17 100 1899 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Black clay of Molelos Natural Cultural Cultural Function For decoration. Creation Purpose For sale. Technique The flower pot is made from black clay from Molelos and its shape is achieved using special molds. Material Source The potter collects black clay from a local plot of land designated for the extraction of the material. Production Quality The artisan actively continues to produce this piece. External ID UAVEIRO_AR_08 Craft ceramics Tool The potter places a ball of clay in the centre of a spinning wheel. Using the appropriate speed and his hands, the potter guides the clay, shaping it into the desired form for the flower pot. The potter decides on the final shape of the piece. Once moulded, the pot is left to dry. The pot is then placed in a kiln and subjected to high temperatures. The firing process hardens the clay, transforming it into a durable ceramic piece ready for use. Place The town or city Molelos, Tondela, Portugal Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Flower_pot Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Flower pot Type The nature or genre of the resource Physical Object Description An account of the resource It is a cylinder with a closed base and textured outer walls. Creator An entity primarily responsible for making the resource 1858 Language A language of the resource Portuguese Extent The size or duration of the resource. 15cm x 15cm x 40cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 737 Source A related resource from which the described resource is derived craftedobjects,portugalobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://uniaodasfreguesiastondelanandufe.pt/2022/01/18/museu-terras-de-besteiros/ https://www.patrimoniocultural.gov.pt/wp-content/uploads/2025/01/Ficha-MatrizPCI.pdf Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 27/10/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Vaso de flor Spatial Coverage Spatial characteristics of the resource. current,40.530278,-8.095556; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Black clay of Molelos Natural Cultural Cultural Function To place the sugar to be used on the tea or coffee table. Creation Purpose For sale. Technique Round sugar bowl and the lid are made with a potter's wheel. The handles and the spoon are moulded by the craftsman. Material Source The potter collects black clay from a local plot of land designated for the extraction of the material. Production Quality The artisan actively continues to produce this piece. External ID UAVEIRO_AR_09 Craft ceramics Tool The potter places a ball of clay in the centre of a spinning wheel. Using the appropriate speed and his hands, the potter guides the clay, shaping it into the desired form for the sugar bowl. The potter decides on the final shape of the piece. Once moulded, the pot is left to dry. The pot is then placed in a kiln and subjected to high temperatures. The firing process hardens the clay, transforming it into a durable ceramic piece ready for use. Place The town or city Molelos, Tondela, Portugal Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sugar bowl Type The nature or genre of the resource Physical Object Description An account of the resource Round sugar bowl with handles, a lid with a notch for the spoon, and a spoon, all made of black clay. Date A point or period of time associated with an event in the lifecycle of the resource 2025 Creator An entity primarily responsible for making the resource 1858 Language A language of the resource Portuguese Extent The size or duration of the resource. 15cm x 15cm x 40cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 738 Source A related resource from which the described resource is derived craftedobjects,portugalobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://uniaodasfreguesiastondelanandufe.pt/2022/01/18/museu-terras-de-besteiros/ https://www.patrimoniocultural.gov.pt/wp-content/uploads/2025/01/Ficha-MatrizPCI.pdf Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 27/10/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Açucareiro Spatial Coverage Spatial characteristics of the resource. current,40.530278,-8.095556; Date Modified Date on which the resource was changed. 27/10/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Black clay of Molelos Natural Cultural Cultural Function To drink wine Creation Purpose For sale. Technique The cup is made with a potter's wheel. Material Source The potter collects black clay from a local plot of land designated for the extraction of the material. Conecept Clay cup used for drinking wine in local taverns. Production Quality The artisan actively continues to produce this piece. External ID UAVEIRO_AR_10 Craft ceramics Tool The potter places a ball of clay in the centre of a spinning wheel. Using the appropriate speed and his hands, the potter guides the clay, shaping it into the desired form for the wine cup. The potter decides on the final shape of the piece. Once moulded, the pot is left to dry. The pot is then placed in a kiln and subjected to high temperatures. The firing process hardens the clay, transforming it into a durable ceramic piece ready for use. Place The town or city Molelos, Tondela, Portugal Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/black_clay_wine_cup Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource black clay wine cup Type The nature or genre of the resource Physical Object Description An account of the resource Black clay cup to drink wine. Date A point or period of time associated with an event in the lifecycle of the resource 2025 Creator An entity primarily responsible for making the resource 1858 Language A language of the resource Portuguese Extent The size or duration of the resource. 7cm x 7cm x 12cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 739 Source A related resource from which the described resource is derived craftedobjects,portugalobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://uniaodasfreguesiastondelanandufe.pt/2022/01/18/museu-terras-de-besteiros/ https://www.patrimoniocultural.gov.pt/wp-content/uploads/2025/01/Ficha-MatrizPCI.pdf Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 27/10/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Copo de vinho de barro negro Spatial Coverage Spatial characteristics of the resource. current,40.530278,-8.095556; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Black clay of Molelos Natural Cultural Cultural Function Used for roasting kid in the oven. A typical dish of the region, made in black earthenware. Creation Purpose For sale. Technique The artefact is made from moulds that the craftsman created so that they all have the same thickness and size. The finish is done in such a way as to ensure that the tray can be used in the oven with food. Material Source The potter collects black clay from a local plot of land designated for the extraction of the material. Conecept The use of this baking tray and the preparation of roast kid are linked to the cultural and gastronomic identity of the Serra do Caramulo, and are considered part of Portugal's Intangible Cultural Heritage. Production Quality The artisan produces baking trays, which are one of the best-selling items, for individual customers and local restaurants. External ID UAVEIRO_AR_11 Craft ceramics Tool The baking trays in particular are manufactured on a board, in various sizes, depending on the dimensions of the piece. The artefact is made from moulds. The finish is done in such a way as to ensure that the tray can be used in the oven with food. Once moulded, the baking tray is left to dry. The firing process hardens the clay, transforming it into a durable ceramic piece ready for use. Place The town or city Molelos, Tondela, Portugal Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Baking_tray Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Baking tray Type The nature or genre of the resource Physical Object Description An account of the resource Black clay baking dish or tray, designed to withstand high oven temperatures. Creator An entity primarily responsible for making the resource 1858 Language A language of the resource Portuguese Extent The size or duration of the resource. 30cm x 50cm x 7cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 740 Source A related resource from which the described resource is derived craftedobjects,portugalobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://uniaodasfreguesiastondelanandufe.pt/2022/01/18/museu-terras-de-besteiros/ https://www.patrimoniocultural.gov.pt/wp-content/uploads/2025/01/Ficha-MatrizPCI.pdf Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 27/10/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Assadeira de ir ao forno Spatial Coverage Spatial characteristics of the resource. current,40.530278,-8.095556; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Black clay of Molelos Natural Cultural Cultural Function Used for storing liquids. It is also used for decoration. Creation Purpose For sale. Technique The artefact is made with a potter's wheel. Material Source The potter collects black clay from a local plot of land designated for the extraction of the material. Conecept An earthnware mug is a small vessel, usually with a handle, used for drinking or collecting liquids. Production Quality The artisan actively continues to produce this piece. External ID UAVEIRO_AR_12 Craft ceramics Tool The potter places a ball of clay in the centre of a spinning wheel. Using the appropriate speed and his hands, the potter guides the clay, shaping it into the desired form for the piece. The potter decides on the final shape of the piece. Once moulded, the pot is left to dry. The pot is then placed in a kiln and subjected to high temperatures. The firing process hardens the clay, transforming it into a durable ceramic piece ready for use. Place The town or city Molelos, Tondela, Portugal Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Earthnware_mug Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Earthnware mug Type The nature or genre of the resource Physical Object Description An account of the resource It is a type of vessel with a handle designed for storing liquids. Date A point or period of time associated with an event in the lifecycle of the resource 2025 Creator An entity primarily responsible for making the resource 1858 Language A language of the resource Portuguese Extent The size or duration of the resource. 20cm x 20cm x 35cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 741 Source A related resource from which the described resource is derived craftedobjects,portugalobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://uniaodasfreguesiastondelanandufe.pt/2022/01/18/museu-terras-de-besteiros/ https://www.patrimoniocultural.gov.pt/wp-content/uploads/2025/01/Ficha-MatrizPCI.pdf Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 27/10/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Púcaro Spatial Coverage Spatial characteristics of the resource. current,40.530278,-8.095556; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Black clay of Molelos Natural Cultural Cultural Function It is a versatile utensil, suitable for cooking on different types of stoves (wood, electric or gas), as well as for serving directly at the table. Creation Purpose For sale. Technique The artefact is made from a mould. The manufacturing process is artisanal and manual. Material Source The potter collects black clay from a local plot of land designated for the extraction of the material. Conecept "Chanfana de cabrito" is a traditional Portuguese dish, especially from the Central region, which consists of goat or kid goat meat marinated in red wine, garlic and other seasonings. The meat is cooked slowly, for hours, in a black clay pot (caçoilo). This long process and the use of black clay allow for slow cooking, resulting in an intense flavour and very tender meat, which is traditionally served with boiled potatoes and sautéed cabbage. This type of tableware plays an important role in the culture and tradition of many Portuguese villages, and is sometimes used in festivities and celebrations. Production Quality The artisan actively continues to produce this piece. External ID UAVEIRO_AR_28 Craft ceramics Tool The clay is moulded into the desired shape of the pot. After moulding, before the piece dries completely, the surface is polished with river pebbles to smooth it and give it more shine, also removing finger marks. The piece is left to dry for a period that can take several weeks, depending on its size. Once dry, the piece is fired in professional kilns or in a soenga (reducing kiln). Place The town or city Molelos, Tondela, Portugal Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Caçoila_without_lid_for_cooking_chanfana_(kid_goat_cooked_in_wine) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Caçoila without lid for cooking chanfana (kid goat cooked in wine) Type The nature or genre of the resource Physical Object Description An account of the resource Kitchen utensil, such as a pot or casserole dish, made of dark clay using a traditional reduction firing process that gives it its characteristic colour. Creator An entity primarily responsible for making the resource 1858 Language A language of the resource Portuguese Extent The size or duration of the resource. 30cm x 30cm x 12cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 742 Source A related resource from which the described resource is derived craftedobjects,portugalobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://uniaodasfreguesiastondelanandufe.pt/2022/01/18/museu-terras-de-besteiros/ https://www.patrimoniocultural.gov.pt/wp-content/uploads/2025/01/Ficha-MatrizPCI.pdf Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 27/10/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Caçoila Spatial Coverage Spatial characteristics of the resource. current,40.530278,-8.095556; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Black clay of Molelos Natural Cultural Cultural Function A black clay pot serves as a kitchen utensil, as the waterproof material is suitable for culinary use, and also as a decorative piece due to its unique aesthetics and traditional craftsmanship. The characteristic black colour is the result of the ancient soenga firing technique, in which the clay is covered with earth, creating a reducing atmosphere that gives it the colour and impermeability necessary for use in the kitchen. The terrine is used to make oven-baked rice. Creation Purpose For sale. Technique To make a terrine, the potter first prepares the clay, a process that includes kneading the clay to remove bubbles and impurities and leave it with a smooth consistency. Next, the clay is shaped on the potter's wheel, using the hands to give the terrine the desired shape. After shaping the piece, it is left to dry slowly, before being placed in the kiln. Material Source The potter collects black clay from a local plot of land designated for the extraction of the material. Conecept The terrine is used to make oven-baked rice. Production Quality The artisan actively continues to produce this piece. External ID UAVEIRO_AR_29 Craft ceramics Tool Potter's wheel and finishing tools. Place The town or city Molelos, Tondela, Portugal Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Terrine_or_Casserole_dish_with_lid Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Terrine or Casserole dish with lid Type The nature or genre of the resource Physical Object Description An account of the resource Kitchen utensil, such as a pot or casserole dish, made of dark clay using a traditional reduction firing process that gives it its characteristic colour. Date A point or period of time associated with an event in the lifecycle of the resource 2025 Creator An entity primarily responsible for making the resource 1858 Language A language of the resource Portuguese Extent The size or duration of the resource. 30cm x 30cm x 18cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 743 Source A related resource from which the described resource is derived craftedobjects,portugalobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://uniaodasfreguesiastondelanandufe.pt/2022/01/18/museu-terras-de-besteiros/ https://www.patrimoniocultural.gov.pt/wp-content/uploads/2025/01/Ficha-MatrizPCI.pdf Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 27/10/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Terrina ou Caçarola com tampa Spatial Coverage Spatial characteristics of the resource. current,40.530278,-8.095556; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Black clay of Molelos Natural Cultural Cultural Function To roast portuguese chestnuts directly on the embers. Creation Purpose For sale. Technique To make a portuguese chesnut roaster, the potter first prepares the clay, a process that includes kneading the clay to remove bubbles and impurities and leave it with a smooth consistency. Next, the clay is shaped on the potter's wheel, using the hands to give the chesnut roaster the desired shape. After shaping the piece, it is left to dry slowly, before being placed in the kiln. Material Source The potter collects black clay from a local plot of land designated for the extraction of the material. Conecept For over a thousand years, shepherds and woodcutters have used bonfires to keep warm and roast chestnuts. In northern Portugal, between All Saints' Day (1 November) and St. Martin's Day, traditional magustos are held, festivals where roasted portuguese chestnuts are eaten and jeropiga (sweet wine), new wine or água-pé are drunk. In autumn, it is common to see chestnut sellers roasting them in iron or clay machines and selling them in paper cones, spreading a characteristic and irresistible aroma. Production Quality The artisan actively continues to produce this piece. External ID UAVEIRO_AR_30 Craft ceramics Tool Potter's wheel and finishing tools. Place The town or city Molelos, Tondela, Portugal Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Portuguese_chesnut_roaster Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portuguese chesnut roaster Type The nature or genre of the resource Physical Object Description An account of the resource Round clay pot with high sides and handles on both sides. The bottom of the pot is perforated so that the embers remain in close contact with the chestnuts without burning them. These black clay roasters are highly resistant and retain heat for longer, allowing you to roast chestnuts to perfection. Creator An entity primarily responsible for making the resource 1858 Language A language of the resource Portuguese Extent The size or duration of the resource. 4cm x 40cm x 25cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 744 Source A related resource from which the described resource is derived craftedobjects,portugalobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://uniaodasfreguesiastondelanandufe.pt/2022/01/18/museu-terras-de-besteiros/ https://www.patrimoniocultural.gov.pt/wp-content/uploads/2025/01/Ficha-MatrizPCI.pdf https://www.youtube.com/watch?v=W3FS07QYpD0 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 27/10/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Assador de castanhas Spatial Coverage Spatial characteristics of the resource. current,40.530278,-8.095556; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Black clay of Molelos Natural Cultural Cultural Function A black clay pot se Creation Purpose For sale. Technique To make a wine jug, the potter first prepares the clay, a process that includes kneading the clay to remove bubbles and impurities and leave it with a smooth consistency. Next, the clay is shaped on the potter's wheel, using the hands to give the wine jug the desired shape. After shaping the piece, it is left to dry slowly before being placed in the kiln. Material Source The potter collects black clay from a local plot of land designated for the extraction of the material. Conecept The wine jug is used to serve wine. Production Quality The artisan actively continues to produce this piece. External ID UAVEIRO_AR_31 Craft ceramics Tool Potter's wheel and finishing tools. Place The town or city Molelos, Tondela, Portugal Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Wine_jug Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wine jug Type The nature or genre of the resource Physical Object Description An account of the resource Black clay jug. Creator An entity primarily responsible for making the resource 1858 Language A language of the resource Portuguese Extent The size or duration of the resource. 14cm x 14cm x 25cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 745 Source A related resource from which the described resource is derived craftedobjects,portugalobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://uniaodasfreguesiastondelanandufe.pt/2022/01/18/museu-terras-de-besteiros/ https://www.patrimoniocultural.gov.pt/wp-content/uploads/2025/01/Ficha-MatrizPCI.pdf https://www.youtube.com/watch?v=W3FS07QYpD0 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 27/10/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Pichel de vinho (jarra para servir o vinho) Spatial Coverage Spatial characteristics of the resource. current,40.530278,-8.095556; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Black clay of Molelos Natural Cultural Cultural Function The use of black clay bowls to serve "caldo verde" is a traditional and popular choice. Creation Purpose For sale. Technique To make a bowl, the potter first prepares the clay, a process that includes kneading the clay to remove bubbles and impurities and leave it with a smooth consistency. Next, the clay is shaped on the potter's wheel, using the hands to give the bowl the desired shape. After shaping the piece, it is left to dry slowly before being placed in the kiln. Material Source The potter collects black clay from a local plot of land designated for the extraction of the material. Conecept The use of black clay bowls to serve caldo verde is a traditional and valued choice, as black clay, which gives the crockery a rustic and authentic look, is associated with everyday items in Portugal, conveying a sense of connection to the land and the cultural heritage of traditional Portuguese cuisine. Production Quality The artisan actively continues to produce this piece. External ID UAVEIRO_AR_32 Craft ceramics Tool Potter's wheel and finishing tools. Place The town or city Molelos, Tondela, Portugal Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Soup_bowl Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Soup bowl Type The nature or genre of the resource Physical Object Description An account of the resource A soup bowl is a small, deep dish. Creator An entity primarily responsible for making the resource 1858 Language A language of the resource Portuguese Extent The size or duration of the resource. 10cm x 10cm x 6cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 746 Source A related resource from which the described resource is derived craftedobjects,portugalobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://uniaodasfreguesiastondelanandufe.pt/2022/01/18/museu-terras-de-besteiros/ https://www.patrimoniocultural.gov.pt/wp-content/uploads/2025/01/Ficha-MatrizPCI.pdf https://www.youtube.com/watch?v=W3FS07QYpD0 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 27/10/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Tigela (caldo verde) Spatial Coverage Spatial characteristics of the resource. current,40.530278,-8.095556; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Black clay of Molelos Natural Cultural Cultural Function The black clay teapot has functional and decorative uses, its main function being to serve teas, infusions or coffee, taking advantage of its porous nature and the good preservation of beverages. Creation Purpose For sale. Technique To make a black clay teapot, the potter first prepares the clay, a process that includes kneading the clay to remove bubbles and impurities and leave it with a smooth consistency. Next, the clay is shaped on the potter's wheel, using the hands to give the teapot the desired shape. After shaping the piece, it is left to dry slowly before being placed in the kiln. Material Source The potter collects black clay from a local plot of land designated for the extraction of the material. Conecept The black clay teapot is a piece of craftsmanship with great cultural value, especially those from Molelos, which can be decorative or used for other purposes such as storing liquids or food. Production Quality The artisan actively continues to produce this piece. External ID UAVEIRO_AR_33 Craft ceramics Tool Potter's wheel and finishing tools. Place The town or city Molelos, Tondela, Portugal Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Black_clay_teapot Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Black clay teapot Type The nature or genre of the resource Physical Object Description An account of the resource The description of the shape of a black clay teapot is not unique, as there are several styles and sizes, but it is usually a handmade, unglazed piece made from clay that can vary from 18 to 30 cm in height. Date A point or period of time associated with an event in the lifecycle of the resource 2025 Creator An entity primarily responsible for making the resource 1858 Language A language of the resource Portuguese Extent The size or duration of the resource. 20cm x 20cm x 15cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 747 Source A related resource from which the described resource is derived craftedobjects,portugalobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://uniaodasfreguesiastondelanandufe.pt/2022/01/18/museu-terras-de-besteiros/ https://www.patrimoniocultural.gov.pt/wp-content/uploads/2025/01/Ficha-MatrizPCI.pdf https://www.youtube.com/watch?v=W3FS07QYpD0 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 27/10/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Bule de barro negro Spatial Coverage Spatial characteristics of the resource. current,40.530278,-8.095556; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Black clay of Molelos Natural Cultural Cultural Function The black clay bowl is used for oven cooking, such as oven-baked rice. Creation Purpose For sale. Technique To make a black clay bowl, the potter first prepares the clay, a process that includes kneading the clay to remove bubbles and impurities and leave it with a smooth consistency. Next, the clay is shaped on the potter's wheel, using the hands to give the bowl the desired shape. After shaping the piece, it is left to dry slowly before being placed in the kiln. Material Source The potter collects black clay from a local plot of land designated for the extraction of the material. Conecept The black clay bowl is traditionally used for cooking, especially for preparing rice in the oven. Production Quality The artisan actively continues to produce this piece. External ID UAVEIRO_AR_34 Craft ceramics Tool Potter's wheel and finishing tools. Place The town or city Molelos, Tondela, Portugal Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Bowl Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bowl Type The nature or genre of the resource Physical Object Description An account of the resource A black clay bowl has a truncated cone shape with a circular base, a wide mouth and a rim that usually has four ‘spouts’ (or ‘ears’) that make it easier to handle and hold. Creator An entity primarily responsible for making the resource 1858 Language A language of the resource Portuguese Extent The size or duration of the resource. 30cm x 19cm x 12cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 748 Source A related resource from which the described resource is derived craftedobjects,portugalobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://uniaodasfreguesiastondelanandufe.pt/2022/01/18/museu-terras-de-besteiros/ https://www.patrimoniocultural.gov.pt/wp-content/uploads/2025/01/Ficha-MatrizPCI.pdf https://www.youtube.com/watch?v=W3FS07QYpD0 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 27/10/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Alguidar Spatial Coverage Spatial characteristics of the resource. current,40.530278,-8.095556; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Black clay of Molelos Natural Cultural Cultural Function The black clay bowl is used for oven cooking, such as oven-baked rice. Creation Purpose For sale. Technique To make a black clay bowl, the potter first prepares the clay, a process that includes kneading the clay to remove bubbles and impurities and leave it with a smooth consistency. Next, the clay is shaped on the potter's wheel, using the hands to give the bowl the desired shape. After shaping the piece, it is left to dry slowly before being placed in the kiln. Material Source The potter collects black clay from a local plot of land designated for the extraction of the material. Conecept The black clay bowl is traditionally used for cooking, especially for preparing rice in the oven. Production Quality The artisan actively continues to produce this piece. External ID UAVEIRO_AR_35 Craft ceramics Tool Potter's wheel and finishing tools. Place The town or city Molelos, Tondela, Portugal Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Black_Clay_Chandelier Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Black Clay Chandelier Type The nature or genre of the resource Physical Object Description An account of the resource The clay is moulded into the desired shape, which can range from a simple structure to an elaborate chandelier with various details and decorations. Date A point or period of time associated with an event in the lifecycle of the resource 2025 Creator An entity primarily responsible for making the resource 1858 Language A language of the resource Portuguese Extent The size or duration of the resource. 60cm x 60cm x 80cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 749 Source A related resource from which the described resource is derived craftedobjects,portugalobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://uniaodasfreguesiastondelanandufe.pt/2022/01/18/museu-terras-de-besteiros/ https://www.patrimoniocultural.gov.pt/wp-content/uploads/2025/01/Ficha-MatrizPCI.pdf https://www.youtube.com/watch?v=W3FS07QYpD0 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 27/10/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Candelabro de barro negro Spatial Coverage Spatial characteristics of the resource. current,40.530278,-8.095556; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/320e17a97ea1e9e7cf8d38f8b25fa645.jpg e4c0c14ed9753d5bde50fcc385b86118 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UAVEIRO_AR_36-01 Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025-04-07 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. João Coutinho, Violeta Catarina, Gonçalo Gomes e Cristiane Menezes https://culturality.museum/omeka/files/original/1e9394e3054f8e079430442584372809.jpg c61f60c8ab68f08f3658a706262c8a0b Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UAVEIRO_AR_36-02 Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/66602c46a0ecc232e340cd1ef079087b.jpg 77702a4dd39d44c7f1c0187a243bbea6 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UAVEIRO_AR_36-03 Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/188784525582d2ba872e3ae53647afc9.jpg 4c553ac3b51207007ac39e07aeba13e5 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UAVEIRO_AR_36-04 Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1882 Material galvanised sheet metal Natural Cultural Cultural Function Used for decoration Creation Purpose The lamp was designed by the designer, as part of the UA.LABDESIGN 2025 immersion project in Múceres, and the prototype was produced in conjunction with the craftsman. Technique tinsmithing Material Source Galvanised metal Conecept The aim of this artifact was to take advantage of the shape of a cruet set, which is no longer in use, and transform it into a lamp. Production Quality Prototype External ID UAVEIRO_AR_36 Craft metalwork Tool The craftsman uses a pair of scissors to cut the galvanised sheet metal. On the anvil, the leaf is given a curved shape with the help of a hammer, which is used to hit the leaf. He also uses tin solder to join the parts that join the leaves and flowers to the main stem. Place The town or city Múceres, Tondela, Portugal Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Galhetto_Lamp Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Galhetto Lamp Type The nature or genre of the resource Physical Object Description An account of the resource A lamp inspired by the shape of a Portuguese cruet. It features holes in different positions, allowing it to be hung on the wall in a variety of ways. Date A point or period of time associated with an event in the lifecycle of the resource 2025 Creator An entity primarily responsible for making the resource 918 Language A language of the resource Portuguese Extent The size or duration of the resource. 30cm x 25cm x 50cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 750 Source A related resource from which the described resource is derived craftedobjects,portugalobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://uniaodasfreguesiastondelanandufe.pt/2022/01/18/museu-terras-de-besteiros/ Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 27/10/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Luminária Galhetto Spatial Coverage Spatial characteristics of the resource. current,40.521326,-8.032804; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/1732a8901d0aad28a52b01b66a776d6a.jpg d20421cbf0cd2bf383769df9432db532 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UNIOVI_CP_02(01) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:20 11:36:00 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/def657f40057c1c3da4b3b1a48dd259b.jpg 1ced7fe6a33df8b28adf32a844b1b025 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Intangible:Afuega'\''l pitu cheesemaking Identifier An unambiguous reference to the resource within a given context 1264 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UNIOVI_CP_02(02) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:20 11:36:14 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez https://culturality.museum/omeka/files/original/e35e81810f88b3a3647ffc22ea0d4f34.jpg 5f875178961b0dd43238fb188f60666a Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UNIOVI_CP_02(03) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:20 11:36:21 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/5e2a2da10837ece4f63a2b20560d5671.jpg ef3a28e421ec1b5db9b1a2741357ab04 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UNIOVI_CP_02(04) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:20 11:36:27 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/07f9ffb368846f33682ac009031c5d62.jpg 9aab4afc8103d7831c5f18743b332e65 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UNIOVI_CP_02(05) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:20 11:36:33 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/25d7281a8e6662d629ed66cff9894c5a.jpg 25ebe6bc3abf1192890cf5a14a9738f6 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UNIOVI_CP_02(06) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:20 11:36:52 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/57cf9897dfe3f254c20e9a6438820f29.jpg b499b7a66db670cf7dc5c68a552bdbe3 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UNIOVI_CP_02(07) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:20 11:37:00 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/753dd9ef92f1a2754e7ad6c034cb4160.jpg 5a15485974600db27dd2fefbbaa99936 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UNIOVI_CP_02(08) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:20 11:37:08 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/98496185b3513f75ec85b1ad19485f6d.jpg f148de31648401c5dd738df4940fb2fa Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UNIOVI_CP_02(09) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:20 11:37:45 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/9e8d8cb5c220850b8741c87c7b0a1977.jpg 597c4119cea37cba24edd8d91a922157 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UNIOVI_CP_02(10) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:20 11:37:52 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/bff5bb3cde8bc604cc717e2eaa87ad4c.jpg d6773bf13d368b4b97f082da33354244 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UNIOVI_CP_02(11) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:20 11:40:52 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/324ee7210437526c1e975bf325e9636b.jpg c839c0af17437869cf609e22988be4b0 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UNIOVI_CP_02(12) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:20 11:41:15 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/da6387835725f111b2c80bbd1b5b0f7c.jpg 100bc7bd3b147da1bb308dece9608ee9 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UNIOVI_CP_02(13) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:20 11:41:27 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/554630255422e150ae93ac24f723b213.jpg 39ff184934317e2c2144615a0c7636d9 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UNIOVI_CP_02(14) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:20 11:41:47 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez https://culturality.museum/omeka/files/original/68b63de4bf22b2f0bafca4e8ed822187.jpg e9542b679d8046c0e1ac599c6f0a16f5 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UNIOVI_CP_02(15) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:03:20 11:41:58 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez https://culturality.museum/omeka/files/original/1bf0742d650af42750c8caea29d82876.MP4 061d4a010900e297dd44257b8ae18c61 Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UNIOVI_CP_02(01) Type The nature or genre of the resource Moving Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource video/mp4 License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. VIDEO Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://culturality.museum/galleries/upload/UNIOVI_CP_02_01_.MP4 https://culturality.museum/omeka/files/original/046aef14a6d9387cdceab93f2e2c7967.mp4 8b828fd3fa6e6d8b8cb330881f789e7f Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ancient carol from historical Maramures area Type The nature or genre of the resource Moving Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource video/mp4 License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 04/12/2024 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. VIDEO Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Marius Muresan Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://culturality.museum/galleries/upload/CJMM_CP_01_CAROLING_ILEANA_MATUS.mp4 https://culturality.museum/omeka/files/original/b19194ade1525804c649733333c82c0d.png 39529be47ea38336f3f42b4fd428a2ce Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CJMM_CP_01_CAROLING_ILEANA_MATUS Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/png License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/ee038f2bb337cd975808834417434703.mtl 1f47f05abc61b6b3079bb9cc000d8457 https://culturality.museum/omeka/files/original/6d07eeb618b170c987510c236534d28d.obj 8aa87fa85e704a108d7acec66e21093e https://culturality.museum/omeka/files/original/bfb7db77e66e2db5f9353eb209af2010.jpg cbfab5d7bf8c36a784c3aeb8fd79c6d4 https://culturality.museum/omeka/files/original/dbdb7a547319d4cf6badf3afdd9d5dde.glb 24ab372ab889a18961c71958d322d959 https://culturality.museum/omeka/files/original/3f1dfef572ee376cd44277409c576e21.glb 24ab372ab889a18961c71958d322d959 3D Object Vertices 862102 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Big Bowl Type The nature or genre of the resource 3D Object Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource text/plain Alias/WaveFront Object License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Identifier An unambiguous reference to the resource within a given context 918652ca7d544068b234970369b06256 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. 3D Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://sketchfab.com/models/918652ca7d544068b234970369b06256/embed Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1906 Natural Cultural Cultural Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Big_Bowl Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Big Bowl Type The nature or genre of the resource Physical Object Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 752 Source A related resource from which the described resource is derived timespanrural Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 04/11/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/5778f4a9278a7bfea74b14a7705542a9.mtl 5ce7cb34d08b01d4641afd9e11bf9865 https://culturality.museum/omeka/files/original/b339af471647b31869738022d47739e9.obj ad150bc347eac711afffb55d78cbb4f1 https://culturality.museum/omeka/files/original/c4bff24b173303e9fd7e527955b91ea6.jpg ad87681847a5959a4ee39ea1e1143471 https://culturality.museum/omeka/files/original/cf27169c0a478f8ce34971fb32204e6d.glb dc9b63a3cf2348b6217bf4d13c347346 https://culturality.museum/omeka/files/original/de7c0ef9c53d77995f96164610f8c1bf.glb dc9b63a3cf2348b6217bf4d13c347346 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Object:Bird 1 Identifier An unambiguous reference to the resource within a given context 1909 3D Object Vertices 281923 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bird (Kingfisher?) Type The nature or genre of the resource 3D Object Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource text/plain Alias/WaveFront Object License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. 3D Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://sketchfab.com/models/85963299ec9f4ff4af993ec5bfa46e75/embed Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bird (Kingfisher?) Identifier An unambiguous reference to the resource within a given context 753 Source A related resource from which the described resource is derived craftedobjects,timespanrural Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/bc7bf5273927ceb4e4783472f69cf92b.mtl e9caaaf443832e90e10ab0f21e58658e https://culturality.museum/omeka/files/original/78d4a847474c7d784f48fb66007e3c96.obj 6a6c0b426320410c71ad5bb73ea92aca https://culturality.museum/omeka/files/original/cf403aebc290ab2f36453074cf33dcb9.jpg a275bb48935a00b6245639b3f6347a60 https://culturality.museum/omeka/files/original/46aa48d040f72f9a8a3ca9d348ac12dd.glb fda192b9749f8987f6353d4dab0c3016 https://culturality.museum/omeka/files/original/a1fbb4582508a55fac5618b0087cca42.glb fda192b9749f8987f6353d4dab0c3016 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Object:Bird 2 Identifier An unambiguous reference to the resource within a given context 1911 3D Object Vertices 132359 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Brown Mouse Type The nature or genre of the resource 3D Object Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource text/plain Alias/WaveFront Object License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. 3D Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://sketchfab.com/models/d635f2b628f74486a756f6aff379c07f/embed Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: University of St Andrews Identifier An unambiguous reference to the resource within a given context 4 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1910 Natural Cultural Cultural Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Brown Mouse Identifier An unambiguous reference to the resource within a given context 754 Source A related resource from which the described resource is derived craftedobjects,timespanrural Type The nature or genre of the resource Physical Object Date Modified Date on which the resource was changed. 17/03/2026 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/9add088ecf6eda45adac665ee67eba71.mtl 9e86633d90a22e492580b606d94ffd06 https://culturality.museum/omeka/files/original/6a5e4ea2866d1216dd34ffc1ea5129e1.obj 626805a4b5131d2698872828e2081d63 https://culturality.museum/omeka/files/original/3c79b3868eb0a5e0d484030ea5664d95.jpg f89d4e8b7ae057c586ddfcc0e380e916 https://culturality.museum/omeka/files/original/c071b7d96b528fc7bd9612535ae6dca2.glb f186f44726cc959223ab1a87a9cae082 https://culturality.museum/omeka/files/original/3737805de53a1532795ee87a98fdb4ab.glb f186f44726cc959223ab1a87a9cae082 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Object:Bird 3 Identifier An unambiguous reference to the resource within a given context 1913 3D Object Vertices 92245 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wren Type The nature or genre of the resource 3D Object Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource text/plain Alias/WaveFront Object License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. 3D Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://sketchfab.com/models/90d36907cd194839a7f26a6fe5a5c56c/embed Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: University of St Andrews Identifier An unambiguous reference to the resource within a given context 4 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1912 Natural Cultural Cultural Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wren Identifier An unambiguous reference to the resource within a given context 755 Source A related resource from which the described resource is derived craftedobjects,timespanrural Type The nature or genre of the resource Physical Object Date Modified Date on which the resource was changed. 17/03/2026 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/3319314f3357f0c0082d2618b29f4f8f.mtl fe0b87729e45011bd13140588dbbafb2 https://culturality.museum/omeka/files/original/29db63ee5837227ba182935bd0eea58b.obj a40fb82135e6998470b84974ccc90543 https://culturality.museum/omeka/files/original/58f7ce7a88bf8f2cc7aa867daa42bfcc.jpg a7e14504489a051aa424728199f3344e https://culturality.museum/omeka/files/original/1d04084e560110d36f0602bad41af5f0.glb 0c5ee112806e53d5dab1ab62c668b2b4 https://culturality.museum/omeka/files/original/83d6dbb5568a99cfb0a2627d04be43cf.glb 0c5ee112806e53d5dab1ab62c668b2b4 3D Object Vertices 510467 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bowl Type The nature or genre of the resource 3D Object Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource text/plain Alias/WaveFront Object License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Identifier An unambiguous reference to the resource within a given context 8664d176caa84eb9b2cd6895ade1a14b Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. 3D Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://sketchfab.com/models/8664d176caa84eb9b2cd6895ade1a14b/embed Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1914 Natural Cultural Cultural Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Bowl Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bowl Type The nature or genre of the resource Physical Object Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 756 Source A related resource from which the described resource is derived timespanrural Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 04/11/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/cdd4882d2eaadf8433f9985a6769b1a0.mtl 91c92ade6684939c677a1a3513dbaf28 https://culturality.museum/omeka/files/original/83fb956ada08f2e0d6082d4ddb5f034f.obj bd68e260c249d78ca6d627cf4314719c https://culturality.museum/omeka/files/original/c4adc86ac452bae3269dff06d2dd9b85.jpg 98a81fd3c082f7edc3f5244f7359dc90 https://culturality.museum/omeka/files/original/0399c5cf816a85a7a84286cbe19bb122.glb fecc19c39be06e2b58b35bd6c60bb5af https://culturality.museum/omeka/files/original/6dacb60b555589ac8f93269e38f8aff4.glb fecc19c39be06e2b58b35bd6c60bb5af 3D Object Vertices 63388 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Brooch Type The nature or genre of the resource 3D Object Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource text/plain Alias/WaveFront Object License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Identifier An unambiguous reference to the resource within a given context 04c1ad77408142b184360849b015f27b Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. 3D Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://sketchfab.com/models/04c1ad77408142b184360849b015f27b/embed Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1916 Natural Cultural Cultural Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Brooch Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Brooch Type The nature or genre of the resource Physical Object Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 757 Source A related resource from which the described resource is derived timespanrural Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 04/11/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/0a2bb24efeada4433213e4cb500bf1b1.mtl 8970615a88522f800de18123a0b6f787 https://culturality.museum/omeka/files/original/84ad91f4bedf0159c5f0aaf650b7d9cd.obj 4989a195ba1fd8e0ec92ad55a4d52b91 https://culturality.museum/omeka/files/original/e42f5ff8cea01674347ddf3e7f1e6fe8.jpg f769a7043f57667d09c4e26c1b3dd5ff https://culturality.museum/omeka/files/original/c74c5b8152f09f6f0b671313d98fbd76.glb 2dd5995146166a28fbe31b00f68de995 3D Object Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cup Type The nature or genre of the resource 3D Object Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource text/plain Alias/WaveFront Object License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Identifier An unambiguous reference to the resource within a given context 2a948e8576914eed9481e5516b05041e Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. 3D Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://sketchfab.com/models/2a948e8576914eed9481e5516b05041e/embed Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1918 Natural Cultural Cultural Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Cup Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cup Type The nature or genre of the resource Physical Object Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 758 Source A related resource from which the described resource is derived timespanrural Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 04/11/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/7be43d5c232585f72aa9c0d0075d0df5.mtl 58656be661fa30cead1ee5c37caa2889 https://culturality.museum/omeka/files/original/311ea459491c3d964e9027ec09922f18.obj ecae834533b4a69d0a7e859f5d4fcdda https://culturality.museum/omeka/files/original/eb518fdb9aba78665a1c9b0c4eba6d59.jpg bb0b952b2e3fe848cb90641097df6e56 https://culturality.museum/omeka/files/original/b3e272bf1cae4cd8a817fdf8300fb9bf.glb 9d9ca6ed376d906c47219cd24ea69010 https://culturality.museum/omeka/files/original/a888aa732c7770a344ce190ecf985fa0.glb 9d9ca6ed376d906c47219cd24ea69010 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Object:One Eyed Dog Container Identifier An unambiguous reference to the resource within a given context 1922 3D Object Vertices 351082 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource One-Eyed Dog Container (Bottom) Type The nature or genre of the resource 3D Object Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource text/plain Alias/WaveFront Object License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. 3D Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://sketchfab.com/models/32751ee3410f42ea96405a32eb909a63/embed https://culturality.museum/omeka/files/original/84c243498f381ecccbc4512d37e6408d.mtl 9592c598ac7f6278769a9ebc57c308f6 https://culturality.museum/omeka/files/original/657af13a7e0e2c29ad8ca18c1a8b45d6.obj 684959d1a81bd1a280908bf34c6cad36 https://culturality.museum/omeka/files/original/5615021baa0a1514dcf692d5d6594963.jpg ee6c34699a0c2a45324c8e226e8199f4 https://culturality.museum/omeka/files/original/6f5b599fd2313d8463373df2e3a4ad09.glb 627db54d5c603f2b8c96c70e47e4e3aa https://culturality.museum/omeka/files/original/f372350db0512432d0484a43b5e67d22.glb 627db54d5c603f2b8c96c70e47e4e3aa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Object:One Eyed Dog Container Identifier An unambiguous reference to the resource within a given context 1922 3D Object Vertices 235004 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource One-Eyed Dog Container (lid) Type The nature or genre of the resource 3D Object Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource text/plain Alias/WaveFront Object License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. 3D Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://sketchfab.com/models/a5354354ab994a3e9dd9965c00a3272d/embed Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: University of St Andrews Identifier An unambiguous reference to the resource within a given context 4 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1921 Natural Cultural Cultural Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource One-Eyed Dog Container Type The nature or genre of the resource Physical Object Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 759 Source A related resource from which the described resource is derived craftedobjects,timespanrural Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 04/11/2025 Date Modified Date on which the resource was changed. 17/03/2026 Europeana Specific elements of the Europeana Semantic Elements. 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Title A name given to the resource Ceramic Frog Type The nature or genre of the resource 3D Object Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource text/plain Alias/WaveFront Object License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Identifier An unambiguous reference to the resource within a given context 7df327a3042f4c408d10b1ea02002789 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. 3D Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://sketchfab.com/models/7df327a3042f4c408d10b1ea02002789/embed Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1923 Natural Cultural Cultural Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Ceramic_Frog Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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Title A name given to the resource Goddess Type The nature or genre of the resource 3D Object Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource text/plain Alias/WaveFront Object License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Identifier An unambiguous reference to the resource within a given context 9771fa34e20c431c8c3e4eb96c938529 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. 3D Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://sketchfab.com/models/9771fa34e20c431c8c3e4eb96c938529/embed Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1925 Natural Cultural Cultural Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Goddes Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Goddes Type The nature or genre of the resource Physical Object Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 761 Source A related resource from which the described resource is derived timespanrural Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 04/11/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. 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Title A name given to the resource Jug Type The nature or genre of the resource 3D Object Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource text/plain Alias/WaveFront Object License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Identifier An unambiguous reference to the resource within a given context 68b3b0adb8fc461daa62de5656e9869a Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. 3D Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://sketchfab.com/models/68b3b0adb8fc461daa62de5656e9869a/embed Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1927 Natural Cultural Cultural Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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Title A name given to the resource Ceramic Owl Type The nature or genre of the resource 3D Object Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource text/plain Alias/WaveFront Object License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Identifier An unambiguous reference to the resource within a given context f0c5eb077bb848e2922de5079a4c090f Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. 3D Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://sketchfab.com/models/f0c5eb077bb848e2922de5079a4c090f/embed Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1929 Natural Cultural Cultural Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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Title A name given to the resource Shell Soap Dish Type The nature or genre of the resource 3D Object Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource text/plain Alias/WaveFront Object License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Identifier An unambiguous reference to the resource within a given context 1f6ccb5c883149c89b6fedf929452689 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. 3D Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://sketchfab.com/models/1f6ccb5c883149c89b6fedf929452689/embed Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1931 Natural Cultural Cultural Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Shell Soap Dish Type The nature or genre of the resource Physical Object Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 764 Source A related resource from which the described resource is derived craftedobjects,scotlandobjects,highlandandislands,ruralspots,timespanrural Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 10/11/2025 Date Modified Date on which the resource was changed. 10/11/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. 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This will often be the same URL as given in europeana:isShownBy. https://sketchfab.com/models/340bd7e7aeea4fe1a2df69d770eb9b2c/embed Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1933 Natural Cultural Cultural Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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Title A name given to the resource Small Cup Type The nature or genre of the resource 3D Object Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource text/plain Alias/WaveFront Object License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Identifier An unambiguous reference to the resource within a given context 1dceaf616ac8423cbddd93d01c00574e Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. 3D Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://sketchfab.com/models/1dceaf616ac8423cbddd93d01c00574e/embed Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1935 Natural Cultural Cultural Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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This will often be the same URL as given in europeana:isShownBy. https://sketchfab.com/models/56e8f86a0dcd4a078d9cd72cf261a8c3/embed Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1937 Natural Cultural Cultural Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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Title A name given to the resource Yellow Broom Photosphere Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:07:08 16:22:31 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/967c5b9c7c5fb7b49cc21f024615e75b.jpg ed0711ef71d884f188ed25db5f59f8a1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Yellow Broom Identifier An unambiguous reference to the resource within a given context 238 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yellow Broom Photosphere Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:07:08 16:23:26 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/811674b7f3b3c3827f1bfb964cfc6f17.jpg a8db3763e8b9994e2c04a97418bee12d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Yellow Broom Identifier An unambiguous reference to the resource within a given context 238 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yellow Broom Photosphere Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:07:08 16:39:42 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/8d7c8f771ef3ebc8a022c9bef88f4a15.jpg 3b318fae240650210066eff3747a5f70 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Yellow Broom Identifier An unambiguous reference to the resource within a given context 238 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yellow Broom Photosphere Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:07:08 16:43:30 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/6d24a666ed990086f1d760f61dcebc5a.jpg f96cd44b504c46a91f1b6d9c2df5ca29 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Yellow Broom Identifier An unambiguous reference to the resource within a given context 238 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yellow Broom Photosphere Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:07:08 16:45:17 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/8a4f379c89c269d454e166f92f116da3.jpg 867b9621e0c76db3cacd6479b3483416 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Yellow Broom Identifier An unambiguous reference to the resource within a given context 238 Panorama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yellow Broom Photosphere Type The nature or genre of the resource Panorama Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025:07:08 16:46:23 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: University of St Andrews Identifier An unambiguous reference to the resource within a given context 4 Intangible Context The knife-making tradition of Taramundi is embedded in a broader cultural framework that includes complementary crafts, social practices, and oral traditions. Historically, the craft developed alongside blacksmithing and metalwork (UNIOVI_CP_04), as rural households produced agricultural tools, horseshoes, and hardware essential for farming. These activities share technical knowledge and workshop spaces, forming an integrated artisanal economy. Woodworking is another closely related practice. The production of knife handles relies on skills traditionally used in carpentry and decorative woodcraft, which remain significant in the region. Techniques such as carving and pyrography link knife-making to a wider repertoire of decorative arts, reinforcing aesthetic continuity across different objects. The craft also intersects with oral traditions, particularly narratives about family workshops, local inventiveness, and the symbolic value of handmade knives. These stories circulate within the community and are often shared during fairs and demonstrations, contributing to the transmission of intangible heritage. Social practices such as craft fairs and rural festivals provide spaces where knife-making interacts with gastronomy, music, and other artisanal displays. These events create a cultural ecosystem that situates the craft within collective celebrations of identity and heritage. Finally, contemporary initiatives connect knife-making with heritage tourism and educational programmes, integrating it into thematic routes that include traditional architecture, textile crafts, and culinary experiences. This network of related practices underscores the multifunctional role of Taramundi’s artisanal heritage, where technical skills, symbolic meanings, and social rituals converge. Field Worker Pérez Fernández, Lucía Rodríguez Pérez, Santiago Climate Threats Deforestation,Mining,Deterioration of material,Deterioration of space Economic Threats Insufficient financial resources,Insufficient renumeration,Rapid economic transformation,Poor transport connections Technological Threats Industrial production,Surge of new technologies,Use of modern materials Policy Threats Lack of conservation policy,Deficient policy implementation,Threatening regional planning policies,Inadequate management plans Conflicts Human encroachment on boundaries Demographic Threats Rural-urban migration,Degraded habitat Decontextualization Touristification,Overcommercialisation Globalisation New pastimes,Rapid sociocultural change Weakened Practice Aged practitioners,Diminishing youth interest,Halted transmission between generations,Reduced practice Loss Threats Material shortage,Loss of cultural significance,Loss of protective status Climate Actions Community Engagement,Educational programs,Collaboration with other organisations ,Governance management and green policies SDG Quality Education,Decent Work and Economic Growth,Sustainable Cities and Communities,Responsible Consumption and Production,Climate Action,Peace Justice and Strong Institutions,Partnerships for the Goals External ID UNIOVI_CP_03 Knowledge Knife-making in Taramundi is a craft that combines technical precision with cultural understanding. At its foundation, artisans need metallurgical expertise: the ability to forge, temper, and sharpen steel so that the blade achieves the right balance between hardness and flexibility. This requires not only manual skill but also an intuitive sense of temperature control and material behaviour. Equally essential is woodworking knowledge, as handles are traditionally carved from local hardwoods such as boxwood. Crafting a handle involves selecting and preparing the wood, shaping it for comfort and durability, and often adding decorative details that reflect regional aesthetics. The practice also demands familiarity with traditional tools and processes, including forges, anvils, and hydraulic hammers historically powered by water. While modern equipment is now common, artisans maintain techniques passed down through generations, ensuring continuity with the past. Beyond technical ability, knife-making calls for design awareness and cultural sensitivity. Each piece must meet functional needs while embodying the identity of Taramundi’s craft tradition. This includes understanding historical forms and adapting them to contemporary markets without losing authenticity. Finally, in today’s context, artisans often develop entrepreneurial skills, engaging with tourism and global distribution. This blend of technical mastery and adaptive knowledge sustains the craft as both a cultural heritage and an economic resource Knowledge Transfer Today, the transmission of knife-making knowledge in Taramundi occurs through a combination of family-based apprenticeship, formal training initiatives, and cultural tourism programmes. Traditionally, skills were passed down within households, where younger generations learned by observing and assisting experienced artisans. This model persists, ensuring continuity of techniques and values, although it now coexists with more institutionalised forms of learning. Several local workshops and craft cooperatives offer structured courses for aspiring artisans and enthusiasts. These programs often include practical demonstrations and hands-on sessions, allowing participants to engage directly with forging, tempering, and handle-making processes. Museums and interpretation centres in Taramundi also play a key role, presenting the historical evolution of the craft and organising educational activities aimed at preserving intangible heritage. Transmission is not limited to physical spaces. Digital platforms and social media have become complementary tools, enabling artisans to share tutorials, showcase techniques, and connect with global audiences. This online presence broadens access to knowledge while reinforcing the cultural significance of the practice. The timing of transmission is continuous but often intensifies during festivals and craft fairs, where artisans demonstrate their skills publicly. These events serve as both educational and promotional spaces, fostering intergenerational dialogue and community engagement. Practitioners The primary bearers of the Taramundi knife-making tradition are local artisans, many of whom belong to families with a long history in the craft. These practitioners often operate small workshops where production combines traditional techniques with the selective modernisation of some processes. Their role is not only technical but also cultural, as they safeguard the authenticity of the craft and transmit its values to future generations. Historically, knife-making was a male-dominated activity, reflecting the gendered division of labour in rural Asturias. Men typically handled forging and assembly, while women contributed to complementary tasks such as preparing wooden handles or managing household economies linked to craft production. Although this division persists in some cases, contemporary practice shows greater flexibility, with women increasingly involved in both technical and managerial aspects of the trade. Within the community, certain individuals assume special responsibilities as cultural mediators. Master artisans, often widely recognised for their expertise and reputation, play a key role in teaching apprentices and maintaining quality standards. They also participate in public demonstrations, fairs, and educational programs, reinforcing the visibility of the craft beyond local boundaries. Additionally, institutional actors (such as museums, craft cooperatives, and tourism initiatives) support transmission and promotion, but the core responsibility remains with the artisans themselves. Their work embodies both material skill and intangible heritage, positioning them as custodians of a tradition that continues to adapt while preserving its cultural essence. Function Today, Taramundi knife-making serves as both an economic resource and a cultural emblem for the local community. Its primary social function lies in sustaining rural livelihoods through artisanal production and tourism. Workshops and craft stores attract visitors seeking authentic handmade goods, creating employment and reinforcing the viability of small-scale economies in an area historically marked by depopulation. Culturally, the practice operates as a symbol of identity and continuity. Knives are not merely utilitarian objects, as they embody values of craftsmanship, resilience, and adaptation to environmental constraints. For residents, the tradition affirms a sense of belonging and pride in local heritage, while for outsiders it represents an image of authenticity associated with Asturias’ rural culture. The craft also fosters intergenerational dialogue, as older artisans transmit knowledge to younger practitioners and to visitors through demonstrations and educational programmes. This interaction strengthens community cohesion and positions the practice as a living heritage. In contemporary discourse, Taramundi knives have acquired a broader meaning as markers of sustainable production and cultural tourism. They exemplify how traditional skills can coexist with modern market dynamics, offering a narrative of heritage preservation aligned with economic innovation. Origins and change The origins of knife-making in Taramundi date back to at least the eighteenth century, when rural households began to complement subsistence farming with small-scale metalworking. Historical records indicate that the availability of iron ore and abundant water streams enabled the installation of hydraulic hammers and forges, creating the technological basis for the craft. Initially, production was highly localised and oriented toward practical needs: knives and cutting tools for domestic and agricultural use. Over time, the practice evolved in response to social and economic changes. During the nineteenth century, Taramundi artisans consolidated their reputation for quality, expanding distribution to regional markets. The craft remained family-based, with transmission occurring through apprenticeship within the household. Gender roles were clearly defined: men managed forging and assembly, while women contributed to auxiliary tasks and trade. The twentieth century brought significant transformations. Industrialisation in Asturias bypassed Taramundi, but modernization affected the craft through the introduction of new materials such as stainless steel and mechanized tools. These changes improved efficiency without erasing traditional techniques, which continued to define the identity of the product. In recent decades, the function of knife-making has shifted from purely utilitarian to symbolic and economic. The rise of cultural tourism and heritage valorisation positioned Taramundi knives as artisanal goods associated with authenticity and sustainability. Transmission now occurs not only within families but also through workshops, museums, and digital platforms, reflecting a hybrid model that combines tradition with institutional and global outreach. Thus, the practice illustrates a dynamic trajectory: from a rural survival strategy to a heritage-based economic resource, adapting to technological, social, and cultural transformations while preserving its core art Organisations The knife-making tradition of Taramundi is supported by a diverse network of organisations that combine heritage preservation, economic development, and cultural promotion. At the local level, family-run workshops and artisan cooperatives remain the backbone of the craft, ensuring continuity of production and knowledge transmission. These entities often collaborate with tourism initiatives and participate in fairs to showcase their work. Among public institutions, the Municipality of Taramundi actively promotes the craft as part of its rural development strategy, while the Principality of Asturias includes knife-making in programmes for safeguarding intangible cultural heritage. These bodies provide logistical and financial support for events, training, and infrastructure as much as they can. A key cultural institution is the Museo de la Cuchillería de Taramundi, which preserves historical artefacts, documents the evolution of techniques, and offers live demonstrations in its museum-workshop. This space functions as an educational hub, reinforcing the craft’s visibility and cultural significance. In addition, craft cooperatives and artisan associations facilitate collective marketing and quality control. Historically, Taramundi artisans were also linked to a nation-wide association of traditional blacksmiths, an organisation that promoted traditional metalworking and included knife-makers among its members. For several years, this association was directed by a master blacksmith from Santalla d’Ozcos, highlighting the area’s leadership in the field. Places The practice of knife-making in Taramundi is closely linked to a network of spaces that combine production, heritage interpretation, and tourism. Artisan workshops remain the primary sites where the craft is actively performed. These small-scale facilities, often family-run, are scattered throughout the municipality and serve as both workplaces and points of sale, allowing visitors to observe traditional techniques in real time. A key institutional space is the Museo de la Cuchillería de Taramundi, which plays a central role in safeguarding and promoting the craft. The museum houses a collection of historical pieces and tools, illustrating the evolution of knife-making from its origins to the present. It also includes a musealised traditional workshop. This setting functions as an educational platform, reinforcing the transmission of knowledge and raising awareness of the craft’s cultural significance. In addition to the museum, interpretation centres and craft cooperatives contribute to the visibility of the practice, organising exhibitions, training sessions, and thematic routes that integrate knife-making into broader narratives of rural heritage. Public spaces such as local fairs and festivals also serve as venues for showcasing the craft, strengthening its social and economic role within the community. Artefacts The tradition encompasses a rich material culture that includes both the produced objects and the tools and machinery required for their fabrication. The most iconic products are folding knives (navajas/navayas) and fixed-blade knives, distinguished by their steel blades and wooden handles, often crafted from local hardwoods. Handles may feature decorative carvings, pyrography, or metal inlays, adding aesthetic value to functional objects. In addition to knives, artisans produce scissors, small axes, and specialised cutting tools, reflecting the craft’s historical link to domestic and agricultural needs. The production process relies on a set of traditional tools that remain central despite technological modernisation. These include forges and anvils for shaping steel, tongs and hammers for manual manipulation, and grinding wheels for sharpening and finishing blades. Historically, workshops employed hydraulic hammers powered by water mills, a distinctive feature of Taramundi’s technological heritage that enabled efficient forging in a rural setting. Today, electric hammers and mechanized grinders complement these traditional implements, but manual techniques continue to define the craft’s authenticity. Woodworking requires its own set of artefacts: carving knives, chisels, and lathes for shaping and smoothing handles, as well as clamps and templates to ensure precision. Decorative work may involve burning tools for pyrography or fine chisels for engraving. Some more advanced workshops use laser engravers. Finally, auxiliary artefacts such as branding stamps (used to imprint the maker’s mark) play a symbolic role, guaranteeing origin and quality. Climate Threats Description The tradition faces several environmental challenges that affect its sustainability. Deterioration of material refers to the increasing difficulty of sourcing high-quality steel and suitable hardwoods for handles, which raises production costs and limits artisanal standards. Deterioration of space is linked to rural depopulation and the abandonment of traditional workshops, reducing the physical infrastructure necessary for transmission and practice. While deforestation is not occurring in the form of large-scale forest loss, a significant risk lies in the replacement of native hardwood species (such as boxwood) with fast-growing invasive species. These alternatives do not provide the same quality for knife handles, compromising both durability and aesthetic value. This ecological shift directly impacts the material culture of the craft. Finally, mining, although less active today, historically altered landscapes and water systems. Any resurgence of extractive activities could further degrade the environment and affect resources essential for artisanal production. These factors highlight the need for proactive measures to ensure resource management, maintain traditional species, and preserve the spaces where the craft is practiced. Economic Threats Description Knife-making in Taramundi faces economic vulnerabilities. Insufficient financial resources and low remuneration make it difficult for artisans to sustain production and invest in modern equipment without compromising traditional methods. Rapid economic transformation, including the shift toward service-based economies and tourism, creates uncertainty for crafts that rely on niche markets. Additionally, poor transport connections in rural Asturias limit distribution and access to broader markets, reducing competitiveness compared to industrial producers. Technological Threats Description The knife-making tradition of Taramundi faces technological pressures that challenge its artisanal character. Industrial production introduces mass-produced knives at lower prices, reducing the competitiveness of handcrafted pieces and shifting consumer preferences toward standardized products. The surge of new technologies, including automated forging and digital design, risks eroding traditional skills if artisans adopt mechanization excessively or if younger generations perceive manual techniques as obsolete. Similarly, the use of modern materials, such as plastics or synthetic composites for handles, threatens the integrity of the craft by replacing native hardwoods and altering the aesthetic and functional qualities that define Taramundi knives. These factors collectively create tension between innovation and heritage, requiring strategies that balance adaptation with authenticity. Policy Threats Description It lacks a robust conservation policy at national or regional levels, and existing measures often suffer from deficient implementation. Regional planning policies that prioritise urban development or large-scale infrastructure can indirectly threaten rural heritage spaces. Furthermore, inadequate management plans for cultural tourism and craft promotion risk overcommercialisation or neglect, leaving artisans without clear frameworks for sustainable growth. Conflicts Description Knife-making in Taramundi is not exposed to war or political intolerance. However, human encroachment on boundaries can indirectly impact the craft. This refers to changes in land use and rural transformation, such as urban expansion or infrastructure projects that alter traditional spaces and disrupt the ecological balance needed for raw materials (e.g., hardwood species for handles). While the risk is moderate compared to other threats, it underscores the vulnerability of artisanal practices to broader territorial and environmental pressures. Demographic Threats Description Taramundi faces rural-urban migration, which accelerates depopulation and reduces the pool of potential artisans. This demographic shift weakens intergenerational transmission and limits the viability of workshops. Degraded habitat, linked to changes in land use and forestry practices, affects access to traditional materials such as native hardwoods, indirectly impacting production quality. Decontextualization Description The knife-making tradition of Taramundi faces risks linked to cultural decontextualisation. Touristification can lead to prioritising quick demonstrations for visitors over authentic production processes, reducing the depth of artisanal knowledge. Overcommercialisation threatens the integrity of the practice by encouraging mass production or simplified designs to meet market demand, compromising quality and heritage values. Globalisation Description Globalisation introduces rapid socio-cultural changes that alter consumption patterns and values, reducing interest in traditional crafts among younger generations. The rise of new pastimes and digital entertainment competes with artisanal learning, making knife-making less attractive as a career or hobby. Weakened Practice Description The knife-making tradition of Taramundi faces demographic and social challenges that weaken its continuity. Many current practitioners are aged artisans, and the number of active workshops has declined over recent decades. This situation is compounded by diminishing youth interest, as younger generations often seek employment outside rural areas or in sectors perceived as more profitable and modern. Consequently, transmission between generations is increasingly interrupted, reducing opportunities for experiential learning and apprenticeship. These factors lead to a reduction in practice, limiting production capacity and the visibility of the craft. While some artisans show willingness to adapt through innovation and tourism, the overall trend reflects a fragile balance between heritage preservation and generational renewal. Loss Threats Description The craft risks loss of knowledge due to declining transmission and aging practitioners. Material shortages, especially of high-quality steel and native hardwoods, compromise production standards. Over time, the practice may suffer loss of cultural significance, becoming perceived as a tourist attraction rather than a living tradition. Finally, the loss of productive status (as artisanal work becomes economically marginal) threatens its sustainability. Safeguarding activities Several initiatives have been implemented to protect and promote Taramundi’s knife-making tradition. These include the creation of artisan cooperatives that support collective marketing and quality standards, and the establishment of training programs and workshops aimed at transmitting skills to younger generations and craft enthusiasts. Cultural tourism strategies have integrated knife-making into heritage routes and fairs, increasing visibility and economic viability. Additionally, the Museo de la Cuchillería plays a key role in safeguarding knowledge through exhibitions and live demonstrations, ensuring that the craft remains accessible and valued as part of Asturias’ intangible heritage. The mayor of Taramundi also told the UNIOVI team in a meeting that for years they have had a centre available in the town with workspaces that artisans can rent, but many other external factors (such as the price of housing or the lack of public services in the area) cause that the few people who settle there with that plan do not stay for long. State of the practice declining Social sustainability This craft contributes significantly to social sustainability through multiple dimensions. First, it strengthens community development and social cohesion, as the practice is deeply rooted in family workshops and local networks that share knowledge and collaborate in production and marketing. This fosters intergenerational solidarity, with skills transmitted from parents to children and increasingly through training programs and craft schools, ensuring quality education linked to cultural heritage. Regarding gender equality and inclusivity, although traditionally a male-dominated activity, recent decades have seen growing participation of women in design, management, and sales roles, promoting equal opportunities. There are also some female artisans, although it remains a predominantly male activity. The integration of knife-making into cultural tourism and local entrepreneurship also creates jobs and helps prevent rural depopulation, supporting community resilience. The craft reinforces social cohesion by nurturing a strong sense of identity and pride in local traditions, which reduces social fragmentation and strengthens belonging. Additionally, its connection to sustainable tourism and cultural initiatives positions knife-making as a driver of rural vitality, ensuring that communities remain active and socially balanced. Environmental sustainability The knife-making tradition in Taramundi shows a moderate but growing commitment to environmental sustainability. One of its main contributions lies in the use of locally sourced materials: artisans often work with regional woods for handles and rely on nearby suppliers for steel, reducing transportation-related emissions and supporting short supply chains. This local approach not only minimises the carbon footprint but also strengthens the link between craft and territory. In terms of waste management, the production process is relatively low-impact, as workshops operate on a small scale and reuse materials whenever possible. Metal scraps and wood offcuts are often repurposed or recycled, and the absence of mass production limits industrial waste. Energy consumption remains modest, with many artisans using traditional manual techniques combined with small electric tools, which are more efficient than large-scale machinery. Pollution prevention is inherent to the craft’s artisanal nature: chemical treatments are minimal, and finishes tend to favor natural oils or varnishes. However, challenges persist regarding the sourcing of steel, which depends on external industrial processes. Recent initiatives, such as promoting eco-design and integrating renewable energy in workshops, indicate a growing awareness of sustainability, ensuring that this heritage adapts responsibly to contemporary environmental concerns. Economic sustainability Taramundi’s knife-making tradition supports economic sustainability by linking heritage to diversified income streams. Artisans sell directly in local workshops, at craft fairs, and increasingly through digital platforms, which broadens market access and reduces dependence on seasonal tourism. This adaptability strengthens resilience in a rural economy. The craft also generates complementary activities (such as guided visits, demonstrations, and museum exhibitions) creating synergies with hospitality and gastronomy. These connections help distribute income across the community and prevent rural depopulation. Place The town or city Municipality of Taramundi and other villages, such as Abraído, Aguillón, Bres, Cabaniñas, Esquíos, Llan, Loutima, Mousende, Nogueira, Río del Louro, Vega de Llan, Santa Eulalia de Oscos and Vilanova. Place Description Asturias, located in the north of Spain along the Cantabrian coast, is a region characterised by its rugged mountainous terrain, abundant rainfalls all year round, and lush vegetation. Its geography is dominated by the Cantabrian Mountains, which historically shaped settlement patterns and economic activities. The region’s natural environment fostered a mixed economy based on agriculture, livestock, and artisanal production, complemented by mining and, later, industrial development in coastal areas. Asturias has long maintained a strong cultural identity rooted in rural traditions, communal practices, and a distinctive linguistic heritage, including Asturian (bable) and Eo-naviego (a western variant deeply influenced by Galician). Within this broader context, Taramundi occupies a unique position in the westernmost part of Asturias, near the border with Galicia. It is a small, mountainous municipality characterised by steep valleys, dense forests, and a network of rivers that historically provided energy for hydraulic systems. These natural resources were crucial for the development of local crafts, particularly metalworking. The isolation of Taramundi, combined with its access to iron ore and waterpower, enabled the emergence of a specialized economy centred on blacksmithing and knife-making from at least the eighteenth century. This artisanal tradition coexisted with subsistence farming, creating a distinctive socio-economic structure where households combined agricultural labour with craft production. Socially, Taramundi was organised around extended family units and small hamlets, fostering strong kinship ties and cooperative labour systems. Cultural practices reflected this rural organisation, with seasonal rhythms and communal festivities reinforcing local identity. The craft of knife-making became not only an economic activity but also a cultural marker, symbolizing skill, resilience, and adaptation to environmental constraints. Over time, these practices co Prim Media 1965 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Taramundi traditional knifemaking Type The nature or genre of the resource Intangible Description An account of the resource The Taramundi knife-making tradition is an artisanal practice rooted in the rural economy of western Asturias, Spain. It consists of the handcrafted production of knives, folding blades, and other cutting tools, combining metalworking with woodcraft. This practice is distinguished by its integration of functional design and aesthetic refinement, resulting in objects that are both utilitarian and symbolic of local identity. Historically, knife-making in Taramundi emerged as a complementary activity to subsistence farming during the eighteenth century, when access to iron ore and abundant water resources enabled the development of small-scale metallurgy. Artisans employed hydraulic hammers and forges powered by local streams, creating a distinctive technological landscape that shaped the craft’s evolution. The knives produced were primarily intended for domestic and agricultural use, reflecting the practical needs of rural households. The process involves several stages: forging and tempering steel blades, shaping wooden handles (often from native species such as boxwood) and assembling the components with meticulous attention to durability and balance. Traditional knives are characterized by their simplicity, ergonomic design, and decorative elements such as hand-carved motifs or inlaid metal details. Over time, the craft incorporated innovations, including stainless steel and modern tools, while preserving core artisanal techniques transmitted through generations. Beyond its technical dimension, Taramundi knife-making embodies cultural values of resilience, adaptability, and craftsmanship. It represents a form of intangible heritage that connects material culture with social identity, as the craft historically reinforced household economies and community cohesion. Today, it functions as a marker of authenticity and local pride, attracting collectors and tourists who seek objects that symbolise continuity with the past. In contemporary contexts, the practice has b Language A language of the resource Asturian,Spanish Extent The size or duration of the resource. x x Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 776 Source A related resource from which the described resource is derived asturiasmap References A related resource that is referenced, cited, or otherwise pointed to by the described resource. García Grinda, J. L. (2011). Turismo y rehabilitación del patrimonio natural y sociocultural en zonas del interior: potencialidad y riesgos. Revista Universitaria de Turismo y Patrimonio, 2(1), 45–62. Pérez de Castro, R. (1985). Artesanía de Taramundi: Cuchillos y navajas. Narria: Estudios de artes y costumbres populares, (39–40), 24–30. Universidad Autónoma de Madrid. ISSN 0210-9441 Quintana López, P. (2005). La labranza y transformación artesanal del hierro en Taramundi y los Oscos. Siglos XVI-XXI. Aportación a su conocimiento (2 volumes, 848 pp.). Asociación “Os Castros” de Taramundi. Quintana, J. C., & Muñiz, I. G. (2025, July 8). Juan Carlos Quintana, Museo de la Cuchillería: “Queremos contar cómo se utilizaba la madera”. Revista FusionAsturias. Retrieved from https://fusionasturias.com/concejos/taramundi/juan-carlos-quintana-museo-de-la-cuchilleria-queremos-contar-como-se-utilizaba-la-madera.htm Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 01/12/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. 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