12 100 1977 https://culturality.museum/omeka/files/original/d90e245dad73152c71472403fcb43b8f.mp3 e3f51f661c8aa233012330c099f33368 Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource om smycket-material Type The nature or genre of the resource Sound Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource audio/mp3 Source A related resource from which the described resource is derived ruralspots,ruralvarmland,varmlandmap License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. SOUND Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Region Värmland Identifier An unambiguous reference to the resource within a given context 8 Rendition Prim Media 964 State of the practice thriving Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/om_smycket-material Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource om smycket-material Type The nature or genre of the resource Rendition Language A language of the resource Swedish Extent The size or duration of the resource. x x Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 504 Source A related resource from which the described resource is derived ruralspots,ruralvarmland,varmlandmap Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 05/08/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: University of St Andrews Identifier An unambiguous reference to the resource within a given context 4 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1921 Natural Cultural Cultural Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource One-Eyed Dog Container Type The nature or genre of the resource Physical Object Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 759 Source A related resource from which the described resource is derived craftedobjects,timespanrural Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 04/11/2025 Date Modified Date on which the resource was changed. 17/03/2026 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. 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Title A name given to the resource Physical Object:One Eyed Dog Container Identifier An unambiguous reference to the resource within a given context 1922 3D Object Vertices 351082 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource One-Eyed Dog Container (Bottom) Type The nature or genre of the resource 3D Object Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource text/plain Alias/WaveFront Object License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. 3D Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://sketchfab.com/models/32751ee3410f42ea96405a32eb909a63/embed https://culturality.museum/omeka/files/original/84c243498f381ecccbc4512d37e6408d.mtl 9592c598ac7f6278769a9ebc57c308f6 https://culturality.museum/omeka/files/original/657af13a7e0e2c29ad8ca18c1a8b45d6.obj 684959d1a81bd1a280908bf34c6cad36 https://culturality.museum/omeka/files/original/5615021baa0a1514dcf692d5d6594963.jpg ee6c34699a0c2a45324c8e226e8199f4 https://culturality.museum/omeka/files/original/6f5b599fd2313d8463373df2e3a4ad09.glb 627db54d5c603f2b8c96c70e47e4e3aa https://culturality.museum/omeka/files/original/f372350db0512432d0484a43b5e67d22.glb 627db54d5c603f2b8c96c70e47e4e3aa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Object:One Eyed Dog Container Identifier An unambiguous reference to the resource within a given context 1922 3D Object Vertices 235004 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource One-Eyed Dog Container (lid) Type The nature or genre of the resource 3D Object Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource text/plain Alias/WaveFront Object License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. 3D Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://sketchfab.com/models/a5354354ab994a3e9dd9965c00a3272d/embed Artisan An artisan Contact moranarqueologo@gmail.com Author iain Email The email address of the museum. moranarqueologo@gmail.com Prim Media 678 Biographical Text He earned a degree in Geography and History from the University of Oviedo in 2001. He began his professional career as a researcher at the Universidad Autónoma de Madrid before transitioning to professional archaeology, where he participated as a technician in various research projects. Simultaneously, he trained in pottery at the last and oldest pottery workshop in Asturias, located in Faro, Oviedo/Uviéu, with the goal of preserving this traditional craft from extinction. Currently a PhD student at the University of Oviedo, his research focuses on the ethnographic and archaeological study of medieval pottery. He is a member of the Social Landscapes (LANDS) research group and the Llaboratoriu Rural del Paisaxe, Hestoria y Patrimoniu (LLABOR) at the University of Oviedo. He currently teaches ceramics at the Factoría Cultural de Avilés, a multidisciplinary arts center. External ID LAPONTE_PR_02 Knowledge Acquisition He began learning at the ceramics school in Avilés and then acquired his knowledge in the workshop of José Manuel Vega "Selito," where he worked as an apprentice for years. Knowledge Transfer He teaches some of the techniques used in the tradition of Faro ceramics in his classes at the Cultural Factory of Avilés Field Worker Carmen Pérez Maestro Gender male Area Relation incomer Area Reason Orlando was born in Gijón, which is about 30 km from Faro Occupation ceramics Involvment full-time paid job knowledge1 he knowledge involved in the preparation and processing of clay, the potter's wheel for creating ceramic pieces, surface treatments and glazes, and the use of the kiln for firing the ceramics. material1 Clays are extracted from the village of Faro itself, where there are two main types: black clay for unglazed pieces and red clay for glazed ceramics. The fuel used in the past was firewood, but now it is gas. material2 Clays are extracted from the village of Faro itself material3 In pottery, no waste is generated. production1 The most important technique is the creation of the ceramic piece using a foot-powered potter's wheel. production2 A metal knife or plate to shape the ceramic piece, a wire for cutting, a punch, small wooden tools, and the "trapadoriu," which is a leather pad used to shape the edges of the ceramic piece. He uses a foot-powered potter's wheel and a gas kiln. production3 The "trapadoiru" is a tool that gives a unique identity to the ceramic pieces of Faro. This name even appears in traditional Asturian ballads and songs. production4 Gas production5 In pottery, no waste is generated. All the leftover raw material is recycled into a new ceramic piece. workshop For the creation of traditional Faro pottery, Orlando works in the workshop of his teacher, Selito. For pottery classes, he has his own classroom at the Cultural Factory of Avilés. products1 From black ceramics, he manufactures pieces for domestic use. That is, containers for liquids and food, and for cooking: the barbón (a three-handled pitcher), the penada (a ceramic vessel with a very narrow mouth to allow the drink to pour out slowly), the cider jug (a traditional Asturian drink made from apples), the cheese container (quesera), and the cooking pot (cazuela). In glazed ceramics, he makes cider jugs, plates, deep bowls (escudillas), and water pitchers (botijos). products2 Orlando has always created ceramic pieces as a personal satisfaction and to preserve the tradition. products3 Selling them is challenging because many pieces are very large, and transporting them is difficult for tourists. Some of the pieces that are made are sold at fairs or online. In the past, the government had stores called "Arte España," which were even located in airports, and a lot was sold there, but this has since disappeared. products4 He has a paid job as a ceramics teacher at a municipal vocational school. Apart from that, he does not offer any services related to the profession of ceramics. products5 No products6 Orlando does not have regular clients. products7 The traditional ceramics of Faro do not have any official certification. It also does not have any geographical protection status. The area where it is produced does have a level of heritage protection under the Asturias Heritage Law, including the kilns, Selito's workshop, and the archaeological evidence related to this tradition. tourism1 Orlando has no connection with tourist activities. partnership He is a member of the "Xunta por la defensa de la alfarería de Faro," an association dedicated to defending and promoting Faro pottery, ensuring it maintains its traditional characteristics. challenges1 It is difficult to survive economically from traditional ceramics because direct sales are very limited, and artisans have to take on other jobs, which leaves them with little time for online marketing. challenges2 Es necesario de una administración pública haga una escuela de oficios tradicionales, es fundamental que haya tanto un archivo donde se recoja la mayor documentación posible…un sitio que recoja todos los conocimientos y enseñanzas y que las trasmita…Puede ser en una zona rural que ademas dinamizara la zona, creara puestos de trabajo para los artesanos que con la docencia y la artesania se podrian sustentar references https://www.nortes.me/2022/06/04/faro-la-alquimia-del-barro/ https://www.youtube.com/watch?v=I_FpkQ5c6jM Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Morán_Fernandez,_Orlando Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orlando Morán Fernandez Type The nature or genre of the resource Artisan Date A point or period of time associated with an event in the lifecycle of the resource 1970s Language A language of the resource Spanish Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 398 Spatial Coverage Spatial characteristics of the resource. current,43.355833,-5.794167; Source A related resource from which the described resource is derived artisans,asturiasmap,people Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Morán Fernandez, Orlando https://culturality.museum/omeka/files/original/4d28e875ac4231cf0862aea4f0e1c7be.jpg 8fcbecacfa5f3153b2de20e85a30bd5f Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID LAPONTE_PR_02(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orlando Morán in his workspace at the Cultural Factory of Avilés Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2024-12-19 Spatial Coverage Spatial characteristics of the resource. current,43.355833,-5.794167; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Carmen Pérez Maestro Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/c0d247cc31ba9356d020a0a5abf9eb30.JPG 2647fa3e9fa0b14bbe24881c364890c3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Finnskogen Identifier An unambiguous reference to the resource within a given context 936 Panorama Zoom Min 18 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Outer Hebrides Identifier An unambiguous reference to the resource within a given context 219 Geolocated Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Outer Hebrides Geographical Area Type The nature or genre of the resource Geolocated Contributor An entity responsible for making contributions to the resource sp259 License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Source A related resource from which the described resource is derived outerhebrides Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: University of St Andrews Identifier An unambiguous reference to the resource within a given context 4 Intangible Prim Media 228 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Outer Hebrides Tourism - Sarah MacLean Type The nature or genre of the resource Intangible Extent The size or duration of the resource. x x Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 121 Source A related resource from which the described resource is derived highlandandislands,ruralspotlewis Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 16/10/2024 Date Modified Date on which the resource was changed. 28/07/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. University of St Andrews https://culturality.museum/omeka/files/original/33303c8077875771d3cf85a8ebf90455.jpg ae3df09f0fb21be27edeb3570a6295f8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Outside Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg Source A related resource from which the described resource is derived ruralspots,ruralvarmland,varmlandmap License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2024:09:12 10:28:36 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/dc5233a117ece93ae9486b9c806bce7f.mtl ec7614b2ab317e0356497ce9c89c127d https://culturality.museum/omeka/files/original/245985879f4a21f9caff239dd3b3660e.obj 76516545d5a7db5de736829294d7a018 https://culturality.museum/omeka/files/original/5d8f4f608056248701089d3edd3f8093.jpg f35cf696c05811fa1c2bf1a72ebe19c5 https://culturality.museum/omeka/files/original/c75732ad17b080a56f99044728a2c826.glb f5b16ab2cfcd40e2b2304bd5e5f8d397 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Object:Painted Rock Identifier An unambiguous reference to the resource within a given context 1413 3D Object Vertices 105378 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painted Rock Type The nature or genre of the resource 3D Object Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource text/plain Alias/WaveFront Object License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Source A related resource from which the described resource is derived 4scotlandunitedkingdom,scotlandobjects Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. 3D Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1412 Natural Cultural Cultural Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Painted_Rock Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painted Rock Type The nature or genre of the resource Physical Object Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 664 Source A related resource from which the described resource is derived scotlandobjects,highlandandislands Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 25/09/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Artisan An artisan Author iain External ID CJMM_PR_03 Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Bârlea,_Pălăguța Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pălăguța Bârlea Type The nature or genre of the resource Artisan Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 418 Description An account of the resource The artisan who create the Beaded collar in the VERA Platform. Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Romania Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Bârlea, Pălăguța External Item External Type Physical Object External ID 1423 Archive CINE Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Palm Type The nature or genre of the resource External Item https://culturality.museum/omeka/files/original/7c42880dbe3073c3e32acfdfd5bf8f0c.jpg 879ac54babcac4ff7c22869633df2795 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID RV_AR_27(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pari of black nålbundna mittens in wool with embroided flowers Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-07 Spatial Coverage Spatial characteristics of the resource. current,60.71118,12.88606; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ulrika Jäger Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Sweden Artisan An artisan Contact cc274@st-andrews.ac.uk Author cc274@st-andrews.ac.uk Field Worker Catherine Anne Cassidy Gender female Area Relation incomer Occupation ceramics Shop https://www.patriciashone.co.uk/shop-online/ Material Description Hand formed ceramic clay pieces using raku, wood fired and saggar firing processes. Social Media The social media links. twitter,https://x.com/patriciashone?lang=en;facebook,https://www.facebook.com/PatriciaShoneCeramics/;instagram,https://www.instagram.com/patriciashoneceramics/; Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Patricia_Shone Prim Media 2292 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Patricia Shone Type The nature or genre of the resource Artisan Description An account of the resource Patricia Shone has lived and worked on the Isle of Skye for the past 30 years. She was born in Scotland and grew up in South Devon where she met clay at school. After studying ceramics in London, finances and a love of cooking led her into work as a chef both there and in Italy. Eventually, this took her to Skye where she returned to making pots. “My work has developed in a kind of isolation both in location and in the methods I use to form my pieces. This is a place where I can feel small and insignificant in the face of monumental natural forces. It is a feeling I rejoice in, when the only possible way to contain the enormity of love for life is to utterly surrender to it. The feel of raw clay in my hands is a prime motivation for making, a physical connection to the physical world around me. It’s a visceral process, not always comfortable, often challenging and increasingly tiring. My work is hand formed in all aspects of its concept and creation. It is based on the controlled forms of functional vessels whilst being released from the constraints of function by the ruptured textured surfaces. I am looking for the points of contact and balance between the maker and the material, neither having mastery over the other. I have learned to give precedence to the physical process over and above intellectual input, giving voice to my inner and non verbal senses. The formation of clay is mostly from millennia of climatic erosion. The origins of the material lie in the enduring rock beneath our feet. The processes of firing that a potter uses to complete their work replicate some of the monumental forces which create and erode the matter of the universe. It’s big stuff! The nature of clay used in this way allows me to speak of the continued erosion and weathering of the land we live on; the traces made by the passage of humans across the surface of our planet; the tensions between the container and its contents.” Patricia has developed techniques in her clay work which reflect these processes. Contrary to the compressive methods associated with traditional clay practice, her pieces are hand formed by texturing and stretching from solid lumps of clay. This process extenuates the surfaces allowing the natural textures of the material to develop. The muted, natural colours of the finished pots are achieved by using different clay bodies and by the various firing processes. She has been a selected member of the Craft Potters’ Association of Great Britain since 2015, her work is collected internationally and she has work in several national and International collections. Date A point or period of time associated with an event in the lifecycle of the resource 1985 Language A language of the resource English Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Subject The topic of the resource Art Identifier An unambiguous reference to the resource within a given context 952 Spatial Coverage Spatial characteristics of the resource. current,57.33648206344149,-6.238861083984375; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Scotland Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Patricia Shone https://culturality.museum/omeka/files/original/8ce8ea8024e7ab943f242fe7b01d28ff.JPG fe7a0aace4b6cd753cac616bdcb464b0 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID MN_AR_03(02) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pattern detail of the knit sweater "Markens Grøde" Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-04 Spatial Coverage Spatial characteristics of the resource. current,68.244008477137,13.7572701433528; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Rebeca Franco Valle Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Norway https://culturality.museum/omeka/files/original/3cf05225595c37133a8be9b062d4f0df.JPG 238847f523d0fe66a3807dc5273384da Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID MN_AR_03(03) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pattern detail of the knit sweater "Markens Grøde" Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-04 Spatial Coverage Spatial characteristics of the resource. current,68.244008477137,13.7572701433528; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Rebeca Franco Valle Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Norway https://culturality.museum/omeka/files/original/8fb0678411892499a0583c33200e1a55.jpg bd2d8582616b082cade0de4067cb7195 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID RV_CP_06(03) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pattern for mittens made from cardboard. Belong to Bibbi Bengtsson Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,60.7107258,12.8673235; Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-07 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ulrika Jäger Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Sweden Artisan An artisan Author iain Prim Media 1460 Biographical Text Paz worked for years in public administration for the Government of Asturias and at the University of Oviedo. After training in textile crafts as a weaver, she decided to leave her job to dedicate herself full-time to craftsmanship. She describes herself as a textile artisan, loom weaver, and dyer. Her craft is, to a large extent, her life, and her philosophy embraces a way of living connected to the land and the memory of the Asturian people, far removed from contemporary consumerism. She has lived in Puerma for the past 25 years. Before that, she lived in Morcín and Nava, and spent several years searching for a home until she found her current house in the village of Puerma, in the municipality of Las Regueras. She began working with the loom 12 years ago, although not exclusively. As a professional, she has been active for the past three years. She has received numerous awards and recognitions at both the Asturian and national levels for her work and her commitment to textile craftsmanship, sustainability, and the promotion of native products. External ID UNIOVI_PR_07 Knowledge Acquisition She inherited the craft largely from her mother and grandmother, both of whom used to spin and weave. Traditionally, up until the late 19th century, thread production was one of the essential tasks carried out by women on farms in rural Asturias—and more broadly, throughout rural Spain. It was women who took care of selecting the wool, washing it, carding it, and spinning it, so that a more specialized weaver—or a woman who owned a loom—could then turn the thread into cloth and items such as blankets, socks, and more. Her mother, well-versed in traditional techniques, was her first teacher. She taught Paz to knit with needles and introduced her to the world of textile arts and the loom. A cousin of her grandmother had also been a weaver, reinforcing the generational continuity of this knowledge. At the age of 40, Paz began working with the loom. She later continued her training as a weaver and textile artisan with other professionals, such as Belén Vega, who runs a workshop in Gijón (http://www.nezcla.com). She spent several years learning there, and then moved to Madrid to further her education in other techniques with Lala de Dios (https://www.instagram.com/laladedios5/). She also trained with Anna Champeney in Galicia (https://annachampeney.com/es/). In addition, she received dyeing training from specialist artisans in France and attended courses abroad, including in Coimbra, Portugal. At the beginning of her journey, she conducted ethnographic interviews with older craftswomen, who passed on valuable knowledge about looms and wool processing. Some of the dyeing techniques she uses were learned through scientific research conducted in other parts of Europe, as much of this knowledge has been nearly lost. The handling and processing of natural dyes is an open and evolving field of research. Her training is ongoing, and she is always learning. This constant learning allows her to apply new techniques to her production, enriching her craft with an investigative and committed approach. Knowledge Transfer She has not had any apprentices. While some people regularly attend her loom courses, none of her students have considered pursuing it professionally. She organizes courses and workshops on traditional wool processing, mainly focused on introductory techniques and processes related to raw materials, the loom, and similar topics. However, these are usually beginner-level courses, and so far, no student has shown interest in continuing to more advanced levels or exploring more complex techniques. Her students’ training tends to be more personal or recreational. Many people participate out of personal interest or as part of a self-sufficient lifestyle, rather than with the intention of becoming professional textile artisans Field Worker Santiago Rodríguez Pérez Gender female Area Relation incomer Area Reason After several years of searching for a house in the Asturian countryside, and after living in various municipalities in central Asturias, they found this house in the village of Puerma, where they moved in the year 2000. Occupation fibre and textile crafts Involvment full-time paid job knowledge1 Paz González Mesa was born on October 1, 1971, in Les Caldes (Oviedo). As a child, she learned to knit from her mother, who was originally from Escanlares, a small village in western Asturias in the municipality of Grandas de Salime, and who was her first teacher in the world of wool. Paz worked for many years in public administration for the Government of Asturias and at the University of Oviedo. After training in textile craftsmanship as a weaver, she decided to leave her job to dedicate herself full-time to the craft. She describes herself as a textile artisan, loom weaver, and dyer. Her craft is, to a large extent, her life, and her philosophy embraces a way of living connected to the land and to the memory of the Asturian people, far removed from contemporary consumerism. She has lived in Puerma for the past 25 years. Before that, she lived in Morcín and Nava, and spent several years searching for a house until she found her current home in the village of Puerma, in the municipality of Las Regueras. She began working with the loom 12 years ago, although not exclusively. As a professional, she has been active for the past three years. She has received numerous awards and recognitions at both the Asturian and national levels for her work and her commitment to textile craftsmanship, sustainability, and the promotion of native products. material1 Paz works exclusively with natural fibers, primarily wool, due to the deep cultural connection she maintains with this material. She also uses linen, a fiber with a long history of textile use in Asturias and a strong link to the land. Additionally, she works with silk, though in smaller quantities. She uses wool from her own flock of xalda sheep—the native breed of Asturias—as well as from other local farmers. However, due to its particular characteristics and rustic texture, xalda wool is not always suitable for certain products, such as scarves. In those cases, she uses merino wool sourced from Extremadura. In her view, xalda wool is more than just a raw material or product; it carries a sentimental and historical connection, with a rich story that ties it to the territory and transcends its material value. For this reason, she strives to bring this wool to market. Nevertheless, she faces many challenges: a scarcity of flocks, low production, limited awareness among farmers—who often see wool as waste—and the demanding work of selection. Moreover, the material itself has limitations due to its rustic nature, which makes it unsuitable for certain uses. As a result, she is exploring new possibilities for its application. She always uses natural fibers for several reasons: they yield better results in weaving and for the end user, and synthetic fibers cannot be dyed with natural dyes, making traditional techniques impossible. For dyeing, she uses plants sourced from her immediate surroundings—her home and nearby areas—as well as plants not native to Asturias, which she obtains through specialized suppliers. The materials she uses are always local and native. Her favorite material to work with is xalda wool. Currently, she is researching what kinds of pieces can be made with it, focusing more on public outreach than commercial production. Her goal is to show society the textile potential of this wool and demonstrate the results it can yield when applied to different products—cushions, shoes, blankets, clothing, etc. She believes this is beneficial both for the breed and for the wool itself. She is even experimenting with its use in upholstery. material2 The origin of the materials Paz uses is always local or from nearby suppliers. In the past, she worked with merino wool from outside Spain, as the wool produced in Extremadura sometimes lacks the softness required for certain textiles, such as scarves. In those cases, she sources materials from other parts of the world. In the 1970s, when polyester fabrics became popular, sheep stopped being bred for their wool, and the wool industry fell into crisis. The wool industries of Castilla and Extremadura disappeared—although they are now slowly recovering—and the quality of the wool declined, as livestock was no longer selected for its fiber characteristics. Today, sheep are bred primarily for meat, not for producing high-quality wool. Efforts are currently underway to recover this material. In Spain, there are only three wool washing and spinning facilities where raw wool can be sent and returned as spun fiber. However, the wait time to receive the processed material is typically six to eight months. At Wooldreamers, a spinning mill in Cuenca, the workload is especially high. With the loss of traditional wool-related trades, there is also a shortage of sheep shearers. This work is now often carried out by immigrants from Uruguay and other Latin American countries. The entire cultural, industrial, and social infrastructure surrounding wool has been lost and is now being recovered very slowly. Often, Paz cannot find the materials she needs close by, so she must source them from elsewhere. Her philosophy emphasizes animal welfare, certified organic production, and fair working conditions. This requires carefully reviewing each supplier to ensure they meet a set of ethical standards. For Paz, the priority is to use her own fiber and the resources closest to her. When she needs other materials, she turns to suppliers from other regions, always seeking proximity, energy efficiency, and environmental sustainability. Obtaining materials is relatively difficult. Although wool is a byproduct of the meat and sheep farming industries—and tons of it are discarded every year—it is paradoxically hard to find wool suitable for weaving. Because it is not processed, finding reliable suppliers is a challenge. In her early days, Paz spun her own wool because she couldn’t find commercial wool that wasn’t blended with synthetic fibers. Today, the situation is slowly improving, but progress remains slow. The most difficult part is sourcing high-quality wool. Technically, there is no “better” or “worse” wool—the fiber is the same—but finer wool is more highly valued because it is softer. Obtaining wool with a specific fineness, while also meeting standards for animal welfare, ecological production, fair labor conditions, and decent wages, is a complex task that limits the creation of certain pieces. Linen has almost completely disappeared in Spain, and the traditional culture surrounding it is lost. Some experimental and educational projects exist in Galicia, and there is some activity in Portugal. Most of the linen used by weavers today comes from Belgium. Paz sources it through a supplier in Catalonia who imports it from there. Historically, linen required a great deal of labor, both in processing the raw material and in weaving. The warp threads would break easily in the wooden reeds of old looms, which led to its gradual replacement by cotton. As linen fell out of use, it eventually disappeared. Industrial cotton fabrics, such as percale, ultimately replaced it entirely. The same happened with natural dyes, which disappeared between the late 19th and early 20th centuries. In the 1970s and 1980s, they began to be recovered for artisanal use, relying on oral tradition, old treatises, and even ethnographic research in African and American communities that had preserved these practices. Dyeing materials are also complex to source. Cochineal comes from Lorenzo, a producer in Gran Canaria and founder of Canaturex, a company that supplies cochineal worldwide for both food and textile use. The most difficult dyes to obtain are red tones. In addition to cochineal from the Canary Islands, Paz uses Rubia tinctorum (madder root), which comes from Provence (France), where natural dye recovery projects are underway. In her immediate surroundings, she collects dyes from walnut, birch, and chestnut trees, which she processes herself. She dries the materials in her hórreo (traditional Asturian granary) and stores them in paper sacks, where they are preserved throughout the year. material3 The leftover warp threads that remain on the loom after finishing a piece are recycled by Paz as stuffing for cushions, although they tend to be somewhat heavy. During the wool selection process, any fiber that is discarded for being unsuitable for weaving is used as compost in her garden. production1 The process begins with sheep shearing. In the case of wool from her own flock, Paz and her husband manually carry out both the shearing and the selection of the raw material. This selection is a labor-intensive process, as not all wool is suitable for weaving; the best quality usually comes from the animal’s back. When the weather gets warmer, sheep tend to scratch themselves, which damages the wool, so it’s essential to shear them early—preferably in May. Wool obtained in July is often already too deteriorated. However, farmers depend on the availability of shearers, which complicates planning. Once selected, Paz distributes the wool: part of it is used for weaving, and another portion is used as stuffing material or for the garden. The next step is washing, which begins with a seven-day pre-wash using only water. During this time, the wool releases substances such as potash, mineral salts, and lanolin, creating a kind of natural soap in the water. This method saves water, soap, energy, and mechanical effort, as it eliminates the need to heat the water to remove grease. After soaking, the wool is washed and rinsed with a specific ecological soap—slightly acidic—and warm water. Finally, it is laid out in a well-ventilated area to dry completely. Once washed, the wool becomes compacted, so it must be opened and fluffed to restore its softness. It then goes through the carding process, which further aerates it and prepares it for spinning. Traditionally, spinning was done by hand with a spindle and was considered women’s work. Later, spinning wheels—medieval inventions that few women could afford—became more common. These machines, operated by hand and foot, allow for a faster process than manual spinning. In Paz’s case, she spins part of the wool herself and sends the rest to a specialized spinning mill in Cuenca (Wooldreamers), which works with native breeds and small quantities. While conventional mills require a minimum of one ton, Wooldreamers accepts orders starting at one hundred kilos. In other European countries, there are mini-mills—small spinning facilities capable of processing just a few kilos of wool profitably. Similar initiatives have begun to emerge in Spain, such as Dlana and Fademur (in Ávila), which allow farmers to transform wool waste into yarn. The next step is dyeing the skeins. Paz first calculates the amount of yarn needed in each color for a given project and dyes according to the required grams or kilos. Dyeing is done by hand, in large pots over low heat, using natural mordants and plant-based dyes. She also uses cold-dyeing techniques or heat bursts, which save energy (reaching 90°C in one hour). Depending on the technique used, cooking or resting times vary, allowing for different shades. The mordanting process is common throughout Europe, but natural dyeing remains an open field of research. Once the wool is spun and dyed, it moves to the loom. Depending on the type of piece to be produced—its color, texture, and design—different looms are used, varying in size and number of heddles. Threads and colors are arranged according to the characteristics of the final piece. For Paz, one of the most fascinating aspects of her craft is innovation: exploring new possibilities with materials and dyes, working with contemporary designs, and experimenting with traditional textiles in new contexts such as interior design and upholstery. Innovation, experimentation, and design are fundamental elements of her creative process. These allow her to explore the material’s potential, play with textures and colors, and develop her own designs. She also considers it essential not to delegate product design. Beyond the craft itself, Paz believes it is very important to understand the history of textiles in Asturias, traditional designs, and the origins of the knowledge that shape her practice. The traditional Asturian loom has its origins in the Middle Ages, derived from Chinese silk looms that reached the western Mediterranean through the Arabs. production2 Paz uses a wide range of tools, as she carries out all the processes related to wool—from shearing to yarn production. For this, she has manual shears for shearing, tubs for washing, carding tools (including hand carders and drum carders), spinning tools (spindles, spinning wheels, and spinning machines), dyeing equipment (pots of various sizes, strainers, etc.), as well as several looms of different sizes and functionalities. Among them, one of the most notable is a 19th-century loom, which she uses to create traditional pieces, alongside more modern and larger looms. In total, she owns four looms. She also has warping tools, a skein winder, and naspas, which she uses to make cadexos or skeins. Additionally, she has three small looms dedicated to workshops and beginner courses, since the larger ones are usually occupied with ongoing projects. The looms include various types of shuttles, known as nezclas in Asturian. For designing her pieces, Paz uses pencil and paper, although she has also incorporated digital tools: she uses specialized software to create designs that are later transferred to the loom. The fact that the product is handmade doesn’t mean that new technologies aren’t integrated into certain parts of the process. All of her tools are second-hand and have been acquired from various markets, except for her first loom, which was new. Some come from antique dealers—like the 19th-century loom—and others from online resale platforms. The spinning wheels and spindles were made by her husband, Xandru, who practices woodworking as a hobby. He also built her spinning machine. Together, they maintain the looms and other tools. There are more modern and sophisticated tools available, such as computerized Jacquard looms, which offer great creative possibilities, although their cost is very high. The loom is, without a doubt, the central tool of her craft. Nevertheless, some tools have fallen out of use, such as manual spindles. Paz still uses the spinning wheel to produce handmade yarn with specific thicknesses and twists, which directly influence the texture of the final piece. production3 The tools Paz uses are simple, yet deeply connected to her culture. She employs the oldest and most traditional ones to create heritage pieces. Building on that foundation, she has incorporated new tools that allow her to produce contemporary works without losing sight of the core principles of her craft. Her workshop is a vital space, where she establishes an intimate connection with her working tools. It is there that tradition and innovation coexist, and where each tool—no matter how modest—forms part of a meaningful artisanal process. production4 Many of the processes in Paz’s workshop rely on her own manual energy, especially when working with the looms. The workshop is located in her home, where she uses heat from a cast-iron stove and a wood-burning heater. The firewood comes from local suppliers or from her husband’s family land. The workshop is lit with electricity supplied by a renewable energy cooperative, Astuenerxía (https://astuenerxia.coop). Finally, for the dyeing process, she needs energy to heat the pots of water used to dye the skeins. For this, she uses butane gas. production5 During the dyeing process, the water in which the skeins are submerged is discarded, along with the leftover mordants and dye residues. Since the quantities are very small, Paz uses this water in her vegetable garden, and it does not pose any toxicity issues. If the volume were significantly larger, it could become problematic. Most of the dyeing water is reused throughout the process, and only at the end is it discarded. It is a biodegradable waste composed of plant-based dye residues and alum, and is also used in the garden. Any leftover wool scraps are composted and used in the vegetable garden as well. workshop Paz has her textile workshop in her own home, in Puerma (Asturias). She began working in a single room, but over time it became necessary to renovate the house to expand the workshop space and incorporate more looms. Today, the workshop is a spacious and bright area, with multiple light sources where the looms are distributed. It is decorated with antiques and pieces from traditional Asturian material culture. It also functions as a small office, with books, a desk, and other elements, where she stores materials and part of her production. She is considering the possibility of having a larger workshop, as the current space is becoming too small, and adding a new loom would mean removing another. Moreover, if she ever decided to hire someone to work with her, she would need more space. Although she considers this possibility depending on her workload, she also feels that, given her age, it may not be the right time to take on such an investment. She believes that if she can sustain herself with what she already has, she could forgo growth that would bring complications such as hiring staff, financial investments, and bureaucratic procedures. products1 Paz produces all kinds of textile items, both inspired by tradition and by contemporary design. The products she sells the most—and which are most in demand—are scarves and shawls. These are fast-moving items that customers easily identify with, as they can purchase and use them immediately. However, these pieces are made with non-Asturian wool, often blended with silk, and Paz feels less connected to them, as they represent a more contemporary use of craftsmanship. In recent years, her production has evolved. She has worked on pieces for traditional Asturian clothing and historical reenactments, which are in some demand from folklore groups. Although she hasn’t abandoned the creation of ethnographic pieces—which still have a market—she is now committed to applying these same fabrics to contemporary uses. She believes that limiting the use of xalda sheep wool exclusively to traditional items would make little sense in today’s context. Paz firmly believes in the possibility of creating contemporary pieces based on tradition. For example, decorative motifs or techniques once used in skirts can now be applied to coats. For her, contemporary craftsmanship must combine innovation and design, and she considers collaboration between artisans and designers essential. She also distinguishes between “handmade” and “handcrafted.” The former may involve mechanized production, where different workers manually carry out parts of the process. The latter, however, implies that the artisan controls the entire creative process of the object. Regarding mechanization, Paz acknowledges that there are already industrial looms capable of producing pieces better than she can, and she doesn’t see the need to compete with them. She believes that if craftsmanship becomes mechanized, it loses what sets it apart as a truly artisanal creation. In her creations, she enjoys working with color, experimenting with pigments, threads, designs, and combinations. With xalda sheep wool, she enjoys exploring new designs and forms. One of the most interesting commissions she has received recently was the design of a wedding shawl: white, made with merino wool, off-white silk, and another shiny organic silk. She also incorporated alpaca, silk cashmere, and merino threads, playing with different shades of white. She also produces items for the home and interior decoration. Thanks to her deep knowledge of the craft, she explores new avenues in textile art applied to furniture and decor, always with a focus on quality, design, and functionality. For her, objects must have a practical purpose beyond their artistic value. Currently, she is working on developing new lines of basic products—high-quality but more affordable—to make textile craftsmanship more accessible to a wider audience. She is also developing a line of products made exclusively with xalda sheep wool, to promote this local raw material. She would love to work on signature pieces, special fabrics, and explore textile art in depth. She also dreams of preparing an exhibition or creating a unique piece for craft competitions. The main obstacle, however, is the lack of time. products2 The main purpose of all her production is for sale. Most of it is sold directly to the public, while another portion is made through commissions. In addition, part of her production is aimed at showcasing the potential of the xalda sheep and its wool in the creation of textile items. products3 There are several sales channels. On one hand, her own website, where she sells part of the handcrafted items she produces. On the other hand, the fairs she attends, such as craft fairs, traditional markets, and similar events. She also takes on custom orders, for which she studies each case individually, develops proposals, and creates exclusive pieces products4 She has taught workshops on wool preparation, dyeing, and loom weaving. In addition to developing her own textile production, she offers courses and training in loom techniques and working with wool. These courses are usually aimed at a different audience than those who purchase crafts, as they seek to bring traditional processes and knowledge closer to people interested in learning and experimenting for themselves. products5 Paz is in charge of repairing any damage that the pieces she sells may suffer. Although customers usually take good care of them, it has occasionally been necessary to intervene to fix pieces that were dented or frayed, by repositioning the thread. On one occasion, she had to repair a piece that had been attacked by rodents and had several holes. products6 Many of her clients seek artisanal products connected to the region they are visiting. Initially, Paz tried to carve out a niche in traditional Asturian clothing, entering several competitions with that idea. However, commissions have been scarce. The cost of producing cloth for historical costumes on an old loom is very high, especially for garments that are only worn a few times a year. Paz describes her audience as predominantly female: women between 45 and 65 years old, with medium-high income levels and higher education, working in liberal professions. Ultimately, this is also a culturally engaged audience, as craftsmanship is a form of cultural expression. This profile tends to be environmentally conscious, precisely because of their educational background. There are also some men who purchase pieces as gifts. Foreign tourists especially value high-quality artisanal products. They don’t buy just anything—they look for specific pieces. If the product is good, it sells, and this type of customer rarely questions the price. There is great interest in wool, weaving, and loom workshops. Emotional connections with handcrafted items are much deeper than with industrial ones. These are not disposable objects or purchases driven solely by price: each piece has a story, and if you made it yourself, you keep it forever. However, not everyone has that sensitivity toward objects. The audience for the workshops usually doesn’t overlap with those who buy the pieces. The workshops are aimed at people seeking an experience. After the pandemic, there was a significant shift toward craftsmanship, with people interested in engaging in creative processes. Workshop participants are often people who already weave and want to learn about the loom or work with wool. It’s a younger audience, with a greater male presence. There is a potential market for sustainable, high-quality artisanal products, but there are no storefronts in central areas or advertising campaigns to make them visible. One of her main showcases is social media. She displays her products on Instagram and other platforms. Within Asturias, she is fairly well known in certain circles, which allowed her to establish a local niche before beginning a modest expansion. Her message, tied to Asturian identity, resonates with people aligned with Asturian cultural movements. However, she would like to access international sales channels. In Asturias, there are no specialized stores, and fairs offer very limited sales, so she is considering entering markets in major cities. The Basque Country is a nearby option she is considering. products7 Her production does not carry any official label or certification. Part of the wool she uses, which she sources from a supplier, is certified as organic by GOTS (Global Organic Textile Standard). She holds an artisan license from Asturias. However, in textile production, there are no specific certifications beyond those for organic wool or origin. In her case, she does not use more organic wool simply because she cannot find suppliers. She believes that the textile sector is still far from achieving widespread certification of this kind. There is an official Asturian craft label, but she feels it is not a sufficient quality filter. A label that guarantees product quality through clear standards and criteria would be necessary—one that reviews production processes and ensures traceability. tourism1 She believes that visits to places should include a historical and ethnographic context that allows for a deeper understanding of the local culture, rather than focusing solely on the landscape. She is concerned that mass tourism and touristification can ultimately destroy these spaces. In her view, tourism companies are voracious, and she understands that it is a business that does not necessarily prioritize environmental or cultural preservation. She sees craftsmanship as having the potential to play an important role in promoting high-quality, responsible tourism. In recent years, she has been organizing open studio days at her workshop, which include a historical and ethnographic explanation of xalda wool textiles in Asturias. Visitors meet the flock of sheep and learn about their characteristics, followed by a demonstration of the textile process, accompanied by a small gastronomic offering. In collaboration with a local cured meats factory (Ca Mamina, https://camamina.com), she offers demonstrations and experiences related to wool and weaving, combining them with local cuisine and a short workshop on traditional music and dance. She is currently in the process of developing new activities linked to experiential tourism. The company Singular Spain (https://singularspain.es) has included them in its tourist circuits through Asturias. tourism2 “Tampoco estoy en un sitio turístico. Si estuviera en Taramundi, toda mi clientela sería turista” […] “Sin control, ye un problema, si lo saben controlar… pero los huevos tan metíos na cesta del turismo” partnership She is a member of the Asturias Artisan Union (https://www.saasturias.com) and of the Association for Textile Creation (https://creaciontextil.org). She is currently in the process of creating a new association together with other artisans, which will be called Blima. Outside the field of craftsmanship, she belongs to around ten associations related to music, culture, and other areas. She also collaborates with the livestock and cured meats company Ca Mamina. She partnered with chef Pedro Martino at his restaurant in Caces (https://pedromartino.es) for a presentation of dishes that incorporated textile materials. She is considering collaborations with fashion designers, such as Constantino Menéndez (https://madebykos.com). After all, she produces textiles, and her goal is to integrate her products into other creative levels. She is not a dressmaker, which is why working with designers is of particular interest to her. In Paz’s words, part of the future of craftsmanship lies in collaboration with designers: design enhances the product, and designers are beginning to work with textile artisans. The greatest challenge she sees in this regard is the potential invisibility of textile artisans within these collaborations. She also works with various public institutions, such as the Las Regueras Town Council, and with museums including the Ethnographic Museum of Grandas de Salime, the Museum of the Asturian People (Muséu del Pueblu d’Asturies), and the Interpretation Centre of Asturian Pre-Romanesque Art, among others. challenges1 She is pessimistic about the future of her craft and sees it in a rather bleak light, although she has only been working in the field for three years. Her products do not fit into the traditional channels of craft fairs, as they are high-end artisanal pieces. In Asturias, there are no proper platforms for showcasing this kind of craftsmanship. Craft fairs are very heterogeneous and lack strict criteria regarding the quality of the products presented, which means her work does not receive the visibility it deserves. In Galicia, by contrast, there are many shops offering high-quality artisanal products, committed to craftsmanship and supported by the regional government. The Galician government has succeeded in making society identify with its local products. One of the challenges in Asturias would be to improve sales channels: if someone wants to give a high-end artisanal gift, they often end up buying from souvenir shops. Living in a rural area is not a problem for her; in fact, she considers it the ideal environment for craftsmanship. A major challenge would be improving her working conditions. While the bureaucratic burden is bothersome—mainly because it takes up time—what she would most like is to be able to rest more and have more time for her personal life. Craft work consumes a large part of her vital time. Moreover, many artisans rely on other jobs to make a living. Craftsmanship is not their main source of income, and they cannot afford to leave their other occupations. Regarding contemporary creation, she aims to produce items that have a practical use today. If an artisanal product has no relevance in the present, it won’t succeed, and craftsmanship won’t survive. She believes that craftsmanship must have a function and utility in the contemporary world; otherwise, it is destined to disappear. In her case, she wants both xalda sheep wool and her artisanal work to go beyond the realms of anthropology and ethnography, and for people to recognize their practical value. In this sense, one of the challenges she believes craftsmanship faces is social change. To survive, craftsmanship must remain attentive and adapt to evolving social trends. It cannot remain on the sidelines—it must respond to these changes by developing new products, or it will disappear. Craftsmanship has always evolved, adapting to the needs of consumers. Mechanization is another challenge. If everything becomes mechanized, she feels it loses its meaning, as it results in standardized products that are the same for everyone. In her philosophy, there is a difference between making things by hand (even if produced in series) and creating things by hand, without losing the connection to the product being made. The artisan must maintain control over the entire process of creating the piece, unlike the industrialized concept of manual labor. challenges2 “Mejorar la calidad en el diseño. En artesanía, debe ir de la mano del diseño, para adaptarse a las necesidades de un público actual. Puedes basarte en técnicas tradicionales, y combinar tradición con innovación, una base histórica sobre la que construyes.” references Yo soy rural - Paz Mesa. 18 febrero 2025. Disponible en: https://www.youtube.com/watch?v=GEvDLQ_706g. Bertojo, Miguel (2023). «Paz González Mesa». 17 abril 2023. Disponible en: https://oficioyarte.info/paz-gonzalez-mesa/. Marín Estrada, Pablo Antón (2022). ««La xente regala hórreos del siglo XVIII en Asturies… ye como pa facéselo mirar» - Pegados a la Tierra». EL Comercio. 9 enero 2022. Disponible en: https://pegadosalatierra.elcomercio.es/paz-gonzalez-mesa-tejedora-hilandera-las-regueras/ [consulta: 24 septiembre 2025]. Paredes, Ana Paz (2020). «Vivir en el campo tiene telar». La Nueva España. 23 julio 2020. Disponible en: https://www.lne.es/asturias/2020/07/23/vivir-campo-telar-14434932.html [consulta: 24 septiembre 2025]. Social Media The social media links. facebook,https://www.facebook.com/pazmesa.art/?locale=es_LA;instagram,https://www.instagram.com/pazmesa.art/; Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/González_Mesa,_Paz Shop https://pazmesa.art/?post_type=product Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Paz González Mesa Type The nature or genre of the resource Artisan Date A point or period of time associated with an event in the lifecycle of the resource 01/10/1971 Language A language of the resource Asturian,Spanish Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 670 Source A related resource from which the described resource is derived artisans,asturiasmap Spatial Coverage Spatial characteristics of the resource. current,43.39798161617983,-5.993868917107711; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. González Mesa, Paz Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://pazmesa.art/ https://culturality.museum/omeka/files/original/5fe03303c69f2044792122c6a4b817b8.jpeg b8e0891e5db569a1f23e0794bf8b6779 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Paz Mesa Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Source A related resource from which the described resource is derived spain License A legal document giving official permission to do something with the resource. In Copyright (InC) Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Julián Rus Artisan An artisan Author iain Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Paz_Mesa Biographical Text Paz Mesa had her first contact with textile crafts through her mother, who taught her how to spin the wool of her own flock of Xalda sheep; a task that she carried out together with her sisters. They later would give the wool already spun to a cousin who was a weaver, for her to make the garments. However, her work as a professional in the field began two years ago, after an eleven-year training period with different national and international artisans. She works mainly with wool, linen and silk: respectful, biodegradable fabrics, committed not only to the environment, but also to the well-being of animals and workers, as well as to the health of the customer. She tries to promote and disseminate more responsible forms of consumption, basing her brand on issues such as sustainability, ecology, territoriality and a circular, ethical and conscious economy. Prim Media 124 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Paz Mesa Type The nature or genre of the resource Artisan Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 379 Source A related resource from which the described resource is derived artisans Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Paz Mesa Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Jet and silver Natural Cultural Cultural Function Jewelry Creation Purpose For sale Technique Cutting and Mechanical Shaping of Raw Jet:The jet piece is cut with a diamond disc saw, giving it an approximate shape. Then, a tungsten carbide bur or rotary tools are used to define the final shape, removing excess material and refining the details. Finally, the piece is sanded with coarse to fine grit sandpaper to smooth the surface and prepare it for polishing. A silver sheet of the appropriate thickness is chosen for repoussé and setting. The silver sheet is cleaned and cut with a jeweler's saw or shears. The design is transferred onto the silver using a burin or fine punch. A structure is formed in the repoussé silver to hold the jet stone. Material Source Jet is local and silver foreign Conecept The piece is associated with the Asturian tradition of jet craftsmanship and its use in women's jewelry Production Quality One, one, she makes unique pieces External ID LAPONTE_AR_09 Field Worker Carmen Pérez Maestro Craft metalwork Tool Diamond disc saw or Dremel, Tungsten carbide files and burs, Sandpapers of various grits (coarse to fine), Jewelry pliers with coated tips Place The town or city Villaviciosa, Asturias, Spain Prim Media 816 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pendant Type The nature or genre of the resource Physical Object Description An account of the resource Double-sided pendant in which a carved jet piece with a traditional Asturian design is set in a repoussé silver piece representing the Asturian mountains Date A point or period of time associated with an event in the lifecycle of the resource 2020s Creator An entity primarily responsible for making the resource 683 Language A language of the resource Spanish Extent The size or duration of the resource. 3.5cm x 2cm x 0.5cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 428 Source A related resource from which the described resource is derived craftedobjects Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Colgante Spatial Coverage Spatial characteristics of the resource. current,43.480178,-5.43423190753304; Date Modified Date on which the resource was changed. 10/07/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Silver, jet and amethyst Natural Cultural Cultural Function Personal adornment Creation Purpose For sale Technique Techniques employed in jewellery craftsmanship and carving techniques for working yhe stones. Material Source The jet is locally sourced, while the silver and amethyst come from elsewhere. Conecept This piece stands out for its use of Jurassic jet, which has been worked since prehistoric times in what is now Asturias. Production Quality One External ID LAPONTE_AR_10 Field Worker Carmen Pérez Maestro Craft metalwork Tool She uses manual tools (such as a jeweler’s saw, hammers, and a hand file). For working with jet, she uses dental prosthetic tools that operate with a micromotor, such as diamond discs and tungsten carbide burs. She also uses an electric polishing machine. Place The town or city Barrio de la Roza, Lieres, Siero, Asturias, Spain Prim Media 1317 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pendant Type The nature or genre of the resource Physical Object Description An account of the resource Double-sided pendant made from sterling silver, jet, and amethyst. On one side, the stones are set, and on the other, there is an image of a ship created by cutting a sheet of silver. Date A point or period of time associated with an event in the lifecycle of the resource 2025 Creator An entity primarily responsible for making the resource 1196 Language A language of the resource Spanish Extent The size or duration of the resource. 2cm x 0.3cm x 1cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 598 Source A related resource from which the described resource is derived asturiasmap Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/09/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Colgante Spatial Coverage Spatial characteristics of the resource. current,43.368135,-5.587614; Date Modified Date on which the resource was changed. 08/09/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/88231b71dd4c6eeaf0d948fb2fa44271.jpeg 07fcaa91c0fd2f310b8c4e7c7f82377d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Object:Pendant Marine Identifier An unambiguous reference to the resource within a given context 752 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID LAPONTE_AR_08(02) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pendant "Marine" (close up view) Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-07 Spatial Coverage Spatial characteristics of the resource. current,43.480178,-5.43423190753304; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Carmen Pérez Maestro Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/c37fd69c3faf2edc579e589913e4d83f.jpeg 4b5b50386662b27c2cd26576d0fc785f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Object:Pendant Marine Identifier An unambiguous reference to the resource within a given context 752 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID LAPONTE_AR_08(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pendant "Marine" (general view) Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-07 Spatial Coverage Spatial characteristics of the resource. current,43.480178,-5.43423190753304; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Carmen Pérez Maestro Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/3928a613082db354b91b7853d9666fcb.jpg 0d09b3ca20e9fcdafb7d740a5f91af56 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID LAPONTE_AR_07(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pendant "Rosette of Oviedo" (front view) Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-07 Spatial Coverage Spatial characteristics of the resource. current,43.480178,-5.43423190753304; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Carmen Pérez Maestro Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/18562277dbbd40cc4866eb76c3e51904.jpg 11c3b416cbd19823c40cc3f72103ffc7 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID LAPONTE_AR_07(02) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pendant "Rosette of Oviedo" (side view) Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-07 Spatial Coverage Spatial characteristics of the resource. current,43.480178,-5.43423190753304; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Carmen Pérez Maestro Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/59c60a8e515decda6c81700b71326414.jpeg 042b97e93bd7a69b948e96c2f7e57ee8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Object:Pendant Identifier An unambiguous reference to the resource within a given context 753 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID LAPONTE_AR_09(02) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pendant (back view) Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-07 Spatial Coverage Spatial characteristics of the resource. current,43.480178,-5.43423190753304; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Carmen Pérez Maestro Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/e3dad6295dbd07b4db7d242ed1928c79.jpg efadd52135276c56f823fddc1ae997ef Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID LAPONTE_AR_10(02) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pendant (back view) Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-05-02 Spatial Coverage Spatial characteristics of the resource. current,43.368135,-5.587614; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Carmen Pérez Maestro Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/f9920d02bb0b5d980ffd88462b035cca.jpeg 8ab9e79367b664ffa8c29ee8efae8c1f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Object:Pendant Identifier An unambiguous reference to the resource within a given context 753 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID LAPONTE_AR_09(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pendant (front view) Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-07 Spatial Coverage Spatial characteristics of the resource. current,43.480178,-5.43423190753304; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Carmen Pérez Maestro Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/54cb9e368b85bc6ba0bb39981548136b.jpg 0a3a87893bfb87ea37523e230b461064 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID LAPONTE_AR_10(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pendant (front view) Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-05-02 Spatial Coverage Spatial characteristics of the resource. current,43.368135,-5.587614; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Carmen Pérez Maestro Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Silver, jet and opalo Natural Cultural Cultural Function Pendant Creation Purpose For sale Technique Cutting and Mechanical Shaping of Raw Jet: The jet piece is cut with a diamond disc saw, giving it an approximate shape. Then, a tungsten carbide bur or rotary tools are used to define the final shape, removing excess material and refining the details. Finally, the piece is sanded with coarse to fine grit sandpaper to smooth the surface and prepare it for polishing.Preparation of the Polished Black Opal: A polished black opal is selected with a suitable shape to be set in the silver ring. Using coated-tip pliers or a nylon hammer, light pressure is applied to secure the opal in place. Assembly and Final Finishing: A hole is drilled on one side of the jet piece to attach the ring with the black opal, and a small silver jump ring is used to allow the ring to move freely. Material Source The jet is local but the silver and the opalo are foreing Conecept The piece is associated with the Asturian tradition of jet craftsmanship and its use in women's jewelry Production Quality one, she makes unique pieces External ID LAPONTE_AR_08 Field Worker Carmen Pérez Maestro Craft metalwork Tool Diamond disc saw or Dremel, Tungsten carbide files and burs, Sandpapers of various grits (coarse to fine), Jewelry pliers with coated tips, Nylon or rubber hammer, Jeweler's loupe Place The town or city Villaviciosa, Asturias, Spain Prim Media 814 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pendant "Marine" Type The nature or genre of the resource Physical Object Description An account of the resource A unique piece where the carved and polished jet serves as the base, while the black opal set in silver hangs from its side, achieving a sophisticated and artisanal design. Creator An entity primarily responsible for making the resource 683 Language A language of the resource Spanish Extent The size or duration of the resource. 85cm x 15cm x cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 427 Source A related resource from which the described resource is derived craftedobjects Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Marine Spatial Coverage Spatial characteristics of the resource. current,43.480178,-5.43423190753304; Date Modified Date on which the resource was changed. 10/07/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material silver and jet Natural Cultural Cultural Function It is a double-sided pendant Creation Purpose For exhibition and to showcase the craftsmanship of the artisan Technique The techniques used to make the object are sanding, drilling, cutting, carving, and polishing. It is then set into the silver ring Material Source The jet is local, but the silver is foreign (Mexico, Peru, China…) Conecept The object is related to the traditional jet work, but also, due to its shape and iconography, to Asturian medieval culture Production Quality Only one piece was made; it is a unique piece External ID LAPONTE_AR_07 Field Worker Carmen Pérez Maestro Craft metalwork Tool The main tools used have been the drill and the fret saw Place The town or city Villaviciosa, Asturias, Spain Prim Media 1011 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pendant "Rosette of Oviedo" Type The nature or genre of the resource Physical Object Description An account of the resource A circular pendant made of silver and jet. The central part of the jet features an ornamental circular design with a pattern associated with the Gothic rosette of the Oviedo cathedral Date A point or period of time associated with an event in the lifecycle of the resource 2018 Creator An entity primarily responsible for making the resource 683 Language A language of the resource Spanish Extent The size or duration of the resource. 6.1 (diameter)cm x 6.1 (diameter)cm x cm Contributor An entity responsible for making contributions to the resource iain Source A related resource from which the described resource is derived asturiasmap,craftedobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://www.youtube.com/watch?v=m1hV1Oz1jHY Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Rosetón de Oviedo Spatial Coverage Spatial characteristics of the resource. current,43.480178,-5.43423190753304; Date Modified Date on which the resource was changed. 21/09/2025 Identifier An unambiguous reference to the resource within a given context 553 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/dd1874263512f9b9bd35dd080c7f6d55.jpg beba0cc74307ee55ee2d2689c6cb376a Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID LAPONTE_AR_11(02) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pendant in the shape of a "cigua" (back side) Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-05-02 Spatial Coverage Spatial characteristics of the resource. current,43.368135,-5.587614; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Carmen Pérez Maestro Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/e3792ae74a841959a5e777e467060d73.jpg 1321d29cf142332a0d160e8c78983630 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID LAPONTE_AR_11(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pendant in the shape of a "cigua" (front side) Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-05-02 Spatial Coverage Spatial characteristics of the resource. current,43.368135,-5.587614; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Carmen Pérez Maestro Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Jet and silver Natural Cultural Cultural Function The cigua is a traditional Asturian amulet used to protect against the evil eye and negative energies. Creation Purpose For sale Technique Jewellery technique for setting and manual work with mechanical tools for carving and polishing jet. Material Source The jet is local, and the silver is imported Conecept This piece stands out for its use of Jurassic jet, which has been worked since prehistoric times in what is now Asturias. Its origin is ancient, with roots in Mediterranean and African culture Production Quality Unknown External ID LAPONTE_AR_11 Field Worker Carmen Pérez Maestro Craft metalwork Tool She uses manual tools (such as a jeweler’s saw, hammers, and a hand file). For working with jet, she uses dental prosthetic tools that operate with a micromotor, such as diamond discs and tungsten carbide burs. She also uses an electric polishing machine. Place The town or city Barrio de la Roza, Lieres, Siero, Asturias, Spain Prim Media 1319 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pendant in the shape of a "cigua" Type The nature or genre of the resource Physical Object Description An account of the resource Pendant in the form of a closed fist with the thumb protruding between the index and middle fingers, a gesture known as the ‘fig hand’. It is set in a silver mount. Date A point or period of time associated with an event in the lifecycle of the resource 2025 Creator An entity primarily responsible for making the resource 1196 Language A language of the resource Asturian Extent The size or duration of the resource. 1cm x 0.2cm x 0.3cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 599 Source A related resource from which the described resource is derived asturiasmap Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/09/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Cigua Spatial Coverage Spatial characteristics of the resource. current,43.368135,-5.587614; Date Modified Date on which the resource was changed. 08/09/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material 100% linen with multiple weft of non-bleached linen yarn and linen. 10/6 in warp with 3 treads/cm. Hand lathed lamp hold in birch. CE-certified cord in jute. Armatur E14 and plastic outlet. Natural Cultural Cultural Function Pendent lamp/windowlamp, as a interior element for funcional use and as decoration Creation Purpose For exhibitions and sales Technique The pendent lamp is hand woven in loose tabby and gets it’s three dimensional shape from the technique “pulled warp”. Only one seem of the warp connects the shape at the back of the lamp (see image). The fixture which is lathed to the shape of a cone makes the lamp shade hold it’s form. Material Source Linen yarn: Garnhuset i Kinna: garnhusetkinna.se, and Holma Hälsingland Garner.; holma.se, and Klässbols Linneväveri klassbols,se, and Kasthall SWE kasthall.com. Left over yarn from previous projects and local weaving association. Lamp fixture is made of birch from own forest. Electrial components from local store in (Elon) Arvika Conecept The keeping of local crafts traditions, traditional patterns and techniques. The goal is to continue and transfer the traditional expression and give these artefacts a place in the contemporary interior and design context. Applied arts and interior artefacts are made with care and thought about material, sustainability and care towards the environment. Practical sustainability lies in the use of something that can be used in generations. Production Quality 5 lamps woven in total in this model and colourin as of 2024. Each lamp is unique since the technique pulled warp makes each lamp different. External ID RV_AR_12 Field Worker Ulrika Jäger, Sara Olsson Craft fibre and textile crafts,woodwork,other (specify) Tool Counterbalance (floor) loom (Öxabäck), wind a warp, spool rack, lease sticks, warping trapeze, metal reed (30:10), sleying hook, shuttle, scissor, lathe and tools. Place The town or city Brunskog, Arvika, Sweden Prim Media 2232 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pendant lamp "Linen bell" Type The nature or genre of the resource Physical Object Description An account of the resource A light fixture for a hanging lamp with a woven lampshade in 100 % linen. The lamp fixture is lathed in birch. Date A point or period of time associated with an event in the lifecycle of the resource 2021 Creator An entity primarily responsible for making the resource 705 Language A language of the resource Swedish Extent The size or duration of the resource. 30cm x 6–20cm x cm Contributor An entity responsible for making contributions to the resource iain Source A related resource from which the described resource is derived craftedobjects,varmlandmap References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Konsten att väva. En praktisk handbok. Av Åsa Pärson och Amica Sundström. ISBN: 9978-91-7887-085-1 Handbok i vävning. Bindningslära med konstvävnader. Av Ulla Cyrus- Zetterström. ISBN: 91-36-00445-6 Tapestry with pulled warp. INspiration, Technique and the Creative Process. Av Susan Iversen. ISBN: 987-0-7643-5933 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Pendellampa "Linklocka" Spatial Coverage Spatial characteristics of the resource. current,59.6574488,12.890542; Identifier An unambiguous reference to the resource within a given context 555 Date Modified Date on which the resource was changed. 24/03/2026 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Artisan An artisan Contact cc274@st-andrews.ac.uk Author cc274@st-andrews.ac.uk Prim Media 2320 Field Worker Catherine Anne Cassidy Gender female Occupation ceramics Material Description unglazed porcelain ceramic animal figures Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Penny_Woodley Material ceramic porcelain Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Penny Woodley Type The nature or genre of the resource Artisan Language A language of the resource English Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Identifier An unambiguous reference to the resource within a given context 963 Source A related resource from which the described resource is derived artisans Spatial Coverage Spatial characteristics of the resource. current,58.11668204184647,-3.655138492100112; Description An account of the resource Helmsdale Pottery was a distinctive Scottish studio pottery founded in 1973 by David and Penny Woodley in the Highland village of Helmsdale, Sutherland. The pottery became well known for its handcrafted porcelain animal sculptures, especially birds, owls, ducks, puffins, hares, and other wildlife inspired by the rugged Scottish landscape. Penny Woodley was not only a ceramic artist but also an active member of the Helmsdale community, a previous director of Timespan Museum. Together, David and Penny Woodley developed a recognizable artistic style that reflected the wildlife and coastal environment of the Scottish Highlands and gained a loyal following among collectors of British studio pottery. Since their retirement, Helmsdale Pottery pieces remain collectible examples of late twentieth-century Scottish art pottery. Vintage examples regularly appear in auctions, antique shops, and collectors’ markets, admired for their craftsmanship, individuality, and connection to Highland artistic traditions. Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Scotland Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Penny Woodley External Item External Type Physical Object External ID 6349 Archive EULAC Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pequeña máscara de madera - Small wooden mask Type The nature or genre of the resource External Item Artisan An artisan Author iain Occupation woodwork Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Mørk,_Per_Henrik Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Per Henrik Mørk Type The nature or genre of the resource Artisan Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 438 Description An account of the resource An artisan you create landscape models. Source A related resource from which the described resource is derived artisans Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Norway Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Mørk, Per Henrik Artisan An artisan Contact petra.plestenjak@gmail.com Author iain Email The email address of the museum. petra.plestenjak@gmail.com Phone The phone number +386 (0)41 503 749 Prim Media 2086 Biographical Text Petra Plestenjak Podlogar (1963) graduated at the Higher School of Textile Design at the Faculty of Natural Sciences and Engineering in Ljubljana. In 1978 and 1990, she obtained the title of Master of Arts and Crafts in Slovenj Gradec. She has worked as a freelance cultural profession for 17 years. For the last 10 years, carving has been a complementary activity to her other jobs, as it was difficult to make a living from this craft. She started carving as 11 years old child, having been surrounded by her father's drawings and her grandfather's carvings. She enjoyed spending her free time with a chisel in her hands. She carves figures, both human and animal, and ornaments out of wood. She specialises in making models for stamping the "Mali kruhek" - small honey bread from Škofja Loka continuing a family tradition. Petra Plestenjak Podlogar preserves the rich cultural tradition of carving motifs on wooden that models. These designs are not replicas of the old ones made by self-taught and trained carvers from the 18th century onwards - Petra enhances them with her own floral, geometric or figurative ornamentation. Because she does not use any templates, each piece is unique. She also complements her designs with new wood products - bookmarks, wooden wall reliefs with different motifs, built-in furniture panels and greeting cards. The unit "Making small breads and wooden models", of which Petra Plestenjak Podlogar is the bearer, was entered in the National Register of Intangible Cultural Heritage in April 2018, see: http://www.nesnovnadediscina.si/en/register-of-intangible-cultural-heritage/making-small-breads-and-wooden-models She lives and works in Škofja Loka. External ID ZRCSAZU_PR_02 Knowledge Acquisition She started learning carving as a child from her grandfather. She made her first piece when she was 11 years old. She has been carving for more than 50 years. Knowledge Transfer Petra runs decolourisation workshops at the DUO Škofja Loka craft centre, groups of up to 8 people, attended by adults, children and families. She has also had several individual students, including from abroad. During the course, participants make their own product. Field Worker Barbara Ivančič Kutin Gender female Area Relation native Area Reason Resident of Škofja Loka since birth. Occupation woodwork Involvment part-time paid job knowledge1 Carving small items such as small bread models requires, above all, a joy for working with wood, manual dexterity, precision and mastery of technique (working with the chisels, sanding, coating) and a certain sense of aesthetics; it is also necessary to know the properties of the wood, as not all wood is suitable for fine and precise cuts (it must not be broken, layered). material1 The wood most commonly used is pear, which is hard enough, without strong annual lines and knots, and does not break. material2 Sometimes she buys wood (a piece of log or board) from farmers in the area, but most of the wood she uses for her products is waste wood she gets from cabinet-makers because she needs mainly small pieces for his products. material3 There is almost no waste. Sometimes small pieces are turned into decorative items (earrings, pendants) and the useless shavings are thrown into the wood stove. production1 Petra uses exclusively hand carving techniques with various chisels. The basic working parts are made by a joiner: the wood is sliced into plates, basic shapes are cut out, a hole is drilled in the back (for hanging). production2 The basic tools are chisels, a wooden plunger for pounding, and a smoothing paper. The drilling machine she uses to drill holes in the back of the products designed to be hung on the wall. production3 The tools serve as indispensable tools in her carving. She handles the tools very carefully. All the chisels were used by her grandfather, so they are very valuable to her. production4 s. All the work is done by hand; the exception is the drilling of the holes for the hangers, which is done with an electric drill. production5 There is no waste. workshop Petra's carving workshop in one of the rooms in the family house. products1 She mainly makes carved wooden moulds for the so-called "mali kruhek" (honey bread made by pressing dough into hand-carved wooden moulds or shaped and decorated freehand; "Making small breads and wooden models", of which Petra Plestenjak Podlogar is the bearer, was entered in the Register of Intangible Cultural Heritage in April 2018, see: http://www.nesnovnadediscina.si/en/register-of-intangible-cultural-heritage/making-small-breads-and-wooden-models She also produces decorative wooden reliefs, key rings, wooden jewellery (pendants, earrings), bookmarks, and occasionally (on request), inlays for furniture (e.g. wardrobes, chests). products2 Mostly she sells only made-to-order products, otherwise she carves for herself - for her own pleasure and as gifts for friends. products3 A few products are on sale in the handicraft centre's shop and museum shop, but mostly she sells only made-to-order products directly to her clients. products4 Petra makes products (from her carving repertoire) on request. Some of her products can be bought in the museum shop and the handicraft centre shop. products5 Almost never. Sometimes decorative items are rewaxed or coated with lye if they fade over the years. products6 The clients are very diverse, all people, and they all have in common that they like useful or decorative carvings; many of the clients are foreigners. Larger or more complicated pieces require a lot of work and cannot be cheap. Clients commission pieces for special gifts (anniversaries, birthdays, etc.) or as protocol gifts. products7 Her products carry the Art & Craft Slovenia certificate, issued by the Chamber of Craft and Small Business of Slovenia. tourism1 She participates in tourist events in Škofja Loka - carving workshops and baking small bread (which are related) as part of the Škofja Loka - Historical Town. She participates in craft colonies and exhibitions. tourism2 "Najboljši učitelj so lastne napake!" Translation: The best teacher is one's own mistakes. Hrana ni igrača, da bi jo metali stran, zato se mi zdi primerno geslo za medeno pecivo iz modelov, ki ga pečemo na delavnicah, čeprav je lepo: "Poglej in pojej!" Translation: Food is not a toy to be thrown away. That's why the motto for the beautiful honey cakes made from the models we bake in the workshops is: "See and savour" partnership Petra is a member of the DUO Škofja loka Handicraft Centre and is the President of the Škofja Loka Regional Chamber of Crafts and Arts and Crafts Section of the Slovenian Chamber of Crafts and Arts. She cooperates with the Handicraft Centre DUO, and in this framework it and other craftsmen and craftswomen often present themselves together, e.g. at fairs; once a year they have a handicraft colony. She cooperates with the Ethnographic Museum of Slovenia, it has worked with the municipality on the production of protocol dadaril, and is now cooperating with the ZRC SAZU. challenges1 Every new product or new pattern is a new challenge, especially for larger pieces. In the future, she would like to make a smaller chest with inserts for herself, as she has already made for a client, which is a challenge. challenges2 Izdelkov se ne da zaračnati tliko, kot je vanje vloženega dela. V trhgovinah pa so še visoke marže, zato prodajam le v muzejski trgovini in rokodelskem centru, kjer so marže nižje. Products cannot be charged as much as the work that goes into them. And there are still high margins in the shops, so I only sell them in the museum shop and the handicraft centre, where the margins are lower. references http://www.nesnovnadediscina.si/en/register-of-intangible-cultural-heritage/making-small-breads-and-wooden-models https://www.loski-muzej.si/spletni-arhiv-zusl/petra-plestenjak-podlogar/ https://www.kulturnadozivetja.si/rokodelski-center-duo/mojstri-rokodelci/item/28-petra-plestenjak-podlogar.html https://www.obrazislovenskihpokrajin.si/oseba/plestenjak-podlogar-petra/ Social Media The social media links. facebook,https://www.facebook.com/petraplestenjakrocnorezbarjenje; Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Petra_Plestenjak_Podlogar Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Petra Plestenjak Podlogar Type The nature or genre of the resource Artisan Date A point or period of time associated with an event in the lifecycle of the resource 1963 Language A language of the resource English,Croatian,Slovene Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 808 Source A related resource from which the described resource is derived artisans Spatial Coverage Spatial characteristics of the resource. current,46.1664897673265,14.3072256355819; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Slovenia Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Petra Plestenjak Podlogar Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://www.centerduo.eu/mojstri-rokodelci/petra-plestenjak-podlogar/ https://culturality.museum/omeka/files/original/96d0bc3dbfb1e0443e8c63375398d505.jpg ec003e1a58b1e20ec0bbc61883970465 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Petra Plestenjak Podlogar in her workshop (working room in her house) in Škofja Loka Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource xx.xx.2019 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Luka Karlin https://culturality.museum/omeka/files/original/b19f1f0c21733bf88101ce1f55a9045e.jpg 30629191325910b09c2451237ac9adfe Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Petra Pletenjak Podlogar shows her products (carved relief) in her workshop. Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 06/02/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Barbara Ivančič Kutin https://culturality.museum/omeka/files/original/daa41dfd38b0c79787b4f793e83ff864.jpg bdf33dc496e108c9020b53d393293ae3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artisan: Aaron Sterritt Identifier An unambiguous reference to the resource within a given context 2296 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. DescriptionEN English Description A photo of green woodworker Aaron Sterritt. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photo of Aaron Sterritt Type The nature or genre of the resource Still Image Description An account of the resource A photo of green woodworker Aaron Sterritt. Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Spatial Coverage Spatial characteristics of the resource. current,57.527879665731334,-3.6640454886586937; Date A point or period of time associated with an event in the lifecycle of the resource 2026:05:14 15:54:24 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/d1163318ab06fb77aee5667dd4c2672e.png 9b5f9cf7d26747d78bcc753201ede259 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. DescriptionEN English Description A photo of Anja Baak and Jan Jacobs of The Great Glen Charcuterie in Roy Bridge, Scotland. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photo of Anja Baak and Jan Jacobs Type The nature or genre of the resource Still Image Description An account of the resource A photo of Anja Baak and Jan Jacobs of The Great Glen Charcuterie in Roy Bridge, Scotland. Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/png License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Spatial Coverage Spatial characteristics of the resource. current,56.91664222346483,-4.899840397084767; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/9977f823e3dd589c9ea255cdb37b9847.webp 15c1367d6ac75148a0033b6efd954184 https://culturality.museum/omeka/files/original/04c592c73fb44829d26e5d0df57dfcf4.png 3e028f898a2d2284df0b1e148e439324 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Carol Sinclair Identifier An unambiguous reference to the resource within a given context 18 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photo of Carol Sinclair Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Format The file format, physical medium, or dimensions of the resource image/png Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/b237c29119a18dde244081f08e3380ac.png 2cc1019a48e720fb09dcd7bc4da55cb3 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photo of ceramic owl by Two Deer Ceramics by Ursula Hargreaves Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/png License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/26f20e5760a0b8771b26d70eca92c618.png c0efd6d159fb35724b52dee205ac42a8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photo of felted mice by Donna's Crafts Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/png License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/53a1d87f0af375267ed701599e8e7af0.jpg 9172d8c389ae952aa93d48fd1e9c626c Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photo of filming Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg Source A related resource from which the described resource is derived ruralspots,ruralvarmland,varmlandmap License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2024:09:12 11:49:12 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/9f7819c440fb8838ed9e0bd365363708.webp bd81d323b22ae3ecc650f6d5911e79f1 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photo of Gabbie from Wild about Nature Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/8d6789e063725380dd9ed9238e06c02d.jpg 9ddeb57f1b4af3d132effb5e89d37065 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photo of Loch nan Eun made by Suzie Makenzie Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/11feb9002bf872d75fc123bff1d37048.png 7dc9785d7aa419c06dd746a0b56175f9 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photo of Louise Nadin of Ard Beag Ceramics Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/png License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Iona Morrison https://culturality.museum/omeka/files/original/50c03c6ebfe1a4715a4418527400715e.png e277115b28b4bac037c246b04c2f8da6 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photo of Migrating Fieldfares Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/png License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Timespan Museum https://culturality.museum/omeka/files/original/06a920ce69352465cd4e52046e521a83.jpg 8e33edf3363046aeb29ae351eef9c427 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photo of Mike Carter from Englewoodstine Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/ec78ada5e02f702a92973f9b81d53e0d.jpg 870edbcbbb9fcdc1b74d25e0c61cfb82 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photo of Netty Sopata Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/c1027cc1da8db1be1b0cb2ab26000f20.jpg b67d2485597ab532968f661215aa601b Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. DescriptionEN English Description Photo of ceramic artist Patricia Shone Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photo of Patricia Shone Type The nature or genre of the resource Still Image Description An account of the resource Photo of ceramic artist Patricia Shone Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2021:11:17 12:34:24 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/2a333495030d63b2c449eef4796a2b9b.jpg 17e98217fd9eee9d1bd734f3807c1d83 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photo of Sarah Hobbs Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2026:05:15 16:34:19 Spatial Coverage Spatial characteristics of the resource. current,57.19452411349963,-3.8246648013135216; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/ef9d08e767e28882a5acea4db92ce851.webp df3bb2f059242366162323527ca267eb Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photo of Simon Nadin of Ard Beag Ceramics Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/1e79631a14350e280f594dfdf53614d5.jpg 6536256bc7fe5a6acb36566485735cef Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photo of Will Boyd Wallis Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Spatial Coverage Spatial characteristics of the resource. current,57.26554281681665,-3.656897042944192; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Catherine Anne Cassidy https://culturality.museum/omeka/files/original/1e975174b0f17b7561d664b9e0e0eb49.jpg 6cf76833b7c053a4aab267a341d6a102 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. DescriptionEN English Description Žiri. Photo by Matjaž Tavčar. © Turizem Škofja Loka. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photo_1-2.jpg Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain License A legal document giving official permission to do something with the resource. In Copyright (InC) Description An account of the resource Žiri. Photo by Matjaž Tavčar. © Turizem Škofja Loka. Spatial Coverage Spatial characteristics of the resource. current,46.041178689866626,14.113769545219842; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/ce2c1fa815283922072866a0cb5bb5d5.jpg e389fc6bc99ca59007a3a17bbbdef7fb Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photo_2-9.jpg Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2024:03:08 12:27:43 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/fa77a6c1569f1b8a8af6d9f8a5e5b315.jpg 928996f69e5d932d91eb56f0097fc9c5 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Picture of the wooden boat Lykken built in 1939. Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:03 12:16:30 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Julie Therese Sæther https://culturality.museum/omeka/files/original/6deb84ad8352f13c55e6c1918aa3a31f.jpg b9e7331b7efb9ffcef364bb5805a890e Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Picture of the wooden boat Lykken built in 1939. Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:03 12:16:34 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Julie Therese Sæther Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1381 Material Wool, silk, seaweed, tread Natural Cultural Cultural Function For decoration Creation Purpose For exhibition and for sale Technique The object was sown by the artist Material Source From shops and the sea Conecept Close connection to our coastal culture Production Quality The object are not mass produced External ID MN_AR_16 Field Worker Julie Therese Sæther Craft fibre and textile crafts,metalwork Tool Needle, scissors and grapf paper Place The town or city Stokmarknes, Vesterålen, Norge Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Pieces_of_art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pieces of art Type The nature or genre of the resource Physical Object Creator An entity primarily responsible for making the resource 1214,1205 Language A language of the resource Norwegian Extent The size or duration of the resource. 30cm x 20cm x 30cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 643 Source A related resource from which the described resource is derived lofotenmap Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 19/09/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Artwork (kunstverk) Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1728 Material Wool, silk, seaweed, tread Natural Cultural Cultural Function For decoration Creation Purpose For exhibition and for sale Technique The object was sown by the artist Material Source From shops and the sea Conecept Close connection to our coastal culture Production Quality The object are not mass produced External ID MN_AR_17 Field Worker Julie Therese Sæther Craft fibre and textile crafts,metalwork Tool Needle, scissors and grapf paper Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Pieces_of_art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pieces of art Type The nature or genre of the resource Physical Object Description An account of the resource It is a piece of art made from silk and seaweed, it looks like something that came from the sea, only in a softer way. The silk gives the more crunchy looking seaweed a new dimension. Seaweed is soft when in the ocean but on land it dries up. The silk somehow softens it up again. Date A point or period of time associated with an event in the lifecycle of the resource 24/03/2025 Creator An entity primarily responsible for making the resource 1214,1205 Language A language of the resource Norwegian Extent The size or duration of the resource. 30cm x 20cm x 30cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 709 Source A related resource from which the described resource is derived craftedobjects,lofotenmap Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 30/09/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The object don`t have names, but they are of textiles sown by smocking and seaweed. Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1731 Material Wool, silk, seaweed, tread Natural Cultural Cultural Function For decoration Creation Purpose For exhibition and for sale Technique The object was sown by the artist Material Source From shops and the sea Conecept Close connection to our coastal culture Production Quality The object are not mass produced External ID MN_AR_18 Field Worker Julie Therese Sæther Craft fibre and textile crafts,metalwork Tool Needle, scissors and grapf paper Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Pieces_of_art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pieces of art Type The nature or genre of the resource Physical Object Description An account of the resource It is a piece of art made from silk and seaweed, it looks like something that came from the sea, only in a softer way. The silk gives the more crunchy looking seaweed a new dimension. Seaweed is soft when in the ocean but on land it dries up. The silk somehow softens it up again. Creator An entity primarily responsible for making the resource 1205 Language A language of the resource Norwegian Extent The size or duration of the resource. 30cm x 20cm x 30cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 710 Source A related resource from which the described resource is derived craftedobjects,lofotenmap Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 30/09/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The object don`t have names, but they are of textiles sown by smocking and seaweed. Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/da365a084b825d97a0c7a91d45eed425.jpg 98dd9a7d038279856e78b7f33e9a0235 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pillarmo, Asturias, Spain Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg Source A related resource from which the described resource is derived spainfaltriquera License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 2023:06:09 20:30:55 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/f1d616c41fd2e25487c6c41f5f6f05a1.png 3ce8188cabc573c23d05d7284695de36 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pillow Xalda Collection Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/png License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 106 Material Wool Natural Cultural Cultural Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pillow Xalda Collection Type The nature or genre of the resource Physical Object Description An account of the resource Paz Mesa had her first contact with textile crafts through her mother, who taught her how to spin the wool of her own flock of Xalda sheep; a task that she carried out together with her sisters. They later would give the wool already spun to a cousin who was a weaver, for her to make the garments. However, her work as a professional in the field began two years ago, after an eleven-year training period with different national and international artisans. She works mainly with wool, linen and silk: respectful, biodegradable fabrics, committed not only to the environment, but also to the well-being of animals and workers, as well as to the health of the customer. She tries to promote and disseminate more responsible forms of consumption, basing her brand on issues such as sustainability, ecology, territoriality and a circular, ethical and conscious economy. The reverse side of the Xalda Cushion is made with organic Asturian wool in the natural brown tones of the Xalda sheep itself, and the front in a mixture with a warp of the same characteristics, combined with a weft of Extremaduran merino sheep wool hand-dyed with natural dyes in the Paz Mesa artisanal textile workshop. The filling is made of Castilian merino wool with an organic cotton inner cover. The wool was spun in Cuenca in the Wooldreamers spinning mill, which allows small quantities of wool to be processed, facilitating the work of the artisans, and achieving different results as compared to manual processing, which Paz Mesa also practises in other pieces. These small spinning mills contribute to preserving native breeds, craftsmanship and the use of the available resources, since many times the wool is discarded because it cannot be processed as it does not reach the enormous quantities required. The fabric was made by hand on a traditional low heddle loom by the artisan. Creator An entity primarily responsible for making the resource 642 Extent The size or duration of the resource. 40cm x 40cm x cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 84 Source A related resource from which the described resource is derived oneasturiasspain,asturiasmap,craftedobjects,spainobjects Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 14/09/2024 Spatial Coverage Spatial characteristics of the resource. current,43.421367,-5.973356; Date Modified Date on which the resource was changed. 10/06/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://culturality.museum/asturias-spain/ Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1669 External ID LAPONTE_AR_29 Place The town or city Camino de LLusiella 33696 Oviedo, Asturias Craft woodwork Material Bamboo Material Source Local Technique Cut, carved, and polished by hand. Tool Carpenter’s hand planes, gouges, folding knife and sandpaper. Function For smoking Creation Purpose For sale Production Quality 1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pipe Type The nature or genre of the resource Physical Object Contributor An entity responsible for making contributions to the resource Carmen Pérez Maestro Identifier An unambiguous reference to the resource within a given context 688 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Pipa Language A language of the resource Spanish Spatial Coverage Spatial characteristics of the resource. current,43.311381,-5.852013; Extent The size or duration of the resource. 25cm x cm x cm Date A point or period of time associated with an event in the lifecycle of the resource 2025 Description An account of the resource It is made primarily of bamboo, with an elongated design. The main body is a section of bamboo that retains its characteristic nodes. At one end is the mouthpiece, which is narrower, while at the other end, there is a bowl. The bowl is connected to the body by a small curved metal tube, allowing the smoke to pass through. It also features a decorative glass bead. Creator An entity primarily responsible for making the resource 2272 Europeana Specific elements of the Europeana Semantic Elements. Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Galvanized sheet metal Natural Cultural Cultural Function Used for put liquids, such as water and wine. Creation Purpose The artisan makes these objects to sell to customers who seek them out. Technique First, the pattern is transferred to the sheet metal using a pointer and a compass. Then, the sheet metal is cut with special shears. The part is then shaped with a wooden mallet and an iron hammer on an anvil or rounded block. Finally, the die is used to make the necessary seams, folds, or edges. He also uses tin solder to join the parts that make up the pitcher. Material Source specialty shops Conecept It was a practical and sustainable solution, made with durable metal materials before the popularization of disposable plastics. This object is associated with functionality, durability, and local production with the resources available at the time. Production Quality Production is carried out according to demand, the artifacts are made to order. External ID UAVEIRO_AR_04 Field Worker Cristiane Menezes Craft metalwork Tool Scissors, hammer, tin solder Place The town or city Lobão da Beira, Tondela, Portugal Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Pitcher Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pitcher Type The nature or genre of the resource Physical Object Description An account of the resource It is a container with two handles. It is used to store and transport liquids. It can be used for water, wine, milk or any other liquid that you want to store or transport. Date A point or period of time associated with an event in the lifecycle of the resource April 2025 Creator An entity primarily responsible for making the resource 918 Language A language of the resource Portuguese Extent The size or duration of the resource. 25cm x 40cm x 25cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 531 Source A related resource from which the described resource is derived cabeceirasdebastomap References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://old.cm-tondela.pt/index.php/servicos/museu-terra-de-besteiros/investigacao/funilaria https://uniaodasfreguesiastondelanandufe.pt/2022/01/18/museu-terras-de-besteiros/ Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 11/08/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Cântaro Spatial Coverage Spatial characteristics of the resource. current,40.521326,-8.032804; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Black clay of Molelos Natural Cultural Cultural Function It is used to drink liquids in such a way that does not leak through the holes around the artifact. It is necessary to discover the secret of drinking without spilling the liquid. Creation Purpose The jar of secrets is an emblematic piece of pottery, handmade especially in the art of black pottery from Bisalhães and black clay from Molelos. Technique The jar of secrets is made from black clay from Molelos and its shape is achieved using special molds. The clay is molded by hand and the jar is fired in open ovens in the earth (SOENGA), where a reduction firing technique is used to obtain the characteristic black color. The secret of the jar lies in the presence of hidden openings, which allow the liquid to escape unexpectedly. Material Source The potter collects black clay from a local plot of land designated for the extraction of the material. Conecept In the countryside, rural workers used these jugs because they kept the water relatively cool, especially in summer. Production Quality The artisan actively continues to produce this piece, as it is one of the most sought-after items by customers. External ID UAVEIRO_AR_07 Craft ceramics Tool The pitcher of secrets is made with black ckay from Molelos with molds to give it the shape. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pitchers of secrets Type The nature or genre of the resource Physical Object Description An account of the resource It is a decorative clay jug with a trick for drinking water without getting wet. Date A point or period of time associated with an event in the lifecycle of the resource 2025 Creator An entity primarily responsible for making the resource 1858 Language A language of the resource Portuguese Extent The size or duration of the resource. 10cm x 10cm x 25cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 736 Source A related resource from which the described resource is derived craftedobjects,portugalobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://uniaodasfreguesiastondelanandufe.pt/2022/01/18/museu-terras-de-besteiros/ https://www.patrimoniocultural.gov.pt/wp-content/uploads/2025/01/Ficha-MatrizPCI.pdf Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 27/10/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Bilha dos segredos Spatial Coverage Spatial characteristics of the resource. current,40.530278,-8.095556; Date Modified Date on which the resource was changed. 27/10/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/2187aebb641d78393fd0cae8603c4365.jpg 3ec0cb8655eeb9912120792f1d11848b Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID RV_CP_03(02) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Plant dyed yarns, dyed by Therese Henner Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2024-12-06 Spatial Coverage Spatial characteristics of the resource. current,59.6574488,12.890542; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ulrika Jäger, Sara Olsson Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Sweden Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Plaster Natural Cultural Cultural Function Mold for creating a ceramic object Creation Purpose Tool Technique Mold made from a prototype crafted in plastic. Mix the plaster with water in the container. Pour the mixture over the prototype inside a containment box. Allow the plaster to set (harden). Carefully remove the prototype and polish the mold. Material Source unknown origin Conecept It has not been recorded. Production Quality One piece per shape External ID LAPONTE_AR_03 Field Worker Carmen Pérez Maestro Craft other (specify) Tool Mixing container, mixing spatula, plastic prototype, brush or paintbrush, knife, spatula or chisel, containment box. Place The town or city El Valle, Candamo, Asturias, Spain Prim Media 802 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Plaster mould for the Edra collection Type The nature or genre of the resource Physical Object Description An account of the resource Two-piece mould consisting of two hollow pieces that fit together. They are rigid and symmetrical pieces. It is made of plaster. Date A point or period of time associated with an event in the lifecycle of the resource 2020s Creator An entity primarily responsible for making the resource 677 Language A language of the resource Spanish Extent The size or duration of the resource. 10cm x 20cm x 28cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 421 Source A related resource from which the described resource is derived craftedobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://woodic.es/edra-collection/ https://nexodos.art/natalia-suarez-en-re_hacer/ Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Spatial Coverage Spatial characteristics of the resource. current,43.461389,-6.039444; Date Modified Date on which the resource was changed. 05/08/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/c9e7a697b1ea9a9b13ff4f4fdcfb3fb6.JPG 47b5761f796194065156f87ec93c23e1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Object:Plaster mould for the Edra collection Identifier An unambiguous reference to the resource within a given context 745 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID LAPONTE_AR_03(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Plaster mould for the Edra collection vases Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2024-12-03 Spatial Coverage Spatial characteristics of the resource. current,43.461389,-6.039444; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Carmen Pérez Maestro Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Site: Barn Identifier An unambiguous reference to the resource within a given context 929 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Natural Cultural Cultural Field Worker Enrique Meléndez Galán Craft ceramics Prim Media 1086 Material Glazed pottery Creation Purpose Household ware Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Plate Type The nature or genre of the resource Physical Object Description An account of the resource A plate from the Faro Pottery Workshop. The glazed interior features a motif of the páxara, a hybrid creature combining bird and fish, painted in green lines that stand out against the white surface. Additional green and brown lines encircle the central image Subject The topic of the resource Art,PEOPLE,SOCIAL HISTORY Extent The size or duration of the resource. 4cm x 15cm x 15cm Contributor An entity responsible for making contributions to the resource melendezenrique@uniovi.es Identifier An unambiguous reference to the resource within a given context 538 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 13/08/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Plato Spatial Coverage Spatial characteristics of the resource. current,43.53689604607413,-5.634997934103013; Date A point or period of time associated with an event in the lifecycle of the resource ca. 1875/1900 Date Modified Date on which the resource was changed. 13/08/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT ceramic https://culturality.museum/omeka/files/original/0cfa2fe9f27c883c4d0ffd267ff59300.glb 96b18aaa46574d601ad2a818a5fa61e3 3D Object DescriptionEN English Description A plate from the Faro Pottery Workshop. The glazed interior features a motif of the páxara, a hybrid creature combining bird and fish, painted in green lines that stand out against the white surface. Additional green and brown lines encircle the central image Vertices 43131 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Plate Type The nature or genre of the resource 3D Object Description An account of the resource A plate from the Faro Pottery Workshop. The glazed interior features a motif of the páxara, a hybrid creature combining bird and fish, painted in green lines that stand out against the white surface. Additional green and brown lines encircle the central image Date A point or period of time associated with an event in the lifecycle of the resource 2025 Contributor An entity responsible for making contributions to the resource melendezenrique@uniovi.es Format The file format, physical medium, or dimensions of the resource model/gltf-binary License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Identifier An unambiguous reference to the resource within a given context a567ac5ee4684b78978756ee4c0a82f2 Spatial Coverage Spatial characteristics of the resource. current,43.53689604607413,-5.634997934103013; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. 3D Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Universidad de Oviedo Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://sketchfab.com/models/a567ac5ee4684b78978756ee4c0a82f2/embed Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Paula Labrador, Enrique Meléndez y Santiago Rodríguez https://culturality.museum/omeka/files/original/22f0b1cdce35d0b66e692fe54e538623.glb d9d3942606107a24a014eb72219535de 3D Object DescriptionEN English Description Turned wooden plate, almost flat, supported by a round foot. On the underside, the surface features lines as its only decorative motifs Vertices 41575 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Plate Type The nature or genre of the resource 3D Object Description An account of the resource Turned wooden plate, almost flat, supported by a round foot. On the underside, the surface features lines as its only decorative motifs Date A point or period of time associated with an event in the lifecycle of the resource 2025 Contributor An entity responsible for making contributions to the resource melendezenrique@uniovi.es Format The file format, physical medium, or dimensions of the resource model/gltf-binary License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Identifier An unambiguous reference to the resource within a given context ed3b2f1565c6421fa21d8d1a06286f13 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. 3D Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Universidad de Oviedo Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://sketchfab.com/models/ed3b2f1565c6421fa21d8d1a06286f13/embed Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Paula Labrador, Enrique Meléndez y Santiago Rodríguez Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Site: Barn Identifier An unambiguous reference to the resource within a given context 929 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1094 Natural Cultural Cultural Creation Purpose Household ware Technique Wood turning Field Worker Enrique Meléndez Galán Craft woodwork Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Plate Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Plate Type The nature or genre of the resource Physical Object Description An account of the resource Turned wooden plate, almost flat, supported by a round foot. On the underside, the surface features lines as its only decorative motifs Date A point or period of time associated with an event in the lifecycle of the resource 19th/20th Subject The topic of the resource Art,PEOPLE,SOCIAL HISTORY Extent The size or duration of the resource. 7cm x 14cm x 14cm Contributor An entity responsible for making contributions to the resource melendezenrique@uniovi.es Identifier An unambiguous reference to the resource within a given context 542 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 13/08/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Plato Spatial Coverage Spatial characteristics of the resource. current,43.53689604607413,; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT woodworking Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Earthenware clay, glaze (1013 cebex), slipware/engobe (Ballclay+0.5% Coo, 3% Rutil), metal loop Natural Cultural Cultural Function For usage as a plate or for decoration Creation Purpose First made for exhibitions, but are now sold as a product at artisans webshop or at the co-op Arvika konsthantverk. Technique A slab technique where the clay is rolled to about 0.5 cm thickness and a circle is cut. The plate is formed on a dome and the foot is fastned. When the plate is hard as leather it's engoved, and when that in turn dries the pattern is scraped. Two holes are made in the foot to be able to mount the plate to a wall. The plate is dried, burned to 950 degrees, glazed with a transparent glaze and burned to about 1100 degrees. Material Source Clay glaze and engobe from Cebex: www.cebex.se Conecept Thenman has been inspired by different plates form around the world and by patterns from nature. Production Quality About 60/year External ID RV_AR_22 Field Worker Ulrika Jäger, Kajsa Stinnerbom Craft ceramics Tool Modeling board, rolling pin, dome/shape with fabric over, knife, modelling wooden tools, sponge, sgrafitto tool, Place The town or city Lerhol. Edande, Arvika, Sweden Prim Media 1339 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Plate "Anna" Type The nature or genre of the resource Physical Object Description An account of the resource Plate in a brown and beige flower pattern (crocus flowers) for usage as a plate or for decorating a wall. Date A point or period of time associated with an event in the lifecycle of the resource 2023 Creator An entity primarily responsible for making the resource 1225 Language A language of the resource Swedish Extent The size or duration of the resource. cm x 0.5cm x 18 (diameter)cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 614 Source A related resource from which the described resource is derived varmlandmap Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/09/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Fat, Anna Spatial Coverage Spatial characteristics of the resource. current,59.6373482,12.7951043; Date Modified Date on which the resource was changed. 08/09/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/916500cf1ce6a9eb81014dadd20f719c.png 4954efa80b377d78215642525b2a9822 Museum Represents a museum Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Politecnico_di_Torino Social Media The social media links. twitter,https://twitter.com/#!/PoliTOnews;facebook,https://www.facebook.com/politecnicotorino;instagram,https://www.instagram.com/politecnicoditorino; Author iain Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Politecnico di Torino Type The nature or genre of the resource Museum Description An account of the resource The Polytechnic University of Turin (Italian: Politecnico di Torino, abbreviated as PoliTO) is the oldest Italian public technical university. The university offers several courses in the fields of Engineering, Architecture, Urban Planning and Industrial Design, and is consistently ranked as one of the best universities in Italy and in Europe. As of 2023 , it is ranked( QS World University Rankings ) 26th worldwide for Mechanical Engineering, 15th for Petroleum Engineering, 28th for Architecture and is among the top 50 (#45th) engineering universities in the world. Language A language of the resource Italian Identifier An unambiguous reference to the resource within a given context 2 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 04/02/2024 12:00:16 pm Spatial Coverage Spatial characteristics of the resource. current,45.0624082,7.6621398; Source A related resource from which the described resource is derived partnersculturality Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Italy Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Politecnico di Torino Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://www.polito.it/ Landscape Cultural Landscape Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Poljanska_Valley Prim Media 73 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Poljanska Valley Type The nature or genre of the resource Landscape Description An account of the resource The Poljanska Valley spreads along the Poljanska Sora River in the southeast of the Gorenjska region. It is surrounded by the Polhograjski, Škofjeloški, Cerkljanski and Rovtarski mountains. It has around 12.500 inhabitants who live in Gorenja vas, Poljane, Žiri, and smaller settlements or villages. The main employers are the shoe factory in Žiri and the marble quarry in Hotavlje. Inhabitants also work in agriculture (mainly cattle breeding and cheese production), tourism, and small business. The largest town is Žiri at the end of the valley. It has been known for its traditions of shoe- and lacemaking. The shoemaking tradition gave rise to the Alpina factory, which has made a name for itself around the world with sports footwear. Contributor An entity responsible for making contributions to the resource katarina.srimpf@zrc-sazu.si Identifier An unambiguous reference to the resource within a given context 52 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Slovenija Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Poljanska Valley Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://www.poljanskadolina.com/sl/ https://culturality.museum/omeka/files/original/ec0de7a70568872dd66c2ad4215362ee.jpg 5fa7d6705e6e1c896bf7f3977dbd0cf3 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID RV_PR_06(02) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of Bibbi Bengtsson Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-07 Spatial Coverage Spatial characteristics of the resource. current,60.7107258,12.8673235; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ulrika Jäger Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Sweden https://culturality.museum/omeka/files/original/c4cec13283c27c628045cfc66ec504a5.JPG caef2b3e5a5cd9290bd0ade8e5582cad Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID RV_PR_04(02) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of Frej Lonnfors Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2024-11-04 Spatial Coverage Spatial characteristics of the resource. current,59.7265854,13.1227098; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Unknown Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Sweden https://culturality.museum/omeka/files/original/96cdd3c22bd13836edaf7c93bc9e4c8d.jpg b13b1daf3b570e518978cde10d6f14c3 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID LAPONTE_PR_03(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of María Pérez Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-07 Spatial Coverage Spatial characteristics of the resource. current,43.480178,-5.43423190753304; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Carmen Pérez Maestro Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/c1fc6061c2680ab5386a84a980dbd1ef.jpg 31937b3fe13baf6827e60078e2d88860 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID UTARTU_PR_01(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of Monika Hint Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2017-09-17 Spatial Coverage Spatial characteristics of the resource. current,58.321648,25.726901; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Mariana Hint-Rääk Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Estonia https://culturality.museum/omeka/files/original/a7d765d6ab30670a4e5cdcd07a395d52.jpeg da554a5564a87f5a68a5efba4f21ea5d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. DescriptionEN English Description Thomas Salzer sits at his potter's wheel in his home studio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of Thomas Salzer Type The nature or genre of the resource Still Image Description An account of the resource Thomas Salzer sits at his potter's wheel in his home studio. Contributor An entity responsible for making contributions to the resource Stefan Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Medium The material or physical carrier of the resource. Cropped photo Date A point or period of time associated with an event in the lifecycle of the resource 2026:05:18 16:04:33 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Stefan Barkman Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Black clay of Molelos Natural Cultural Cultural Function To roast portuguese chestnuts directly on the embers. Creation Purpose For sale. Technique To make a portuguese chesnut roaster, the potter first prepares the clay, a process that includes kneading the clay to remove bubbles and impurities and leave it with a smooth consistency. Next, the clay is shaped on the potter's wheel, using the hands to give the chesnut roaster the desired shape. After shaping the piece, it is left to dry slowly, before being placed in the kiln. Material Source The potter collects black clay from a local plot of land designated for the extraction of the material. Conecept For over a thousand years, shepherds and woodcutters have used bonfires to keep warm and roast chestnuts. In northern Portugal, between All Saints' Day (1 November) and St. Martin's Day, traditional magustos are held, festivals where roasted portuguese chestnuts are eaten and jeropiga (sweet wine), new wine or água-pé are drunk. In autumn, it is common to see chestnut sellers roasting them in iron or clay machines and selling them in paper cones, spreading a characteristic and irresistible aroma. Production Quality The artisan actively continues to produce this piece. External ID UAVEIRO_AR_30 Craft ceramics Tool Potter's wheel and finishing tools. Place The town or city Molelos, Tondela, Portugal Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Portuguese_chesnut_roaster Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portuguese chesnut roaster Type The nature or genre of the resource Physical Object Description An account of the resource Round clay pot with high sides and handles on both sides. The bottom of the pot is perforated so that the embers remain in close contact with the chestnuts without burning them. These black clay roasters are highly resistant and retain heat for longer, allowing you to roast chestnuts to perfection. Creator An entity primarily responsible for making the resource 1858 Language A language of the resource Portuguese Extent The size or duration of the resource. 4cm x 40cm x 25cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 744 Source A related resource from which the described resource is derived craftedobjects,portugalobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://uniaodasfreguesiastondelanandufe.pt/2022/01/18/museu-terras-de-besteiros/ https://www.patrimoniocultural.gov.pt/wp-content/uploads/2025/01/Ficha-MatrizPCI.pdf https://www.youtube.com/watch?v=W3FS07QYpD0 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 27/10/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Assador de castanhas Spatial Coverage Spatial characteristics of the resource. current,40.530278,-8.095556; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Wool of Finnsheep, Gotlandsheep and Leichester sheep. (Also glas cylinder but it's not crafted) Natural Cultural Cultural Function Pot for flower arrangements/potted plants Creation Purpose Sales Technique Wet felting Material Source Wool: Åddebo ull; addeboull,com. Glas cylinder: Våxtorps korgar; www.vaxtorpskorgar.se Conecept She's not making pots in tradition. This is part of Carina Höglund's experiments with the different usages of the wool and trying to find alternatives to clay pots. Production Quality Carina never makes two identical pots, and about ten pots/year External ID RV_AR_06 Field Worker Ulrika Jäger, Sara Olsson Craft fibre and textile crafts Tool Plastic bubble wrap, floor foam, dish soap, olive soap, water, splash bottle, wooden rod, textured rolling pin, scissors, Place The town or city Skacksjö 13, Östra Ämtervik, Sweden Prim Media 1055 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pot Type The nature or genre of the resource Physical Object Description An account of the resource A felted pot that's wet felted with a glas cylinder placed inside, so it can function as a water tight pot for e.g. a plant or a flower arrangement. Date A point or period of time associated with an event in the lifecycle of the resource 2019 Creator An entity primarily responsible for making the resource 701 Language A language of the resource Swedish Extent The size or duration of the resource. 26cm x 15cm x 0.8cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 449 Source A related resource from which the described resource is derived craftedobjects Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Kruka Spatial Coverage Spatial characteristics of the resource. current,59.729006,13.322161; Date Modified Date on which the resource was changed. 05/08/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/c7c80f9aec83c35310d9fc59dc200f12.jpg a41135d03c03bb8ae4da9d3a6b184dbb Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID AAS_AR_01(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Potter's wheel at Borgh Pottery Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-06-04 Spatial Coverage Spatial characteristics of the resource. current,58.41727124,-6.43581648346618; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Netty Sopata Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Scotland Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1155 Natural Cultural Cultural Function When the machine is turned the wheel spins and a potter 'throws' clay into the centre of the wheel. The potter then shapes the clay using the speed of the wheel to create energy and force to do so. Creation Purpose Functional tool for potters. Technique Factory production Material Source Unknown Conecept This artefact facilitates the the throwing of pots. After her hands, Sue (AAS_PR_001) acknledged that the Potter's Wheel was the second most important tool that she used. Production Quality Mass production by Podmore and Sons External ID AAS_AR_01 Field Worker Netty Sopata Craft ceramics Tool Factory Production Tools Material Wood. Metal.Plastic. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Potters Wheel Type The nature or genre of the resource Physical Object Description An account of the resource A 'Potters Wheel' used to throw clay to make pottery. Powered by electricity. Date A point or period of time associated with an event in the lifecycle of the resource Unknown Creator An entity primarily responsible for making the resource 234 Language A language of the resource English Extent The size or duration of the resource. 150cm x 100cm x 75cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 561 Source A related resource from which the described resource is derived tools,scotlandobjects,highlandandislands Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 30/09/2025 Date Modified Date on which the resource was changed. 28/10/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT External Item External Type Physical Object External ID 1410 Archive CINE Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pressing Iron Type The nature or genre of the resource External Item https://culturality.museum/omeka/files/original/bd7e05daa1ac286071181ab8fcc3926d.jpg c7fc41b4e147d6acde357275622b2ee2 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID AAS_AR_03(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pugmill Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-06-04 Spatial Coverage Spatial characteristics of the resource. current,58.41727124,-6.43581648346618; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Netty Sopata Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Scotland Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1160 Material Metal and Wood Natural Cultural Cultural Function To blend and kneed clay for potters Creation Purpose A functional tool for potters Technique Mass produced in a factory Material Source Unknown Conecept It is a tool that faciltates faster and ahigher quality of procustion in a a potter's studio. Production Quality Mass production External ID AAS_AR_03 Field Worker Netty Sopata Craft ceramics Tool Factory production tools Place The town or city Borgh Pottery, Isle of Lewis, Scotland Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Pugmill Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pugmill Type The nature or genre of the resource Physical Object Language A language of the resource English Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 563 Source A related resource from which the described resource is derived tools,scotlandobjects,highlandandislands Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 19/08/2025 Spatial Coverage Spatial characteristics of the resource. current,58.41727124,-6.435816483466189; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: University of St Andrews Identifier An unambiguous reference to the resource within a given context 4 Intangible State of the practice thriving Prim Media 114 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pulled Warp Type The nature or genre of the resource Intangible Extent The size or duration of the resource. x x Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 487 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 24/07/2025 Date Modified Date on which the resource was changed. 28/07/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. University of St Andrews https://culturality.museum/omeka/files/original/b5de1cc5c92f766ddb2ab2e2d59ec83a.mp3 5554c4b558aefe4d0f8fcb36e60cabe8 Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pulled warp Type The nature or genre of the resource Sound Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource audio/mp3 Source A related resource from which the described resource is derived ruralspots,ruralvarmland,varmlandmap License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. SOUND Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Region Värmland Identifier An unambiguous reference to the resource within a given context 8 Rendition Prim Media 966 State of the practice thriving Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Pulled_warp Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pulled warp Type The nature or genre of the resource Rendition Extent The size or duration of the resource. x x Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 505 Source A related resource from which the described resource is derived ruralspots,ruralvarmland,varmlandmap Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 05/08/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT External Item External Type Physical Object External ID 1505 Archive CINE Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Quernstones (for manual rotation) Type The nature or genre of the resource External Item