19 100 1899 https://culturality.museum/omeka/files/original/1a6d5df63ad185b2dd80f43f5ffd39ad.JPG d13ef22a812b5ab7bf3150ee4267a5a9 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wooden models for stamping out the "small bread" and the stamped and baked honey dough. Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 2017-02-285 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Petra Plestenjak Podlogar Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 2094 Material Pear wood. Natural Cultural Cultural Function A useful function for stamping samples on dough. Creation Purpose The products were made for an exhibition. Technique The wooden small bread model is made by hand carving a pattern into a piece of wood using a chisel and a wooden hammering plunger. The wooden planks are cut into pieces by a joiner, who also uses a machine to carve out the basic shape. The usable products have no covering, they are natural and are only polished to a shine with a cotton cloth or a natural brush. Decorative products, however, may be coated with beeswax. Material Source Wood and wood scraps Petra gets or buys from carpenters; sometimes she buys small boards from local farmers, especially if they have pear wood; sometimes she buys a piece of log, preferably pear. Conecept The "small bread" were baked, sold and bought locally as gifts on church festivals and other special occasions (St Nicholas, Christmas, New year, wedding, baptism, port, feast, fiancée gift, etc.) from the 18th century onwards and are a local feature. Production Quality Depending on orders and other activities (workshops) and the size and complexity of the ornaments. Sometimes she doesn't make a single piece in a month. External ID ZRCSAZU_AR_02(1) Field Worker Barbara Ivančič Kutin AI Tools Yes AI Content Deepl translator. Craft woodwork Tool Various chisels, wooden hammer, natural brush. Place The town or city Škofja Loka, Gorenjska, Slovenia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource wooden models for making small breads Type The nature or genre of the resource Physical Object Description An account of the resource A wooden models for stamping out pattern in a so-called small breads (local pastries made with black wheat and rye flour, honey and spices for the gingerbread). Creator An entity primarily responsible for making the resource 2088 Extent The size or duration of the resource. 12cm x 9cm x 2cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 810 Source A related resource from which the described resource is derived craftedobjects,uppercarniola Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 13/01/2026 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Leseni modeli za mali kruhek Spatial Coverage Spatial characteristics of the resource. current,46.16645630152873,14.307220267982746; Date Modified Date on which the resource was changed. 13/01/2026 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Pear wood. Natural Cultural Cultural Function A useful and decorative function. Creation Purpose For sale in the craft centre or museum shop. Technique Handmade - by hand carving a pattern into a small piece of wood with a chisel and. The wooden planks are cut into pieces by a joiner, who also uses a machine to carve out the basic shape. Material Source Wood and wood scraps Petra gets or buys from carpenters; sometimes she buys small boards from local farmers, especially if they have pear wood; sometimes she buys a piece of log, preferably pear. Conecept It is an innovative product, but the main technique is the same as that used to carve the models for the small bread stamps that are part of the local tradition. Production Quality These are small quantities, depending on the order, sometimes 5 items sometimes 20 over a longer period of time. External ID ZRCSAZU_AR_02(2) Field Worker Barbara Ivančič Kutin AI Content Chat GPT was used for summarisation and translation of the text. Craft woodwork Tool Various chisels, natural brush. Place The town or city Škofja Loka, Gorenjska, Slovenia Prim Media 2097 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bookmark insert Type The nature or genre of the resource Physical Object Description An account of the resource Carved wodden bookmark insert on a textile ground. Date A point or period of time associated with an event in the lifecycle of the resource 2017 Creator An entity primarily responsible for making the resource 2088 Extent The size or duration of the resource. 5cm x 0.5cm x 3cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 811 Source A related resource from which the described resource is derived craftedobjects,uppercarniola References A related resource that is referenced, cited, or otherwise pointed to by the described resource. http://www.nesnovnadediscina.si/en/register-of-intangible-cultural-heritage/making-small-breads-and-wooden-models https://www.obrazislovenskihpokrajin.si/oseba/plestenjak-podlogar-petra/ https://www.kulturnadozivetja.si/rokodelski-center-duo/mojstri-rokodelci/item/28-petra-plestenjak-podlogar.html https://www.loski-muzej.si/spletni-arhiv-zusl/petra-plestenjak-podlogar/ Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 13/01/2026 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Knjižno kazalo. Spatial Coverage Spatial characteristics of the resource. current,46.16645630152873,14.307220267982746; Date Modified Date on which the resource was changed. 13/01/2026 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/a5beb0c94aa42e98016037e4cb58fff6.jpg 75979d30870aa871d719c283bd5ce2a7 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wodden bookmark insert Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-06 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Barbara Ivančič Kutin Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Pear wood Natural Cultural Cultural Function Decorative. The bowl is occasionally used to put small breads in it (workshops). Creation Purpose Petra made the bowl for herself: at workshops and fairs, small bread rolls are put in a bowl to be eaten. Technique The bowl has a machine-turned centre (made by the craftsman Janez Jankovec) and the rim is hand-carved with chisels. The bowl is oiled and stacked. Material Source Wood and wood scraps Petra gets or buys from carpenters; sometimes she buys small boards from local farmers, especially if they have pear wood; sometimes she buys a piece of log, preferably pear. Production Quality Unikate. External ID ZRCSAZU_AR_02(3) Field Worker Barbara Ivančič Kutin AI Tools Yes AI Content Chat GPT was used for summarisation and translation of the text. Craft woodwork Tool Various chisels, wooden hammer, natural brush. Place The town or city Škofja Loka, Gorenjska, Slovenia Prim Media 2099 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A carved bowl, with the slogan Poglej in pojej - "See and savour" in the artist's workshop. Type The nature or genre of the resource Physical Object Description An account of the resource A wooden decorative bowl. Date A point or period of time associated with an event in the lifecycle of the resource 2020 Creator An entity primarily responsible for making the resource 2088 Extent The size or duration of the resource. 27cm x 5cm x 34cm Contributor An entity responsible for making contributions to the resource iain Source A related resource from which the described resource is derived craftedobjects,uppercarniola References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://www.obrazislovenskihpokrajin.si/oseba/plestenjak-podlogar-petra/ http://www.nesnovnadediscina.si/en/register-of-intangible-cultural-heritage/making-small-breads-and-wooden-models https://www.kulturnadozivetja.si/rokodelski-center-duo/mojstri-rokodelci/item/28-petra-plestenjak-podlogar.html https://www.loski-muzej.si/spletni-arhiv-zusl/petra-plestenjak-podlogar/ Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 13/01/2026 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Izrezljana lesena skleda z večjezičnim napisom "Pogflej in pojej" v delavnici Spatial Coverage Spatial characteristics of the resource. current,46.16645630152873,14.307220267982746; Date Modified Date on which the resource was changed. 13/01/2026 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/2800642915104dd71c24581cf1827a09.jpg b8b3c4e441c01c0647263e20c05bcb3e Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A carved bowl, with the slogan Poglej in pojej - "See and savour" in the artist's workshop. Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-06 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Barbara Ivančič Kutin Artisan An artisan Contact lidija.debelak@gmail.com Author iain Email The email address of the museum. lidija.debelak@gmail.com Phone The phone number +386(0)31 206 123 Biographical Text Lidija Debelak showed an interest in handmade crafts from an early age, creating jewelry from materials she found in her surroundings. She attended a secondary school for woodworking and then worked for a year at Alples (furniture production). Later, she studied social work and, after graduating, got a job at the Red Cross in Škofja Loka, where she worked with refugees from Bosnia and Herzegovina. When the refugees returned home, she was left without a job, so she started creating reliefs on "bobrovci" (ceramic roof tiles). She soon received a positive evaluation from the Chamber of Craft and she obtained the ArtCraft SLO certificate. Soon after that, in 2000, she opened her own business for living. Even after 26 years, creating reliefs remains a great source of joy and inspiration for her, and she wouldn't change her job for anything in the world. The clay reliefs of Lidija Debelak incorporate a wide variety of motifs representing aesthetic crossroads of tradition and contemporariness. She finds her inspiration in the Škofja Loka "Little bread" , handmade inlays on traditional wooden chests, and in folk literature and beliefs. Her angels, horseshoes, carnations, golden birds and clay combined with bobbin lace take us through tradition to a modern design made in gaily colours. External ID ZRCSAZU_PR_03 Knowledge Acquisition She has developed her own technique through experimentation. Knowledge Transfer She has held a few workshops for children in primary school and one for adults at the DUO centre. However, the technique is not suitable for a short workshop as the processes are long, and the product cannot be made in a few hours as it needs intermediate drying between the different steps. Field Worker Barbara Ivančič Kutin AI Tools Yes AI Content Deepl translator. Gender female Area Relation native Area Reason She was born in Podpulferca near Škofja Loka and moved to Goranja vas, where her husband is from. The villages are in the same area. Occupation artist Involvment full-time paid job knowledge1 Making the reliefs requires, above all, the joy of working with clay, manual dexterity and, because the pieces are small, great precision. Because they are unique works of art, though, a sense of aesthetics and creativity is so important. material1 Wood as a base (sometimes also paper), clay, paints, glues, oils. Some products have additions made of other materials, e.g. handmade lace of thin thread. material2 She buys clay and acrylic paints from the shop, she gets wood from a local joiner, handmade lace is made by Mrs. Vera Miklavčič from Gorenja vas. material3 There is no waste. production1 The reliefs are a collage of air-dried clay pieces on a wooden base: the shapes are made of paper; pieces are cut from rolled clay, dried and painted, then glued to the painted /patinated wooden base. Some products, e.g. greeting cards, have a paper backing. Handmade lace and other materials are also added to some of the products. In addition to reliefs, Petra also makes jewellery with air-dried clay (earrings). production2 Roller, knife, brushes, chisles. production3 The most important tool is an ordinary small sharp knife to cut out the pieces from the rolled clay. Lidija also has a set of old carving chisels that belonged to her husband's grandfather, who carved guns. She uses this set for engraving ornaments. production4 All the work is done by hand. production5 There is no waste. workshop Lidija's small workshop in one of the rooms in the family house. She also has a small gallery/shop on the ground floor. products1 In addition to the decorative wall and other reliefs that form the main part, Lidija also makes jewellery from air-dried clay (earrings). products2 She makes products to sell, as that is how she earns a living. Sometimes customers ask for a motif they would like to have and then Lidija makes a bespoke product, but she still follows her creative inspiration (including protocol gifts). She also makes artwork for occasional (thematic) solo or group exhibitions. products3 She sells most of her artworks in her online store and in her small gallery shop at home. She also sells some handicraft cente and museum in Škofja Loka, and other galleries and museums in Slovenia . products4 Lidija also creates commissioned artworks (from her repertoire) for individuals or for museums, galleries or for different clients who order protocolar gifts, but she still follows her creative inspiration. products5 No. products6 Clients are from all over Slovenia; they buy products for themselves, but mostly as gifts for various occasions (weddings, baptisms, confirmations, anniversaries of all kinds, etc.). In more touristic places, such as Sevnica and Bled, many of the purchasers are foreigners. products7 Her products carry the Art & Craft Slovenia certificate, issued by the Chamber of Craft and Small Business of Slovenia. tourism1 She participates in different tourist events (fairs, exhibitions, workshops) in Škofja Loka, visited by domestic and foreign tourists. She cooperates with different museums and galleries and also administrative institutions e.g. municipality (protocol gifts). She cooperates with the Handicraft Centre DUO, and in this framework she and other craftsmen and craftswomen often present themselves together. She has had solo exhibitions at the Handicraft Centre DUO Škofja Loka, the premises of the UE Škofja Loka and Žigon's House. Each year, the Loka craftsmen have two group exhibitions. She ran workshops for children during the summer sessions and workshops for tourists during the creative sessions. She also participates in the exhibitions of the KD Deteljica. She participates in a local handicraft colony once a year. S tourism2 "Ta služba me je poiskala. To je moje veselje, moja strast." This job found me. It's my joy, my passion. partnership Lidija is a member of the DUO Škofja loka Handicraft Centre and the Škofja Loka Regional Chamber of Crafts and Arts. She cooperates with local school (occasional) and with different museums and galleries and also administrative institutions e.g. municipality , government (protocol gifts). challenges1 She has no particular problems. She only mentions the high margins in the shops. challenges2 Rokodelci naredimo vse z rokami, imamo pa iste marže in prispevke kot samostojni podjetniki, ki v trgovine pripeljejo kontejner masovno izdelanih angelčkov. Marže v trgovinah so zelo visoke od 30%, v Ljubljani tudi do 120%! We craftsmen make everything with our hands, but we have the same margins and contributions as the sole traders who bring a container of mass-produced little angels to the shops. The margins in the shops are very high, ranging from 30%, even up to 120% in Ljubljana! references http://www.duo-kunsthandwerk.eu/news_sl/detail/833 https://www.podblegaske-novice.si/sl/news/navdiha-ne-crpam-saj-zivi-v-meni.html https://www.kulturnadozivetja.si/en/art-and-craft-centre/masters-craftsmen/item/19-lidija-debelak.html https://www.youtube.com/watch?v=lVPyMzXVg_A Social Media The social media links. facebook,https://www.facebook.com/petraplestenjakrocnorezbarjenje;instagram,https://www.instagram.com/lidijadebelak_glinenireliefi/; Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Debelak_Lidija Prim Media 2102 Shop https://www.lidijadebelak.si/ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Debelak Lidija Type The nature or genre of the resource Artisan Date A point or period of time associated with an event in the lifecycle of the resource 1963 Language A language of the resource English,Croatian,Slovene Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 812 Source A related resource from which the described resource is derived practices,uppercarniola Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Scotland Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Debelak Lidija Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://www.lidijadebelak.si/ https://culturality.museum/omeka/files/original/74f52a23507532260c4270891b984bf8.jpg 71a9c68886ee8f7694dad4e322ca3d35 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lidija Debelek v soji delavnici. Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 21.2.2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Barbara Ivančič Kutin https://culturality.museum/omeka/files/original/3c3e8ee1d44c6cae4b33cf75972e4a74.jpg bd2db7cac852489ffbda627202a3b876 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lidija Debelak v prodajni galeriji. Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Barbara Ivančič Kutin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: University of St Andrews Identifier An unambiguous reference to the resource within a given context 4 Intangible Context Lidija Debelak includes in her works motifs that are part of local and Slovenian folklore and tradition, e.g. the ornaments of the Mali kruhek (Little Bread), entered in the Slovenian Register of Intangible Heritage: http://www.nesnovnadediscina.si/en/register-of-intangible-cultural-heritage/making-small-breads-and-wooden-models )); she uses traditional ornaments which are on paintings of old chests; on her reliefs she applies handmade lace, which is also entered in the National Register of Intangible Heritage (Making Slovene bobbin lace:http://www.nesnovnadediscina.si/en/register-of-intangible-cultural-heritage/making-slovene-bobbin-lace). Field Worker Barbara Ivančič Kutin Technological Threats Industrial production Climate Actions Community Engagement SDG Decent Work and Economic Growth,Sustainable Cities and Communities,Responsible Consumption and Production,Life On Land External ID ZRCSAZU_CP_03 AI Tools Yes AI Content Deepl Translator. Knowledge She had previously taken a pottery course (on the spindle), but this did not suit her and she wanted a different approach to clay as a base material. She developed the technique of making reliefs from air-dried clay by experimenting on her own. Knowledge Transfer She herself is passing on the knowledge to younger generations through 4 workshops for primary school children and one for adults. However, the procedures are lengthy and therefore the product cannot be made in a short workshop. That is why she does not have many such workshops. Practitioners The practice of air-dried clay products is unique in this environment, and Petra Debelak knows no one else in Slovenia who is engaged in this type of practice. Function This practice enables personal and community development, contributes to the sustainable development of local environments, connects tradition with modern life, and facilitates the transfer of knowledge through workshops. Origins and change The technique is unique. Initially, Petra used " bobrovci" - a ceramic roof tile - for the underlay. Later, she changed this to wooden panels (mediapan or natural wood). The technique progressed with experience and practice, so that the products became more and more sophisticated. The tools remain the same, and there are very few of them (roller, small sharp knife, brushes). Organisations No specific organisation is linked to this practice. Places The workshops took place in a primary school Gorenja vas and at the DUO Handicraft Centre in Škofja Loka. Artefacts Making reliefs from dry clay does not require many tools. Pre-prepared materials are the basic wooden tiles, which is prepared by the joiner using machines.Gift packaging is produced by a local manufacturer. Economic Threats Description High taxes and margins. Technological Threats Description Machine-made products are all the same and can be much cheaper; they don't involve as many hours of manual labour. Not all customers recognise this. Weakened Practice Description This is an artistic practice, so none of these threats are relevant. State of the practice stable Social sustainability This practice does not require a lot of space or expensive equipment. Environmental sustainability There is no waste, practice does not require electricity. Economic sustainability This practice contributes to economic sustainability, opens up the market, strengthens local entrepreneurship, and enables individuals to earn a living. Place The town or city Gorenja vas, Gorenjska, Slovenia Place Description Gorenja vas is situated in the Poljanska valley, about 16 km south-west of Škofja Loka, along the Sora River and its right inflow, the tributary Brebovščićica. Škofja Loka, one of Slovenia’s oldest and best-preserved medieval towns, is rich in historical, natural, social, cultural, and economic significance. Founded in the 10th century, Škofja Loka was a key administrative center under the rule of the Bishops of Freising, who governed the area for over 800 years. The town’s medieval layout remains largely intact, with landmarks like Škofja Loka Castle, historic townhouses, and remnants of defensive walls. Historically, Škofja Loka thrived on trade, crafts, and agriculture, with traditional industries such as ironworking, textile production, and woodworking playing an essential role. Today, the local economy is diverse, with tourism, small-scale manufacturing, and services being dominant sectors. Prim Media 2104 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reliefs made from air-dried clay. Type The nature or genre of the resource Intangible Description An account of the resource For the ground she uses mediapan boards (groundwood panels), natural wood panels (from walnut wood) or pieces of wood she finds on the seashore. She paints mediapan base with acrylic paints, the natural wood with linen oil. The wood debris is left in its natural condition First, she draws the shapes on paper and cuts them out, then she puts them on the rolled clay and uses a sharp little knife to cut the shape out of the clay. Then she engraves an ornament on each piece. When the clay is almost air- dried, she patinates it with linseed oil. She then assembles the pieces into a complete motif on a wooden base and glues them. Then she paints the pieces with acrylic paints. All the stages of making the relief are carried out by hand, so that each product is unique. Creator An entity primarily responsible for making the resource 2100 Extent The size or duration of the resource. x x Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 813 Source A related resource from which the described resource is derived practices,uppercarniola Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 13/01/2026 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Reliefi iz zračnosušene gline. Spatial Coverage Spatial characteristics of the resource. current,46.1072,14.1481; Date Modified Date on which the resource was changed. 13/01/2026 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. University of St Andrews https://culturality.museum/omeka/files/original/63734a31ea404ac079e7a02318ed0446.jpg 9e0620121f0946ac3b85656294e3a295 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lidija rolls out the clay with a wooden kitchen roller. Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-06 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Barbara Ivančič Kutin https://culturality.museum/omeka/files/original/8874eea177bb05d699959a0b9479ccd5.jpg a4d1654e98d464a1ae1abc29d9d959b7 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sharp knife for cutting shapes out of rolled clay. Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-06 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Barbara Ivančič Kutin https://culturality.museum/omeka/files/original/cff35cc1b0755edc3f7303fa50646eb9.jpg 0fc270135d5c13c2fed1414bdbafc3ab Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carving tools that can also be used when working with rolled clay. The tool had previously belonged to Lidija's grandfather. Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-06 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Barbara Ivančič Kutin Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Clay, handmade lace, wood. Natural Cultural Cultural Function Decorative wall relief. Creation Purpose The piece was designed for a ceremonial occasion—as a gift from the Slovenian delegation for the inauguration of the U.S. President in 2025. Technique The artwork is composed of a combination of air-dried clay pieces and handmade lace on a wooden base. The pieces are cut from rolled clay, dried and painted, then glued onto a painted wood base. This piece also has lace added, as the artist wanted to emphasise the Slovenian motif. Material Source She buys clay and acrylic paints from the shop, she gets wood from a local joiner, handmade lace is made by a local lady. Conecept The product is innovative. Some Slovenian folklore motifs, such as red carnations, are linked to the tradition; in this case also the complement of handmade lace - Making Slovene bobbin lace is registered in the Register of Slovenian Intangible Heritage: http://www.nesnovnadediscina.si/en/register-of-intangible-cultural-heritage/making-slovene-bobbin-lace Production Quality Only a few items have been made with this exact motif. External ID ZRCSAZU_AR_03(1) Field Worker Barbara Ivančič Kutin AI Tools Yes AI Content Translation. Craft other (specify) Tool Roller, knife, brushes. Place The town or city Gorenja vas, Gorenjska, Slovenia Prim Media 2108 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Relief made from air-dried clay on wooden base. Type The nature or genre of the resource Physical Object Description An account of the resource Decorative wall relief: the artwork is composed of a combination of air-dried clay pieces and handmade lace on a wooden base. The piece was designed for a ceremonial occasion—as a gift from the Slovenian delegation for the inauguration of the U.S. President in 2025. Date A point or period of time associated with an event in the lifecycle of the resource january 2025 Creator An entity primarily responsible for making the resource 2100 Extent The size or duration of the resource. 20cm x 1cm x 20cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 814 Source A related resource from which the described resource is derived craftedobjects,uppercarniola References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://www.centerduo.eu/mojstri-rokodelci/lidija-debelak/ https://www.centerduo.eu/razstava-izdelkov-lidije-debelak-pravljicnih-7/ http://www.duo-kunsthandwerk.eu/news_sl/detail/833 https://www.podblegaske-novice.si/sl/news/navdiha-ne-crpam-saj-zivi-v-meni.html https://www.kulturnadozivetja.si/en/art-and-craft-centre/masters-craftsmen/item/19-lidija-debelak.html Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 13/01/2026 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Relief iz zračno sušene gline na lesu. Spatial Coverage Spatial characteristics of the resource. current,46.1072,14.1481; Date Modified Date on which the resource was changed. 13/01/2026 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/cd6114780aa71fdbb3e9e2ac2c55ed1c.jpg 8c3bb25a1c41b4252c9934831429983d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Decorative wall relief with a Slovenian folk motif combined with Slovenian handmade lace. Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource January 2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Vito Debelak https://culturality.museum/omeka/files/original/8dcfeb77d8711f84e3fbd8658babcbd8.jpg 95ebe716bec7a3a1d4196816ea609af6 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Decorative wall relief with a Slovenian artistic motif combined with Slovenian handmade lace. Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource January 2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Vito Debelak Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 2109 Material Clay, flooded wood. Natural Cultural Cultural Function Decorative wall relief. Creation Purpose The piece was made as a wedding gift and was also exhibited in Lidija Debelak's solo exhibition in 2022. Technique The artwork is composed of a combination of air-dried clay pieces on a wooden base. A a piece of wood for this product was picked up on the seashore. The pieces are cut from rolled clay, dried and painted, then glued onto a painted wood base. Material Source She buys clay and acrylic paints from the shop, a piece of wood was picked up on the seashore. Conecept The product is innovative. Production Quality The piece is unique. External ID ZRCSAZU_AR_03(2) Field Worker Barbara Ivančič Kutin AI Tools Yes AI Content Translation. Craft other (specify) Tool Roller, knife, brushes. Place The town or city Gorenja vas, Gorenjska, Slovenia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Relief: air-dried clay on flooded wood. Type The nature or genre of the resource Physical Object Description An account of the resource Decorative wall relief: the artwork is composed of a combination of air-dried clay on flooded wood. Date A point or period of time associated with an event in the lifecycle of the resource January 2022 Creator An entity primarily responsible for making the resource 2100 Extent The size or duration of the resource. 35cm x 2cm x 25cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 815 Source A related resource from which the described resource is derived practices,uppercarniola References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://www.centerduo.eu/mojstri-rokodelci/lidija-debelak/ https://www.centerduo.eu/razstava-izdelkov-lidije-debelak-pravljicnih-7/ http://www.duo-kunsthandwerk.eu/news_sl/detail/833 https://www.podblegaske-novice.si/sl/news/navdiha-ne-crpam-saj-zivi-v-meni.html https://www.kulturnadozivetja.si/en/art-and-craft-centre/masters-craftsmen/item/19-lidija-debelak.html Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 13/01/2026 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Relief: na zraku sušena glina na naplavljenem lesu. Spatial Coverage Spatial characteristics of the resource. current,46.1072,4.1481; Date Modified Date on which the resource was changed. 13/01/2026 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Clay, wood. Natural Cultural Cultural Function Decorative relief. Creation Purpose The piece was made for sale. Technique The artwork is composed of a combination of air-dried clay pieces on a wooden base. The pieces are cut from rolled clay, dried and painted, then glued onto a painted wood base. Material Source She buys clay and acrylic paints from the shop, she gets wood from a local joiner. Conecept The product is innovative. Production Quality It depends on the inspiration. Each product is unique. External ID ZRCSAZU_AR_03(3) Field Worker Barbara Ivančič Kutin AI Tools Yes AI Content Translation (deepl translator). Craft other (specify) Tool Roller, knife, brushes. Place The town or city Gorenja vas, Gorenjska, Slovenia Prim Media 2112 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Angel. Relief made from air-dried clay on wooden base. Type The nature or genre of the resource Physical Object Date A point or period of time associated with an event in the lifecycle of the resource January 2025 Creator An entity primarily responsible for making the resource 2100 Extent The size or duration of the resource. 10cm x 1cm x 10cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 816 Source A related resource from which the described resource is derived practices,uppercarniola References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://www.centerduo.eu/mojstri-rokodelci/lidija-debelak/ https://www.centerduo.eu/razstava-izdelkov-lidije-debelak-pravljicnih-7/ http://www.duo-kunsthandwerk.eu/news_sl/detail/833 https://www.podblegaske-novice.si/sl/news/navdiha-ne-crpam-saj-zivi-v-meni.html https://www.kulturnadozivetja.si/en/art-and-craft-centre/masters-craftsmen/item/19-lidija-debelak.html Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 13/01/2026 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Angel. Relief iz zračno sušene gline na lesu. Spatial Coverage Spatial characteristics of the resource. current,46.1072,14.1481; Date Modified Date on which the resource was changed. 13/01/2026 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/59238928c6825a633d066ddc1f7b3eaf.jpg 3388d4bef945fbea6d1210224c42cc10 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Decorative relief with angel motif in cardboard gift box. Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-21 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Barbara Ivančič kutin Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Clay, handmade lace, paper. Natural Cultural Cultural Function A usable and decorative product. Creation Purpose For sale. Technique The greeting card is composed of a combination of air-dried clay pieces and handmade lace on paper base. The pieces are cut from rolled clay, dried and painted, then glued onto a painted wood base. This piece also has lace added, as the artist wanted to emphasise the Slovenian motif. Material Source She buys clay and acrylic paints from the shop, gets wood from a local joiner, handmade lace is made by a local lady. Conecept The product is innovative. Some Slovenian folklore motifs, such as red carnations, are linked to the tradition; in this case also the complement of handmade lace - Making Slovene bobbin lace is registered in the Register of Slovenian Intangible Heritage: http://www.nesnovnadediscina.si/en/register-of-intangible-cultural-heritage/making-slovene-bobbin-lace Production Quality Only a few items have been made with this exact motif. External ID ZRCSAZU_AR_03(4) Field Worker Barbara Ivančič Kutin AI Tools Yes AI Content Translation. Craft other (specify) Tool Roller, knife, brushes. Place The town or city Gorenja vas, Gorenjska, Slovenia Prim Media 2114 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Greeting card: Relief made from air-dried clay and handmade lace on paper. Type The nature or genre of the resource Physical Object Description An account of the resource The greeting card with a Slovenian motif is a collage of air-dried clay and handmade lace on paper in in a cardboard gift box. Date A point or period of time associated with an event in the lifecycle of the resource Dec-24 Creator An entity primarily responsible for making the resource 2100 Extent The size or duration of the resource. 10cm x 0.1cm x 10cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 817 Source A related resource from which the described resource is derived practices,uppercarniola References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://www.centerduo.eu/mojstri-rokodelci/lidija-debelak/ https://www.centerduo.eu/razstava-izdelkov-lidije-debelak-pravljicnih-7/ http://www.duo-kunsthandwerk.eu/news_sl/detail/833 https://www.podblegaske-novice.si/sl/news/navdiha-ne-crpam-saj-zivi-v-meni.html https://www.kulturnadozivetja.si/en/art-and-craft-centre/masters-craftsmen/item/19-lidija-debelak.html Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 13/01/2026 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Voščilnica. Relief iz zračno sušene gline na in čipke na papirju. Spatial Coverage Spatial characteristics of the resource. current,46.1072,14.1481; Date Modified Date on which the resource was changed. 13/01/2026 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/f906437aeb5c72d6cd8c77d829611b93.jpg 10313f7be09e4fe35dd2c8d6e49ba510 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Geeeting card with a Slovenian folk motif combined with Slovenian handmade lace on paper in a cardboard gift box. Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource February 2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Vito Debelak Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Clay, handmade lace, wood. Natural Cultural Cultural Function Decorative wall relief - illustration of the slovenian folk tale "The Golden Bird". Creation Purpose The relief was created for the exhibition of works by Lidija Debelak titled "7 Fairytale Ones", held in May 2024 in Škofja Loka. The artist found inspiration for the exhibited works in folk tales and fairy tales. This painting depicts a motif from the Slovenian folk tale The Golden Bird. Technique The artwork is composed of a combination of air-dried clay pieces on a wooden base. The pieces are cut from rolled clay, dried and painted, then glued onto a painted wood base. Material Source She buys clay and acrylic paints from the shop, gets wood from a local joiner. Conecept In the clay reliefs of Lidija Debelak, which represent an aesthetic intersection of tradition and modernity, a wide variety of motifs can be found. She draws inspiration from the slovenian folklore. This is a motif from the Slovenian folk tale "The Golden Bird." Production Quality Only a few items have been made with this exact motif. External ID ZRCSAZU_AR_03(5) Field Worker Barbara Ivančič Kutin AI Tools Yes AI Content Translation. Craft other (specify) Tool Roller, knife, brushes. Place The town or city Gorenja vas, Gorenjska, Slovenia Prim Media 2116 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Golden bird: Relief made from air-dried clay on wooden base. Type The nature or genre of the resource Physical Object Description An account of the resource Decorative wall relief: the artwork is illustration of a motif from the Slovenian folk tale "The Golden Bird". Date A point or period of time associated with an event in the lifecycle of the resource April 2024 Creator An entity primarily responsible for making the resource 2100 Extent The size or duration of the resource. 35cm x 2cm x 35cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 818 Source A related resource from which the described resource is derived practices,uppercarniola References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://www.centerduo.eu/mojstri-rokodelci/lidija-debelak/ https://www.centerduo.eu/razstava-izdelkov-lidije-debelak-pravljicnih-7/ http://www.duo-kunsthandwerk.eu/news_sl/detail/833 https://www.podblegaske-novice.si/sl/news/navdiha-ne-crpam-saj-zivi-v-meni.html https://www.kulturnadozivetja.si/en/art-and-craft-centre/masters-craftsmen/item/19-lidija-debelak.html Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 13/01/2026 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Zlata ptica: Relief iz zračno sušene gline na lesu. Spatial Coverage Spatial characteristics of the resource. current,46.1072,14.1481; Date Modified Date on which the resource was changed. 13/01/2026 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/65cf74136746f86abeb56be1d3513ed2.jpg 70685e6a3d42d560661c2d3cfa8346a3 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Golden Bird. Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-21 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Barbara Ivančič Kutin https://culturality.museum/omeka/files/original/6bf82cc54969724b0161eee5a67df22e.jpg 85c8eba315928b219780a06cf99b3899 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jože Krmelj in his blacksmith's workshop. Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 13. 2. 2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Barbara Ivančič Kutin https://culturality.museum/omeka/files/original/9ddd5627a4dca8378623841021f59921.jpg 22e6866b37999f4175e409369c4fe494 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Krmelj blacksmith's workshop (interior). Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 13.02.2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Barbara Ivančič Kutin https://culturality.museum/omeka/files/original/90f3ca41a98f03b856c88aa699a5075e.jpg acbc232f05f05871be1691314e783657 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Krmelj blacksmith's workshop (exterior of the building). Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 13.02.2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Barbara Ivančič Kutin https://culturality.museum/omeka/files/original/b88a203d557c2c1ccd517550eaa0492b.jpg cad95767de3bb8b086ba1ae8a6e8dcf7 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Krmelj's joinery workshop, where they make tool handles and other wooden products, which are part of the finished metal product (e.g., knife cases, wooden cutting boards). Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 13.02.2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Artisan An artisan Contact info@kovastvo-krmelj.si Author iain Email The email address of the museum. info@kovastvo-krmelj.si Phone The phone number +386 (0)41 503 749 Prim Media 2117 Biographical Text Jože Krmelj (1963) spent his childhood in the village of Studeno in the Selška Valley and trained as a carpenter at the woodworking school in Škofja Loka. He then worked as a carpenter in the Alples furniture factory in Železniki. In 1983, he got a job at his ) wife's family's blacksmith shop.as an assistant blacksmith. The family has been involved in blacksmithing for seven generations since 1870, and since 1938 at their current location in Log pri Škofji Loki. Until 1990, his father-in-law managed the blacksmithing production of tools with a total of four employees. The most important blacksmithing product among cutting tools were axes. When his father-in-law was injured in 1990, he handed over the management of the blacksmith's workshop to Jože, who also took on the role of head blacksmith. He learned the blacksmith's trade by watching in the workshop as a self-taught apprentice. He added many new blacksmithing items to the production range and also set up a woodworking workshop for the production of tool handles. In 2010 he learned knife forging from two experienced master blacksmiths in Austria. Today, these knives are highly sought after for their uniqueness, quality and, last but not least, artistic appearance. All the blacksmith products from the workshop are hand-forged under an spring hammer and are unique, made from high-quality steel. The company now employs six people, including a young blacksmith whom Jože trained himself and an apprentice who is currently undergoing training. Kovaštvo Krmelj manufactures useful blacksmith products for partners in Slovenia, Germany and France. Jože Krmelj has grown to love the work of a blacksmith and finds it extremely enjoyable. On Saturdays, he runs blacksmithing workshops, which are attended by students from all over the world. In 2021, he was awarded the title of Craftsman of the Year. As one of the few blacksmiths in Slovenia, he received the Zlata vitica (Golden Vine) Award for special achievements in handicrafts in 2012. External ID ZRCSAZU_PR_04 Knowledge Acquisition Jože retrained from joinery to blacksmithing when he married into a family of blacksmiths in 1984 and found employment there as an assistant blacksmith. He taught himself blacksmithing by watching in the workshop, searching for information independently and experimentation an within a lot of practice. In 2010 he learned knife forging from two experienced master blacksmiths in Austria. Knowledge Transfer Jože trained a younger employee, who now works for them and also trains apprentices. Every Saturday, he runs one-day blacksmithing workshops, which are attended by participants from Slovenia and abroad. Workshops accept 5-7 participants, are very popular, and are fully booked several months in advance.This course is intended solely to introduce participants to the blacksmithing process and give them a chance to try it out. Field Worker Barbara Ivančič Kutin AI Tools Yes AI Content Deepl translator. Gender male Area Relation native Area Reason A local resident of the Škofja Loka area since birth. He moved to his wife's family home in the village of Log nad Škofjo Loko from the neighboring Selška Valley in 1984. Occupation woodwork,metalwork,artist Involvment full-time paid job knowledge1 The work of a blacksmith requires enjoyment of work, sufficient physical strength, agility, and endurance for working in hot conditions, as well as a sense of design and precision. Although the work is rough and requires physical strength, a forger must also have a soft side, because without softness and the right feeling, a beautiful product cannot be created. material1 In the workshop, they use only special so called steel for improvement, which is suitable for hardening. For Damascus knives, a special material with a specific chemical composition is used in plates of two different colors (darker and lighter). Wood is used to make the handles: elm, acacia, American oak. material2 The material known as steel for improvement is purchased from a Slovenian supplier. More than the origin (which is from various countries), they are interested in the highest quality of raw materials, which is determined by special markings. The wood for the handles is Slovenian, purchased at a sawmill in Metlika, where they also cut the boards to the appropriate thickness. material3 There is very little waste, just a few buckets per year. These are sold to a landfill as raw material. Everything else is recycled (reprocessed), i.e. reused. production1 First, the steel is cut into smaller pieces that will be processed. Then, using a forging process (heating the steel to a high temperature and hammering it with a sprin hammer machine (while turning the piece by hand), they first punch a hole for the handle, then forge it into its basic shape (axe, hammer, ice axe, etc.). This is followed by hand finishing to the final shape: hardening, grinding, polishing, and sharpening. The Damascus knife is handmade from 320 thin layers of steel. The technique is around 3,000 years old. To make Damascus steel, a special material with a specific chemical composition is used in plates of two different colors (darker and lighter). Ten plates are first stacked on top of each other, alternating between the lighter and darker colors. This "package" is forged to create a connected, homogeneous structure in which the colored layers are visible. This material must then be folded five times. After the first folding, 20 layers are obtained, followed by 40, then 80, 160, and finally 320. Once the material has been welded, it is shaped into a knife using a forging process, and finally a handle is added. Jože Krmelj makes the handles himself from various materials, including wood, horn, and bone. He also makes wooden sheaths for the knives, while the leather sheaths are sewn by another craftsman. production2 The most basic tools are a fireplace which is heated with charcoal and has a mechanism for supplying air (this regulates the temperature, which is ideal for forging at around 900 degrees Celsius); an spring hammer, a hand-held forging hammer, and tongs for gripping or turning hot pieces. A barrel of water or oil is needed for tempering steel. In addition, a grinding machine, welding equipment, and protective equipment such as gloves, goggles, and noice earphones are also used. production3 Good tools are extremely important to blacksmiths; tools for The most important tool is the machine spring hammer, which is over 100 years old at the Krmelj family's workshop and is maintained and repaired by them. This machine has greatly (physically) eased the blacksmiths' work. Since it works perfectly, there is no need to replace it. Most of the other tools are also made in the blacksmith's workshop and are regularly maintained and repaired at home. The tools are part of the family heritage. production4 The furnaces are coal-fired, the springhammer (machine), grinding and welding machines are electrically powered.The other tools are manual. production5 There is no waste, as all waste is recycled through re-forging. Only a few buckets per year are sold to landfill as raw material. workshop Krmelj's smithy is a separate building right next to the family home. There is also a separate building for a woodworking workshop next to the house. The office is located in the family house, which also has internal access to the smithy. products1 They have a wide range of products, more than 500 items. They mainly manufacture cutting tools: garden, forestry, carpentry tools,firefighting,bbutcher's tools ... such as various types of axes, sickles, as well as claws and hammers. Their their latest products are some rustical items such is a frying pan. Since 2010, when he is alone in the workshop, he have also been manufacturing Damascus knives. All their products are useful. products2 The products are forged for sale for Slovenian and foreign customers or distributors, mostly in large quantities. products3 The tools can be purchased in various shops supplied by wholesalers who order the products from the smithy; Jože Krmelj also collaborates with German and French companies who order products from them and sell them in their shops, including through a web catalog. The products can also be purchased in person at the blacksmith's shop or via the online store. Damascus knives are avaliable in his workshop only. products4 They manufacture custom-made products and also repair their products as well as all other steel tools. products5 Yes, both for our own products and for steel products from other manufacturers. products6 All these individual or grosist customers from Slovenia and abroad who want high-quality, durable, handcrafted, and useful products that suit their needs. Repair services are most often used by individuals. products7 His products has the Art & Craft Slovenia certificate, issued by the Chamber of Craft and Small Business of Slovenia. tourism1 Is the operator involved in tourism-related activities? What kind of activities? When do they take place? Who are the tourists (e.g., domestic, foreign)? tourism2 "Mi ne rabimo nobene reklame. Mi sami sebi ne oglašujemo. To opravijo zadovoljne stranke." Translation: "We don't need any advertisment. We don't advertise ourselves. Satisfied customers do that for us." partnership Jože is a member of the DUO Škofja loka Handicraft Centre DUO. He occasionally collaborates with the municipality and other institutions when they order protocol gifts – they come to him directly; he does not offer his products around. Cooperation with kindergartens, schools, and the DUO center also takes place in such a way that interested parties ask in advance to observe the process, participate in a workshop, or learn (apprenticeship). challenges1 He is very satisfied with his work and life and has no complaints. He enjoys facing creative challenges in developing new products; there are many problems to solve to ensure that a new product is of the highest quality. He is saddened by the decline of the blacksmithing trade, which no longer interests young people. Jože Krmelj puts product quality first and has no desire to expand. Efforts to preserve the craft and tradition of blacksmithing have always been a priority and still confirm the wisdom of their business decisions today. challenges2 "Spoznali smo namreč, da se je industrija modernizira in lahko naredi velike serije izdelkov, pa jih težko prodajo, ker so to izdelki brez duše. Mi pa malo naredimo in lahko prodamo, ker smo videli, da trg išče kvalitetne, unikatne, ročne kose, v tem je naša prednost. Izdelki z dušo. Vsak kos je unikaten." Translation: "We realized that the industry is modernizing and can produce large series of products, but they are difficult to sell because they are soulless products. We produce small quantities and can sell them because we have seen that the market is looking for high-quality, unique, handmade pieces, and this is our advantage. Products with soul. Each piece is unique." references https://www.centerduo.eu/mojstri-rokodelci/kovastvo-krmelj/ https://prvi.rtvslo.si/podkast/intervju-radio/3633109/174860660 https://365.rtvslo.si/arhiv/vizionar-obrtnik-in-podjetnik/174940812 Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Jože_Krmelj Shop https://www.kovastvo-krmelj.si Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jože Krmelj Type The nature or genre of the resource Artisan Date A point or period of time associated with an event in the lifecycle of the resource 1963 Language A language of the resource German,Slovene Contributor An entity responsible for making contributions to the resource iain Extent The size or duration of the resource. x x Identifier An unambiguous reference to the resource within a given context 819 Source A related resource from which the described resource is derived artisans,uppercarniola Spatial Coverage Spatial characteristics of the resource. current,46.1276625914593,14.229099836053459; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Scotland Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Jože Krmelj Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://www.kovastvo-krmelj.si Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: University of St Andrews Identifier An unambiguous reference to the resource within a given context 4 Intangible Context Blacksmithing is closely connected to various other cultural practices, as it has historically helped shape community life, traditional crafts, and symbolic expressions. Craftsmanship – Blacksmithing is intertwined with woodworking (metal parts for furniture and tools), pottery (metal tools for shaping), leatherworking (metal buckles and fittings), and carpentry (nails, pins, door hardware). Oral traditions and storytelling – Tales of blacksmiths are common in folklore, where they are often portrayed as wise and strong figures. In mythology, the blacksmith often held a special status (e.g., Perun’s blacksmith in Slavic mythology). Festivals and fairs – Blacksmiths frequently participated in traditional fairs, where they showcased their products. In Slovenia, events like Kovaški šmaren in Kropa are still popular today. Performing arts – Folk plays, songs, and dances often include themes of blacksmithing (e.g., the rhythmic sound of hammering). Puppet theatre also occasionally features blacksmith characters. Social and economic practices – Blacksmiths played a central role in local communities as essential craftsmen, often with high social status. Beliefs and symbolism – Blacksmithing is often associated with protective symbols (e.g., the horseshoe as a sign of good luck) and was once believed to offer magical protection against evil spirits. These connections show that blacksmithing is not merely a technical craft but a rich cultural practice that weaves together knowledge, tradition, and community life. Field Worker Barbara Ivančič Kutin Climate Threats Mining Technological Threats Industrial production Weakened Practice Diminishing youth interest Climate Actions Community Engagement SDG Decent Work and Economic Growth,Industry Innovation and Infrastructure,Sustainable Cities and Communities,Responsible Consumption and Production,Life On Land External ID ZRCSAZU_CP_04 AI Tools Yes AI Content Deepl Translator, general information. Knowledge The work of a blacksmith requires enjoyment of work, sufficient physical strength, agility, and endurance for working in hot conditions, as well as a sense of design and precision. Although the work is rough and requires physical strength, a forger must also have a soft side, because without softness and the right feeling, a beautiful product cannot be created. Knowledge Transfer Today, traditional (manual) blacksmithing is dying out. Kovaštvo Krmlelj is one of the few tool-making smithies in Slovenia (or the only one???). Master blacksmith Jože Krmelj has passed on all his knowledge to a younger employee, and for the last two years they have also had an apprentice from a vocational metalworking school. Every Saturday, Jože Krmelj holds one-day workshops for 5 to 7 people, but these are not intended for training, but rather for viewing and experiencing blacksmithing. The workshops are booked up several months in advance and are attended by interested people from Slovenia, including design students, as well as people from abroad, including Australia, Tasmania, and the USA. Practitioners In the case of Krmelj blacksmithing, it is a family tradition that has been passed down from generation to generation for seven generations. That is why blacksmithing and its products are a family heritage. Only men are employed in the workshop, as the working conditions are extremely difficult: physical strength is required, and the workshop is hot and noisy. Function Transfer of traditional crafts, providing income for the workshop owner and thus for the family and workshop employees. Origins and change Blacksmithing was an important craft in the past, enabling the production of metal products needed for tools and other implements used in agriculture (farming, livestock breeding) and household chores, etc.). The most important advance came with the invention of the spring hammer machine, which greatly facilitated the work of blacksmiths, who previously used only their own physical strength to shape metal products, and other electric machines (welding apparatus, grinding machines). On the machine it is possible to regulate the speed and power of the punch. Nevertheless, most of the work is still done by hand, using open fire and manual shaping and hardening. The Krmelj blacksmith's workshop still uses machines and tools that are 100 years old and are still perfectly adequate today. This is why all products are unique, which distinguishes them from mass-produced (industrial), technologically advanced, and automated production. Access to raw materials is easier today, and the product assortment has also changed to some extent, as customer needs are different. Organisations No specific organisation is linked to this practice. Places There are only two blacksmiths in the region who make tools; traditional blacksmithing is now a very rare craft. Artefacts These are forged tools of all kinds, but mostly cutting tools (various axes, sickles, pruning hooks, as well as ice pickaxes, shovels, hammers, etc.). They are used for various tasks in the garden, in the field, in the forest, in the household, but also as equipment for firefighters, tools for masonry, butchery, and archaeological excavations. Technological Threats Description Machine-made products are all the same and can be much cheaper; they don't involve as many hours of manual labour. Not all customers recognise this. Weakened Practice Description This is an artistic practice, so none of these threats are relevant. State of the practice stable Social sustainability The craft of blacksmithing in Krmelj has been passed down from generation to generation. Environmental sustainability There is almost no waste, as it is completely recycled, and a few buckets per year are sold to a landfill site for raw materials. Heat from the stove is stored in storage tanks and used to centrally heat the house and both workshops. Economic sustainability It provides a living for the owner and 5 employees. Place The town or city Log nad Škofjo Loko, Gorenjska, Slovenia Place Description The village Log nad Škofjo Loko (Log above Škofja Loka) is situated in the Poljanska valley, about 10 km south-west of Škofja Loka, where the municipal center is located. Škofja Loka, one of Slovenia’s oldest and best-preserved medieval towns, is rich in historical, natural, social, cultural, and economic significance. Founded in the 10th century, Škofja Loka was a key administrative center under the rule of the Bishops of Freising, who governed the area for over 800 years. The town’s medieval layout remains largely intact, with landmarks like Škofja Loka Castle, historic townhouses, and remnants of defensive walls. Historically, Škofja Loka thrived on trade, crafts, and agriculture, with traditional industries such as ironworking, textile production, and woodworking playing an essential role. Today, the local economy is diverse, with tourism, small-scale manufacturing, and services being dominant sectors. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Traditional Blacksmithing Type The nature or genre of the resource Intangible Description An account of the resource Blacksmithing is a traditional craft in which a blacksmith heats metal, usually iron or steel, and shapes it with hammer blows on an anvil. Using this ancient technique, they create tools, horseshoes, hardware, knives, artistic objects, and even sculptures. A blacksmith needs well-developed skills, strength, and precision, as the work involves mastering fire, temperature, and the properties of metal.In Slovenia, blacksmithing has a long history connected to mining and ironworking, especially in areas like Kropa, Železniki, and Ravne na Koroškem. Today, the craft is less common, but it is still preserved by artistic blacksmiths, museums, and ethnographic events. Besides Krmelj, there is only one other blacksmith in Slovenia that produces practical (cutting) tools. Creator An entity primarily responsible for making the resource 2121 Extent The size or duration of the resource. x x Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 820 Source A related resource from which the described resource is derived practices,uppercarniola References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Baš, Angelos (ed.), 2004: Slovenski etnološki leksikon (Slovene Ethnological Lexicon). Ljubljana: Mladinska knjiga. https://prvi.rtvslo.si/podkast/intervju-radio/3633109/174860660 https://www.centerduo.eu/mojstri-rokodelci/kovastvo-krmelj/ Slavec Gradišnik, Ingrid, 2011: Kovaštvo (Blacksmithing). In: Slovenika, slovenska nacionalna enciklopedija. Ljubljana: Mladinska knjiga (pp 627-628). https://www.etno-muzej.si/en/digitalne-zbirke/kljucne-besede/kovastvo Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 13/01/2026 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Kovaštvo Krmelj Spatial Coverage Spatial characteristics of the resource. current,46.1276625914593,14.229099836053459; Date Modified Date on which the resource was changed. 13/01/2026 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. University of St Andrews https://culturality.museum/omeka/files/original/3246250fe3df12b87178657c7ae609b9.jpg 7c0920160ffe6fd169c236dce529f3bb Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Steel cut into pieces, the basis for the manufacture of steel tools. Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-06 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Barbara Ivančič Kutin https://culturality.museum/omeka/files/original/d0bdaf26d4ef39dc350684094f3337e5.jpg 70ef220a3f115f3d4fafdecedf36fa5e Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Red-hot furnace. Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 2025-06-13 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Barbara Ivančič Kutin https://culturality.museum/omeka/files/original/c929cec2484d69e2aa44a8a78f8d25cc.jpg 37823f2a7747acfa0ef32441d4ddf2c6 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A blacksmith shapes a product under a forging hammer. Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Barbara Ivančič Kutin https://culturality.museum/omeka/files/original/b227f28cda31538dd6122f13ced692d4.jpg 46abe809903334516cbd62dcdf3d022e Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hardening by cooling hot steel in water. Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 2025-06-13 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Barbara Ivančič Kutin https://culturality.museum/omeka/files/original/6e8cbad55feeeee91ec781c218d171fe.jpg 2c504dbcd5f255a877717212e0d196d8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Grinding the product on a grinding machine. Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 2025-06-13 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Barbara Ivančič Kutin https://culturality.museum/omeka/files/original/32918e385b0652c8f8900df8a9e049c7.jpg 76d451468e580fd5a6cb563566af27b9 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anvil Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 2025-06-13 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Barbara Ivančič Kutin https://culturality.museum/omeka/files/original/9dced9520ffdf33e4b36e07210edf3e6.jpg 58e364ed8ca51c756d0693e4ddaa1144 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Semi-finished product from which various tools (hammers, axes, ice axes, etc.) are made by forging. Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 2025-06-13 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Barbara Ivančič Kutin https://culturality.museum/omeka/files/original/801efef7380b6579f094850e98def5db.jpg 6df5ab1a53e27d9238c8f00f92e2d271 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wooden tool holders made in the Krmelj joinery workshop. Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 2025-06-13 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Barbara Ivančič Kutin https://culturality.museum/omeka/files/original/d02e820e09d6eee093c04c5286df560e.mp4 dee854382178cc4f619f3fbeb9227697 Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Demonstration of forging with a blacksmith's hammer. The video was taken during an excursion by Culturality project collaborators. Type The nature or genre of the resource Moving Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource video/mp4 License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 2025-03-27 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. VIDEO Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Barbara Ivančič Kutin Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://culturality.museum/galleries/upload/ZRCSAZU_CP_04_09_.mp4 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Steel and wood. Natural Cultural Cultural Function Useful and art product. Creation Purpose The product is a time-consuming work of art that allows for creativity. Jože Krmelj makes Damascus knives in his spare time out of his own joy and enthusiasm for the technique. His customers are individuals from Slovenia and abroad who want a high-quality product that is also a unique work of art. Knives only can be purchased in Krmelj's online store or from him personally, but they are not always available. Technique The Damascus knife is handmade from approximately 320 thin layers of special steel. The technique is around 3,000 years old. The handles are also handmade (from wood, animal bones, horn; there is even a product with an ivory handle in the display case). To make Damascus steel, a special material with a specific chemical composition is used in plates of two different colors (darker and lighter). Ten plates are first stacked on top of each other, alternating between the lighter and darker colors. This "package" is forged to create a connected, homogeneous structure in which the colored layers are visible. This material must then be folded five times. After the first folding, 20 layers are obtained, followed by 40, then 80, 160, and finally 320. Once the material has been welded, it is shaped into a knife using a forging process, and finally a handle is added. Jože Krmelj makes the handles himself from various materials, including wood, horn, and bone. He also makes wooden sheaths for the knives, while the leather sheaths are sewn by another craftsman.Each knife has a custom-made sheath made of wood or leather. The wooden sheaths are made by Jože Krmelj himself, while the leather ones are sewn by another craftsman. Material Source Steel with a special chemical composition (different from that used for tools) is purchased from a local distributor. Conecept Blacksmithing has been a family craft for seven generations; production still takes place in the traditional way, with each piece passing through the hands of blacksmiths who work it by hand. This means that every item is unique, despite being mass-produced. Damascus knives are made by Jože Krmelj in his spare time when no one else is in the workshop (the knives are not part of wholesale production). He has been using this technique since 2010, when he trained with master craftsmen in Austria. Production Quality Small production, very few items per month; Up to 30 or 50 pieces per year. External ID ZRCSAZU_AR_04(1) Field Worker Barbara Ivančič Kutin AI Tools Yes AI Content Translation. Craft woodwork,metalwork Tool Fireplace, blacksmith's hammer, tongs, grinding tools, woodworking tools. Place The town or city Log nad Škofjo Loko 13, 4220 Škofja Loka Prim Media 2133 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Damascus knife Type The nature or genre of the resource Physical Object Description An account of the resource The Damascus knife is a unique, high-quality, and artistic product. These knives come in various sizes, but most often (like the one in the picture) the metal blade is 21 cm long , width 3-6cm and 2 mm thick. The blade is embedded in a handle, which is usually 12-14 cm long and made of various materials (wood, horn, bone). Date A point or period of time associated with an event in the lifecycle of the resource 2025 Creator An entity primarily responsible for making the resource 2121 Extent The size or duration of the resource. 21cm x 4cm x 21cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 821 Source A related resource from which the described resource is derived craftedobjects,uppercarniola References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://prvi.rtvslo.si/podkast/intervju-radio/3633109/174860660 https://mro.si/en/iron-forging-museum-kropa Slavec Gradišnik, Ingrid, 2011: Kovaštvo (Blacksmithing). In: Slovenika, slovenska nacionalna enciklopedija. Ljubljana: Mladinska knjiga (pp 627-628). https://en.wikipedia.org/wiki/Damascus_steel Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 13/01/2026 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Damaščanski nož. Spatial Coverage Spatial characteristics of the resource. current,46.1276625914593,14.229099836053459; Date Modified Date on which the resource was changed. 13/01/2026 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/978f1f9e016e045ae54750a9e1c066d5.jpg 98d78443b339f3838cb74875fffad1ad Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Damascus knife with a wooden handle. In the background, more Damascus knives with handles made of various materials can be seen. The photograph was taken in Krmelj's small museum, where some of his products are on display. Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-13 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Barbara Ivančič Kutin Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Steel and wood. Natural Cultural Cultural Function Useful product (tool for striking). Creation Purpose For wholesale. Technique These types of products are manufactured in large quantities at a time, as this is the only way to make the work profitable. First, the steel is cut into pieces. The hot material is processed under a spring hammer. First the hole for handle is made, followed by processing to the basic shape. Processing to the final shape includes hardening, grinding, polishing, and coating. The first stages are already prepared so that when an order is received, work can be completed quickly and the products can be delivered to the customer as soon as possible. Therefore, some products are half-finished, while others are almost complete. They forge continuously, even for stock that is sufficient for two years or even more. Material Source The steel is purchased from retailers in Slovenia, who source it from various suppliers abroad, while the wood is Slovenian. Conecept Blacksmithing has been a family craft for seven generations; production still takes place in the traditional way, with each piece passing through the hands of blacksmiths who work it by hand. This means that every item is unique, despite being mass-produced. Production Quality Massive production. External ID ZRCSAZU_AR_04(2) Field Worker Barbara Ivančič Kutin AI Tools Yes AI Content Translation. Craft woodwork,metalwork Tool Fireplace, blacksmith's hammer, tongs, grinding tools, woodworking tools. Place The town or city Log nad Škofjo Loko 13, 4220 Škofja Loka Prim Media 2135 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hand forging hammer Type The nature or genre of the resource Physical Object Description An account of the resource Hand forging hammer with a wooden handle, on which a heavy metal part is mounted. Creator An entity primarily responsible for making the resource 2121 Extent The size or duration of the resource. 30cm x 4cm x 12cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 822 Source A related resource from which the described resource is derived craftedobjects,uppercarniola References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://prvi.rtvslo.si/podkast/intervju-radio/3633109/174860660 https://mro.si/en/iron-forging-museum-kropa Slavec Gradišnik, Ingrid, 2011: Kovaštvo (Blacksmithing). In: Slovenika, slovenska nacionalna enciklopedija. Ljubljana: Mladinska knjiga (pp 627-628). Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 13/01/2026 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Ročno kovaško kladivo Spatial Coverage Spatial characteristics of the resource. current,46.1276625914593,14.229099836053459; Date Modified Date on which the resource was changed. 13/01/2026 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/3450bb4d660568256e325507c90877e2.jpg dce5f94d18b8f2cb17697007755ec2ce Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A series of identical heavy hammers, where it is clear that each product is slightly different and unique due to being handmade. Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-13 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Barbara Ivančič Kutin Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Steel. Natural Cultural Cultural Function Useful product for cooking or frying or baking. Creation Purpose For wholesalers and individual customers in Krmelj's online store. Technique The pan is hand-forged from a single piece using traditional blacksmithing techniques - flattening and stretching hot steel with a spring hammer an manual hammer and hardening. Material Source The steel is purchased from retailers in Slovenia, who source it from various suppliers abroad. Conecept Blacksmithing has been a family craft for seven generations; production still takes place in the traditional way, with each piece passing through the hands of blacksmiths who work it by hand. This means that every item is unique, despite being mass-produced. Production Quality Several hundred per year. External ID ZRCSAZU_AR_04(3) Field Worker Barbara Ivančič Kutin AI Tools Yes AI Content Translation. Craft metalwork Tool Fireplace, blacksmith's hammer, tongs, grinding tools, woodworking tools. Place The town or city Log nad Škofjo Loko 13, 4220 Škofja Loka Prim Media 2137 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Forged pan made from a single piece. Type The nature or genre of the resource Physical Object Description An account of the resource A unique forged pan with a diameter of 21 centimeters and a handle made from a single piece. Suitable for use on all types of heat sources and with low energy consumption. Date A point or period of time associated with an event in the lifecycle of the resource 2025 Creator An entity primarily responsible for making the resource 2121 Extent The size or duration of the resource. 21cm x 5cm x 21cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 823 Source A related resource from which the described resource is derived craftedobjects,uppercarniola References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://prvi.rtvslo.si/podkast/intervju-radio/3633109/174860660 https://mro.si/en/iron-forging-museum-kropa Slavec Gradišnik, Ingrid, 2011: Kovaštvo (Blacksmithing). In: Slovenika, slovenska nacionalna enciklopedija. Ljubljana: Mladinska knjiga (pp. 627-628). Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 13/01/2026 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Kovana ponev iz enega kosa Spatial Coverage Spatial characteristics of the resource. current,46.1276625914593,14.229099836053459; Date Modified Date on which the resource was changed. 13/01/2026 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/741d6cb5efa8cdc517f93bc210da7052.jpg a5b5d79c2317552aeb0d463aded9ca95 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Forged pan made from a single piece. Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-13 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Barbara Ivančič Kutin Artisan An artisan Contact info@cerawoods.com Author iain Email The email address of the museum. info@cerawoods.com Phone The phone number 00386 31 206 123 Biographical Text Ana Trampuš spent her childhood in Ljubljana. After graduating from secondary veterinary school in Ljubljana, she worked for several years in a pet shop. After maternity leave, when she realized that there were no jobs in her profession, she took ceramics classes and then started her own practice in seoson 2013/2014 as a part job. She would like to make a living from this in the future. External ID ZRCSAZU_PR_05 Knowledge Acquisition Twelve years ago, she first attended a beginner's and advanced ceramics course with a potter Barbara Štamberger in Kranj. She then taught herself through trial and error, gaining much of her knowledge from materials (information, videos) available online. Knowledge Transfer She occasionally leads workshops for children and families at the Škofja Loka Handicraft Center (DUO centre). However, the technique is not suitable for a short workshop as the processes are long. Field Worker Barbara Ivančič Kutin AI Tools Yes AI Content Deepl translator. Gender female Area Relation native Area Reason Ana Trampuš has been living in Škofja Loka since 2011. Before that, she lived in Ljubljana, but her grandparents are from Škofja Loka, so she has been connected to the area her whole life. Occupation ceramics Involvment part-time paid job knowledge1 Working with clay requires manual skills, precision, and a good sense of form. Technical knowledge about clay, firing, and glazes is essential. Creativity and problem-solving abilities when working with materials are also important. material1 All products are made of clay. She uses only white and black clay for use on the potter's wheel. She also uses colors for ceramics (engobes) and glazes. material2 She buys the clay and paintings from a potter in Radovljica, who also has a shop. The clay is supplied by Italian suppliers. material3 There is no waste. She recycles unburned clay, i.e., uses it again, and gives away unsuccessful products if someone likes them; a very small portion, if something breaks, is taken to the trash. There is very little of this. production1 She uses classic hand-building techniques and potter's wheel techniques. and classical and raku firing. First, the clay is shaped (by hand or on a potter's wheel), then it needs to dry slowly until it's totally dry (this can take anywhere from a day to a few days, depending on the size). This is followed by bisque firing, in which the dry product is fired in a pottery oven (at approximately 1000°C). The fired product is then decorated with colors (engobes, underglazes, or overglazes) and covered with a glaze—a protective glass layer. It is then fired again (also at approximately 1000°C), which completes the production process. Some products are also fired at 1200-1300°c. In raku technique, after the second firing at 1000 degrees, the product is decorated by placing it hot in a container with leaves, straw, and other materials, creating various unique and unpredictable patterns. production2 Pottery wheel, various knives, scrapers, smoothing tools, sponges, brushes, and a pottery kiln. For raku technique, for second firing she uses a gas kiln (up to 1000 degrees Celsius), while for the classic technique she uses an electric pottery kiln, which can reach temperatures of up to 1300 degrees Celsius. KOLIKO UR1. in 2. žganje in raku. production3 When manufacturing ceramic products, the most important tools are the pottery kiln and the potter's wheel for shaping the pottery. Therefore, they must function flawlessly. The oven and electric pottery wheel are homemade, made by Ana's husband. production4 Thenelectricity to power the electric potter's wheel and traditional pottery kilns, and gas for the outdoor pottery kiln, where he fires his products using the raku technique. production5 There is no waste; all leftover fresh clay is reused. There are few failed fired products—Ana gives these to friends if they like them; damaged, broken fired bricks are used for something else or taken to the dump, but there is very little of this. workshop Ana has a small workshop in one of the rooms in the basement of her family home. products1 Most of the products are useful items such as cups, bowls, potica molds (ceramic molds for baking a traditional Slovenian dessert called potica). There are also decorative items such as wall clocks, ceramic decorative magnets, earrings, etc. products2 She manufactures products for sale, but this does not yet enable her to make a living solely from this activity. Sometimes customers request a specific motif, so she occasionally makes custom orders (for Christmas and birthdays), but she still likes to follow her creative inspiration. Some products were created as part of a local handicraft colony for a group exhibition. products3 She sells her products at the DUO craft center in Škofja Loka and occasionally at fairs. She does not yet have an online store, but plans to launch one soon. She posts photos of her products on Facebook and Instagram so that customers can order them (she delivers them to their homes or they can pick them up themselves). products4 She makes custom-made items sometimes, but does not provide any other services. products5 No. products6 Anyone who likes ceramics and appreciates unique handcrafted items. products7 Her products carry the Art & Craft Slovenia certificate, issued by the Chamber of Craft and Small Business of Slovenia. tourism1 She participates in various tourist events (fairs, workshops) in Škofja Loka, which are visited by domestic and foreign tourists, organized by the DUO Craft Center and in Ljubljana through the Artish summer fairs. Once a year, she participates in a local crafts colony and group exhibition. tourism2 Vse keramične izdelke rada delam in včasih se moram prav zavestno odločiti, kaj bom izdelala najprej, da ne skačem z enega izdelka na drugega (smeh). I enjoy making all ceramic products, and sometimes I have to consciously decide what to make first so that I don't jump from one product to another (laugh). partnership Ana is a member of the DUO Škofja Loka Handicraft Centre and the Škofja Loka Regional Chamber of Crafts and Arts. challenges1 She is currently setting up an online shop and hopes to establish permanent cooperation with a souvenir shop in a tourist destination in Croatia, which she is already negotiating. She would also like to work with her husband, who works with wood. They already had this in mind when choosing the brand name for her products, Cerawoods. One day, she would like to make a living from her work. challenges2 "Ko se res posvetiš samo temu (glini), en mir ti da. To je fajn služba. " (When you really devote yourself to just that (clay), it gives you a sense of peace. It's a great job.) references https://www.centerduo.eu/en/masters-of-crafts/ana-trampus-cerawoods/ https://www.centerduo.eu/druzinska-delavnica-ustvarjanja-iz-gline/ https://www.facebook.com/cduo.skofjaloka/photos/dru%C5%BEinska-delavnica-ustvarjanja-iz-gline-vabljeni-na-delavnico-ustvarjanja-iz-gl/936398151866654/?_rdr Social Media The social media links. facebook,https://www.facebook.com/ana.trampus;instagram,https://www.instagram.com/cera.woods/; Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Ana_Trampuš Prim Media 2141 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ana Trampuš Type The nature or genre of the resource Artisan Date A point or period of time associated with an event in the lifecycle of the resource 1982 Language A language of the resource English,Slovene Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 825 Source A related resource from which the described resource is derived artisans,uppercarniola Spatial Coverage Spatial characteristics of the resource. current,46.1564750452414,14.311619759188; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Scotland Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Ana Trampuš Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://www.cerawoods.com https://culturality.museum/omeka/files/original/ddda458acc72d551b78fbb5dc4cd281d.jpg 139b57a0195d651ae1e41c6e6a2804fc Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ana Trampuš in her studio. Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 13/02/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/cd30eb1e27572ba3216c46835e594816.jpg 137ebdadd20b0ba7218263756834b289 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ana Trampuš in her studio. Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 13/02/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Barbara Ivančič Kutin https://culturality.museum/omeka/files/original/372dec9ef5ae5c227c5f9f5ac1ce3445.jpg 29ebe4d26ddc8a9764f8471b4001ae5e https://culturality.museum/omeka/files/original/1503e3b303f37e2e47cc4263d248bb7e.mtl f4a5b367a2cf5b4990f8b6d3c01a8e0d https://culturality.museum/omeka/files/original/58e07911701272608a540f071b0ad9cf.obj 27eb79127f930e105778907103e06962 https://culturality.museum/omeka/files/original/6f5efb12ab85dc80bed9f951b49ef48c.jpg e009d0fd3f1c6c6c1a9a0645ba3ffe55 https://culturality.museum/omeka/files/original/7d08047516b90c59e29d1ca65a561ff1.jpg d96daa6dfb2c17ca07348de5f7e0a12b https://culturality.museum/omeka/files/original/3de9599082f5779f0d8a9603b1d89803.jpg 4f29a34685b23325da3e16b141d042f2 https://culturality.museum/omeka/files/original/49f9f7e1ea1c8256bc08a2104ca9578d.glb effd9c364a0073e28eaae315b5bb0712 3D Object Process Photogrametery Vertices 164723 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Scotland Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Smoke Cabin https://culturality.museum/omeka/files/original/08965bb8dad8950508ddda050637eede.png 0e81ee907f6536a1c80862575970e475 Tour Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eesti Pärimusmuusika Keskus Type The nature or genre of the resource Tour Description An account of the resource The NGO Estonian Traditional Music Center is a nationwide, non-governmental organization that supports and organizes traditional music education and promotes the live performance of traditional music in an open and innovative manner. The Estonian Traditional Music Center serves as a partner of the University of Tartu Viljandi Culture Academy's music department and information center for music schools, civic associations, traditional music ensembles, folklore groups, individual musicians, and traditional music enthusiasts in Estonia. Traditional Music Center organizes one of the biggest folk and world music festival in Baltics - Viljandi Folk Music Festival at the end of July, visited by 25 000 people every year and presenting more than 50 artist from all over the world. Since the spring of 2008, the Estonian Traditional Music Center has been operating in the beautifully renovated old granary of the Viljandi Manor, located in the Viljandi Castle Hills, where year-round concerts are held. The center also operates a training center and houses a traditional music information collection. 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Creative Commons Attribution-ShareAlike License Identifier An unambiguous reference to the resource within a given context 871 Source A related resource from which the described resource is derived finnskogen Spatial Coverage Spatial characteristics of the resource. current,60.158079680143565,12.532490193843843; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/ed74398a9a403fa13c9036288164c47e.png c91f255d52238f4041c7d659326da01c Custom Pin Zoom Min 15 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kissalamp Sign Type The nature or genre of the resource Custom Pin Format The file format, physical medium, or dimensions of the resource image/png License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Identifier An unambiguous reference to the resource within a given context 872 Source A related resource from which the described resource is derived finnskogen Spatial Coverage Spatial characteristics of the resource. current,60.158261197565565,12.532618939876558; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/3596f0962004ba7d5762d36c4aa720f1.png 2fc8c57047294a03ee404074d89875ca Custom Pin Zoom Min 15 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource lebiko_sign.png Type The nature or genre of the resource Custom Pin Format The file format, physical medium, or dimensions of the resource image/png License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Identifier An unambiguous reference to the resource within a given context 873 Source A related resource from which the described resource is derived finnskogen Spatial Coverage Spatial characteristics of the resource. current,60.15287397457809,12.512566745281221; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/20af4b101cc30e3d6e7e3dd17de6ce21.png bab52d4f40ef2541ccdae5d1c24c547c Custom Pin Zoom Min 15 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lomstorp Sign Type The nature or genre of the resource Custom Pin Format The file format, physical medium, or dimensions of the resource image/png License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Identifier An unambiguous reference to the resource within a given context 874 Source A related resource from which the described resource is derived finnskogen Spatial Coverage Spatial characteristics of the resource. current,60.139354395271155,12.554100751876831; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/068153c663da91a19efcb289c292712c.png 1589f8b605a64a7376e8938307f4757a Custom Pin Zoom Min 15 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource österby sign Type The nature or genre of the resource Custom Pin Format The file format, physical medium, or dimensions of the resource image/png License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Identifier An unambiguous reference to the resource within a given context 875 Source A related resource from which the described resource is derived finnskogen Spatial Coverage Spatial characteristics of the resource. current,60.14665199174144,12.519205212593079; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/1795e225569be3c47fefd795c20cbc3c.png a39b613bb7f3f83245b487123016acb3 Custom Pin Zoom Min 15 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ritamäki Sign Type The nature or genre of the resource Custom Pin Format The file format, physical medium, or dimensions of the resource image/png License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Identifier An unambiguous reference to the resource within a given context 876 Source A related resource from which the described resource is derived finnskogen Spatial Coverage Spatial characteristics of the resource. current,60.14968532312364,12.541875243186952; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/725ba3453a450f8c9410feaa423e1bb2.png 95da996d14f1bb6be378b77f64ab2a64 Custom Pin Zoom Min 15 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Valli Sign Type The nature or genre of the resource Custom Pin Format The file format, physical medium, or dimensions of the resource image/png License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Identifier An unambiguous reference to the resource within a given context 877 Source A related resource from which the described resource is derived finnskogen Spatial Coverage Spatial characteristics of the resource. current,60.15299048628589,12.534548789262773; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/cc97b1257b3f786c60a5d7176518402d.png 56a126df2eda8a38b07f1eb4d630e8fd Custom Pin Icon Size 85 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 7-crofttrail_emblem Type The nature or genre of the resource Custom Pin Format The file format, physical medium, or dimensions of the resource image/png License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Identifier An unambiguous reference to the resource within a given context 878 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Site Institutional nature Museum, Ecomuseum, Extended Museum, Territorial Museum, Cultural Center, Memory House, e-Museum, etc Studio Prim Media 2206 Zoom Min 15 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ritamäki Type The nature or genre of the resource Site Identifier An unambiguous reference to the resource within a given context 879 Source A related resource from which the described resource is derived finnskogen Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 26/02/2026 Contributor An entity responsible for making contributions to the resource iain Spatial Coverage Spatial characteristics of the resource. current,60.14968532312364,12.541875243186952; Date Modified Date on which the resource was changed. 02/26/2026 01:53:04 pm Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Scotland Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Ritamäki https://culturality.museum/omeka/files/original/c4889e05d3413c2059e5f623121fba2d.png a39b613bb7f3f83245b487123016acb3 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ritamäki Sign Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/png License A legal document giving official permission to do something with the resource. In Copyright (InC) Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/cb6f2b47bf98e63a27560d7196000bdb.png 47215cf22acfcccdb88a44119e1ce26d Tour Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ERM Heimtali Museum Type The nature or genre of the resource Tour Description An account of the resource ERM Heimtali Museum ERM Heimtali Museum is located in the old municipal school building, completed in 1864. The school operated in the building until 1932, when it was moved to Heimtali Manor, where it remains to this day. 28. On 28 November 1987, on the anniversary of the local school, the Heimtali Local History Museum was opened in the old schoolhouse under the leadership of local resident Johannes Kokk. Under his guidance, the collection of local heritage and old objects was also begun. One part of the museum’s display dealt with the history of local school and cultural life, while the other focused on rural culture and agricultural tools. Johannes Kokk remained the museum’s director until 1992. In 1994, the museum was purchased by textile artist Anu Raud using the prize money from the Jakob von Uexküll Revival Award. Anu Raud added to the existing collections her own collection of ethnographic and national textiles, previously kept in the museum room at Kääriku Farm, and began renovating the building with her own funds and with the help of sponsors. 2009. In 2009, when the Estonian National Museum celebrated its 100th anniversary, Anu Raud donated her private museum’s property and collections in their entirety to ERM in order to ensure the museum’s future development. Since 1 June 2010, the museum has officially borne the name ERM Heimtali Museum. Today, the museum’s collections include materials related to local school life and tools from the surrounding area, as well as cabinet- and chestfuls of traditional textile examples from different regions of Estonia. The museum also has a library devoted to folk art, home culture, and art. ERM Heimtali Museum is open to visitors: Tue–Sat 9 am–5 pm Heimtali, 71102 Viljandi County, Estonia Date A point or period of time associated with an event in the lifecycle of the resource 19/09/2025 License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Identifier An unambiguous reference to the resource within a given context 897 Spatial Coverage Spatial characteristics of the resource. current,58.327059830759396,25.48002336216753; Source A related resource from which the described resource is derived studio Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Upper Carniola Identifier An unambiguous reference to the resource within a given context 436 3D Object DescriptionEN English Description Black shawl created by Anja Musek Process Photogrammetry Vertices 1632119 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Indoor, Therese Henner at her loom in her studio, weaving. Image in profile view. Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2024-02-16 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Susanne Johansson Sadri https://culturality.museum/omeka/files/original/69aa06d3ee7bd0016a5ddc0354bc1f60.jpg 3ec0cb8655eeb9912120792f1d11848b Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Images of some of Henner's plant dyed yarns Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 2024-12-06 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ulrika Jäger, Sara Olsson https://culturality.museum/omeka/files/original/a908fd43d5ad72d1c0fd63a6ba61410c.mp4 4a9e0407b005b1db54880f9c2b386747 Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Indoor, Therese Henner at her loom in her studio, weaving. Video at an angle from behind Type The nature or genre of the resource Moving Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource video/mp4 License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 2024-02-16 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. VIDEO Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Susanne Johansson Sadri Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://culturality.museum/galleries/upload/RV_CP_03_01_-1.mp4 https://culturality.museum/omeka/files/original/cf76140457eacde0eb4f9e4939259d70.jpg 292980c1a4a5002cd41f6f4293acceb1 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Square pillow with zig-zag pattern in mainly warm colours. Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 2024-12-06 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ulrika Jäger, Sara Olsson https://culturality.museum/omeka/files/original/239c3f87486f49328cb340d0e915c54a.jpg b070f34976ab11cfd685159d5a51b85f Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource White hanging lamp in linen yarn Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 2024-12-06 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ulrika Jäger, Sara Olsson. https://culturality.museum/omeka/files/original/6224e64c10aec373c50225df3eccc7fd.jpg 32a641bfde4933eedc1306323ee01351 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woolen scarf in pale colour with patterns of darker leaves Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ulrika Jäger, Sara Olsson https://culturality.museum/omeka/files/original/d4a62f40bd84a7b427b5ea76e555cafe.jpg d5d7efb1960d2b82318cd5923bfbd655 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vävt halsband, längre modell i flera färger. Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ulrika Jäger, Sara Olsson