<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://culturality.museum/omeka/items/show/565">
    <dcterms:title><![CDATA[Horn container]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cuerna]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Horn container decorated with an inscription framed by garlands and other vegetal motifs. A carved inscription reads: "Hunting place of His Excellency, the Marquess of Rodriga, Caleao, 16 11 21" ("Coto de caza de El Exmo. Sr. Marqués de la Rodriga Caleao 16 11 21"). The inscription is accompanied by a hunting scene featuring a man riding a horse with a rifle, a chamois, and a dog.]]></dcterms:description>
    <dcterms:date><![CDATA[1921]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[28/04/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[18cm x 11cm x 10cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[349]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.15529321113028,-5.411960135906423;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/567">
    <dcterms:title><![CDATA[Horn Container]]></dcterms:title>
    <dcterms:description><![CDATA[Horn container with an iron handle and a wooden base, traditionally used for milking in mountainous areas. It features inscriptions on both sides: “I belong to Jose” (“Soy de Jose”) and “Enrique Mart.,” accompanied by garlands and vegetal motifs. Two fish appear below the first inscription, and a carved clock stopped at a quarter to twelve completes the decorative program.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[0f4070f2fa694b11b2e8cf17ac8deeab]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/568">
    <dcterms:title><![CDATA[34_HornContainer_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/569">
    <dcterms:title><![CDATA[Horn container]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cuerna]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Horn container with an iron handle and a wooden base, traditionally used for milking in mountainous areas. It features inscriptions on both sides: “I belong to Jose” (“Soy de Jose”) and “Enrique Mart.,” accompanied by garlands and vegetal motifs. Two fish appear below the first inscription, and a carved clock stopped at a quarter to twelve completes the decorative programme.]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1875/1900]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[29/04/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[23cm x 16cm x 10cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[351]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/570">
    <dcterms:title><![CDATA[Wooden container]]></dcterms:title>
    <dcterms:description><![CDATA[Gaxapu used to keep the sharpening stone in water for the scythe. This wooden container has a prismatic body supported by four small feet. A handle allows it to be attached to a belt, and geometric motifs surround the initials “V. V.” on the front of the object.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[d4e4509d14104ebe96032c5c94adc99b]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.15760973366247,-5.973730087280273;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/571">
    <dcterms:title><![CDATA[35_WoodenContainer_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/572">
    <dcterms:title><![CDATA[Wooden container]]></dcterms:title>
    <dcterms:alternative><![CDATA[Gaxapu]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Gaxapu used to keep the sharpening stone in water for the scythe. This wooden container has a prismatic body supported by four small feet. A handle allows it to be attached to a belt, and geometric motifs surround the initials “V. V.” on the front of the object.]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1940]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[29/04/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[23,5cm x 7,7cm x 7,2cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[352]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.15756360763985,, -5.97445001885254;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/573">
    <dcterms:title><![CDATA[Stamp]]></dcterms:title>
    <dcterms:description><![CDATA[Small circular wooden stamp used to mark Casín cheese. A handle allows it to be held and used to stamp the carved geometric solar disc on its surface.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[a2f6fd89454641278e61655831ae3b93]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.206114248588044,-5.400166511535645;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/574">
    <dcterms:title><![CDATA[28_Marco_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/575">
    <dcterms:title><![CDATA[Stamp]]></dcterms:title>
    <dcterms:alternative><![CDATA[Marco]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Small circular wooden stamp used to mark Casín cheese. A handle allows it to be held and used to stamp the carved geometric solar disc on its surface.]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1910/1920]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[29/04/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[4cm x 8,5cm x 8,1cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[353]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.20731872247282, ,-5.39944447236579-5.39944447236579;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/576">
    <dcterms:title><![CDATA[Wooden container]]></dcterms:title>
    <dcterms:alternative><![CDATA[Gaxapu]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Wooden gaxapu with a prismatic body and a semicircular base. On the back, a handle allows it to be attached to a belt, holding the sharpening stone for the scythe. On the front, two horseshoes with a nail between them appear at the top, while a large rosette is carved in the center. The lower part features various carved geometric motifs and surface textures.]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1940]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[29/04/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[29/04/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[23cm x 8,5cm x 7,8cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[354]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.311085256732035 ,-5.558339999400979;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/577">
    <dcterms:title><![CDATA[Wooden container]]></dcterms:title>
    <dcterms:description><![CDATA[Wooden gaxapu with a prismatic body and a semicircular base. On the back, a handle allows it to be attached to a belt, holding the sharpening stone for the scythe. On the front, two horseshoes with a nail between them appear at the top, while a large rosette is carved in the center. The lower part features various carved geometric motifs and surface textures.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[c1340ead5db44648bede9d36faf2b6ad]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.31105608586045, ,-5.558235681663994;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/578">
    <dcterms:title><![CDATA[36_Gaxapu_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/579">
    <dcterms:title><![CDATA[Wooden container]]></dcterms:title>
    <dcterms:description><![CDATA[Wooden container with a prismatic shape—semicircular at the base and square at the mouth—used to hold water in which the sharpening stone is kept. A handle on the back allows it to be attached to a belt. The front features geometric motifs with various patterns, highlighting the inscription “A. A.”]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[8b0aaed765d441bca278f81b87bd0524]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/580">
    <dcterms:title><![CDATA[29_Gaxapu_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/581">
    <dcterms:title><![CDATA[Wooden container]]></dcterms:title>
    <dcterms:alternative><![CDATA[Gaxapu]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Wooden container with a prismatic shape—semicircular at the base and square at the mouth—used to hold water in which the sharpening stone is kept. A handle on the back allows it to be attached to a belt. The front features geometric motifs with various patterns, highlighting the inscription “A. A.”]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1901/1933]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[30/04/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[23cm x 6,7cm x 6,5cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[355]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/582">
    <dcterms:title><![CDATA[Chestnut wood gaxapu]]></dcterms:title>
    <dcterms:description><![CDATA[Chestnut wood gaxapu with a prismatic body that narrows toward the base. The three front faces are carved with geometric and vegetal motifs, highlighting a central rosette and the initials “M. A.” A handle allows it to be attached to a belt, keeping the sharpening stone submerged in water and ready for use with the scythe.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.24911321099368,-6.427881691050573;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/583">
    <dcterms:title><![CDATA[37_Gaxapu_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/584">
    <dcterms:title><![CDATA[Wooden container]]></dcterms:title>
    <dcterms:alternative><![CDATA[Gaxapu]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Chestnut wood gaxapu with a prismatic body that narrows toward the base. The three front faces are carved with geometric and vegetal motifs, highlighting a central rosette and the initials “M. A.” A handle allows it to be attached to a belt, keeping the sharpening stone submerged in water and ready for use with the scythe.]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1925/1950]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[30/04/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[25cm x 8,8cm x 7,5cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[356]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.24844165220961,, -6.427881691050573;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/585">
    <dcterms:title><![CDATA[Stirrups]]></dcterms:title>
    <dcterms:description><![CDATA[Wooden stirrups featuring geometric and vegetal motifs carved on their various sides. A handle at the top is also decorated.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[10f9243ec54d4d27a608f855f1ba1b13]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/586">
    <dcterms:title><![CDATA[38_Stirrups_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/587">
    <dcterms:title><![CDATA[Stirrups]]></dcterms:title>
    <dcterms:alternative><![CDATA[Estribos]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Wooden stirrups featuring geometric and vegetal motifs carved on their various sides. A handle at the top is also decorated.]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1900/20]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[01/05/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[14cm x 20cm x 14cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[357]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/588">
    <dcterms:title><![CDATA[Wooden container]]></dcterms:title>
    <dcterms:description><![CDATA[Chestnut wood gaxapu with a body that has a semicircular base. The front side features floral and geometric motifs and retains traces of red and blue polychromy. On the back, a handle allows the object to be attached to a belt.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[0c6980b8dbbe42558af36f78360eeafe]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.393123617422184,-5.66946029663086;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/589">
    <dcterms:title><![CDATA[30_Gaxapu_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/592">
    <dcterms:title><![CDATA[30_Gaxapu_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/593">
    <dcterms:title><![CDATA[Wooden container]]></dcterms:title>
    <dcterms:alternative><![CDATA[Gaxapu]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Chestnut wood gaxapu with a body that has a semicircular base. The front side features floral and geometric motifs and retains traces of red and blue polychromy. On the back, a handle allows the object to be attached to a belt.]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1925/1950]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/05/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[24cm x 7cm x 8,3cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[359]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.390477401348235,-5.6686668561143945;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/594">
    <dcterms:title><![CDATA[Horn container]]></dcterms:title>
    <dcterms:description><![CDATA[Horn container with an iron handle and the inscription “I belong to Benjamín Cabeza” (“Soy de Benjamín Cabeza”). Used as a gaxapu, this object features various geometric and vegetal motifs, such as garlands, palmettes, a circle, and a heart.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[c013bdd64a034affaec9d05c4cbdafe6]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/595">
    <dcterms:title><![CDATA[39_Cuerna_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/596">
    <dcterms:title><![CDATA[Horn container]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cuerna]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Horn container with an iron handle and the inscription “I belong to Benjamín Cabeza” (“Soy de Benjamín Cabeza”). Used as a gaxapu, this object features various geometric and vegetal motifs, such as garlands, palmettes, a circle, and a heart.]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1875/1890]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/05/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[20cm x 12cm x 9cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[360]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/597">
    <dcterms:title><![CDATA[Horn container]]></dcterms:title>
    <dcterms:description><![CDATA[Horn container with an iron handle. The front side features a scene of a man with a scythe, surrounded by garlands and vegetal motifs. The inscription “I belong to Manuel Jesús Calvo” (“Soy de Manuel Jesús Calvo”) indicates the ownership of the object.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[f748092136ce48bdb5dc4ac68bbe7a56]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/598">
    <dcterms:title><![CDATA[40_Cuerna_Report]]></dcterms:title>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/599">
    <dcterms:title><![CDATA[Horn container]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cuerna]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Horn container with an iron handle. The front side features a scene of a man with a scythe, surrounded by garlands and vegetal motifs. The inscription “I belong to Manuel Jesús Calvo” (“Soy de Manuel Jesús Calvo”) indicates the ownership of the object.]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1875/1880]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/05/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[20cm x 12cm x 8cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[361]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/600">
    <dcterms:title><![CDATA[Horn container]]></dcterms:title>
    <dcterms:description><![CDATA[A carved horn with a wooden base. Used as a gaxapu, its surface is decorated with various motifs. A man riding a horse, vegetals, and flowers are part of the decorative program, which concludes with two animals: a peacock and a snake. The latter takes the shape of an "S" to begin the inscription "Soy de Jose Cavallin" ("I belong to Jose Cavallin").]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[ba725a6095204996951b9e5a9e52d35e]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/601">
    <dcterms:title><![CDATA[41_Cuerna_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/602">
    <dcterms:title><![CDATA[Horn Container]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cuerna]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[A carved horn with a wooden base. Used as a gaxapu, its surface is decorated with various motifs. A man riding a horse, vegetals, and flowers are part of the decorative program, which concludes with two animals: a peacock and a snake. The latter takes the shape of an "S" to begin the inscription "Soy de Jose Cavallin" ("I belong to Jose Cavallin").]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1885/1900]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/05/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[17cm x 10cm x 7cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[362]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/603">
    <dcterms:title><![CDATA[Basket bag]]></dcterms:title>
    <dcterms:description><![CDATA[Basket with a cubic shape and a lid attached with two hinges. A semicircular handle allows for comfortable transport. This type of basketry from Forcinas comes from one of the most important workshops, which employed over eighty artisans during the second half of the twentieth century, known for its high quality, design, and attention to trends]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[f5d56bfebceb40f5a01e74a52e0970df]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.47933134194361, ,-6.109141580203449;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/604">
    <dcterms:title><![CDATA[42_Cesta_Report]]></dcterms:title>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/606">
    <dcterms:title><![CDATA[Animal collar]]></dcterms:title>
    <dcterms:description><![CDATA[Wooden collar for livestock, featuring a brass plate nailed to the surface and decorated with stamped motifs. The initials “M. A.” likely indicate the owner of the animal, and the rest of the carved decorations include vegetal patterns and circles. An iron piece connects both ends of the collar, which originally held a bell.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[8c8110a6236b45adac578ffce48925fd]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/607">
    <dcterms:title><![CDATA[44_Collar_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/608">
    <dcterms:title><![CDATA[Animal collar]]></dcterms:title>
    <dcterms:alternative><![CDATA[Collera]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Wooden collar for livestock, featuring a brass plate nailed to the surface and decorated with stamped motifs. The initials “M. A.” likely indicate the owner of the animal, and the rest of the carved decorations include vegetal patterns and circles. An iron piece connects both ends of the collar, which originally held a bell.]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1940/1950]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/05/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[34cm x 19cm x 7cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[364]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/609">
    <dcterms:title><![CDATA[Stirrups]]></dcterms:title>
    <dcterms:alternative><![CDATA[Estribos]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Wooden stirrups reinforced with wrought iron, which is shaped into stylized vegetal forms on the front side of the object.]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1865/1900]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[07/05/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[07/05/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[20cm x 30cm x 17cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[365]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/610">
    <dcterms:title><![CDATA[Stirrups]]></dcterms:title>
    <dcterms:description><![CDATA[Wooden stirrups reinforced with wrought iron, which is shaped into stylized vegetal forms on the front side of the object.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[0c1f67b8bc354b3d9ed243d71e7a3129]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/611">
    <dcterms:title><![CDATA[46_Stirrups_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/612">
    <dcterms:title><![CDATA[Animal collar]]></dcterms:title>
    <dcterms:description><![CDATA[Wooden collar with riveted iron reinforcements at both ends, connected by an iron piece designed to hold a bell. The wood is decorated with carved six-petal flowers distributed around the entire piece.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[aaea4ca99d9b4fa88661c0ee02ffd985]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/613">
    <dcterms:title><![CDATA[45_Collar_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/614">
    <dcterms:title><![CDATA[Animal collar]]></dcterms:title>
    <dcterms:alternative><![CDATA[Collera]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Wooden collar with riveted iron reinforcements at both ends, connected by an iron piece designed to hold a bell. The wood is decorated with carved six-petal flowers distributed around the entire piece.]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1900/20]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[08/05/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[30cm x 15cm x 5cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[366]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/618">
    <dcterms:title><![CDATA[Castanet]]></dcterms:title>
    <dcterms:description><![CDATA[Castanet used for musical accompaniment. The body is entirely decorated with geometric motifs, with a prominent eight-petal rosette featured at the center. A carved inscription shows the date “VIII-XXXIIII” (August 1934). This piece comes from Cangas del Narcea and displays the typical characteristics of the area: large size and rich ornamentation.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[c1b8829f2cd74bdeaa735c17d5799072]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.17503703174155,, -6.546673165893869;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/619">
    <dcterms:title><![CDATA[54_Castanet_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/620">
    <dcterms:title><![CDATA[Castanet]]></dcterms:title>
    <dcterms:alternative><![CDATA[Castañuela]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,Music,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Castanet used for musical accompaniment. The body is entirely decorated with geometric motifs, with a prominent eight-petal rosette featured at the center. A carved inscription shows the date “VIII-XXXIIII” (August 1934). This piece comes from Cangas del Narcea and displays the typical characteristics of the area: large size and rich ornamentation.]]></dcterms:description>
    <dcterms:date><![CDATA[1934]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[13/05/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[4,2cm x 16,1cm x 13,4cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[369]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.17909168948726,, -6.547336638230115;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/621">
    <dcterms:title><![CDATA[Horn container]]></dcterms:title>
    <dcterms:description><![CDATA[A large horn container featuring a wide range of decorative motifs and notable inscriptions. Garlands, plants, and flowers are accompanied by animals and hybrid creatures. One inscription indicates ownership: “I belong to Juan Rodríguez” (“Soy de Juan Rodríguez”), while another reflects on the creation of the object:“I cannot do it better / because my sight is failing / and I also lack / both study and the help of grace” (“No puedo acerlo [sic] mejor / porque la vista me falta / también faltan falta [sic] los / estudios y la yuda [sic] de gracia”).]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[72913f9e2701443b83a695c1f14594e7]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/622">
    <dcterms:title><![CDATA[57_Cuerna_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/623">
    <dcterms:title><![CDATA[Horn container]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cuerna]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[A large horn container featuring a wide range of decorative motifs and notable inscriptions. Garlands, plants, and flowers are accompanied by animals and hybrid creatures. One inscription indicates ownership: “I belong to Juan Rodríguez” (“Soy de Juan Rodríguez”), while another reflects on the creation of the object: “I cannot do it better / because my sight is failing / and I also lack / both study and the help of grace” (“No puedo acerlo [sic] mejor / porque la vista me falta / también faltan falta [sic] los / estudios y la yuda [sic] de gracia”).]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1875/1900]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[15/05/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[37cm x 26cm x 14cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[370]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/625">
    <dcterms:title><![CDATA[Chapel of Bezerreira and the peaks of the Caramulo Mountain Range]]></dcterms:title>
    <dcterms:description><![CDATA[Chapel of Bezerreira and the peaks of the Caramulo Mountain Range]]></dcterms:description>
    <dcterms:date><![CDATA[2023:08:10 20:41:20]]></dcterms:date>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/626">
    <dcterms:title><![CDATA[UA.LABDESIGN 2023: Learning to scutch the linen]]></dcterms:title>
    <dcterms:description><![CDATA[UA.LABDESIGN 2023: Learning to scutch the linen]]></dcterms:description>
    <dcterms:date><![CDATA[2023:07:17 17:16:05]]></dcterms:date>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.63864168914507,-7.908782958984376;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/627">
    <dcterms:title><![CDATA[UAveiro Masters&rsquo; students visit in 2024: Learning to weave with linen]]></dcterms:title>
    <dcterms:description><![CDATA[UAveiro Masters’ students visit in 2024: Learning to weave with linen.]]></dcterms:description>
    <dcterms:date><![CDATA[2024:03:22 16:42:40]]></dcterms:date>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.65796247357286,-7.913503646850587;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/628">
    <dcterms:title><![CDATA[Felted jacket]]></dcterms:title>
    <dcterms:description><![CDATA[Image of a felted jacket made by Anja Musek from Škofja Loka, Gorenjska, Slovenia. .]]></dcterms:description>
    <dcterms:date><![CDATA[13/2/2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,46.16631590130656,14.30722304478371;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/630">
    <dcterms:title><![CDATA[Felted jacket]]></dcterms:title>
    <dcterms:description><![CDATA[3D model of a felted jacket created by Anja Musek from Atelje Amuse in Škofja Loka, Gorenjska, Slovenia.]]></dcterms:description>
    <dcterms:source><![CDATA[slovenia,sloveniaobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[text/plain Alias/WaveFront Object]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,46.16631355821959,14.307227555703253;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/632">
    <dcterms:title><![CDATA[Felted Sweater]]></dcterms:title>
    <dcterms:description><![CDATA[Image of felted sweated created by Anja Musek of Atelje Amuse from Škofja Loka, Gorenjska, Slovenia.]]></dcterms:description>
    <dcterms:date><![CDATA[13/2/2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,46.166885853818485,14.307178375143756;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/636">
    <dcterms:title><![CDATA[Fisherman's 3-Ply Knitted Gansey]]></dcterms:title>
    <dcterms:description><![CDATA[This is a fine example of a traditional 'Helmsdale' patterned fisherman's gansey or jumper, dating back to the mid-20th century. The design features motifs that include the diamond shape of herring nets and the cable patterns reminiscent of rope and rigging. This particular jumper was typically worn on special
occasions or Sundays, rather than while at sea. Fisherwomen, who were skilled knitters, created ganseys
during their spare time as they awaited the herring catch to arrive at the quayside.]]></dcterms:description>
    <dcterms:source><![CDATA[images]]></dcterms:source>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/637">
    <dcterms:title><![CDATA[01_Gansey_Report]]></dcterms:title>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/638">
    <dcterms:title><![CDATA[Fisherman's 3-Ply Knitted Gansey]]></dcterms:title>
    <dcterms:subject><![CDATA[Art,MARINE LIFE,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[This is a fine example of a traditional 'Helmsdale' patterned fisherman's gansey or jumper, dating back to
the mid-20th century. The design features motifs that include the diamond shape of herring nets and the
cable patterns reminiscent of rope and rigging. This particular jumper was typically worn on special
occasions or Sundays, rather than while at sea. Fisherwomen, who were skilled knitters, created ganseys
during their spare time as they awaited the herring catch to arrive at the quayside.]]></dcterms:description>
    <dcterms:date><![CDATA[Mid-20th century]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[09/06/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[375]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.11668012077829,, -3.6541763990927962;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/639">
    <dcterms:title><![CDATA[Fisherman's 3-Ply Knitted Gansey]]></dcterms:title>
    <dcterms:subject><![CDATA[Art,MARINE LIFE,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[This is a fine example of a traditional 'Helmsdale' patterned fisherman's gansey or jumper, dating back to
the mid-20th century. The design features motifs that include the diamond shape of herring nets and the
cable patterns reminiscent of rope and rigging. This particular jumper was typically worn on special
occasions or Sundays, rather than while at sea. Fisherwomen, who were skilled knitters, created ganseys
during their spare time as they awaited the herring catch to arrive at the quayside.]]></dcterms:description>
    <dcterms:date><![CDATA[Mid-20th century]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[09/06/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[376]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.11668012077829,, -3.6541763990927962;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/640">
    <dcterms:title><![CDATA[Carl-Johan Lejrin]]></dcterms:title>
    <dcterms:description><![CDATA[Creates handspun yarn using spinning-wheel. The wool used are from Carl-Joahns own sheep, which are of an older local breed of sheep “Värmalndsfår”. These particular sheep produce a varying wool spanning for qualities used for tapestry to yarn for felting cloth. Apart from the sheering of the sheep, Carl-Johan has done all the prework such as washing, carding, to the spinning, to the finishing treatment.]]></dcterms:description>
    <dcterms:source><![CDATA[artisans,varmlandmap]]></dcterms:source>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[377]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/641">
    <dcterms:title><![CDATA[Rut Olsson]]></dcterms:title>
    <dcterms:description><![CDATA[Rut Orrmalm Olsson, producer of textile handicraft, started at the shop in May 2008 and left the shop three years later. Göran Söderström, goldsmith from Lannavaara, joined us in October 2008.]]></dcterms:description>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[378]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/642">
    <dcterms:title><![CDATA[Paz Mesa]]></dcterms:title>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[379]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/643">
    <dcterms:title><![CDATA[Rachele Didero]]></dcterms:title>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[380]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/644">
    <dcterms:title><![CDATA[Federica Busani]]></dcterms:title>
    <dcterms:source><![CDATA[artisans,images]]></dcterms:source>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[381]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/645">
    <dcterms:title><![CDATA[Dominica Stan]]></dcterms:title>
    <dcterms:description><![CDATA[Creates clothes with her daughter Stan Maria.]]></dcterms:description>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[382]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/646">
    <dcterms:title><![CDATA[Stan Maria]]></dcterms:title>
    <dcterms:description><![CDATA[Creates clothes with her mother Dominica Stan.]]></dcterms:description>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[383]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/647">
    <dcterms:title><![CDATA[Monika Hint]]></dcterms:title>
    <dcterms:description><![CDATA[Monika Hint, an student of the University of Tartu Viljandi Culture Academy, runs her own studio, Koordikamber, in Koordi farm in Viljandi county. Collaborating with fellow artisans, local farmers, and hunters, she uses bone, horn, leather, wool, and other natural, often recycled materials to create products that build on and develop further traditional technologies.]]></dcterms:description>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[384]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/648">
    <dcterms:title><![CDATA[Artesan&iacute;as Forcinas]]></dcterms:title>
    <dcterms:description><![CDATA[The artisan who created the Basket bag item.]]></dcterms:description>
    <dcterms:source><![CDATA[artisans,asturiasmap]]></dcterms:source>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[385]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/649">
    <dcterms:title><![CDATA[Alfar de Llamas del Mouro]]></dcterms:title>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:modified><![CDATA[25/07/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[386]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/650">
    <dcterms:title><![CDATA[Marl&eacute;n L&oacute;pez]]></dcterms:title>
    <dcterms:description><![CDATA[Marlén, biodigital architect and Manuel, biodigital designer and craftsman, make up the Laboratorio Biomimético, a project based on biomimesis, that is, on the attentive observation of nature, directly through field trips, or indirectly, with readings and documentaries. Through this observation and profound understanding, they seek to implement the solutions of nature, a designer with thousands of years of experience, to human challenges.]]></dcterms:description>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[387]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/651">
    <dcterms:title><![CDATA[Manuel Persa]]></dcterms:title>
    <dcterms:description><![CDATA[Marlén, biodigital architect and Manuel, biodigital designer and craftsman, make up the Laboratorio Biomimético, a project based on biomimesis, that is, on the attentive observation of nature, directly through field trips, or indirectly, with readings and documentaries. Through this observation and profound understanding, they seek to implement the solutions of nature, a designer with thousands of years of experience, to human challenges.]]></dcterms:description>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[388]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/652">
    <dcterms:title><![CDATA[Constantino Menéndez]]></dcterms:title>
    <dcterms:description><![CDATA[One of the areas of the laboratory is ARBIO, dedicated to the production of biodegradable fabrics that the made by kÖs firm of Constantino and Yolanda uses to make some of its pieces. This collaboration is part of the key points of the lab, which seeks synergies with designers, experts, researchers, and the community in general. Constantino learned to sew with his mother and later trained in Fashion and Clothing. Inspired by his research and interest in textile history and historical recreation, he established the made by kÖs brand in 2013, combining traditional inspiration with contemporary designs, after a work of reproducing old pieces based on paintings and photographs with traditional scenes, especially from the 19th century. After a few years, Yolanda joined, who also began sewing with her mother, as well as with her grandmother and her aunts. She is in charge of reproducing the pieces based on Constantino’s model, as well as the more business work, related to suppliers and orders. Her line of garments, with very selected projects, are produced on a small scale and locally, proposing pieces inspired by rural areas, village life and traditional clothing, incorporating current elements to give rise to handmade designer pieces]]></dcterms:description>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
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