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    <dcterms:title><![CDATA[Borgh Pottery Studio - Sue Blair]]></dcterms:title>
    <dcterms:date><![CDATA[2024:10:04 12:42:09]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Panorama]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1802">
    <dcterms:title><![CDATA[Borgh Pottery Studio - Sue Blair]]></dcterms:title>
    <dcterms:date><![CDATA[2024:10:04 12:41:29]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Panorama]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1801">
    <dcterms:title><![CDATA[Borgh Pottery Studio - Sue Blair]]></dcterms:title>
    <dcterms:date><![CDATA[2024:10:04 12:39:21]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Panorama]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1800">
    <dcterms:title><![CDATA[Borgh Pottery Studio - Sue Blair]]></dcterms:title>
    <dcterms:date><![CDATA[2024:10:04 12:38:18]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Panorama]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1799">
    <dcterms:title><![CDATA[Borgh Pottery Studio - Sue Blair]]></dcterms:title>
    <dcterms:date><![CDATA[2024:10:04 12:36:00]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Panorama]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1798">
    <dcterms:title><![CDATA[Borgh Pottery Studio - Sue Blair]]></dcterms:title>
    <dcterms:date><![CDATA[2024:10:04 12:35:09]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Panorama]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1797">
    <dcterms:title><![CDATA[Borgh Pottery Studio - Sue Blair]]></dcterms:title>
    <dcterms:date><![CDATA[2024:10:04 12:32:49]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Panorama]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1796">
    <dcterms:title><![CDATA[Borgh Pottery Studio - Sue Blair]]></dcterms:title>
    <dcterms:date><![CDATA[2024:10:04 12:31:11]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Panorama]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1795">
    <dcterms:title><![CDATA[Borgh Pottery Studio - Sue Blair]]></dcterms:title>
    <dcterms:date><![CDATA[2024:10:04 12:30:49]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Panorama]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1794">
    <dcterms:title><![CDATA[Borgh Pottery Studio - Sue Blair]]></dcterms:title>
    <dcterms:date><![CDATA[2024:10:04 12:29:44]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Panorama]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1793">
    <dcterms:title><![CDATA[Borgh Pottery Studio - Sue Blair]]></dcterms:title>
    <dcterms:date><![CDATA[2024:10:04 12:28:38]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Panorama]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1792">
    <dcterms:title><![CDATA[Borgh Pottery Studio - Sue Blair]]></dcterms:title>
    <dcterms:date><![CDATA[2024:10:04 12:27:45]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Panorama]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1791">
    <dcterms:title><![CDATA[Wool socks]]></dcterms:title>
    <dcterms:alternative><![CDATA[Calcetines de lana, calcetos]]></dcterms:alternative>
    <dcterms:description><![CDATA[These socks are made from pure virgin wool sourced from Xalda sheep. Hand-knitted wool socks —known as calcetos in Asturian— have long been part of traditional Asturian attire, and they remain one of the few garments that have endured to the present day.  While traditionally they were monochrome, usually white or black, more recent designs have introduced a variety of patterns and colors. In this case, the socks are made from undyed raw wool, and by combining naturally colored wool, decorative motifs are also created.]]></dcterms:description>
    <dcterms:creator><![CDATA[1616]]></dcterms:creator>
    <dcterms:source><![CDATA[asturiasmap]]></dcterms:source>
    <dcterms:date><![CDATA[The socks are produced continuously, depending on the availability of raw materials and demand. This particular item was crafted in 2025 and is currently held in stock, ready for sale.]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[13/10/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[Argüelles Sánchez, L. (1986). Indumentaria popular en Asturias. GH Ed.
Roza, G. (2006). La indumentaria tradicional asturiana: Guía práctica. Gloria Roza Cuesta.
Santoveña Zapatero, F. (2018). Traje tradicional, indumentaria popular y construcción del cuerpo en Asturias (1860-1920). Muséu del Pueblu d’Asturies; Fundación Municipal de Cultura, Educación y Universidad Popular; Ayto. de Gijón / Xixón. https://sedeelectronica.gijon.es/publicacions/show/8549-traje-tradicional-indumentaria-popular-y-construccion-del-cuerpo-en-asturias-1860-1920/]]></dcterms:references>
    <dcterms:extent><![CDATA[25-40cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Asturian,Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[727]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.204933648779495,-5.993876638159771;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1790">
    <dcterms:title><![CDATA[A pair of brown and white knitted wool socks with a pattern]]></dcterms:title>
    <dcterms:date><![CDATA[2025-06-06]]></dcterms:date>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.2049336487794,-5.99387663815977;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1789">
    <dcterms:title><![CDATA[A pair of brown and white knitted wool socks with a pattern]]></dcterms:title>
    <dcterms:date><![CDATA[2025-06-06]]></dcterms:date>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.2049336487794,-5.99387663815977;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1788">
    <dcterms:title><![CDATA[A pair of white knitted wool socks]]></dcterms:title>
    <dcterms:date><![CDATA[2025-06-06]]></dcterms:date>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.2049336487794,-5.99387663815977;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1787">
    <dcterms:title><![CDATA[Baby Bonnet]]></dcterms:title>
    <dcterms:alternative><![CDATA[Capota]]></dcterms:alternative>
    <dcterms:description><![CDATA[This baby bonnet is made from pure virgin wool sourced from Xalda sheep, a native breed of Asturias. The design is very simple: a cap that fully covers the head, with two woolen ties to fasten it at the front.  It is a practical and versatile garment, designed to keep little ones warm during the winter. It originated from Marina’s personal need for a warm accessory, and is now part of her handcrafted collection, available for purchase.]]></dcterms:description>
    <dcterms:creator><![CDATA[1616]]></dcterms:creator>
    <dcterms:source><![CDATA[asturiasmap]]></dcterms:source>
    <dcterms:date><![CDATA[The baby bonnets are produced continuously, depending on the availability of raw materials and demand. The piece in question was made in 2025 and is currently stored in stock, ready for sale.]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[13/10/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[13/10/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[Joicey, C. (2025). History of Fashion for children. Thames & Hudson.]]></dcterms:references>
    <dcterms:extent><![CDATA[50cm x cm x 30cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[726]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.204933648779495,-5.993876638159771;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1786">
    <dcterms:title><![CDATA[Brown baby bonnet]]></dcterms:title>
    <dcterms:date><![CDATA[2025-06-06]]></dcterms:date>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.2049336487794,-5.99387663815977;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1785">
    <dcterms:title><![CDATA[Brown baby bonnet]]></dcterms:title>
    <dcterms:date><![CDATA[2025-06-06]]></dcterms:date>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.2049336487794,-5.99387663815977;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1784">
    <dcterms:title><![CDATA[Headscarf]]></dcterms:title>
    <dcterms:alternative><![CDATA[Pañoleta]]></dcterms:alternative>
    <dcterms:description><![CDATA[This headscarf is made from pure virgin wool sourced from Xalda sheep, a native breed of Asturias. Its simple design is inspired by the traditional scarf that Asturian women used to wear to cover their heads until just a few decades ago.  Although the traditional headscarf gradually disappeared with the rise of modern fashion, scarves continued to be used throughout the 20th century to keep the head warm during colder months.  This reinterpretation of the traditional scarf, now crafted in knitted wool, is an original design by Marina. It was born out of a personal need for warmth and has evolved into a practical and versatile winter accessory, now available for purchase.]]></dcterms:description>
    <dcterms:source><![CDATA[asturiasmap]]></dcterms:source>
    <dcterms:date><![CDATA[The headscarves are produced continuously, depending on the availability of raw materials and demand. The piece in question was made in 2025 and is currently stored in stock, ready for sale.]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[13/10/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[Argüelles Sánchez, L. (1986). Indumentaria popular en Asturias. GH Ed.
Roza, G. (2006). La indumentaria tradicional asturiana: Guía práctica. Gloria Roza Cuesta.
Santoveña Zapatero, F. (2018). Traje tradicional, indumentaria popular y construcción del cuerpo en Asturias (1860-1920). Muséu del Pueblu d’Asturies; Fundación Municipal de Cultura, Educación y Universidad Popular; Ayto. de Gijón / Xixón. https://sedeelectronica.gijon.es/publicacions/show/8549-traje-tradicional-indumentaria-popular-y-construccion-del-cuerpo-en-asturias-1860-1920/]]></dcterms:references>
    <dcterms:extent><![CDATA[40cm x cm x 100cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Asturian,Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[725]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.204933648779495,-5.993876638159771;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1783">
    <dcterms:title><![CDATA[Brown headscarf]]></dcterms:title>
    <dcterms:date><![CDATA[2025-06-06]]></dcterms:date>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.2049336487794,-5.99387663815977;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1782">
    <dcterms:title><![CDATA[Brown headscarf]]></dcterms:title>
    <dcterms:date><![CDATA[2025-06-06]]></dcterms:date>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.2049336487794,-5.99387663815977;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1781">
    <dcterms:title><![CDATA[Knitted wool jacket / cardigan]]></dcterms:title>
    <dcterms:alternative><![CDATA[Chaqueta de punto de lana]]></dcterms:alternative>
    <dcterms:description><![CDATA[This jacket is made from pure virgin wool sourced from Xalda sheep, a native breed of Asturias known for the quality of its fiber and its adaptation to rural environments. The design is simple and functional, featuring two front pockets, long sleeves, and an open front without lapels. The buttons are crafted from Spanish olive wood, adding a natural and artisanal touch that reinforces the garment’s sustainable character.  The jacket follows a classic rural style, reinterpreted by Marina with a focus on comfort and versatility. Her goal was to create an open garment suitable for all seasons, and especially practical for breastfeeding, without compromising on aesthetics or functionality. The result is a practical, adaptable piece with a strong identity.  Although originally conceived as a unisex jacket, experience showed that many potential customers were unable to purchase it due to sizing limitations. As a result, Marina has begun developing a men’s version in a larger size, expanding its market potential while maintaining the essence of the original design.  The jacket was launched recently, but is not yet available for purchase on her website. It represents a proposal that blends tradition, sustainability, and contemporary design, highlighting local resources through artisanal fashion.]]></dcterms:description>
    <dcterms:creator><![CDATA[1616]]></dcterms:creator>
    <dcterms:source><![CDATA[asturiasmap]]></dcterms:source>
    <dcterms:date><![CDATA[The jackets are produced continuously, depending on the availability of raw materials and demand. This particular piece was made in 2025 and is currently stored in stock, ready for commercial distribution.]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[13/10/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[Kensington, S. (2024, septiembre 1). The Evolution and Impact of the Cardigan: A Knitted Icon. Paul James Knitwear. https://www.pauljamesknitwear.com/blogs/guide/history-of-cardigans
Llorente, L. (2022). Los tejidos de entreguerras, 1920-1939. Modelos del mes. Museo del Traje, 4. https://www.cultura.gob.es/dam/jcr:b414b4b1-0da1-44bb-937a-90b2f4c4e331/mdm11-2022-tejidos-digital.pdf
R., B. (2013, junio 19). Imagesa—Industria Madrileña de Géneros de Punto—Pueblo Nuevo. Historias matritenses. https://historias-matritenses.blogspot.com/2013/06/imagesa-industria-madrilena-de-generos.html]]></dcterms:references>
    <dcterms:extent><![CDATA[60cm x cm x 50cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[724]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.204933648779495,-5.993876638159771;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1780">
    <dcterms:title><![CDATA[White knitted wool jacket (cardigan)]]></dcterms:title>
    <dcterms:date><![CDATA[2025-06-06]]></dcterms:date>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.2049336487794,-5.99387663815977;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1779">
    <dcterms:title><![CDATA[White knitted wool jacket (cardigan)]]></dcterms:title>
    <dcterms:date><![CDATA[2025-06-06]]></dcterms:date>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.2049336487794,-5.99387663815977;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1778">
    <dcterms:title><![CDATA[White knitted wool jacket (cardigan)]]></dcterms:title>
    <dcterms:date><![CDATA[2025-06-06]]></dcterms:date>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.2049336487794,-5.99387663815977;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1777">
    <dcterms:title><![CDATA[Brown knitted wool jacket (cardigan)]]></dcterms:title>
    <dcterms:date><![CDATA[2025-06-06]]></dcterms:date>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.2049336487794,-5.99387663815977;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1776">
    <dcterms:title><![CDATA[Brown knitted wool jacket (cardigan)]]></dcterms:title>
    <dcterms:date><![CDATA[2025-06-06]]></dcterms:date>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.2049336487794,-5.99387663815977;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1775">
    <dcterms:title><![CDATA[Brown knitted wool jacket (cardigan)]]></dcterms:title>
    <dcterms:date><![CDATA[2025-06-06]]></dcterms:date>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.2049336487794,-5.99387663815977;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1774">
    <dcterms:title><![CDATA[Brown knitted wool jacket (cardigan)]]></dcterms:title>
    <dcterms:date><![CDATA[2025-06-06]]></dcterms:date>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.2049336487794,-5.99387663815977;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1773">
    <dcterms:title><![CDATA[Brown knitted wool jacket (cardigan)]]></dcterms:title>
    <dcterms:date><![CDATA[2025-06-06]]></dcterms:date>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.2049336487794,-5.99387663815977;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1772">
    <dcterms:title><![CDATA[Sheepskin with fleece]]></dcterms:title>
    <dcterms:alternative><![CDATA[Piel de cordero con pelo natural, zalea (spa..)]]></dcterms:alternative>
    <dcterms:description><![CDATA[This product is a sheepskin tanned naturally using salt, which preserves both the hide and the animal’s original fleece. Salt tanning is a traditional technique that avoids the use of harsh chemicals, maintaining the natural properties of the wool, such as its softness, durability, and thermal insulation capacity.  Historically, these fleeces were used as a base in cradles for babies due to their waterproof and insulating qualities. The structure of the wool repels moisture and allows for good air circulation, helping to maintain a stable body temperature. Additionally, its softness and natural texture provided a comfortable and safe surface for newborns.  They were also used as padding in saddles, offering comfort and thermal protection for the rider. In rainy regions of northern Spain, it was common to cover the foreheads of oxen and cows yoked for agricultural work with skins from dogs, sheep, goats, or badgers, to prevent moisture from weakening the leather straps (corniales), thus ensuring the effectiveness of the draft.  Today, sheepskin fleeces have found new uses in home decor. They are highly valued as rugs, sofa or armchair covers, and decorative elements in interior spaces, thanks to their rustic and cozy aesthetic. They are also used in fashion and accessories, such as bags or outerwear.  In addition to their functionality, naturally tanned sheepskins are a sustainable option, as they make use of a by-product of livestock farming and avoid polluting industrial processes. This makes them an environmentally friendly alternative, aligned with current trends in responsible consumption.]]></dcterms:description>
    <dcterms:creator><![CDATA[1616]]></dcterms:creator>
    <dcterms:date><![CDATA[Sheepskins are produced throughout the year, depending on lambing dates and the age of the animals. The documented piece was made a few months prior to our visit.]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[13/10/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[La piel de las ovejas, ardi-larrua. Atlas Etnográfico de Vasconia. Disponible en: https://atlasetnografico.labayru.eus/index.php/La_piel_de_las_ovejas_ardi-larrua 
Fajardo Hernández, R. M. (2020, enero 23). Más de un Siglo de Carneros en El Hierro, 1920-2020. Gaceta del Meridiano. https://www.gacetadelmeridiano.com/index.php/la-isla/156-cultura/6209-mas-de-un-siglo-de-carneros-en-el-hierro-1920-2020
Rodríguez Rodríguez, A. (1997). La tecnología de la piel y el cuero en la prehistoria de Canarias. Una aproximación etnoarqueológica. El Museo Canario, 52, 11-31. https://accedacris.ulpgc.es/jspui/handle/10553/24250]]></dcterms:references>
    <dcterms:extent><![CDATA[90cm x cm x 50cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[723]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.204933648779495,-5.993876638159771;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1771">
    <dcterms:title><![CDATA[Sheepskin with fleece]]></dcterms:title>
    <dcterms:date><![CDATA[2025-06-06]]></dcterms:date>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.2049336487794,-5.99387663815977;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1770">
    <dcterms:title><![CDATA[Sheepskin with fleece]]></dcterms:title>
    <dcterms:date><![CDATA[2025-06-06]]></dcterms:date>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.2049336487794,-5.99387663815977;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1769">
    <dcterms:title><![CDATA[Weaving bands with njiskun/ rigid heddle]]></dcterms:title>
    <dcterms:alternative><![CDATA[Båndveving med njuskun/grindvev]]></dcterms:alternative>
    <dcterms:description><![CDATA[Weaving bands for traditional clothes or other purposes on a rigid heddle. The heddle is traditionally made from wood or antler, but modern ones are also made with modern materials like plastic.]]></dcterms:description>
    <dcterms:source><![CDATA[lofotenmap]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[13/10/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[13/10/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[Duodjeinstituhtta
Várdobáiki samisk senter
Stuornjargga Samiid Duodji]]></dcterms:references>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:language><![CDATA[Norwegian,Sami]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[722]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,68.58500463557306,16.70555667334062;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1768">
    <dcterms:title><![CDATA[MN_CP_11]]></dcterms:title>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1767">
    <dcterms:title><![CDATA[Apicultura artesanal ]]></dcterms:title>
    <dcterms:alternative><![CDATA[Apicultura artesanal ]]></dcterms:alternative>
    <dcterms:description><![CDATA[Beekeeping has historically been an integral part of rural life in Asturias. According to the census conducted by the Marquis of Ensenada in the mid-18th century, a total of 65,813 beehives were documented in the region. The cultural and economic relevance of apiculture is reflected in practices such as the inclusion of hives and apiaries in dowries provided by parents to their daughters upon marriage, as well as in testamentary bequests—such as that of Licentiate Juan Sierra de Castañedo (from the municipality of Allande), who in 1659 stated: “a good hive shall be given to the priest attending my death, and if there are two, each shall take one.”  The imposition of wax-based tributes by monastic institutions on Asturian peasants further contributed to the entrenchment, expansion, and institutionalization of beekeeping in the region. By 2007, official records indicated the presence of approximately 25,000 beehives within the Principality of Asturias. Of these, 13,232 were registered under the Federation of Beekeepers’ Associations of the Principality of Asturias (FAPI), and were managed by a total of 776 apiarists.  Asturias exhibits an average of approximately 15 hives per beekeeper, with a significant number of practitioners operating at small scale. This pattern reveals a high degree of dispersion of beekeeping activity across the Asturian territory. While the overall volume of honey production may be modest, the ecological benefits in terms of pollination, as well as the high quality of bee-derived products—such as honey, pollen, and propolis—underscore the continued importance of apiculture in the region.  ]]></dcterms:description>
    <dcterms:creator><![CDATA[1204]]></dcterms:creator>
    <dcterms:source><![CDATA[asturiasmap]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[13/10/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[Avila, J. (2022). Los otros apicultores de Taramundi (Asturias). Vida apícola: revista de apicultura, (232), 58-61.
Copena, D.(2023). Abejas melíferas y comunidades rurales: una caracterización de los principales elementos patrimoniales en Galicia y Asturias. Cuadiernu: Revista internacional de patrimonio, museología social, memoria y territorio, (11), 121-146.
Díaz, E. y J. Naves (2010). Los colmenares tradicionales del noroeste de España. AÇAFA On Line 3: 1-37.
López, X. (1994). Las abejas, la miel y la cera en la sociedad tradicional asturiana. Real Instituto de Estudios Asturianos.
López, J (2022). Arqueología de la apicultura en la Asturias preindustrial. New Approaches to the Archaeology of Beekeeping, 216.]]></dcterms:references>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[721]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1766">
    <dcterms:title><![CDATA[LAPONTE_CP_04 Image]]></dcterms:title>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1765">
    <dcterms:title><![CDATA[LAPONTE_CP_04 (3)]]></dcterms:title>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1764">
    <dcterms:title><![CDATA[LAPONTE_CP_04 (2)]]></dcterms:title>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1763">
    <dcterms:title><![CDATA[LAPONTE_CP_04 (1)]]></dcterms:title>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1760">
    <dcterms:title><![CDATA[Removing flesh and films from reindeer skins with electrival screwdriver with ball attachment]]></dcterms:title>
    <dcterms:alternative><![CDATA[Fjerning av kjøtt, fett og hinner på reinskinn med elektrisk skrutrekker med pusseball]]></dcterms:alternative>
    <dcterms:description><![CDATA[Electric screwdriver with a ball attachment to remove flesh and thin flesh films to prepare the reindeer skin for processing. Traditionally this has been done with different scraping tools.]]></dcterms:description>
    <dcterms:source><![CDATA[lofotenmap]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[30/09/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[13/10/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[718]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,68.58486433925802,16.703929280812623;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1759">
    <dcterms:title><![CDATA[MN_CP_10(01)]]></dcterms:title>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1758">
    <dcterms:title><![CDATA[Boat building , repair and refurbishment]]></dcterms:title>
    <dcterms:alternative><![CDATA[Båtbygging, reparasjon og restaurering]]></dcterms:alternative>
    <dcterms:description><![CDATA[To build wooden boats was a skill lots of people knew in the old days, and everybody who owned a wooden boat had to know a little bit about how to repair it and mend it. Now this commom knowledge is gone bacause the use of the boats are gone. Yngve Ingebrigtsen was one of the last students that learnt how to build wooden boats. But he has never built boats in his occupation. He has worked in the workshop in Sørvågen mainly mending boats and refurbished them. But to do that you have to know how they are built. He has dream though of one day building his own boat. He knows exactly how it should be. There is an oral tradtion that is connected to the wooden boat that the fishermen have learned by experience. This is very valuable knowledge that is not written down. Learning by doing.]]></dcterms:description>
    <dcterms:source><![CDATA[practices]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[30/09/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[07/04/2026]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[BÅTBYGGER - PLUS SKOLEN]]></dcterms:references>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[717]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1757">
    <dcterms:title><![CDATA[MN_CP_09(02)]]></dcterms:title>
    <dcterms:date><![CDATA[2025:03:03 12:03:06]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1756">
    <dcterms:title><![CDATA[MN_CP_09(01)]]></dcterms:title>
    <dcterms:date><![CDATA[2025:03:03 12:02:38]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1755">
    <dcterms:title><![CDATA[Ingrid Larssen and the Smocking technique]]></dcterms:title>
    <dcterms:description><![CDATA[Ingrid Larssen is an artist that lives in Stokmarknes. She is using smocking as her main technique (vaffelsøm). She uses it in different sizes, and she makes small broches and big decorations that can hang on a wall. Her main material is wool, silk, thread and seaweed.]]></dcterms:description>
    <dcterms:source><![CDATA[lofotenmap]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[30/09/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:language><![CDATA[Norwegian]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[716]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,68.570175,14.940784;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1754">
    <dcterms:title><![CDATA[MN_CP_06(04)]]></dcterms:title>
    <dcterms:date><![CDATA[2025:09:30 16:36:39]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1753">
    <dcterms:title><![CDATA[MN_CP_06(03)]]></dcterms:title>
    <dcterms:date><![CDATA[2025:09:30 16:36:23]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1752">
    <dcterms:title><![CDATA[Yngve Ingebrigtsen with a piece of rope]]></dcterms:title>
    <dcterms:date><![CDATA[2025-03-03]]></dcterms:date>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,68.9157930967307,15.2173247848933;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1751">
    <dcterms:title><![CDATA[MN_CP_06(01)]]></dcterms:title>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1750">
    <dcterms:title><![CDATA[Gluing]]></dcterms:title>
    <dcterms:alternative><![CDATA[Liming/Glueing]]></dcterms:alternative>
    <dcterms:description><![CDATA[At Ballangen Museum, Per Henrik Mørk, contruct models. He uses different technuiqes to acheive this, where one of the most used practice is gluing. This in nessesarcy for all of the tiny elements to stick together.]]></dcterms:description>
    <dcterms:source><![CDATA[lofotenmap]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[30/09/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://snl.no/lim]]></dcterms:references>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:language><![CDATA[Norwegian]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[715]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,68.3286347 ,16.7929442 ;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1749">
    <dcterms:title><![CDATA[MN_CP_05(4)]]></dcterms:title>
    <dcterms:date><![CDATA[2025:02:25 12:11:58]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,68.32851944444444,16.792324999999998;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1748">
    <dcterms:title><![CDATA[MN_CP_05(3)]]></dcterms:title>
    <dcterms:date><![CDATA[2025:02:25 12:35:57]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,68.32851944444444,16.792324999999998;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1747">
    <dcterms:title><![CDATA[MN_CP_05(2)]]></dcterms:title>
    <dcterms:date><![CDATA[2025:02:25 12:44:27]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,68.32851944444444,16.79232222222222;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1746">
    <dcterms:title><![CDATA[MN_CP_05(1)]]></dcterms:title>
    <dcterms:date><![CDATA[2025:02:25 12:44:17]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,68.32851944444444,16.79232222222222;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1745">
    <dcterms:title><![CDATA[Sawing]]></dcterms:title>
    <dcterms:alternative><![CDATA[Saging]]></dcterms:alternative>
    <dcterms:description><![CDATA[At Ballangen Museum, Per Henrik Mørk, is contructing a model of the laundry for the mining company. This is a scaled miniature model, based on images and contruction maps provided. Thus the peaces that make the model is small, and Per Henrik uses different types of sawing technuqies with saws in different types and shapes. Most of the material he saws is of wood, some is other material.]]></dcterms:description>
    <dcterms:source><![CDATA[lofotenmap]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[30/09/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://snl.no/sag]]></dcterms:references>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:language><![CDATA[Norwegian]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[714]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,68.3286347,16.7929442;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1744">
    <dcterms:title><![CDATA[MN_CP_04(3)]]></dcterms:title>
    <dcterms:date><![CDATA[2025:02:25 12:43:11]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,68.32851944444444,16.79232222222222;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1743">
    <dcterms:title><![CDATA[MN_CP_04(2)]]></dcterms:title>
    <dcterms:date><![CDATA[2025:02:25 12:49:25]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,68.32851944444444,16.79232222222222;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1742">
    <dcterms:title><![CDATA[MN_CP_04(1)]]></dcterms:title>
    <dcterms:date><![CDATA[2025:02:25 12:49:31]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,68.32851944444444,16.79232222222222;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1741">
    <dcterms:title><![CDATA[Sami women's hat]]></dcterms:title>
    <dcterms:alternative><![CDATA[Devttatgahpir / kvinnelue]]></dcterms:alternative>
    <dcterms:description><![CDATA[Sami women's hat with a woven band]]></dcterms:description>
    <dcterms:creator><![CDATA[1459]]></dcterms:creator>
    <dcterms:contributor><![CDATA[Kjersti Robertsen]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Northern Sámi, Norwegian]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[713]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,68.5849716247542,16.7055792760146;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1740">
    <dcterms:title><![CDATA[Womens hat with a woven band]]></dcterms:title>
    <dcterms:date><![CDATA[2020-06-17]]></dcterms:date>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,68.5849716247542,16.7055792760146;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1739">
    <dcterms:title><![CDATA[The boat is called Lykken (Happiness). It was build as a fishingboat in 1939.]]></dcterms:title>
    <dcterms:alternative><![CDATA[Wooden boat (fiskeskøyte)]]></dcterms:alternative>
    <dcterms:description><![CDATA[The boat is called Lykken (Happiness). It was build as a fishingboat in 1939. It is 11,44 m long (37 fots krysser) It is a covered boat, that means if the water comes over it, it will not take in water. The bridge (styrhuset) is in the back of the boat. Under deck there is a cargoroom in the middle of the boat and cabins in front. During WWII the boat was used in sending refugees out of Norway.]]></dcterms:description>
    <dcterms:source><![CDATA[craftedobjects,lofotenmap]]></dcterms:source>
    <dcterms:date><![CDATA[1939]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[30/09/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[06/04/2026]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[Historie: M/KR Lykken – Øksnes kystlag
Lykken - Norsk fartøyvern
MK «Lykken» – Wikipedia]]></dcterms:references>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[712]]></dcterms:identifier>
</rdf:Description></rdf:RDF>