![CDATA[Website]]></dcterms:type>
    <dcterms:identifier><![CDATA[806]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2086">
    <dcterms:title><![CDATA[Petra Plestenjak Podlogar in her workshop (working room in her house) in &Scaron;kofja Loka]]></dcterms:title>
    <dcterms:date><![CDATA[xx.xx.2019]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2087">
    <dcterms:title><![CDATA[Petra Pletenjak Podlogar shows her products (carved relief) in her workshop.]]></dcterms:title>
    <dcterms:date><![CDATA[06/02/2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2088">
    <dcterms:title><![CDATA[Petra Plestenjak Podlogar]]></dcterms:title>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:date><![CDATA[1963]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:language><![CDATA[English,Croatian,Slovene]]></dcterms:language>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[808]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,46.1664897673265,14.3072256355819;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2089">
    <dcterms:title><![CDATA[Chisels and other tools for wood carving.]]></dcterms:title>
    <dcterms:date><![CDATA[2025-02-06]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2090">
    <dcterms:title><![CDATA[Carving a small bread model]]></dcterms:title>
    <dcterms:date><![CDATA[2025-02-06]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2091">
    <dcterms:title><![CDATA[Short video: carving a small bread model.]]></dcterms:title>
    <dcterms:date><![CDATA[2025-02-06]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2092">
    <dcterms:title><![CDATA[Workshop.]]></dcterms:title>
    <dcterms:date><![CDATA[2025-02-06]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2093">
    <dcterms:title><![CDATA[Models for baking small bread (mali kruhek)]]></dcterms:title>
    <dcterms:alternative><![CDATA[Rezbarjenje modelčkov za peko "malega kruhka"]]></dcterms:alternative>
    <dcterms:description><![CDATA[Woodcarving in general is a craft technique of shaping wood by carving decorative or functional motifs. In Slovenia, it has a long tradition, especially in the Gorenjska, Štajerska, and Ribnica regions, where it developed alongside carpentry and woodenware production. It was often present in sacred art, in the making of wooden statues, altars, and decorative furniture elements. Today, woodcarving is preserved both as an artistic and a craft practice, with many artisans combining traditional and modern techniques. Craft workshops, museums, and folk art festivals play an important role in preserving this heritage. The carving of moulds for pressing out dough for small bread is a particular feature of Škofja Loka and its surroundings. ]]></dcterms:description>
    <dcterms:creator><![CDATA[2088]]></dcterms:creator>
    <dcterms:source><![CDATA[practices]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[13/01/2026]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[13/01/2026]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[http://www.nesnovnadediscina.si/en/register-of-intangible-cultural-heritage/making-small-breads-and-wooden-models
https://www.obrazislovenskihpokrajin.si/oseba/plestenjak-podlogar-petra/
https://www.kulturnadozivetja.si/rokodelski-center-duo/mojstri-rokodelci/item/28-petra-plestenjak-podlogar.html]]></dcterms:references>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[809]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,46.16645630152873,14.307220267982746;]]></dcterms:spatial>
</rdf:Description></rdf:RDF>