15 100 1977 https://culturality.museum/omeka/files/original/88478d199f8e62c55330499ade60fbd5.JPG d9c06245c2cff0a180c18d7f4abd8307 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID MN_AR_05(03) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sweater Islender Johannes Folgerø Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-07 Spatial Coverage Spatial characteristics of the resource. current,68.244008477137,13.7572701433528; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Rebeca Franco Valle Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Norway https://culturality.museum/omeka/files/original/ac4976ff1eff4de5815ee364e0de9904.JPG 6448acdc66787b32c9b2a05700bbaab1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Finnskogen Identifier An unambiguous reference to the resource within a given context 936 Panorama Zoom Min 18 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sweden Norway Border Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg Source A related resource from which the described resource is derived finnskogen License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Spatial Coverage Spatial characteristics of the resource. current,60.145233,12.520786; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/343721017b4721baef96b470b81f9135.JPG 95b666052c088134ddbe5e26eb4df7f4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Finnskogen Identifier An unambiguous reference to the resource within a given context 936 Panorama Zoom Min 18 ry Rotation Y 90 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sweden Norway Border Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg Source A related resource from which the described resource is derived finnskogen License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Spatial Coverage Spatial characteristics of the resource. current,60.145305,12.520652; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/4231632b79e84178a582531606495ff1.JPG 4a5ae7ebfc8f27db85605e283f0d0489 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Finnskogen Identifier An unambiguous reference to the resource within a given context 936 Panorama Zoom Min 18 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sweden Norway Border Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg Source A related resource from which the described resource is derived finnskogen License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Spatial Coverage Spatial characteristics of the resource. current,60.155384,12.525388; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Site Institutional nature Museum, Ecomuseum, Extended Museum, Territorial Museum, Cultural Center, Memory House, e-Museum, etc Cultural Heritage Prim Media 1428 Zoom Min 15 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sweden Norway Border Type The nature or genre of the resource Site Extent The size or duration of the resource. cm x cm x cm Identifier An unambiguous reference to the resource within a given context 904 Source A related resource from which the described resource is derived finnskogen Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 07/04/2026 Contributor An entity responsible for making contributions to the resource iain Spatial Coverage Spatial characteristics of the resource. current,60.145305,12.520652; Date Modified Date on which the resource was changed. 04/07/2026 03:29:45 pm Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Sweden Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Sweden Norway Border Site Institutional nature Museum, Ecomuseum, Extended Museum, Territorial Museum, Cultural Center, Memory House, e-Museum, etc Cultural Heritage Prim Media 1433 Zoom Min 15 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sweden Norway Border Type The nature or genre of the resource Site Extent The size or duration of the resource. cm x cm x cm Identifier An unambiguous reference to the resource within a given context 905 Source A related resource from which the described resource is derived finnskogen Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 07/04/2026 Contributor An entity responsible for making contributions to the resource iain Spatial Coverage Spatial characteristics of the resource. current,60.15527595952535,12.525052428245544; Date Modified Date on which the resource was changed. 04/07/2026 03:30:02 pm Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Sweden Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Sweden Norway Border Artisan An artisan Contact info@negroazabache.es Author iain Email The email address of the museum. info@negroazabache.es Phone The phone number 608 00 78 42 Biographical Text Sveta was born in Leningrad, but from a young age, she moved to Spain. A key point in her biography is that she had a stable job in an office, which was very stressful for her. At that time, her partner gave her a jewelry-making course as a gift, which she loved and enjoyed from the very first day. After a year of classes, Sveta began to think about dedicating herself to jewelry professionally. At the same time, she started a jet jewelry course (azabachería) with María Pérez. While she was taking the course, she was laid off from her paid job. This led her to make a definitive decision: to fully dedicate herself to the art of jet jewelry. With the money she received from the layoff, she started buying the tools for her workshop, initially opting for second-hand ones because professional tools are quite expensive. She has now been working in this craft for two years. In addition, she also works as a shop assistant in the store owned by María Pérez in the town of Villaviciosa, where she also handles some of the repair requests that come into the shop. External ID LAPONTE_PR_04 Knowledge Acquisition In a jewelry-making course and in another course on jet carving taught by the artisan María Pérez. Knowledge Transfer She has also taken a few short one-day courses. Field Worker Carmen Pérez Maestro Gender female Area Relation incomer Occupation metalwork Involvment full-time paid job knowledge1 It is essential to recognize that the raw material used is authentic Jurassic jet, to understand its unique characteristics, and to be well-versed in the carving techniques required for working with it. Additionally, it is crucial to be familiar with the techniques employed in jewelry craftsmanship. material1 Sterling silver, Jurassic jet from Villaviciosa, and some semi-precious stones. material2 She buys the silver from a national distributor, though she does not know which mine it comes from. The jet is local, collected from spoil heaps and purchased from the son of an artisan who no longer works with jet. The semi-precious stones are of unknown origin, and she is currently searching for companies that practice ethical sourcing of these stones. material3 It does not generate any waste. production1 She applies jewelry techniques to work the silver (incluida la fundición) and the with jet. Cutting, carving, and polishing are the processes followed to work the stone. production2 90% of her tools are second-hand. For jewelry making, she uses manual tools (such as a jeweler’s saw, hammers, and a hand file). For working with jet, she uses dental prosthetic tools that operate with a micromotor, such as diamond discs and tungsten carbide burs. She also uses an electric polishing machine. production3 One of her favorite tools is a small file, the first tool she bought when she was still a jewelry student. She believes that it allows her to finish her pieces much better. production4 Electricity production5 The dust produced when carving the jet is collected and mixed with glue to repair pieces, helping the repairs blend in with a black color. workshop Her workspace is located in her own home, furnished with second-hand furniture as well as pieces she made herself. It’s a small room (about 20 square meters) with a large window. products1 She creates personal adornment pieces such as earrings, pendants, and rings. One of her distinctive features is making jewelry that uses jet almost in its raw form. Currently, most of her work consists of custom orders or the restoration of pieces brought in by clients. products2 For sale products3 At markets and in the artisan María Pérez’s shop. products4 Most of her products are custom orders from individuals and repairs. products5 yes products6 The custom orders come from local people, while the pieces sold at markets and in the shop are mostly purchased by tourists. products7 No tourism1 People from other places also buy her pieces. On one occasion, she coordinated with a tour guide to showcase the craft of jet jewelry. tourism2 “When I’m at coastal markets, basically the summer ones, I sell much more to tourists than to local people, unfortunately, because visitors from outside have a much higher purchasing power than the locals, and that’s very sad…” partnership She is the president of the "Association for the Defense of Jurassic Jet." challenges1 The generational handover is a challenge, as there is no raw material available because the mines are closed and reopening them is not permitted. Raising awareness about the properties of Jurassic jet compared to other materials like lignite is important. Documenting the work processes is also essential, as well as promoting the ancestral history of this craft. challenges2 “Jet has thousands of years of history. The oldest piece we have in the archaeological museum is dated between 17,000 and 19,000 years old, and it will disappear with us—the only artisans of this generation—because we cannot reopen the mines.” references https://www.lne.es/villaviciosa/2025/04/13/svetlana-poutilina-prueba-distinga-azabache-116214877.html Social Media The social media links. instagram,https://www.instagram.com/negroazabache.joyas/; Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Poutilina,_Swetlana Prim Media 1197 Shop https://negroazabache.es/product-category/joyeria-tradicional/ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Swetlana Poutilina Type The nature or genre of the resource Artisan Date A point or period of time associated with an event in the lifecycle of the resource 1982 Language A language of the resource Spanish Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 578 Source A related resource from which the described resource is derived artisans,asturiasmap Spatial Coverage Spatial characteristics of the resource. current,43.368135,-5.587614; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Poutilina, Swetlana Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://negroazabache.es/ Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/3328fe06d65135b28aea3033d198b2bb.jpg 698e25860ad6c7ba932cf54a5f14a315 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID LAPONTE_PR_04(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Swetlana Poutilina in her workshop Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-05-02 Spatial Coverage Spatial characteristics of the resource. current,43.368135,-5.587614; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Carmen Pérez Maestro Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/20d1ce87201b68327ca0bc9ff3f56edd.jpg c89143cfbd3baca5dca36c8044d72294 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID LAPONTE_PR_04(03) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Swetlana Poutilina’s work tools Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-05-02 Spatial Coverage Spatial characteristics of the resource. current,43.368135,-5.587614; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Carmen Pérez Maestro Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain Organisation A person. Contact sylviainpublic@gmail.com Contacted true Register true Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sylvia Petrovic-Majer Type The nature or genre of the resource Organisation Identifier An unambiguous reference to the resource within a given context 200 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/e2a34561ae0029bbaf9ab846f78aff67.jpg 03e7de9b8bb7b4651439f5a6c90855f8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID RV_AR_24(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Symetrical clay sculpture, unglazed Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-17 Spatial Coverage Spatial characteristics of the resource. current,59.6373482,12.7951043; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ulrika Jäger Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Sweden Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Natural Cultural Cultural Craft woodwork Prim Media 1361 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Table Lamp Type The nature or genre of the resource Physical Object Description An account of the resource A table lamp created by Yellow Broom Creator An entity primarily responsible for making the resource 181 Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 556 Source A related resource from which the described resource is derived craftedobjects,scotlandobjects,highlandandislands Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 19/08/2025 Date Modified Date on which the resource was changed. 10/09/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/ad6f61eaa2614e8fd8cc9f1bd96d5bea.mtl 2252f30ca60cdbc954e1c30f7b574184 https://culturality.museum/omeka/files/original/3d425d0e1a1a4b5e1fcf0090f19c28b8.obj 5013187b58033ab11a7e018e6b4af419 https://culturality.museum/omeka/files/original/0de7f8e6c38cb237bf10ce5b630d54ea.jpg 992bab01f8e450915ca8c75d022dbc0b https://culturality.museum/omeka/files/original/0b915c623a58e532d939cb08b999d2d1.glb fcbfe91a5f17f77b10025ce6fa1ea6b1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Object:Table Lamp Identifier An unambiguous reference to the resource within a given context 1146 3D Object Zenodo ID 17398527 Vertices 11147584 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Table Lamp Type The nature or genre of the resource 3D Object Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource text/plain Alias/WaveFront Object License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. 3D Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://sketchfab.com/models/22ee8fa47aad491ea0bf64b9bc5a688d/embed External Item External Type Physical Object External ID 6309 Archive EULAC Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Taburete de armadillo - Armadillo stool Type The nature or genre of the resource External Item https://culturality.museum/omeka/files/original/ad6741bd9ecd7f70d3952f1fb20a117e.JPG d87aaf2582e063f9b54e2ec789c7f2d2 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID MN_AR_03(04) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tag detail of the knit sweater "Markens Grøde" Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-04 Spatial Coverage Spatial characteristics of the resource. current,68.244008477137,13.7572701433528; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Rebeca Franco Valle Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Norway https://culturality.museum/omeka/files/original/98a19d229ad29533c4a8064404e6ff0f.png cc75b2c2e00c04aa8667638e4007518b Custom Pin Zoom Min 17 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tag_360_camera.png Type The nature or genre of the resource Custom Pin Format The file format, physical medium, or dimensions of the resource image/png License A legal document giving official permission to do something with the resource. In Copyright (InC) Identifier An unambiguous reference to the resource within a given context 861 Source A related resource from which the described resource is derived finnskogen Spatial Coverage Spatial characteristics of the resource. current,60.1418031037441,12.555669844150543; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT External Item External Type Physical Object External ID 6331 Archive EULAC Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tamiz de harina / Flour sieve Type The nature or genre of the resource External Item Landscape Cultural Landscape Prim Media 161 Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Țara_Lăpușului Policy Threats Urban Development Demographic Threats Rural-urban migration Decontextualization Theatrification Globalisation New pastimes Weakened Practice Diminishing participation Climate Actions Exhibitions on climate change SDG Gender Equality Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Țara Lăpușului Type The nature or genre of the resource Landscape Description An account of the resource Târgu Lăpuș is a town in Maramureș County, northern Transylvania, Romania. It administers thirteen villages: Boiereni (Boérfalva), Borcut (Borkút), Cufoaia (Kohópatak), Dămăcușeni (Domokos), Dobricu Lăpușului (Láposdebrek), Dumbrava (Kisdebrecen), Fântânele (until 1960 Poiana Porcului; Lápospataka), Groape (Groppa), Inău (Ünőmező), Răzoare (Macskamező), Rogoz (Rogoz), Rohia (Rohi), and Stoiceni (Sztojkafalva). Identifier An unambiguous reference to the resource within a given context 299 Source A related resource from which the described resource is derived culturallandscapes,taralapusuluimap Spatial Coverage Spatial characteristics of the resource. current,47.4519686,23.8633327; Language A language of the resource Romanian Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Romania Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Țara Lăpușului https://culturality.museum/omeka/files/original/bffea6239098642ed079bd1bfbb76d2e.kml 503a05931f5ecd1c3c0c73a823f3baa1 Geolocated Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Țara Lăpușului area Type The nature or genre of the resource Geolocated Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource application/vnd.google-earth.kml+xml Source A related resource from which the described resource is derived culturallandscapes,taralapusuluimap License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/5f3b0db351de3c62189c0817c4f53e11.jpg 61ed284c5615873a757e89a2ba7100c4 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Țara Lăpușului, Vima Mare village, Maramures, Romania Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Source A related resource from which the described resource is derived romania License A legal document giving official permission to do something with the resource. In Copyright (InC) Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: University of St Andrews Identifier An unambiguous reference to the resource within a given context 4 Intangible Context The knife-making tradition of Taramundi is embedded in a broader cultural framework that includes complementary crafts, social practices, and oral traditions. Historically, the craft developed alongside blacksmithing and metalwork (UNIOVI_CP_04), as rural households produced agricultural tools, horseshoes, and hardware essential for farming. These activities share technical knowledge and workshop spaces, forming an integrated artisanal economy. Woodworking is another closely related practice. The production of knife handles relies on skills traditionally used in carpentry and decorative woodcraft, which remain significant in the region. Techniques such as carving and pyrography link knife-making to a wider repertoire of decorative arts, reinforcing aesthetic continuity across different objects. The craft also intersects with oral traditions, particularly narratives about family workshops, local inventiveness, and the symbolic value of handmade knives. These stories circulate within the community and are often shared during fairs and demonstrations, contributing to the transmission of intangible heritage. Social practices such as craft fairs and rural festivals provide spaces where knife-making interacts with gastronomy, music, and other artisanal displays. These events create a cultural ecosystem that situates the craft within collective celebrations of identity and heritage. Finally, contemporary initiatives connect knife-making with heritage tourism and educational programmes, integrating it into thematic routes that include traditional architecture, textile crafts, and culinary experiences. This network of related practices underscores the multifunctional role of Taramundi’s artisanal heritage, where technical skills, symbolic meanings, and social rituals converge. Field Worker Pérez Fernández, Lucía Rodríguez Pérez, Santiago Climate Threats Deforestation,Mining,Deterioration of material,Deterioration of space Economic Threats Insufficient financial resources,Insufficient renumeration,Rapid economic transformation,Poor transport connections Technological Threats Industrial production,Surge of new technologies,Use of modern materials Policy Threats Lack of conservation policy,Deficient policy implementation,Threatening regional planning policies,Inadequate management plans Conflicts Human encroachment on boundaries Demographic Threats Rural-urban migration,Degraded habitat Decontextualization Touristification,Overcommercialisation Globalisation New pastimes,Rapid sociocultural change Weakened Practice Aged practitioners,Diminishing youth interest,Halted transmission between generations,Reduced practice Loss Threats Material shortage,Loss of cultural significance,Loss of protective status Climate Actions Community Engagement,Educational programs,Collaboration with other organisations ,Governance management and green policies SDG Quality Education,Decent Work and Economic Growth,Sustainable Cities and Communities,Responsible Consumption and Production,Climate Action,Peace Justice and Strong Institutions,Partnerships for the Goals External ID UNIOVI_CP_03 Knowledge Knife-making in Taramundi is a craft that combines technical precision with cultural understanding. At its foundation, artisans need metallurgical expertise: the ability to forge, temper, and sharpen steel so that the blade achieves the right balance between hardness and flexibility. This requires not only manual skill but also an intuitive sense of temperature control and material behaviour. Equally essential is woodworking knowledge, as handles are traditionally carved from local hardwoods such as boxwood. Crafting a handle involves selecting and preparing the wood, shaping it for comfort and durability, and often adding decorative details that reflect regional aesthetics. The practice also demands familiarity with traditional tools and processes, including forges, anvils, and hydraulic hammers historically powered by water. While modern equipment is now common, artisans maintain techniques passed down through generations, ensuring continuity with the past. Beyond technical ability, knife-making calls for design awareness and cultural sensitivity. Each piece must meet functional needs while embodying the identity of Taramundi’s craft tradition. This includes understanding historical forms and adapting them to contemporary markets without losing authenticity. Finally, in today’s context, artisans often develop entrepreneurial skills, engaging with tourism and global distribution. This blend of technical mastery and adaptive knowledge sustains the craft as both a cultural heritage and an economic resource Knowledge Transfer Today, the transmission of knife-making knowledge in Taramundi occurs through a combination of family-based apprenticeship, formal training initiatives, and cultural tourism programmes. Traditionally, skills were passed down within households, where younger generations learned by observing and assisting experienced artisans. This model persists, ensuring continuity of techniques and values, although it now coexists with more institutionalised forms of learning. Several local workshops and craft cooperatives offer structured courses for aspiring artisans and enthusiasts. These programs often include practical demonstrations and hands-on sessions, allowing participants to engage directly with forging, tempering, and handle-making processes. Museums and interpretation centres in Taramundi also play a key role, presenting the historical evolution of the craft and organising educational activities aimed at preserving intangible heritage. Transmission is not limited to physical spaces. Digital platforms and social media have become complementary tools, enabling artisans to share tutorials, showcase techniques, and connect with global audiences. This online presence broadens access to knowledge while reinforcing the cultural significance of the practice. The timing of transmission is continuous but often intensifies during festivals and craft fairs, where artisans demonstrate their skills publicly. These events serve as both educational and promotional spaces, fostering intergenerational dialogue and community engagement. Practitioners The primary bearers of the Taramundi knife-making tradition are local artisans, many of whom belong to families with a long history in the craft. These practitioners often operate small workshops where production combines traditional techniques with the selective modernisation of some processes. Their role is not only technical but also cultural, as they safeguard the authenticity of the craft and transmit its values to future generations. Historically, knife-making was a male-dominated activity, reflecting the gendered division of labour in rural Asturias. Men typically handled forging and assembly, while women contributed to complementary tasks such as preparing wooden handles or managing household economies linked to craft production. Although this division persists in some cases, contemporary practice shows greater flexibility, with women increasingly involved in both technical and managerial aspects of the trade. Within the community, certain individuals assume special responsibilities as cultural mediators. Master artisans, often widely recognised for their expertise and reputation, play a key role in teaching apprentices and maintaining quality standards. They also participate in public demonstrations, fairs, and educational programs, reinforcing the visibility of the craft beyond local boundaries. Additionally, institutional actors (such as museums, craft cooperatives, and tourism initiatives) support transmission and promotion, but the core responsibility remains with the artisans themselves. Their work embodies both material skill and intangible heritage, positioning them as custodians of a tradition that continues to adapt while preserving its cultural essence. Function Today, Taramundi knife-making serves as both an economic resource and a cultural emblem for the local community. Its primary social function lies in sustaining rural livelihoods through artisanal production and tourism. Workshops and craft stores attract visitors seeking authentic handmade goods, creating employment and reinforcing the viability of small-scale economies in an area historically marked by depopulation. Culturally, the practice operates as a symbol of identity and continuity. Knives are not merely utilitarian objects, as they embody values of craftsmanship, resilience, and adaptation to environmental constraints. For residents, the tradition affirms a sense of belonging and pride in local heritage, while for outsiders it represents an image of authenticity associated with Asturias’ rural culture. The craft also fosters intergenerational dialogue, as older artisans transmit knowledge to younger practitioners and to visitors through demonstrations and educational programmes. This interaction strengthens community cohesion and positions the practice as a living heritage. In contemporary discourse, Taramundi knives have acquired a broader meaning as markers of sustainable production and cultural tourism. They exemplify how traditional skills can coexist with modern market dynamics, offering a narrative of heritage preservation aligned with economic innovation. Origins and change The origins of knife-making in Taramundi date back to at least the eighteenth century, when rural households began to complement subsistence farming with small-scale metalworking. Historical records indicate that the availability of iron ore and abundant water streams enabled the installation of hydraulic hammers and forges, creating the technological basis for the craft. Initially, production was highly localised and oriented toward practical needs: knives and cutting tools for domestic and agricultural use. Over time, the practice evolved in response to social and economic changes. During the nineteenth century, Taramundi artisans consolidated their reputation for quality, expanding distribution to regional markets. The craft remained family-based, with transmission occurring through apprenticeship within the household. Gender roles were clearly defined: men managed forging and assembly, while women contributed to auxiliary tasks and trade. The twentieth century brought significant transformations. Industrialisation in Asturias bypassed Taramundi, but modernization affected the craft through the introduction of new materials such as stainless steel and mechanized tools. These changes improved efficiency without erasing traditional techniques, which continued to define the identity of the product. In recent decades, the function of knife-making has shifted from purely utilitarian to symbolic and economic. The rise of cultural tourism and heritage valorisation positioned Taramundi knives as artisanal goods associated with authenticity and sustainability. Transmission now occurs not only within families but also through workshops, museums, and digital platforms, reflecting a hybrid model that combines tradition with institutional and global outreach. Thus, the practice illustrates a dynamic trajectory: from a rural survival strategy to a heritage-based economic resource, adapting to technological, social, and cultural transformations while preserving its core art Organisations The knife-making tradition of Taramundi is supported by a diverse network of organisations that combine heritage preservation, economic development, and cultural promotion. At the local level, family-run workshops and artisan cooperatives remain the backbone of the craft, ensuring continuity of production and knowledge transmission. These entities often collaborate with tourism initiatives and participate in fairs to showcase their work. Among public institutions, the Municipality of Taramundi actively promotes the craft as part of its rural development strategy, while the Principality of Asturias includes knife-making in programmes for safeguarding intangible cultural heritage. These bodies provide logistical and financial support for events, training, and infrastructure as much as they can. A key cultural institution is the Museo de la Cuchillería de Taramundi, which preserves historical artefacts, documents the evolution of techniques, and offers live demonstrations in its museum-workshop. This space functions as an educational hub, reinforcing the craft’s visibility and cultural significance. In addition, craft cooperatives and artisan associations facilitate collective marketing and quality control. Historically, Taramundi artisans were also linked to a nation-wide association of traditional blacksmiths, an organisation that promoted traditional metalworking and included knife-makers among its members. For several years, this association was directed by a master blacksmith from Santalla d’Ozcos, highlighting the area’s leadership in the field. Places The practice of knife-making in Taramundi is closely linked to a network of spaces that combine production, heritage interpretation, and tourism. Artisan workshops remain the primary sites where the craft is actively performed. These small-scale facilities, often family-run, are scattered throughout the municipality and serve as both workplaces and points of sale, allowing visitors to observe traditional techniques in real time. A key institutional space is the Museo de la Cuchillería de Taramundi, which plays a central role in safeguarding and promoting the craft. The museum houses a collection of historical pieces and tools, illustrating the evolution of knife-making from its origins to the present. It also includes a musealised traditional workshop. This setting functions as an educational platform, reinforcing the transmission of knowledge and raising awareness of the craft’s cultural significance. In addition to the museum, interpretation centres and craft cooperatives contribute to the visibility of the practice, organising exhibitions, training sessions, and thematic routes that integrate knife-making into broader narratives of rural heritage. Public spaces such as local fairs and festivals also serve as venues for showcasing the craft, strengthening its social and economic role within the community. Artefacts The tradition encompasses a rich material culture that includes both the produced objects and the tools and machinery required for their fabrication. The most iconic products are folding knives (navajas/navayas) and fixed-blade knives, distinguished by their steel blades and wooden handles, often crafted from local hardwoods. Handles may feature decorative carvings, pyrography, or metal inlays, adding aesthetic value to functional objects. In addition to knives, artisans produce scissors, small axes, and specialised cutting tools, reflecting the craft’s historical link to domestic and agricultural needs. The production process relies on a set of traditional tools that remain central despite technological modernisation. These include forges and anvils for shaping steel, tongs and hammers for manual manipulation, and grinding wheels for sharpening and finishing blades. Historically, workshops employed hydraulic hammers powered by water mills, a distinctive feature of Taramundi’s technological heritage that enabled efficient forging in a rural setting. Today, electric hammers and mechanized grinders complement these traditional implements, but manual techniques continue to define the craft’s authenticity. Woodworking requires its own set of artefacts: carving knives, chisels, and lathes for shaping and smoothing handles, as well as clamps and templates to ensure precision. Decorative work may involve burning tools for pyrography or fine chisels for engraving. Some more advanced workshops use laser engravers. Finally, auxiliary artefacts such as branding stamps (used to imprint the maker’s mark) play a symbolic role, guaranteeing origin and quality. Climate Threats Description The tradition faces several environmental challenges that affect its sustainability. Deterioration of material refers to the increasing difficulty of sourcing high-quality steel and suitable hardwoods for handles, which raises production costs and limits artisanal standards. Deterioration of space is linked to rural depopulation and the abandonment of traditional workshops, reducing the physical infrastructure necessary for transmission and practice. While deforestation is not occurring in the form of large-scale forest loss, a significant risk lies in the replacement of native hardwood species (such as boxwood) with fast-growing invasive species. These alternatives do not provide the same quality for knife handles, compromising both durability and aesthetic value. This ecological shift directly impacts the material culture of the craft. Finally, mining, although less active today, historically altered landscapes and water systems. Any resurgence of extractive activities could further degrade the environment and affect resources essential for artisanal production. These factors highlight the need for proactive measures to ensure resource management, maintain traditional species, and preserve the spaces where the craft is practiced. Economic Threats Description Knife-making in Taramundi faces economic vulnerabilities. Insufficient financial resources and low remuneration make it difficult for artisans to sustain production and invest in modern equipment without compromising traditional methods. Rapid economic transformation, including the shift toward service-based economies and tourism, creates uncertainty for crafts that rely on niche markets. Additionally, poor transport connections in rural Asturias limit distribution and access to broader markets, reducing competitiveness compared to industrial producers. Technological Threats Description The knife-making tradition of Taramundi faces technological pressures that challenge its artisanal character. Industrial production introduces mass-produced knives at lower prices, reducing the competitiveness of handcrafted pieces and shifting consumer preferences toward standardized products. The surge of new technologies, including automated forging and digital design, risks eroding traditional skills if artisans adopt mechanization excessively or if younger generations perceive manual techniques as obsolete. Similarly, the use of modern materials, such as plastics or synthetic composites for handles, threatens the integrity of the craft by replacing native hardwoods and altering the aesthetic and functional qualities that define Taramundi knives. These factors collectively create tension between innovation and heritage, requiring strategies that balance adaptation with authenticity. Policy Threats Description It lacks a robust conservation policy at national or regional levels, and existing measures often suffer from deficient implementation. Regional planning policies that prioritise urban development or large-scale infrastructure can indirectly threaten rural heritage spaces. Furthermore, inadequate management plans for cultural tourism and craft promotion risk overcommercialisation or neglect, leaving artisans without clear frameworks for sustainable growth. Conflicts Description Knife-making in Taramundi is not exposed to war or political intolerance. However, human encroachment on boundaries can indirectly impact the craft. This refers to changes in land use and rural transformation, such as urban expansion or infrastructure projects that alter traditional spaces and disrupt the ecological balance needed for raw materials (e.g., hardwood species for handles). While the risk is moderate compared to other threats, it underscores the vulnerability of artisanal practices to broader territorial and environmental pressures. Demographic Threats Description Taramundi faces rural-urban migration, which accelerates depopulation and reduces the pool of potential artisans. This demographic shift weakens intergenerational transmission and limits the viability of workshops. Degraded habitat, linked to changes in land use and forestry practices, affects access to traditional materials such as native hardwoods, indirectly impacting production quality. Decontextualization Description The knife-making tradition of Taramundi faces risks linked to cultural decontextualisation. Touristification can lead to prioritising quick demonstrations for visitors over authentic production processes, reducing the depth of artisanal knowledge. Overcommercialisation threatens the integrity of the practice by encouraging mass production or simplified designs to meet market demand, compromising quality and heritage values. Globalisation Description Globalisation introduces rapid socio-cultural changes that alter consumption patterns and values, reducing interest in traditional crafts among younger generations. The rise of new pastimes and digital entertainment competes with artisanal learning, making knife-making less attractive as a career or hobby. Weakened Practice Description The knife-making tradition of Taramundi faces demographic and social challenges that weaken its continuity. Many current practitioners are aged artisans, and the number of active workshops has declined over recent decades. This situation is compounded by diminishing youth interest, as younger generations often seek employment outside rural areas or in sectors perceived as more profitable and modern. Consequently, transmission between generations is increasingly interrupted, reducing opportunities for experiential learning and apprenticeship. These factors lead to a reduction in practice, limiting production capacity and the visibility of the craft. While some artisans show willingness to adapt through innovation and tourism, the overall trend reflects a fragile balance between heritage preservation and generational renewal. Loss Threats Description The craft risks loss of knowledge due to declining transmission and aging practitioners. Material shortages, especially of high-quality steel and native hardwoods, compromise production standards. Over time, the practice may suffer loss of cultural significance, becoming perceived as a tourist attraction rather than a living tradition. Finally, the loss of productive status (as artisanal work becomes economically marginal) threatens its sustainability. Safeguarding activities Several initiatives have been implemented to protect and promote Taramundi’s knife-making tradition. These include the creation of artisan cooperatives that support collective marketing and quality standards, and the establishment of training programs and workshops aimed at transmitting skills to younger generations and craft enthusiasts. Cultural tourism strategies have integrated knife-making into heritage routes and fairs, increasing visibility and economic viability. Additionally, the Museo de la Cuchillería plays a key role in safeguarding knowledge through exhibitions and live demonstrations, ensuring that the craft remains accessible and valued as part of Asturias’ intangible heritage. The mayor of Taramundi also told the UNIOVI team in a meeting that for years they have had a centre available in the town with workspaces that artisans can rent, but many other external factors (such as the price of housing or the lack of public services in the area) cause that the few people who settle there with that plan do not stay for long. State of the practice declining Social sustainability This craft contributes significantly to social sustainability through multiple dimensions. First, it strengthens community development and social cohesion, as the practice is deeply rooted in family workshops and local networks that share knowledge and collaborate in production and marketing. This fosters intergenerational solidarity, with skills transmitted from parents to children and increasingly through training programs and craft schools, ensuring quality education linked to cultural heritage. Regarding gender equality and inclusivity, although traditionally a male-dominated activity, recent decades have seen growing participation of women in design, management, and sales roles, promoting equal opportunities. There are also some female artisans, although it remains a predominantly male activity. The integration of knife-making into cultural tourism and local entrepreneurship also creates jobs and helps prevent rural depopulation, supporting community resilience. The craft reinforces social cohesion by nurturing a strong sense of identity and pride in local traditions, which reduces social fragmentation and strengthens belonging. Additionally, its connection to sustainable tourism and cultural initiatives positions knife-making as a driver of rural vitality, ensuring that communities remain active and socially balanced. Environmental sustainability The knife-making tradition in Taramundi shows a moderate but growing commitment to environmental sustainability. One of its main contributions lies in the use of locally sourced materials: artisans often work with regional woods for handles and rely on nearby suppliers for steel, reducing transportation-related emissions and supporting short supply chains. This local approach not only minimises the carbon footprint but also strengthens the link between craft and territory. In terms of waste management, the production process is relatively low-impact, as workshops operate on a small scale and reuse materials whenever possible. Metal scraps and wood offcuts are often repurposed or recycled, and the absence of mass production limits industrial waste. Energy consumption remains modest, with many artisans using traditional manual techniques combined with small electric tools, which are more efficient than large-scale machinery. Pollution prevention is inherent to the craft’s artisanal nature: chemical treatments are minimal, and finishes tend to favor natural oils or varnishes. However, challenges persist regarding the sourcing of steel, which depends on external industrial processes. Recent initiatives, such as promoting eco-design and integrating renewable energy in workshops, indicate a growing awareness of sustainability, ensuring that this heritage adapts responsibly to contemporary environmental concerns. Economic sustainability Taramundi’s knife-making tradition supports economic sustainability by linking heritage to diversified income streams. Artisans sell directly in local workshops, at craft fairs, and increasingly through digital platforms, which broadens market access and reduces dependence on seasonal tourism. This adaptability strengthens resilience in a rural economy. The craft also generates complementary activities (such as guided visits, demonstrations, and museum exhibitions) creating synergies with hospitality and gastronomy. These connections help distribute income across the community and prevent rural depopulation. Place The town or city Municipality of Taramundi and other villages, such as Abraído, Aguillón, Bres, Cabaniñas, Esquíos, Llan, Loutima, Mousende, Nogueira, Río del Louro, Vega de Llan, Santa Eulalia de Oscos and Vilanova. Place Description Asturias, located in the north of Spain along the Cantabrian coast, is a region characterised by its rugged mountainous terrain, abundant rainfalls all year round, and lush vegetation. Its geography is dominated by the Cantabrian Mountains, which historically shaped settlement patterns and economic activities. The region’s natural environment fostered a mixed economy based on agriculture, livestock, and artisanal production, complemented by mining and, later, industrial development in coastal areas. Asturias has long maintained a strong cultural identity rooted in rural traditions, communal practices, and a distinctive linguistic heritage, including Asturian (bable) and Eo-naviego (a western variant deeply influenced by Galician). Within this broader context, Taramundi occupies a unique position in the westernmost part of Asturias, near the border with Galicia. It is a small, mountainous municipality characterised by steep valleys, dense forests, and a network of rivers that historically provided energy for hydraulic systems. These natural resources were crucial for the development of local crafts, particularly metalworking. The isolation of Taramundi, combined with its access to iron ore and waterpower, enabled the emergence of a specialized economy centred on blacksmithing and knife-making from at least the eighteenth century. This artisanal tradition coexisted with subsistence farming, creating a distinctive socio-economic structure where households combined agricultural labour with craft production. Socially, Taramundi was organised around extended family units and small hamlets, fostering strong kinship ties and cooperative labour systems. Cultural practices reflected this rural organisation, with seasonal rhythms and communal festivities reinforcing local identity. The craft of knife-making became not only an economic activity but also a cultural marker, symbolizing skill, resilience, and adaptation to environmental constraints. Over time, these practices co Prim Media 1965 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Taramundi traditional knifemaking Type The nature or genre of the resource Intangible Description An account of the resource The Taramundi knife-making tradition is an artisanal practice rooted in the rural economy of western Asturias, Spain. It consists of the handcrafted production of knives, folding blades, and other cutting tools, combining metalworking with woodcraft. This practice is distinguished by its integration of functional design and aesthetic refinement, resulting in objects that are both utilitarian and symbolic of local identity. Historically, knife-making in Taramundi emerged as a complementary activity to subsistence farming during the eighteenth century, when access to iron ore and abundant water resources enabled the development of small-scale metallurgy. Artisans employed hydraulic hammers and forges powered by local streams, creating a distinctive technological landscape that shaped the craft’s evolution. The knives produced were primarily intended for domestic and agricultural use, reflecting the practical needs of rural households. The process involves several stages: forging and tempering steel blades, shaping wooden handles (often from native species such as boxwood) and assembling the components with meticulous attention to durability and balance. Traditional knives are characterized by their simplicity, ergonomic design, and decorative elements such as hand-carved motifs or inlaid metal details. Over time, the craft incorporated innovations, including stainless steel and modern tools, while preserving core artisanal techniques transmitted through generations. Beyond its technical dimension, Taramundi knife-making embodies cultural values of resilience, adaptability, and craftsmanship. It represents a form of intangible heritage that connects material culture with social identity, as the craft historically reinforced household economies and community cohesion. Today, it functions as a marker of authenticity and local pride, attracting collectors and tourists who seek objects that symbolise continuity with the past. In contemporary contexts, the practice has b Language A language of the resource Asturian,Spanish Extent The size or duration of the resource. x x Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 776 Source A related resource from which the described resource is derived asturiasmap References A related resource that is referenced, cited, or otherwise pointed to by the described resource. García Grinda, J. L. (2011). Turismo y rehabilitación del patrimonio natural y sociocultural en zonas del interior: potencialidad y riesgos. Revista Universitaria de Turismo y Patrimonio, 2(1), 45–62. Pérez de Castro, R. (1985). Artesanía de Taramundi: Cuchillos y navajas. Narria: Estudios de artes y costumbres populares, (39–40), 24–30. Universidad Autónoma de Madrid. ISSN 0210-9441 Quintana López, P. (2005). La labranza y transformación artesanal del hierro en Taramundi y los Oscos. Siglos XVI-XXI. Aportación a su conocimiento (2 volumes, 848 pp.). Asociación “Os Castros” de Taramundi. Quintana, J. C., & Muñiz, I. G. (2025, July 8). Juan Carlos Quintana, Museo de la Cuchillería: “Queremos contar cómo se utilizaba la madera”. Revista FusionAsturias. Retrieved from https://fusionasturias.com/concejos/taramundi/juan-carlos-quintana-museo-de-la-cuchilleria-queremos-contar-como-se-utilizaba-la-madera.htm Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 01/12/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Cuchillería o navajas (navayas) de Taramundi Spatial Coverage Spatial characteristics of the resource. current,43.3603936,-7.1083458; Date Modified Date on which the resource was changed. 02/12/2025 Creator An entity primarily responsible for making the resource 2004 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. University of St Andrews Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Black clay of Molelos Natural Cultural Cultural Function A black clay pot serves as a kitchen utensil, as the waterproof material is suitable for culinary use, and also as a decorative piece due to its unique aesthetics and traditional craftsmanship. The characteristic black colour is the result of the ancient soenga firing technique, in which the clay is covered with earth, creating a reducing atmosphere that gives it the colour and impermeability necessary for use in the kitchen. The terrine is used to make oven-baked rice. Creation Purpose For sale. Technique To make a terrine, the potter first prepares the clay, a process that includes kneading the clay to remove bubbles and impurities and leave it with a smooth consistency. Next, the clay is shaped on the potter's wheel, using the hands to give the terrine the desired shape. After shaping the piece, it is left to dry slowly, before being placed in the kiln. Material Source The potter collects black clay from a local plot of land designated for the extraction of the material. Conecept The terrine is used to make oven-baked rice. Production Quality The artisan actively continues to produce this piece. External ID UAVEIRO_AR_29 Craft ceramics Tool Potter's wheel and finishing tools. Place The town or city Molelos, Tondela, Portugal Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Terrine_or_Casserole_dish_with_lid Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Terrine or Casserole dish with lid Type The nature or genre of the resource Physical Object Description An account of the resource Kitchen utensil, such as a pot or casserole dish, made of dark clay using a traditional reduction firing process that gives it its characteristic colour. Date A point or period of time associated with an event in the lifecycle of the resource 2025 Creator An entity primarily responsible for making the resource 1858 Language A language of the resource Portuguese Extent The size or duration of the resource. 30cm x 30cm x 18cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 743 Source A related resource from which the described resource is derived craftedobjects,portugalobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://uniaodasfreguesiastondelanandufe.pt/2022/01/18/museu-terras-de-besteiros/ https://www.patrimoniocultural.gov.pt/wp-content/uploads/2025/01/Ficha-MatrizPCI.pdf Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 27/10/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Terrina ou Caçarola com tampa Spatial Coverage Spatial characteristics of the resource. current,40.530278,-8.095556; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Test media Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Workshop End Date 2025-09-28 Author iain Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Teverga_-_Rural_Spot_Workshop Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Teverga - Rural Spot Type The nature or genre of the resource Workshop Date A point or period of time associated with an event in the lifecycle of the resource 2025-09-26 Contributor An entity responsible for making contributions to the resource iao@st-andrews.ac.uk Identifier An unambiguous reference to the resource within a given context 518 Source A related resource from which the described resource is derived ruralspots Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 08/05/2025 01:44:05 pm Spatial Coverage Spatial characteristics of the resource. current,43.1432295,-6.1122805; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/0ff4ef2eff6c320e1317c12e2e86a4aa.jpg 3eec7b24a1318d7b99bfc466fae3767b Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID MN_AR_16(02) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Textile piece with smocking Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-03-24 Spatial Coverage Spatial characteristics of the resource. current,68.570175,14.940784; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Julie Therese Sæther Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Norway https://culturality.museum/omeka/files/original/59f7a651b649a442e371b1b7f08f718e.jpg 06951579a1efa2d197bb2ca68168d51f Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID MN_AR_16(03) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Textile piece with smocking Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-03-24 Spatial Coverage Spatial characteristics of the resource. current,68.570175,14.940784; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Julie Therese Sæther Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Norway https://culturality.museum/omeka/files/original/5e8d89f61e0b5bcc09a75c7473b14c0f.jpg 4a90574c220db43edb43d2452596faaa Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID MN_AR_16(04) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Textile piece with smocking Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-03-24 Spatial Coverage Spatial characteristics of the resource. current,68.570175,14.940784; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Julie Therese Sæther Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Norway https://culturality.museum/omeka/files/original/7d35e79603f4d3282352ab97b719b08a.jpg d7728af3ae21a9b4d4fbcc7eb2a6801d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID MN_AR_16(05) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Textile piece with smocking Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-03-24 Spatial Coverage Spatial characteristics of the resource. current,68.570175,14.940784; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Julie Therese Sæther Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Norway https://culturality.museum/omeka/files/original/03466d91133b7bf00d161cd3c771f52d.jpg 34b96899f3e5ff404bd7a8e991b3192a Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Textiles and women in non-european cultures. “The Making of Silk Fabric” by Wang Juzheng (Northern Song Dynasty, 960–1127) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain136 Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Medium The material or physical carrier of the resource. National Palace Museum, Beijing Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1734 Material The boat is made of wood and metal Natural Cultural Cultural Function The function of the object is as a fishingboat. Creation Purpose The purpose of production is to use it in fisheries. Technique The boat is kravell built, that means that the planks lie on top of eachother in opposed to klink built where the plank lie over eachother. They have hemp in between the planks to make the hull tighter. Material Source The wood is from the forests of Namdalens. Conecept The boat is closely connected to cultural practices and local customs in the north norwegian fisheries. This boat also is special as it was in the resistence during WWII. And it refused to sink. Every fisherman has a close realtionship with their boats. Now the era of the wooden boats in fisheries are over and one can get emotional over how good those boats were. Production Quality A boat is a very large unit and it takes time to build it, and every object is unike. On the other there has been produced a lot of these boat, but I dont think you can call it massproduction. External ID MN_AR_19 Field Worker Julie Therese Sæther Craft woodwork,metalwork Tool Hammers, planes og sanders. Place The town or city Sørvågen, Alsvåg, Øksnes municipality Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/The_boat_is_called_Lykken_(Happiness)._It_was_build_as_a_fishingboat_in_1939. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The boat is called Lykken (Happiness). It was build as a fishingboat in 1939. Type The nature or genre of the resource Physical Object Description An account of the resource The boat is called Lykken (Happiness). It was build as a fishingboat in 1939. It is 11,44 m long (37 fots krysser) It is a covered boat, that means if the water comes over it, it will not take in water. The bridge (styrhuset) is in the back of the boat. Under deck there is a cargoroom in the middle of the boat and cabins in front. During WWII the boat was used in sending refugees out of Norway. Date A point or period of time associated with an event in the lifecycle of the resource 1939 Language A language of the resource Norwegian Extent The size or duration of the resource. 1144cm x cm x cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 711 Source A related resource from which the described resource is derived asturiasmap,craftedobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Historie: M/KR Lykken – Øksnes kystlag Lykken - Norsk fartøyvern MK «Lykken» – Wikipedia Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 30/09/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Wooden boat (fiskeskøyte) Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1737 Material The boat is made of wood and metal Natural Cultural Cultural Function The function of the object is as a fishingboat. Creation Purpose The purpose of production is to use it in fisheries. Technique The boat is kravell built, that means that the planks lie on top of eachother in opposed to klink built where the plank lie over eachother. They have hemp in between the planks to make the hull tighter. Material Source The wood is from the forests of Namdalens. Conecept The boat is closely connected to cultural practices and local customs in the north norwegian fisheries. This boat also is special as it was in the resistence during WWII. And it refused to sink. Every fisherman has a close realtionship with their boats. Now the era of the wooden boats in fisheries are over and one can get emotional over how good those boats were. Production Quality A boat is a very large unit and it takes time to build it, and every object is unike. On the other there has been produced a lot of these boat, but I dont think you can call it massproduction. External ID MN_AR_20 Field Worker Julie Therese Sæther Craft woodwork,metalwork Tool Hammers, planes og sanders. Place The town or city Sørvågen, Alsvåg, Øksnes municipality Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The boat is called Lykken (Happiness). It was build as a fishingboat in 1939. Type The nature or genre of the resource Physical Object Description An account of the resource The boat is called Lykken (Happiness). It was build as a fishingboat in 1939. It is 11,44 m long (37 fots krysser) It is a covered boat, that means if the water comes over it, it will not take in water. The bridge (styrhuset) is in the back of the boat. Under deck there is a cargoroom in the middle of the boat and cabins in front. During WWII the boat was used in sending refugees out of Norway. Date A point or period of time associated with an event in the lifecycle of the resource 1939 Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 712 Source A related resource from which the described resource is derived craftedobjects,lofotenmap References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Historie: M/KR Lykken – Øksnes kystlag Lykken - Norsk fartøyvern MK «Lykken» – Wikipedia Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 30/09/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Wooden boat (fiskeskøyte) Date Modified Date on which the resource was changed. 06/04/2026 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Trysil Garn Sportsgarn, three stranded 100% wool yarn. Uses leftover strans for embroidery. Natural Cultural Cultural Function Mittens for warming hands or use with the local folk costume. A Vantar för att värma händer. It’s a garment and accessory which shows tradition and heritage both in the technique and form. Creation Purpose For exhibitions and for sale. Technique Made with nålbindning technique, see RV_CP_06 for further information. Material Source Bengtsson buys her yarn in Norway, at Europris. trysilgarn.europris.no Conecept As the nålbindning is a cultural heritage and history of the region, the mittens are a continuation of the unbroken practice in the valley. Production Quality Bengtsson has made about 40 pair of mittens External ID RV_AR_27 Field Worker Ulrika Jäger, Kajsa Stinnerbom Craft fibre and textile crafts Tool Needle made from moose bone, pattern templates, embroidery needle, pliers, chochet needle. Also uses a glass of water and ”såpa”, gel like (toilet) soap made from fat and potassium, to moist the fingers to help splice the threads and yarn. Saliva is also possible to use. Place The town or city Sysslebäck, Sweden Prim Media 1347 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Dalby mittens Type The nature or genre of the resource Physical Object Description An account of the resource The knitted mittens are made in the nålbidning of Northen Värmland with black wool yarn with flower embroidery and decorated with borders of red wool yarn. The embroidery have the traditional flowers of the mittens such as: rose, viola/pansy and myosotis/forget-me-nots. The red border around is ”crows kicks”, and marks where the mittens were made. Date A point or period of time associated with an event in the lifecycle of the resource 2020s (before 2025) Creator An entity primarily responsible for making the resource 1234 Language A language of the resource Swedish Extent The size or duration of the resource. 26.6cm x 0.3cm x 10cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 618 Source A related resource from which the described resource is derived craftedobjects,varmlandmap References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Vinterblomster. Nålbundna vantar från Dalby i Värmland. Elisabet Jacks Svantesson. ISBN 9789163391026 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/09/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Dalbyvanten Spatial Coverage Spatial characteristics of the resource. current,60.71118,12.88606; Date Modified Date on which the resource was changed. 08/09/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT External Item External Type Physical Object External ID 130 Archive WHM100 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Faery Pipes Type The nature or genre of the resource External Item https://culturality.museum/omeka/files/original/65cf74136746f86abeb56be1d3513ed2.jpg 70685e6a3d42d560661c2d3cfa8346a3 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Golden Bird. Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-21 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Barbara Ivančič Kutin https://culturality.museum/omeka/files/original/90f3ca41a98f03b856c88aa699a5075e.jpg acbc232f05f05871be1691314e783657 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Krmelj blacksmith's workshop (exterior of the building). Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 13.02.2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Barbara Ivančič Kutin https://culturality.museum/omeka/files/original/7d7932f03c899889397e1d0ce3e06efe.jpg 2e946cee1394031b2bbce8aca7dedff3 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The practitioners entrevistados Beatriz Rodríguez, Francisco Wagner y un colaborador del proyecto Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 2025-08-14 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Carmen Pérez Maestro https://culturality.museum/omeka/files/original/1732a8901d0aad28a52b01b66a776d6a.jpg d20421cbf0cd2bf383769df9432db532 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID UNIOVI_CP_02(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The process of cheesemaking Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-01-30 Spatial Coverage Spatial characteristics of the resource. current,43.3169333969445,-6.13166887325786; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/def657f40057c1c3da4b3b1a48dd259b.jpg 1ced7fe6a33df8b28adf32a844b1b025 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Intangible:Afuega'\''l pitu cheesemaking Identifier An unambiguous reference to the resource within a given context 1264 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID UNIOVI_CP_02(02) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The process of cheesemaking Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-01-30 Spatial Coverage Spatial characteristics of the resource. current,43.3169333969445,-6.13166887325786; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/e35e81810f88b3a3647ffc22ea0d4f34.jpg 5f875178961b0dd43238fb188f60666a Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID UNIOVI_CP_02(03) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The process of cheesemaking Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-01-30 Spatial Coverage Spatial characteristics of the resource. current,43.3169333969445,-6.13166887325786; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/5e2a2da10837ece4f63a2b20560d5671.jpg ef3a28e421ec1b5db9b1a2741357ab04 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID UNIOVI_CP_02(04) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The process of cheesemaking Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-01-30 Spatial Coverage Spatial characteristics of the resource. current,43.3169333969445,-6.13166887325786; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/07f9ffb368846f33682ac009031c5d62.jpg 9aab4afc8103d7831c5f18743b332e65 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID UNIOVI_CP_02(05) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The process of cheesemaking Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-01-30 Spatial Coverage Spatial characteristics of the resource. current,43.3169333969445,-6.13166887325786; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/25d7281a8e6662d629ed66cff9894c5a.jpg 25ebe6bc3abf1192890cf5a14a9738f6 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID UNIOVI_CP_02(06) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The process of cheesemaking Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-01-30 Spatial Coverage Spatial characteristics of the resource. current,43.3169333969445,-6.13166887325786; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/57cf9897dfe3f254c20e9a6438820f29.jpg b499b7a66db670cf7dc5c68a552bdbe3 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID UNIOVI_CP_02(07) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The process of cheesemaking Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-01-30 Spatial Coverage Spatial characteristics of the resource. current,43.3169333969445,-6.13166887325786; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/753dd9ef92f1a2754e7ad6c034cb4160.jpg 5a15485974600db27dd2fefbbaa99936 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID UNIOVI_CP_02(08) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The process of cheesemaking Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-01-30 Spatial Coverage Spatial characteristics of the resource. current,43.3169333969445,-6.13166887325786; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/98496185b3513f75ec85b1ad19485f6d.jpg f148de31648401c5dd738df4940fb2fa Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID UNIOVI_CP_02(09) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The process of cheesemaking Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-01-30 Spatial Coverage Spatial characteristics of the resource. current,43.3169333969445,-6.13166887325786; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/9e8d8cb5c220850b8741c87c7b0a1977.jpg 597c4119cea37cba24edd8d91a922157 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID UNIOVI_CP_02(10) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The process of cheesemaking Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-01-30 Spatial Coverage Spatial characteristics of the resource. current,43.3169333969445,-6.13166887325786; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/bff5bb3cde8bc604cc717e2eaa87ad4c.jpg d6773bf13d368b4b97f082da33354244 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID UNIOVI_CP_02(11) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The process of cheesemaking Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-01-30 Spatial Coverage Spatial characteristics of the resource. current,43.3169333969445,-6.13166887325786; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/324ee7210437526c1e975bf325e9636b.jpg c839c0af17437869cf609e22988be4b0 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID UNIOVI_CP_02(12) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The process of cheesemaking Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-01-30 Spatial Coverage Spatial characteristics of the resource. current,43.3169333969445,-6.13166887325786; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/da6387835725f111b2c80bbd1b5b0f7c.jpg 100bc7bd3b147da1bb308dece9608ee9 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID UNIOVI_CP_02(13) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The process of cheesemaking Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-01-30 Spatial Coverage Spatial characteristics of the resource. current,43.3169333969445,-6.13166887325786; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/554630255422e150ae93ac24f723b213.jpg 39ff184934317e2c2144615a0c7636d9 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID UNIOVI_CP_02(14) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The process of cheesemaking Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-01-30 Spatial Coverage Spatial characteristics of the resource. current,43.3169333969445,-6.13166887325786; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/68b63de4bf22b2f0bafca4e8ed822187.jpg e9542b679d8046c0e1ac599c6f0a16f5 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID UNIOVI_CP_02(15) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The process of cheesemaking Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-01-30 Spatial Coverage Spatial characteristics of the resource. current,43.3169333969445,-6.13166887325786; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/c102638ac3273471d4e7f6da735a553a.JPG 1fd2471bf177fcadef73db452368ea12 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Finnskogen Identifier An unambiguous reference to the resource within a given context 936 Panorama Zoom Min 18 ry Rotation Y 90 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Stone Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Spatial Coverage Spatial characteristics of the resource. current,60.139144,12.549936; Source A related resource from which the described resource is derived 4scotlandunitedkingdom,finnskogen Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/1859c325cfca528cdc85dd30ee3f6941.png 767e671a5d9fb78a8a158ced1dead155 Custom Pin Zoom Min 15 Icon Size 150 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Stone Type The nature or genre of the resource Custom Pin Format The file format, physical medium, or dimensions of the resource image/png License A legal document giving official permission to do something with the resource. In Copyright (InC) Spatial Coverage Spatial characteristics of the resource. current,60.139144,12.549936; Source A related resource from which the described resource is derived finnskogen Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Site Institutional nature Museum, Ecomuseum, Extended Museum, Territorial Museum, Cultural Center, Memory House, e-Museum, etc Cultural Heritage Prim Media 1414 Zoom Min 15 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Stone Type The nature or genre of the resource Site Extent The size or duration of the resource. cm x cm x cm Identifier An unambiguous reference to the resource within a given context 928 Source A related resource from which the described resource is derived finnskogen Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 11/05/2026 Contributor An entity responsible for making contributions to the resource iain Date Modified Date on which the resource was changed. 05/11/2026 02:08:46 pm Spatial Coverage Spatial characteristics of the resource. current,60.139144,12.549936; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. The Stone https://culturality.museum/omeka/files/original/4fe5c3f991a3fb9095ddfd20d9f55430.jpg e52d5fb90b2644d7dd6a5b7e030f9ed6 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The textile industry and its pollution since the Industrial Revolution. Barbour’s flax thread works Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain136 Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-NonCommercial-NoDerivs License Medium The material or physical carrier of the resource. United States Library of Congress’s Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/be5f0458729ff6c10df9af8f8a7cefc7.jpg b79d68d47e066ae9faf28b68c145db95 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The textile linked toand a tool: woman spinning“Spinning wheel”women as both an attribute and seducing a man. by Adolphe Weisz (ca. 1850) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain136 Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Medium The material or physical carrier of the resource. Liveauctioneers Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE External Item External Type Tour External ID 65 Archive CINE Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ultimate Photosphere Challenge Type The nature or genre of the resource External Item https://culturality.museum/omeka/files/original/7efc3dac67ac944eb0334aacf86129d3.JPG b4f767e952e9a30e303097dfb0926f72 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID CJMM_AR_01(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The weaver working on traditional wool shoulder bag in Maramures Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2024-12-12 Spatial Coverage Spatial characteristics of the resource. current,47.9667699419435,23.6999999964607; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Marius Muresan Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Romania https://culturality.museum/omeka/files/original/445e6a99e442faa9e3a3cd81a532b2dc.jpg 2d873ba91550b9b6a0e9085853a4bae7 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. DescriptionEN English Description UNIOVI_PR_06(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The workshop during the interview Type The nature or genre of the resource Still Image Description An account of the resource UNIOVI_PR_06(01) Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/0af7cb3c9715e806a2380e15affe67a6.jpg af803ff27aa2de9202d23bf8d43af010 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Therese Henner Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg Source A related resource from which the described resource is derived sweden License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2024:02:16 12:10:06 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Artisan An artisan Contact therese.henner@gmail.com Author iain Email The email address of the museum. therese.henner@gmail.com Phone The phone number 46724032138 Prim Media 702 Biographical Text Therese works part-time with her own company Sirli Textil och part-time at Klässbols linneväveri (linen weaving). In her company she primarily works with different weaving techniques. She's also plant dyes and eco-print. She makes primarily everyday textile artefacts. She holds lectures, courses and exhibitions within her field. Her studio is at Gammelvala (open air folk museum) in Brunskog. Therese works with traditional weaving techniques such as tapestry and pick-up techniques such as rölakan, rya, HV-technique/woven transparency and pulled warp. Shuttled weaving techniques and traditional patterns that are of frequent use in her woven expression in rosepath, monk’s belt, dukagång and overshot weave. She has a genuine interest of sustainable practices, cultural heritage and questions regarding nature. External ID RV_PR_03 Knowledge Acquisition See above Knowledge Transfer Lectures, courses, workshops focus on heddle loom, and mending fabric. Course in eco-printing on vocational schools (folk high school). Have also been guest lecturer at University of South-Eastern Norway (campus Notodden’s textile education). She’s taught at the study association in Karlstad and held workshops at Rackstadmuseet and the municipality of Arvika. She sees there’s a growing interest for weaving in all ages, primarily in women. Field Worker Ulrika Jäger, Sara Olsson Gender female Area Relation native Occupation fibre and textile crafts Involvment part-time paid job knowledge1 Henner’s paternal grandmother taught her to crochet when Henner was a child, and her mother taught her to sew when Henner was around 10-11 years old. She’s studied two year of textile and two years of textile and arts education at University of South-Eastern Norway and holds a bachelors of Arts and crafts (textile). Then she received a scholarship for further studies of weaving 2019-2020 at Ritwa Lingrot (traditional weaving) and Gunilla Brander-Smedberg (tapestry and plant dying). material1 Henner chooses primarily natural materials such as linen and wool, both with rich traditional use in Sweden. She also to some extent uses cotton and hemp. Natural fibers are important for her and sees no alternatives. material2 Henner buys her wool yarn from Swedish manufacturer: Garnhuset Kinna textil as well as wool "pälsullgarn" from Rauma (Norway). Henner buys her linen yarn from Holma (the fibers are grown in Eastern Europe and France). For eco-print fabric she imports thin wool shawls from England. material3 Henner has gotten linen yarn from the 1930-40’s and other yarns from estates in the local area where she lives. She also buys second hand. Since short yarns can be used for decorations in weaves, she collects and uses what she cans or arranges so that others can use leftover yarn. production1 Weaving, crocheting, sewing production2 All tools necessary for hand weaving on a counterbalance (floor) loom, band loom or a heddle loom. Weft, warp, scissors, equipment for dying, different needles... production3 Henner has her mother's tailor's scissor, which was a present and she still uses. The floor loom "Öxabäck" she uses, which Henner describes as the "rolls royce" of looms, is so tall that she can either stand or sit while weaving which fits her height of 1.7m. Henner also has a loom after her maternal grandmother in the farm house of her family home, but the wood has warped and is no longer useable. There was also a small ridgid heddle loom found in the insulation of her family home's attic, which was mended with linen thread and is used by Henner now. production4 The studio is heated with electricity. Her home is heated with a wood burning stove and electricity. production5 There's no waste. workshop Currently involved in a course at vocational school in Stöllet, Värmland. Next time she’s teaching there is summer of 2025. products1 Primarily hand woven cushions, lamp shades, jewelry, band and shawls. products2 She makes applied arts which are for use, beauty and joy in the homes of people. products3 They are sold at Konsthantverkarna i Arvika, Rackstadmuseet (Arvika) and at her studio outside of Arvika. products4 She provides repairation services. products5 Yes. Henner believes that it's important that an older object can have an extended life if it's mendable. products6 Mainly women between 50 - 70 years old. products7 Her studio is situated at (above all at summertime) well-visited open-air museum in Värmland. The association which runs the place also arranges events such as markets throughout the year, which are popular. Each summer the the week-long event “Gammelvala” is arranged (in dialect translated to old world), during which all the area is filled with activities connected to cultural heritage. Tourists visiting can see Henner’s studio during this week too, but Henner has no activities of her own connected to tourists. tourism1 Jag ställer inte ut på marknader förutom här på hembygdsgårn eller som dom marknader som vi har här och evenemangen som Gammelvala och så och då har jag ju öppen atelje med försäljning härifrån så och inget stånd nere på området och det är ju både positivt och negativt. För naturligtvis hade ju fler folk sett mig om jag hade haft en plats som var mer öppen och tillgänglig, samtidigt så är det kan det vara svårt fortfarande med konsthantverk på det sättet jämte utbudet på såna marknader och det är prismässigt naturligtvis för det blir en ganska stor skillnad. En tanke med det att jag inte vill stå därnere är ju att jag vill visa och sälja mitt hantverk liksom nära där jag också producerar eller skapar det för det ger ett mervärde till kunden och en förhoppningsvis en förståelse för tiden som är lagt på produkten. När man ser ateljen och verktygen och så. tourism2 Member of Arvika konsthantverk (Arvika’s Arts and Crafts) which is an economic association with a store in central Arvika with an exhibition space. It’s a well-established association which has been around for about 120 years. She’s also a member of The Artists' Association of Sweden. As of 2025, she's a member of the project Co-craft Collection Experiment about natural dyes. (more: https://www.instagram.com/cocraftcollection/) partnership Member of Arvika konsthantverk (Arvika’s Arts and Crafts) which is an economic association with a store in central Arvika with an exhibition space. It’s a well-established association which has been around for about 120 years. She’s also a member of The Artists' Association of Sweden. As of 2025, she's a member of the project Co-craft Collection Experiment about natural dyes. (more: https://www.instagram.com/cocraftcollection/) challenges1 Time is an important factor, and to take time for development. There’s a pressure of production. Social media takes a lot of effort to be active enough. It’s important to stand out “in the crowd”, digitally even though it’s easier these days living rurally. challenges2 "Det tar nån timme att fundera ut vad man ska skriva i dom där inläggen. Det är inte bara att lägga upp vad som helst." It takes about an hour to figure out what to write in these posts. It’s not just about posting anything. references Konsten att väva. En praktisk handbok. Av Åsa Pärson och Amica Sundström. ISBN: 9978-91-7887-085-1 Handbok i vävning. Bindningslära med konstvävnader. Av Ulla Cyrus- Zetterström. ISBN: 91-36-00445-6 A handweavers patterns book, by Marguerite Proter Davison ISBN: 9781626548428 Tapestry with pulled warp. Inspiration, Technique and the Creative Process. Av Susan Iversen. ISBN: 987-0-7643-5933 Social Media The social media links. facebook,https://www.facebook.com/sirlitextil;instagram,https://www.instagram.com/sirli_textil; Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Therese_Henner Material Linen,cotton,wool,hemp Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Therese Henner Type The nature or genre of the resource Artisan Date A point or period of time associated with an event in the lifecycle of the resource 1986 Language A language of the resource Swedish Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 404 Source A related resource from which the described resource is derived artisans,people,varmlandmap Spatial Coverage Spatial characteristics of the resource. current,59.6574488,12.890542; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Sweden Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Therese Henner Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://arvikakonsthantverk.se/medlemmar/therese-henner.html https://culturality.museum/omeka/files/original/ef6950a8824d23dd9aa09a54f7cfd760.mp4 23ea95ebaebb2cd178dcc685f8a7bc2d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Värmland Identifier An unambiguous reference to the resource within a given context 179 Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. DescriptionEN English Description Är du vid vardagslivet led, och synes dagen grå, så sätt dig vid din vävstol ned, och väv en aln, ja två. Då gladare du livet ser - det är en moras råd - och du åt vardagsväven ger en vackert glansig våd If you are tired of everyday life, and the day seems gray, then sit down at your loom, and weave a cubit, yes two. Then you will see life more cheerful - that is the advice of a mother - and you will give to the everyday fabric a beautifully shiny web Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Therese Henner - wall with poem Type The nature or genre of the resource Moving Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource video/mp4 Source A related resource from which the described resource is derived ruralspots,ruralvarmland,varmlandmap License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Description An account of the resource Är du vid vardagslivet led, och synes dagen grå, så sätt dig vid din vävstol ned, och väv en aln, ja två. Då gladare du livet ser - det är en moras råd - och du åt vardagsväven ger en vackert glansig våd If you are tired of everyday life, and the day seems gray, then sit down at your loom, and weave a cubit, yes two. Then you will see life more cheerful - that is the advice of a mother - and you will give to the everyday fabric a beautifully shiny web Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. VIDEO Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://culturality.museum/galleries/upload/Culturality_-_Therese_Henner_Clip01184884.mp4 https://culturality.museum/omeka/files/original/21d283392144c6229184837f543dcf71.JPG 70ac1925c757f4393db6dacdd6545dba Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID RV_CP_03(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Therese Henner at her loom in her studio, weaving. Profile view. Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2024-02-16 Spatial Coverage Spatial characteristics of the resource. current,59.6574488,12.890542; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Susanne Johansson Sadri Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Sweden https://culturality.museum/omeka/files/original/5ab1609a4cd7b2877c5b2a6f1dd4b2aa.JPG 5669917f7d1d20654fd81a35d2b71912 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID RV_PR_03(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Therese Henner looking into camera, wearing scarf and band she's woven herself. Winter landscape in background Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2024-02-16 Spatial Coverage Spatial characteristics of the resource. current,59.6574488,12.890542; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Susanne Johansson Sadri Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Sweden https://culturality.museum/omeka/files/original/7d77698e3f1e3f5c8f1e274fe528254f.jpg 489d099e5878cca89fba154e9e5a4e65 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID RV_PR_03(02) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Therese Henner sitting at loom. View from front and natural dyed yarns hanging on string above heddles Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2024-12-06 Spatial Coverage Spatial characteristics of the resource. current,59.6574488,12.890542; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Susanne Johansson Sadri Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Sweden Website A resource comprising of a web page or web pages and all related assets ( such as images, sound and video files, etc. ). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Therese Henner Touch screen exhibit Type The nature or genre of the resource Website Format The file format, physical medium, or dimensions of the resource text/x-uri License A legal document giving official permission to do something with the resource. In Copyright (InC) Identifier An unambiguous reference to the resource within a given context 806 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://culturality.museum/touchscreens/varmland/ Artisan An artisan Contact stefan.barkman@regionvarmland.se Author Stefan Biographical Text He has been working with clay since his teenage years, first as an apprentice to his mother, and then with potters in various studios in Sweden and the USA. Since 2025, he has been supplying restaurant ware to The Winery Hotel in Solna, Restaurang Bleck in Stockholm, Hellas Storstugan in Nacka, Djursholm Country Club, and Restaurang Regi in Arvika. His ceramics are also featured at the Rackstad Museum. Thomas' hope is to create someone's favorite tea mug or breakfast bowl, one that can bring function and joy for years to come. Occupation Other Retired teacher Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Thomas_Salzer Field Worker Stefan Barkman Gender male Email The email address of the museum. thomas@salzers.se Phone The phone number +46 (0)70-608 37 09 Prim Media 2367 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thomas Salzer Type The nature or genre of the resource Artisan Description An account of the resource Thomas throws functional ware from Swedish, Danish, Dutch, and English stoneware clays. His glazes contain wood ash from kitchen stoves and fireplaces, which gives life and color to the glaze surface, while also varying depending on where the clay is dug up and what type of wood is burned. In the wood-fired kiln, he lets the flames and the fire have the final say, with 12 hours of intense firing leaving clear traces of hot flames and molten ash on the unglazed outer parts of the pots. Contributor An entity responsible for making contributions to the resource Stefan Identifier An unambiguous reference to the resource within a given context 1002 Source A related resource from which the described resource is derived artisans Spatial Coverage Spatial characteristics of the resource. current,59.70809,12.634; Language A language of the resource English,Swedish Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Thomas Salzer Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://www.salzers.se Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Sweden https://culturality.museum/omeka/files/original/926924fec098b09716ae26d4d4d6362c.JPG 7871bf64cb0e6982154e82e85113118a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Thomas Salzer Identifier An unambiguous reference to the resource within a given context 2363 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. DescriptionEN English Description Thomas Salzer throws pottery in his home studio with a view of Lake Racken. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thomas throws pottery 01 Type The nature or genre of the resource Still Image Description An account of the resource Thomas Salzer throws pottery in his home studio with a view of Lake Racken. Contributor An entity responsible for making contributions to the resource Stefan Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2026:05:18 16:03:04 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Stefan Barkman https://culturality.museum/omeka/files/original/e2b51c3412557b82ee6f0d55af200f3f.jpeg ae43d29a7ee05a1e1a4cc90ac4d92126 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Thomas Salzer Identifier An unambiguous reference to the resource within a given context 2363 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. DescriptionEN English Description Thomas Salzer throws pottery in his home studio with a view of Lake Racken. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thomas throws pottery 02 Type The nature or genre of the resource Still Image Description An account of the resource Thomas Salzer throws pottery in his home studio with a view of Lake Racken. Contributor An entity responsible for making contributions to the resource Stefan Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2026:05:18 16:01:53 Medium The material or physical carrier of the resource. Cropped photo Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Stefan Barkman https://culturality.museum/omeka/files/original/68a39b3b290c3420a75667e866c75b58.JPG 0370015ef768822a22fa09b785e462fc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Thomas Salzer Identifier An unambiguous reference to the resource within a given context 2363 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. DescriptionEN English Description Thomas Salzer throws pottery in his home studio with a view of Lake Racken. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thomas throws pottery 03 Type The nature or genre of the resource Still Image Description An account of the resource Thomas Salzer throws pottery in his home studio with a view of Lake Racken. Contributor An entity responsible for making contributions to the resource Stefan Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2026:05:18 16:02:40 Spatial Coverage Spatial characteristics of the resource. current,59.70809,12.63400; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Stefan Barkman https://culturality.museum/omeka/files/original/876cae472ed4d53029b1583cb9ca07c7.mov 98ff12a5ef005c74984e35d227d09921 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Thomas Salzer Identifier An unambiguous reference to the resource within a given context 2363 Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. DescriptionEN English Description Thomas Salzer throws pottery in his home studio with a view of Lake Racken. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thomas_Salzer_Pot_2K_25p.mov Type The nature or genre of the resource Moving Image Description An account of the resource Thomas Salzer throws pottery in his home studio with a view of Lake Racken. Contributor An entity responsible for making contributions to the resource Stefan License A legal document giving official permission to do something with the resource. In Copyright - Educational Use Permitted Spatial Coverage Spatial characteristics of the resource. current,59.70809,12.63400; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. VIDEO Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Stefan Barkman Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://culturality.museum/galleries/upload/Thomas_Salzer_Pot_2K_25p.mov Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1649 External ID LAPONTE_AR_17 Place The town or city San Salvador, Quirós, Asturias Craft ceramics,glasswork Material Clay, glass Material Source The artisan primarily uses clays of Spanish origin, sourced from the regions of Tarragona and Alicante. The glass used for the surface glaze is sourced from recycled glass from cider, beer, wine and mead bottles. Technique Crafted using modelling techniques and fired at high temperature. The crushed glass disperses over the modelled surface of the piece and is fired into the ceramic, becoming gel-like during firing. Upon cooling over the subsequent hours, it presents a visible crackled finish. Tool Potter’s hand tools Function It is a decorative piece Creation Purpose For sale Production Quality 3 Conecept - Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Three ceramic incense burners Type The nature or genre of the resource Physical Object Contributor An entity responsible for making contributions to the resource Carmen Pérez Maestro Identifier An unambiguous reference to the resource within a given context 678 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Conjunto de incensiarios Language A language of the resource Spanish Spatial Coverage Spatial characteristics of the resource. current,43.1642031567794,-5.97880474556343; Extent The size or duration of the resource. cm x cm x cm Date A point or period of time associated with an event in the lifecycle of the resource 2020s Description An account of the resource A set of three incense burners of different shapes and sizes, with coloured glazed surfaces. Creator An entity primarily responsible for making the resource 1492 Europeana Specific elements of the Europeana Semantic Elements. Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain Site Institutional nature Museum, Ecomuseum, Extended Museum, Territorial Museum, Cultural Center, Memory House, e-Museum, etc Cultural Heritage Prim Media 137 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Timespan Type The nature or genre of the resource Site Description An account of the resource Timespan is a cultural organisation in Helmsdale, a village in the very north east of the Scottish Highlands, with local, global and planetary ambitions to weaponise culture for social change. Timespan is a place for art, research, heritage, local history, future propositions and action. We believe that cultural institutions are a political and public space which belong to society, and as such, have a responsibility to shape a brighter new world based on principles of equality, emancipation and inclusion. Comprised of a local history museum, contemporary art programme, geology and herb gardens, shop, bakery and cafe, we take a holistic and integrated approach to our programme and organisation so all elements of what we do and are, service our civic and political agendas – to make art and heritage work meaningfully for our constituents and village and as tools for global cultural and social change. Identifier An unambiguous reference to the resource within a given context 33 Source A related resource from which the described resource is derived museum,highlandandislands Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 05/04/2024 Contributor An entity responsible for making contributions to the resource sp259 Spatial Coverage Spatial characteristics of the resource. current,58.11669364348898,-3.653840137494113; Date Modified Date on which the resource was changed. 11/25/2025 03:10:54 pm Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Timespan Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://timespan.org.uk/ Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Scotland External Item External Type Museum External ID 56 Archive CINE Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Timespan - Helmsdale Heritage and Arts Society Type The nature or genre of the resource External Item https://culturality.museum/omeka/files/original/3c14a695ef9d2515dd2f7349550d0ec6.JPG 536c243ebe46854e6f56924e195bd806 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Timespan Knitting Group Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg Source A related resource from which the described resource is derived helmsdale License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 0000:00:00 00:00:00 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Museum Represents a museum Contact melendezenrique@uniovi.es Author melendezenrique@uniovi.es Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/TimeSpan_Museum Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource TimeSpan Museum Type The nature or genre of the resource Museum Contributor An entity responsible for making contributions to the resource melendezenrique@uniovi.es Extent The size or duration of the resource. x x Identifier An unambiguous reference to the resource within a given context 463 Spatial Coverage Spatial characteristics of the resource. current,58.116531081399245,-3.6542831361293793; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. TimeSpan Museum External Item External Type Tour External ID 62 Archive CINE Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Timespan Museum and Art Gallery Type The nature or genre of the resource External Item Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: University of St Andrews Identifier An unambiguous reference to the resource within a given context 4 Intangible State of the practice thriving Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Tinsmithing Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tinsmithing Type The nature or genre of the resource Intangible Extent The size or duration of the resource. x x Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 492 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 28/07/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/daa3143e39c12cd8164269172091d3fb.jpg a4451de86919decd97dbf7451ee6ea3e Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID RV_CP_05(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tools used by Kristine Thenman Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-17 Spatial Coverage Spatial characteristics of the resource. current,59.6373482,12.7951043; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ulrika Jäger Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Sweden https://culturality.museum/omeka/files/original/ef21b12671d52c1eff9399633e514e38.jpg bd80ef1b32c03126f6eaa6cd7d4aa397 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID RV_CP_06(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tools used in the practice. Belong to Bibbi Bengtsson Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-07 Spatial Coverage Spatial characteristics of the resource. current,60.7107258,12.8673235; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ulrika Jäger Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Sweden https://culturality.museum/omeka/files/original/b3287c36a22445601e849acdf4b37a32.jpg 2bd1cc144ded2905218d9d46bc5120c9 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID MN_AR_07(03) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Top view of the sea eagle scultpture by Tor-Vegard Mørkved Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-12 Spatial Coverage Spatial characteristics of the resource. current,68.0049977533612,13.2073237978534; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Agnes Csenki Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Norway https://culturality.museum/omeka/files/original/9f911a6df3b324e5e28e49f5c995d873.jpg 9522bace248ad3a34445c6fe2c0e6c73 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID MN_AR_07(07) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tor-Vegard holdig up the sea eagle sculpture in the workshop Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-01-29 Spatial Coverage Spatial characteristics of the resource. current,68.0049977533612,13.2073237978534; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Agnes Csenki Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Norway Artisan An artisan Contact tor-vegard@smedenisund.no Author iain Email The email address of the museum. tor-vegard@smedenisund.no Phone The phone number +47 76 09 36 29 Prim Media 688 Biographical Text Tor-Vegard Mørkved, art blacksmith, The Blacksmith in Sund (Smeden i Sund), with his world: "the only Cormorant-maker blacksmith in the World" (Verdens eneste skar. His emblematic artwork is a sculpture of a native seabird, cormorant (skarv). Tor-Vegard was born in 1965 and is a local and a native to Flakstad Island in Lofoten. He is the successor of Hans Gjertsen, the first Smeden i Sund, or as he was later called "Gammelsmeden"/"The Old Balcksmith". Tor-Vegard learned his crafts and knowledge regardindg the practice from Hans Gjertsen between 1987 and 1989 as a trainee. He took over the forge in 1989 from Hans and delevolped new versions of the previously created cormorants, and introduced new products. Tor-Vegard is also the head of the Sund Fishery Museum. The museum displays boat motors and life in a fishing village. The forge is a part of the museum. The practitoner is also known for his local engadgements. He created the light boat for the local church in Flakstad, a nordland type boat, forged from steel, to hold candles and lights in the chuch as remeberance. Tor-Vegrad is married and is a father to 6 children. He has been working as a backsmith for 38 years. External ID MN_PR_02 Knowledge Acquisition Tor-Vegard learned his skills from the previous blacksmith in Sund, Hans Gjertsen as a trainee 1987-1989. Gjetrsen was the "first" Smeden i Sund, (blacksmith in Sund) and he created the emblematic cormorant design. The hand forged bird figure, that stands on a piece of stone from Lofoten became a known art piece after King Olav V., King of Norway got an example from Hans Gjertsen. The king visited Lofoten to åpen a the newly completed Lofoten road, E10 in 1963. The opening ceremonies took place Tor-Vegard took over the smithy and developed the desing to its form today. Knowledge Transfer The practitioner accepts trainees. He recently had his son as a trainee in the fogre. Hans Mørkved just got his cerification as a blacksmith, he is also practicing in the workshop, working towards to become the successor of Tor-Vegard. Field Worker Agnes Csenki Gender male Area Relation native Area Reason Sundveien 118, 8384 Sund, Flakstad Municipality, Lofoten Islands, Nordland County, Norway Occupation metalwork Involvment full-time paid job knowledge1 The practitioner must have both practical and theoretical knowledge, connected to the metals and tools, and a basic knowledge in metallurgy. Forging is a hard physical work, that requires physical strength knowledge of the properties of the material in use, and the tools one needs. Knowing the tools he is using is essential to get the right results. Good safety routines, applied to both the person working and the visitors is also very important. Planing, design, cretive material use, reasonable materila use. The practitoner also uses obersvation of nature and humans, as inspiration in his crafts. material1 Metal, steel, brass, natural stone, harvested from the sea. material2 He previously could buy metal locally, from local distributors (f. eks. from Ballstad), but the suppliing became more centralised. Recently he buys metal from Harstad, from a supplier. The practitiones prefers to buy his tools, machines and materials locally, if it is possible. It is important for him to support the local businesses. Since Sund is a small fishing village with low population, in a remote island, it requires planning to get all the supplies that are neccessary for the poduction. material3 There are little leftovers, Tor-Vegard has an effective, reasonable and material-saving practice at material use. Metal is a a vesatile material and leftovers can often be used up in different projects. The practitioner has a reasonable practice in leftover management, and he keeps a limited amount of leftovers, that can be used in diferent new prodjects in a creative way. Metal can be recycled, Tor-Vegard uses the recylcling services of the closest enviromental station. production1 Tor-Vegard works with steel and froms warm metal into shapes. He practices traditional forging in his workshop and uses hot forging by hand and hot forging by mechanical hammer. He attaches different pieces together by welding. The practitioner finishes his products by brushig and polishing. Different finishing techniques give different results. Burning oil onto the surface provides a black finish, brushing brass onto the hot surface results a golden shine. Tor-Vegard uses epoxy glue to attach the metal figures onto the stones. production2 Tor-Vegards is using his own tools. Pliers in different sizes and forms, anvils, hammers also in different sizes and forms, mechanical hammers, coal forge with a fan, welding machine, grinders, and brushes. These equipment he knows well, and are adapted to his needs and ways to work. production3 Tor-Vegard uses his own tools, whitch are customised and adapted for his needs. Some of the tools and machinary he inherited from the previous blacksmith, Hans Gjertsen, others he bought, or created himself. He says that he is not connected emotionally to his tools, but as a matter of course he can work best with his own tools, can rely on them and in that sense he is connected to them. He doesnt find it difficult to replace his old tools if its needed. production4 Tor-Vegard uses a mix of energy sources in his workshop: electricity, coal burning to warm up the metals, and gas burning also to warm up metal. Electricity is used to warm up the workshop in the winter time, to operate the fan that provides oxigen to the burning in the forge. Electricity also operates the heavy, mechanical hammers, the welding machine and other small electric tools (f.e. brushes). The coal (coke, cola, rarely charcoal) he burns in the forge to warm up the metal. production5 During the process, a limited amount of waste generates. The waste that cannot be reused or recycled by the practitioner, are the ashes after burning coal, grinding dust and smaller metal pieces. He delivers the waste to the local enviromatal station (Mijløstasjon-Fjøsdalen) for further waste management. workshop Yes, the practicioner has his own workshop, that functions both as workshop and as a "showroom" to showcase his products and practice-how the products are made. He interacts with the visotors as a host. That hybrid setup offers a great opportunity by catching the interest of the visitors, creating a multi-sensory, personal experience and a will to purchase. products1 The practitioner produces metal sculptures, mostly inspired by nature, humans, and animals in Lofoten; sea birds such as cormorant, sea eagle, penguin. He enjoys dinamics and aerodynamica, and, dynamic human figures. products2 Tor-Vegard produces his products for sale. He accepts special orders on products, that are slo for sale. Tor Vegard creates works occasionaly for the community, for example he forged the "lysbåt"/"light boat" for the church og Flakstad. A traditional nordlandsboat, made of steel, where the church members can lit candles and tea lights as remeberance. products3 The items are sold in the workshop, in the Cafe, driven by Tor-Vegars family in the Museum area, and on Tor-Vegards webshop (https://smedenisund.no/nettbutikk/). products4 Orders, reparations, forging services products5 Yes, he offers repairs and connected sercices to the products he sells. Mostly locals use these services, since a huge percentage of the customers (tourists from differernt countires) live abroad, and geographical challanges occure by delivering the objects to the workshop. Services: polishing and treating rusted objects, reattaching objects to the "footstone". products6 At the highest number the customers are international tourists who visit Lofoten, at a lower number of domestic tourists. Locals also buy products from the practitioner and give orders on special projects. products7 Tor-Vegard has his own mark, iron stemple, that is officially registered. He is using that mark on the products he creates. tourism1 Yes, Tor-Vegard lives almost entirely off the tourism in Lofoten. He is the Blacksmith in Sund with a living and working forge/workshop, and the head of the Sund Fishery Museum. Most of the tourists come from different countires in Europe, and partnership No. challenges1 Most of the recent challenges circle around supplies, logistics, weather conditions and road conditions, reaching the area, travelling connections. Sund in Lofoten has limited access to raw materials, the suppliers are centralised, and the practitioner needs to travel to Harstad to buy raw materials and supplies for the production. The rapidly changing weather and storms can cause, that bridges and roads close for shorter periods, also mountain avalanches can cause a stop in traffic. Travel connections stopping or getting worse could also challenge the business. Another challenge would be if, for some reason, visitors would stop arriving to Lofoten and the public who are the market for the products (tourists) would disappear. references https://www.smedenisund.no/museet.html https://www.smedenisund.no/hva_skjer.html SMEDEN I SUND - SUND FISKERIMUSEUM - Smia og museets historie https://www.barnasnorge.no/aktiviteter/sund-fiskerimuseum-og-smeden-i-sund https://arkivinordland.no/fylkesleksikon/innhold/hendelser-og-historie/smeden-i-sund.37737.aspx https://www.visitnorway.com/listings/the-blacksmith-of-sund-sund-fisherymuseum-entrance/208940/ https://visitlofoten.com/aktivitet/museum/smeden-i-sund-sund-fiskerimuseum-inngang/ https://www.lofoten-info.no/sund-mus.htm https://paulsplanetblog.blogspot.com/2012/09/smeden-i-sund.html https://www.abcnyheter.no/reise/inspirasjon/2019/06/25/195588680/da-kong-olav-v-fikk-skarv https://no.tripadvisor.com/Attraction_Review-g612446-d4660290-Reviews-Smeden_i_Sund_Sund_Fiskerimuseum-Flakstadoy_Flakstad_Municipality_Lofoten_Islands.html https://eng.handverksinstituttet.no/ Bergland, Håvar: The art of traditional blackmithing The Norwegian perspective Bergland, Håvar: Norwegian knife making. Ancient tecniques and tradition https://norsksmedforening.wordpress.com/ Pehrson, Sjur Axel: Smedarbeid - vg2 og vg3, Yrkeslitteratur, 2009. Wefring, Christoffer-Gørrissen, Johan : Konstruksjons- og Verktøystål. Anvendelse og varmebehandling. Oslo, 1971 Norén, Karl-Gunnar-Enander, Lars: Nya järnsmidesboken. Nielsen Norén Förlag, 2008. Lofotposten, lørdag 25. november 1989 Lofot-Tidende, torsdag 16. november 1989 Dagen (Bergen), mandag 18. juli 2011 https://www.nb.no/items/2fc35b54f25090e229b415a0f5fab3ee?page=23&searchText=%22tor-vegard%20m%C3%B8rkved%22 https://nordnorge.com/en/aktiviteter/the-blacksmith-of-sund-offers-an-iron-souvenir-you-wont-be-finding-elsewhere/ Social Media The social media links. facebook,https://www.facebook.com/SmedeniSund;instagram,https://www.instagram.com/smeden_i_sund/ (@smeden_i_sund); Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Tor-Vegard_Mørkved Shop https://smedenisund.no/nettbutikk/ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tor-Vegard Mørkved Type The nature or genre of the resource Artisan Date A point or period of time associated with an event in the lifecycle of the resource 1965 Language A language of the resource English,Norwegian Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 401 Source A related resource from which the described resource is derived artisans,people Spatial Coverage Spatial characteristics of the resource. current,68.004948,13.207371; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Norway Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Tor-Vegard Mørkved Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://www.smedenisund.no/kontakt.html https://culturality.museum/omeka/files/original/123d7f31cb149bc0492e1fe85f65db57.jpg 79b8f50c84f2e72649efc0dd43b385f7 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID MN_CP_03(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tor-Vegard Mørkved demonstrates how he creates a bird figure by using hand hammer Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-01-29 Spatial Coverage Spatial characteristics of the resource. current,68.0050218626983,13.2073023401822; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Agnes Csenki Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Norway https://culturality.museum/omeka/files/original/c3e7bd71d27ebd9f1fbaa6c4789bb384.jpg cf357aeacd8dec5a83a4ef92ba39fb4d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID MN_CP_03(02) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tor-Vegard Mørkved holding a hot bird formed steel with pliers Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-01-29 Spatial Coverage Spatial characteristics of the resource. current,68.0050218626983,13.2073023401822; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Agnes Csenki Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Norway https://culturality.museum/omeka/files/original/fd96f8db4a2087413c7532ce1022f9a6.jpg cf357aeacd8dec5a83a4ef92ba39fb4d https://culturality.museum/omeka/files/original/022ee92b902bd62818fe2c32e7c14114.jpg 552599aac910e2f6c947127e6be98037 https://culturality.museum/omeka/files/original/e560b457f14f85b8f49d169200901c5c.jpg 1bac07f22b16627e007e3b98e5f59ce5 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID MN_PR_02(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tor-Vegard Mørkved in his workshop Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-12 Spatial Coverage Spatial characteristics of the resource. current,68.004948,13.207371; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Agnes Csenki Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Norway Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Reindeer skin with hair, wool Natural Cultural Cultural Function For wearing, but now in exhibition Creation Purpose Exhibition Technique Leather tanning, sewing, weaving Material Source Handmade, self produced Conecept This is a try at a reconstruction of a piece of clothing mentioned by Snorre Sturluson in the sagas, worn by Tore Hund in the Battle of Stiklestad. Production Quality 2 External ID MN_AR_24 Field Worker Kjersti Robertsen Craft fibre and textile crafts,leatherwork Tool Njiskun/rigid heddle loom, needle Place The town or city Evenskjer, Tjeldsund, Troms, Norway Prim Media 1331 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tore Hunds reindeer skin collar Type The nature or genre of the resource Physical Object Description An account of the resource A collar made from reindeer skin and woven wool bands. The object was made in a project in collaboration with Várdobáiki samisk senter to explore how Tore hunds clothing mentioned in the sagas could have been Creator An entity primarily responsible for making the resource 1283 Language A language of the resource Norwegian,Sami Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 608 Source A related resource from which the described resource is derived lofotenmap Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/09/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Tore Hunds cehporis/reinskinnskrage Spatial Coverage Spatial characteristics of the resource. current,68.5831779449447,16.5726814220077; Date Modified Date on which the resource was changed. 08/09/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/06e7416839a1aae1a558207dead99509.jpg c49c2e958fda58d111e1fee86d843646 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID MN_AR_24(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tore Hunds reindeer skin collar Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2023-06-02 Spatial Coverage Spatial characteristics of the resource. current,68.5831779449447,16.5726814220077; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Unknown Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Norway External Item External Type Tour External ID 800 Archive CUPIDO Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Torridon Type The nature or genre of the resource External Item https://culturality.museum/omeka/files/original/56bb592e0a699cb0b9b9aeafad601d37.jpg 5d959dc52b29482526c61d1825b3fc78 Natural Prim Media 1389 Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Torridon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Torridon Type The nature or genre of the resource Natural Description An account of the resource With some of the most spectacular mountain scenery in Scotland, Torridon is a magnet for walkers, geologists and naturalists. The estate includes some of Scotland's finest mountain scenery, comprising Liathach, 1,054m (3,456ft) which has seven tops and Beinn Alligin, 985m (3,230ft), composed mainly of Torridonian sandstone dating back 750 million years. Routes to the high tops, and others along the coast, are detailed at the Countryside Centre. You’ll also find information about the wildlife on the estate, part of which is in the Beinn Eighe National Nature Reserve. Identifier An unambiguous reference to the resource within a given context 646 Source A related resource from which the described resource is derived highlandandislands Spatial Coverage Spatial characteristics of the resource. current,57.557649,-5.627924; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/92e49b80d8d721e23b588ee04a8b35e5.png 3ba83af75ca8137e705fcc20f76654e5 Tour Author iain Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Torridon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Torridon Type The nature or genre of the resource Tour Description An account of the resource With some of the most spectacular mountain scenery in Scotland, Torridon is a magnet for walkers, geologists and naturalists. The estate includes some of Scotland's finest mountain scenery, comprising Liathach, 1,054m (3,456ft) which has seven tops and Beinn Alligin, 985m (3,230ft), composed mainly of Torridonian sandstone dating back 750 million years. Routes to the high tops, and others along the coast, are detailed at the Countryside Centre. You'll also find information about the wildlife on the estate, part of which is in the Beinn Eighe National Nature Reserve. Contributor An entity responsible for making contributions to the resource iao@st-andrews.ac.uk Publisher An entity responsible for making the resource available VERAPlatform License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Identifier An unambiguous reference to the resource within a given context 649 Source A related resource from which the described resource is derived highlandandislands Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 09/20/2025 03:00:24 pm Spatial Coverage Spatial characteristics of the resource. current,57.557649,-5.627924; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://openvirtualworlds.viewin360.co/share/hnXgj?logo=0&info=0&fs=1&vr=1&sd=1&initload=0&thumbs=1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Region Värmland Identifier An unambiguous reference to the resource within a given context 8 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Natural Cultural Cultural Prim Media 34 Material Linen Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Trådstycke Type The nature or genre of the resource Physical Object Language A language of the resource Swedish Contributor An entity responsible for making contributions to the resource sp259 Identifier An unambiguous reference to the resource within a given context 29 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 05/04/2024 Description An account of the resource Making Process: Handspun linen yarn with drop spindle/spinnrock Date A point or period of time associated with an event in the lifecycle of the resource 1930s or 1940s Creator An entity primarily responsible for making the resource 641 Source A related resource from which the described resource is derived craftedobjects,exampleobjects,swedenobjects,varmlandmap Date Modified Date on which the resource was changed. 24/07/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: University of St Andrews Identifier An unambiguous reference to the resource within a given context 4 Intangible Context Blacksmithing is closely connected to various other cultural practices, as it has historically helped shape community life, traditional crafts, and symbolic expressions. Craftsmanship – Blacksmithing is intertwined with woodworking (metal parts for furniture and tools), pottery (metal tools for shaping), leatherworking (metal buckles and fittings), and carpentry (nails, pins, door hardware). Oral traditions and storytelling – Tales of blacksmiths are common in folklore, where they are often portrayed as wise and strong figures. In mythology, the blacksmith often held a special status (e.g., Perun’s blacksmith in Slavic mythology). Festivals and fairs – Blacksmiths frequently participated in traditional fairs, where they showcased their products. In Slovenia, events like Kovaški šmaren in Kropa are still popular today. Performing arts – Folk plays, songs, and dances often include themes of blacksmithing (e.g., the rhythmic sound of hammering). Puppet theatre also occasionally features blacksmith characters. Social and economic practices – Blacksmiths played a central role in local communities as essential craftsmen, often with high social status. Beliefs and symbolism – Blacksmithing is often associated with protective symbols (e.g., the horseshoe as a sign of good luck) and was once believed to offer magical protection against evil spirits. These connections show that blacksmithing is not merely a technical craft but a rich cultural practice that weaves together knowledge, tradition, and community life. Field Worker Barbara Ivančič Kutin Climate Threats Mining Technological Threats Industrial production Weakened Practice Diminishing youth interest Climate Actions Community Engagement SDG Decent Work and Economic Growth,Industry Innovation and Infrastructure,Sustainable Cities and Communities,Responsible Consumption and Production,Life On Land External ID ZRCSAZU_CP_04 AI Tools Yes AI Content Deepl Translator, general information. Knowledge The work of a blacksmith requires enjoyment of work, sufficient physical strength, agility, and endurance for working in hot conditions, as well as a sense of design and precision. Although the work is rough and requires physical strength, a forger must also have a soft side, because without softness and the right feeling, a beautiful product cannot be created. Knowledge Transfer Today, traditional (manual) blacksmithing is dying out. Kovaštvo Krmlelj is one of the few tool-making smithies in Slovenia (or the only one???). Master blacksmith Jože Krmelj has passed on all his knowledge to a younger employee, and for the last two years they have also had an apprentice from a vocational metalworking school. Every Saturday, Jože Krmelj holds one-day workshops for 5 to 7 people, but these are not intended for training, but rather for viewing and experiencing blacksmithing. The workshops are booked up several months in advance and are attended by interested people from Slovenia, including design students, as well as people from abroad, including Australia, Tasmania, and the USA. Practitioners In the case of Krmelj blacksmithing, it is a family tradition that has been passed down from generation to generation for seven generations. That is why blacksmithing and its products are a family heritage. Only men are employed in the workshop, as the working conditions are extremely difficult: physical strength is required, and the workshop is hot and noisy. Function Transfer of traditional crafts, providing income for the workshop owner and thus for the family and workshop employees. Origins and change Blacksmithing was an important craft in the past, enabling the production of metal products needed for tools and other implements used in agriculture (farming, livestock breeding) and household chores, etc.). The most important advance came with the invention of the spring hammer machine, which greatly facilitated the work of blacksmiths, who previously used only their own physical strength to shape metal products, and other electric machines (welding apparatus, grinding machines). On the machine it is possible to regulate the speed and power of the punch. Nevertheless, most of the work is still done by hand, using open fire and manual shaping and hardening. The Krmelj blacksmith's workshop still uses machines and tools that are 100 years old and are still perfectly adequate today. This is why all products are unique, which distinguishes them from mass-produced (industrial), technologically advanced, and automated production. Access to raw materials is easier today, and the product assortment has also changed to some extent, as customer needs are different. Organisations No specific organisation is linked to this practice. Places There are only two blacksmiths in the region who make tools; traditional blacksmithing is now a very rare craft. Artefacts These are forged tools of all kinds, but mostly cutting tools (various axes, sickles, pruning hooks, as well as ice pickaxes, shovels, hammers, etc.). They are used for various tasks in the garden, in the field, in the forest, in the household, but also as equipment for firefighters, tools for masonry, butchery, and archaeological excavations. Technological Threats Description Machine-made products are all the same and can be much cheaper; they don't involve as many hours of manual labour. Not all customers recognise this. Weakened Practice Description This is an artistic practice, so none of these threats are relevant. State of the practice stable Social sustainability The craft of blacksmithing in Krmelj has been passed down from generation to generation. Environmental sustainability There is almost no waste, as it is completely recycled, and a few buckets per year are sold to a landfill site for raw materials. Heat from the stove is stored in storage tanks and used to centrally heat the house and both workshops. Economic sustainability It provides a living for the owner and 5 employees. Place The town or city Log nad Škofjo Loko, Gorenjska, Slovenia Place Description The village Log nad Škofjo Loko (Log above Škofja Loka) is situated in the Poljanska valley, about 10 km south-west of Škofja Loka, where the municipal center is located. Škofja Loka, one of Slovenia’s oldest and best-preserved medieval towns, is rich in historical, natural, social, cultural, and economic significance. Founded in the 10th century, Škofja Loka was a key administrative center under the rule of the Bishops of Freising, who governed the area for over 800 years. The town’s medieval layout remains largely intact, with landmarks like Škofja Loka Castle, historic townhouses, and remnants of defensive walls. Historically, Škofja Loka thrived on trade, crafts, and agriculture, with traditional industries such as ironworking, textile production, and woodworking playing an essential role. Today, the local economy is diverse, with tourism, small-scale manufacturing, and services being dominant sectors. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Traditional Blacksmithing Type The nature or genre of the resource Intangible Description An account of the resource Blacksmithing is a traditional craft in which a blacksmith heats metal, usually iron or steel, and shapes it with hammer blows on an anvil. Using this ancient technique, they create tools, horseshoes, hardware, knives, artistic objects, and even sculptures. A blacksmith needs well-developed skills, strength, and precision, as the work involves mastering fire, temperature, and the properties of metal.In Slovenia, blacksmithing has a long history connected to mining and ironworking, especially in areas like Kropa, Železniki, and Ravne na Koroškem. Today, the craft is less common, but it is still preserved by artistic blacksmiths, museums, and ethnographic events. Besides Krmelj, there is only one other blacksmith in Slovenia that produces practical (cutting) tools. Creator An entity primarily responsible for making the resource 2121 Extent The size or duration of the resource. x x Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 820 Source A related resource from which the described resource is derived practices,uppercarniola References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Baš, Angelos (ed.), 2004: Slovenski etnološki leksikon (Slovene Ethnological Lexicon). Ljubljana: Mladinska knjiga. https://prvi.rtvslo.si/podkast/intervju-radio/3633109/174860660 https://www.centerduo.eu/mojstri-rokodelci/kovastvo-krmelj/ Slavec Gradišnik, Ingrid, 2011: Kovaštvo (Blacksmithing). In: Slovenika, slovenska nacionalna enciklopedija. Ljubljana: Mladinska knjiga (pp 627-628). https://www.etno-muzej.si/en/digitalne-zbirke/kljucne-besede/kovastvo Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 13/01/2026 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Kovaštvo Krmelj Spatial Coverage Spatial characteristics of the resource. current,46.1276625914593,14.229099836053459; Date Modified Date on which the resource was changed. 13/01/2026 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. University of St Andrews Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: University of St Andrews Identifier An unambiguous reference to the resource within a given context 4 Intangible Prim Media 1072 Context Gaelic Language, oral story telling, maritime history. Field Worker Netty Sopata Climate Threats Deterioration of material Economic Threats Insufficient financial resources,Arduous training Policy Threats Lack of conservation policy,Educational standardisation Weakened Practice Aged practitioners,Reduced practice Loss Threats Loss of ancestral language,Loss of knowledge,Material shortage Climate Actions Community Engagement,Collaboration with other organisations SDG Responsible Consumption and Production External ID AAS_CP_02 Knowledge Extensive. An understanding of the traditional wooden boat building techniques and ability to apply them through thousands of hours of practice. The sequence in which the techniques need to applied and how to accommodate solo working to accomplish the highest quality. There is an aesthetic quality to wooden boats but fundamnetally thay are a functional item used to carry people in water. The traditonal wooden 'Sgoths'. that Mark can build from start to finish, or repair, are used for sailing in some of the most challenging sea areas in Scotland. There is a particular skills focus on how to work with the different types of wood used in traditional boat building in Scotland: Larch and Oak. 'Roving' is the technique this data input is focusing on in detail. In a new- build this requires the oak made 'ribs' of the boat to be steamed, applied and fixed to a planked mould. Copper nails are then hammered through pre - marked and drilled holes. The oak is only workable for 15 seconds post steaming and these permits the fixing of the nails through the oak without resistence. Once pushed through, copper rivets are used to fix the copper nails in place. 'Roving' also takes place during the replacement of planks in restoration work - it is this process that was captured on video and in photographs to document this cultural practice. (The steaming element of the ribs was not required during this restoration stage - the original holes were use). Knowledge Transfer In the past Mark Stockl ran a Boat Building course at Plockton High School form 2007 to 2023. Although highly successful this was withdrawn form the school curriculum by the local authority due to the costs involved. Out with apprenticeships, there is one boat building school in the United Kingdom that focuses on tradtional, wooden boat building skills: The Boat Building Academy and Furniture School in Lyme Regis. This has a City and Guilds, Level Three Diploma (Advanced) embedded within the intensive course delivered over forty weeks. Practitioners Traditional boat builders are the main bearers and practioners of this practice. There are no specific roles or catgeories for'boat buulding' at an independent, bespoke level. The roving technique requires two people to work together but the majority of the boat building process, using the methods that Mark uses, occur with just one practitioner. Function The traditional wooden 'Sgoths' reffered to above have a cultural significance in the retention and amplification of the gaelic language and maritime history. Falamadair proactivelt restroes and maintains the Sgoths under it's guardianship and interacts with other organisations to promote the heritage connected to them. Fèis na Fairge is a maritme festival organised by Urras Oighreachd Ghabhsainn (Galson Estate) to celebrate the maritime history of teh North of Lewis. The restoration work on the 'Sgoths' completed by Mark contributes significantly to their preservation. Origins and change Wooden fishig boats were used for line fishing during the 19th century but as this industry died out in the Western Isles, the number of wooden boats being built reduced. Some of the tools used remain the same and soe have been repaced with faster alternatives i.e for the 'Roving' hand drills have been replaced with battery operated drills. Organisations Falamadair - The North Lewis Maritime Trust. Comunn Eachdraidh Nis / Ness Historical Society and Urras Oighreachd Ghabhsainn (Galson Estate). Places As above. Artefacts As listed: AAS_AR_06 (Replica Sgoth built by Mark Stockl) and AAS_AR_10 (Clinker under rennovation). Also a battery operated hand drill (AAS_AR_09). For the roving process the drill is required to drill the holes to place/push the copper nails through ready fro the rivet to be fixed. Climate Threats Description In AAS_PR_002(INTVW) Mark makes reference to Scottish Larch (the wood required for the planks in wooden boat building) being used more intensivley by Architects and thus the construction industry. Economic Threats Description There is only one location individuals can currently attend to learn traditional boat building techniques in the U.K. The costs of doing so (£18K for 40 Weeks) is prohibiitve to majority of young people, particulary if they are from a disadvantaged background. Apprenticeships for sole practitioners (such as Mark) are prohibitive to negotiate due to costs and health and saftey guidlines that are required. This coupled with reduced spend capacity of local authorities limts access to learning thes traditonal skills to those that can afford to do so. Policy Threats Description There is only one location individuals can currently attend to learn traditional boat building techniques in the U.K. The costs of doing so (£18K for 40 Weeks) is prohibiitve to majority of young people, particulary if they are from a disadvantaged background. Apprenticeships for sole practitioners (such as Mark) are prohibitive to negotiate due to costs and health and saftey guidlines that are required. This coupled with reduced spend capacity of local authorities limts access to learning thes traditonal skills to those that can afford to do so. Weakened Practice Description There is only one location individuals can currently attend to learn traditional boat building techniques in the U.K. The costs of doing so (£18K for 40 Weeks) is prohibiitve to majority of young people, particulary if they are from a disadvantaged background. Apprenticeships for sole practitioners (such as Mark) are prohibitive to negotiate due to costs and health and saftey guidlines that are required. This coupled with reduced spend capacity of local authorities limts access to learning thes traditonal skills to those that can afford to do so. Loss Threats Description The maritime festivals are great way of amplifyin the anceteral language, knowledge and stories asscociated with traditonal wooden boat buulding ( sailing). But, these are not public policy. State of the practice stable Social sustainability Yes - by supporting the work of Falamadair. Environmental sustainability Yes. All the wood souced in the processes used by Mark is sourced in Scotland. The techniques are traditional so there is very little waste generated. Economic sustainability Mark's work provides an income for him. Some of the boats he builds / repairs are used by estates to faciliate fishing (leisure). The estates generate an income from fishing. Place The town or city 3 Loggie, Ullapool Place Description Ullapool is a small fishing harbour on the west coast of Scotland. It is also a gateway to the Western Isles for freight, tourism and island residents. Traditional fishing vessels on the west coast of Scotland were built from wood. Although the modern day 'trawlers' no-longer resemble these vessels, working examples of traditional wooden vessels do exist today, some in community trusts and some in private ownership. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Traditional Boat Building: Copper Roving Type The nature or genre of the resource Intangible Description An account of the resource One type of tradtional wooden fishing vessel is a ‘Sgoth’ or ‘Sgoth Niseach’ – a traditional type of clinker-built skiff with a dipping lug rig and a Lateen style sail, built mainly in Ness in the Western Isles of Scotland. These boats were used for line fishing during the 19th century but as this industry died out in the Western Isles, the number of Sgoths being built reduced. In 1935 ‘Jubilee,’ built by the late John Finlay Macleod, was launched and is the last original working ‘Sgoth.’ (Falamadair, 2025). Mark Stockl is a traditional boat builder based in Ullapool and has worked extensively with Falamadair _ The North Lewis Maritime Trust, in the restoration of Sgoths for which they are the guardians. He has also built replica Sgoths for private clients (see AAS_AR_06) and restored other Ness built clinkers (see AAS_AR_10). The full process of designing and building a traditional wooden ‘clinker’ boat is described in AAS_PR_002. The Cultural practice documented in this input focuses on the method of ‘Copper Roving’ (fixing the copper rivets through the planks to hold them in place) during the repair of AAS_AR_10. This artefact was in Mark’s workshop on the day of the interview. Creator An entity primarily responsible for making the resource 860,243 Language A language of the resource English Extent The size or duration of the resource. x x Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 533 Source A related resource from which the described resource is derived highlandandislands References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://www.galsontrust.com/single-post/launch-of-new-maritime-festival-fèis-na-fairge. (2025, July 28). Retrieved from Urras Oighreachd Ghabhsainn : https://www.galsontrust.com/ Boat Building Academy and Furniture School . (2025, July 28). Retrieved from Boat Building Academy and Furniture School : https://boatbuildingacademy.com/boat-building-courses/40-week-boat-building-course/ CEN, 2021. Comunn Eachdraidh Nis / Ness Historical Society. [Online] Available at: https://www.nesshistorical.co.uk [Accessed 19 July 2025]. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 11/08/2025 Spatial Coverage Spatial characteristics of the resource. current,57.8644615848094,-5.121928998; Date Modified Date on which the resource was changed. 13/10/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. University of St Andrews https://culturality.museum/omeka/files/original/5c05bd6018045917a2883ad6ab49ba97.jpg c1a1ff85e8f2f63ac82223fa23e55bf1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Object:Beaded collar Identifier An unambiguous reference to the resource within a given context 741 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID CJMM_AR_05(03) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Traditional collars of Maramures Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2024-12-14 Spatial Coverage Spatial characteristics of the resource. current,47.9289141324658,23.8924232813404; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Marius Muresan Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Romania https://culturality.museum/omeka/files/original/f24810af541b746a4ba807db7ae088a1.jpg cade2000598258140961ff9cf10bebd1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Object:Beaded collar Identifier An unambiguous reference to the resource within a given context 741 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID CJMM_AR_05(04) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Traditional collars of Maramures Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2024-12-14 Spatial Coverage Spatial characteristics of the resource. current,47.9289141324658,23.8924232813404; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Marius Muresan Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Romania https://culturality.museum/omeka/files/original/fc623c0a0bdf8160f69160042eddc725.jpg 92f9c305fe55eb9b2801e05f4c2247d2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Object:Beaded collar Identifier An unambiguous reference to the resource within a given context 741 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID CJMM_AR_05(05) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Traditional collars of Maramures Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2024-12-14 Spatial Coverage Spatial characteristics of the resource. current,47.9289141324658,23.8924232813404; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Marius Muresan Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Romania https://culturality.museum/omeka/files/original/3d449f9526ff48f25c4ed227c75ba381.jpg 5e5060be5183e848f49835e9bada870f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Object:Beaded collar Identifier An unambiguous reference to the resource within a given context 741 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID CJMM_AR_05(06) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Traditional collars of Maramures Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,47.9289141324658,23.8924232813404; Date A point or period of time associated with an event in the lifecycle of the resource 2024-12-14 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Marius Muresan Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Romania https://culturality.museum/omeka/files/original/832fee9b82b839df7ef6d7d8621595e0.jpg 70df49ea983e7f3605bab916d9b2aa55 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Object:Beaded collar Identifier An unambiguous reference to the resource within a given context 741 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID CJMM_AR_05(07) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Traditional collars of Maramures Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2024-12-14 Spatial Coverage Spatial characteristics of the resource. current,47.9289141324658,23.8924232813404; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Marius Muresan Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Romania https://culturality.museum/omeka/files/original/f6d67c064e4570be9380fc5ab9e460b9.jpg 8a60d6d703ba6f0f098e691186185f91 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID RV_CP_04(02) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Traditional saw Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-03-10 Spatial Coverage Spatial characteristics of the resource. current,59.7265854,13.1227098; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ulrika Jäger Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Sweden