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This will often be the same URL as given in europeana:isShownBy. https://culturality.museum/galleries/upload/UNIOVI_PR_09_16_.MP4 Artisan An artisan Author iain Prim Media 1577 Biographical Text Marina Pérez Rodríguez was born in 1992 in Pruvia, a village in the municipality of Llanera (Asturias). She spent her childhood in the countryside, on her grandparents’ organic farm. They were pioneers in introducing organic horticulture in Asturias, and Marina spent much of her time there.She studied Fine Arts at the University of Salamanca, where she met Rodrigo. The couple later moved to Pontevedra and eventually settled in Oviedo, where they worked in the tourism sector. In 2018–2019, they moved to Tene, in the municipality of Quirós. It wasn’t a planned decision—they were looking for a rental home in a rural area and found a reasonably priced house there. Their first child, Antón, was born in Tene, and Marina began developing her craftwork in the textile sector. A few years later, they acquired their current home: a cabin on a large mountain estate, where they raise a flock of xalda sheep. Marina lives there with her family, cares for her children, and pursues a lifestyle based on craftsmanship, self-sufficiency, and harmony with the natural environment. In 2022, after the birth of her third child, Marina attended a course for women entrepreneurs in rural areas, organized by Camín Real de la Mesa, the local development agency for the region that includes Quirós. This course was the seed for her project and the business model she has developed as a craftswoman. Until then, she had been spinning her own wool at home, but she began outsourcing the spinning to a mill. Her production was very small, and she was still in a learning phase. Today, her work as a textile artisan has become well established, and she produces a variety of products under her brand La Flor Cerval. External ID UNIOVI_PR_09 Knowledge Acquisition Marina did not come from a family tradition of working with wool. It was her sister who received an old spinning wheel from Germany as a gift from someone she had cared for. Shortly after, she gave it to Marina, and that marked the beginning of her experimentation with wool. Although Marina knows that her great-grandmother used to spin wool by hand in her village—like many rural Asturian women did until not so long ago—she never saw her grandmother spin. There were no sheep at home, nor was wool ever worked. She learned to knit thanks to her grandmother, her mother, and her stepmother. The latter, daughter of Spanish emigrants in Switzerland, taught her different ways of working with yarn, and Marina gradually developed her own technique. As a child, she remembers seeing sheep in nearby fields and feeling a special fondness for them. Being born in a rural area, in a family deeply rooted in their place of origin—Pruvia, in the municipality of Llanera—allowed her to be in close contact with traditional culture and agriculture from a very young age. Her relationship with older people also gave her valuable knowledge that later proved useful, both in her hometown and in the village where she now lives, Tene. One of the reasons she began her craft was motherhood. After having her three children, she started knitting clothes for them and wanted to make use of the wool from the sheep they raised—a flock of xalda sheep, a native breed of Asturias. Her craft emerged naturally at home, alongside other domestic and farm tasks. Her learning process was based on experimentation and sharing experiences with other knitters. For Marina, the satisfaction of creating her own garments from the raw material she produces is deeply meaningful—wearing something she has long desired, and making clothes for her children, is a source of pride and fulfillment. Knowledge Transfer Marina has received several proposals to lead workshops, both from associations and individuals, and she has conducted a few of them. However, she does not have a dedicated workspace, which means she would have to use her home. If she had access to a suitable venue, she would be open to organizing short courses—for example, on sock knitting. Nevertheless, her focus is currently more on production than on teaching. She has not delivered formal training, nor specific courses aimed at other artisans, and she has never had apprentices. Still, if she had an appropriate space to host workshops, she wouldn’t rule out the possibility of offering training related to the world of wool. That said, teaching is not her main goal. She believes her potential audience should be young people interested in learning to knit by hand with needles, and who would then apply the technique at home. In contrast, she considers learning to spin wool from one’s own flock to be more complex and impractical for most people. Field Worker Santiago Rodríguez Pérez Gender female Area Relation incomer Occupation other (specify),other (specify) Involvment part-time paid job knowledge1 Great technical skills or knowledge are not required—what matters more is sensitivity toward what you produce, the environment, and its meaning. For Marina, understanding and caring for the landscape, the role of small livestock such as sheep, and an awareness of biodiversity and grazing animals are essential. It’s not just about using resources to clothe people, but also about how to continue caring for the landscape. It’s less a technical skill and more an ethical commitment to the land, culture, biodiversity, and the value of craftsmanship as a way to improve people’s lives. material1 The primary material Marina uses for her creations is wool from xalda sheep. Almost all the wool she works with comes from this native Asturian breed, as she believes that without it, her project would lose its meaning. She also uses some natural dyes, although she mainly works with raw sheep wool. No other additional products are used. For labeling, she uses string and paper, and her creations do not require plastic packaging or synthetic materials. Xalda sheep wool is very rustic and tough. For Marina, its high resistance is an advantage. There is no standardized production of wool from this breed, nor are there classifications in terms of quality (such as fine or medium-grade). That’s why she and her team decided to work in their own way. One of the main strengths of xalda wool is its rustic nature. While the market today tends to favor the fineness of fibers—measured in microns—Marina finds it valuable to have diversity in fiber types, and appreciates having access to a coarse, durable, and resilient material like the wool provided by xalda sheep. Historically, Spain has used merino sheep wool, which came in various grades: fine wool, often exported, and medium-grade wool, used domestically. In Asturias, wool from native sheep breeds was also traditionally used. For Marina, it’s important to highlight and give value to this material. While many customers may not pay attention to the origin or type of wool, her goal is to connect with an audience that appreciates the quality of native and locally produced wool. Xalda sheep produce wool in three colors: dark brown, white, and cardina (gray). The latter is especially prized and is obtained through careful selection of the fleece. The main colors she works with are gray, brown, and white. Most of the wool produced is black, while white wool accounts for about 20% of the total. material2 Marina sources part of the wool from her own sheep, and another part from xalda sheep breeders. These are medium-sized farms raising native sheep, located across various areas of Asturias, including the municipalities of Quirós, Teverga, Gozón, and Belmonte de Miranda. Each farm typically has at least 60 animals. The native sheep breed of Asturias is known as oveya xalda, a variety that was once on the brink of extinction. This is due to its rustic nature, low meat and milk production, and coarse wool. However, the breed has seen a recovery in recent years, and Marina and Rodrigo chose it as the foundation for their project. Among its advantages are its adaptability to mountainous terrain, ease of lambing, and minimal need for veterinary care. According to local residents, flocks of xalda sheep were common in the area in the past. Marina receives the wool as a gift and does not pay for it, since for the farmers it is considered a byproduct of meat production. She usually attends the shearing sessions in person, selecting and weighing the wool on site. Although she offered to pay for it, the farmers preferred to give it away, as they saw it as a nuisance. Some used to burn it, while others simply threw it away. Collecting small amounts of wool from smaller farms is not cost-effective. Moreover, the spinning mills Marina works with—such as minimills like Wooldreamers—do not accept small batches, so she must gather a significant quantity of raw material before sending it for processing. In the past, wool was more valuable than lambs, but today the situation is reversed. The traditional figure of the wool buyer no longer exists, and while wool used to be purchased directly from the shearer, nowadays it is barely collected. This is the reality in Asturias, and wool is also facing a difficult time in other parts of Spain. material3 Marina generates very little waste from her work, both in spinning and knitting. The leftovers from spinning are reused, for example, as cushion filling. There are no surplus materials that require special management. The only residuals she receives are the unspun wool scraps returned from the spinning mill, which she plans to use as padding for garments. production1 The first step in the process is shearing the sheep’s wool. In the beginning, Marina sheared her own sheep using scissors, manually selecting the best parts of the fleece. At first, she did it by hand, then with an electric blade. As her flock grew, she had to rely on a professional shearer—she could only shear three sheep a day, and with her family responsibilities, it became unmanageable. In Asturias, there are several professional shearers, and one of them now handles the shearing of her flock. Marina also visits other farms during the shearing season to select the wool on-site. Wool selection is perhaps the most labor-intensive part of the process, along with knitting: collecting the wool from farms, transporting it, and sorting it. Only part of the fleece is usable, as some sections are damaged or dirty—up to 50% of the raw material is discarded. During the spinning process, after washing and carding, there is an additional loss of 40–50%, due to dirt, short fibers, or material left behind in the washing vats. The next step is washing the wool to remove all residues and part of the lanolin. Initially, Marina washed the wool by hand, but over time she began sending it to professional wool washers. She started working with facilities in Val de San Lorenzo (León, Spain), a town with a long tradition in the wool textile industry dating back to the 19th century. However, she needed to gather a large volume of wool to make shipping worthwhile. In recent years, she has been working with Wooldreamers, a spinning mill in Cuenca (Spain) that handles the entire process: washing, carding, and spinning. They send her the finished yarn, ready to work with. Marina has been affected by the decline of Spain’s wool processing industry, which has nearly disappeared. Over the past 50 years, most small-scale wool washing facilities have closed, along with many spinning mills and textile factories. Nevertheless, some small-scale projects have emerged, such as Dlana (https://dlana.es/nosotros/). Marina designs many of her pieces herself, based on her personal needs (shawls, jackets, etc.). She then continues with the production of garments and items such as wool toys. Her main technique is hand knitting with needles, through which she creates a wide variety of items: socks, sweaters, jackets, dolls, and more. To speed up production, she sometimes works with knitting workshops, to which she sends her raw material. She also has a knitting machine (tricotosa), which helps her produce more efficiently. In the past, the municipality of Quirós had more than 20 traditional wool looms, owned by individual women who practiced the craft at home. However, this domestic trade has completely disappeared. production2 Marina uses a variety of tools in her work. When she spins wool herself, she uses a manual carder and a wooden spinning wheel. For winding skeins of wool—cadexos, in Asturian—she uses a manual wooden swift. She also owns traditional hand-spinning tools, such as spindles and old spinning wheels, but rarely uses them because they significantly slow down the yarn-making process. Her knitting needles are partly inherited from her grandmother and partly purchased. Nowadays, it’s easy to find needles of all kinds, suitable for various types of wool work, thanks to the global resurgence of knitting. Initially, she used the long, thin needles that were common until a few years ago. Now, she mostly uses circular needles—shorter and connected by a cable—which can be held comfortably with the fingers. She also uses short needles specifically for knitting socks. There is a wide variety of knitting needles available, depending on the item being made (socks, sleeves, large pieces, etc.). These tools can be found in local yarn shops or haberdasheries. Marina also owns a knitting machine—a tricotosa—which she bought second-hand online. It’s a valuable tool that helps speed up production. One of the most appealing aspects of working with knitting needles is the flexibility it offers: she can knit anywhere, even while tending to animals in the pasture. This task is easily compatible with other daily activities. However, many machines have now been incorporated into knitting work, and some tasks—like yarn production—have been outsourced. Doing the entire process by hand is not economically viable, as the final sale price would be too high. In traditional systems, this was sustainable because women worked continuously and unpaid in their homes, producing gradually to meet their needs and fulfill orders, but at extremely low costs. production3 These are simple tools, but they offer many possibilities. For Marina, one of the great advantages of knitting tools is that she can work outdoors while caring for her children or tending to the animals. A pair of simple wooden needles allows for countless creative possibilities, anywhere. She can even knit while breastfeeding her youngest child. For her, it’s essential to be able to take her work anywhere and to create different pieces without relying on heavy machinery or a large workshop. production4 Her main source of energy is manual labor. However, for certain processes, she requires electricity, which she obtains from a solar panel installation with battery storage. The six solar panels, along with the batteries, allow them to power all aspects of life in the house: lighting, cooking, and appliances such as the washing machine, refrigerator, and freezer. To heat both the workshop and the house, they use a wood-burning stove, which also serves as a cooking appliance. production5 The waste generated by Marina through her knitting work has minimal environmental impact. The discarded wool can be used as fertilizer. The spinning mills she works with, such as Wooldreamers, do produce some waste, including the water used to wash the wool and remnants from the processing. This company has a waste management program in place. While the waste is not hazardous, it includes dirty water from washing vats, yarn scraps that are too short to be used, and similar materials. Marina requests that the factory send her both the spun yarn and the leftover material. She repurposes the latter as cushion filling, among other uses. In the future, she plans to use felted wool for padding vests or creating garments with interior insulation. Companies like Wooldreamers, where Marina processes her material, are working toward circularity and waste recovery, including initiatives such as producing fertilizer pellets from wool. workshop Marina’s workshop is located in her own home, an old two-story cabin situated nearly one kilometer from the village center of Tene (Quirós). These types of cabins are typically found away from towns, in grazing areas for livestock. They usually have two floors: the lower level was traditionally used as a stable for animals, and the upper level for storing dry grass and winter fodder. Marina and Rodrigo have adapted the cabin into a home, keeping the lower floor as a stable for their sheep. The upper floor has been converted into a living space with a kitchen, living room, bedrooms, and a bathroom. Marina’s workshop is set up in one area of the living room, where she stores her tools and wool. In the attic, she keeps raw materials, yarn, and finished products in plastic boxes (to protect them from moths), ready to be sold. The workshop is warm and welcoming, fully integrated into the home and shared with the rest of the family. From her workspace, Marina can keep an eye on her children and watch them play. products1 Marina produces knitted garments made from her own raw material: wool from xalda sheep. She is not a textile designer; her designs have mostly emerged from the need to meet her personal requirements. That’s how items like bonnets for her children, shawls, and jackets came to be. She believes that, as in traditional contexts, garments should serve a clear purpose—something that is being lost today. Nowadays, we can easily buy clothes in stores or large retail chains, but for living in a rural environment like hers, traditional clothing used to meet specific needs. While she values aesthetics, practicality is her priority. For example, she designed her jackets to be open, suitable for transitional seasons, and comfortable for breastfeeding. Each garment was designed based on her own needs and what she considered most versatile. Among many other items, she produces: •Raw wool yarn in three natural colors, as well as skeins dyed with natural pigments •Children’s socks •Bonnets •Shawls •Jackets •Woolen toys and dolls for children products2 The main objective of all this production is its sale, either directly or through local marketing channels aimed at consumption. It is one more activity within their farm, complementary to sheep livestock production. products3 He has an online store, which is one of his main sales channels. He also attends traditional craft markets and Christmas fairs. In the latter case, he highlights the LabShop market in Gijón, where he sells a significant portion of his products. Although some customers have occasionally come to his home to buy directly, this is not common practice. He also distributes his products to a few local shops, which sell them to the public. He does not have a physical store at home or a space open to the public. At one point, he tried to find a location in the village to open a workshop and a store, but due to tourism and rising prices, it was impossible. Most premises are either sold or rented to outsiders, making it unfeasible. Nevertheless, he would like to have a sales point in the village. products4 She has also considered offering weaving workshops, but the situation is not easy. Firstly, because her workshop is very small — it is located in her own home — and not easily accessible: it is 1 km on foot from the center of Tene, along an unpaved track with a 200-meter elevation gain. She has conducted some workshops and courses, but the lack of a suitable space and limited availability of time have made it difficult. She could host workshops at her home, but finds it exhausting, as she would have to act as a host and prepare her house for visitors. Currently, she is more focused on textile production than on offering workshops. products5 Yes, she even receives orders by mail for garments that need repairs. She fixes them and sends them back. For her, maintaining a certain closeness with the consumer is important—something that a label or certification cannot provide. If there’s a problem, customers can communicate it directly. She considers direct contact with the client essential. Unlike a conventional store—although she does have a website and an online shop—she also offers a more personalized service based on trust. products6 She has all kinds of clients, both local and international. However, her audience tends to have a special interest in organic and locally sourced textile products, values artisanal work, and is willing to pay a relatively high price for it. Many customers discover her through social media. Marina mentions Instagram as an important showcase where she presents her products and communicates her philosophy. She also sells a lot at craft markets, but many people already know her beforehand and are looking for a specific product. It’s less common for her to sell to strangers at these markets, as most people go directly to her knowing what they want (pp. 17, 26). Generally, customers come specifically looking for her products, which they’ve usually discovered through social media. Although she hasn’t conducted a formal market study, she has identified several customer profiles. One group consists of women aged 50 to 60 who enjoy knitting. Older women tend not to buy her wool, as they associate it with a rural or impoverished past. Most of her buyers are women; male customers are rare. Many clients also seek garments that reflect a commitment to the environment, sustainability, or the preservation of traditional landscapes. products7 She does not have any label or certification that guarantees the quality of her product. She believes these may be useful in large-scale commerce, but not for a small producer—they simply don’t make sense to her. What matters most is the level of trust built with the people who buy from her, through direct contact with the consumer. She doesn’t see the need to use labels on her products, as her customers usually know her beforehand and are already familiar with the production process (entirely carried out in Spain with locally sourced materials), so a label or certification wouldn’t add much value. However, the spinning mill she works with for wool yarn production (Wooldreamers – https://wooldreamers.com) does have OEKO-TEX certification. She also doesn’t hold an artisan license or accreditation, as artisanal work is just one aspect of her life. At home, she also carries out other rural tasks, such as tending to her flock of sheep, maintaining a vegetable garden, and more. Nevertheless, she is registered as a self-employed worker. tourism1 She does not participate in activities directly related to tourism and, in fact, is somewhat reluctant to do so. Although she has considered it on several occasions (p. 23), her previous experience in customer service was not positive. In her former job at a hostel located in an apartment in central Oviedo—where she managed bookings, cleaning, and room service—she experienced firsthand what working with the public entails, and it was not something she enjoyed. She acknowledges that many people enjoy new experiences, but in her case, she finds it difficult to organize activities to entertain visitors, as well as to market them. In her experience, knowledge has traditionally been passed on without any economic transaction, and she believes that the most valuable information she received was given freely. She also feels that many of the people who attend the occasional workshops she offers are unlikely to use a spinning spindle again; they participate for entertainment, often with little genuine interest. For this reason, she does not find it fulfilling to offer activities focused on the tourist experience. She is not opposed to tourism, but she also recognizes that it often leads to issues such as gentrification and limited access to housing for young locals—especially due to second homes being purchased by foreigners. Her main activity is the production of sheep wool yarn and the creation of garments made from it, and this is the work she finds most satisfying. tourism2 “Yo no estoy en contra del turista. Eso ya ye un aporte. Mejor algo de vida que ninguno. ¿Qué pasa, qué lado oscuro tiene esto? Que las casas se revalorizan, nosotros tenemos que vivir aquí [en la cabaña] pero no nos hubiéramos podido permitir comprar una casa en el pueblol, lo que sería lo normal. ¿Por qué? Porque unos chavalinos de veinte y cuatro, veinte y cinco, que eran los años que teníamos cuando vinimos aquí, nunca van a poder pagar el estándar de precios de uno que viene de Madrid, o de Holanda. Me parez que el 40% de las casas de los pueblos véndense a extranjeros. Porque ellos pueden pagalo. ¿El turismo qué hace? Subir los precios, subir el pan. partnership She does not belong to any artisan group or association. While she maintains relationships with others in her field, these are not through any formal platform. Through her work, she also has strong professional ties with breeders of Xalda sheep, from whom she sources her raw material. She collaborates with various companies and artisans. One of the most significant partnerships is with the Nuedu project (https://nuedutextiles.com/), led by artist Irene Trapote (https://laboralcentrodearte.org/es/residentes/irene-trapote-5/), to whom she supplies wool for different artistic proposals as well as for handmade garment production. She also provides wool to artisan Denise Ochoa, who runs the project “Boriando Knits” (https://www.instagram.com/boriando.knits/). Another ongoing collaboration is with dye artisan Almudena Cerezo, a Navarre native based in Galicia, who leads the project Materia Botánica (https://materia-botanica.com/about ; https://www.instagram.com/materiabotanica/). This project explores the possibilities of natural dyeing using waste materials, agricultural residues, and plants. Their collaboration involves creating a scarf made from her wool, dyed with natural pigments. She is also working on a proposal with the Basque brand Boinas Elosegui (https://www.boinaselosegui.com/), for whom she is developing yarn with a specific thickness required to produce a medium or small batch of berets made from Xalda sheep wool. She has received collaboration offers from well-known fashion brands in Spain, but has declined some of them, as she couldn’t find a way to align her vision of wool craftsmanship with the commercial approach of those brands. In some cases, the brands contacted her through their marketing departments, showing particular interest in her image and in becoming part of the universe she has created around her work. Regarding public institutions, she has collaborated with the Ethnographic Museum of Quirós and with La Ponte Ecomuséu. She has also worked with local councils, such as those of Quirós (where she lives) and Grau/Grado, participating in craft fairs like the La Flor festival (Grau/Grado). Although she hasn’t established formal collaborations with academic institutions, she has worked with PhD students. challenges1 One of the biggest challenges is the crisis in Spain’s wool processing industry. There are hardly any washing facilities or spinning mills that work with small quantities of wool. The Spanish textile industry is currently in decline, and this affects her ability to collaborate with companies and process raw materials. As a result, costs for small producers are very high. To process a small amount of wool (in three colors), each color is treated as a separate batch, which increases the cost significantly. Producing wool from Xalda sheep is particularly expensive, and this impacts the final price for the customer. Although she has a large amount of raw material, the cost of processing makes the final product more expensive. Another major challenge is the housing crisis and the effects of tourism, which prevent many young people like her from accessing affordable rentals or reasonably priced homes in rural areas. In recent years, they have had to compete with people from across Europe, which has significantly driven up housing prices. Additionally, she faces the typical challenges of rural life, such as limited access to basic services. challenges2 [Speaking about idealizing rural life] ¡Idealizándola también! ¡Hay que tener una sobredosis de enamoramientu pa hacer frente a las dificultades! [of living in a village] references Álvarez, B. (2022, november 17). Lana de oveya xalda para vivir en Quirós. La Voz del Trubia. https://lavozdeltrubia.es/2022/11/17/lana-de-oveya-xalda-para-vivir-en-quiros/ Cabellos, T. (2023, november 16). Marina Perez of La Flor Cerval on Valuing Xalda Wool. Love Wovember. https://lovewovember.com/marina-suarez-of-la-flor-cerval-on-valuing-xalda-wool/ Continente, G. (2024, november 9). La Flor Cerval: Un proyecto textil que reivindica la producción sostenible y la vuelta a los orígenes. Vogue España. https://www.vogue.es/articulos/flor-cerval-proyecto-sostenible González, A. S. (2023, september 19). Lana que teje territorio. El Comercio. https://nuestrocampo.elcomercio.es/lana-que-teje-territorio/ Harabagiu, R. (2024, november 28). La Flor Cerval: Abrazando la simplicidad en la montaña. Raluca Harabagiu Blog. https://ralucaharabagiu.com/marina-perez-historia-de-la-flor-cerval/ Hidalgo, M. (2022, december 22). Marina Pérez, La Flor Cerval. Poner en valor la lana Xalda. Fusión Asturias. https://fusionasturias.com/asturias-empresarial/empresarios/marina-perez-la-flor-cerval-poner-en-valor-la-lana-xalda.htm Liedo, C. (2022, october 31). Producir hilo de lana de oveja xalda de forma industrial, el hito de una emprendedora de Quirós. La Voz de Asturias. https://www.lavozdeasturias.es/noticia/asturias/2022/10/26/producir-hilo-lana-oveja-xalda-forma-industrial-hito-emprendedora-quiros/00031666807278320435715.htm Social Media The social media links. facebook,https://www.facebook.com/people/laflorcerval/100088367524821/;instagram,https://www.instagram.com/la.flor.cerval/; Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Pérez_Rodríguez,_Marina Shop https://www.laflorcerval.com/tienda Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marina Pérez Rodríguez Type The nature or genre of the resource Artisan Date A point or period of time associated with an event in the lifecycle of the resource 1992 Language A language of the resource Asturian,Spanish Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 672 Source A related resource from which the described resource is derived artisans,asturiasmap Spatial Coverage Spatial characteristics of the resource. current,43.2049206177269,-5.993868917107711; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. 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Title A name given to the resource Different stages of basketmaking Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-07-12 Spatial Coverage Spatial characteristics of the resource. current,43.2852,-5.9837; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Sofia Gonzalez Sandoval Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/be087231cff2b0dc541b7c6268a29a90.jpg c5590c6e4e198217ff40db39c058a56f Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID LAPONTE_PR_10(02) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Different stages of basketmaking Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-07-12 Spatial Coverage Spatial characteristics of the resource. current,43.2852,-5.9837; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. 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Title A name given to the resource Different stages of basketmaking Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-07-12 Spatial Coverage Spatial characteristics of the resource. current,43.2852,-5.9837; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Sofia Gonzalez Sandoval Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/84fe63dbc6a860182446e4c630b186b8.jpg aa8924f0ae95e4ed9bdef1a0745bdd58 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID LAPONTE_PR_10(04) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faustino Álvarez Álvarez demonstrating different stages of basketmaking Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-07-12 Spatial Coverage Spatial characteristics of the resource. current,43.2852,-5.9837; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. 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Title A name given to the resource Faustino Álvarez Álvarez demonstrating different stages of basketmaking Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-07-12 Spatial Coverage Spatial characteristics of the resource. current,43.2852,-5.9837; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Sofia Gonzalez Sandoval Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/e84899708d29824f2ad00d08ed824e16.jpg afcfd7a0c8a113a651ac25b5038be2e6 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID LAPONTE_PR_10(06) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Different stages of basketmaking Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-07-12 Spatial Coverage Spatial characteristics of the resource. current,43.2852,-5.9837; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. 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Title A name given to the resource Faustino Álvarez Álvarez demonstrating different stages of basketmaking Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-07-12 Spatial Coverage Spatial characteristics of the resource. current,43.2852,-5.9837; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Sofia Gonzalez Sandoval Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/e74615416f8e27ef93dbd08076113036.jpg b48f604979e0f9125f1fdbbedd406566 Still Image A static visual representation. 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Sofia Gonzalez Sandoval Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/14e3a292a9748cf0c79350781600e8e7.jpg 48056746673b738eb9213925450f549d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID LAPONTE_PR_10(09) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Different stages of basketmaking Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-07-12 Spatial Coverage Spatial characteristics of the resource. current,43.2852,-5.9837; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Sofia Gonzalez Sandoval Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/645bb15f991e196cc6713e290bbee924.jpg 3fd4e059446c910a3129099c46420755 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID LAPONTE_PR_10(10) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Different stages of basketmaking Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-07-12 Spatial Coverage Spatial characteristics of the resource. current,43.2852,-5.9837; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Sofia Gonzalez Sandoval Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/0f97438d419b31528f476866caee492c.jpg 3598bc321fa9d6ccdb373ad74639c39e Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID LAPONTE_PR_10(12) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Different stages of basketmaking Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-07-12 Spatial Coverage Spatial characteristics of the resource. current,43.2852,-5.9837; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Sofia Gonzalez Sandoval Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/3d7b96fe39b76c414e3551932a7623c6.jpg 063d6dd98c47997f309531e8e42b89c8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID LAPONTE_PR_10(13) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Different stages of basketmaking Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-07-12 Spatial Coverage Spatial characteristics of the resource. current,43.2852,-5.9837; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Sofia Gonzalez Sandoval Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/2830433a91a51c6d3260efe1235eed94.jpg b27b50d7b503f7b7f6a266416af92645 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID LAPONTE_PR_10(14) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Different stages of basketmaking Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-07-12 Spatial Coverage Spatial characteristics of the resource. current,43.2852,-5.9837; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Sofia Gonzalez Sandoval Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/b3bd7c39f7063711bd9e7ccde9c538c5.mp4 7978a34a4a0ac0e2815c20bd16cd619c Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Basket manufacturing process and Interview Type The nature or genre of the resource Moving Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource video/mp4 License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. VIDEO Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Sofia Gonzalez Sandoval Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://culturality.museum/galleries/upload/LAPONTE_PR_10_01_.mp4 https://culturality.museum/omeka/files/original/c131a89512422cd9d1a003272eb50d7c.mp4 427ed6a3f32b51f0904ae5f5760e0ae5 Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Basket manufacturing process and Interview Type The nature or genre of the resource Moving Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource video/mp4 License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. VIDEO Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Sofia Gonzalez Sandoval Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://culturality.museum/galleries/upload/LAPONTE_PR_10_02_.mp4 https://culturality.museum/omeka/files/original/2bd3a7efd7581fa1b646c5ac23c29ee2.mp4 afa1efc88d6f2ab8cf4c966bb41b7266 Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Basket manufacturing process and Interview Type The nature or genre of the resource Moving Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource video/mp4 License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. VIDEO Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Sofia Gonzalez Sandoval Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://culturality.museum/galleries/upload/LAPONTE_PR_10_03_.mp4 https://culturality.museum/omeka/files/original/a1bd862ab7a33d83fac18bdeb7b35101.mp4 07a36da1207db87fe5ee13c05edd89a6 Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Basket manufacturing process and Interview Type The nature or genre of the resource Moving Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource video/mp4 License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. VIDEO Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Sofia Gonzalez Sandoval Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://culturality.museum/galleries/upload/LAPONTE_PR_10_04_.mp4 https://culturality.museum/omeka/files/original/b915a4659742bc9c0d1e1bcf8bb664d6.mp4 86c43e3acfb3a13fcdd1f4ee68316a33 Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Basket manufacturing process and Interview Type The nature or genre of the resource Moving Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource video/mp4 License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. VIDEO Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Sofia Gonzalez Sandoval Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://culturality.museum/galleries/upload/LAPONTE_PR_10_05_.mp4 https://culturality.museum/omeka/files/original/6350d0787b82c4612c1f3c9ffe122fdf.mp4 81639ea724b9dd3d7fe6279b54c7339c Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Basket manufacturing process and Interview Type The nature or genre of the resource Moving Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource video/mp4 License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. VIDEO Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Sofia Gonzalez Sandoval Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://culturality.museum/galleries/upload/LAPONTE_PR_10_06_.mp4 https://culturality.museum/omeka/files/original/adac23f285035c59d6340c1847a32b61.mp4 1722b63a364c35574c54fe2ddbdb5d3a Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Basket manufacturing process and Interview Type The nature or genre of the resource Moving Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource video/mp4 License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. VIDEO Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Sofia Gonzalez Sandoval Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://culturality.museum/galleries/upload/LAPONTE_PR_10_08_.mp4 https://culturality.museum/omeka/files/original/2fc0e389a2737831eae39a858dae80b0.mp4 727296db9ba8ad123b413f19514b1178 Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Basket manufacturing process and Interview Type The nature or genre of the resource Moving Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource video/mp4 License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. VIDEO Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Sofia Gonzalez Sandoval Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://culturality.museum/galleries/upload/LAPONTE_PR_10_10_.mp4 https://culturality.museum/omeka/files/original/10591139993422a6c17d614086cfa482.mp4 8bb7aab273289ef0f53158c5fa690543 Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Basket manufacturing process and Interview Type The nature or genre of the resource Moving Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource video/mp4 License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. VIDEO Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Sofia Gonzalez Sandoval Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://culturality.museum/galleries/upload/LAPONTE_PR_10_11_.mp4 https://culturality.museum/omeka/files/original/53c529039f162b490078311b543002fb.mp4 fdc19aab09dfeaa5aa457f877d471885 Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Basket manufacturing process and Interview Type The nature or genre of the resource Moving Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource video/mp4 License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. VIDEO Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Sofia Gonzalez Sandoval Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://culturality.museum/galleries/upload/LAPONTE_PR_10_12_.mp4 Artisan An artisan Author iain Phone The phone number Spanish phone code: 34 / 682 01 14 91 Prim Media 1617 Biographical Text Faustino Álvarez Álvarez, is a rural dweller who dedicated himself to the construction of stone walls, especially in villages and along roadsides. When he was a child, he learned to make baskets with the older adults in his village, but he never dedicated himself to being a basket maker or to making a living from the craft, since he had another job and his responsibility in the fields of his home. However, when he turned 65 years old, he retired and in the free time that his retirement offered him, he decided to take up traditional basket weaving and some carpentry work. She began to make all kinds of baskets (some of them highly complex) and other products that can be made with the same weaving technique with natural fibers, such as lampshades, napkin holders, home decorations, etc. Although Faustino is a skilled artisan with a remarkable talent for traditional basketry, he has never sold his pieces (he gives them as gifts to family or friends), he has not had the intention of making a business or giving basketry classes. External ID LAPONTE_PR_10 Knowledge Acquisition Faustino learned to make baskets when he was a child, around 7 years old. In the village where he lived, he would approach the elders who made baskets, and they taught him. Knowledge Transfer No, the artisan has never taught classes nor had apprentices. He mentions that this is because he did not make basketry his profession; he did not dedicate himself fully to it. Throughout his life, he had other jobs and worked mainly in the construction sector (building roads and walls). Field Worker Sofía Gonzalez Sandoval Gender male Area Relation incomer Area Reason Currently the artisan Faustino lives in the village of Lavares in the council of Santo Adriano. He was not born in that village but moved there 5 years ago when he started his retirement. Occupation other (specify),other (specify) Involvment hobby knowledge1 According to the artisan, basketry is an activity accessible to everyone since it is very affordalbe, easy to learn, and useful for many aspects of daily life; all that is needed are one’s hands and patience to learn. This is why basketry is "one of the oldest crafts in history and found all over the world". An important requirement, according to the artisan, is to be careful and responsible with the environment when obtaining raw materials. Natural cycles must be respected so that the different types of plants can regenerate. material1 He uses natural plants to obtain the rods for making the baskets. Mainly “San juaninos” a plant that is very easy to find in Asturias (Ligustrum vulgare), and wicker/willow (Salix viminalis). material2 These plants are very abundant in the local area (municipality of Santo Adriano, Asturias), and thanks to their abundance, Faustino is able to source all his raw materials locally. The willow for example grows on the banks of rivers, in this case the Trubia river in Santo Adriano. material3 During the basket-making process, there is no waste or pollution for the following reasons: - It is a very small-scale production, so raw materials are obtained in a controlled and responsible manner. - The production of baskets does not involve the use of any chemicals or artificial elements. It is 100% organic. - Leftover branches and leaves are used as compost for the artisan's agricultural activities and as firewood to heat his house in winter. production1 The artisan did not mention a specific name for his weaving techniques. He talks more about the series of steps that each level of difficulty involves, but did not give a specific name. production2 He mainly uses his hands, a penknife, a pair of garden shears to cut branches, and a pair of wooden tweezers that he made himself to clean the sticks (he removes the leaves from the sticks and the first layer of bark to give the wood a different color). production3 For him, it is very important to be in good health so that he can continue to use his hands. During the workshop, Faustino mentioned that sometimes his hands fail him (he feels pain and numbness) and he loses some mobility as a result. According to him, this is due to his age (70 years old), something that cannot be helped since “there is no cure for aging”, as he says. For an artisan, their hands are their most essential tools, and in the case of older artisans, declining health is an important factor to consider in terms of their motivation/energy to work. In addition, depending on their own bodies to be able to do their job is something that has an emotional impact on artisans as time passes and their bodies change. production4 None. production5 The only leftovers are branches and leaves. Faustino uses the leaves for compost in his garden and then dries the branches to use them in winter to heat his house (they are burned in the fireplace). workshop No. The artisan works at home, and mentions that he would not like to work in a workshop, with a group of people, or anywhere else because he likes the silence and peace he has at home. He also mentioned that basket weaving does not require equipment or a workshop. He simply sits on a log that he uses as a stool and begins to weave. products1 He mainly makes baskets of different sizes and designs, but he has also made lampshades, containers, napkin holders, fruit bowls, and home decorations. He also enjoys experimenting with carpentry, making simple furniture (chairs, benches, etc.) and wooden utensils (cooking spatulas, wooden spoons, etc.). products2 Faustino currently dedicates himself to basket weaving as a hobby, since he recently retired and is looking for a productive way to use his time. Everything he produces is done out of love for the craft and with the intention of keeping the knowledge alive. He has never sold his pieces, but instead gives them as gifts to family and close friends. products3 His products are not for sale. products4 None. products5 No. products6 N/A. products7 None. tourism1 No. tourism2 Quote: "Nunca pensé en involucrarme en el turismo... nunca pensé en dedicarme a la cestería, Surgió solo así." partnership No. challenges1 According to Faustino, there are no significant obstacles to basket weaving, as the material is abundant, easy to find (there are alternatives with different plant species), and therefore inexpensive. Nor is it necessary to have a studio or equipped workshop, and it is not necessary to buy many tools. The few tools he has are also affordable. During the basketry workshop, Faustino mentioned that the biggest challenge for craftsmanship in rural areas is the transmission of knowledge: in Spain, it is difficult to find apprentices or young people interested in learning craft skills, especially due to depopulation and abandonment of rural areas. challenges2 "No, la cestería no te da problema ninguno. No contaminas nada y no necesitas cortar árboles ni nada de eso. Puedes tejer donde quieras y no necesitas herramientas o muchas cosas." Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Faustino_Álvarez_Álvarez Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faustino Álvarez Álvarez Type The nature or genre of the resource Artisan Date A point or period of time associated with an event in the lifecycle of the resource 1955 / 70 years old Language A language of the resource Asturian,Spanish Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 673 Source A related resource from which the described resource is derived artisans,asturiasmap Spatial Coverage Spatial characteristics of the resource. current,43.2852,-5.9837; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Faustino Álvarez Álvarez https://culturality.museum/omeka/files/original/a845977c1395dcc6fd94996ee8befe79.jpg 58f1678a85764bc4d75d780083d2eaef Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_13 Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:09:30 10:47:59 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/8a546832b474b97df71ff8ee80c91260.jpeg 5cce2bea1f2b9a5deccd36b02fe05f3c Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_14 Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/5602fd8d3f4d7ccc1f2dc48757fff5dc.jpg 39c4a49cf1416c9e7128a65e1680a0b8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_15 Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:09:30 10:54:26 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/5f154e2eb924d0e19949b947523e707b.jpg 6c980c5fd6d178fdb21f5129a39dc3dc Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_16 Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:09:30 10:58:23 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/4c992e8957811872b68154b07ee24477.jpeg a1256957247918d1629eed4cf72586a3 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_17 Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:09:30 11:01:05 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/fbbb042cab70df6ce812ac2a144515e5.jpeg cb3d0b876df965f0ac44edfa41091998 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_18 Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:09:30 11:04:48 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/4722f2d1538aeca735face2d11bc3ee8.jpeg a294dbe65f650f9ea9966971a9a3365e Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_22 (1) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/2cb5fe98cd75c406d43099b8e1f1e224.jpg 4a2eb4e13853604ca294832017b66f67 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_22 (2) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:09:30 11:09:53 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/3b0310890243b563796f1ab06c7e70b2.jpeg 4ddaae0b084777b650b8dcc52c782f10 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_23 Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/40a386cb8a6e912c247a9d2ef7888b43.jpg 2295626581417783dd477e02c3747c54 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_24 Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/4bd18ee49dc1baf79950f8983ea7d413.jpg a8a68f11a94a0729d2fb21c0e7ac40d6 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_25 Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:09:30 12:29:21 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/fcdffa0f48cbc4569dc4d8313fd3ef66.jpg 11c2adf8b3ac21c1c7544a36a8f355e1 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_26 Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:09:30 14:42:19 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/fee830c64bfe9b22ad280684a189326e.jpg e493263eab0061a921f5e6003736f822 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_27 Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/94ac30912ea4ef51eece03c59e61d0a1.jpg 89efd72a664516c198a318fcd1c15816 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_28 Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/ef750caf73b377ed19e8042bd50a64fc.jpg c75805b323360cb1580e9007a8fbc906 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_29 (1) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/f93131a7003866e3dfa6ae4415dc064a.jpg 8cf196932700680ab5021f7750c05424 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_29 (2) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/8b18bd63581926947a7cf8723910f32d.jpg 8683fd5ed2a34b1eb9ef0b1e790f02a1 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_30 Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1672 External ID LAPONTE_AR_30 Place The town or city Museo de la madera de Caso, Asturias Material Hazel wood Material Source Local Technique Thick hazel rods are used, which must be boiled and then split with a knife to obtain wooden strips; these strips are smoothed with a drawknife, holding them in place with the aid of a bench or a board. First of all, it is necessary to make the base of the piece, a process also known as making the bottom, setting, or founding the basket; to do this, craftspeople usually kneel on the base on the ground to secure it. The process begins by forming the cross, laying out the first strips that will serve as the starting point of the piece. Next, the different strips are woven perpendicularly. Then, the strips of the bottom are bent inwards to form the stakes (uprights). The weaving of the sides then begins, taking care with those first rounds; as the weaving progresses, the work is tightened or beaten down. To continue one strip with another, a join is made by splicing it to the previous one, ensuring that the desired shape is maintained. As a final step before placing the rim, the excess ends of the sides are trimmed to the same height with a knife. Once the weaving process is complete, the basket is finished by fitting the rim, a process also known as rimming the basket. Tool Basketmaker’s tools include a knife and a drawknife. A fundamental element is the so-called basketmaker’s bench, which is the tool on which the basketmaker works and shapes the wooden strips. Function Transport and storage of grain and grass. Creation Purpose For personal use and for sale Production Quality Unknown Conecept Harvesting, agriculture and transport Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Big basket Type The nature or genre of the resource Physical Object Contributor An entity responsible for making contributions to the resource Carmen Pérez Maestro Identifier An unambiguous reference to the resource within a given context 689 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Macona/Goxa/Maniega Language A language of the resource Asturian Spatial Coverage Spatial characteristics of the resource. current,43.178579,-5.333501; Extent The size or duration of the resource. cm x base diameter 95; mouth diameter 86cm x 62cm Date A point or period of time associated with an event in the lifecycle of the resource 1960-70s Description An account of the resource A piece with a flat, quadrangular base, made from hazel strips, with high, globular sides opening into a circular mouth, finished with a thick rim formed by two long rods split lengthwise and placed on either side, stitched to the weave. It has no handles; the rim itself serves as the element for gripping and carrying. References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Fanjul, J. A., Rodriguez del Cueto, F., y Expósito, D. (2024). La cestería en Asturias: Una técnica milenaria. Gijón: Museo del pueblo de Asturias, Principado de Asturias. Europeana Specific elements of the Europeana Semantic Elements. Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/c326096d0729d3a4975553e1f79d4de6.jpg a3a09ff4dc0acc90e4b9d2912a6cd669 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_31 Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1674 External ID LAPONTE_AR_31 Place The town or city Museo de la madera de Caso, Asturias Material Hazel and chestnut Material Source Local Technique Thick rods of hazel and chestnut are used; these must be boiled and split with a knife to obtain strips of wood. The strips are then smoothed with a drawknife, holding them in place with the help of a workbench or a board. The strips are woven together by hand and tightened by striking them with a mallet and a wooden batten in order to produce a weave without gaps. The process ends by closing the basket at the top with a rim, which is secured with wooden rings. Tool Basketmaker’s tools include a knife and a drawknife. A fundamental element is the so-called basketmaker’s bench, which is the tool on which the basketmaker works and shapes the wooden strips. Function Transport, agriculture Creation Purpose For personal use and for sale Production Quality Unknown Conecept Harvesting, agriculture and transport Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Basket Type The nature or genre of the resource Physical Object Contributor An entity responsible for making contributions to the resource Carmen Pérez Maestro Identifier An unambiguous reference to the resource within a given context 690 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Carpancho Language A language of the resource Asturian Spatial Coverage Spatial characteristics of the resource. current,43.178579,-5.333501; Extent The size or duration of the resource. cm x cm x cm Date A point or period of time associated with an event in the lifecycle of the resource Unknown Description An account of the resource Baskets woven with wooden strips. They have a shape that tends towards a truncated cone, with a square or rectangular base and a round opening. They are made from hazel wood strips using a perpendicular weaving technique. The rim is finished with a ring made from a thick, unpeeled hazel rod, over which the ends of the warp are bent, leaving two opposite openings that serve as handles. References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Fanjul, J. A., Rodriguez del Cueto, F., y Expósito, D. (2024). La cestería en Asturias: Una técnica milenaria. Gijón: Museo del pueblo de Asturias, Principado de Asturias. Europeana Specific elements of the Europeana Semantic Elements. Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/c212dfe9ba4373f3a9c626529d2494bc.jpg 7316148b475c05afcbad4abbe1712270 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_32 Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1676 External ID LAPONTE_AR_32 Place The town or city Museo de la madera de Caso, Asturias Material Hazel woood Material Source Local Technique Thick rods of hazel and chestnut are used; these must be boiled and split with a knife to obtain strips of wood. The strips are then smoothed with a drawknife, holding them in place with the help of a workbench or a board. The strips are woven together by hand and tightened by striking them with a mallet and a wooden batten in order to produce a weave without gaps. The process ends by closing the basket at the top with a rim, which is secured with wooden rings. Tool Basketmaker’s tools include a knife and a drawknife. A fundamental element is the so-called basketmaker’s bench, which is the tool on which the basketmaker works and shapes the wooden strips. Function Transport Creation Purpose For personal use and for sale Production Quality Unknown Conecept Harvesting, agriculture and transport Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Handled baskets Type The nature or genre of the resource Physical Object Contributor An entity responsible for making contributions to the resource Carmen Pérez Maestro Identifier An unambiguous reference to the resource within a given context 691 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Cestas con asa Language A language of the resource Asturian Spatial Coverage Spatial characteristics of the resource. current,43.178579,-5.333501; Extent The size or duration of the resource. cm x cm x cm Date A point or period of time associated with an event in the lifecycle of the resource Unknown Description An account of the resource Single-handled baskets woven in a chequered technique using hazel strips. They have rectangular bases, straight sides, and oval openings. The rim is finished with a split rod that secures the trimmed ends of the warp, and is fixed with a strip sewn in a spiral. Some of the strips feature pyrographed decoration. They have central handles, two of which are decorated with pyrography. References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Fanjul, J. A., Rodriguez del Cueto, F., y Expósito, D. (2024). La cestería en Asturias: Una técnica milenaria. Gijón: Museo del pueblo de Asturias, Principado de Asturias. Europeana Specific elements of the Europeana Semantic Elements. Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/202ffdc97922173a5e76014d1e4b9db0.jpg 6fa67a5b61d7414f90094b5829a83fe8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_33 Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1678 External ID LAPONTE_AR_33 Place The town or city Museo de la madera de Caso, Asturias Material Wicker Material Source Local Technique Harvesting and peeling wicker rods, which are then moistened and interwoven. The weaving process begins with the making of a radial base. Tool A knife or a pocket knife Function Household use Creation Purpose Personal use Production Quality Unknown Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wicker baskets Type The nature or genre of the resource Physical Object Contributor An entity responsible for making contributions to the resource Carmen Pérez Maestro Identifier An unambiguous reference to the resource within a given context 692 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Cestas de mimbre o blima Language A language of the resource Asturian Spatial Coverage Spatial characteristics of the resource. current,43.178579,-5.333501; Extent The size or duration of the resource. cm x cm x cm Date A point or period of time associated with an event in the lifecycle of the resource Unknown Description An account of the resource Pieces made from peeled wicker, featuring the characteristic radial basket base, with vertical sides worked in open crested weaving. The rim displays a series of plaited arches formed from the excess warp. Both have circular bases and rims, and straight sides. References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Fanjul, J. A., Rodriguez del Cueto, F., y Expósito, D. (2024). La cestería en Asturias: Una técnica milenaria. Gijón: Museo del pueblo de Asturias, Principado de Asturias. Europeana Specific elements of the Europeana Semantic Elements. Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/a18265d302216a82532b40abc80e71d9.JPG 13037b822398bc2a48a102ea61f3bb47 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID LAPONTE_AR_34(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Handled wicker basket (side view) Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-05-04 Spatial Coverage Spatial characteristics of the resource. current,43.2898403161615,-5.96106075532155; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Carmen Pérez Maestro Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/92df9d11c1ab4ff49abf2e0fc42b6033.JPG 28843878b4456d95fac22fde962a75a9 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID LAPONTE_AR_34(02) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Handled wicker basket (from above) Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-05-04 Spatial Coverage Spatial characteristics of the resource. current,43.2898403161615,-5.96106075532155; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Carmen Pérez Maestro Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/3a5829e96ff07e52b7647a1a149dddc0.JPG 05ce7aaa650fc7db8df4d1d9b8e81dfa Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_35(01) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/6d4fbff6708a2642056d54dfe1e3abbf.JPG f284a694dc35cfcb7aa48fe09f2b98b0 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_35(02) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1683 Natural Cultural Cultural External ID LAPONTE_AR_35 Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/LAPONTE_AR_35 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_35 Type The nature or genre of the resource Physical Object Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 694 Source A related resource from which the described resource is derived asturiasmap,craftedobjects Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 30/09/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/8effb9a3d6ee5f9a9e5ca0d8fb551144.JPG 69a4fadaff1fe01f5b706fd061291bbe Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_36(01) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/2f63c714899197fddc9b048b71e84d07.JPG b843212b94273f41d6c1ff0ef1482869 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_36(02) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1686 Natural Cultural Cultural External ID LAPONTE_AR_36 Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/LAPONTE_AR_36 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_36 Type The nature or genre of the resource Physical Object Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 695 Source A related resource from which the described resource is derived asturiasmap,craftedobjects Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 30/09/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/a292b8d82c3e117c5eebe6abdefeff7e.JPG 90aa49fbb668e622861c77cada6fc3b9 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_37(01) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/535fadd7a8170fef7e5a21599a0b8c2f.JPG 98e62f9dad61acfd50847d17490fd44f Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_37(02) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1689 Natural Cultural Cultural External ID LAPONTE_AR_37 Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/LAPONTE_AR_37 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_37 Type The nature or genre of the resource Physical Object Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 696 Source A related resource from which the described resource is derived asturiasmap,craftedobjects Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 30/09/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/bd2c3773acf8e65b1647b906a1b87b94.JPG 1753eb5915b8eae1d100efd926772f26 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_38 Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/29b72a78387d37b98509dd5518e9c843.JPG 8cbe5f74733d219530c090b12498b879 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_38(02) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1692 Natural Cultural Cultural External ID LAPONTE_AR_38 Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/LAPONTE_AR_38 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_38 Type The nature or genre of the resource Physical Object Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 697 Source A related resource from which the described resource is derived asturiasmap,craftedobjects Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 30/09/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/68bccaad6eb1efd18df9b3405a2bf39a.JPG f1f9758f4d5f3bcadcf7a941cfcbe609 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_39(01) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/adbf7dbc3df0e9e4d7725bb0ad1e521a.JPG 9f91524efa906ca03c038f2bd98420b8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_39(02) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1695 Natural Cultural Cultural External ID LAPONTE_AR_39 Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/LAPONTE_AR_39 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_39 Type The nature or genre of the resource Physical Object Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 698 Source A related resource from which the described resource is derived asturiasmap,craftedobjects Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 30/09/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/eb32da009821e4937c165bd28b465c1c.JPG 55c6249da11b7fd2795c43c3bd7bdf5d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_40(01) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/8535abd5e4c6967fb3d2a17e94737d16.JPG 09ae8b091cc66533900d7d3cc9532204 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_40(02) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1698 Natural Cultural Cultural External ID LAPONTE_AR_40 Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/LAPONTE_AR_40 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_40 Type The nature or genre of the resource Physical Object Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 699 Source A related resource from which the described resource is derived asturiasmap,craftedobjects Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 30/09/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/fc3bf2d420ee48c9d5c3771a8b02b79a.JPG ecb9fab0c4968c1570503a3a310ac46a Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_41(01) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:07:18 00:33:04 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/9caa4fdb19da25e69f0c3333f8416eaf.JPG 85d28d74ceb304421ff290bc5053bd73 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_41(02) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1701 Natural Cultural Cultural External ID LAPONTE_AR_41 Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/LAPONTE_AR_41 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_41 Type The nature or genre of the resource Physical Object Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 700 Source A related resource from which the described resource is derived asturiasmap,craftedobjects Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 30/09/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/bfbd3fd833a6a1937ce96c1843a2784d.JPG d23516163c907672b4329d09742f10e1 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_42(01) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/e19ef88cb5af0b6503c82f3259efb58f.JPG e1ca18a4bf7c63eff458af0e0ac8135d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_42(02) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1704 Natural Cultural Cultural External ID LAPONTE_AR_42 Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/LAPONTE_AR_42 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_42 Type The nature or genre of the resource Physical Object Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 701 Source A related resource from which the described resource is derived asturiasmap,craftedobjects Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 30/09/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/b2bcd315537d99f33b4234af4d68fa47.JPG ee89d65f40aadaf7e537c6be9b97b131 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_43(01) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/85eb8723746ff9a0185d254e17116161.JPG da29a62aff9a5384156840821f7c1d04 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_43(02) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1707 Natural Cultural Cultural External ID LAPONTE_AR_43 Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/LAPONTE_AR_43 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_43 Type The nature or genre of the resource Physical Object Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 702 Source A related resource from which the described resource is derived asturiasmap,craftedobjects Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 30/09/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/54cd4b7c170ad301853bd6b9a6105bf9.JPG 9b40236d38f9e1f75528978e789f71e3 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_44(01) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/9d4952ea4630149029111b862755cb1c.JPG 4de257afc1713058150ff10068c799f0 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_44(02) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1710 Natural Cultural Cultural External ID LAPONTE_AR_44 Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/LAPONTE_AR_44 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_44 Type The nature or genre of the resource Physical Object Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 703 Source A related resource from which the described resource is derived asturiasmap,craftedobjects Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 30/09/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/804476967b7b0e4db6621fad5ca7511d.JPG 41e58d97ca8c6de818d6b51e18ca68e2 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_45(01) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/cd5a5e755e79bc1bad79a39beb4cdbd3.JPG 8f583a5daef6ca39aaa16b6c127d6ea3 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LAPONTE_AR_45(02) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE