<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://culturality.museum/omeka/items/show/754">
    <dcterms:title><![CDATA[Full Storm yarn skein, raw color]]></dcterms:title>
    <dcterms:alternative><![CDATA[Full Storm ullnøste rå farge]]></dcterms:alternative>
    <dcterms:description><![CDATA[Yarn skein made out of Gammalnorsk sheep breed from the Lofoten islands, raw color.]]></dcterms:description>
    <dcterms:creator><![CDATA[687]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[10/07/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://lofoten-wool.no/en https://www.nibio.no/prosjekter/amazing-grazing-baerekraftig-kjott-og-ull-fra-sau-som-beiter-i-norsk-utmark?locationfilter=true https://www.smabrukarlaget.no/aktuelt/bonde-og-smaabruker/, https://www.norskekunsthandverkere.no/kunstnerregister/ragnhild-lie https://husflid.no/ https://www.utdanningsforbundet.no/ https://www.bondelaget.no/ Esther Haukeland, Innføring til plantefarging. Cappellen, 1982. Animalia: Norwegian wool Standard. https://www.animalia.no/no/Dyr/ull-og-ullklassifisering/norsk-ullstandard/  Beder, Nicolina J., Seyður Ull Tøting. SPF. Sprotin, 2010. Flååt, Inger. Votter i Namdalen. Nauma Husflidslag, 2010. Grimstad, Ingun K. and Sårdal, Tone t. Norsk Strikkehistorie. Vormedal Forlag. 2018. Grimstad, Ingun K. and Sårdal, Tone T. Ren ull. Aschehoug, 2013. Hrútaskrá. https://www.rml.is/is/kynbotastarf/saudfjarraekt/hrutaskra Joensen, Robert. Seyðabókin. SPF. Sprotin, 2015. Johnston, Elizabeth and Juuhl, Marta K. The warp-weighted loom. Kljásteinavefstadurinn: kljásteinar klingja. Oppstadveven: klingande steinar. Skald, 2016. Kjellmo, Ellen. Båtrya i gammel og nyt tid. Orkana, 1996. Sundbø, Annemor. Usynlege Trådar i Strikkekunsten. Samlaget, 2006. https://www.norskebilledkunstnere.no/]]></dcterms:references>
    <dcterms:language><![CDATA[Norwegian]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[429]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,68.1490556685704,13.7622515654953;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1066">
    <dcterms:title><![CDATA[Funnel]]></dcterms:title>
    <dcterms:alternative><![CDATA[funil]]></dcterms:alternative>
    <dcterms:description><![CDATA[A funnel is used to transfer liquids from one container to another, preventing spills and simplifying the process.]]></dcterms:description>
    <dcterms:creator><![CDATA[918]]></dcterms:creator>
    <dcterms:source><![CDATA[cabeceirasdebastomap]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[11/08/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://old.cm-tondela.pt/index.php/servicos/museu-terra-de-besteiros/investigacao/funilaria https://uniaodasfreguesiastondelanandufe.pt/2022/01/18/museu-terras-de-besteiros/]]></dcterms:references>
    <dcterms:extent><![CDATA[15cm x 20cm x 15cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Portuguese]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[530]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.521326,-8.032804;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2324">
    <dcterms:title><![CDATA[Gabbie of WIld by Nature]]></dcterms:title>
    <dcterms:description><![CDATA[I am Gabbie, the maker behind Wild by Nature and I can be found nestled in the heart of Brora in the Scottish Highlands. Wild by Nature was once my dream, so to be able to watch my dream grow has been an incredible journey.

From formulating my very first products to now seeing others enjoy them has given me such a sense of personal achievement. I have been inspired by the wild beauty of the Scottish Highlands where I live and rugged Cornwall where I grew up and raised my own family.

Wild by Nature began with a simple idea. I wanted to create everyday Skin Care products that are made with quality ingredients that have been carefully chosen.

Everything is made by hand using traditional methods. I work with natural oils, tallow, milk, beeswax and botanicals, choosing ingredients for how they feel on the skin rather than how they look on a shelf. Many of which are sourced locally from the Scottish Highlands. Including using honey and beeswax from mine or my friends beehives here in Brora.

Wild by Nature is shaped by my love of nature, slower living, and products that are made to be used. I endeavour to be considerate to the environment, it’s not always easy. So much of my packaging can be recycled, composted or repurposed.

I don't aim for perfection, but I do aim for honest simple recipes, using considered ingredient all of which are made in small batches.
]]></dcterms:description>
    <dcterms:source><![CDATA[artisans]]></dcterms:source>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Artisan]]></dcterms:type>
    <dcterms:identifier><![CDATA[966]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.01170191886565,-3.852946042500534;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1886">
    <dcterms:title><![CDATA[Galhetto Lamp]]></dcterms:title>
    <dcterms:alternative><![CDATA[Luminária Galhetto]]></dcterms:alternative>
    <dcterms:description><![CDATA[A lamp inspired by the shape of a Portuguese cruet. It features holes in different positions, allowing it to be hung on the wall in a variety of ways.]]></dcterms:description>
    <dcterms:creator><![CDATA[918]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects,portugalobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[27/10/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://uniaodasfreguesiastondelanandufe.pt/2022/01/18/museu-terras-de-besteiros/]]></dcterms:references>
    <dcterms:extent><![CDATA[30cm x 25cm x 50cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Portuguese]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[750]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.521326,-8.032804;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2052">
    <dcterms:title><![CDATA[Gamoneu Cheese]]></dcterms:title>
    <dcterms:alternative><![CDATA[Queso Gamoneu]]></dcterms:alternative>
    <dcterms:description><![CDATA[It is a fatty, matured cheese with a natural rind, which can be made with cow’s, sheep’s, and/or goat’s milk. It is lightly smoked and has slight Penicillium blooms along the edges. Gamoneu becomes a blue-veined cheese after a long aging period in the cave. With a shorter maturation time, it is predominantly white to yellowish in color, with greenish-blue veins of Penicillium spreading from the outside toward the center. The paste is semi-hard and crumbly, with a strong but not overpowering aroma, and smoky notes. Some wheels are quite large, weighing up to eight kilograms, with an intense smoky aroma and a spicy flavor]]></dcterms:description>
    <dcterms:creator><![CDATA[2057,2054]]></dcterms:creator>
    <dcterms:source><![CDATA[asturiasmap]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[18/12/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[19/12/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[González-Álvarez, M. (2015). Denominaciones de Origen y Parques Nacionales: actividad quesera en Picos de Europa. Revista de humanidades (25), 57-84.
Monesma, E. (2003). La vida de los pastores de los Picos de Europa y el queso de Gamoneu. Oficios Perdidos. Documental. https://www.youtube.com/watch?v=RTFXabGx6Ro
Oliveira e Oliveira, T. C. D. (2023). Revalorização de alimentos símbolo de comunidades-território. Os casos do mel virgem de abelhas Pisilnekmej no território maseual (México) e do queijo Gamonéu de pastores de Picos de Europa (Espanha).
Prieto, D. (2019). La Escuela de Pastores de Picos de Europa: revitalizando la cultura de pastoreo quesero. PH: Boletín del Instituto Andaluz del Patrimonio Histórico, 27(98), 298-307.
Polledo, M. (2024). Evidencias arqueológicas de actividad humana en áreas de alta montaña: los Picos de Europa y su entorno durante la prehistoria. En RUIZ-FERNÁNDEZ, J., LUELMO-LAUTENSCHLAEGER, R., PÉREZ-DÍAZ, S., GARCÍA-HERNÁNDEZ, C., LÓPEZ-SÁEZ, J.A., ALBA-SÁNCHEZ, F., GALLINAR, D., RUIZ-ALONSO, M., GARCÍA, A., GONZÁLEZDÍAZ, B., (Eds.) Socio-ecología, arqueología y geohistoria de los paisajes de montaña ibéricos: una mirada multidisciplinar. Oviedo: CeCodet (Universidad de Oviedo) – Ed. Trabe. págs. 491–507.
Valle, F. (2007). Quesos artesanos de la comarca oriente de Asturias. Llanes: Consorcio del Oriente de Asturias.]]></dcterms:references>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:language><![CDATA[Asturian,Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[790]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.314444,-5.066667;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1162">
    <dcterms:title><![CDATA[Gas kiln]]></dcterms:title>
    <dcterms:date><![CDATA[2025-06-04]]></dcterms:date>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,58.41727124,-6.43581648346618;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1163">
    <dcterms:title><![CDATA[Gas Kiln]]></dcterms:title>
    <dcterms:description><![CDATA[A Gas fired Kiln]]></dcterms:description>
    <dcterms:source><![CDATA[tools,scotlandobjects,highlandandislands]]></dcterms:source>
    <dcterms:date><![CDATA[Unknown]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[19/08/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[150cm x 300cm x 100cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[564]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.41727124,-6.435816483466189;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2114">
    <dcterms:title><![CDATA[Geeeting card with a Slovenian folk motif combined with Slovenian handmade lace on paper in a cardboard gift box.]]></dcterms:title>
    <dcterms:date><![CDATA[February 2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/894">
    <dcterms:title><![CDATA[Giant South American Snail shell]]></dcterms:title>
    <dcterms:type><![CDATA[External Item]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2155">
    <dcterms:title><![CDATA[Glass Bead]]></dcterms:title>
    <dcterms:date><![CDATA[2018:01:10 01:55:23]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2156">
    <dcterms:title><![CDATA[Glass Bead]]></dcterms:title>
    <dcterms:source><![CDATA[craftedobjects,viljandicountymap]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[26/01/2026]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[26/01/2026]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[835]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1392">
    <dcterms:title><![CDATA[Glencoe]]></dcterms:title>
    <dcterms:description><![CDATA[The most famous Scottish glen is also one of its most dramatic, with forbidding mountains, thundering waterfalls and sparkling lochs. Internationally famous for its amazing landscape, its natural and cultural heritage; the scenery of Glencoe has been fashioned by millions of years of geological and geomorphologic processes is now regarded as some of the finest wild landscape in Scotland. The drama is also reflected in Glencoe's history, both real and imagined “ myths, massacre and movies are all now part of the fabric of this magical, mysterious place. Walkers and climbers are drawn from all over the world to tackle its many mountaineering routes, including eight Munros, while animal-lovers come to catch a glimpse of Scottish wildlife including red deer, golden eagles and pine martens.]]></dcterms:description>
    <dcterms:source><![CDATA[highlandandislands]]></dcterms:source>
    <dcterms:type><![CDATA[Natural]]></dcterms:type>
    <dcterms:identifier><![CDATA[647]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.666626,-5.034336;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1393">
    <dcterms:title><![CDATA[Glencoe]]></dcterms:title>
    <dcterms:type><![CDATA[External Item]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1394">
    <dcterms:title><![CDATA[Glencoe]]></dcterms:title>
    <dcterms:description><![CDATA[The most famous Scottish glen is also one of its most dramatic, with forbidding mountains, thundering waterfalls and sparkling lochs. Internationally famous for its amazing landscape, its natural and cultural heritage; the scenery of Glencoe has been fashioned by millions of years of geological and geomorphologic processes is now regarded as some of the finest wild landscape in Scotland. The drama is also reflected in Glencoe's history, both real and imagined “ myths, massacre and movies are all now part of the fabric of this magical, mysterious place. Walkers and climbers are drawn from all over the world to tackle its many mountaineering routes, including eight Munros, while animal-lovers come to catch a glimpse of Scottish wildlife including red deer, golden eagles and pine martens.]]></dcterms:description>
    <dcterms:source><![CDATA[highlandandislands]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[09/20/2025 02:53:06 pm]]></dcterms:dateSubmitted>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:type><![CDATA[Tour]]></dcterms:type>
    <dcterms:identifier><![CDATA[648]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.666626,-5.034336;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1750">
    <dcterms:title><![CDATA[Gluing]]></dcterms:title>
    <dcterms:alternative><![CDATA[Liming/Glueing]]></dcterms:alternative>
    <dcterms:description><![CDATA[At Ballangen Museum, Per Henrik Mørk, contruct models. He uses different technuiqes to acheive this, where one of the most used practice is gluing. This in nessesarcy for all of the tiny elements to stick together.]]></dcterms:description>
    <dcterms:source><![CDATA[lofotenmap]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[30/09/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://snl.no/lim]]></dcterms:references>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:language><![CDATA[Norwegian]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[715]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,68.3286347 ,16.7929442 ;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1926">
    <dcterms:title><![CDATA[Goddes]]></dcterms:title>
    <dcterms:source><![CDATA[timespanrural]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/11/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[761]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1925">
    <dcterms:title><![CDATA[Goddess]]></dcterms:title>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[text/plain Alias/WaveFront Object]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[9771fa34e20c431c8c3e4eb96c938529]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/874">
    <dcterms:title><![CDATA[Goffering Iron]]></dcterms:title>
    <dcterms:type><![CDATA[External Item]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2115">
    <dcterms:title><![CDATA[Golden bird: Relief made from air-dried clay on wooden base.]]></dcterms:title>
    <dcterms:alternative><![CDATA[Zlata ptica: Relief iz zračno sušene gline na lesu.]]></dcterms:alternative>
    <dcterms:description><![CDATA[Decorative wall relief: the artwork is illustration of a motif from the Slovenian folk tale "The Golden Bird". ]]></dcterms:description>
    <dcterms:creator><![CDATA[2100]]></dcterms:creator>
    <dcterms:source><![CDATA[practices,uppercarniola]]></dcterms:source>
    <dcterms:date><![CDATA[April 2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[13/01/2026]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[13/01/2026]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.centerduo.eu/mojstri-rokodelci/lidija-debelak/
https://www.centerduo.eu/razstava-izdelkov-lidije-debelak-pravljicnih-7/
http://www.duo-kunsthandwerk.eu/news_sl/detail/833
https://www.podblegaske-novice.si/sl/news/navdiha-ne-crpam-saj-zivi-v-meni.html
https://www.kulturnadozivetja.si/en/art-and-craft-centre/masters-craftsmen/item/19-lidija-debelak.html]]></dcterms:references>
    <dcterms:extent><![CDATA[35cm x 2cm x 35cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[818]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,46.1072,14.1481;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1249">
    <dcterms:title><![CDATA[Gouge, auger, wood chisel, knife]]></dcterms:title>
    <dcterms:date><![CDATA[2025-03-10]]></dcterms:date>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,59.7265854,13.1227098;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1661">
    <dcterms:title><![CDATA[Gouges]]></dcterms:title>
    <dcterms:alternative><![CDATA[Gubias]]></dcterms:alternative>
    <dcterms:description><![CDATA[Two gouges: manual tools used to carve and shape wood. They consist of a curved steel blade, one U-shaped and the other V-shaped, which allows for making concave cuts, grooves, and decorative details. They are fitted with an ergonomic wooden handle, making them easier to hold and control during use.]]></dcterms:description>
    <dcterms:creator><![CDATA[2272]]></dcterms:creator>
    <dcterms:date><![CDATA[Unknown]]></dcterms:date>
    <dcterms:contributor><![CDATA[Carmen Pérez Maestro]]></dcterms:contributor>
    <dcterms:extent><![CDATA[30cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[683]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.311381,-5.852013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/764">
    <dcterms:title><![CDATA[Great cormorant with wings]]></dcterms:title>
    <dcterms:alternative><![CDATA[Kongeskarven, storkarv med vinger, "turist skarv"]]></dcterms:alternative>
    <dcterms:description><![CDATA[Metal sculpture of a gret cormorant, with a less detailed wing. The bird is looking towards the sky and opens up its wings.  ]]></dcterms:description>
    <dcterms:creator><![CDATA[689]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[05/08/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:language><![CDATA[Norwegian]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[437]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,68.004948,13.207371;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/186">
    <dcterms:title><![CDATA[Green Logo]]></dcterms:title>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2047">
    <dcterms:title><![CDATA[Green, hand thrown mug.]]></dcterms:title>
    <dcterms:date><![CDATA[17/12/25]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2113">
    <dcterms:title><![CDATA[Greeting card: Relief made from air-dried clay and handmade lace on paper. ]]></dcterms:title>
    <dcterms:alternative><![CDATA[Voščilnica. Relief iz zračno sušene gline na in čipke na papirju.]]></dcterms:alternative>
    <dcterms:description><![CDATA[The greeting card with a Slovenian motif is a collage of air-dried clay and handmade lace on paper in in a cardboard gift box.]]></dcterms:description>
    <dcterms:creator><![CDATA[2100]]></dcterms:creator>
    <dcterms:source><![CDATA[practices,uppercarniola]]></dcterms:source>
    <dcterms:date><![CDATA[Dec-24]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[13/01/2026]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[13/01/2026]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.centerduo.eu/mojstri-rokodelci/lidija-debelak/
https://www.centerduo.eu/razstava-izdelkov-lidije-debelak-pravljicnih-7/
http://www.duo-kunsthandwerk.eu/news_sl/detail/833
https://www.podblegaske-novice.si/sl/news/navdiha-ne-crpam-saj-zivi-v-meni.html
https://www.kulturnadozivetja.si/en/art-and-craft-centre/masters-craftsmen/item/19-lidija-debelak.html]]></dcterms:references>
    <dcterms:extent><![CDATA[10cm x 0.1cm x 10cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[817]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,46.1072,14.1481;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2291">
    <dcterms:title><![CDATA[Grey Earthenware Bowl]]></dcterms:title>
    <dcterms:description><![CDATA[A photo of a grey earthenware bowl made by Patricia Shone from the Isle of Skye, Scotland. ]]></dcterms:description>
    <dcterms:date><![CDATA[2026:05:14 15:13:04]]></dcterms:date>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1049">
    <dcterms:title><![CDATA[Grey mittens of wool with entrelac and a raindeer]]></dcterms:title>
    <dcterms:date><![CDATA[2024-11-21]]></dcterms:date>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,59.8376399,13.1230106;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/755">
    <dcterms:title><![CDATA[Grey seagul skein]]></dcterms:title>
    <dcterms:alternative><![CDATA[Gråmåke nøste]]></dcterms:alternative>
    <dcterms:description><![CDATA[Yarn skein made out of Kvit Sau sheep breed from the Lofoten islands. It is dyed using local reinfann (Tanacetum vulgare). Double thread yarn, 315m pr. 100g.]]></dcterms:description>
    <dcterms:creator><![CDATA[687]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[10/07/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://lofoten-wool.no/en
https://www.nibio.no/prosjekter/amazing-grazing-baerekraftig-kjott-og-ull-fra-sau-som-beiter-i-norsk-utmark?locationfilter=true
https://www.smabrukarlaget.no/aktuelt/bonde-og-smaabruker/,
https://www.norskekunsthandverkere.no/kunstnerregister/ragnhild-lie
https://husflid.no/
https://www.utdanningsforbundet.no/
https://www.bondelaget.no/
Esther Haukeland, Innføring til plantefarging. Cappellen, 1982.
Animalia: Norwegian wool Standard. https://www.animalia.no/no/Dyr/ull-og-ullklassifisering/norsk-ullstandard/ 
Beder, Nicolina J., Seyður Ull Tøting. SPF. Sprotin, 2010.
Flååt, Inger. Votter i Namdalen. Nauma Husflidslag, 2010.
Grimstad, Ingun K. and Sårdal, Tone t. Norsk Strikkehistorie. Vormedal Forlag. 2018.
Grimstad, Ingun K. and Sårdal, Tone T. Ren ull. Aschehoug, 2013.
Hrútaskrá. https://www.rml.is/is/kynbotastarf/saudfjarraekt/hrutaskra
Joensen, Robert. Seyðabókin. SPF. Sprotin, 2015.
Johnston, Elizabeth and Juuhl, Marta K. The warp-weighted loom. Kljásteinavefstadurinn: kljásteinar klingja. Oppstadveven: klingande steinar. Skald, 2016.
Kjellmo, Ellen. Båtrya i gammel og nyt tid. Orkana, 1996.
Sundbø, Annemor. Usynlege Trådar i Strikkekunsten. Samlaget, 2006.
https://www.norskebilledkunstnere.no/]]></dcterms:references>
    <dcterms:extent><![CDATA[26cm x 12cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Norwegian]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[430]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,68.1490556685704,13.7622515654953;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2127">
    <dcterms:title><![CDATA[Grinding the product on a grinding machine.]]></dcterms:title>
    <dcterms:date><![CDATA[2025-06-13]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1655">
    <dcterms:title><![CDATA[Grinding wheel]]></dcterms:title>
    <dcterms:alternative><![CDATA[Rueda de afilar]]></dcterms:alternative>
    <dcterms:description><![CDATA[A manual granite sharpening wheel is a traditional tool used to sharpen and maintain the cutting edge of tools through a simple mechanical system. It consists of a circular granite disc mounted on an axle, supported by an iron frame with a hand crank to rotate the wheel. The entire mechanism is currently fixed to a rectangular concrete base, providing stability during use.]]></dcterms:description>
    <dcterms:creator><![CDATA[2272]]></dcterms:creator>
    <dcterms:date><![CDATA[Unknown]]></dcterms:date>
    <dcterms:contributor><![CDATA[Carmen Pérez Maestro]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[680]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.311381,-5.852013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1818">
    <dcterms:title><![CDATA[Grineabhagh]]></dcterms:title>
    <dcterms:date><![CDATA[2024:10:01 07:53:56]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Panorama]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1819">
    <dcterms:title><![CDATA[Grineabhagh]]></dcterms:title>
    <dcterms:date><![CDATA[2024:10:01 08:00:05]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Panorama]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/864">
    <dcterms:title><![CDATA[Grinneabhat]]></dcterms:title>
    <dcterms:description><![CDATA[Grinneabhat is a community-owned meeting place with a café and accommodation available. It is deep-roooted within its Gaelic community, having been originally a school for the community. Exhibitions also take place within its halls.]]></dcterms:description>
    <dcterms:source><![CDATA[tours]]></dcterms:source>
    <dcterms:publisher><![CDATA[VERAPlatform]]></dcterms:publisher>
    <dcterms:dateSubmitted><![CDATA[07/24/2025 12:35:08 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iao@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:type><![CDATA[Collection]]></dcterms:type>
    <dcterms:identifier><![CDATA[483]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.3338247,-6.6249946;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/950">
    <dcterms:title><![CDATA[H&aring;llbarhet]]></dcterms:title>
    <dcterms:source><![CDATA[ruralspots,ruralvarmland,varmlandmap]]></dcterms:source>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[audio/mp3]]></dcterms:format>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/951">
    <dcterms:title><![CDATA[H&aring;llbarhet]]></dcterms:title>
    <dcterms:source><![CDATA[ruralspots,ruralvarmland,varmlandmap]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/08/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:language><![CDATA[Swedish]]></dcterms:language>
    <dcterms:type><![CDATA[Rendition]]></dcterms:type>
    <dcterms:identifier><![CDATA[497]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1380">
    <dcterms:title><![CDATA[H&auml;&auml;demeeste]]></dcterms:title>
    <dcterms:source><![CDATA[viljandicountymap]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[19/09/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[11/25/2025 02:56:43 pm]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[642]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.0791995,24.4930372;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/935">
    <dcterms:title><![CDATA[Häädemeeste]]></dcterms:title>
    <dcterms:publisher><![CDATA[VERAPlatform]]></dcterms:publisher>
    <dcterms:dateSubmitted><![CDATA[07/28/2025 04:03:03 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iao@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:type><![CDATA[Tour]]></dcterms:type>
    <dcterms:identifier><![CDATA[494]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.0791995,24.4930372;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/769">
    <dcterms:title><![CDATA[Hammer]]></dcterms:title>
    <dcterms:alternative><![CDATA[Hammer]]></dcterms:alternative>
    <dcterms:description><![CDATA[Hammer made from steel and plastic grip]]></dcterms:description>
    <dcterms:source><![CDATA[tools]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[02/07/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[05/08/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:language><![CDATA[Norwegian]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[442]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,68.3286278469833,16.7929002642631;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1047">
    <dcterms:title><![CDATA[Hammer]]></dcterms:title>
    <dcterms:date><![CDATA[2025-02-25]]></dcterms:date>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,68.3287381009828,16.793370334112;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2134">
    <dcterms:title><![CDATA[Hand forging hammer]]></dcterms:title>
    <dcterms:alternative><![CDATA[Ročno kovaško kladivo]]></dcterms:alternative>
    <dcterms:description><![CDATA[Hand forging hammer with a wooden handle, on which a heavy metal part is mounted.]]></dcterms:description>
    <dcterms:creator><![CDATA[2121]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects,uppercarniola]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[13/01/2026]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[13/01/2026]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://prvi.rtvslo.si/podkast/intervju-radio/3633109/174860660 
https://mro.si/en/iron-forging-museum-kropa
Slavec Gradišnik, Ingrid, 2011: Kovaštvo (Blacksmithing). In: Slovenika, slovenska nacionalna enciklopedija. Ljubljana: Mladinska knjiga (pp 627-628).]]></dcterms:references>
    <dcterms:extent><![CDATA[30cm x 4cm x 12cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[822]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,46.1276625914593,14.229099836053459;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/41">
    <dcterms:title><![CDATA[Hand Knitted &lsquo;Gansey Style&rsquo; Woollen Blanket]]></dcterms:title>
    <dcterms:description><![CDATA[This beautifully hand-knitted blanket reflects the distinctive symbolic patterns of traditional fishermen’s jumpers or ganseys. Each distinct hand-knitted square depicts patterns from a particular port or harbour along the Moray Firth region, from Buckie in the southeast to Helmsdale and finally to Wick in the far north. 
The Timespan Knitting Group was formed in 2005 to keep this traditional knitting heritage connected to the sea alive and share these traditions with people of all ages. The group meets weekly at Timespan in Helmsdale, a once-thriving herring fishing port and one of the busiest in Scotland. Salted herring from Helmsdale was exported to the West Indies slave plantation, the Baltic, Ireland, and Europe and traded locally.
The group has created this wonderful artisan blanket, each knitter contributing a square, creating a map of the patterns from the Moray Firth fishing district. The blanket can be displayed as a wall hanging with an accompanying annotated map with the port names.
]]></dcterms:description>
    <dcterms:source><![CDATA[4scotlandunitedkingdom,craftedobjects,scotlandobjects,highlandandislands]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/04/2024]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[22/09/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[sp259]]></dcterms:contributor>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[34]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.11671064410715,-3.6541727313915695;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1141">
    <dcterms:title><![CDATA[Hand Knitted &lsquo;Gansey Style&rsquo; Woollen Blanket]]></dcterms:title>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1854">
    <dcterms:title><![CDATA[Handcrafted sheet metal work (working with zinc sheets).]]></dcterms:title>
    <dcterms:alternative><![CDATA[Funilaria, latoaria]]></dcterms:alternative>
    <dcterms:description><![CDATA[Traditional practice of working with zinc sheet metal to produce utensils (e.g. gutters, grain measuring troughs, funnels, pitchers). Today, tinsmithing is merely a residual activity, reminiscent of other crafts that were once more prominent. The municipality of Tondela is no exception. It is therefore important to learn about this art form, which is almost extinct, and to understand the whole range of objects that tinsmiths used to make in the past, now struggling against competition from equivalent items made from other materials, mainly plastic.]]></dcterms:description>
    <dcterms:creator><![CDATA[918]]></dcterms:creator>
    <dcterms:dateSubmitted><![CDATA[27/10/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[28/10/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://old.cm-tondela.pt/index.php/servicos/museu-terra-de-besteiros/investigacao/funilaria
http://programasaberfazer.gov.pt/arte/latoaria]]></dcterms:references>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:language><![CDATA[Portuguese]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[731]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.521326,-8.032804;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1677">
    <dcterms:title><![CDATA[Handled baskets]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cestas con asa]]></dcterms:alternative>
    <dcterms:description><![CDATA[Single-handled baskets woven in a chequered technique using hazel strips. They have rectangular bases, straight sides, and oval openings. The rim is finished with a split rod that secures the trimmed ends of the warp, and is fixed with a strip sewn in a spiral. Some of the strips feature pyrographed decoration. They have central handles, two of which are decorated with pyrography.]]></dcterms:description>
    <dcterms:date><![CDATA[Unknown]]></dcterms:date>
    <dcterms:contributor><![CDATA[Carmen Pérez Maestro]]></dcterms:contributor>
    <dcterms:references><![CDATA[Fanjul, J. A., Rodriguez del Cueto, F., y Expósito, D. (2024). La cestería en Asturias: Una técnica milenaria. Gijón: Museo del pueblo de Asturias, Principado de Asturias. ]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Asturian]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[691]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.178579,-5.333501;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1682">
    <dcterms:title><![CDATA[Handled wicker basket]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cesta de mimbre con asa]]></dcterms:alternative>
    <dcterms:description><![CDATA[Piece made of peeled wicker, with a circular, flat base and flared sides curving towards the rim, which is finished with a plaited edge. It features a central plaited handle.]]></dcterms:description>
    <dcterms:creator><![CDATA[1640]]></dcterms:creator>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[Carmen Pérez Maestro]]></dcterms:contributor>
    <dcterms:references><![CDATA[Fanjul, J. A., Rodriguez del Cueto, F., y Expósito, D. (2024). La cestería en Asturias: Una técnica milenaria. Gijón: Museo del pueblo de Asturias, Principado de Asturias. ]]></dcterms:references>
    <dcterms:extent><![CDATA[38cm x 22cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[693]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.2898403161615,-5.96106075532155;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1681">
    <dcterms:title><![CDATA[Handled wicker basket (from above)]]></dcterms:title>
    <dcterms:date><![CDATA[2025-05-04]]></dcterms:date>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.2898403161615,-5.96106075532155;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1680">
    <dcterms:title><![CDATA[Handled wicker basket (side view)]]></dcterms:title>
    <dcterms:date><![CDATA[2025-05-04]]></dcterms:date>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.2898403161615,-5.96106075532155;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/952">
    <dcterms:title><![CDATA[handv&auml;vning1]]></dcterms:title>
    <dcterms:source><![CDATA[ruralspots,ruralvarmland,varmlandmap]]></dcterms:source>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[audio/mp3]]></dcterms:format>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/953">
    <dcterms:title><![CDATA[handv&auml;vning1]]></dcterms:title>
    <dcterms:source><![CDATA[ruralspots,ruralvarmland,varmlandmap]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/08/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:type><![CDATA[Rendition]]></dcterms:type>
    <dcterms:identifier><![CDATA[498]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/954">
    <dcterms:title><![CDATA[handv&auml;vning2 1]]></dcterms:title>
    <dcterms:source><![CDATA[ruralspots,ruralvarmland,varmlandmap]]></dcterms:source>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[audio/mp3]]></dcterms:format>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/955">
    <dcterms:title><![CDATA[handv&auml;vning2 1]]></dcterms:title>
    <dcterms:source><![CDATA[ruralspots,ruralvarmland,varmlandmap]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/08/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:language><![CDATA[Swedish]]></dcterms:language>
    <dcterms:type><![CDATA[Rendition]]></dcterms:type>
    <dcterms:identifier><![CDATA[499]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/736">
    <dcterms:title><![CDATA[Handweaving]]></dcterms:title>
    <dcterms:alternative><![CDATA[Handvävning]]></dcterms:alternative>
    <dcterms:description><![CDATA[Henner handweaves using a loom or a heddle. A loom can be of different sizes, ranging from smaller ones on a table and larger ones that fill smaller rooms. Henner's loom is a hand weaving looom, where she dones all the preperations and weaving herself. She uses natural fibers and traditional patterns and techniques. In this document there's a mixture about information about the hobbyist and the professionals perspectives.]]></dcterms:description>
    <dcterms:creator><![CDATA[705]]></dcterms:creator>
    <dcterms:dateSubmitted><![CDATA[19/06/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[19/06/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[Den vackra nyttan : om hemslöjd i Sverige / redaktör: Gunilla Lundahl. ISBN 9178442982
Verkstad : ett tidsdokument : Arvika Konsthantverk 100 år / Kristine Thenman, Liv Midbøe, Hilda Grahnat. ISBN 9789152743508
Klässbol - att väva sin historia ISBN: 97891978252 52]]></dcterms:references>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:language><![CDATA[Swedish]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[414]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,59.6574488,12.890542;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2126">
    <dcterms:title><![CDATA[Hardening by cooling hot steel in water.]]></dcterms:title>
    <dcterms:date><![CDATA[2025-06-13]]></dcterms:date>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2082">
    <dcterms:title><![CDATA[Harris Tweed]]></dcterms:title>
    <dcterms:description><![CDATA[Woollen cloth handwoven on a single width Hattersley Loom by a weaver in the Isle of Harris. The wool used in this cloth comes from a flock of Hebridean sheep owned by AAS_PR_06. After shearing it was washed, carded and spun at Uist Wool micro-mill and then woven into Harris Tweed. ]]></dcterms:description>
    <dcterms:creator><![CDATA[2076]]></dcterms:creator>
    <dcterms:source><![CDATA[craftedobjects,scotlandobjects,highlandandislands]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[06/01/2026]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[06/04/2026]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[40000cm x cm x 75cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Scottish Gaelic]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[805]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58,-6;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/223">
    <dcterms:title><![CDATA[Harris Tweed industry - Lorna Macaulay]]></dcterms:title>
    <dcterms:source><![CDATA[highlandandislands,ruralspotlewis]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[16/10/2024]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[28/07/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[118]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/924">
    <dcterms:title><![CDATA[Hasseln&oslash;tt]]></dcterms:title>
    <dcterms:type><![CDATA[External Item]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/80">
    <dcterms:title><![CDATA[Hattersley Mechanical Loom]]></dcterms:title>
    <dcterms:subject><![CDATA[Industrial Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Hattersley & Sons domestic mechanical loom, used by Sam Groates at Woven in the Bone for the productino of tweed fabric. The Hattersley loom was developed by George Hattersley and Sons of Keighley, West Yorkshire, England. The plain Hattersley Domestic Loom was specially developed for cottage or home use and designed to replace the wooden handloom; the Domestic is similar in construction to a power loom. It was introduced ca.1900 and the makers claimed that a speed of 160 picks per minute could be easily attained with from 2 to 8 shafts weaving a variety of fabrics.]]></dcterms:description>
    <dcterms:creator><![CDATA[52]]></dcterms:creator>
    <dcterms:source><![CDATA[tools,scotlandobjects,highlandandislands]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[02/08/2024]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[15/05/2026]]></dcterms:modified>
    <dcterms:contributor><![CDATA[cc274@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[57]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,57.67956396479307,-2.956817660344319;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/82">
    <dcterms:title><![CDATA[Hattersley Mechanical Loom]]></dcterms:title>
    <dcterms:description><![CDATA[Hattersley & Sons domestic mechanical loom, used by Sam Groates at Woven in the Bone for the production of tweed fabric. The Hattersley loom was developed by George Hattersley and Sons of Keighley, West Yorkshire, England. The plain Hattersley Domestic Loom was specially developed for cottage or home use and designed to replace the wooden handloom; the Domestic is similar in construction to a power loom. It was introduced ca.1900 and the makers claimed that a speed of 160 picks per minute could be easily attained with from 2 to 8 shafts weaving a variety of fabrics. ]]></dcterms:description>
    <dcterms:source><![CDATA[tools,scotlandobjects]]></dcterms:source>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[text/plain Alias/WaveFront Object]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.woveninthebone.com/]]></dcterms:medium>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,57.67634461311947,-2.964904457330704;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2169">
    <dcterms:title><![CDATA[Hayloft]]></dcterms:title>
    <dcterms:source><![CDATA[finnskogen]]></dcterms:source>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Custom Pin]]></dcterms:type>
    <dcterms:identifier><![CDATA[845]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,60.14847117303486,12.542687952518465;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2262">
    <dcterms:title><![CDATA[Hayloft]]></dcterms:title>
    <dcterms:source><![CDATA[finnskogen]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/05/2026]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[05/11/2026 02:01:18 pm]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[927]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,60.149423363876046,12.541066997218879;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2170">
    <dcterms:title><![CDATA[Hayloft 2]]></dcterms:title>
    <dcterms:source><![CDATA[finnskogen]]></dcterms:source>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Custom Pin]]></dcterms:type>
    <dcterms:identifier><![CDATA[846]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,60.149423363876046,12.541066997218879;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1784">
    <dcterms:title><![CDATA[Headscarf]]></dcterms:title>
    <dcterms:alternative><![CDATA[Pañoleta]]></dcterms:alternative>
    <dcterms:description><![CDATA[This headscarf is made from pure virgin wool sourced from Xalda sheep, a native breed of Asturias. Its simple design is inspired by the traditional scarf that Asturian women used to wear to cover their heads until just a few decades ago.  Although the traditional headscarf gradually disappeared with the rise of modern fashion, scarves continued to be used throughout the 20th century to keep the head warm during colder months.  This reinterpretation of the traditional scarf, now crafted in knitted wool, is an original design by Marina. It was born out of a personal need for warmth and has evolved into a practical and versatile winter accessory, now available for purchase.]]></dcterms:description>
    <dcterms:source><![CDATA[asturiasmap]]></dcterms:source>
    <dcterms:date><![CDATA[The headscarves are produced continuously, depending on the availability of raw materials and demand. The piece in question was made in 2025 and is currently stored in stock, ready for sale.]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[13/10/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[Argüelles Sánchez, L. (1986). Indumentaria popular en Asturias. GH Ed.
Roza, G. (2006). La indumentaria tradicional asturiana: Guía práctica. Gloria Roza Cuesta.
Santoveña Zapatero, F. (2018). Traje tradicional, indumentaria popular y construcción del cuerpo en Asturias (1860-1920). Muséu del Pueblu d’Asturies; Fundación Municipal de Cultura, Educación y Universidad Popular; Ayto. de Gijón / Xixón. https://sedeelectronica.gijon.es/publicacions/show/8549-traje-tradicional-indumentaria-popular-y-construccion-del-cuerpo-en-asturias-1860-1920/]]></dcterms:references>
    <dcterms:extent><![CDATA[40cm x cm x 100cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Asturian,Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[725]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.204933648779495,-5.993876638159771;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/898">
    <dcterms:title><![CDATA[Heddle pulley with carved head]]></dcterms:title>
    <dcterms:type><![CDATA[External Item]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/990">
    <dcterms:title><![CDATA[Helbild bastu]]></dcterms:title>
    <dcterms:source><![CDATA[ruralspots,ruralvarmland,varmlandmap]]></dcterms:source>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/134">
    <dcterms:title><![CDATA[Helena Cardoso]]></dcterms:title>
    <dcterms:source><![CDATA[portugal]]></dcterms:source>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1004">
    <dcterms:title><![CDATA[Helmsdale - Rural Spot]]></dcterms:title>
    <dcterms:source><![CDATA[ruralspots]]></dcterms:source>
    <dcterms:date><![CDATA[2025-10-31]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[08/05/2025 02:34:28 pm]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[08/05/2025 02:35:00 pm]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iao@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:type><![CDATA[Workshop]]></dcterms:type>
    <dcterms:identifier><![CDATA[525]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.11661608479832,-3.6542107164859776;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/889">
    <dcterms:title><![CDATA[Helmsdale Fish Curing Yard]]></dcterms:title>
    <dcterms:type><![CDATA[External Item]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/42">
    <dcterms:title><![CDATA[Helmsdale Gansey]]></dcterms:title>
    <dcterms:description><![CDATA[Images of the blacket.]]></dcterms:description>
    <dcterms:source><![CDATA[images,examples]]></dcterms:source>
    <dcterms:contributor><![CDATA[sp259]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,58.11671064410715,-3.654;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/890">
    <dcterms:title><![CDATA[Helmsdale Tour]]></dcterms:title>
    <dcterms:type><![CDATA[External Item]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/138">
    <dcterms:title><![CDATA[Helmsdale, East Sutherland, Highlands of Scotland, United Kingdom]]></dcterms:title>
    <dcterms:source><![CDATA[helmsdale]]></dcterms:source>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/655">
    <dcterms:title><![CDATA[Highland and Islands]]></dcterms:title>
    <dcterms:description><![CDATA[Highland and Islands shape from https://mapit.mysociety.org/area/135013.html Contains public sector information licensed under the Open Government Licence v3.0.]]></dcterms:description>
    <dcterms:source><![CDATA[highlandandislands]]></dcterms:source>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[application/vnd.google-earth.kml+xml]]></dcterms:format>
    <dcterms:medium><![CDATA[https://mapit.mysociety.org/area/135013.html]]></dcterms:medium>
    <dcterms:type><![CDATA[Geolocated]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/434">
    <dcterms:title><![CDATA[Highlands and Islands]]></dcterms:title>
    <dcterms:description><![CDATA[The Highlands is a historical region of Scotland. Culturally, the Highlands and the Lowlands diverged from the Late Middle Ages into the modern period, when Lowland Scots language replaced Scottish Gaelic throughout most of the Lowlands. The term is also used for the area north and west of the Highland Boundary Fault, although the exact boundaries are not clearly defined, particularly to the east. The Great Glen divides the Grampian Mountains to the southeast from the Northwest Highlands. The Scottish Gaelic name of A' Ghàidhealtachd literally means "the place of the Gaels" and traditionally, from a Gaelic-speaking point of view, includes both the Western Isles and the Highlands.]]></dcterms:description>
    <dcterms:source><![CDATA[culturallandscapes]]></dcterms:source>
    <dcterms:language><![CDATA[English,Scottish Gaelic]]></dcterms:language>
    <dcterms:type><![CDATA[Landscape]]></dcterms:type>
    <dcterms:identifier><![CDATA[296]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.75084054592727,-4.295654296875001;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1278">
    <dcterms:title><![CDATA[Honey and candles]]></dcterms:title>
    <dcterms:alternative><![CDATA[Miel y velas]]></dcterms:alternative>
    <dcterms:description><![CDATA[Bee-derived products. The honey is harvested and jarred by the beekeeper in containers of various sizes. Using beeswax and molds, he makes candles shaped like pallozas or chozos (traditional Asturian pastoral architecture) and beehives.]]></dcterms:description>
    <dcterms:creator><![CDATA[1204]]></dcterms:creator>
    <dcterms:source><![CDATA[asturiasmap,craftedobjects]]></dcterms:source>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/09/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[08/09/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[601]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.27386,-6.0009365;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2282">
    <dcterms:title><![CDATA[Honey extractor]]></dcterms:title>
    <dcterms:alternative><![CDATA[Extractor de miel]]></dcterms:alternative>
    <dcterms:description><![CDATA[A manual centrifugal metal device designed to separate honey from the comb without destroying it. It works by spinning uncapped frames at high speed to expel the honey, allowing the comb to be reused by the bees. It consists of a cylindrical drum, an internal rotating basket, and a tap for the honey to flow out. Made of stainless steel, cylindrical in shape and supported on legs. Manufactured by the brand Lega, it features two hinged lids and a hand crank.]]></dcterms:description>
    <dcterms:date><![CDATA[21st century]]></dcterms:date>
    <dcterms:contributor><![CDATA[Carmen Pérez Maestro]]></dcterms:contributor>
    <dcterms:extent><![CDATA[90cm x 80cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[947]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.2038384146373,-5.39500544539384;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/525">
    <dcterms:title><![CDATA[Horn]]></dcterms:title>
    <dcterms:description><![CDATA[Large horn container with an iron handle, decorated with various motifs. In this case, the inscription "Soy de Enrique" ("I belong to Enrique") features a prominent letter "E" that ends in the shape of a monkey. The rest of the decoration includes butterflies, a crown, a human figure, and vegetal motifs. Most of these types of pieces came from Extremadura with the shepherds, and the larger ones—like this example—were used to safely store liquids such as milk.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[3225a197b7a54e0495080194fd19f78b]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/527">
    <dcterms:title><![CDATA[Horn Container]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cuerna]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Large horn container with an iron handle, decorated with various motifs. In this case, the inscription "Soy de Enrique" ("I belong to Enrique") features a prominent letter "E" that ends in the shape of a monkey. The rest of the decoration includes butterflies, a crown, a human figure, and vegetal motifs. Most of these types of pieces came from Extremadura with the shepherds, and the larger ones—like this example—were used to safely store liquids such as milk.]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1875/1900]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[19/04/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[21/04/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[40cm x 20cm x 13cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[336]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/551">
    <dcterms:title><![CDATA[Horn Container]]></dcterms:title>
    <dcterms:description><![CDATA[Horn container with a wooden base, featuring a wide range of decorative motifs. Garlands, plants, and other geometric patterns accompany a herding scene with a shepherd, his dog, a cow, and a cart pulled by a heart-shaped figure. An inscription indicates the ownership of the piece: “I belong to Jose Cavallin” (“Soy de Jose Cavallin”).]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[dacd2522b0ba4329b0000f022e722eb1]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/556">
    <dcterms:title><![CDATA[Horn Container]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cuerna]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Horn container with a wooden base, featuring a wide range of decorative motifs. Garlands, plants, and other geometric patterns accompany a herding scene with a shepherd, his dog, and a cart pulled by a cow. An inscription indicates the ownership of the piece: “I belong to Jose Cavallin” (“Soy de Jose Cavallin”).]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1900/10]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[23/04/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[16cm x 9,7cm x 8,6cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[345]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/557">
    <dcterms:title><![CDATA[Horn container]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cuerna]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Horn container, used as a "gaxapu" due to its wooden base, featuring a handle for attaching it to a belt. Garlands and flowers decorate the piece, alongside a scene showing a woman with a rake and a man holding a scythe. The inscription, partially erased, indicates the ownership of the object: “I belong to Juan ¿Gil?” (“Soy de Juan ¿Gil?”).]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1875/1910]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[23/04/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[346]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/558">
    <dcterms:title><![CDATA[Horn container]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cuerna]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Horn container, used as a "gaxapu" due to its wooden base, featuring a handle for attaching it to a belt. Garlands and flowers decorate the piece, alongside a scene showing a woman with a rake and a man holding a scythe. The inscription, partially erased, indicates the ownership of the object: “I belong to Juan ¿Gil?” (“Soy de Juan ¿Gil?”).]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1875/1910]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[23/04/2025]]></dcterms:dateSubmitted>
    <dcterms:modified><![CDATA[23/04/2025]]></dcterms:modified>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[16,5cm x 11cm x 7,3cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[347]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/559">
    <dcterms:title><![CDATA[Horn container]]></dcterms:title>
    <dcterms:description><![CDATA[Horn container, used as a gaxapu due to its wooden base, featuring a handle for attaching it to a belt. Garlands and flowers decorate the piece, alongside a scene showing a woman with a rake and a man holding a scythe. The inscription, partially erased, indicates the ownership of the object: “I belong to Juan ¿Gil?” (“Soy de Juan ¿Gil?”).]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[31ffe7dfa6154a45816d0b204d6ab8e9]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/563">
    <dcterms:title><![CDATA[Horn container]]></dcterms:title>
    <dcterms:description><![CDATA[Horn container decorated with an inscription framed by garlands and other vegetal motifs. A carved inscription reads: "Hunting place of His Excellency, the Marquess of Rodriga, Caleao, 16 11 21" ("Coto de caza de El Exmo. Sr. Marqués de la Rodriga, Caleao 16 11 21"). The inscription is accompanied by a hunting scene featuring a man riding a horse with a rifle, a chamois, and a dog.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[3a825cf14c1a4dba84823ec5cbc3d54f]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.15548997424733, ,-5.4120976453084415;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/565">
    <dcterms:title><![CDATA[Horn container]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cuerna]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Horn container decorated with an inscription framed by garlands and other vegetal motifs. A carved inscription reads: "Hunting place of His Excellency, the Marquess of Rodriga, Caleao, 16 11 21" ("Coto de caza de El Exmo. Sr. Marqués de la Rodriga Caleao 16 11 21"). The inscription is accompanied by a hunting scene featuring a man riding a horse with a rifle, a chamois, and a dog.]]></dcterms:description>
    <dcterms:date><![CDATA[1921]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[28/04/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[18cm x 11cm x 10cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[349]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;origin,43.15529321113028,-5.411960135906423;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/567">
    <dcterms:title><![CDATA[Horn Container]]></dcterms:title>
    <dcterms:description><![CDATA[Horn container with an iron handle and a wooden base, traditionally used for milking in mountainous areas. It features inscriptions on both sides: “I belong to Jose” (“Soy de Jose”) and “Enrique Mart.,” accompanied by garlands and vegetal motifs. Two fish appear below the first inscription, and a carved clock stopped at a quarter to twelve completes the decorative program.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[0f4070f2fa694b11b2e8cf17ac8deeab]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/569">
    <dcterms:title><![CDATA[Horn container]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cuerna]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Horn container with an iron handle and a wooden base, traditionally used for milking in mountainous areas. It features inscriptions on both sides: “I belong to Jose” (“Soy de Jose”) and “Enrique Mart.,” accompanied by garlands and vegetal motifs. Two fish appear below the first inscription, and a carved clock stopped at a quarter to twelve completes the decorative programme.]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1875/1900]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[29/04/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[23cm x 16cm x 10cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[351]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/594">
    <dcterms:title><![CDATA[Horn container]]></dcterms:title>
    <dcterms:description><![CDATA[Horn container with an iron handle and the inscription “I belong to Benjamín Cabeza” (“Soy de Benjamín Cabeza”). Used as a gaxapu, this object features various geometric and vegetal motifs, such as garlands, palmettes, a circle, and a heart.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[c013bdd64a034affaec9d05c4cbdafe6]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/596">
    <dcterms:title><![CDATA[Horn container]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cuerna]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Horn container with an iron handle and the inscription “I belong to Benjamín Cabeza” (“Soy de Benjamín Cabeza”). Used as a gaxapu, this object features various geometric and vegetal motifs, such as garlands, palmettes, a circle, and a heart.]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1875/1890]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/05/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[20cm x 12cm x 9cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[360]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/597">
    <dcterms:title><![CDATA[Horn container]]></dcterms:title>
    <dcterms:description><![CDATA[Horn container with an iron handle. The front side features a scene of a man with a scythe, surrounded by garlands and vegetal motifs. The inscription “I belong to Manuel Jesús Calvo” (“Soy de Manuel Jesús Calvo”) indicates the ownership of the object.]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[f748092136ce48bdb5dc4ac68bbe7a56]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/599">
    <dcterms:title><![CDATA[Horn container]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cuerna]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[Horn container with an iron handle. The front side features a scene of a man with a scythe, surrounded by garlands and vegetal motifs. The inscription “I belong to Manuel Jesús Calvo” (“Soy de Manuel Jesús Calvo”) indicates the ownership of the object.]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1875/1880]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/05/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[20cm x 12cm x 8cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[361]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/600">
    <dcterms:title><![CDATA[Horn container]]></dcterms:title>
    <dcterms:description><![CDATA[A carved horn with a wooden base. Used as a gaxapu, its surface is decorated with various motifs. A man riding a horse, vegetals, and flowers are part of the decorative program, which concludes with two animals: a peacock and a snake. The latter takes the shape of an "S" to begin the inscription "Soy de Jose Cavallin" ("I belong to Jose Cavallin").]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[ba725a6095204996951b9e5a9e52d35e]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/602">
    <dcterms:title><![CDATA[Horn Container]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cuerna]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[A carved horn with a wooden base. Used as a gaxapu, its surface is decorated with various motifs. A man riding a horse, vegetals, and flowers are part of the decorative program, which concludes with two animals: a peacock and a snake. The latter takes the shape of an "S" to begin the inscription "Soy de Jose Cavallin" ("I belong to Jose Cavallin").]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1885/1900]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/05/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[17cm x 10cm x 7cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[362]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/621">
    <dcterms:title><![CDATA[Horn container]]></dcterms:title>
    <dcterms:description><![CDATA[A large horn container featuring a wide range of decorative motifs and notable inscriptions. Garlands, plants, and flowers are accompanied by animals and hybrid creatures. One inscription indicates ownership: “I belong to Juan Rodríguez” (“Soy de Juan Rodríguez”), while another reflects on the creation of the object:“I cannot do it better / because my sight is failing / and I also lack / both study and the help of grace” (“No puedo acerlo [sic] mejor / porque la vista me falta / también faltan falta [sic] los / estudios y la yuda [sic] de gracia”).]]></dcterms:description>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[model/gltf-binary]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[72913f9e2701443b83a695c1f14594e7]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/623">
    <dcterms:title><![CDATA[Horn container]]></dcterms:title>
    <dcterms:alternative><![CDATA[Cuerna]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Art,PEOPLE,SOCIAL HISTORY]]></dcterms:subject>
    <dcterms:description><![CDATA[A large horn container featuring a wide range of decorative motifs and notable inscriptions. Garlands, plants, and flowers are accompanied by animals and hybrid creatures. One inscription indicates ownership: “I belong to Juan Rodríguez” (“Soy de Juan Rodríguez”), while another reflects on the creation of the object: “I cannot do it better / because my sight is failing / and I also lack / both study and the help of grace” (“No puedo acerlo [sic] mejor / porque la vista me falta / también faltan falta [sic] los / estudios y la yuda [sic] de gracia”).]]></dcterms:description>
    <dcterms:date><![CDATA[ca. 1875/1900]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[15/05/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[melendezenrique@uniovi.es]]></dcterms:contributor>
    <dcterms:extent><![CDATA[37cm x 26cm x 14cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[370]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.53689604607413,-5.634997934103013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/725">
    <dcterms:title><![CDATA[Hot and warm forging of a bird form by hand, and machanical hammer]]></dcterms:title>
    <dcterms:alternative><![CDATA[Varm smiinig av fygel med hånd,og  mekanisk hammer ]]></dcterms:alternative>
    <dcterms:description><![CDATA[Forging is working with iron, and other metals.Warm and hot forming requires a forge to warm up the metals, The hot and warm metals can be formed into shapes with the help of hammers, anvil, pliers and other tools. The different warming, temperatures and cooling methodes give different reults and properties to the finished products. ]]></dcterms:description>
    <dcterms:creator><![CDATA[689]]></dcterms:creator>
    <dcterms:dateSubmitted><![CDATA[19/06/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://nordnorge.com/aktiviteter/smeden-i-sund-smir-skarver-pa-stein/ https://eng.handverksinstituttet.no/ https://norsksmedforening.wordpress.com/ Bergland, Håvar: Kunsten å smi: teknikk of tradisjon, Gyldendal yrkesopplæring, 2000 Bergland, Håvar: Knivsmeden : knvimakerarbeid og smiing  Pehrson, Sjur Axel: Smedarbeid - vg2 og vg3, Yrkeslitteratur, 2009. Wefring, Christoffer-Gørrissen, Johan : Konstruksjons- og Verktøystål. Anvendelse og varmebehandling. Oslo, 1971 Norén, Karl-Gunnar-Enander, Lars: Nya järnsmidesboken. Nielsen Norén Förlag, 2008. Silje Sandø Rullestad:Den norrøne jernaldersmeden i tekst og kontekst Masteroppgave i arkeologi IAKH Det humanistiske fakultet Universitetet i Oslo Vår 2007 https://www.nb.no/items/8a8865bf9110dbe9f467b0267d2e3b9d?page=7&searchText=%22tor-vegard%20m%C3%B8rkved%22 https://www.nb.no/items/61c68e36aa516c4aa9cca0c97e99d4fa?page=3&searchText=kongeskarven https://www.nb.no/items/c0240c5d62c4528b227147d06f3d68ba?page=17&searchText=%22tor-vegard%20m%C3%B8rkved%22 https://www.nb.no/items/0b1664793a4dc5032499662692b054bc?page=0&searchText=%22kong%20olav%20V%22]]></dcterms:references>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:language><![CDATA[Norwegian]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[411]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,68.004948,13.207371;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/884">
    <dcterms:title><![CDATA[Hot Water Bottle]]></dcterms:title>
    <dcterms:type><![CDATA[External Item]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2183">
    <dcterms:title><![CDATA[House]]></dcterms:title>
    <dcterms:source><![CDATA[finnskogen]]></dcterms:source>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Custom Pin]]></dcterms:type>
    <dcterms:identifier><![CDATA[859]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/164">
    <dcterms:title><![CDATA[House and workshop of Dominica Stan and Stan Maria, Vima Mare village]]></dcterms:title>
    <dcterms:source><![CDATA[romania]]></dcterms:source>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/85">
    <dcterms:title><![CDATA[Iain Oliver]]></dcterms:title>
    <dcterms:description><![CDATA[A research fellow in the School of Computer Science, University of St Andrews]]></dcterms:description>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:type><![CDATA[Organisation]]></dcterms:type>
    <dcterms:identifier><![CDATA[60]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.34035813149545,-2.809084355794767;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/2180">
    <dcterms:title><![CDATA[Iain Oliver test]]></dcterms:title>
    <dcterms:source><![CDATA[people]]></dcterms:source>
    <dcterms:type><![CDATA[Organisation]]></dcterms:type>
    <dcterms:identifier><![CDATA[856]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.341250928865286,-2.806298732757569;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://culturality.museum/omeka/items/show/1440">
    <dcterms:title><![CDATA[Ida Fossli Image]]></dcterms:title>
    <dcterms:contributor><![CDATA[iain]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description></rdf:RDF>