<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1666">
    <dcterms:title><![CDATA[Set of wooden spatulas]]></dcterms:title>
    <dcterms:alternative><![CDATA[Conjunto de espátulas de madera]]></dcterms:alternative>
    <dcterms:description><![CDATA[A set of wooden spatulas for cooking. They are made from lightweight, durable wood, are suitable for contact with food, and are gentle on surfaces. They have an elongated shape with a flat end. The ends of the handle come in various forms: curved, straight, carved in a helical shape, and spoon-shaped.]]></dcterms:description>
    <dcterms:creator><![CDATA[2272]]></dcterms:creator>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[Carmen Pérez Maestro]]></dcterms:contributor>
    <dcterms:extent><![CDATA[30cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[686]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.311381,-5.852013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1668">
    <dcterms:title><![CDATA[Set of small handcrafted wooden pieces]]></dcterms:title>
    <dcterms:alternative><![CDATA[Conjunto de piezas pequeñas artesanales de madera]]></dcterms:alternative>
    <dcterms:description><![CDATA[A set of pieces made from cherry wood with different functions and shapes. Disc-shaped pendants, disc-shaped earrings, a key ring, and an incense holder.]]></dcterms:description>
    <dcterms:creator><![CDATA[2272]]></dcterms:creator>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[Carmen Pérez Maestro]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[687]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.311381,-5.852013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1671">
    <dcterms:title><![CDATA[Pipe]]></dcterms:title>
    <dcterms:alternative><![CDATA[Pipa]]></dcterms:alternative>
    <dcterms:description><![CDATA[It is made primarily of bamboo, with an elongated design. The main body is a section of bamboo that retains its characteristic nodes. At one end is the mouthpiece, which is narrower, while at the other end, there is a bowl. The bowl is connected to the body by a small curved metal tube, allowing the smoke to pass through. It also features a decorative glass bead.]]></dcterms:description>
    <dcterms:creator><![CDATA[2272]]></dcterms:creator>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[Carmen Pérez Maestro]]></dcterms:contributor>
    <dcterms:extent><![CDATA[25cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[688]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.311381,-5.852013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2274">
    <dcterms:title><![CDATA[Traditional woodworking]]></dcterms:title>
    <dcterms:alternative><![CDATA[Trabajo tradicional en madera]]></dcterms:alternative>
    <dcterms:description><![CDATA[Traditional woodwork in Asturias has been fundamental to the development of everyday life. Wood has been used in:
- Traditional construction: granaries such as hórreos and paneras. Elements of a hórreo include pegoyos, muela, colondras, viguetes, tiyeres, tentemozos, aguilones, tornos and pontones.
- Asturian furniture and household items: escañu (bench), tayuelu (small stool), arca (chest), masera (dough trough), espetera (plate rack), vasar (shelf unit), alacena (cupboard) and truviecu (log seat). Also common joinery techniques in furniture, decorative carving, and other utensils such as zapicas, xarres (jugs), bowls, chopping boards, desca and salpimenteru (salt and pepper container).
- Musical instruments: gaita (bagpipe), castanets, pitos (whistles), chiflu (flute), gaita rabil, rabel and bandurria.                                 
- Wooden footwear: the madreña. Made from a single piece of wood and designed to protect the feet from cold, snow and mud in rural areas. They are characterised by having three pegs (“tarugos”) on the sole, which raise the foot off the ground.]]></dcterms:description>
    <dcterms:creator><![CDATA[2272]]></dcterms:creator>
    <dcterms:contributor><![CDATA[Carmen Pérez Maestro]]></dcterms:contributor>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[939]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2289">
    <dcterms:title><![CDATA[Silver Eagle Brooch]]></dcterms:title>
    <dcterms:subject><![CDATA[Fashion]]></dcterms:subject>
    <dcterms:description><![CDATA[A recycled silver eagle brooch with topography details of the Cairngorm National Park, created by Amy Ferguson Niven. ]]></dcterms:description>
    <dcterms:creator><![CDATA[2284]]></dcterms:creator>
    <dcterms:dateSubmitted><![CDATA[14/05/2026]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[14/05/2026]]></dcterms:modified>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[951]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,57.26298268908859,-3.6481103558198336;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/212">
    <dcterms:title><![CDATA[&quot;Of Paint and Clay&quot; White Ceramic Vase]]></dcterms:title>
    <dcterms:creator><![CDATA[234]]></dcterms:creator>
    <dcterms:source><![CDATA[harrisitems,scotlandobjects,highlandandislands,outerhebrides,ruralspotlewis]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[11/10/2024]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[22/09/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[111]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.41722895933901,-6.435146315940916;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/214">
    <dcterms:title><![CDATA[Ceramic Lamp with Harris Tweed]]></dcterms:title>
    <dcterms:creator><![CDATA[234]]></dcterms:creator>
    <dcterms:source><![CDATA[harrisitems,highlandandislands,outerhebrides,ruralspotlewis,scotlandobjects]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[11/10/2024]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[10/06/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[112]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.41722895933901,-6.435146315940916;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/216">
    <dcterms:title><![CDATA[&quot;Of Paint and Clay&quot; Plate]]></dcterms:title>
    <dcterms:creator><![CDATA[234]]></dcterms:creator>
    <dcterms:source><![CDATA[harrisitems,scotlandobjects,highlandandislands,outerhebrides,ruralspotlewis]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[11/10/2024]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[22/09/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[113]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.41722895933901,-6.435146315940916;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/221">
    <dcterms:title><![CDATA[&quot;Of Paint and Clay&quot; Dark Ceramic Vase]]></dcterms:title>
    <dcterms:creator><![CDATA[234]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects,harrisitems,scotlandobjects,highlandandislands]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[16/10/2024]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[22/09/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[117]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.41722895933901,-6.435146315940916;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1156">
    <dcterms:title><![CDATA[Potters Wheel]]></dcterms:title>
    <dcterms:description><![CDATA[A 'Potters Wheel' used to throw clay to make pottery. Powered by electricity. ]]></dcterms:description>
    <dcterms:creator><![CDATA[234]]></dcterms:creator>
    <dcterms:source><![CDATA[tools,scotlandobjects,highlandandislands]]></dcterms:source>
    <dcterms:date><![CDATA[Unknown]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[30/09/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[28/10/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[150cm x 100cm x 75cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[561]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2048">
    <dcterms:title><![CDATA[Mug]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cup]]></dcterms:alternative>
    <dcterms:description><![CDATA[ A green, hand-thrown mug, with handle, made by potter Sue Blair (AAS_PR_001) of Borve Pottery.]]></dcterms:description>
    <dcterms:creator><![CDATA[234]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects,scotlandobjects,highlandandislands]]></dcterms:source>
    <dcterms:date><![CDATA[11/01/25]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[18/12/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[13cm x 8cm x 12cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[788]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.4,-6.44;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/442">
    <dcterms:title><![CDATA[Sgoth Niseach]]></dcterms:title>
    <dcterms:subject><![CDATA[HISTORY,Industrial Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A wooden skiff (sgoth in Scottish Gaelic) traditional crafted in and for the waters around Ness, Isle of Lewis, Outer Hebrides of Scotland. The boats were traditional fishing boats, particularly for line fishing, during the 19th century and until the early half of the twentieth century. Crafted by Matt Stokl, boatbuilder located in Ullapool, who is one of a few which specialise in building sgoths. ]]></dcterms:description>
    <dcterms:creator><![CDATA[243]]></dcterms:creator>
    <dcterms:source><![CDATA[scotlandobjects,highlandandislands,outerhebrides]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[21/03/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[22/09/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[307]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.49260844836807,-6.229331195354462;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/451">
    <dcterms:title><![CDATA[Woolen felted scarf]]></dcterms:title>
    <dcterms:alternative><![CDATA[Volnen filcan šal]]></dcterms:alternative>
    <dcterms:description><![CDATA[Hand-felted scarf is made with wet felting technique, produced from high-quality black, gray, and white wool, combined to give a sense of colours bleeding into each other. A technique was used to produce delicate, lightweight, and airy texture, which ensures a soft, breathable texture, while maintaining durability and structural integrity.]]></dcterms:description>
    <dcterms:creator><![CDATA[448]]></dcterms:creator>
    <dcterms:date><![CDATA[2017]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[24/03/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[10/06/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[http://www.amuse.si/my-story.html https://www.centerduo.eu/kreativnice/anja-musek/ https://365.rtvslo.si/arhiv/vizionar-obrtnik-in-podjetnik/175079215 https://www.ra-sora.si/razstava-anja-musek-amuse/]]></dcterms:references>
    <dcterms:extent><![CDATA[220cm x cm x 42cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Slovene]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[309]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,46.1663222982793,14.307308507957;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/634">
    <dcterms:title><![CDATA[Felted sweater]]></dcterms:title>
    <dcterms:subject><![CDATA[Fashion]]></dcterms:subject>
    <dcterms:description><![CDATA[This is a sweater in crafted in wet-felting technique, created entirely from a single piece of felt. The seamless construction demonstrates a high level of expertise in both felting and garment shaping, as the entire form is sculpted during the felting process rather than being cut and stitched together. ]]></dcterms:description>
    <dcterms:creator><![CDATA[448]]></dcterms:creator>
    <dcterms:date><![CDATA[2016]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[28/05/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[10/06/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[35cm x 53cm x 125cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Slovene]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[373]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,46.16670752477649,14.30700671376705;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1306">
    <dcterms:title><![CDATA[Felted brooch]]></dcterms:title>
    <dcterms:alternative><![CDATA[Filcana broška ]]></dcterms:alternative>
    <dcterms:description><![CDATA[This is a handcrafted felted wool brooch designed in the shape of a rose. Made from natural, undyed wool. The wool fibers have been shaped and compressed using a wet felting and needle felting technique, which binds the fibers together to create a sturdy yet lightweight structure.]]></dcterms:description>
    <dcterms:creator><![CDATA[448]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects,uppercarniola]]></dcterms:source>
    <dcterms:date><![CDATA[2020]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/09/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[08/09/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[http://www.amuse.si/my-story.html
https://www.centerduo.eu/kreativnice/anja-musek/
https://365.rtvslo.si/arhiv/vizionar-obrtnik-in-podjetnik/175079215
https://www.ra-sora.si/razstava-anja-musek-amuse/]]></dcterms:references>
    <dcterms:extent><![CDATA[10cm x cm x 10cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Slovene]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[627]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,46.1663222982793,14.307308507957;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1307">
    <dcterms:title><![CDATA[Felted sweater]]></dcterms:title>
    <dcterms:alternative><![CDATA[Filcana pulover]]></dcterms:alternative>
    <dcterms:description><![CDATA[This is a sweater in crafted in wet-felting technique, created entirely from a single piece of felt. The seamless construction demonstrates a high level of expertise in both felting and garment shaping, as the entire form is sculpted during the felting process rather than being cut and stitched together. The sweater ]]></dcterms:description>
    <dcterms:creator><![CDATA[448]]></dcterms:creator>
    <dcterms:source><![CDATA[uppercarniola]]></dcterms:source>
    <dcterms:date><![CDATA[2016]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/09/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[http://www.amuse.si/my-story.html
https://www.centerduo.eu/kreativnice/anja-musek/
https://365.rtvslo.si/arhiv/vizionar-obrtnik-in-podjetnik/175079215
https://www.ra-sora.si/razstava-anja-musek-amuse/]]></dcterms:references>
    <dcterms:extent><![CDATA[35cm x 53cm x 125cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Slovene]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[628]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,46.1663222982793,14.307308507957;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1308">
    <dcterms:title><![CDATA[Felted jacket]]></dcterms:title>
    <dcterms:alternative><![CDATA[Filcana jakna]]></dcterms:alternative>
    <dcterms:description><![CDATA[This is a masterfully crafted wet-felted wool jacket, created entirely from a single piece of felt. The seamless construction demonstrates a high level of expertise in both felting and garment shaping, as the entire form is sculpted during the felting process rather than being cut and stitched together. The jacket features a rich blend of deep blue tones with organic textures, achieved through the careful manipulation of wool fibers. ]]></dcterms:description>
    <dcterms:creator><![CDATA[448]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects,uppercarniola]]></dcterms:source>
    <dcterms:date><![CDATA[2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/09/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[16/09/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[http://www.amuse.si/my-story.html
https://www.centerduo.eu/kreativnice/anja-musek/
https://365.rtvslo.si/arhiv/vizionar-obrtnik-in-podjetnik/175079215
https://www.ra-sora.si/razstava-anja-musek-amuse/]]></dcterms:references>
    <dcterms:extent><![CDATA[40cm x 55cm x 130cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Slovene]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[629]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,46.1663222982793,14.307308507957;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1309">
    <dcterms:title><![CDATA[Scarf with felted parts]]></dcterms:title>
    <dcterms:alternative><![CDATA[Šal s filcanimi vstavki]]></dcterms:alternative>
    <dcterms:description><![CDATA[This is a delicate, handmade scarf crafted using a nuno felting technique, which combines lightweight fabric—such as silk or chiffon—with wool fibers. The scarf features a sheer silk black base with vibrant red felted wool accents, creating a contrast. The red wool is integrated into the fabric through a process of wet felting, where wool fibers are gently worked into the fabric using soap, water, and agitation.]]></dcterms:description>
    <dcterms:creator><![CDATA[448]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects,uppercarniola]]></dcterms:source>
    <dcterms:date><![CDATA[2017]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/09/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[08/09/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[http://www.amuse.si/my-story.html
https://www.centerduo.eu/kreativnice/anja-musek/
https://365.rtvslo.si/arhiv/vizionar-obrtnik-in-podjetnik/175079215
https://www.ra-sora.si/razstava-anja-musek-amuse/]]></dcterms:references>
    <dcterms:extent><![CDATA[140cm x cm x 65cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Slovene]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[630]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,46.1663222982793,14.307308507957;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2278">
    <dcterms:title><![CDATA[Wet felting]]></dcterms:title>
    <dcterms:alternative><![CDATA[Mokro polstenje]]></dcterms:alternative>
    <dcterms:description><![CDATA[Wet felting is a traditional fiber art technique that transforms wool or other natural fibers into a dense, durable fabric by using moisture, heat, and agitation. The process involves layering raw wool, sprinkling it with warm, soapy water, and then repeatedly rolling, rubbing, or pressing the fibers together. As the wool’s tiny scales catch and bond, it forms a tightly interlocked material known as felt. This versatile craft is used to create everything from clothing and accessories to decorative items and art pieces, and it offers a tactile, hands-on way to explore the unique properties of wool.]]></dcterms:description>
    <dcterms:creator><![CDATA[448]]></dcterms:creator>
    <dcterms:contributor><![CDATA[Katarina Šrimpf Vendramin]]></dcterms:contributor>
    <dcterms:language><![CDATA[Slovene]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[943]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/80">
    <dcterms:title><![CDATA[Hattersley Mechanical Loom]]></dcterms:title>
    <dcterms:subject><![CDATA[Industrial Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Hattersley & Sons domestic mechanical loom, used by Sam Groates at Woven in the Bone for the productino of tweed fabric. The Hattersley loom was developed by George Hattersley and Sons of Keighley, West Yorkshire, England. The plain Hattersley Domestic Loom was specially developed for cottage or home use and designed to replace the wooden handloom; the Domestic is similar in construction to a power loom. It was introduced ca.1900 and the makers claimed that a speed of 160 picks per minute could be easily attained with from 2 to 8 shafts weaving a variety of fabrics.]]></dcterms:description>
    <dcterms:creator><![CDATA[52]]></dcterms:creator>
    <dcterms:source><![CDATA[tools,scotlandobjects,highlandandislands]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[02/08/2024]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[15/05/2026]]></dcterms:modified>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[57]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,57.67956396479307,-2.956817660344319;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/113">
    <dcterms:title><![CDATA[Cullen Woven Tweed Cloth]]></dcterms:title>
    <dcterms:description><![CDATA[ The weaver draws inspiration from the landscape and rich culture of Scotland. As Sam stated:  “I follow a well trodden path that continues to draw connections between the diverse Scottish landscape and the cloth that I make”. 
Weaving woollen cloth has been an essential part of Scottish life for centuries, evolving from handwoven domestic production of the 17th century to mechanised mass production during the Industrial Revolution. Classic cheviots, rustic homespun-style tweeds, robust Estate tweeds, as well as the finest woollen cloths remain a staple of the Scottish textile 
industry. They provide warmth, protection, style, and comfort, while also reflecting craftsmanship, provenance, and individuality amidst a world of mass production. While pockets of mechanised production developed in the Highlands and north east of Scotland, thousands flocked to the newly established mass production mills in the lowlands. 
Claiming to be the oldest firm of loom makers in the world, 
Geo Hattersley and Sons developed the Hattersley Domestic loom in 
parallel with a whole range of sophisticated specialist textile machinery. 
Originally developed for export to the colonies in the late 19th Century, 
the Hattersley Domestic is a compact, semi-automated foot-treadle 
loom. While evolutions in textile manufacturing grew at a higher pace with 
the advances in water, steam and coal power, the Hattersley Domestic 
ensured pockets of production remained in remote rural settings where 
individuals and communities could continue to produce commercial 
cloth and remain on the land]]></dcterms:description>
    <dcterms:creator><![CDATA[52]]></dcterms:creator>
    <dcterms:source><![CDATA[5scotlandunitedkingdom,craftedobjects,highlandandislands]]></dcterms:source>
    <dcterms:date><![CDATA[2023]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[14/09/2024]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[10/06/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[100cm x 75cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[87]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,57.679555,-2.956784;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/33">
    <dcterms:title><![CDATA[Ulltr&ouml;ja]]></dcterms:title>
    <dcterms:subject><![CDATA[INTANGABLE HERITAGE]]></dcterms:subject>
    <dcterms:creator><![CDATA[62]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects,exampleobjects,swedenobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2021]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/04/2024]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[23/03/2026]]></dcterms:modified>
    <dcterms:contributor><![CDATA[sp259]]></dcterms:contributor>
    <dcterms:language><![CDATA[Swedish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[28]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,60.17043343097562,12.692134350841807;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/31">
    <dcterms:title><![CDATA[Wool Yarn Skein]]></dcterms:title>
    <dcterms:alternative><![CDATA[Härva av ullgarn]]></dcterms:alternative>
    <dcterms:subject><![CDATA[INTANGABLE HERITAGE]]></dcterms:subject>
    <dcterms:description><![CDATA[A 2-ply skein of yarn, S-twist.

Making Process: Handspun yarn using spinning-wheel. The wool used are from Carl-Joahns own sheep, which are of an older local breed of sheep “Värmalndsfår”. These particular sheep produce a varying wool spanning for qualities used for tapestry to yarn for felting cloth. Apart from the sheering of the sheep, Carl-Johan has done all the prework such as washing, carding, to the spinning, to the finishing treatment.]]></dcterms:description>
    <dcterms:creator><![CDATA[640]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects,exampleobjects,swedenobjects,varmlandmap]]></dcterms:source>
    <dcterms:date><![CDATA[2023]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/04/2024]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[05/08/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[sp259]]></dcterms:contributor>
    <dcterms:language><![CDATA[Swedish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[27]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/35">
    <dcterms:title><![CDATA[Tr&aring;dstycke]]></dcterms:title>
    <dcterms:description><![CDATA[Making Process: Handspun linen yarn with drop spindle/spinnrock]]></dcterms:description>
    <dcterms:creator><![CDATA[641]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects,exampleobjects,swedenobjects,varmlandmap]]></dcterms:source>
    <dcterms:date><![CDATA[1930s or 1940s]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/04/2024]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[24/07/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[sp259]]></dcterms:contributor>
    <dcterms:language><![CDATA[Swedish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[29]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/109">
    <dcterms:title><![CDATA[Pillow Xalda Collection]]></dcterms:title>
    <dcterms:description><![CDATA[Paz Mesa had her first contact with textile crafts through her mother, who taught her how to spin the wool of her own flock of Xalda sheep; a task that she carried out together with her sisters. They later would give the wool already spun to a cousin who was a weaver, for her to make the garments. However, her work as a professional in the field began two years ago, after an eleven-year training period with different national and international artisans. She works mainly with wool, linen 
and silk: respectful, biodegradable fabrics, committed not only to the environment, but also to the well-being of animals and workers, as well as to the health of the customer. She tries to promote and disseminate more responsible forms of consumption, basing her brand on issues such as sustainability, ecology, territoriality and a circular, ethical and conscious economy. 
The reverse side of the Xalda Cushion is made with organic Asturian wool in the natural brown tones of the Xalda sheep itself, and the front in a mixture with a warp of the same characteristics, combined with a weft of Extremaduran merino sheep wool hand-dyed with natural dyes in the Paz Mesa artisanal textile workshop. The filling is made of Castilian merino wool with an organic cotton inner cover. The wool was spun in Cuenca in the Wooldreamers spinning mill, which allows small quantities of wool to be processed, facilitating the work of the artisans, and achieving different results as compared to manual processing, which Paz Mesa also practises in other pieces. These small spinning mills contribute to preserving native breeds, craftsmanship and the use of the available resources, since many times the wool is discarded because it cannot be processed as it does not reach the enormous quantities required. The fabric was made by hand on a traditional low heddle loom by the artisan.]]></dcterms:description>
    <dcterms:creator><![CDATA[642]]></dcterms:creator>
    <dcterms:source><![CDATA[oneasturiasspain,asturiasmap,craftedobjects,spainobjects]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[14/09/2024]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[10/06/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[40cm x 40cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[84]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.421367,-5.973356;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/118">
    <dcterms:title><![CDATA[Manifesto Collection by Cap_able ]]></dcterms:title>
    <dcterms:description><![CDATA[ Inspired by a discussion with a UC Berkeley engineer on privacy and human rights at the Fashion Institute of Technology, Rachele Didero developed the idea of combining crafting in fashion and computer science. Subsequently, Rachele met Federica Busani, current Co founder of Cap_able, and together they decided to transform this project into a start-up, a cultural, as well as entrepreneurial, tool to promote and facilitate innovative actions by young people, in this case young women. Usually, it takes the form of a trig able to enhance networking actions between designers, young entrepreneurs and production districts to encourage their entry into the broad community of sectoral production and to enable the intersection of solutions for the execution, commercialisation and dissemination of design focused on ethic concepts also in order to foster good practices in social issues due to micro-commerce and tourism. Through this start-up they proposed to stimulate a new type of neocraft production in their territories, but 
also connected with a rural sustainable initiative, the Filmar Better Cotton Initiative (BCI).]]></dcterms:description>
    <dcterms:creator><![CDATA[644,643]]></dcterms:creator>
    <dcterms:source><![CDATA[8italy,craftedobjects,franciacortamap,italyobject]]></dcterms:source>
    <dcterms:date><![CDATA[2019]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[14/09/2024]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[10/06/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[43cm x 51cm x 46.5cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[89]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,45.62,10.02;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/121">
    <dcterms:title><![CDATA[IE + ZADII]]></dcterms:title>
    <dcterms:description><![CDATA[The items are part of a girl’s traditional costume. Historically the girls of the ethnographic area of Lăpuș used to wear such clothing attire as daily outfit, but with the passing of time the traditional costume is worn only on special occasions such as on holidays, weddings, etc.       
The traditional costume is one of the most important manifestations of traditional culture, the result of the creative effort of a whole community and a real identity brand. The dominant note of the elements that compose the Romanian folk costume is the use of white fabrics made of natural f ibres (plant and animal). Particular attention is paid to the long and difficult technological processes of producing clothing elements in the world of the traditional village, weaving a whole system of beliefs and customs in this regard. The traditional production of costumes relied on local resources such as wool, hemp, linen, and cotton. The most relevant piece of this attire and the element that 
establishes the genesis of the Romanian folk costume is the shirt, which synthesises the most traditional elements and, at the same time, the most numerous artistic elements of ornamentation. In traditional spirituality, the embellishments that are used to decorate the shirt are not just decorative signs, but they have a much deeper spiritual meaning and play a protective role for the person wearing the clothing item. The symbols and various shapes embroidered on traditional costumes embody the identity of the people in a mixture and contraposition of sacred and mundane, faith and pagan superstitions, creative genius and practical functions.]]></dcterms:description>
    <dcterms:creator><![CDATA[645,646]]></dcterms:creator>
    <dcterms:source><![CDATA[10rumania,craftedobjects,romaniaobjects,taralapusuluimap]]></dcterms:source>
    <dcterms:date><![CDATA[1960-1970]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[14/09/2024]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[10/06/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[40cm x 70cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[90]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,47.493611,24.034167;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/605">
    <dcterms:title><![CDATA[Basket bag]]></dcterms:title>
    <dcterms:alternative><![CDATA[Bolso]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Basket with a cubic shape and a lid attached with two hinges. A semicircular handle allows for comfortable transport. This type of basketry from Forcinas comes from one of the most important workshops, which employed over eighty artisans during the second half of the twentieth century, known for its high quality, design, and attention to trends]]></dcterms:description>
    <dcterms:creator><![CDATA[648]]></dcterms:creator>
    <dcterms:date><![CDATA[ca. 1960/1990]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/05/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[10/06/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[21cm x 24cm x 23cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[363]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.47931293883955,-6.108989116308012;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/479">
    <dcterms:title><![CDATA[Cheese Vat]]></dcterms:title>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[A cheese vat is used in the initial stage of the cheese-making process, and the holes in the surface are
made to allow the whey to escape through them. Also, this kind of pottery is known as 'black pottery,'
which is due to the smoke used during the firing process.]]></dcterms:description>
    <dcterms:creator><![CDATA[649]]></dcterms:creator>
    <dcterms:source><![CDATA[asturiasmap]]></dcterms:source>
    <dcterms:date><![CDATA[ca. 1925/1950]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[09/04/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[10/06/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[20cm x 18cm x 16cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[323]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.537028266239496,-5.634668022394181;origin,43.24902300814434,-6.4278119802474984;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/108">
    <dcterms:title><![CDATA[Faltriquera]]></dcterms:title>
    <dcterms:description><![CDATA[ Marlén, biodigital architect and Manuel, biodigital designer and craftsman, make up the Laboratorio Biomimético, a project based on biomimesis, that is, on the attentive observation of nature, directly through field trips, or indirectly, with readings and documentaries. Through this observation and profound understanding, they seek to implement the solutions of nature, a designer with thousands of years of experience, to human challenges. One of the areas of the laboratory is ARBIO, dedicated to the production of biodegradable fabrics that the made by kÖs firm of Constantino and Yolanda uses to make some of its pieces. This collaboration is part of the key points of the lab, which seeks synergies with designers, experts, researchers, and the community in general. Constantino learned to sew with his mother and later trained in Fashion and Clothing. Inspired by his research and interest in textile history and historical recreation, he established the made by kÖs brand in 2013, combining traditional inspiration with contemporary designs, after a work of reproducing old pieces based on paintings and photographs with traditional scenes, especially from the 19th century. After a few years, Yolanda joined, who also began sewing with her mother, as well as with her grandmother and her aunts. She is in charge of reproducing the 
pieces based on Constantino’s model, as well as the more business work, related to suppliers and orders. Her line of garments, with very selected projects, are produced on a small scale and locally, proposing pieces inspired by rural areas, village life and traditional clothing, incorporating current elements to give rise to handmade designer pieces]]></dcterms:description>
    <dcterms:creator><![CDATA[652,651,650,653]]></dcterms:creator>
    <dcterms:source><![CDATA[twoasturiasspain,asturiasmap,craftedobjects,spainobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2022]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[14/09/2024]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[10/06/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[23cm x 32cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[85]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.189444,-5.467222;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/659">
    <dcterms:title><![CDATA[Traditional shoulder bag]]></dcterms:title>
    <dcterms:alternative><![CDATA[Trăistă, trăistută, desagă in Romanian]]></dcterms:alternative>
    <dcterms:description><![CDATA[The components that define the image of the traditional costume are the traiste (shoulder bags) and desagi (saddle bags). These items serve both a functional-utilitarian and an informational-aesthetic role.
Their purpose and usability distinguish them as trăistuțe (small bags), traiște (larger shoulder bags), and desagi (saddle bags).
The variation within this group of items was determined by criteria such as size, color, ornamentation, and the raw materials used. Based on the materials from which they were made, traiste and desagi could be crafted from hemp, wool, or finely woven wool (lâniță).
The way these bags were carried also differed. Trăistuțele and traiștele were worn over the shoulder or diagonally, in a style called "arcește". Desagi, on the other hand, were carried bilaterally, either over the shoulder or across a saddle. They were most commonly made from a single integral piece of fabric. Trăistuțele and traiștele were complemented by baieră, brâu, or bată, which helped support and carry them over the shoulder . These straps could be made by twisting multiple threads together, weaving them with two heddles, or handpicking the patterns. Some trăistuțe and desagi featured pave (folded extensions) that made them more spacious.
Trăistuțele were an essential accessory for children, especially for those attending school, as they were used to carry textbooks and other school supplies at the end of the 19th century and the beginning of the 20th century. According to field informants, trăistuțele were also used by children when they went Christmas carolling (colindatul) and New Year’s Eve wishing (uratul), where they collected the gifts offered by the householders as tokens of goodwill and prosperity.]]></dcterms:description>
    <dcterms:creator><![CDATA[657]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[12/06/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[04/07/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[30cm x 15cm x 23cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.memoria-ethnologica.ro/?s=traist%C4%83]]></dcterms:medium>
    <dcterms:language><![CDATA[Romanian]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[394]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,47.9667699419435,23.6999999964607;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/662">
    <dcterms:title><![CDATA[Traditional women belt]]></dcterms:title>
    <dcterms:alternative><![CDATA[Brâu]]></dcterms:alternative>
    <dcterms:description><![CDATA[One of the most important manifestations of traditional culture, the result of the creative effort of a whole community and a real brand
of identity, is the traditional/popular costume. In Maramures, the most important piece of clothing and the element that establishes the genesis of the Romanian folk costume is the shirt, which synthesizes the most traditional elements and, at the same time,
the most numerous artistic elements of ornamentation. For both man and women the belt is a defining part of the shirt, that beyond its functionality, simbolizes the magic protective circle. The women belt that in some areas of Maramures can have a length up to 4 meters it secures both the shirt and the skirt and protects the ones whom wears it from evil, ensuring prosperity and fertility. ]]></dcterms:description>
    <dcterms:creator><![CDATA[657]]></dcterms:creator>
    <dcterms:date><![CDATA[2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[12/06/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[04/07/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.memoria-ethnologica.ro/wp-content/uploads/port-traditional-natalia-lazar-56-71-82-83.pdf]]></dcterms:references>
    <dcterms:extent><![CDATA[80cm x 7cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Romanian]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[395]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,47.9667699419435,23.6999999964607;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/663">
    <dcterms:title><![CDATA[Weaving]]></dcterms:title>
    <dcterms:alternative><![CDATA[A țăse]]></dcterms:alternative>
    <dcterms:description><![CDATA[.Săpânța is not a common village, precisely because it holds on its territory a rare treasure, hard to value in money or words – CIMITIRUL VESEL (THE MERRY CEMETERY). The Merry Cemetery of Săpânța – globally unique and world value monument, where tomb’s crosses are not only guarding the graves, but they are also explicitly speaking in words. The Merry Cemetery of Săpânța, where the epitaphs, unique in the word, show the richness and originality of the Romanian life philosophy and the Romanian mentality of thinking lively and authentically even about after-life things.]]></dcterms:description>
    <dcterms:creator><![CDATA[657]]></dcterms:creator>
    <dcterms:dateSubmitted><![CDATA[12/06/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[15/09/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[Memoria Ethnologică: https://www.memoria-ethnologica.ro/articole/page/98/ ]]></dcterms:references>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[396]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,47.966669,23.7;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/738">
    <dcterms:title><![CDATA[Wool carpet]]></dcterms:title>
    <dcterms:alternative><![CDATA[Covor de lână]]></dcterms:alternative>
    <dcterms:description><![CDATA[A decorative item used in household, it distinctive for the area of Săpânța, Maramureș.]]></dcterms:description>
    <dcterms:creator><![CDATA[657]]></dcterms:creator>
    <dcterms:date><![CDATA[2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[19/06/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[04/07/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[50cm x 45cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Romanian]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[415]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,47.9667699419435,23.6999999964607;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/740">
    <dcterms:title><![CDATA[Wool blanket]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cergă]]></dcterms:alternative>
    <dcterms:description><![CDATA[A decorative item used in household, it is  distinctive for the area of Săpânța, Maramureș, because of its decorative style and colors.The Cerga de Săpânța (Săpânța wool blanket) shrinks to its proper size only in the vâltoare (a traditional water-powered washing whirlpool), whereas other cergi (wool blankets) are further processed after vâltorare by being passed through a piuă (a fulling mechanism) that beats the fabric until it reaches a pănură (felt-like texture).

The Cerga de Săpânța is woven using four heddles with a wool warp, while other cergi may also use cotton or hemp warp threads in addition to wool.]]></dcterms:description>
    <dcterms:creator><![CDATA[657]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[04/07/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.sapantamaramures.ro/cergile-cresc-copiii-din-sapanta/]]></dcterms:references>
    <dcterms:extent><![CDATA[230cm x 160cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Romanian]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[416]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,47.9667699419435,23.6999999964607;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/743">
    <dcterms:title><![CDATA[Vase from the EDRA collection]]></dcterms:title>
    <dcterms:description><![CDATA[It is an open, elongated, geometrically shaped vessel. It has faceted walls and a white glaze on
the outside with scattered coloured spots.]]></dcterms:description>
    <dcterms:creator><![CDATA[677]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2020s]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://woodic.es/edra-collection/ https://nexodos.art/natalia-suarez-en-re_hacer/]]></dcterms:references>
    <dcterms:extent><![CDATA[10cm x 17.5cm x 23cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[419]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.461389,-6.039444;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/744">
    <dcterms:title><![CDATA[Vase from the EDRA collection]]></dcterms:title>
    <dcterms:description><![CDATA[It is an open and geometrically shaped vessel. It has faceted walls and a pink engobe on the outside with scattered coloured spots.]]></dcterms:description>
    <dcterms:creator><![CDATA[677]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2020s]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://woodic.es/edra-collection/ https://nexodos.art/natalia-suarez-en-re_hacer/]]></dcterms:references>
    <dcterms:extent><![CDATA[9cm x 6.5cm x 13.5cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[420]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.461389,-6.039444;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/745">
    <dcterms:title><![CDATA[Plaster mould for the Edra collection]]></dcterms:title>
    <dcterms:description><![CDATA[Two-piece mould consisting of two hollow pieces that fit together. They are rigid and symmetrical pieces. It is made of plaster. ]]></dcterms:description>
    <dcterms:creator><![CDATA[677]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2020s]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[05/08/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://woodic.es/edra-collection/ https://nexodos.art/natalia-suarez-en-re_hacer/]]></dcterms:references>
    <dcterms:extent><![CDATA[10cm x 20cm x 28cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[421]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.461389,-6.039444;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/709">
    <dcterms:title><![CDATA[Faro's pottery]]></dcterms:title>
    <dcterms:alternative><![CDATA[Alfarería de Faro]]></dcterms:alternative>
    <dcterms:description><![CDATA[There are two types of pottery: black pottery, obtained by reducing iron-rich clay, which has been documented since the 11th century in various closed forms (puchero, barbón, penada, cider jug...), and glazed and enamelled pottery, which appears from the 13th century (escudilla, plate, jug, botijo...). The latter has the peculiarity of having two firings, the second one to fix the glaze and the paint, with geometric, vegetal and zoomorphic decorations, the most singular being the páxara, the most representative colours being green and yellow.
The 18th century was the time of greatest splendour, with more than 70 potters. The arrival of earthenware would gradually lead to a decline in activity, until the only pottery workshop that has survived since the middle of the 20th century, making pieces in the same way as they were made in the Middle Ages.]]></dcterms:description>
    <dcterms:creator><![CDATA[681]]></dcterms:creator>
    <dcterms:dateSubmitted><![CDATA[18/06/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[18/06/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[de Aldecoa, E. I. (1985). La cerámica vidriada de Faro: motivos decorativos. Liño: Revista anual de historia del arte, (5), 235-246. Busto, M. (2021). Sistematización arqueológica de las producciones de cerámica esmaltada y vidriada de Faro de Liminas (Astrurias, España) desde el siglo XVI al XVIII. Jaén: UJA Editorial. Menéndez, J. J. A. (1997). Un ejemplo de continuidad en la producción de ceràmica desde la Edad Media al siglo XX: Faro (Asturies-España). Olaria: Estudos Arqueológicos, Históricos e Etnológicos, (2), 93-100. https://www.youtube.com/watch?v=I_FpkQ5c6jM https://www.google.com/search?q=videos+taller+de+faro+ceramica&rlz=1C1RLNS_esES958ES961]]></dcterms:references>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[406]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.355833,-5.794167;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/746">
    <dcterms:title><![CDATA[Vessel to drain the whey from the cheese]]></dcterms:title>
    <dcterms:alternative><![CDATA[Quesera]]></dcterms:alternative>
    <dcterms:description><![CDATA[Black ceramic vessel, made on a foot-powered wheel, with a smooth and blackened surface. It has a truncated-conical shape, with the base diameter smaller than the mouth, which is completely open. The walls and base feature circular perforations.]]></dcterms:description>
    <dcterms:creator><![CDATA[681]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects]]></dcterms:source>
    <dcterms:date><![CDATA[Unknown]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[04/07/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[14.5cm x 8.5cm x 11.5cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[422]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.3559346837855,-5.79416670380603;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/710">
    <dcterms:title><![CDATA[Jet culture]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cultura del azabache]]></dcterms:alternative>
    <dcterms:description><![CDATA[The presence of high-quality jet deposits in Asturias enabled, since ancient times, its mining and artisanal use, giving rise to a culture centered around the properties of this unique mineral. Its believed protective nature generated strong demand for handcrafted creations, which were sold mainly outside the region, both in traditional forms like amulets and in more unique versions, as various pieces of jewelry]]></dcterms:description>
    <dcterms:creator><![CDATA[683]]></dcterms:creator>
    <dcterms:dateSubmitted><![CDATA[18/06/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[18/06/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.youtube.com/watch?v=X7CzYi6DnR0 Campón, E., Fernández, C. J., & Solans, J. (1978). El azabache de los yacimientos de Oles (Asturias). Trabajos de Geología, (10), 161-167. Vevia, M. V. B. (2024). El azabache asturiano y la reina Victoria. ArqueoTimes, (9), 36-38. Mata, Á. F. (2005). Iconografía jacobea en azabache. Los Caminos de Santiago. Arte, Historia y Literatura, 169-212. Menéndez Menéndez, A. (2021, January). Aproximación al pasado, presente y futuro de la industria azabachera, un patrimonio cultural, material e inmaterial, en vías de extinción. In I Simposio anual de Patrimonio Natural y Cultural ICOMOS España (pp. 479-492). Editorial Universitat Politècnica de València.]]></dcterms:references>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[407]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/751">
    <dcterms:title><![CDATA[Pendant &quot;Rosette of Oviedo&quot;]]></dcterms:title>
    <dcterms:alternative><![CDATA[Rosetón de Oviedo]]></dcterms:alternative>
    <dcterms:description><![CDATA[A circular pendant made of silver and jet. The central part of the jet features an ornamental circular design with a pattern associated with the Gothic rosette of the Oviedo cathedral]]></dcterms:description>
    <dcterms:creator><![CDATA[683]]></dcterms:creator>
    <dcterms:source><![CDATA[asturiasmap,craftedobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2018]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[21/09/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.youtube.com/watch?v=m1hV1Oz1jHY]]></dcterms:references>
    <dcterms:extent><![CDATA[6.1 (diameter)cm x 6.1 (diameter)cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[553]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.480178,-5.43423190753304;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/752">
    <dcterms:title><![CDATA[Pendant &quot;Marine&quot;]]></dcterms:title>
    <dcterms:alternative><![CDATA[Marine]]></dcterms:alternative>
    <dcterms:description><![CDATA[A unique piece where the carved and polished jet serves as the base, while the black opal set in silver hangs from its side, achieving a sophisticated and artisanal design.]]></dcterms:description>
    <dcterms:creator><![CDATA[683]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[10/07/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[85cm x 15cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[427]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.480178,-5.43423190753304;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/753">
    <dcterms:title><![CDATA[Pendant]]></dcterms:title>
    <dcterms:alternative><![CDATA[Colgante]]></dcterms:alternative>
    <dcterms:description><![CDATA[Double-sided pendant in which a carved jet piece with a traditional Asturian design is set in a repoussé silver piece representing the Asturian mountains]]></dcterms:description>
    <dcterms:creator><![CDATA[683]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2020s]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[10/07/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[3.5cm x 2cm x 0.5cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[428]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.480178,-5.43423190753304;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/719">
    <dcterms:title><![CDATA[Wool fiber processing]]></dcterms:title>
    <dcterms:description><![CDATA[The know-how about curating, harvesting and selecting the best parts of the sheep wool and different uses according to its natural properties: socks, sweaters, woven fabrics and felted wools. Different breeds will shed different wool textures. Banking on traditional knowledge, finding the best kinds of wool from different sheep breeds and applying it to modern uses comes from cycles of investigation and practice developed throughout the decades. The yarn is colored using natural dyes many of which have been used for centuries. ]]></dcterms:description>
    <dcterms:creator><![CDATA[687]]></dcterms:creator>
    <dcterms:dateSubmitted><![CDATA[19/06/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[04/07/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://lofoten-wool.no/en https://www.nibio.no/prosjekter/amazing-grazing-baerekraftig-kjott-og-ull-fra-sau-som-beiter-i-norsk-utmark?locationfilter=true https://www.smabrukarlaget.no/aktuelt/bonde-og-smaabruker/, https://www.norskekunsthandverkere.no/kunstnerregister/ragnhild-lie https://husflid.no/ https://www.utdanningsforbundet.no/ https://www.bondelaget.no/ Esther Haukeland, Innføring til plantefarging. Cappellen, 1982. Animalia: Norwegian wool Standard. https://www.animalia.no/no/Dyr/ull-og-ullklassifisering/norsk-ullstandard/  Beder, Nicolina J., Seyður Ull Tøting. SPF. Sprotin, 2010. Flååt, Inger. Votter i Namdalen. Nauma Husflidslag, 2010. Grimstad, Ingun K. and Sårdal, Tone t. Norsk Strikkehistorie. Vormedal Forlag. 2018. Grimstad, Ingun K. and Sårdal, Tone T. Ren ull. Aschehoug, 2013. Hrútaskrá. https://www.rml.is/is/kynbotastarf/saudfjarraekt/hrutaskra Joensen, Robert. Seyðabókin. SPF. Sprotin, 2015. Johnston, Elizabeth and Juuhl, Marta K. The warp-weighted loom. Kljásteinavefstadurinn: kljásteinar klingja. Oppstadveven: klingande steinar. Skald, 2016. Kjellmo, Ellen. Båtrya i gammel og nyt tid. Orkana, 1996. Sundbø, Annemor. Usynlege Trådar i Strikkekunsten. Samlaget, 2006. https://www.norskebilledkunstnere.no/]]></dcterms:references>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:language><![CDATA[Norwegian]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[409]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,68.1490556685704,13.7622515654953;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/721">
    <dcterms:title><![CDATA[Knitting and weaving practices]]></dcterms:title>
    <dcterms:description><![CDATA[The know-how about curating, harvesting and selecting the best parts of the sheep wool and different uses according to its natural properties: socks, sweaters, woven fabrics and felted wools. Knitting has been a practiced traditionally carried out at home by women. Spinning, knitting and weaving was common knowledge un homes up until 100 years ago, when industrial production begun to take over home-made textiles. Knitting culture has survived in Lofoten to greater extends than in other European countries, and traditional pattern and techniques are still known. Every piece of clothing, being socks, sweaters, mittens or hats, requiere speceific knowledge about stitch density, patterning and wool texture. When industrial dyes were not widely available, local natural plants and likens would do the coloring. The knowledge about plant use was mostly orally transmitted for generations. Currently, some of said traditions can be found in crafting manuals and school education, all of which is used to produce unique sweaters in Lofoten wool. ]]></dcterms:description>
    <dcterms:creator><![CDATA[687]]></dcterms:creator>
    <dcterms:dateSubmitted><![CDATA[19/06/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://lofoten-wool.no/en/pages/menneskene https://lofoten-wool.no/en https://www.nibio.no/prosjekter/amazing-grazing-baerekraftig-kjott-og-ull-fra-sau-som-beiter-i-norsk-utmark?locationfilter=true https://www.smabrukarlaget.no/aktuelt/bonde-og-smaabruker/, https://www.norskekunsthandverkere.no/kunstnerregister/ragnhild-lie https://husflid.no/ https://www.utdanningsforbundet.no/ https://www.bondelaget.no/ Esther Haukeland, Innføring til plantefarging. Cappellen, 1982. Animalia: Norwegian wool Standard. https://www.animalia.no/no/Dyr/ull-og-ullklassifisering/norsk-ullstandard/  Beder, Nicolina J., Seyður Ull Tøting. SPF. Sprotin, 2010. Flååt, Inger. Votter i Namdalen. Nauma Husflidslag, 2010. Grimstad, Ingun K. and Sårdal, Tone t. Norsk Strikkehistorie. Vormedal Forlag. 2018. Grimstad, Ingun K. and Sårdal, Tone T. Ren ull. Aschehoug, 2013. Hrútaskrá. https://www.rml.is/is/kynbotastarf/saudfjarraekt/hrutaskra Joensen, Robert. Seyðabókin. SPF. Sprotin, 2015. Johnston, Elizabeth and Juuhl, Marta K. The warp-weighted loom. Kljásteinavefstadurinn: kljásteinar klingja. Oppstadveven: klingande steinar. Skald, 2016. Kjellmo, Ellen. Båtrya i gammel og nyt tid. Orkana, 1996. Sundbø, Annemor. Usynlege Trådar i Strikkekunsten. Samlaget, 2006. https://www.norskebilledkunstnere.no/]]></dcterms:references>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:language><![CDATA[Norwegian]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[410]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,68.1490556685704,13.7622515654953;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/754">
    <dcterms:title><![CDATA[Full Storm yarn skein, raw color]]></dcterms:title>
    <dcterms:alternative><![CDATA[Full Storm ullnøste rå farge]]></dcterms:alternative>
    <dcterms:description><![CDATA[Yarn skein made out of Gammalnorsk sheep breed from the Lofoten islands, raw color.]]></dcterms:description>
    <dcterms:creator><![CDATA[687]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[10/07/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://lofoten-wool.no/en https://www.nibio.no/prosjekter/amazing-grazing-baerekraftig-kjott-og-ull-fra-sau-som-beiter-i-norsk-utmark?locationfilter=true https://www.smabrukarlaget.no/aktuelt/bonde-og-smaabruker/, https://www.norskekunsthandverkere.no/kunstnerregister/ragnhild-lie https://husflid.no/ https://www.utdanningsforbundet.no/ https://www.bondelaget.no/ Esther Haukeland, Innføring til plantefarging. Cappellen, 1982. Animalia: Norwegian wool Standard. https://www.animalia.no/no/Dyr/ull-og-ullklassifisering/norsk-ullstandard/  Beder, Nicolina J., Seyður Ull Tøting. SPF. Sprotin, 2010. Flååt, Inger. Votter i Namdalen. Nauma Husflidslag, 2010. Grimstad, Ingun K. and Sårdal, Tone t. Norsk Strikkehistorie. Vormedal Forlag. 2018. Grimstad, Ingun K. and Sårdal, Tone T. Ren ull. Aschehoug, 2013. Hrútaskrá. https://www.rml.is/is/kynbotastarf/saudfjarraekt/hrutaskra Joensen, Robert. Seyðabókin. SPF. Sprotin, 2015. Johnston, Elizabeth and Juuhl, Marta K. The warp-weighted loom. Kljásteinavefstadurinn: kljásteinar klingja. Oppstadveven: klingande steinar. Skald, 2016. Kjellmo, Ellen. Båtrya i gammel og nyt tid. Orkana, 1996. Sundbø, Annemor. Usynlege Trådar i Strikkekunsten. Samlaget, 2006. https://www.norskebilledkunstnere.no/]]></dcterms:references>
    <dcterms:language><![CDATA[Norwegian]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[429]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,68.1490556685704,13.7622515654953;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/755">
    <dcterms:title><![CDATA[Grey seagul skein]]></dcterms:title>
    <dcterms:alternative><![CDATA[Gråmåke nøste]]></dcterms:alternative>
    <dcterms:description><![CDATA[Yarn skein made out of Kvit Sau sheep breed from the Lofoten islands. It is dyed using local reinfann (Tanacetum vulgare). Double thread yarn, 315m pr. 100g.]]></dcterms:description>
    <dcterms:creator><![CDATA[687]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[10/07/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://lofoten-wool.no/en
https://www.nibio.no/prosjekter/amazing-grazing-baerekraftig-kjott-og-ull-fra-sau-som-beiter-i-norsk-utmark?locationfilter=true
https://www.smabrukarlaget.no/aktuelt/bonde-og-smaabruker/,
https://www.norskekunsthandverkere.no/kunstnerregister/ragnhild-lie
https://husflid.no/
https://www.utdanningsforbundet.no/
https://www.bondelaget.no/
Esther Haukeland, Innføring til plantefarging. Cappellen, 1982.
Animalia: Norwegian wool Standard. https://www.animalia.no/no/Dyr/ull-og-ullklassifisering/norsk-ullstandard/ 
Beder, Nicolina J., Seyður Ull Tøting. SPF. Sprotin, 2010.
Flååt, Inger. Votter i Namdalen. Nauma Husflidslag, 2010.
Grimstad, Ingun K. and Sårdal, Tone t. Norsk Strikkehistorie. Vormedal Forlag. 2018.
Grimstad, Ingun K. and Sårdal, Tone T. Ren ull. Aschehoug, 2013.
Hrútaskrá. https://www.rml.is/is/kynbotastarf/saudfjarraekt/hrutaskra
Joensen, Robert. Seyðabókin. SPF. Sprotin, 2015.
Johnston, Elizabeth and Juuhl, Marta K. The warp-weighted loom. Kljásteinavefstadurinn: kljásteinar klingja. Oppstadveven: klingande steinar. Skald, 2016.
Kjellmo, Ellen. Båtrya i gammel og nyt tid. Orkana, 1996.
Sundbø, Annemor. Usynlege Trådar i Strikkekunsten. Samlaget, 2006.
https://www.norskebilledkunstnere.no/]]></dcterms:references>
    <dcterms:extent><![CDATA[26cm x 12cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Norwegian]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[430]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,68.1490556685704,13.7622515654953;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/758">
    <dcterms:title><![CDATA[Indigo Shwall]]></dcterms:title>
    <dcterms:alternative><![CDATA[Indigo Sjal]]></dcterms:alternative>
    <dcterms:description><![CDATA[A square-shapen woven shall made out of locally sourced wool from the Lofoten Islands, died with Indigo.]]></dcterms:description>
    <dcterms:creator><![CDATA[687]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[10/07/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://lofoten-wool.no/en
https://www.nibio.no/prosjekter/amazing-grazing-baerekraftig-kjott-og-ull-fra-sau-som-beiter-i-norsk-utmark?locationfilter=true
https://www.smabrukarlaget.no/aktuelt/bonde-og-smaabruker/,
https://www.norskekunsthandverkere.no/kunstnerregister/ragnhild-lie
https://husflid.no/
https://www.utdanningsforbundet.no/
https://www.bondelaget.no/
Esther Haukeland, Innføring til plantefarging. Cappellen, 1982.
Animalia: Norwegian wool Standard. https://www.animalia.no/no/Dyr/ull-og-ullklassifisering/norsk-ullstandard/ 
Beder, Nicolina J., Seyður Ull Tøting. SPF. Sprotin, 2010.
Flååt, Inger. Votter i Namdalen. Nauma Husflidslag, 2010.
Grimstad, Ingun K. and Sårdal, Tone t. Norsk Strikkehistorie. Vormedal Forlag. 2018.
Grimstad, Ingun K. and Sårdal, Tone T. Ren ull. Aschehoug, 2013.
Hrútaskrá. https://www.rml.is/is/kynbotastarf/saudfjarraekt/hrutaskra
Joensen, Robert. Seyðabókin. SPF. Sprotin, 2015.
Johnston, Elizabeth and Juuhl, Marta K. The warp-weighted loom. Kljásteinavefstadurinn: kljásteinar klingja. Oppstadveven: klingande steinar. Skald, 2016.
Kjellmo, Ellen. Båtrya i gammel og nyt tid. Orkana, 1996.
Sundbø, Annemor. Usynlege Trådar i Strikkekunsten. Samlaget, 2006.
https://www.norskebilledkunstnere.no/]]></dcterms:references>
    <dcterms:extent><![CDATA[210cm x 70cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Norwegian]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[432]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,68.1490556685704,13.7622515654953;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/759">
    <dcterms:title><![CDATA[Sweater Islender Johannes Folger&oslash;]]></dcterms:title>
    <dcterms:alternative><![CDATA[Genser Islender Johannes Folgero]]></dcterms:alternative>
    <dcterms:description><![CDATA[Sweater Inspired by the historical photo of the North-Norwegian fisherman Johanner Folgerø. The pattern desing became popular from the charismatic photo of the fisherman. These photos were taken on the occasion of the fishing exhibition in Bodø in 1904. The organizers wanted a photograph of a typical northern Norwegian fisherman, for use in marketing. The photographer Louise Engen from Bodø took the photos with Johannes Folgerø from Sandnessjøen as a model. He was 52 years old at the time, a fisherman and a well-known seiner, originally from Finnås in Hordaland. Folgerø had probably moved to Helgeland around 1870, in connection with the rich herring fishery. After a period on Dønna, where he also married, the family settled in Sandnes in Sandnessjøen. Around 1893, Folgerø bought a seiner together with merchant Otto Koch in Bodø. The photos belong to the museum's Lillegaard collection. Lofoten wool has taken this traditional knitting pattern and transformed into its own design, giving a new ligth to the emblematic design. The origin of the pattern is probably from the Feroe islands, since it was from there where many Norwegian fisherman got their sweaters at the end of the 19th and beginning of the 20th centuries. The Faroe Islands where great exporters of knitted goods to Scandinavia, but the history of this sweater needs to be researched in depth, something Ranghild is looking forward to do. ]]></dcterms:description>
    <dcterms:creator><![CDATA[687]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[10/07/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://lofoten-wool.no/en
https://www.nibio.no/prosjekter/amazing-grazing-baerekraftig-kjott-og-ull-fra-sau-som-beiter-i-norsk-utmark?locationfilter=true
https://www.smabrukarlaget.no/aktuelt/bonde-og-smaabruker/,
https://www.norskekunsthandverkere.no/kunstnerregister/ragnhild-lie
https://husflid.no/
https://www.utdanningsforbundet.no/
https://www.bondelaget.no/
Esther Haukeland, Innføring til plantefarging. Cappellen, 1982.
Animalia: Norwegian wool Standard. https://www.animalia.no/no/Dyr/ull-og-ullklassifisering/norsk-ullstandard/ 
Beder, Nicolina J., Seyður Ull Tøting. SPF. Sprotin, 2010.
Flååt, Inger. Votter i Namdalen. Nauma Husflidslag, 2010.
Grimstad, Ingun K. and Sårdal, Tone t. Norsk Strikkehistorie. Vormedal Forlag. 2018.
Grimstad, Ingun K. and Sårdal, Tone T. Ren ull. Aschehoug, 2013.
Hrútaskrá. https://www.rml.is/is/kynbotastarf/saudfjarraekt/hrutaskra
Joensen, Robert. Seyðabókin. SPF. Sprotin, 2015.
Johnston, Elizabeth and Juuhl, Marta K. The warp-weighted loom. Kljásteinavefstadurinn: kljásteinar klingja. Oppstadveven: klingande steinar. Skald, 2016.
Kjellmo, Ellen. Båtrya i gammel og nyt tid. Orkana, 1996.
Sundbø, Annemor. Usynlege Trådar i Strikkekunsten. Samlaget, 2006.
https://www.norskebilledkunstnere.no/]]></dcterms:references>
    <dcterms:extent><![CDATA[71cm x 152cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Norwegian]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[433]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,68.1490556685704,13.7622515654953;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/725">
    <dcterms:title><![CDATA[Hot and warm forging of a bird form by hand, and machanical hammer]]></dcterms:title>
    <dcterms:alternative><![CDATA[Varm smiinig av fygel med hånd,og  mekanisk hammer ]]></dcterms:alternative>
    <dcterms:description><![CDATA[Forging is working with iron, and other metals.Warm and hot forming requires a forge to warm up the metals, The hot and warm metals can be formed into shapes with the help of hammers, anvil, pliers and other tools. The different warming, temperatures and cooling methodes give different reults and properties to the finished products. ]]></dcterms:description>
    <dcterms:creator><![CDATA[689]]></dcterms:creator>
    <dcterms:dateSubmitted><![CDATA[19/06/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://nordnorge.com/aktiviteter/smeden-i-sund-smir-skarver-pa-stein/ https://eng.handverksinstituttet.no/ https://norsksmedforening.wordpress.com/ Bergland, Håvar: Kunsten å smi: teknikk of tradisjon, Gyldendal yrkesopplæring, 2000 Bergland, Håvar: Knivsmeden : knvimakerarbeid og smiing  Pehrson, Sjur Axel: Smedarbeid - vg2 og vg3, Yrkeslitteratur, 2009. Wefring, Christoffer-Gørrissen, Johan : Konstruksjons- og Verktøystål. Anvendelse og varmebehandling. Oslo, 1971 Norén, Karl-Gunnar-Enander, Lars: Nya järnsmidesboken. Nielsen Norén Förlag, 2008. Silje Sandø Rullestad:Den norrøne jernaldersmeden i tekst og kontekst Masteroppgave i arkeologi IAKH Det humanistiske fakultet Universitetet i Oslo Vår 2007 https://www.nb.no/items/8a8865bf9110dbe9f467b0267d2e3b9d?page=7&searchText=%22tor-vegard%20m%C3%B8rkved%22 https://www.nb.no/items/61c68e36aa516c4aa9cca0c97e99d4fa?page=3&searchText=kongeskarven https://www.nb.no/items/c0240c5d62c4528b227147d06f3d68ba?page=17&searchText=%22tor-vegard%20m%C3%B8rkved%22 https://www.nb.no/items/0b1664793a4dc5032499662692b054bc?page=0&searchText=%22kong%20olav%20V%22]]></dcterms:references>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:language><![CDATA[Norwegian]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[411]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,68.004948,13.207371;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/760">
    <dcterms:title><![CDATA[Sitting small cormonrant with brass colour]]></dcterms:title>
    <dcterms:alternative><![CDATA[Sittende liten skarv med messing farge]]></dcterms:alternative>
    <dcterms:description><![CDATA[Metal sculpture of a cormorant, a native seabird in Lofoten. The bird is sitting on a naturally rounded stone, looking upwards with its peek towards the sky. The sculpture has a brass shine, by brushing brass ontot the hot surface.

The form is an alternative to the well-known king cormorant sculpture, that is a "signiture" product from the Blacksmith in Sund, and is one of the oldest hand crafted memorabilia still in producation from Lofoten.

That version is very like the famous cormorant sculpture, King Olav V. recieved in 1963 from the previous blachsmiht of Sund. ]]></dcterms:description>
    <dcterms:creator><![CDATA[689]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[05/08/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://smedenisund.no/nettbutikk/
https://www.nb.no/items/6d10de6230df63d278e6a9e1fef16ec8?page=11&searchText=%22tor%20vegard%20m%C3%B8rkved%22
Asbjørnsen, P. Chr. (Peter Christen): Skarvene fra Utrøst. Cappelen, 1974
Gansum, Terje: Fra jern til stål : mytologiske og rituelle aspekter i teknologiske prosesser. Borre, Midgard historisk senter, 2002.
https://www.nb.no/items/0b1664793a4dc5032499662692b054bc?page=7&searchText=%22kong%20olav%20v.%22%20%20gjertsen
https://www.nb.no/items/7c395122e3290def1768522b23f730db?page=19&searchText=%22kong%20olav%20v.%22%20%20gjertsen
https://www.nb.no/items/0b1664793a4dc5032499662692b054bc?page=0&searchText=%22kong%20olav%20V%22]]></dcterms:references>
    <dcterms:extent><![CDATA[7cm x 9cm x 15cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Norwegian]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[434]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,68.004948,13.207371;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/761">
    <dcterms:title><![CDATA[Sea eagle with fish]]></dcterms:title>
    <dcterms:alternative><![CDATA[Ørn med fisk, Havørn]]></dcterms:alternative>
    <dcterms:description><![CDATA[Metal sculpture of a sea eagle, a predatory seabird native to Lofoten. The bird stands on a naturally rounded base stone, holding a fish in its talons. The object has a golden sheen, which is the result of brushing brass to a hot surface. The object is signed and marked with a year of making on the buttom of the base stone. ]]></dcterms:description>
    <dcterms:creator><![CDATA[689]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[05/08/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.nb.no/items/d3de24906933c078089a792b4b5d4c3f?page=13&searchText=%22tor-vegard%20m%C3%B8rkved%22
https://smedenisund.no/nettbutikk/
https://www.nb.no/items/6d10de6230df63d278e6a9e1fef16ec8?page=11&searchText=%22tor%20vegard%20m%C3%B8rkved%22
https://www.nb.no/items/0b1664793a4dc5032499662692b054bc?page=7&searchText=%22kong%20olav%20v.%22%20%20gjertsen
https://www.nb.no/items/7c395122e3290def1768522b23f730db?page=19&searchText=%22kong%20olav%20v.%22%20%20gjertsen
https://www.nb.no/items/0b1664793a4dc5032499662692b054bc?page=0&searchText=%22kong%20olav%20V%22]]></dcterms:references>
    <dcterms:extent><![CDATA[14cm x 39cm x 25cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Norwegian]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[435]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,68.004948,13.207371;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/762">
    <dcterms:title><![CDATA[Walking human figure]]></dcterms:title>
    <dcterms:alternative><![CDATA[Menneskefigur]]></dcterms:alternative>
    <dcterms:description><![CDATA[A human figure, designed and created by Tor-Vegard. A dynamic and minimalistic interpretation of a walking human figure, with long limbs and simple facial features. The figure stands on a rectangular foot, that is marked with the practitioners stample. ]]></dcterms:description>
    <dcterms:creator><![CDATA[689]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[05/08/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.lofotposten.no/turisme/dette-skjer-nar-smeden-har-rolige-dager/s/5-29-18760
https://www.smedenisund.no/museet.html
https://www.smedenisund.no/hva_skjer.html
SMEDEN I SUND - SUND FISKERIMUSEUM - Smia og museets historie
https://www.barnasnorge.no/aktiviteter/sund-fiskerimuseum-og-smeden-i-sund
https://arkivinordland.no/fylkesleksikon/innhold/hendelser-og-historie/smeden-i-sund.37737.aspx
https://www.visitnorway.com/listings/the-blacksmith-of-sund-sund-fisherymuseum-entrance/208940/
https://visitlofoten.com/aktivitet/museum/smeden-i-sund-sund-fiskerimuseum-inngang/
https://www.lofoten-info.no/sund-mus.htm]]></dcterms:references>
    <dcterms:extent><![CDATA[14cm x 7cm x 29cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Norwegian]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[436]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,68.004948,13.207371;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/763">
    <dcterms:title><![CDATA[&quot;King Cormonrant&quot;, Great cormorant with spread wings]]></dcterms:title>
    <dcterms:alternative><![CDATA[Kongeskarven, storkarv med åpent vinger]]></dcterms:alternative>
    <dcterms:description><![CDATA[Metal sculpture of a great cormorant, a native seabird, with it´s wings spread. The bird is looking towards the sky and spreads it´s wings. The bird sits on a naturally rounded and grinded stone. The sculpture has a brass shine effect, that is a resutl of brushing brass onto the hot surface. The "King Cormorant" or "Kongeskarven" is the signature product of the practitioner and the Forge in Sund. The object is signed and dated on the buttom. (see attached media)]]></dcterms:description>
    <dcterms:creator><![CDATA[689]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[05/08/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://smedenisund.no/nettbutikk/ https://www.nb.no/items/6d10de6230df63d278e6a9e1fef16ec8?page=11&amp;searchText=%22tor%20vegard%20m%C3%B8rkved%22 Asbjørnsen, P. Chr. (Peter Christen): Skarvene fra Utrøst. Cappelen, 1974 Gansum, Terje: Fra jern til stål : mytologiske og rituelle aspekter i teknologiske prosesser. Borre, Midgard historisk senter, 2002. https://www.nb.no/items/0b1664793a4dc5032499662692b054bc?page=7&amp;searchText=%22kong%20olav%20v.%22%20%20gjertsen https://www.nb.no/items/7c395122e3290def1768522b23f730db?page=19&amp;searchText=%22kong%20olav%20v.%22%20%20gjertsen https://www.nb.no/items/0b1664793a4dc5032499662692b054bc?page=0&amp;searchText=%22kong%20olav%20V%22 https://nordnorge.com/en/aktiviteter/the-blacksmith-of-sund-offers-an-iron-souvenir-you-wont-be-finding-elsewhere/]]></dcterms:references>
    <dcterms:extent><![CDATA[8cm x 20.5cm x 15cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Norwegian]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[527]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,68.004948,13.207371;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/764">
    <dcterms:title><![CDATA[Great cormorant with wings]]></dcterms:title>
    <dcterms:alternative><![CDATA[Kongeskarven, storkarv med vinger, "turist skarv"]]></dcterms:alternative>
    <dcterms:description><![CDATA[Metal sculpture of a gret cormorant, with a less detailed wing. The bird is looking towards the sky and opens up its wings.  ]]></dcterms:description>
    <dcterms:creator><![CDATA[689]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[05/08/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:language><![CDATA[Norwegian]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[437]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,68.004948,13.207371;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/727">
    <dcterms:title><![CDATA[Entrelac]]></dcterms:title>
    <dcterms:alternative><![CDATA[Näverstickning / Kontsrikk on the Norweigian side of the Finn forest]]></dcterms:alternative>
    <dcterms:description><![CDATA[Entrelac is a knitting technique that is strongly reminicent of woven/braided birch back, which is traditionally made and used in the area. See RV_CP_01(01)]]></dcterms:description>
    <dcterms:creator><![CDATA[695]]></dcterms:creator>
    <dcterms:dateSubmitted><![CDATA[19/06/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[15/09/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[Marias vantar. En bok om näverstickning - vantar, mössor, småslöjd. Inez Assk ISBN9789186699659 Kontstrikk. Ruth Gullbekk Bolstad. ISBN9788291195353]]></dcterms:references>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:language><![CDATA[Swedish]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[412]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,59.8376399,13.1230106;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/771">
    <dcterms:title><![CDATA[Wool mittens with entrelac technique]]></dcterms:title>
    <dcterms:alternative><![CDATA[Näverstickad ullvante]]></dcterms:alternative>
    <dcterms:description><![CDATA[Pattern knitted mitten in entrelac and stockinette stitch with cable knitted collar in two colors of rauma (company name) fine wool yarn. The pattern depicts a reindeer.]]></dcterms:description>
    <dcterms:creator><![CDATA[695]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects,varmlandmap]]></dcterms:source>
    <dcterms:date><![CDATA[2010s]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[24/03/2026]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[32cm x 9cm x 9cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Swedish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[444]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,59.8376399,13.1230106;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/772">
    <dcterms:title><![CDATA[Wool glove with entrelac technique]]></dcterms:title>
    <dcterms:alternative><![CDATA[Näverstickad fingervante]]></dcterms:alternative>
    <dcterms:description><![CDATA[Knitted gloves in entrelac, stockinette and purl stitch in white made with rauma (company name) lambs wool yarn and enbroided with flowers in a salmon pink for decorations using leftover yarn. The gloves also bear the emblem "Utmärkt värmländsk slöjd" which translates to "craft from Värmland of extraordinaty quality", awarded to toptier quality by a jury of the local regional crafts association.]]></dcterms:description>
    <dcterms:creator><![CDATA[695]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects,varmlandmap]]></dcterms:source>
    <dcterms:date><![CDATA[2010s]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[24/03/2026]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[28cm x 9cm x 9cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Swedish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[445]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,59.8376399,13.1230106;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/773">
    <dcterms:title><![CDATA[Wool mittens with entrelac technique]]></dcterms:title>
    <dcterms:alternative><![CDATA[Näverstickad vante]]></dcterms:alternative>
    <dcterms:description><![CDATA[A wool mitten entirely knitted in entrelac. It's composed with two different grey yarns, with red details and embroidery with grey yarns.]]></dcterms:description>
    <dcterms:creator><![CDATA[695]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects,varmlandmap]]></dcterms:source>
    <dcterms:date><![CDATA[2010s]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[24/03/2026]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[30cm x 9cm x 9cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Swedish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[446]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,59.8376399,13.1230106;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/774">
    <dcterms:title><![CDATA[Knitted hat in entrelac]]></dcterms:title>
    <dcterms:alternative><![CDATA[Mössa med näverstickning]]></dcterms:alternative>
    <dcterms:description><![CDATA[Knitted hat with brim in entrelac technique in orange, yellow, grey and black with two felted wool pompoms]]></dcterms:description>
    <dcterms:creator><![CDATA[695]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects,varmlandmap]]></dcterms:source>
    <dcterms:date><![CDATA[2010s]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[24/03/2026]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[22cm x 56cm x 9cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Swedish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[447]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,59.8376399,13.1230106;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/775">
    <dcterms:title><![CDATA[Mittens in entrelac]]></dcterms:title>
    <dcterms:alternative><![CDATA[Näverstickad vante]]></dcterms:alternative>
    <dcterms:description><![CDATA[Mitten knitted in entrelac that is shaped to fit the wrist and flair out towards the arm. White, black and salmon. Pattern is knitted in a pattern of stars/eight petal rose.]]></dcterms:description>
    <dcterms:creator><![CDATA[695]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects,varmlandmap]]></dcterms:source>
    <dcterms:date><![CDATA[2010s]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[24/03/2026]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[34cm x 10cm x 9cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Swedish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[448]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,59.8376399,13.1230106;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/732">
    <dcterms:title><![CDATA[Felting]]></dcterms:title>
    <dcterms:alternative><![CDATA[Tovning/filtning]]></dcterms:alternative>
    <dcterms:description><![CDATA[Felting is a technique of joining fibers together. It can be done dry or wet, and Carina Haglund uses wet felting. In Swedish there are two different words usually used for felting: “tovning” which is most used, or “filtning”. “Tovning” can also be translated to roughly “tangling [of fibers]”, whereas “filtning” has the same etymology root as “felt” in English. Filtning (or felting in English) is done wet, and Haglund expresses that she rather presents what she makes in her studio as filtning, rather than tovning.]]></dcterms:description>
    <dcterms:creator><![CDATA[701]]></dcterms:creator>
    <dcterms:dateSubmitted><![CDATA[19/06/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[Tova- gammal teknik på nytt sätt. Gunilla Paetau Sjöberg Får boken- Anders Jansson, Nina Östman Felt passion- Ellen Bakker, RIchard Assman Att välja färg- Berit Bergström]]></dcterms:references>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:language><![CDATA[Swedish]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[413]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,59.729006,13.322161;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/776">
    <dcterms:title><![CDATA[Pot]]></dcterms:title>
    <dcterms:alternative><![CDATA[Kruka]]></dcterms:alternative>
    <dcterms:description><![CDATA[A felted pot that's wet felted with a glas cylinder placed inside, so it can function as a water tight pot for e.g. a plant or a flower arrangement.]]></dcterms:description>
    <dcterms:creator><![CDATA[701]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2019]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[05/08/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[26cm x 15cm x 0.8cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Swedish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[449]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,59.729006,13.322161;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/777">
    <dcterms:title><![CDATA[Seat cushion]]></dcterms:title>
    <dcterms:alternative><![CDATA[Sittdyna]]></dcterms:alternative>
    <dcterms:description><![CDATA[A felted seat cushion in 100% wool in a checkered pattern of a mustad yellow and burnt sierra orange on top of grey wool (peaking through in cracks of colour). At two ends there's a elastic ribbon and a coresponding wooden button.]]></dcterms:description>
    <dcterms:creator><![CDATA[701]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2022]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[05/08/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[42cm x 34cm x 0.5cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Swedish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[450]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,59.729006,13.322161;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/778">
    <dcterms:title><![CDATA[Cushion]]></dcterms:title>
    <dcterms:alternative><![CDATA[Kudde]]></dcterms:alternative>
    <dcterms:description><![CDATA[A felted cushion - mustard yellow, black and white. The cushion's case is made of wool and is adorned in the shape of a stylized sun. The pillow inside is made of feathers. ]]></dcterms:description>
    <dcterms:creator><![CDATA[701]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[48cm x 48cm x 16cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Swedish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[451]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,59.729006,13.322161;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/780">
    <dcterms:title><![CDATA[Lampshade]]></dcterms:title>
    <dcterms:alternative><![CDATA[Lampskärm]]></dcterms:alternative>
    <dcterms:description><![CDATA[A lampshade in white merino wool. As a interior decoration either for ceilings or mounted on a lamp on foot. ]]></dcterms:description>
    <dcterms:creator><![CDATA[701]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2022]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x 20 (top), 33,5 (base)cm x 27.5cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Swedish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[453]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,59.729006,13.322161;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/779">
    <dcterms:title><![CDATA[Carpet]]></dcterms:title>
    <dcterms:alternative><![CDATA[Matta]]></dcterms:alternative>
    <dcterms:description><![CDATA[A carpet with pattern in needle punched felt, sturdy enough for being used as a floor carpet. It can also be hung on walls. The carpet has both warming and sound damping qualities.]]></dcterms:description>
    <dcterms:creator><![CDATA[701,834]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2023]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[04/07/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[235cm x 130cm x 1cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Swedish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[452]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,59.729006,13.322161;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/736">
    <dcterms:title><![CDATA[Handweaving]]></dcterms:title>
    <dcterms:alternative><![CDATA[Handvävning]]></dcterms:alternative>
    <dcterms:description><![CDATA[Henner handweaves using a loom or a heddle. A loom can be of different sizes, ranging from smaller ones on a table and larger ones that fill smaller rooms. Henner's loom is a hand weaving looom, where she dones all the preperations and weaving herself. She uses natural fibers and traditional patterns and techniques. In this document there's a mixture about information about the hobbyist and the professionals perspectives.]]></dcterms:description>
    <dcterms:creator><![CDATA[705]]></dcterms:creator>
    <dcterms:dateSubmitted><![CDATA[19/06/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[19/06/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[Den vackra nyttan : om hemslöjd i Sverige / redaktör: Gunilla Lundahl. ISBN 9178442982
Verkstad : ett tidsdokument : Arvika Konsthantverk 100 år / Kristine Thenman, Liv Midbøe, Hilda Grahnat. ISBN 9789152743508
Klässbol - att väva sin historia ISBN: 97891978252 52]]></dcterms:references>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:language><![CDATA[Swedish]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[414]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,59.6574488,12.890542;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/781">
    <dcterms:title><![CDATA[R&ouml;lakan Pillow, &quot;Autumnal coziness&quot;]]></dcterms:title>
    <dcterms:alternative><![CDATA[Rölakan Kudde, "Höstmys"]]></dcterms:alternative>
    <dcterms:description><![CDATA[Pillow with handwoven front in tapestry type weave "rölakan". Woven in plant dyed yarns and bought acid dyed yarns. The inside pillow is made of feathers. The back is made of broadcloth.]]></dcterms:description>
    <dcterms:creator><![CDATA[705]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects,varmlandmap]]></dcterms:source>
    <dcterms:date><![CDATA[2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[24/03/2026]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[Konsten att väva. En praktisk handbok. Av Åsa Pärson och Amica Sundström. ISBN: 9978-91-7887-085-1 Handbok i vävning. Bindningslära med konstvävnader. Av Ulla Cyrus- Zetterström. ISBN: 91-36-00445-6 Tapestry with pulled warp. INspiration, Technique and the Creative Process. Av Susan Iversen. ISBN: 987-0-7643-5933]]></dcterms:references>
    <dcterms:extent><![CDATA[50cm x 50cm x 15cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Swedish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[554]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,59.6574488,12.890542;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/782">
    <dcterms:title><![CDATA[Pendant lamp &quot;Linen bell&quot;]]></dcterms:title>
    <dcterms:alternative><![CDATA[Pendellampa "Linklocka"]]></dcterms:alternative>
    <dcterms:description><![CDATA[A light fixture for a hanging lamp with a woven lampshade in 100 % linen. The lamp fixture is lathed in birch.]]></dcterms:description>
    <dcterms:creator><![CDATA[705]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects,varmlandmap]]></dcterms:source>
    <dcterms:date><![CDATA[2021]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[24/03/2026]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[Konsten att väva. En praktisk handbok. Av Åsa Pärson och Amica Sundström. ISBN: 9978-91-7887-085-1 Handbok i vävning. Bindningslära med konstvävnader. Av Ulla Cyrus- Zetterström. ISBN: 91-36-00445-6 Tapestry with pulled warp. INspiration, Technique and the Creative Process. Av Susan Iversen. ISBN: 987-0-7643-5933]]></dcterms:references>
    <dcterms:extent><![CDATA[30cm x 6–20cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Swedish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[555]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,59.6574488,12.890542;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/783">
    <dcterms:title><![CDATA[Scarf with ecoprinted pattern]]></dcterms:title>
    <dcterms:alternative><![CDATA[Halsduk med eko-tryckt mönster]]></dcterms:alternative>
    <dcterms:description><![CDATA[Scarf naturally dyed with rose madder and with eco-print patterns made of beach rose.]]></dcterms:description>
    <dcterms:creator><![CDATA[705]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects,varmlandmap]]></dcterms:source>
    <dcterms:date><![CDATA[2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[24/03/2026]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[Konsten att väva. En praktisk handbok. Av Åsa Pärson och Amica Sundström. ISBN: 9978-91-7887-085-1
Handbok i vävning. Bindningslära med konstvävnader. Av Ulla Cyrus- Zetterström. ISBN: 91-36-00445-6
Tapestry with pulled warp. INspiration, Technique and the Creative Process. Av Susan Iversen. ISBN: 987-0-7643-5933
A handweavers patterns book. Av Marguerite Proter Davison]]></dcterms:references>
    <dcterms:extent><![CDATA[170cm x 40cm x 0.1cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Swedish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[454]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,59.6574488,12.890542;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/784">
    <dcterms:title><![CDATA[Triple Curvature, Textile Necklace]]></dcterms:title>
    <dcterms:alternative><![CDATA[Trippel Kurvatur, textilt halssmycke]]></dcterms:alternative>
    <dcterms:description><![CDATA[Textile necklace in several strands and in various colours of green and blue.]]></dcterms:description>
    <dcterms:creator><![CDATA[705]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects,varmlandmap]]></dcterms:source>
    <dcterms:date><![CDATA[2023]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[24/03/2026]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[Konsten att väva. En praktisk handbok. Av Åsa Pärson och Amica Sundström. ISBN: 9978-91-7887-085-1
Handbok i vävning. Bindningslära med konstvävnader. Av Ulla Cyrus- Zetterström. ISBN: 91-36-00445-6
Tapestry with pulled warp. INspiration, Technique and the Creative Process. Av Susan Iversen. ISBN: 987-0-7643-5933
A handweavers patterns book. Av Marguerite Proter Davison]]></dcterms:references>
    <dcterms:extent><![CDATA[56cm x 23cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Swedish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[455]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,59.6574488,12.890542;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/785">
    <dcterms:title><![CDATA[Christmas Pillow, Rustic Rose-path]]></dcterms:title>
    <dcterms:alternative><![CDATA[Julkudde, Rustik rosengång]]></dcterms:alternative>
    <dcterms:description><![CDATA[Square pillow in rose path and tabby pattern in un-bleached linen and red yarn, with red tassels at the corners.]]></dcterms:description>
    <dcterms:creator><![CDATA[705]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[Konsten att väva. En praktisk handbok. Av Åsa Pärson och Amica Sundström. ISBN: 9978-91-7887-085-1
Handbok i vävning. Bindningslära med konstvävnader. Av Ulla Cyrus- Zetterström. ISBN: 91-36-00445-6
Tapestry with pulled warp. INspiration, Technique and the Creative Process. Av Susan Iversen. ISBN: 987-0-7643-5933
A handweavers patterns book. Av Marguerite Proter Davison]]></dcterms:references>
    <dcterms:extent><![CDATA[50cm x 50cm x 15cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Swedish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[456]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,59.6574488,12.890542;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/786">
    <dcterms:title><![CDATA[Closed bowl]]></dcterms:title>
    <dcterms:alternative><![CDATA[Bol cerrado]]></dcterms:alternative>
    <dcterms:description><![CDATA[Piece made of maple wood. It is a closed, rounded, and flattened container with a small mouth at the top. It has no lid and is completely hollow inside. The upper part is decorated with a series of rings inscribed with geometric motifs (oblique lines, triangles, etc.), which have been created on the lathe using texturing tools. The decorated area has been colored with white and black enamel.]]></dcterms:description>
    <dcterms:creator><![CDATA[708]]></dcterms:creator>
    <dcterms:source><![CDATA[asturiasmap,craftedobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2020]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[18/08/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.instagram.com/picutorneru/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x 15cm x 11cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Asturian,Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[457]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.3335411671039,-5.5446023832244;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/787">
    <dcterms:title><![CDATA[Cuenco]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cuenco]]></dcterms:alternative>
    <dcterms:description><![CDATA[Piece made of maple wood. It is a wooden bowl with an open shape. It has a wide, flat upper rim. The piece is varnished with oils to enhance the wood grain, which includes knots and highlighted black streaks.]]></dcterms:description>
    <dcterms:creator><![CDATA[708]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2020s]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[18/08/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[Graña García, A. (1985) La tornería en el occidente asturiano. Museo Etnográfico de Grandas de Salime
https://www.instagram.com/picutorneru/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x 15cm x 11cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Asturian,Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[458]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.3335411671039,-5.5446023832244;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/788">
    <dcterms:title><![CDATA[Finials]]></dcterms:title>
    <dcterms:alternative><![CDATA[Remates torneados]]></dcterms:alternative>
    <dcterms:description><![CDATA[Pieces made of fruit tree wood. These are artistic and decorative pieces. They can be the finials of a piece of furniture or a clock. They have a base on which to stand, and consist of long wooden spindles, where the craftsman explores and improves his technique.  The use of various woods is combined.]]></dcterms:description>
    <dcterms:creator><![CDATA[708]]></dcterms:creator>
    <dcterms:source><![CDATA[asturiasmap,craftedobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2020]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[18/08/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[Graña García, A. (1985) La tornería en el occidente asturiano. Museo Etnográfico de Grandas de Salime
https://www.instagram.com/picutorneru/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x 2.5 - 5cm x 22cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Asturian,Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[459]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.3335411671039,-5.5446023832244;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/789">
    <dcterms:title><![CDATA[Spinning top]]></dcterms:title>
    <dcterms:alternative><![CDATA[Peonza]]></dcterms:alternative>
    <dcterms:description><![CDATA[Pieces made of beech wood. This is a children's toy, a spinning top. It consists of two pieces, a wooden handle with which the spinning top is held before throwing it, and the spinning top itself. When you hold it by the handle and pull hard on the string, the spinning top spins quickly and the handle can be detached. Both the spinning top and the handle are decorated with decorative bands made with a texturing gouge (forming a series of triangles and oblique lines), and painted in black, yellow, white and green)]]></dcterms:description>
    <dcterms:creator><![CDATA[708]]></dcterms:creator>
    <dcterms:source><![CDATA[asturiasmap,craftedobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2020s]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[02/12/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[Graña García, A. (1985) La tornería en el occidente asturiano. Museo Etnográfico de Grandas de Salime
https://www.instagram.com/picutorneru/ ]]></dcterms:references>
    <dcterms:extent><![CDATA[10 (handle), 5 (spinning top)cm x 2.5 max. (handle), 2,5-5 (spinning top)cm x 7 (spinning top)cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Asturian,Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[460]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.3335411671039,-5.5446023832244;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/790">
    <dcterms:title><![CDATA[Turned wooden box with a lid]]></dcterms:title>
    <dcterms:alternative><![CDATA[Caja torneada]]></dcterms:alternative>
    <dcterms:description><![CDATA[Pieces made from fruitwood. This is a small cylindrical box consisting of two parts: a cylindrical container and a round lid that fits on top, made from the same wood. The piece is finished with oil in a darker tone, and the lid is decorated on the top with concentric rings, into which geometric motifs are carved using a texturing gouge.]]></dcterms:description>
    <dcterms:creator><![CDATA[708]]></dcterms:creator>
    <dcterms:source><![CDATA[asturiasmap,craftedobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2020s]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[19/08/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[Graña García, A. (1985) La tornería en el occidente asturiano. Museo Etnográfico de Grandas de Salime
https://www.instagram.com/picutorneru/ 
]]></dcterms:references>
    <dcterms:extent><![CDATA[6cm x cm x 5cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Asturian,Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[461]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.3335411671039,-5.5446023832244;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1129">
    <dcterms:title><![CDATA[Wood craft]]></dcterms:title>
    <dcterms:creator><![CDATA[708]]></dcterms:creator>
    <dcterms:source><![CDATA[asturiasmap]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[18/08/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[552]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.3335455978306,-5.5446023832244;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/741">
    <dcterms:title><![CDATA[Beaded collar]]></dcterms:title>
    <dcterms:alternative><![CDATA[Zgărdan]]></dcterms:alternative>
    <dcterms:description><![CDATA[By definition, the zgărdan is a narrow band adorned with multicolored beads, either woven or braided, worn by girls around the neck or by men on their hats.]]></dcterms:description>
    <dcterms:creator><![CDATA[742]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[02/07/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[58cm x 2cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Romanian]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[417]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,47.9289141324658,23.8924232813404;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/748">
    <dcterms:title><![CDATA[Cider jar]]></dcterms:title>
    <dcterms:alternative><![CDATA[Xarra para sidra]]></dcterms:alternative>
    <dcterms:description><![CDATA[A one-handle jug that starts from the neck and ends at the widest part of the body. It has a trilobate lip, with a wide neck that narrows as it joins the globular body. The body tapers down to a circular base. This piece is made using a slow wheel and is glazed in white with yellow and green painted decoration. It features a yellow band flanked by green lines around the edge and lower part of the body. In the central area of the body, three identical representations of the Bird-Fish are painted.]]></dcterms:description>
    <dcterms:creator><![CDATA[747]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[04/07/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[de Aldecoa, E. I. (1985). La cerámica vidriada de Faro: motivos decorativos. Liño: Revista anual de historia del arte, (5), 235-246.]]></dcterms:references>
    <dcterms:extent><![CDATA[12cm x 8cm x 26cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[424]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.355833,-5.794167;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/750">
    <dcterms:title><![CDATA[Lamp]]></dcterms:title>
    <dcterms:alternative><![CDATA[Lámpara]]></dcterms:alternative>
    <dcterms:description><![CDATA[Object designed by the artist in which molded ceramics techniques are combined with basketry work.]]></dcterms:description>
    <dcterms:creator><![CDATA[749,677]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[04/07/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[30cm x 57cm x 22cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[426]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.4614901072019,-6.03943367496451;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/757">
    <dcterms:title><![CDATA[Norwegian knit sweater &quot;Field Crop&quot;]]></dcterms:title>
    <dcterms:alternative><![CDATA[Norsk strikkegenser "Markens Grøde"]]></dcterms:alternative>
    <dcterms:description><![CDATA[Sweater made out of local wool, using raw color yarn, and plant-dyed yarns.]]></dcterms:description>
    <dcterms:creator><![CDATA[756]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[05/08/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://lofoten-wool.no/en https://www.nibio.no/prosjekter/amazing-grazing-baerekraftig-kjott-og-ull-fra-sau-som-beiter-i-norsk-utmark?locationfilter=true https://www.smabrukarlaget.no/aktuelt/bonde-og-smaabruker/, https://www.norskekunsthandverkere.no/kunstnerregister/ragnhild-lie https://husflid.no/ https://www.utdanningsforbundet.no/ https://www.bondelaget.no/ Esther Haukeland, Innføring til plantefarging. Cappellen, 1982. Animalia: Norwegian wool Standard. https://www.animalia.no/no/Dyr/ull-og-ullklassifisering/norsk-ullstandard/ Beder, Nicolina J., Seyður Ull Tøting. SPF. Sprotin, 2010. Flååt, Inger. Votter i Namdalen. Nauma Husflidslag, 2010. Grimstad, Ingun K. and Sårdal, Tone t. Norsk Strikkehistorie. Vormedal Forlag. 2018. Grimstad, Ingun K. and Sårdal, Tone T. Ren ull. Aschehoug, 2013. Hrútaskrá. https://www.rml.is/is/kynbotastarf/saudfjarraekt/hrutaskra Joensen, Robert. Seyðabókin. SPF. Sprotin, 2015. Johnston, Elizabeth and Juuhl, Marta K. The warp-weighted loom. Kljásteinavefstadurinn: kljásteinar klingja. Oppstadveven: klingande steinar. Skald, 2016. Kjellmo, Ellen. Båtrya i gammel og nyt tid. Orkana, 1996. Sundbø, Annemor. Usynlege Trådar i Strikkekunsten. Samlaget, 2006. https://www.norskebilledkunstnere.no/]]></dcterms:references>
    <dcterms:language><![CDATA[Norwegian]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[526]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,68.1490556685704,13.7622515654953;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/766">
    <dcterms:title><![CDATA[Model of Rombaksbotn ]]></dcterms:title>
    <dcterms:alternative><![CDATA[Modell av Rombaksbotn]]></dcterms:alternative>
    <dcterms:description><![CDATA[Landscape model of the historical town of Rombaksbotn, with buildings, river, road and figurines.]]></dcterms:description>
    <dcterms:creator><![CDATA[765]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[05/08/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:language><![CDATA[Norwegian]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[439]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,68.44154727069,17.4412277340889;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/767">
    <dcterms:title><![CDATA[Model of Hundalen]]></dcterms:title>
    <dcterms:alternative><![CDATA[Modell av Hundaleln]]></dcterms:alternative>
    <dcterms:description><![CDATA[Landscape model with houses, river, figurines]]></dcterms:description>
    <dcterms:creator><![CDATA[765]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[05/08/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:language><![CDATA[Norwegian]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[440]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,68.3973058377749,17.969671189785;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1073">
    <dcterms:title><![CDATA[Traditional Boat Building: Copper Roving]]></dcterms:title>
    <dcterms:description><![CDATA[One type of tradtional wooden fishing vessel is a ‘Sgoth’ or ‘Sgoth Niseach’ – a traditional type of clinker-built skiff with a dipping lug rig and a Lateen style sail, built mainly in Ness in the Western Isles of Scotland. These boats were used for line fishing during the 19th century but as this industry died out in the Western Isles, the number of Sgoths being built reduced.  In 1935 ‘Jubilee,’ built by the late John Finlay Macleod, was launched and is the last original working ‘Sgoth.’ (Falamadair, 2025). Mark Stockl is a traditional boat builder based in Ullapool and has worked extensively with Falamadair _ The North Lewis Maritime Trust, in the restoration of Sgoths for which they are the guardians. He has also built replica Sgoths for private clients (see AAS_AR_06) and restored other Ness built clinkers (see AAS_AR_10).  The full process of designing and building a traditional wooden ‘clinker’ boat is described in AAS_PR_002. The Cultural practice documented in this input focuses on the method of ‘Copper Roving’ (fixing the copper rivets through the planks to hold them in place) during the repair of AAS_AR_10. This artefact was in Mark’s workshop on the day of the interview.   ]]></dcterms:description>
    <dcterms:creator><![CDATA[860,243]]></dcterms:creator>
    <dcterms:source><![CDATA[highlandandislands]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[11/08/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[13/10/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.galsontrust.com/single-post/launch-of-new-maritime-festival-fèis-na-fairge. (2025, July 28). Retrieved from Urras Oighreachd Ghabhsainn : https://www.galsontrust.com/
Boat Building Academy and Furniture School . (2025, July 28). Retrieved from Boat Building Academy and Furniture School : https://boatbuildingacademy.com/boat-building-courses/40-week-boat-building-course/
CEN, 2021. Comunn Eachdraidh Nis / Ness Historical Society. [Online]  Available at: https://www.nesshistorical.co.uk [Accessed 19 July 2025].
]]></dcterms:references>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[533]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,57.8644615848094,-5.121928998;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1168">
    <dcterms:title><![CDATA[Wooden, Diping-Lug Sailing Boat (replica build)]]></dcterms:title>
    <dcterms:alternative><![CDATA[Sgoth (replica build)]]></dcterms:alternative>
    <dcterms:description><![CDATA[This replica build Sgoth was commission by Alasdair  Smith and built by Mark Stockl (AAS_PR_002).  The Sgoth is based on measurements taken from Callicvol, (a Sgoth built by John Murdo Macleod  in the 1970’s) but has been lengthened by a foot to create a proportional balance similar to the Jubilee (another Sgoth, renovated by Mark Stockl and used for lesiure sailing by Falmadair). ]]></dcterms:description>
    <dcterms:creator><![CDATA[860,243]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects,scotlandobjects,highlandandislands]]></dcterms:source>
    <dcterms:date><![CDATA[TBC]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[19/08/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[Falamadair. (2025, July 27). Falamadair North Lewis maritime Society . Retrieved from Falamadair: https://www.falmadair.org ]]></dcterms:references>
    <dcterms:language><![CDATA[Scottish Gaelic]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[566]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,57.8644615848094,-5.121920998;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1171">
    <dcterms:title><![CDATA[Chisel (wood working)]]></dcterms:title>
    <dcterms:description><![CDATA[A wood working chisel with dark wooden handle and steel chisel. ]]></dcterms:description>
    <dcterms:creator><![CDATA[860,243]]></dcterms:creator>
    <dcterms:source><![CDATA[tools,scotlandobjects,highlandandislands]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[19/08/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[25cm x 2-3cm x 2-3cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[567]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,57.8644615848094,-5.121920998;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1174">
    <dcterms:title><![CDATA[ Hand Plane]]></dcterms:title>
    <dcterms:description><![CDATA[Hand plane for shaping wood. ]]></dcterms:description>
    <dcterms:creator><![CDATA[860,243]]></dcterms:creator>
    <dcterms:source><![CDATA[tools,scotlandobjects,highlandandislands]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[19/08/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[19/08/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[25cm x 18cm x 6-7cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[568]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1064">
    <dcterms:title><![CDATA[Watering can]]></dcterms:title>
    <dcterms:alternative><![CDATA[Regador]]></dcterms:alternative>
    <dcterms:description><![CDATA[Watering can made with galvanised sheet metal]]></dcterms:description>
    <dcterms:creator><![CDATA[918]]></dcterms:creator>
    <dcterms:source><![CDATA[cabeceirasdebastomap]]></dcterms:source>
    <dcterms:date><![CDATA[March 2025]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[11/08/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[22/09/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://old.cm-tondela.pt/index.php/servicos/museu-terra-de-besteiros/investigacao/funilaria]]></dcterms:references>
    <dcterms:extent><![CDATA[30cm x 55cm x 30cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Portuguese]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[528]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.521326,-8.032804;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1065">
    <dcterms:title><![CDATA[Old grain scoop, antique chute]]></dcterms:title>
    <dcterms:alternative><![CDATA[Corredouro (colher para servir cereais)]]></dcterms:alternative>
    <dcterms:description><![CDATA[This artefact is like a spoon. Used to pick up grains to put in a bag or to weigh them. Artifact used in commercial establishments selling bulk grains and/or flours.]]></dcterms:description>
    <dcterms:creator><![CDATA[918]]></dcterms:creator>
    <dcterms:source><![CDATA[cabeceirasdebastomap]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[11/08/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://old.cm-tondela.pt/index.php/servicos/museu-terra-de-besteiros/investigacao/funilaria https://uniaodasfreguesiastondelanandufe.pt/2022/01/18/museu-terras-de-besteiros/]]></dcterms:references>
    <dcterms:extent><![CDATA[14cm x 20cm x 12cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Portuguese]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[529]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.521326,-8.032804;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1066">
    <dcterms:title><![CDATA[Funnel]]></dcterms:title>
    <dcterms:alternative><![CDATA[funil]]></dcterms:alternative>
    <dcterms:description><![CDATA[A funnel is used to transfer liquids from one container to another, preventing spills and simplifying the process.]]></dcterms:description>
    <dcterms:creator><![CDATA[918]]></dcterms:creator>
    <dcterms:source><![CDATA[cabeceirasdebastomap]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[11/08/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://old.cm-tondela.pt/index.php/servicos/museu-terra-de-besteiros/investigacao/funilaria https://uniaodasfreguesiastondelanandufe.pt/2022/01/18/museu-terras-de-besteiros/]]></dcterms:references>
    <dcterms:extent><![CDATA[15cm x 20cm x 15cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Portuguese]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[530]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.521326,-8.032804;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1067">
    <dcterms:title><![CDATA[Pitcher]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cântaro]]></dcterms:alternative>
    <dcterms:description><![CDATA[It is a container with two handles. It is used to store and transport liquids. It can be used for water, wine, milk or any other liquid that you want to store or transport.]]></dcterms:description>
    <dcterms:creator><![CDATA[918]]></dcterms:creator>
    <dcterms:source><![CDATA[cabeceirasdebastomap]]></dcterms:source>
    <dcterms:date><![CDATA[April 2025]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[11/08/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://old.cm-tondela.pt/index.php/servicos/museu-terra-de-besteiros/investigacao/funilaria https://uniaodasfreguesiastondelanandufe.pt/2022/01/18/museu-terras-de-besteiros/]]></dcterms:references>
    <dcterms:extent><![CDATA[25cm x 40cm x 25cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Portuguese]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[531]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.521326,-8.032804;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1854">
    <dcterms:title><![CDATA[Handcrafted sheet metal work (working with zinc sheets).]]></dcterms:title>
    <dcterms:alternative><![CDATA[Funilaria, latoaria]]></dcterms:alternative>
    <dcterms:description><![CDATA[Traditional practice of working with zinc sheet metal to produce utensils (e.g. gutters, grain measuring troughs, funnels, pitchers). Today, tinsmithing is merely a residual activity, reminiscent of other crafts that were once more prominent. The municipality of Tondela is no exception. It is therefore important to learn about this art form, which is almost extinct, and to understand the whole range of objects that tinsmiths used to make in the past, now struggling against competition from equivalent items made from other materials, mainly plastic.]]></dcterms:description>
    <dcterms:creator><![CDATA[918]]></dcterms:creator>
    <dcterms:dateSubmitted><![CDATA[27/10/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[28/10/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://old.cm-tondela.pt/index.php/servicos/museu-terra-de-besteiros/investigacao/funilaria
http://programasaberfazer.gov.pt/arte/latoaria]]></dcterms:references>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:language><![CDATA[Portuguese]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[731]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.521326,-8.032804;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1866">
    <dcterms:title><![CDATA[Metal whistle]]></dcterms:title>
    <dcterms:alternative><![CDATA[Apito]]></dcterms:alternative>
    <dcterms:description><![CDATA[A small object wind instrument that produces a shrill sound.]]></dcterms:description>
    <dcterms:creator><![CDATA[918]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects,portugalobjects]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/10/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[27/10/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://uniaodasfreguesiastondelanandufe.pt/2022/01/18/museu-terras-de-besteiros/]]></dcterms:references>
    <dcterms:extent><![CDATA[5cm x 3cm x 2cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Portuguese]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[734]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.521326,-8.032804;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1867">
    <dcterms:title><![CDATA[Decorative Flowers]]></dcterms:title>
    <dcterms:alternative><![CDATA[Flores decorativas]]></dcterms:alternative>
    <dcterms:description><![CDATA[Hand-painted metal flowers]]></dcterms:description>
    <dcterms:creator><![CDATA[918]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects,portugalobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[27/10/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://uniaodasfreguesiastondelanandufe.pt/2022/01/18/museu-terras-de-besteiros/]]></dcterms:references>
    <dcterms:extent><![CDATA[20cm x 20cm x 50cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Portuguese]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[735]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.521326,-8.032804;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1886">
    <dcterms:title><![CDATA[Galhetto Lamp]]></dcterms:title>
    <dcterms:alternative><![CDATA[Luminária Galhetto]]></dcterms:alternative>
    <dcterms:description><![CDATA[A lamp inspired by the shape of a Portuguese cruet. It features holes in different positions, allowing it to be hung on the wall in a variety of ways.]]></dcterms:description>
    <dcterms:creator><![CDATA[918]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects,portugalobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[27/10/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://uniaodasfreguesiastondelanandufe.pt/2022/01/18/museu-terras-de-besteiros/]]></dcterms:references>
    <dcterms:extent><![CDATA[30cm x 25cm x 50cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Portuguese]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[750]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.521326,-8.032804;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/123">
    <dcterms:title><![CDATA[ A pouch made of a ram&rsquo;s scrotum]]></dcterms:title>
    <dcterms:alternative><![CDATA[Tubakakott]]></dcterms:alternative>
    <dcterms:description><![CDATA[Monika Hint, an student of the University of Tartu Viljandi Culture Academy, runs her own studio, Koordikamber, in Koordi farm in Viljandi county. Collaborating with fellow artisans, local farmers, and hunters, she uses bone, horn, leather, wool, and other natural, often recycled materials to create products that build on and develop further traditional technologies. Koordikamber also offers courses and workshops. Tanning and tawing are traditional leather processing methods in Estonia. While tanning requires vegetables or flour, alum and salt are used 
in tawing. Until the beginning of the 20th century, these skills were widely practised domestically, though there also existed village tanners. During the 17–19th centuries leather pouches made of ram’s scrotums were used as money bags and tobacco pouches. They were tanned along with the skins and decorated with applique, beads, copper rings and fabric. Nowadays the pouch is suitable for coins, cellphone, pipe, dice, tobacco, talisman etc]]></dcterms:description>
    <dcterms:creator><![CDATA[934,647]]></dcterms:creator>
    <dcterms:source><![CDATA[11estonia,craftedobjects,estoniaobjects,viljandicountymap]]></dcterms:source>
    <dcterms:date><![CDATA[2019]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[14/09/2024]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[24/02/2026]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[Hint, Monika. 2013. “Luu töötlemine lamba sääreluust vilepilli näitel.” Studia Vernacula 4: 58-72. https://doi.org/10.12697/sv.2013.4.58-72.
Uus, Made 2019. “Traditional Leather Processing Using Domestic Methods in Estonia.” Studia Vernacula 11: 164–179. https://doi.org/10.12697/sv.2019.11.164-179.]]></dcterms:references>
    <dcterms:extent><![CDATA[18cm x 13cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[91]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.321648,25.726901;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/867">
    <dcterms:title><![CDATA[Yellow Broom, Cairngorms]]></dcterms:title>
    <dcterms:creator><![CDATA[Catherine Cassidy and Sharon Pisani]]></dcterms:creator>
    <dcterms:source><![CDATA[tours]]></dcterms:source>
    <dcterms:publisher><![CDATA[VERAPlatform]]></dcterms:publisher>
    <dcterms:dateSubmitted><![CDATA[07/24/2025 01:16:40 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iao@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:type><![CDATA[Tour]]></dcterms:type>
    <dcterms:identifier><![CDATA[485]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,57.0606109,-3.6090392;]]></dcterms:spatial>
</rdf:Description></rdf:RDF>