2 100 1975 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1665 External ID LAPONTE_AR_27 Place The town or city Camino de LLusiella 33696 Oviedo, Asturias Craft woodwork Material Cherry wood Material Source Unknown Technique Cut, carved, and polished by hand. Tool Carpenter’s hand planes, gouges, a folding knife and sandpaper. Function For cooking Creation Purpose For sale Production Quality The artisan has made several, but each piece is unique. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Set of wooden spatulas Type The nature or genre of the resource Physical Object Contributor An entity responsible for making contributions to the resource Carmen Pérez Maestro Identifier An unambiguous reference to the resource within a given context 686 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Conjunto de espátulas de madera Language A language of the resource Spanish Spatial Coverage Spatial characteristics of the resource. current,43.311381,-5.852013; Extent The size or duration of the resource. 30cm x cm x cm Date A point or period of time associated with an event in the lifecycle of the resource 2025 Description An account of the resource A set of wooden spatulas for cooking. They are made from lightweight, durable wood, are suitable for contact with food, and are gentle on surfaces. They have an elongated shape with a flat end. The ends of the handle come in various forms: curved, straight, carved in a helical shape, and spoon-shaped. Creator An entity primarily responsible for making the resource 2272 Europeana Specific elements of the Europeana Semantic Elements. Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1667 External ID LAPONTE_AR_28 Place The town or city Camino de LLusiella 33696 Oviedo, Asturias Craft woodwork Material Cherry wood Material Source Unknown Technique Cut, carved, and polished by hand. Tool Carpenter’s hand planes, gouges, a folding knife and sandpaper. Function Various functions, for holding incense and as jewellery. Creation Purpose For sale Production Quality The artisan has made several, but each piece is unique. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Set of small handcrafted wooden pieces Type The nature or genre of the resource Physical Object Contributor An entity responsible for making contributions to the resource Carmen Pérez Maestro Identifier An unambiguous reference to the resource within a given context 687 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Conjunto de piezas pequeñas artesanales de madera Language A language of the resource Spanish Spatial Coverage Spatial characteristics of the resource. current,43.311381,-5.852013; Extent The size or duration of the resource. cm x cm x cm Date A point or period of time associated with an event in the lifecycle of the resource 2025 Description An account of the resource A set of pieces made from cherry wood with different functions and shapes. Disc-shaped pendants, disc-shaped earrings, a key ring, and an incense holder. Creator An entity primarily responsible for making the resource 2272 Europeana Specific elements of the Europeana Semantic Elements. Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1669 External ID LAPONTE_AR_29 Place The town or city Camino de LLusiella 33696 Oviedo, Asturias Craft woodwork Material Bamboo Material Source Local Technique Cut, carved, and polished by hand. Tool Carpenter’s hand planes, gouges, folding knife and sandpaper. Function For smoking Creation Purpose For sale Production Quality 1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pipe Type The nature or genre of the resource Physical Object Contributor An entity responsible for making contributions to the resource Carmen Pérez Maestro Identifier An unambiguous reference to the resource within a given context 688 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Pipa Language A language of the resource Spanish Spatial Coverage Spatial characteristics of the resource. current,43.311381,-5.852013; Extent The size or duration of the resource. 25cm x cm x cm Date A point or period of time associated with an event in the lifecycle of the resource 2025 Description An account of the resource It is made primarily of bamboo, with an elongated design. The main body is a section of bamboo that retains its characteristic nodes. At one end is the mouthpiece, which is narrower, while at the other end, there is a bowl. The bowl is connected to the body by a small curved metal tube, allowing the smoke to pass through. It also features a decorative glass bead. Creator An entity primarily responsible for making the resource 2272 Europeana Specific elements of the Europeana Semantic Elements. Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain Intangible External ID LAPONTE_CP_10 Place The town or city Asturias, Spain Place Description Traditional wood craftsmanship in Asturias is one of the pillars of its artisanal heritage, closely linked to rural life, vernacular architecture and everyday living. It is deeply connected to the region’s history, economy and identity. Today, it remains important because it defines the region's culture, reflects adaptation to the natural environment, preserves historical and artisanal heritage, contributes to the economy and tourism, and represents a sustainable practice. Domains woodwork,social practices, rituals and festive events,knowledge and practices concerning nature and the universe,culinary practices Knowledge A specialist in traditional wood craftsmanship in Asturias needs to master technical, cultural and practical knowledge, as well as an understanding closely linked to the land, tradition and climate. For example, they must be familiar with local woods such as chestnut and oak, master traditional joinery techniques without nails, know how to build and restore hórreos, make madreñas, adapt their work to the humid climate, and understand Asturian cultural traditions to preserve the authenticity of the objects. Knowledge Transfer Nowadays, traditional wood craftsmanship in Asturias is mainly passed down within families, from parents to children, in artisan workshops where it is learned through hands-on practice. However, it is also transmitted through vocational training in carpentry and cabinet-making, direct apprenticeships with craftspeople, and activities such as fairs and associations that help to promote and preserve this knowledge. In some ethnographic museums, workshops related to this craft are also held. Practitioners Wood craftsmanship in Asturias has traditionally been, and still is today, a predominantly male occupation. The traditional specialisations that still exist, although they are now scarce, include madreñeros, who specialise in making madreñas; builders and restorers of hórreos and paneras; and woodturners, who specialise in shaping wood using a lathe, a machine that spins the piece so it can be formed with tools such as gouges and chisels. There are also artisans who combine tradition with contemporary design in their work. Function Today in Asturias, wood craftsmanship fulfils important social functions such as preserving cultural identity, strengthening community life, passing on traditional knowledge, generating local employment, promoting sustainable values and protecting heritage, making it a key activity for keeping Asturian traditions and rural ways of life alive. Origins and change The main change has been the introduction of mechanical tools. There has also been a shift in the type of objects produced, as items that were once made from wood for everyday use are now typically made from metal or ceramic, while today wooden objects are often produced as decorative reproductions. Finally, there has been a decline in the overall production of wooden goods. Organisations In Asturias, there is the Asociación de Amigos de la Madera Les Forgaxes (Forgaxes means “wood shavings” in Asturian). It is an organisation dedicated to preserving the trades associated with wood, as well as providing a space for sharing knowledge and bringing together people who practise this craft. Each year, it organises a gathering to promote the work of master artisans. There are also several ethnographic museums, such as those in Grandas de Salime, the Museum of the Asturian People in Gijón, and museums in Quirós and Grau. There is also a specific museum dedicated exclusively to wood, known as the Museum of Wood and the Madreña in Caso. In relation to traditional wooden architecture, there is the Hórreo Interpretation Centre in Bueño, as well as an organisation dedicated to preserving this type of traditional architecture, known as the Asociación de Amigos del Hórreo Asturiano. Economic Threats Insufficient financial resources Weakened Practice Aged practitioners,Diminishing participation,Diminishing youth interest,Reduced practice Loss Threats Loss of knowledge,Material shortage SDG Zero hunger,Good health and well-being,Decent work and economic growth,Life on land Economic Threats Description In the specific case of hórreos and paneras, public funding from institutions to maintain them is limited. Weakened Practice Description As with many manual crafts, the tradition is being lost due to the disappearance of the use of wooden objects, replaced by cheaper materials, and consequently, there is less interest in learning and developing the craft. Loss Threats Description As with many manual crafts, the tradition is being lost due to the disappearance of the use of wooden objects, replaced by cheaper materials, and consequently, there is less interest in learning and developing the craft. State of the practice declining Social sustainability N/A Environmental sustainability It is an activity that does not pollute the environment. Economic sustainability Although there are few artisans who make a living from this work, it does provide economic sustainability for those who practise it. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Traditional woodworking Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Trabajo tradicional en madera Type The nature or genre of the resource Intangible Contributor An entity responsible for making contributions to the resource Carmen Pérez Maestro Language A language of the resource Spanish Description An account of the resource Traditional woodwork in Asturias has been fundamental to the development of everyday life. Wood has been used in: - Traditional construction: granaries such as hórreos and paneras. Elements of a hórreo include pegoyos, muela, colondras, viguetes, tiyeres, tentemozos, aguilones, tornos and pontones. - Asturian furniture and household items: escañu (bench), tayuelu (small stool), arca (chest), masera (dough trough), espetera (plate rack), vasar (shelf unit), alacena (cupboard) and truviecu (log seat). Also common joinery techniques in furniture, decorative carving, and other utensils such as zapicas, xarres (jugs), bowls, chopping boards, desca and salpimenteru (salt and pepper container). - Musical instruments: gaita (bagpipe), castanets, pitos (whistles), chiflu (flute), gaita rabil, rabel and bandurria. - Wooden footwear: the madreña. Made from a single piece of wood and designed to protect the feet from cold, snow and mud in rural areas. They are characterised by having three pegs (“tarugos”) on the sole, which raise the foot off the ground. Creator An entity primarily responsible for making the resource 2272 Identifier An unambiguous reference to the resource within a given context 939 Europeana Specific elements of the Europeana Semantic Elements. Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: University of St Andrews Identifier An unambiguous reference to the resource within a given context 4 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 2285 Material recycled silver Natural Cultural Cultural Craft metalwork Field Worker Catherine Anne Cassidy Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Silver Eagle Brooch Type The nature or genre of the resource Physical Object Description An account of the resource A recycled silver eagle brooch with topography details of the Cairngorm National Park, created by Amy Ferguson Niven. Creator An entity primarily responsible for making the resource 2284 Language A language of the resource English Subject The topic of the resource Fashion Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Identifier An unambiguous reference to the resource within a given context 951 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 14/05/2026 Spatial Coverage Spatial characteristics of the resource. current,57.26298268908859,-3.6481103558198336; Date Modified Date on which the resource was changed. 14/05/2026 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Applied Arts Scotland Identifier An unambiguous reference to the resource within a given context 13 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 211 Natural Cultural Cultural Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Of Paint and Clay" White Ceramic Vase Type The nature or genre of the resource Physical Object Creator An entity primarily responsible for making the resource 234 Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 111 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 11/10/2024 Source A related resource from which the described resource is derived harrisitems,scotlandobjects,highlandandislands,outerhebrides,ruralspotlewis Date Modified Date on which the resource was changed. 22/09/2025 Spatial Coverage Spatial characteristics of the resource. current,58.41722895933901,-6.435146315940916; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Applied Arts Scotland Identifier An unambiguous reference to the resource within a given context 13 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 213 Natural Cultural Cultural Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ceramic Lamp with Harris Tweed Type The nature or genre of the resource Physical Object Creator An entity primarily responsible for making the resource 234 Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 112 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 11/10/2024 Source A related resource from which the described resource is derived harrisitems,highlandandislands,outerhebrides,ruralspotlewis,scotlandobjects Date Modified Date on which the resource was changed. 10/06/2025 Spatial Coverage Spatial characteristics of the resource. current,58.41722895933901,-6.435146315940916; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Applied Arts Scotland Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Applied Arts Scotland Identifier An unambiguous reference to the resource within a given context 13 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 215 Natural Cultural Cultural Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Of Paint and Clay" Plate Type The nature or genre of the resource Physical Object Creator An entity primarily responsible for making the resource 234 Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 113 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 11/10/2024 Source A related resource from which the described resource is derived harrisitems,scotlandobjects,highlandandislands,outerhebrides,ruralspotlewis Date Modified Date on which the resource was changed. 22/09/2025 Spatial Coverage Spatial characteristics of the resource. current,58.41722895933901,-6.435146315940916; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Applied Arts Scotland Identifier An unambiguous reference to the resource within a given context 13 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 220 Natural Cultural Cultural Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Of Paint and Clay" Dark Ceramic Vase Type The nature or genre of the resource Physical Object Creator An entity primarily responsible for making the resource 234 Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 117 Source A related resource from which the described resource is derived craftedobjects,harrisitems,scotlandobjects,highlandandislands Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 16/10/2024 Date Modified Date on which the resource was changed. 22/09/2025 Spatial Coverage Spatial characteristics of the resource. current,58.41722895933901,-6.435146315940916; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1155 Natural Cultural Cultural Function When the machine is turned the wheel spins and a potter 'throws' clay into the centre of the wheel. The potter then shapes the clay using the speed of the wheel to create energy and force to do so. Creation Purpose Functional tool for potters. Technique Factory production Material Source Unknown Conecept This artefact facilitates the the throwing of pots. After her hands, Sue (AAS_PR_001) acknledged that the Potter's Wheel was the second most important tool that she used. Production Quality Mass production by Podmore and Sons External ID AAS_AR_01 Field Worker Netty Sopata Craft ceramics Tool Factory Production Tools Material Wood. Metal.Plastic. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Potters Wheel Type The nature or genre of the resource Physical Object Description An account of the resource A 'Potters Wheel' used to throw clay to make pottery. Powered by electricity. Date A point or period of time associated with an event in the lifecycle of the resource Unknown Creator An entity primarily responsible for making the resource 234 Language A language of the resource English Extent The size or duration of the resource. 150cm x 100cm x 75cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 561 Source A related resource from which the described resource is derived tools,scotlandobjects,highlandandislands Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 30/09/2025 Date Modified Date on which the resource was changed. 28/10/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 2047 Material Clay Natural Cultural Cultural Function To drink hot liquids from – Tea / coffee etc. Creation Purpose For sale in the retail space at the pottery. Technique Thrown by a potter using a potters wheel (AAS_AR_01). The clay is manipulated by hand as the potter’s wheel turns. After a period of air-drying, the clay is still soft enough to have handles added and stamps imprinted on the base. The handles are made by being ’pulled’ (AAS_CP_001_l1) by hand and molded on the mug base. These are then fired in a gas, or electric kiln. A glazing process takes place (to add colour to the mug) and a second ‘firing’ in the kiln. Material Source Staffordshire. See Artefact AAS_AR_02_l2 Conecept Mugs are one of the most popular items the pottery has produced over the decades. They are functional items that many tourists purchase. The colours created in the glazes that Sue uses depict the colours of the surrounding landscape. Production Quality Currently produced in batches of up to 11 at a time (for throwing and adding handles). Batches of up to 48 can be fired in the kiln. External ID AAS_AR_15 Field Worker Netty Sopata Craft ceramics Tool Potters wheel, Knife, stamp, Kiln and hands. Place The town or city Borve, Isle of Lewis, Scotland Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Mug Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mug Type The nature or genre of the resource Physical Object Description An account of the resource A green, hand-thrown mug, with handle, made by potter Sue Blair (AAS_PR_001) of Borve Pottery. Date A point or period of time associated with an event in the lifecycle of the resource 11/01/25 Creator An entity primarily responsible for making the resource 234 Language A language of the resource English Extent The size or duration of the resource. 13cm x 8cm x 12cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 788 Source A related resource from which the described resource is derived craftedobjects,scotlandobjects,highlandandislands Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 18/12/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Cup Spatial Coverage Spatial characteristics of the resource. current,58.4,-6.44; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Applied Arts Scotland Identifier An unambiguous reference to the resource within a given context 13 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 441 Material wood, oak, larch, copper, silicon bronze Natural Cultural Cultural Function fishing Technique handmade Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sgoth Niseach Type The nature or genre of the resource Physical Object Description An account of the resource A wooden skiff (sgoth in Scottish Gaelic) traditional crafted in and for the waters around Ness, Isle of Lewis, Outer Hebrides of Scotland. The boats were traditional fishing boats, particularly for line fishing, during the 19th century and until the early half of the twentieth century. Crafted by Matt Stokl, boatbuilder located in Ullapool, who is one of a few which specialise in building sgoths. Creator An entity primarily responsible for making the resource 243 Subject The topic of the resource HISTORY,Industrial Heritage Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Identifier An unambiguous reference to the resource within a given context 307 Source A related resource from which the described resource is derived scotlandobjects,highlandandislands,outerhebrides Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 21/03/2025 Spatial Coverage Spatial characteristics of the resource. current,58.49260844836807,-6.229331195354462; Date Modified Date on which the resource was changed. 22/09/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 449 Material Wool Natural Cultural Cultural Function A scarf is a fashion accessory and thus a decorative object Creation Purpose The scarf was made for sale Technique Wet felting Material Source The craftwoman who made the scarf sources her materials mainly from Italy Conecept Anja Musek says that her medium of expression is wool, and that she finds inspiration mainly in nature. Škofja Loka was also known for hatmaking, where the knowledge of wet felting was used by hatters to make the bases for their hats. Production Quality Scarves are Anja Musek's best-selling products, and it takes her about two days to make one. She makes them to order and on demand, and has a few made in advance. She makes between 5 and 10 a month. External ID ZRCSAZU_AR_01 Field Worker Katarina Šrimpf Vendramin, Saša Poljak Istenič AI Tools Yes AI Content Chat GPT was used to summarise and translate the text Craft fibre and textile crafts Tool The scarf was made by hand, with the help of a rubber mat on which she created the scarf, and a felting machine, which shortened the process time. Place The town or city Škofja Loka, Gorenjska, Slovenia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woolen felted scarf Type The nature or genre of the resource Physical Object Description An account of the resource Hand-felted scarf is made with wet felting technique, produced from high-quality black, gray, and white wool, combined to give a sense of colours bleeding into each other. A technique was used to produce delicate, lightweight, and airy texture, which ensures a soft, breathable texture, while maintaining durability and structural integrity. Date A point or period of time associated with an event in the lifecycle of the resource 2017 Creator An entity primarily responsible for making the resource 448 Language A language of the resource Slovene Extent The size or duration of the resource. 220cm x cm x 42cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 309 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. http://www.amuse.si/my-story.html https://www.centerduo.eu/kreativnice/anja-musek/ https://365.rtvslo.si/arhiv/vizionar-obrtnik-in-podjetnik/175079215 https://www.ra-sora.si/razstava-anja-musek-amuse/ Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 24/03/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Volnen filcan šal Spatial Coverage Spatial characteristics of the resource. current,46.1663222982793,14.307308507957; Date Modified Date on which the resource was changed. 10/06/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Scientific Research Centre of Slovenian Academy of Sciences and Arts Identifier An unambiguous reference to the resource within a given context 5 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 632 Material Wool Natural Cultural Cultural Function Functional item of clothing Creation Purpose The jacket was a prototype, a test piece. Technique The sweater was made using the wet felting technique. Creating a seamless felted garment of this quality demands advanced knowledge of textile construction, fiber behavior, and shrinkage ratios, as wool can shrink up to 40% during the felting process. The mastery of this technique allows the artisan to craft a fully functional, form-fitting piece that is both durable and comfortable to wear. Material Source Italy Conecept Anja Musek says that her medium of expression is wool, and that she finds inspiration mainly in nature. Škofja Loka was also known for hatmaking, where the knowledge of wet felting was used by hatters to make the bases for their hats. Craft fibre and textile crafts Tool wet felting Place The town or city Atelje Amuse Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Felted sweater Type The nature or genre of the resource Physical Object Description An account of the resource This is a sweater in crafted in wet-felting technique, created entirely from a single piece of felt. The seamless construction demonstrates a high level of expertise in both felting and garment shaping, as the entire form is sculpted during the felting process rather than being cut and stitched together. Date A point or period of time associated with an event in the lifecycle of the resource 2016 Creator An entity primarily responsible for making the resource 448 Language A language of the resource Slovene Subject The topic of the resource Fashion Extent The size or duration of the resource. 35cm x 53cm x 125cm Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Identifier An unambiguous reference to the resource within a given context 373 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 28/05/2025 Spatial Coverage Spatial characteristics of the resource. current,46.16670752477649,14.30700671376705; Date Modified Date on which the resource was changed. 10/06/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. http://www.amuse.si/my-story.html Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Natural Cultural Cultural External ID ZRCSAZU_AR_03 Field Worker Katarina Šrimpf Vendramin, Saša Poljak Istenič Place The town or city Škofja Loka, Gorenjska, Slovenia Material Brooch was made from undyed wool. Function A brooch is a fashion accessory and thus a decorative object Creation Purpose The brooch was made for sale. Technique Object was made by hand. The wool fibers have been shaped and compressed using a wet felting and needle felting technique. Material Source The craftwoman who made the scarf sources her materials mainly from Italy. Conecept This brooch represents a fusion of traditional craftsmanship and contemporary design, showcasing the versatility of natural wool in fashion and ornamentation. Production Quality The time required to create a felted wool brooch like this one depends on the technique used and the artisan's skill level. For this tipe of brooch artist need 2 to 4 hours. Craft fibre and textile crafts Tool The scarf was made by hand, with the help of a rubber mat on which she creates a base for the brooch on and felting needle. Prim Media 1358 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Felted brooch Type The nature or genre of the resource Physical Object Description An account of the resource This is a handcrafted felted wool brooch designed in the shape of a rose. Made from natural, undyed wool. The wool fibers have been shaped and compressed using a wet felting and needle felting technique, which binds the fibers together to create a sturdy yet lightweight structure. Language A language of the resource Slovene Extent The size or duration of the resource. 10cm x cm x 10cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 627 Source A related resource from which the described resource is derived craftedobjects,uppercarniola Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/09/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Filcana broška Spatial Coverage Spatial characteristics of the resource. current,46.1663222982793,14.307308507957; Date A point or period of time associated with an event in the lifecycle of the resource 2020 Creator An entity primarily responsible for making the resource 448 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. http://www.amuse.si/my-story.html https://www.centerduo.eu/kreativnice/anja-musek/ https://365.rtvslo.si/arhiv/vizionar-obrtnik-in-podjetnik/175079215 https://www.ra-sora.si/razstava-anja-musek-amuse/ Date Modified Date on which the resource was changed. 08/09/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Sweater is made from wool Natural Cultural Cultural Function The sweater is a functional item of clothing designed for everyday wear Creation Purpose The jacket was a prototype, a test piece. Technique The sweater was made using the wet felting technique. Creating a seamless felted garment of this quality demands advanced knowledge of textile construction, fiber behavior, and shrinkage ratios, as wool can shrink up to 40% during the felting process. The mastery of this technique allows the artisan to craft a fully functional, form-fitting piece that is both durable and comfortable to wear. Material Source The craftwoman who made the jacket sources her materials mainly from Italy. Conecept Anja Musek says that her medium of expression is wool, and that she finds inspiration mainly in nature. Škofja Loka was also known for hatmaking, where the knowledge of wet felting was used by hatters to make the bases for their hats. Production Quality Unknown External ID ZRCSAZU_AR_02 Field Worker Katarina Šrimpf Vendramin, Saša Poljak Istenič Craft fibre and textile crafts Tool The sweater was made by hand, with the help of a rubber mat, smoothing tool, soap and water. Place The town or city Škofja Loka, Gorenjska, Slovenia Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Felted_sweater Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Felted sweater Type The nature or genre of the resource Physical Object Description An account of the resource This is a sweater in crafted in wet-felting technique, created entirely from a single piece of felt. The seamless construction demonstrates a high level of expertise in both felting and garment shaping, as the entire form is sculpted during the felting process rather than being cut and stitched together. The sweater Date A point or period of time associated with an event in the lifecycle of the resource 2016 Creator An entity primarily responsible for making the resource 448 Language A language of the resource Slovene Extent The size or duration of the resource. 35cm x 53cm x 125cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 628 Source A related resource from which the described resource is derived uppercarniola References A related resource that is referenced, cited, or otherwise pointed to by the described resource. http://www.amuse.si/my-story.html https://www.centerduo.eu/kreativnice/anja-musek/ https://365.rtvslo.si/arhiv/vizionar-obrtnik-in-podjetnik/175079215 https://www.ra-sora.si/razstava-anja-musek-amuse/ Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/09/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Filcana pulover Spatial Coverage Spatial characteristics of the resource. current,46.1663222982793,14.307308507957; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Jacket is made from wool. Natural Cultural Cultural Function The jacket is a functional item of clothing designed for everyday wear Creation Purpose The jacket was costom made for sale. Technique The jacket was made using the wet felting technique. Creating a seamless felted garment of this quality demands advanced knowledge of textile construction, fiber behavior, and shrinkage ratios, as wool can shrink up to 40% during the felting process. The mastery of this technique allows the artisan to craft a fully functional, form-fitting piece that is both durable and comfortable to wear. Material Source The craftwoman who made the jacket sources her materials mainly from Italy. Conecept Anja Musek says that her medium of expression is wool, and that she finds inspiration mainly in nature. Škofja Loka was also known for hatmaking, where the knowledge of wet felting was used by hatters to make the bases for their hats. External ID ZRCSAZU_AR_04 Field Worker Katarina Šrimpf Vendramin, Saša Poljak Istenič Craft fibre and textile crafts Tool The jacket was made by hand, with the help of a rubber mat, smoothing tool, soap and water. Place The town or city Škofja Loka, Gorenjska, Slovenia Prim Media 1359 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Felted jacket Type The nature or genre of the resource Physical Object Description An account of the resource This is a masterfully crafted wet-felted wool jacket, created entirely from a single piece of felt. The seamless construction demonstrates a high level of expertise in both felting and garment shaping, as the entire form is sculpted during the felting process rather than being cut and stitched together. The jacket features a rich blend of deep blue tones with organic textures, achieved through the careful manipulation of wool fibers. Date A point or period of time associated with an event in the lifecycle of the resource 2024 Creator An entity primarily responsible for making the resource 448 Language A language of the resource Slovene Extent The size or duration of the resource. 40cm x 55cm x 130cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 629 Source A related resource from which the described resource is derived craftedobjects,uppercarniola References A related resource that is referenced, cited, or otherwise pointed to by the described resource. http://www.amuse.si/my-story.html https://www.centerduo.eu/kreativnice/anja-musek/ https://365.rtvslo.si/arhiv/vizionar-obrtnik-in-podjetnik/175079215 https://www.ra-sora.si/razstava-anja-musek-amuse/ Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/09/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Filcana jakna Spatial Coverage Spatial characteristics of the resource. current,46.1663222982793,14.307308507957; Date Modified Date on which the resource was changed. 16/09/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Scarf is made from silk light fabric and wool. Natural Cultural Cultural Function A scarf is a fashion accessory and thus a decorative object Creation Purpose The scarf was made for a gift. Technique Scarf was made in nuno felting technique, which is a popular technique in contemporary textile art, allowing for the creation of lightweight yet warm garments and accessories. The technique allows combining of lightweight fabric—such as silk or chiffon—with wool fibers. The red wool is integrated into the fabric through a process of wet felting, where wool fibers are gently worked into the fabric using soap, water, and agitation. This results in a unique texture, with areas of soft, raised wool contrasting against the smooth, transparent fabric. Material Source The craftwoman who made the scarf sources her materials mainly from Italy. Conecept Anja Musek says that her medium of expression is wool, and that she finds inspiration mainly in nature. Škofja Loka was also known for hatmaking, where the knowledge of wet felting was used by hatters to make the bases for their hats. Production Quality Scarves are Anja Musek's best-selling products, and it takes her about two days to make one. She makes them to order and on demand, and has a few made in advance. She makes between 5 and 10 a month. External ID ZRCSAZU_AR_05 Field Worker Katarina Šrimpf Vendramin, Saša Poljak Istenič Craft fibre and textile crafts Tool The scarf was made by hand, with the help of a rubber mat on which she created the scarf, and a felting machine, which shortened the process time. Place The town or city Škofja Loka, Gorenjska, Slovenia Prim Media 1360 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scarf with felted parts Type The nature or genre of the resource Physical Object Description An account of the resource This is a delicate, handmade scarf crafted using a nuno felting technique, which combines lightweight fabric—such as silk or chiffon—with wool fibers. The scarf features a sheer silk black base with vibrant red felted wool accents, creating a contrast. The red wool is integrated into the fabric through a process of wet felting, where wool fibers are gently worked into the fabric using soap, water, and agitation. Date A point or period of time associated with an event in the lifecycle of the resource 2017 Creator An entity primarily responsible for making the resource 448 Language A language of the resource Slovene Extent The size or duration of the resource. 140cm x cm x 65cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 630 Source A related resource from which the described resource is derived craftedobjects,uppercarniola References A related resource that is referenced, cited, or otherwise pointed to by the described resource. http://www.amuse.si/my-story.html https://www.centerduo.eu/kreativnice/anja-musek/ https://365.rtvslo.si/arhiv/vizionar-obrtnik-in-podjetnik/175079215 https://www.ra-sora.si/razstava-anja-musek-amuse/ Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/09/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Šal s filcanimi vstavki Spatial Coverage Spatial characteristics of the resource. current,46.1663222982793,14.307308507957; Date Modified Date on which the resource was changed. 08/09/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Intangible External ID ZRCSAZU_CR_01 Place The town or city Škofja Loka, Gorenjska, Slovenia Place Description Škofja Loka, one of Slovenia’s oldest and best-preserved medieval towns, is rich in historical, natural, social, cultural, and economic significance. Founded in the 10th century, Škofja Loka was a key administrative center under the rule of the Bishops of Freising, who governed the area for over 800 years. The town’s medieval layout remains largely intact, with landmarks like Škofja Loka Castle, historic townhouses, and remnants of defensive walls. Historically, Škofja Loka thrived on trade, crafts, and agriculture, with traditional industries such as ironworking, textile production, and woodworking playing an essential role. Today, the local economy is diverse, with tourism, small-scale manufacturing, and services being dominant sectors. Domains fibre and textile crafts Knowledge Wet felting requires a combination of technical skills, artistic creativity, and knowledge of materials to successfully transform raw wool fibers into durable felted fabric. More complex pieces, such as garments, require some engineering skills such as tailoring, knowledge of materials and shrinkage, and knowledge of shaping felt. While wet felting is accessible to beginners, refining these skills allows artisans to create intricate and high-quality felted pieces. Knowledge Transfer In Škofja Loka and Slovenia in general, the knowledge of wet felting is passed on in group and individual workshops led by experienced craftsmen. Practitioners Today, wet felting is primarily practiced by women who have learned the technique through various courses both locally and internationally. In the past, hatters relied on wet felting skills to create their products. However, modern hatmakers now purchase pre-made felt bases (such as cones), making traditional wet felting techniques largely obsolete in their craft. Function Felting supports local artisan businesses and sustainable fashion. Many Slovenian craftspeople sell handmade felted products—such as clothing, accessories, and home décor—at local markets, online, and through eco-conscious brands. For individuals, wet felting serves as a creative outlet that allows self-expression through color, texture, and form. Many practitioners, especially women, participate in felting groups, workshops, and local craft associations, where they share knowledge, collaborate, and support one another. Origins and change Archaeological findings and historical records of wool processing in medieval Slovenia suggest that felting was part of the broader wool industry that thrived in the region during the Middle Ages. Historically, wet felting was a practical skill used primarily by hatmakers and makers of gloves and felt boots/stockings. Today the practice has shifted towards artisans, hobbyists, and artists, mostly women who have learned the craft through workshops, artistic circles, and modern courses. Wool is still used, but felters have access to imported fine wool (e.g., merino), silk fibers, and synthetic blends that allow for greater variety in texture and design. Wet felting in Slovenia has evolved from a functional necessity in rural and professional textile work to a creative, artisanal, and sustainable craft. Organisations No specific organisation is linked to this practice. Places The most closely linked to this activity is Škofja Loka, where in the past there was a hat factory where hats were made from start to finish. Artefacts Wet felting is still done using minimal tools, such as wooden boards, different rollers, and manual handwork, with soap to help fibers bond. Today modern felters use bubble wrap, specialized felting needles, and synthetic felting mats, felting machines and various modern tools that are not specifically designed for this use but are adapted by the craftsman to his own needs (e.g. electric sanding machines) to speed up and refine the process. Climate Threats Loss of biodiversity,Deterioration of material Economic Threats Insufficient financial resources,Increased income disparity Technological Threats Industrial production,Use of modern materials Policy Threats Educational standardisation Globalisation New pastimes Weakened Practice Diminishing youth interest Loss Threats Loss of knowledge,Material shortage,Loss of cultural significance SDG Decent work and economic growth,Industry, innovation and infrastructure,Sustainable cities and communities,Responsible consumption and production,Life on land,Community engagement Climate Threats Description Biodiversity loss could affect breeding practices, especially of the breeds less economically profitable for the wool (on the account of meat). Material deterioration poses a significant threat to wet felting because it directly affects the quality, durability, and longevity of both raw materials (wool and fibers) and finished felted products. Modern wool processing processes can affect the material's abilities, and access to local wool is difficult in Slovenia. Economic Threats Description Products made with the wet felting technique are of a higher price class due to the labour intensive production. There is a limited market for such products in Slovenia, and artisans have to look for financial resources in several activities (e.g. workshops and trainings, selling products in different shops). Technological Threats Description Machine-made felt and synthetic alternatives, such as polyester felt, have largely replaced traditional hand-felted wool products, diminishing the demand for handmade felting. The rise of fast fashion and mass production has further shifted consumer interest away from artisanal felted goods, which require more time and craftsmanship. Additionally, modern textiles like acrylic and polyester blends offer a cheaper, more uniform, and durable alternative, making them more commercially appealing than labor-intensive wet felting. Policy Threats Description Wet felting is rarely included in school curricula or mainstream creative programs, limiting opportunities for young people to discover and appreciate the craft. Globalisation Description The rise of new pastimes and digital entertainment has significantly impacted the way people engage with traditional crafts like wet felting. New pastimes have reduced direct engagement with traditional crafts but have also created new digital pathways for learning. Weakened Practice Description A decline in youth engagement poses a significant threat to the future of wet felting, as fewer young people are learning and continuing the craft. The economic viability of handmade felting is uncertain, making it less attractive as a professional pursuit. There is also risk of reducing interest in traditional, time-consuming crafts like wet felting. Loss Threats Description Traditional wet felting skills once essential for hat-making have been largely replaced by industrial production, leading to a decline in expertise and knowledge transmission. Local Slovenian wool is becoming harder to obtain due to changes in sheep farming, reduced wool processing facilities, and market competition from imported fibers. Wet felting products, once essential for everyday life (e.g., hats, footwear, textiles), are now seen as decorative or artisanal rather than necessities, reducing their cultural relevance and demand. State of the practice stable Social sustainability Wet felting supports various aspects of social sustainability by promoting gender equality, inclusivity, education, community development, and well-being. Wet felting is traditionally practiced by women, offering economic independence through small businesses, craft cooperatives, and fair-trade initiatives. Wet felting requires minimal equipment and can be adapted for children, seniors, and people with disabilities, making it an inclusive craft. Teaching wet felting helps safeguard cultural heritage and traditional craftsmanship. Schools, community centers, and art programs incorporate felting into hands-on learning, enhancing artistic expression, fine motor skills, and patience.Felting workshops, group projects, and cooperative ventures bring people together, fostering collaboration, social cohesion, and peacebuilding. The repetitive motions of felting are meditative and stress-relieving, making it useful in art therapy and mental health programs. Engaging in handcrafted work promotes mindfulness and well-being, counteracting the fast-paced digital world. Environmental sustainability Wet felting aligns with environmental sustainability through its use of natural materials, low-impact production methods, and waste reduction strategies. Sourced from sheep, wool is biodegradable, renewable, and requires less processing than synthetic fibers. Using Slovenian or regionally sourced wool reduces the carbon footprint associated with imported textiles. Unlike synthetic fibers (e.g., polyester), wool does not release microplastics into the environment. Wet felting uses natural soap and water, avoiding toxic dyes or chemicals found in industrial textile production. Wool scraps and leftover fibers can be repurposed into smaller projects, insulation, or composted, minimizing textile waste. Wet felting is done manually, requiring no electricity-intensive machinery, reducing energy consumption compared to factory-based textile production. Felted wool products naturally decompose over time, unlike synthetic fabrics that contribute to landfill waste. Many felted products are sold at local artisan markets, reducing the environmental impact of long-distance transportation. Unlike industrial textile factories, wet felting is often done in small workshops or homes, reducing large-scale manufacturing emissions. Economic sustainability Wet felting supports economic sustainability by providing market access, income diversification, fair trade opportunities, and alternative economic systems. Wet felting allows individuals, especially in rural areas, to create and sell unique, handmade products such as accessories, clothing, and home décor. Many artisans practice felting as a secondary source of income, supplementing traditional farming, textile work, or other crafts. Unlike mass-produced textiles, felted products are often sold through fair trade networks, ensuring fair compensation for artisans. Wet felting provides employment opportunities for women, older adults, and rural communities, promoting economic inclusion. Handcrafted felted goods are often produced and sold within local markets, craft fairs, and sustainable shops, reducing reliance on globalized mass production. Felted products promote the slow fashion movement, discouraging disposable, fast-fashion consumption and supporting ethical production. Learning wet felting allows individuals to create their own textiles, reducing dependence on industrial products. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wet felting Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Mokro polstenje Type The nature or genre of the resource Intangible Contributor An entity responsible for making contributions to the resource Katarina Šrimpf Vendramin Language A language of the resource Slovene Description An account of the resource Wet felting is a traditional fiber art technique that transforms wool or other natural fibers into a dense, durable fabric by using moisture, heat, and agitation. The process involves layering raw wool, sprinkling it with warm, soapy water, and then repeatedly rolling, rubbing, or pressing the fibers together. As the wool’s tiny scales catch and bond, it forms a tightly interlocked material known as felt. This versatile craft is used to create everything from clothing and accessories to decorative items and art pieces, and it offers a tactile, hands-on way to explore the unique properties of wool. Creator An entity primarily responsible for making the resource 448 Identifier An unambiguous reference to the resource within a given context 943 Europeana Specific elements of the Europeana Semantic Elements. Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Slovenia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: University of St Andrews Identifier An unambiguous reference to the resource within a given context 4 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material metal Natural Cultural Cultural Prim Media 82 Function Weaving Creation Purpose For the home production of woven textiles Craft fibre and textile crafts Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hattersley Mechanical Loom Type The nature or genre of the resource Physical Object Description An account of the resource Hattersley & Sons domestic mechanical loom, used by Sam Groates at Woven in the Bone for the productino of tweed fabric. The Hattersley loom was developed by George Hattersley and Sons of Keighley, West Yorkshire, England. The plain Hattersley Domestic Loom was specially developed for cottage or home use and designed to replace the wooden handloom; the Domestic is similar in construction to a power loom. It was introduced ca.1900 and the makers claimed that a speed of 160 picks per minute could be easily attained with from 2 to 8 shafts weaving a variety of fabrics. Language A language of the resource English Subject The topic of the resource Industrial Heritage Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Identifier An unambiguous reference to the resource within a given context 57 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/08/2024 Spatial Coverage Spatial characteristics of the resource. current,57.67956396479307,-2.956817660344319; Date Modified Date on which the resource was changed. 15/05/2026 Source A related resource from which the described resource is derived tools,scotlandobjects,highlandandislands Creator An entity primarily responsible for making the resource 52 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT loom tartan textiles weaving Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 112 Material Wool Woven on a 1948 Hattersley Domestic Dobby Loom (semi-automatic foot treadle loom Natural Cultural Cultural Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cullen Woven Tweed Cloth Type The nature or genre of the resource Physical Object Description An account of the resource The weaver draws inspiration from the landscape and rich culture of Scotland. As Sam stated: “I follow a well trodden path that continues to draw connections between the diverse Scottish landscape and the cloth that I make”. Weaving woollen cloth has been an essential part of Scottish life for centuries, evolving from handwoven domestic production of the 17th century to mechanised mass production during the Industrial Revolution. Classic cheviots, rustic homespun-style tweeds, robust Estate tweeds, as well as the finest woollen cloths remain a staple of the Scottish textile industry. They provide warmth, protection, style, and comfort, while also reflecting craftsmanship, provenance, and individuality amidst a world of mass production. While pockets of mechanised production developed in the Highlands and north east of Scotland, thousands flocked to the newly established mass production mills in the lowlands. Claiming to be the oldest firm of loom makers in the world, Geo Hattersley and Sons developed the Hattersley Domestic loom in parallel with a whole range of sophisticated specialist textile machinery. Originally developed for export to the colonies in the late 19th Century, the Hattersley Domestic is a compact, semi-automated foot-treadle loom. While evolutions in textile manufacturing grew at a higher pace with the advances in water, steam and coal power, the Hattersley Domestic ensured pockets of production remained in remote rural settings where individuals and communities could continue to produce commercial cloth and remain on the land Date A point or period of time associated with an event in the lifecycle of the resource 2023 Creator An entity primarily responsible for making the resource 52 Extent The size or duration of the resource. 100cm x 75cm x cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 87 Source A related resource from which the described resource is derived 5scotlandunitedkingdom,craftedobjects,highlandandislands Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 14/09/2024 Spatial Coverage Spatial characteristics of the resource. current,57.679555,-2.956784; Date Modified Date on which the resource was changed. 10/06/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://culturality.museum/5-scotland-united-kingdom/ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Region Värmland Identifier An unambiguous reference to the resource within a given context 8 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Natural Cultural Cultural Material Wool Prim Media 32 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ulltröja Type The nature or genre of the resource Physical Object Language A language of the resource Swedish Contributor An entity responsible for making contributions to the resource sp259 Identifier An unambiguous reference to the resource within a given context 28 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 05/04/2024 Date A point or period of time associated with an event in the lifecycle of the resource 2021 Creator An entity primarily responsible for making the resource 62 Subject The topic of the resource INTANGABLE HERITAGE Source A related resource from which the described resource is derived craftedobjects,exampleobjects,swedenobjects Date Modified Date on which the resource was changed. 23/03/2026 Spatial Coverage Spatial characteristics of the resource. current,60.17043343097562,12.692134350841807; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Region Värmland Identifier An unambiguous reference to the resource within a given context 8 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Natural Cultural Cultural Prim Media 29 Material Wool Function Textiles Craft fibre and textile crafts Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wool Yarn Skein Type The nature or genre of the resource Physical Object Language A language of the resource Swedish Subject The topic of the resource INTANGABLE HERITAGE Contributor An entity responsible for making contributions to the resource sp259 Identifier An unambiguous reference to the resource within a given context 27 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 05/04/2024 Description An account of the resource A 2-ply skein of yarn, S-twist. Making Process: Handspun yarn using spinning-wheel. The wool used are from Carl-Joahns own sheep, which are of an older local breed of sheep “Värmalndsfår”. These particular sheep produce a varying wool spanning for qualities used for tapestry to yarn for felting cloth. Apart from the sheering of the sheep, Carl-Johan has done all the prework such as washing, carding, to the spinning, to the finishing treatment. Date A point or period of time associated with an event in the lifecycle of the resource 2023 Creator An entity primarily responsible for making the resource 640 Source A related resource from which the described resource is derived craftedobjects,exampleobjects,swedenobjects,varmlandmap Date Modified Date on which the resource was changed. 05/08/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Härva av ullgarn Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Region Värmland Identifier An unambiguous reference to the resource within a given context 8 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Natural Cultural Cultural Prim Media 34 Material Linen Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Trådstycke Type The nature or genre of the resource Physical Object Language A language of the resource Swedish Contributor An entity responsible for making contributions to the resource sp259 Identifier An unambiguous reference to the resource within a given context 29 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 05/04/2024 Description An account of the resource Making Process: Handspun linen yarn with drop spindle/spinnrock Date A point or period of time associated with an event in the lifecycle of the resource 1930s or 1940s Creator An entity primarily responsible for making the resource 641 Source A related resource from which the described resource is derived craftedobjects,exampleobjects,swedenobjects,varmlandmap Date Modified Date on which the resource was changed. 24/07/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 106 Material Wool Natural Cultural Cultural Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pillow Xalda Collection Type The nature or genre of the resource Physical Object Description An account of the resource Paz Mesa had her first contact with textile crafts through her mother, who taught her how to spin the wool of her own flock of Xalda sheep; a task that she carried out together with her sisters. They later would give the wool already spun to a cousin who was a weaver, for her to make the garments. However, her work as a professional in the field began two years ago, after an eleven-year training period with different national and international artisans. She works mainly with wool, linen and silk: respectful, biodegradable fabrics, committed not only to the environment, but also to the well-being of animals and workers, as well as to the health of the customer. She tries to promote and disseminate more responsible forms of consumption, basing her brand on issues such as sustainability, ecology, territoriality and a circular, ethical and conscious economy. The reverse side of the Xalda Cushion is made with organic Asturian wool in the natural brown tones of the Xalda sheep itself, and the front in a mixture with a warp of the same characteristics, combined with a weft of Extremaduran merino sheep wool hand-dyed with natural dyes in the Paz Mesa artisanal textile workshop. The filling is made of Castilian merino wool with an organic cotton inner cover. The wool was spun in Cuenca in the Wooldreamers spinning mill, which allows small quantities of wool to be processed, facilitating the work of the artisans, and achieving different results as compared to manual processing, which Paz Mesa also practises in other pieces. These small spinning mills contribute to preserving native breeds, craftsmanship and the use of the available resources, since many times the wool is discarded because it cannot be processed as it does not reach the enormous quantities required. The fabric was made by hand on a traditional low heddle loom by the artisan. Creator An entity primarily responsible for making the resource 642 Extent The size or duration of the resource. 40cm x 40cm x cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 84 Source A related resource from which the described resource is derived oneasturiasspain,asturiasmap,craftedobjects,spainobjects Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 14/09/2024 Spatial Coverage Spatial characteristics of the resource. current,43.421367,-5.973356; Date Modified Date on which the resource was changed. 10/06/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://culturality.museum/asturias-spain/ Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 117 Material Cotton yarns by Filmar Better Cotton Initiative (BCI) Knitwear, Jacquard Natural Cultural Cultural Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manifesto Collection by Cap_able Type The nature or genre of the resource Physical Object Description An account of the resource Inspired by a discussion with a UC Berkeley engineer on privacy and human rights at the Fashion Institute of Technology, Rachele Didero developed the idea of combining crafting in fashion and computer science. Subsequently, Rachele met Federica Busani, current Co founder of Cap_able, and together they decided to transform this project into a start-up, a cultural, as well as entrepreneurial, tool to promote and facilitate innovative actions by young people, in this case young women. Usually, it takes the form of a trig able to enhance networking actions between designers, young entrepreneurs and production districts to encourage their entry into the broad community of sectoral production and to enable the intersection of solutions for the execution, commercialisation and dissemination of design focused on ethic concepts also in order to foster good practices in social issues due to micro-commerce and tourism. Through this start-up they proposed to stimulate a new type of neocraft production in their territories, but also connected with a rural sustainable initiative, the Filmar Better Cotton Initiative (BCI). Date A point or period of time associated with an event in the lifecycle of the resource 2019 Creator An entity primarily responsible for making the resource 644,643 Extent The size or duration of the resource. 43cm x 51cm x 46.5cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 89 Source A related resource from which the described resource is derived 8italy,craftedobjects,franciacortamap,italyobject Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 14/09/2024 Date Modified Date on which the resource was changed. 10/06/2025 Spatial Coverage Spatial characteristics of the resource. current,45.62,10.02; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://culturality.museum/8-italy/ Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 120 Material Wool, cotton, hemp Wool spinning, weaving, embroidering Natural Cultural Cultural Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource IE + ZADII Type The nature or genre of the resource Physical Object Description An account of the resource The items are part of a girl’s traditional costume. Historically the girls of the ethnographic area of Lăpuș used to wear such clothing attire as daily outfit, but with the passing of time the traditional costume is worn only on special occasions such as on holidays, weddings, etc. The traditional costume is one of the most important manifestations of traditional culture, the result of the creative effort of a whole community and a real identity brand. The dominant note of the elements that compose the Romanian folk costume is the use of white fabrics made of natural f ibres (plant and animal). Particular attention is paid to the long and difficult technological processes of producing clothing elements in the world of the traditional village, weaving a whole system of beliefs and customs in this regard. The traditional production of costumes relied on local resources such as wool, hemp, linen, and cotton. The most relevant piece of this attire and the element that establishes the genesis of the Romanian folk costume is the shirt, which synthesises the most traditional elements and, at the same time, the most numerous artistic elements of ornamentation. In traditional spirituality, the embellishments that are used to decorate the shirt are not just decorative signs, but they have a much deeper spiritual meaning and play a protective role for the person wearing the clothing item. The symbols and various shapes embroidered on traditional costumes embody the identity of the people in a mixture and contraposition of sacred and mundane, faith and pagan superstitions, creative genius and practical functions. Date A point or period of time associated with an event in the lifecycle of the resource 1960-1970 Creator An entity primarily responsible for making the resource 645,646 Extent The size or duration of the resource. 40cm x 70cm x cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 90 Source A related resource from which the described resource is derived 10rumania,craftedobjects,romaniaobjects,taralapusuluimap Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 14/09/2024 Spatial Coverage Spatial characteristics of the resource. current,47.493611,24.034167; Date Modified Date on which the resource was changed. 10/06/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://culturality.museum/10-rumania/ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Site: Barn Identifier An unambiguous reference to the resource within a given context 929 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 603 Material Wood; Brass Natural Cultural Cultural Function Transportation Creation Purpose Domestic activities; Accesories Technique Split wood shaped over a mold Field Worker Enrique Meléndez Galán Craft woodwork Tool Mold Place The town or city Forcinas Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Basket bag Type The nature or genre of the resource Physical Object Description An account of the resource Basket with a cubic shape and a lid attached with two hinges. A semicircular handle allows for comfortable transport. This type of basketry from Forcinas comes from one of the most important workshops, which employed over eighty artisans during the second half of the twentieth century, known for its high quality, design, and attention to trends Date A point or period of time associated with an event in the lifecycle of the resource ca. 1960/1990 Creator An entity primarily responsible for making the resource 648 Subject The topic of the resource Art,PEOPLE,SOCIAL HISTORY Extent The size or duration of the resource. 21cm x 24cm x 23cm Contributor An entity responsible for making contributions to the resource melendezenrique@uniovi.es Identifier An unambiguous reference to the resource within a given context 363 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 05/05/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Bolso Spatial Coverage Spatial characteristics of the resource. current,43.53689604607413,-5.634997934103013;origin,43.47931293883955,-6.108989116308012; Date Modified Date on which the resource was changed. 10/06/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT woodworking Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Site: Barn Identifier An unambiguous reference to the resource within a given context 929 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 478 Material Ceramics Natural Cultural Cultural Function Cheese vat Creation Purpose Cheese Production Technique Wheel-thrown; Modeling Field Worker Enrique Meléndez Galán Craft ceramics Tool Wheel-thrown; Modeling Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cheese Vat Type The nature or genre of the resource Physical Object Description An account of the resource A cheese vat is used in the initial stage of the cheese-making process, and the holes in the surface are made to allow the whey to escape through them. Also, this kind of pottery is known as 'black pottery,' which is due to the smoke used during the firing process. Date A point or period of time associated with an event in the lifecycle of the resource ca. 1925/1950 Language A language of the resource Spanish Subject The topic of the resource Art,PEOPLE,SOCIAL HISTORY Extent The size or duration of the resource. 20cm x 18cm x 16cm Contributor An entity responsible for making contributions to the resource melendezenrique@uniovi.es Identifier An unambiguous reference to the resource within a given context 323 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 09/04/2025 Spatial Coverage Spatial characteristics of the resource. current,43.537028266239496,-5.634668022394181;origin,43.24902300814434,-6.4278119802474984; Creator An entity primarily responsible for making the resource 649 Date Modified Date on which the resource was changed. 10/06/2025 Source A related resource from which the described resource is derived asturiasmap Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT ceramics Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Laboratorio Biomimético-ARBIO Identifier An unambiguous reference to the resource within a given context 654 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 107 Material Bagasse (beer residue), woollen cloth Chopped or traced stitching on biotextile fabrics Natural Cultural Cultural Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faltriquera Type The nature or genre of the resource Physical Object Description An account of the resource Marlén, biodigital architect and Manuel, biodigital designer and craftsman, make up the Laboratorio Biomimético, a project based on biomimesis, that is, on the attentive observation of nature, directly through field trips, or indirectly, with readings and documentaries. Through this observation and profound understanding, they seek to implement the solutions of nature, a designer with thousands of years of experience, to human challenges. One of the areas of the laboratory is ARBIO, dedicated to the production of biodegradable fabrics that the made by kÖs firm of Constantino and Yolanda uses to make some of its pieces. This collaboration is part of the key points of the lab, which seeks synergies with designers, experts, researchers, and the community in general. Constantino learned to sew with his mother and later trained in Fashion and Clothing. Inspired by his research and interest in textile history and historical recreation, he established the made by kÖs brand in 2013, combining traditional inspiration with contemporary designs, after a work of reproducing old pieces based on paintings and photographs with traditional scenes, especially from the 19th century. After a few years, Yolanda joined, who also began sewing with her mother, as well as with her grandmother and her aunts. She is in charge of reproducing the pieces based on Constantino’s model, as well as the more business work, related to suppliers and orders. Her line of garments, with very selected projects, are produced on a small scale and locally, proposing pieces inspired by rural areas, village life and traditional clothing, incorporating current elements to give rise to handmade designer pieces Date A point or period of time associated with an event in the lifecycle of the resource 2022 Creator An entity primarily responsible for making the resource 652,651,650,653 Extent The size or duration of the resource. 23cm x 32cm x cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 85 Source A related resource from which the described resource is derived twoasturiasspain,asturiasmap,craftedobjects,spainobjects Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 14/09/2024 Spatial Coverage Spatial characteristics of the resource. current,43.189444,-5.467222; Date Modified Date on which the resource was changed. 10/06/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://culturality.museum/2-2/ Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Laboratorio Biomim\u00e9tico-ARBIO Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 658 Material Wool dyed with vegetable colours Natural Cultural Cultural Function These items serve both a functional-utilitarian and an informational-aesthetic role. Their purpose and usability distinguish them as trăistuțe (small bags), traiște (larger shoulder bags), and desagi (saddle bags). The variation within this group of items was determined by criteria such as size, color, ornamentation, and the raw materials used. Creation Purpose In this case the weaver sells these products Technique The weaver uses the loom (război de țesut) more that 100 years old, reel (crâng/vîrtelniță), carder (rășchitor), sley (sucală), warp (urzoi), spindle (fuse), spinning wheel for a thicker type of wool (drugă/fuior) and after the wool material is hand- sewn together. A special attention is given to the strap and occasional decorations like fringes if the bag is used for festive occasions. Material Source Locally sourced wool, vegetable colors from local plants like walnut leaves, red onions, privet for black colo Conecept These items serve both a functional-utilitarian and an informational-aesthetic role. Their purpose and usability distinguish them as trăistuțe (small bags), traiște (larger shoulder bags), and desagi (saddle bags). The variation within this group of items was determined by criteria such as size, color, ornamentation, and the raw materials used. Production Quality The weaver cand allocate from 2 hours to 1 entire day to produce such items, ocassionaly she involves family members when commissioned to larger quantity of items, but nevertheless it is not mass production. External ID CJMM_AR_01 Field Worker Noemi Ganea Craft fibre and textile crafts Tool loom (război de țesut) more that 100 years old, reel (crâng/vîrtelniță), carder (rășchitor), sley (sucală), warp (urzoi), spindle (fuse), spinning wheel for a thicker type of wool (drugă/fuior) and after the wool material is hand- sewn together Place The town or city Săpânța, Maramureș, Romania Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Traditional shoulder bag Type The nature or genre of the resource Physical Object Description An account of the resource The components that define the image of the traditional costume are the traiste (shoulder bags) and desagi (saddle bags). These items serve both a functional-utilitarian and an informational-aesthetic role. Their purpose and usability distinguish them as trăistuțe (small bags), traiște (larger shoulder bags), and desagi (saddle bags). The variation within this group of items was determined by criteria such as size, color, ornamentation, and the raw materials used. Based on the materials from which they were made, traiste and desagi could be crafted from hemp, wool, or finely woven wool (lâniță). The way these bags were carried also differed. Trăistuțele and traiștele were worn over the shoulder or diagonally, in a style called "arcește". Desagi, on the other hand, were carried bilaterally, either over the shoulder or across a saddle. They were most commonly made from a single integral piece of fabric. Trăistuțele and traiștele were complemented by baieră, brâu, or bată, which helped support and carry them over the shoulder . These straps could be made by twisting multiple threads together, weaving them with two heddles, or handpicking the patterns. Some trăistuțe and desagi featured pave (folded extensions) that made them more spacious. Trăistuțele were an essential accessory for children, especially for those attending school, as they were used to carry textbooks and other school supplies at the end of the 19th century and the beginning of the 20th century. According to field informants, trăistuțele were also used by children when they went Christmas carolling (colindatul) and New Year’s Eve wishing (uratul), where they collected the gifts offered by the householders as tokens of goodwill and prosperity. Date A point or period of time associated with an event in the lifecycle of the resource 2024 Creator An entity primarily responsible for making the resource 657 Language A language of the resource Romanian Extent The size or duration of the resource. 30cm x 15cm x 23cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 394 Source A related resource from which the described resource is derived craftedobjects Medium The material or physical carrier of the resource. https://www.memoria-ethnologica.ro/?s=traist%C4%83 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 12/06/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Trăistă, trăistută, desagă in Romanian Spatial Coverage Spatial characteristics of the resource. current,47.9667699419435,23.6999999964607; Date Modified Date on which the resource was changed. 04/07/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 660 Material Wool dyed with vegetable colours Natural Cultural Cultural Function These items serve both a functional-utilitarian and an informational-aesthetic role.It secures the shirt and skirt of the costume, but it is decorative piece. Creation Purpose In this case the weaver sells these products Technique The weaver uses the loom (război de țesut) more that 100 years old, reel (crâng/vîrtelniță), carder (rășchitor), sley (sucală), warp (urzoi), spindle (fuse), spinning wheel for a thicker type of wool (drugă/fuior) and after the wool material is hand- sewn together. Material Source Locally sourced wool, vegetable colors from local plants like walnut leaves, red onions, privet for black colo Conecept These items serve both a functional-utilitarian and an informational-aesthetic role. For both man and women the belt is a defining part of the shirt, that beyond its functionality, simbolizes the magic protective circle. The women belt that in some areas of Maramures can have a length up to 4 meters it secures both the shirt and the skirt and protects the ones whom wears it from evil, ensuring prosperity and fertility. Production Quality The weaver cand allocate from 1 hour to 2 hours to produce such items. External ID CJMM_AR_02 Field Worker Noemi Ganea Craft fibre and textile crafts Tool loom (război de țesut) more that 100 years old, reel (crâng/vîrtelniță), carder (rășchitor), sley (sucală), warp (urzoi), spindle (fuse), spinning wheel for a thicker type of wool (drugă/fuior) and after the wool material is hand- sewn together Place The town or city Săpânța, Maramureș, Romania Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Traditional women belt Type The nature or genre of the resource Physical Object Description An account of the resource One of the most important manifestations of traditional culture, the result of the creative effort of a whole community and a real brand of identity, is the traditional/popular costume. In Maramures, the most important piece of clothing and the element that establishes the genesis of the Romanian folk costume is the shirt, which synthesizes the most traditional elements and, at the same time, the most numerous artistic elements of ornamentation. For both man and women the belt is a defining part of the shirt, that beyond its functionality, simbolizes the magic protective circle. The women belt that in some areas of Maramures can have a length up to 4 meters it secures both the shirt and the skirt and protects the ones whom wears it from evil, ensuring prosperity and fertility. Date A point or period of time associated with an event in the lifecycle of the resource 2024 Creator An entity primarily responsible for making the resource 657 Language A language of the resource Romanian Extent The size or duration of the resource. 80cm x 7cm x cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 395 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://www.memoria-ethnologica.ro/wp-content/uploads/port-traditional-natalia-lazar-56-71-82-83.pdf Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 12/06/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Brâu Spatial Coverage Spatial characteristics of the resource. current,47.9667699419435,23.6999999964607; Date Modified Date on which the resource was changed. 04/07/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: University of St Andrews Identifier An unambiguous reference to the resource within a given context 4 Intangible Context Weaving as many of the cultural practices in a small community, represented just another opportunity to gather the community and enhace social bounding. Field Worker Noemi Ganea Climate Threats Loss of biodiversity Economic Threats Insufficient renumeration,Rapid economic transformation Technological Threats Industrial production Demographic Threats Rural-urban migration Decontextualization Misappropriation Globalisation Rapid sociocultural change Weakened Practice Aged practitioners,Diminishing youth interest,Reduced practice Loss Threats Loss of cultural significance Climate Actions Community Engagement SDG Responsible Consumption and Production External ID CJMM_CP_02 Knowledge Manual weaving in Maramureș is a deeply rooted tradition that requires a combination of technical skills, artistic creativity, and cultural knowledge. This practice, passed down through generations, involves intricate techniques and an understanding of natural materials, patterns, and symbolic motifs. Weavers must master both the mechanical aspects of loom operation and the creative elements of textile design while preserving and passing on this valuable tradition to future generations. Knowledge Transfer It can be a family tradition passed on from generation to generation, usually on the maternal side of the family,also the skill that can be acquired and mastered during the community meetings ( the so called sezători, especially in the winter when there is less fieldwork to be undergone), and nowadays there are courses available in craft schools/organizations. Practitioners Especially women had the responsiblity of learning and transmitting this cultural practice, but also men were involved in the process of wool processing and in some cases also worked alongside their wives. Anuța Stan, the weaver interwied by our team acknowledged that her husband is helping her weaving to be more productive. Function Weaving fosters a sense of belonging and shared cultural identity, as it is often a community-driven activity passed down through generations. Local festivals, workshops, and artisan markets provide spaces for weavers to interact, share knowledge, and preserve traditional techniques. The craft reinforces regional identity, as Maramureș weaving patterns and styles are distinct and recognized as part of Romania’s cultural heritage Older generations play a key role in teaching younger family members, ensuring that weaving remains a living tradition. Many artisans continue to weave for economic sustainability, selling handmade textiles in local and international markets. The resurgence of interest in eco-friendly and slow fashion has increased the demand for ethically made, handwoven products, supporting local artisans. Organisations Weaving is one of the oldest practices in the area of Maramureș, practitioners are proud to use generation transmitted tool. They practice it as a source of income by selling their products, usually their workshops are on the premises of their homes. Places Local authorithies and regional authorities became lately aware of the fragility of these practices, consciously promoting craftmen and practices . There are folk art schools and craftmen organisations that activate in conservation and promotion of these crafts, but NGOs are usually the strong voices behing the craftmanship. Artefacts The tools used are the loom (război de țesut) more that 100 years old in lour case, reel (crâng/vîrtelniță), carder (rășchitor), sley (sucală), warp (urzoi), spindle (fuse), spinning wheel for a thicker type of wool (drugă/fuior). The weavers produce a large ranhge of products, but in our case the practitioner interviewed produces: traditional bags ( traistă), blankets (cergi) and carpets Climate Threats Description lack of first hand raw material Technological Threats Description industrial production impacts slow hand made production Policy Threats Description there are no policies/strategies or action plan that directly address the issue of conservation and promotion of traditional cultural practices. Demographic Threats Description small community, younger generation preffer the opportunites of living in the urban area where authentic cultural practices are difficult or unappealing to be practiced Decontextualization Description The availability of mass produced, in many cases fake products that have attractive prices, can affect the interest for genuine hand made authentic products Globalisation Description it is difficult to addapt adapt traditional cultural prectices to an everchanging socio cultural environment. Weakened Practice Description the practice is not appealing to younger generations Loss Threats Description The ever changing cultural environment might disconsider the significance of traditional cultural practices. State of the practice declining Social sustainability All small scale cultural practices positively impact the social cohesion of the community Environmental sustainability The practitioner uses locally sourced wool, having zero waste ( even lower quality wool is being repurposed), natural dyed colors from plants are used without impacting the enviroment, considerable manual work involved. Economic sustainability The practice has low economical impact, but it is still used by the practitioner as a source of primary income. Place The town or city Săpânța, Maramureș Place Description Săpânța village is situated on the right bank of Tisa, next to Valea Tarasului, close to the confluence of Săpânța and Tisa rivers, in the extreme north of Romania, where Maramureș County, borders Ukraine. Prim Media 664 Domains fibre and textile crafts Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weaving Type The nature or genre of the resource Intangible Description An account of the resource .Săpânța is not a common village, precisely because it holds on its territory a rare treasure, hard to value in money or words – CIMITIRUL VESEL (THE MERRY CEMETERY). The Merry Cemetery of Săpânța – globally unique and world value monument, where tomb’s crosses are not only guarding the graves, but they are also explicitly speaking in words. The Merry Cemetery of Săpânța, where the epitaphs, unique in the word, show the richness and originality of the Romanian life philosophy and the Romanian mentality of thinking lively and authentically even about after-life things. Extent The size or duration of the resource. x x Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 396 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Memoria Ethnologică: https://www.memoria-ethnologica.ro/articole/page/98/ Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 12/06/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. A țăse Spatial Coverage Spatial characteristics of the resource. current,47.966669,23.7; Date Modified Date on which the resource was changed. 15/09/2025 Creator An entity primarily responsible for making the resource 657 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. University of St Andrews Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 737 Material Wool dyed with vegetable colours Natural Cultural Cultural Function These items serve both a functional-utilitarian and a decorative item of the traditional household Creation Purpose In this case the weaver sells these products Technique The weaver uses the loom (război de țesut) more that 100 years old, reel (crâng/vîrtelniță), carder (rășchitor), sley (sucală), warp (urzoi), spindle (fuse), spinning wheel for a thicker type of wool (drugă/fuior) and after the wool material is hand- sewn together. Material Source Locally sourced wool, vegetable colors from local plants like walnut leaves, red onions, privet for black colo Conecept These items serve both a functional-utilitarian and an informational-aesthetic role. Production Quality The weaver cand allocate from 1 hour to 2 hours to produce such items. External ID CJMM_AR_03 Field Worker Noemi Ganea Tool Loom (război de țesut) more that 100 years old, reel (crâng/vîrtelniță), carder (rășchitor), sley (sucală), warp (urzoi), spindle (fuse), spinning wheel for a thicker type of wool (drugă/fuior) and after the wool material is hand- sewn together Place The town or city Săpânța, Maramureș, Romania Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wool carpet Type The nature or genre of the resource Physical Object Description An account of the resource A decorative item used in household, it distinctive for the area of Săpânța, Maramureș. Date A point or period of time associated with an event in the lifecycle of the resource 2024 Creator An entity primarily responsible for making the resource 657 Language A language of the resource Romanian Extent The size or duration of the resource. 50cm x 45cm x cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 415 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 19/06/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Covor de lână Spatial Coverage Spatial characteristics of the resource. current,47.9667699419435,23.6999999964607; Date Modified Date on which the resource was changed. 04/07/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 739 Material Wool dyed with vegetable colours Natural Cultural Cultural Function These items serve both a functional-utilitarian and a decorative item of the traditional household, it can be used as a blanket, but also as a carpet. Creation Purpose In this case the weaver sells these products Technique The weaver uses locally sourced wool in the loom (război de țesut) then the reel (crâng/vîrtelniță), carder (rășchitor), sley (sucală), warp (urzoi), spindle (fuse), spinning wheel for a thicker type of wool (drugă/fuior) and after the wool material is hand- sewn together Material Source Locally sourced wool, vegetable colors from local plants like walnut leaves, red onions, privet for black colo Conecept These items serve both a functional-utilitarian and an informational-aesthetic role. Production Quality The weaver can allocate several days, depending on the complexity to finish a cergă. External ID CJMM_AR_04 Field Worker Noemi Ganea Tool loom (război de țesut) more that 100 years old, reel (crâng/vîrtelniță), carder (rășchitor), sley (sucală), warp (urzoi), spindle (fuse), spinning wheel for a thicker type of wool (drugă/fuior) and after the wool material is hand- sewn together Place The town or city Săpânța, Maramureș, Romania Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wool blanket Type The nature or genre of the resource Physical Object Description An account of the resource A decorative item used in household, it is distinctive for the area of Săpânța, Maramureș, because of its decorative style and colors.The Cerga de Săpânța (Săpânța wool blanket) shrinks to its proper size only in the vâltoare (a traditional water-powered washing whirlpool), whereas other cergi (wool blankets) are further processed after vâltorare by being passed through a piuă (a fulling mechanism) that beats the fabric until it reaches a pănură (felt-like texture). The Cerga de Săpânța is woven using four heddles with a wool warp, while other cergi may also use cotton or hemp warp threads in addition to wool. Date A point or period of time associated with an event in the lifecycle of the resource 2024 Creator An entity primarily responsible for making the resource 657 Language A language of the resource Romanian Extent The size or duration of the resource. 230cm x 160cm x cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 416 Source A related resource from which the described resource is derived craftedobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://www.sapantamaramures.ro/cergile-cresc-copiii-din-sapanta/ Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Cergă Spatial Coverage Spatial characteristics of the resource. current,47.9667699419435,23.6999999964607; Date Modified Date on which the resource was changed. 04/07/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material earthenware Natural Cultural Cultural Function Decorative, flower vase, liquid vase. Creation Purpose As an art piece for exhibiting and for sale. Technique Digital creation of prototype with Rhino software, 3D printing of prototype in plastic, manufacture of plaster mould, casting of white clay to make the object. This piece is made by joining two prototypes. Once baked, the piece goes back into the oven to be glazed. Material Source unknown origin. Conecept It is a piece designed looking for new geometric silhouettes, which are impossible or very difficult to achieve manually, which also wants to show the trace of the machine as a visible texture on the skin of the ceramic that is combined with traditional aesthetics. Production Quality The craftswoman has made a small serial production. External ID LAPONTE_AR_01 Field Worker Carmen Pérez Maestro Craft ceramics Tool Computer, 3D printer, plaster moud and a potter's kiln Place The town or city El Valle, Candamo, Asturias, Spain Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Vase_from_the_EDRA_collection Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vase from the EDRA collection Type The nature or genre of the resource Physical Object Description An account of the resource It is an open, elongated, geometrically shaped vessel. It has faceted walls and a white glaze on the outside with scattered coloured spots. Date A point or period of time associated with an event in the lifecycle of the resource 2020s Creator An entity primarily responsible for making the resource 677 Language A language of the resource Spanish Extent The size or duration of the resource. 10cm x 17.5cm x 23cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 419 Source A related resource from which the described resource is derived craftedobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://woodic.es/edra-collection/ https://nexodos.art/natalia-suarez-en-re_hacer/ Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Spatial Coverage Spatial characteristics of the resource. current,43.461389,-6.039444; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material earthenware Natural Cultural Cultural Function Decorative, flower vase Creation Purpose As an art piece for exhibiting and for sale. Technique Digital creation of prototype with Rhino software, 3D printing of prototype in plastic, manufacture of plaster mould, casting of white clay to make the object. Then it is baked in an oven Material Source unknown origin. Conecept It is a piece designed looking for new geometric silhouettes, which are impossible or very difficult to achieve manually, which also wants to show the trace of the machine as a visible texture on the skin of the ceramic that is combined with traditional aesthetics. Production Quality The craftswoman has made a small serial production. External ID LAPONTE_AR_02 Field Worker Carmen Pérez Maestro Craft ceramics Tool Computer, 3D printer, plaster moud and a potter's kiln Place The town or city El Valle, Candamo, Asturias, Spain Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Vase_from_the_EDRA_collection Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vase from the EDRA collection Type The nature or genre of the resource Physical Object Description An account of the resource It is an open and geometrically shaped vessel. It has faceted walls and a pink engobe on the outside with scattered coloured spots. Date A point or period of time associated with an event in the lifecycle of the resource 2020s Creator An entity primarily responsible for making the resource 677 Language A language of the resource Spanish Extent The size or duration of the resource. 9cm x 6.5cm x 13.5cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 420 Source A related resource from which the described resource is derived craftedobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://woodic.es/edra-collection/ https://nexodos.art/natalia-suarez-en-re_hacer/ Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Spatial Coverage Spatial characteristics of the resource. current,43.461389,-6.039444; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Plaster Natural Cultural Cultural Function Mold for creating a ceramic object Creation Purpose Tool Technique Mold made from a prototype crafted in plastic. Mix the plaster with water in the container. Pour the mixture over the prototype inside a containment box. Allow the plaster to set (harden). Carefully remove the prototype and polish the mold. Material Source unknown origin Conecept It has not been recorded. Production Quality One piece per shape External ID LAPONTE_AR_03 Field Worker Carmen Pérez Maestro Craft other (specify) Tool Mixing container, mixing spatula, plastic prototype, brush or paintbrush, knife, spatula or chisel, containment box. Place The town or city El Valle, Candamo, Asturias, Spain Prim Media 802 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Plaster mould for the Edra collection Type The nature or genre of the resource Physical Object Description An account of the resource Two-piece mould consisting of two hollow pieces that fit together. They are rigid and symmetrical pieces. It is made of plaster. Date A point or period of time associated with an event in the lifecycle of the resource 2020s Creator An entity primarily responsible for making the resource 677 Language A language of the resource Spanish Extent The size or duration of the resource. 10cm x 20cm x 28cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 421 Source A related resource from which the described resource is derived craftedobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://woodic.es/edra-collection/ https://nexodos.art/natalia-suarez-en-re_hacer/ Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Spatial Coverage Spatial characteristics of the resource. current,43.461389,-6.039444; Date Modified Date on which the resource was changed. 05/08/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: University of St Andrews Identifier An unambiguous reference to the resource within a given context 4 Intangible Context One of the artisans recounts that there are ballads dedicated to the trapadoiro, which is one of the tools used to shape the mouths of the vessels. Vessels are crafted in connection with other traditional cultural practices of Asturias, such as cheese-making or cider culture. Field Worker Carmen Pérez Maestro Climate Threats Deterioration of space Conflicts Intolerance,Disrespect Demographic Threats Rural-urban migration,Population Influx Weakened Practice Diminishing participation,Diminishing youth interest,Reduced practice Loss Threats Loss of cultural spaces SDG Zero Hunger,Good Health and Wellbeing,Decent Work and Economic Growth,Responsible Consumption and Production External ID LAPONTE_CP_01 Knowledge Those corresponding to the ceramic creation. Knowledge of clay extraction sites. Treatment of clay, modelling and potter's wheel. Surface treatment and firing of pottery. Knowledge Transfer Nowadays, only one potter's workshop remains in Faro, that of José Manuel Vega ‘Selito’, the last of a potter's lineage that dates back to the Middle Ages. For years "Selito" has had an apprentice, Orlando Moran, who today has the skills to make this ceramic tradition. Since 2022, a potter, Verónica Rodriguez, from another part of Asturias, has moved to Faro. Although her knowledge of pottery comes from the ceramic tradition of Llamas del Mouro, she has learned to make traditional Faro's pottery. The potter who is currently passing on the knowledge about the manufacture of traditional Faro´s pottery is Orlando Moran, who works in an arts and crafts school. Practitioners José Manuel Vega 'Selito' was active until the year 2024.Currently the artisans are Fernando Morán and Verónica Rodriguez, Orlando is the heir to the knowledge of the last potter "Selito," who also passes on this legacy at a municipal arts school, while Verónica is a new potter in this tradition who, in addition to creating her own space in Faro, shares her knowledge through workshops. Function Faro pottery is a centuries-old artisanal tradition that connects present generations with their historical and cultural roots. Each piece reflects techniques and designs passed down through time, making it a tangible symbol of local history. Origins and change Faro is a ceramic production center in Asturias, whose activity has been documented since the Middle Ages. Archaeological evidence confirms pottery production in this village dating back at least to the 11th century. Faro is frequently mentioned in medieval Asturian documents. In the 12th century, the following words are found: iuxta Ovetum, in villa pernominta Faro. The first reference to Faro's pottery industry dates back to the early 16th century (1519). The Marquis of Ensenada's cadastral survey (conducted in the territories of the Crown of Castile to understand, register, and evaluate assets) reports 72 potters, which highlights the significance of Faro in this industry and its productivity in the 18th century. The type of wheel used in Faro until the 20th century was the low or hand wheel, until José Vega "Lito" introduced the foot-operated wheel. This advancement led to an increase in production. The kiln used is the "open kiln." It consists of two parts: the firing chamber, where the pieces are stacked, and a boiler in which the fuel is placed; in this case, "rozu" (a type of fuel). Once the kiln is filled with ceramic pieces, the top is covered with "tapines," pieces of earth with green grass. The earth is placed facing inward, and broken tiles are used to form the chimney. In the past, firewood was the fuel for these kilns, but today propane gas is used. Organisations Xunta pola defensa de la Alfarería Tradicional de Faro and "Asociación de Amigos de la Alfarería de Faro". There is a conflict between both associations, as the Xunta advocates for the faithful maintenance of methods, techniques, forms, and decorations of this ceramic tradition. Places In the same village of Faro, there are archaeological sites associated with pottery making, including remnants of kilns, workshops, and clay extraction areas. The house and workshop, which includes a traditional kiln, of the Vega family (Faro de Arriba) is listed in the Inventory of Asturias' Cultural Heritage. Unfortunately, part of this workshop was damaged by a fire in December 2023. Artefacts Regarding those related to manufacturing, they are: a foot-operated lathe, a thread cutter, a trapadoiro (leather cloth), tools specific to pottery (small wooden tools, a knife, and an awl). For glazed ceramics, a pisón was used (a stone with a hole in the center serving as a mortar to crush lead with tin and sand, creating the mixture for white glaze or tin-glazed coating), along with a brush to apply pigments. As for the types of vessels, they include: the "barbón" (with three handles), the "penada" (a water pitcher), the jug — "xarra" for cider, the cheese maker, and the casserole dish. In glazed ceramics, there are also plates, bowls, water jugs — "xarru," chamber pots, and two vessels shaped like a rooster and a hen. Climate Threats Description The pottery workshop of "Selito" in Faro suffered a fire in 2023. Conflicts Description Lack of understanding between the two associations that defend the traditional pottery of Faro. Changes in political parties have caused ongoing projects related to the creation of a center for the interpretation of Faro's traditional pottery to be delayed or halted. There is also a lack of mediation tools in these conflicts. Demographic Threats Description On one hand, during the 1960s, there was large-scale migration from the countryside to the city, which caused the rural population to decrease significantly. On the other hand, Faro's proximity to the city of Oviedo has turned this area into a commuter town, inhabited by people with no familial ties to the rural area. Weakened Practice Description For various historical reasons, such as migration to the city or the emergence of household items made from other materials, ceramic vessels stopped being produced. Today, only two people continue practicing this pottery, and younger generations show no interest in learning. All of this has led to a decline in production over the years. Loss Threats Description The pottery workshop of "Selito" in Faro suffered a fire in 2023. Faro's proximity to the city of Oviedo has turned this area into a commuter town, inhabited by people with no familial ties to the rural area. State of the practice declining Social sustainability Currently, production is in decline. On a positive note, a new female artisan has established a workshop in the area, where she conducts workshops for the community. This represents a boost for the cultural revitalization of this rural region. Environmental sustainability This cultural practice does not involve pollution Economic sustainability Not actually. Place The town or city Faro, Oviedo, Asturias, Spain Place Description Faro is a small village of some 200 inhabitants in the Parroquia de Limanes, belonging to the Asturian municipality of Oviedo, a city from which it is only eight kilometres away. It was during the Middle Ages that the place became important due to its strategic location at the crossroads of communication routes and its dependence on the great monastery of San Pelayo. It was also during this period that its pottery activity, for which it is well known, began to emerge. Nowadays, together with a small agricultural and animal husbandry activity, Faro is fundamentally a residential area. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faro's pottery Type The nature or genre of the resource Intangible Description An account of the resource There are two types of pottery: black pottery, obtained by reducing iron-rich clay, which has been documented since the 11th century in various closed forms (puchero, barbón, penada, cider jug...), and glazed and enamelled pottery, which appears from the 13th century (escudilla, plate, jug, botijo...). The latter has the peculiarity of having two firings, the second one to fix the glaze and the paint, with geometric, vegetal and zoomorphic decorations, the most singular being the páxara, the most representative colours being green and yellow. The 18th century was the time of greatest splendour, with more than 70 potters. The arrival of earthenware would gradually lead to a decline in activity, until the only pottery workshop that has survived since the middle of the 20th century, making pieces in the same way as they were made in the Middle Ages. Language A language of the resource Spanish Extent The size or duration of the resource. x x Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 406 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. de Aldecoa, E. I. (1985). La cerámica vidriada de Faro: motivos decorativos. Liño: Revista anual de historia del arte, (5), 235-246. Busto, M. (2021). Sistematización arqueológica de las producciones de cerámica esmaltada y vidriada de Faro de Liminas (Astrurias, España) desde el siglo XVI al XVIII. Jaén: UJA Editorial. Menéndez, J. J. A. (1997). Un ejemplo de continuidad en la producción de ceràmica desde la Edad Media al siglo XX: Faro (Asturies-España). Olaria: Estudos Arqueológicos, Históricos e Etnológicos, (2), 93-100. https://www.youtube.com/watch?v=I_FpkQ5c6jM https://www.google.com/search?q=videos+taller+de+faro+ceramica&rlz=1C1RLNS_esES958ES961 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 18/06/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Alfarería de Faro Spatial Coverage Spatial characteristics of the resource. current,43.355833,-5.794167; Creator An entity primarily responsible for making the resource 681 Date Modified Date on which the resource was changed. 18/06/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. University of St Andrews Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Clay and water Natural Cultural Cultural Function To drain the whey from the cheese Creation Purpose Domestic, cheese production for sale. Technique Made with black clay, shaped on a pedal-powered wheel, and its surface smoothed with a leather cloth. The walls are pierced with a punch. The kiln used is the "open kiln." It consists of two parts: the firing chamber, where the pieces are stacked, and a boiler in which the fuel is introduced. A characteristic of Faro kilns is that they are always oxidizing and reach temperatures of 1,100º, as is the case with this black ceramic to drain the whey from the cheese. Material Source Faro, Asturias Conecept Livestock farming and cheese production Production Quality The number of objects produced in the same batch as the one presented is unknown, but they were made in series, meaning many identical ones were created. External ID LAPONTE_AR_04 Field Worker Carmen Pérez Maestro Tool Foot-powered potter's wheel, cutting thread, specific tools for pottery (small wooden tools, knife, and punch), "trapadoiro" (leather cloth used to shape the rim of the vessel), and kiln. Place The town or city Faro, Asturias, Spain Prim Media 803 Craft ceramics Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vessel to drain the whey from the cheese Type The nature or genre of the resource Physical Object Description An account of the resource Black ceramic vessel, made on a foot-powered wheel, with a smooth and blackened surface. It has a truncated-conical shape, with the base diameter smaller than the mouth, which is completely open. The walls and base feature circular perforations. Date A point or period of time associated with an event in the lifecycle of the resource Unknown Creator An entity primarily responsible for making the resource 681 Language A language of the resource Spanish Extent The size or duration of the resource. 14.5cm x 8.5cm x 11.5cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 422 Source A related resource from which the described resource is derived craftedobjects Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Quesera Spatial Coverage Spatial characteristics of the resource. current,43.3559346837855,-5.79416670380603; Date Modified Date on which the resource was changed. 04/07/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: University of St Andrews Identifier An unambiguous reference to the resource within a given context 4 Intangible Context The traditional Asturian women's attire includes necklaces and earrings made of jet. Field Worker Carmen Pérez Maestro Technological Threats Surge of new technologies Weakened Practice Reduced practice Loss Threats Loss of knowledge,Material shortage,Loss of cultural significance SDG Gender Equality,Decent Work and Economic Growth External ID LAPONTE_CP_02 Knowledge Firstly, the knowledge of jet extraction, which was carried out by men until the mid-20th century. The raw pieces were extracted seasonally by the farmers themselves. The mines, which were of little significance, mainly consisted of small linear galleries following the mineral veins. Currently, jet mining is not permitted, and contemporary artisans work with the remnants of these extractions that remained on the surface. Secondly, the skill of stone carving, which was traditionally done with a chisel and is now performed with precision mechanical tools. Knowledge Transfer The lack of raw material makes the transmission of the craft easy and abundant. In rare cases, the artisan delegates the learning of all their techniques to one person, as the profession is in danger of extinction, despite having been recently declared a Cultural Heritage Asset in Asturias.There are practically no active jet artisans who are familiar with traditional carving methods using hand tools. Mechanical systems have been introduced, which are not deeply rooted in the tradition, leading to a delicate situation in this regard. Practitioners In the past, only men were involved in jet work, although it seems that it was the women who did the final touches on the pieces. Today, the majority of those engaged in this activity are women, and most of them combine jet work with other materials such as silver, also applying jewelry-making techniques. Function Currently, the people of the region take pride in the existence of this artisanal tradition, despite the disagreements between the two existing associations. Jet continues to be seen as a protective element, which means that the pieces made from this material are valued not only for their beauty but also for their symbolic significance. Origins and change In Asturias, jet has a long tradition. The oldest pieces are documented in the Cave of Las Caldas, dating back 19,000 years to the Solutrean period. A jet bead was found in the tomb of Monte Areo (tomb XV), part of a burial set from the 5th millennium BC. Jet use is also documented in Camoca and Moriyón, near the Villaviciosa estuary, as well as in the Roman-era town of Veranes.Traditionally used as a symbol of protection and good fortune, jet was commonly worn by pilgrims on the Camino de Santiago from the 11th century onward. Oviedo, a key stop on the Camino Primitivo, became an important center for jet trade and craftsmanship. By the 14th century, Asturian workshops gained fame for the quality of their carvings.After the decline of the Camino de Santiago, jet gained a resurgence due to a historical event. Following the death of Prince Albert in 1861, mourning became fashionable in Victorian society as a symbol of support for Queen Victoria. This was not a passing trend, as she wore mourning attire for the rest of her life and made extravagant use of jet jewelry, which was ideal for this occasion.Today, jet is primarily used in jewelry, and one object that has continued from the past is the "mano" or "figa," whose protective symbolism still endures. Organisations In 1999, "Acebache" was created in Villaviciosa, an association aimed at developing the jet tradition of Asturias. This collective includes not only artisans with their respective workshops, but also experts. In 2017, this association split, leading to the creation of "Azabache Jurásico de Villaviciosa," also composed of artisans and experts in this heritage. Places Monographic Jet Fairs in Asturias:Ribadesella and Tazones host specialized fairs dedicated to Asturian jet, where artisans, experts, and enthusiasts gather to showcase and celebrate this traditional craft. These events highlight the historical and cultural significance of jet, featuring exhibitions, demonstrations, and handcrafted jewelry.The Azabache Fair of Oviedo is an other event that celebrates the tradition and craftsmanship of Asturian jet. Held in the historic center of the city, it brings together artisans, jewelers, and experts who showcase their handcrafted pieces Artefacts Figa or Jet Hand: Protective amulet against the evil eye and negative energies. Rosaries and Beads: Used in religious devotion, combining jet with other noble materials. Earrings and Pendants: Traditional and contemporary designs in which jet is set in silver. Brooches and Cameos: Finely carved pieces, especially popular during the Victorian period. Technological Threats Description Traditional carving techniques are no longer used; they have been replaced by mechanical methods. Weakened Practice Description There is no generational continuity in learning the craft Loss Threats Description The prohibition of raw material extraction has led to very limited supplies. This has also resulted in the inclusion of other minerals, such as those from Turkey, which are not authentic Asturian Jurassic jet. Safeguarding activities Both associations engage in promotional activities to spread awareness of Asturian jet craftsmanship, including organizing events, workshops, and demonstrations. Additionally, jet sales fairs are held, where artisans showcase and sell their handcrafted jet pieces, helping to preserve and promote this traditional craft. State of the practice declining Social sustainability Gender Equality: Traditionally, jet craftsmanship was dominated by men, but today, many women are involved in the craft, often combining it with other materials like silver. This shift has provided women with opportunities for economic independence, skill development, and recognition as artisans.Community Development: The jet industry has supported local economies in Asturias, particularly in regions like Villaviciosa and Gijón. Craftsmanship creates jobs and stimulates local commerce, with fairs and exhibitions drawing attention to the region. Environmental sustainability Use of Natural, Locally Sourced Materials: Jet is a natural material that has been traditionally sourced from the region of Asturias, specifically from the Jurassic period deposits. The use of locally sourced jet minimizes the environmental impact associated with transportation and supports local geology and heritage. As it is a non-renewable resource, its extraction has been regulated to ensure that it does not overly deplete local resources.Sustainable Craftsmanship Practices: The methods used by artisans today, although increasingly mechanical, often rely on precision tools and small-scale, localized production, as opposed to mass industrial production. Energy Efficiency: Traditional jet carving methods required hand tools, while modern mechanical tools (e.g., Dremels or carbide tools) are more energy-efficient than heavy industrial machinery. Though not fully sustainable in energy use, these tools consume far less energy than large-scale manufacturing processes. Economic sustainability The Azabache fairs and markets provide artisans with opportunities to showcase and sell their work, both locally and internationally. These events attract tourists and buyers interested in traditional craftsmanship, which expands market access for local artisans. Artisans working with jet often combine it with other materials such as silver or gold to create jewelry, which broadens their income potential. For example, artisans who produce traditional jet jewelry can also expand into contemporary designs to cater to different markets, diversifying their income sources. Place The town or city Villaviciosa and Gijón area, Asturias, Spain Place Description Jet is the most well-known and widespread gemstone found in Asturias. The area of Villaviciosa and Gijón is the epicenter of both its extraction and its transformation into jewelry pieces.The layers of jet are located in the highest sections of the Upper Jurassic, from the Kimmeridgian age, consisting of alternating sandstones, marls, and dark silty clays. It originated from woody trunks that were carried and deposited between the sandstones of the well-known Lastres Formation, although it is also found in the so-called La Ñora and Vega formations, in a transitional sedimentary environment.There are precedents for the recognition of the existence and quality of Asturias' jet in foreign scientific publications as early as the 19th century. Prim Media 712 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jet culture Type The nature or genre of the resource Intangible Description An account of the resource The presence of high-quality jet deposits in Asturias enabled, since ancient times, its mining and artisanal use, giving rise to a culture centered around the properties of this unique mineral. Its believed protective nature generated strong demand for handcrafted creations, which were sold mainly outside the region, both in traditional forms like amulets and in more unique versions, as various pieces of jewelry Extent The size or duration of the resource. x x Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 407 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://www.youtube.com/watch?v=X7CzYi6DnR0 Campón, E., Fernández, C. J., & Solans, J. (1978). El azabache de los yacimientos de Oles (Asturias). Trabajos de Geología, (10), 161-167. Vevia, M. V. B. (2024). El azabache asturiano y la reina Victoria. ArqueoTimes, (9), 36-38. Mata, Á. F. (2005). Iconografía jacobea en azabache. Los Caminos de Santiago. Arte, Historia y Literatura, 169-212. Menéndez Menéndez, A. (2021, January). Aproximación al pasado, presente y futuro de la industria azabachera, un patrimonio cultural, material e inmaterial, en vías de extinción. In I Simposio anual de Patrimonio Natural y Cultural ICOMOS España (pp. 479-492). Editorial Universitat Politècnica de València. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 18/06/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Cultura del azabache Date Modified Date on which the resource was changed. 18/06/2025 Creator An entity primarily responsible for making the resource 683 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. University of St Andrews Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material silver and jet Natural Cultural Cultural Function It is a double-sided pendant Creation Purpose For exhibition and to showcase the craftsmanship of the artisan Technique The techniques used to make the object are sanding, drilling, cutting, carving, and polishing. It is then set into the silver ring Material Source The jet is local, but the silver is foreign (Mexico, Peru, China…) Conecept The object is related to the traditional jet work, but also, due to its shape and iconography, to Asturian medieval culture Production Quality Only one piece was made; it is a unique piece External ID LAPONTE_AR_07 Field Worker Carmen Pérez Maestro Craft metalwork Tool The main tools used have been the drill and the fret saw Place The town or city Villaviciosa, Asturias, Spain Prim Media 1011 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pendant "Rosette of Oviedo" Type The nature or genre of the resource Physical Object Description An account of the resource A circular pendant made of silver and jet. The central part of the jet features an ornamental circular design with a pattern associated with the Gothic rosette of the Oviedo cathedral Date A point or period of time associated with an event in the lifecycle of the resource 2018 Creator An entity primarily responsible for making the resource 683 Language A language of the resource Spanish Extent The size or duration of the resource. 6.1 (diameter)cm x 6.1 (diameter)cm x cm Contributor An entity responsible for making contributions to the resource iain Source A related resource from which the described resource is derived asturiasmap,craftedobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://www.youtube.com/watch?v=m1hV1Oz1jHY Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Rosetón de Oviedo Spatial Coverage Spatial characteristics of the resource. current,43.480178,-5.43423190753304; Date Modified Date on which the resource was changed. 21/09/2025 Identifier An unambiguous reference to the resource within a given context 553 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Silver, jet and opalo Natural Cultural Cultural Function Pendant Creation Purpose For sale Technique Cutting and Mechanical Shaping of Raw Jet: The jet piece is cut with a diamond disc saw, giving it an approximate shape. Then, a tungsten carbide bur or rotary tools are used to define the final shape, removing excess material and refining the details. Finally, the piece is sanded with coarse to fine grit sandpaper to smooth the surface and prepare it for polishing.Preparation of the Polished Black Opal: A polished black opal is selected with a suitable shape to be set in the silver ring. Using coated-tip pliers or a nylon hammer, light pressure is applied to secure the opal in place. Assembly and Final Finishing: A hole is drilled on one side of the jet piece to attach the ring with the black opal, and a small silver jump ring is used to allow the ring to move freely. Material Source The jet is local but the silver and the opalo are foreing Conecept The piece is associated with the Asturian tradition of jet craftsmanship and its use in women's jewelry Production Quality one, she makes unique pieces External ID LAPONTE_AR_08 Field Worker Carmen Pérez Maestro Craft metalwork Tool Diamond disc saw or Dremel, Tungsten carbide files and burs, Sandpapers of various grits (coarse to fine), Jewelry pliers with coated tips, Nylon or rubber hammer, Jeweler's loupe Place The town or city Villaviciosa, Asturias, Spain Prim Media 814 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pendant "Marine" Type The nature or genre of the resource Physical Object Description An account of the resource A unique piece where the carved and polished jet serves as the base, while the black opal set in silver hangs from its side, achieving a sophisticated and artisanal design. Creator An entity primarily responsible for making the resource 683 Language A language of the resource Spanish Extent The size or duration of the resource. 85cm x 15cm x cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 427 Source A related resource from which the described resource is derived craftedobjects Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Marine Spatial Coverage Spatial characteristics of the resource. current,43.480178,-5.43423190753304; Date Modified Date on which the resource was changed. 10/07/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Jet and silver Natural Cultural Cultural Function Jewelry Creation Purpose For sale Technique Cutting and Mechanical Shaping of Raw Jet:The jet piece is cut with a diamond disc saw, giving it an approximate shape. Then, a tungsten carbide bur or rotary tools are used to define the final shape, removing excess material and refining the details. Finally, the piece is sanded with coarse to fine grit sandpaper to smooth the surface and prepare it for polishing. A silver sheet of the appropriate thickness is chosen for repoussé and setting. The silver sheet is cleaned and cut with a jeweler's saw or shears. The design is transferred onto the silver using a burin or fine punch. A structure is formed in the repoussé silver to hold the jet stone. Material Source Jet is local and silver foreign Conecept The piece is associated with the Asturian tradition of jet craftsmanship and its use in women's jewelry Production Quality One, one, she makes unique pieces External ID LAPONTE_AR_09 Field Worker Carmen Pérez Maestro Craft metalwork Tool Diamond disc saw or Dremel, Tungsten carbide files and burs, Sandpapers of various grits (coarse to fine), Jewelry pliers with coated tips Place The town or city Villaviciosa, Asturias, Spain Prim Media 816 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pendant Type The nature or genre of the resource Physical Object Description An account of the resource Double-sided pendant in which a carved jet piece with a traditional Asturian design is set in a repoussé silver piece representing the Asturian mountains Date A point or period of time associated with an event in the lifecycle of the resource 2020s Creator An entity primarily responsible for making the resource 683 Language A language of the resource Spanish Extent The size or duration of the resource. 3.5cm x 2cm x 0.5cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 428 Source A related resource from which the described resource is derived craftedobjects Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Colgante Spatial Coverage Spatial characteristics of the resource. current,43.480178,-5.43423190753304; Date Modified Date on which the resource was changed. 10/07/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: University of St Andrews Identifier An unambiguous reference to the resource within a given context 4 Intangible Prim Media 716 Context Selecting the wool by the farmers requires knowledge: the belly wool and thighs must be taken away: it is usually damaged. The wool in the living sheep must be kept clean.. Ranghild speculates that probably in the past some could have kept some heads just for wool, probably from castrated rams. Sorting the fleece must be done very carefully: neck wool is more delicate, and better for socks.The belly wool is called buk. Lår: tight wool - Fell: fleece - it can also refer to a duvet. - vegetabiler - straws in the wool that you cant put in the spinning mill. "Det er mye rusk i ulla." to express this excess vegetation. If the sheep lie in the side they are in trouble they lie in "øbelta", and the sheep can be in mortal danger./ syner av: they stop breastfeeding. Fjøskåpe - to go in the farm milking the cows. Sheep are know to be prepared also to detect predators and they organize themselves to do watchings, or to know when there is an emminent danger (for example, an avalach). Field Worker Elisabeth Rosa Brusin, Ole Andreas Sagmo, Rebeca Franco Valle Climate Threats Loss of biodiversity,Invasive species,Coastal erosion,Sea-level rise,Increased rainfall,Deterioration of space Economic Threats Rapid economic transformation Technological Threats Industrial production Policy Threats Lack of conservation policy Conflicts Human encroachment on boundaries Demographic Threats Rural-urban migration Decontextualization Touristification,Misappropriation Globalisation New pastimes,Rapid sociocultural change Weakened Practice Aged practitioners,Diminishing participation,Halted transmission between generations,Reduced practice Loss Threats Loss of cultural spaces,Loss of knowledge,Material shortage,Loss of cultural significance Climate Actions Research,Community Engagement,Collaboration with other organisations SDG Decent Work and Economic Growth,Industry Innovation and Infrastructure,Reduced Inequalities,Sustainable Cities and Communities,Responsible Consumption and Production,Climate Action,Life On Land External ID MN_CP_01 Knowledge Knowledge about different sheep breeds from Norway, their history and the different textures of their wool, and their applications to different kinds of clothing. Sheep farming and animal care and welfare are also taken into consideration in the process. It also requires knowledge about the stages of preparation the wool must go through before it is ready for shaping into yarn or unspun wool. Knowledge Transfer There are schools for learning traditional fiber and textile work. Sheep farming is an office that can also be learned, but entails practice throughout years. Keeping traditions related to sheep herding in the Lofoten islands rely much on the knowledge transmitted during generations between the farmers. Practitioners Current practitioners of the office: traditional textile workers, and farmers. They can be learnt by choosing to work in that particular work. There is general gender differences that rely on longer cultural undercurrents (ie. wool textile workers are generally woman). Function Besides preserving the sense of belonging to a long-term domestic tradition, it opens the gates to thinking about fiber choices, local production and slow-fashion as gatheways to sustainable fashion industry. Tourist engage in this sustainable indrustry by choosing locally produced raw materials and products that support the local primary sector, Origins and change The current practices are not directly tied to ancetstral traditions, but the can be considere traditional. They aim to recover, mantain and enhance the former domestic textile production. The use of old breeds of sheep adapted to the climate and landscape of the area sheds a different kind of wool, more ruogh that the one obtained from breeds adapted to industrial productions such as the merino sheep. Shearig is still done manually by professional hands, but the wool is washed and combed with modern machines. Organisations Lofotr Viking Museum, the slaughtery, the organizations Norske Kunsthandverkerer and Norske Biledkunstnerer, Småbrukerlager and Bondelaget, and Husflidlaget. Lofoten wool also offers an opportunity for elderly woman and persons in retirement, or those who simply would like to have extra income. They are organized from the workshop. Places The Lofotr Viking Museum is also a heritage site that preserves old sheep breeds and showcases textile traditions from the iron age. Vestvågøy Husflidlaget also offers Lofoten wool workshops. Artefacts The machinery is outsourced. But this practice highlights the link between the obtention of local raw (wool) and a primary product (yarn and processed wool fabric). In the worskhops, yarn comming from the wool mill is winded with a manual yarn winder into skeins. The yarn winder is a tradtional domestic textile tool, that keeps being used in Lofoten wool. From it, sweaters, mittens, curtains, pillow cases, shalls, hats, fabric are made. Some of the objects follow traditional designs and knitting patterns, such as the sweater Islender (MN_AR_03) or the fisheman mittens (MN_AR_04). Climate Threats Description Loss of Biodiversity: there are few sheep farms left in Lofoten. Invasive species come with streams of imported products, vacations abroad and mass tourism. As an island, coastal erosion and rise of sea level may affect the place. Increased rainfall modifies the flora and the naturall cicles on which fodder for the sheep is produced. Economic Threats Description Raw material production is being increasingly outsourced, away from the country. Rural road infrastructure in the islands with few options of public transport Technological Threats Description Indrustrial production has to be used to make the business sustainable. Conflicts Description The increasing preasure of new inhabitants on the area and vacation houses creates conflicts with the use of pastures for the ship Decontextualization Description Mass tourism demands more infrastructure for tourism, in the detriment of the farmland economy. Traditional weaving patterns are appropiated by fast fashion industries. Globalisation Description Craft hobbies with wool have been reduced in the past decades. At the same time, industrial production of clothes and fast fashion produced in other countries, with more affordable products, makes the products less atractive. Weakened Practice Description Less people works in sheep farming. The wool is harder to obtain. It is very time-demanding work. Loss Threats Description With the loss of traditions linked to traditional manners of processing the wool, also the old tool usage has been lost to big extends. Oral traditions preserved are very few, since the founder of the project Lofoten wool is not a local herself. State of the practice declining Social sustainability It creates direct local employment for people hired for their skills. This helps against rural exodus, nurturing the local community development. Environmental sustainability Sheep farming has very little impact over the local landscape. It helps preserving the landscape too. There is very waste generated during thr process of obtaining the wool. The energy employed is electric. The raw materials are sourced locally, but the wool preparation has to be outsourced from another region, since there is no local installations that offer this service and the production center is not big enough. Economic sustainability It diversifies the production of the region, offering locally produced textiles using local raw materials. This also benefits the local sheep farmers, that find a use for the sheep wool that would otherwise go to waste. Natural dyes produce little toxic waste. Place The town or city Stamsund, Lofoten, Norland Place Description Lofoten wool is situated in the proximity of the town of Stamsund. The town belongs to the municipality of Vestvågøy, in the Lofoten Archipelago and by 2023 counts 1.104 inhabitants. The town is one of the largest fishing towns in Lofoten, and an important fishing harbour. The fishing town was established in 1983 by JM Johansen, and today houses one of the largest fish processing plants of Lofoten, a Tran refinery, and its own shipping company. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wool fiber processing Type The nature or genre of the resource Intangible Description An account of the resource The know-how about curating, harvesting and selecting the best parts of the sheep wool and different uses according to its natural properties: socks, sweaters, woven fabrics and felted wools. Different breeds will shed different wool textures. Banking on traditional knowledge, finding the best kinds of wool from different sheep breeds and applying it to modern uses comes from cycles of investigation and practice developed throughout the decades. The yarn is colored using natural dyes many of which have been used for centuries. Language A language of the resource Norwegian Extent The size or duration of the resource. x x Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 409 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://lofoten-wool.no/en https://www.nibio.no/prosjekter/amazing-grazing-baerekraftig-kjott-og-ull-fra-sau-som-beiter-i-norsk-utmark?locationfilter=true https://www.smabrukarlaget.no/aktuelt/bonde-og-smaabruker/, https://www.norskekunsthandverkere.no/kunstnerregister/ragnhild-lie https://husflid.no/ https://www.utdanningsforbundet.no/ https://www.bondelaget.no/ Esther Haukeland, Innføring til plantefarging. Cappellen, 1982. Animalia: Norwegian wool Standard. https://www.animalia.no/no/Dyr/ull-og-ullklassifisering/norsk-ullstandard/ Beder, Nicolina J., Seyður Ull Tøting. SPF. Sprotin, 2010. Flååt, Inger. Votter i Namdalen. Nauma Husflidslag, 2010. Grimstad, Ingun K. and Sårdal, Tone t. Norsk Strikkehistorie. Vormedal Forlag. 2018. Grimstad, Ingun K. and Sårdal, Tone T. Ren ull. Aschehoug, 2013. Hrútaskrá. https://www.rml.is/is/kynbotastarf/saudfjarraekt/hrutaskra Joensen, Robert. Seyðabókin. SPF. Sprotin, 2015. Johnston, Elizabeth and Juuhl, Marta K. The warp-weighted loom. Kljásteinavefstadurinn: kljásteinar klingja. Oppstadveven: klingande steinar. Skald, 2016. Kjellmo, Ellen. Båtrya i gammel og nyt tid. Orkana, 1996. Sundbø, Annemor. Usynlege Trådar i Strikkekunsten. Samlaget, 2006. https://www.norskebilledkunstnere.no/ Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 19/06/2025 Spatial Coverage Spatial characteristics of the resource. current,68.1490556685704,13.7622515654953; Creator An entity primarily responsible for making the resource 687 Date Modified Date on which the resource was changed. 04/07/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. University of St Andrews Intangible Prim Media 720 Field Worker Elisabeth Rosa Brusin, Ole Andreas Sagmo, Rebeca Franco Valle Climate Threats Water pollution,Loss of biodiversity,Invasive species,Coastal erosion,Sea-level rise,Increased rainfall,Deterioration of material,Deterioration of space Economic Threats Rapid economic transformation Technological Threats Industrial production,Surge of new technologies Policy Threats Lack of conservation policy,Educational standardisation Conflicts Human encroachment on boundaries Demographic Threats Rural-urban migration Decontextualization Touristification,Misappropriation Globalisation New pastimes,Rapid sociocultural change Weakened Practice Aged practitioners,Diminishing participation,Halted transmission between generations,Reduced practice Loss Threats Loss of cultural spaces,Loss of knowledge,Material shortage,Loss of cultural significance Climate Actions Research,Community Engagement,Collaboration with other organisations SDG Decent Work and Economic Growth,Industry Innovation and Infrastructure,Reduced Inequalities,Sustainable Cities and Communities,Responsible Consumption and Production,Climate Action,Life On Land External ID MN_CP_02 Knowledge Knowledge of different types of wool, their different textures, and their applications to different kinds of clothing. Different knitting techniques and design patterns. Implementation of machine knitting techniques in the production line. In Lofoten Wool, the production of garment is divided into two practices: hand made knitting and machine knitting. Handmade knitting is carried out by skilled ladies who knit from home. The knitters are located in whole Northern Norway, and are coordinated by one of Ragnhild's co-workers, Nora. Machine knitting is carried out with the 3D zero waste knitting technology, which is a knitting practice that has been implemented by Lofoten Wool in order to offer more affordable, but still high-quality, garments. The garments made with this technique are machined knitted by partner companies in Tingvoll (Tingvoll Ull?) and Sykkylven (Krivi?), about 700 km southern Lofoten. The 3D zero waste knitting practice knits a sweater in 40 minutes, and reduces the yarn waste by using only the yarn needed for the production of the garment. The practitioner weaves and knits some of the garments herself, as well as designs new models and patterns with the collaboration of responsible for the quality check of the garments Knowledge Transfer There are schools for learning traditional fiber and textile work. Higher education in fashion design. Lugger (shoes for walking in the snow, in the dry winters. old woolen parts and then they would knit the shoes). Snow, shoes. Practitioners Current practitioners of the office: traditional textile workers, and employees responsible for coordination and administrative work. They can be learnt by choosing to work in that particular work. There is general gender differences that rely on longer cultural undercurrents (ie. wool textile workers are generally woman). Lofoten wool Hand-made sweaters relies on the work of knitters located in Northern Norway, that produce the sweaters for the company. The knitter may have school education, or practice-base knowledge to produce the sweaters. Current practitioners of machine knitted garments: partner companies in Tingvoll and Sykkylven (Norway). Function Besides preserving the sense of belonging to a long-term domestic tradition, it opens the gates to thinking about fiber choices, local production and slow-fashion as gatheways to the sustainable fashion industry. Tourists engage in this sustainable industry by choosing locally produced raw materials and products that support the local primary sector, but also acquire a durable piece of clothing made in ways that respect the local nature and culture. Origins and change The current practices are not directly tied to old traditions, but they aim to recover, maintain and enhance the former domestic textile production. Knitwear is known in Scandinavia since the Middle Ages, and has a long tradition in domestic production until recent times. With the arrival of regulated public education to Norway, schools of offices also took up textile learning traditions, and offered them as professional education, while domestic hobby craft was kept in the families. However, the learning of hand-made crafting educations has been diminishing during the past decades, where fast-fashion industry has slowly been taking over consumer needs. Hand-made knitwear survives today partially as a hobby craft, and through revival initiatives. The connections of the craft with the land in Lofoten wool however, permeate much deeper than the hobby stores, investing in local ancient sheep breeds to produce fashionable items for tourist, naturally bridging between the primary and quaternary sectors with their textile (sweater) productions. Organisations Lofotr Viking Museum, the slaughtery, the organizations Norske Kunsthandverkerer and Norske Biledkunstnerer, Småbrukerlager and Bondelaget, and Husflidlaget. Places Local husflidslaget, factories in Ålesund area (Tingvoll and Sykkylven). Artefacts Different types of knitting needles, 3D knitting machines, industrial loom, yarn unwinder, pots and utensils for dying. Climate Threats Description Water pollution as a result of industrial production. Loss of Biodiversity: there are few sheep farms left in Lofoten. Invasive species come with streams of imported products, vacations abroad and mass tourism. As an island, coastal erosion and rise of sea level may affect the place. Increased rainfall modifies the flora and the naturall cicles on which fodder for the sheep is produced. Economic Threats Description Raw material production is being increasingly outsourced, away from the country. Rural road infrastructure in the islands with few options of public transport Technological Threats Description Indrustrial production has to be used to make the business sustainable. Surge of new technologies to improve the machine knitted production. Conflicts Description The increasing pressure of new inhabitants on the area and vacation houses creates conflicts with the use of pastures for the sheep. Younger generations are moving away from Lofoten/Northern Norway creating a a lack of generational turnover when it comes to learning and carrying out textile traditional handicraft. Decontextualization Description Mass tourism demands more and faster production of garments to be sold. Traditional weaving patterns are appropiated by fast fashion industries. Globalisation Description Craft hobbies with wool have been reduced in the past decades. At the same time, industrial production of clothes and fast fashion produced in other countries, with more affordable products, makes the products less attractive. Weakened Practice Description Knitting is a popular hobby in Norway. However, there is a steady decrease of textile production in Norway in favor of relocation to countries where production is cheaper. Loss Threats Description With the loss of traditions linked to traditional manners of processing the wool, also the old tool usage has been lost to big extends. Oral traditions preserved are very few, since the founder of the project Lofoten wool is not a local herself. State of the practice thriving Social sustainability It creates direct local employment for people hired for their skills. This helps against rural exodus, nurturing the local community development. Environmental sustainability Sheep farming has very little impact over the local landscape. It helps preserving the landscape too. There is very waste generated during thr process of obtaining the wool. The energy employed is electric. The materials are sources locally, but the wool preparation has to be outsourced from another region, since there is no local installations that offer this service and the production center is not big enough. Economic sustainability It diversifies the production of the region, offering locally produced textiles using local raw materials. This also benefits the local sheep farmers, that find a use for the sheep wool that would otherwise go to waste. Place The town or city Stamsund, Lofoten, Norland Place Description Lofoten wool is situated in the proximity of the town of Stamsund. The town belongs to the municipality of Vestvågøy, in the Lofoten Archipelago and by 2023 counts 1.104 inhabitants. The town is one of the largest fishing towns in Lofoten, and an important fishing harbour. The fishing town was established in 1983 by JM Johansen, and today houses one of the largest fish processing plants of Lofoten, a Tran refinery, and its own shipping company. Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Knitting_and_weaving_practices Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Knitting and weaving practices Type The nature or genre of the resource Intangible Description An account of the resource The know-how about curating, harvesting and selecting the best parts of the sheep wool and different uses according to its natural properties: socks, sweaters, woven fabrics and felted wools. Knitting has been a practiced traditionally carried out at home by women. Spinning, knitting and weaving was common knowledge un homes up until 100 years ago, when industrial production begun to take over home-made textiles. Knitting culture has survived in Lofoten to greater extends than in other European countries, and traditional pattern and techniques are still known. Every piece of clothing, being socks, sweaters, mittens or hats, requiere speceific knowledge about stitch density, patterning and wool texture. When industrial dyes were not widely available, local natural plants and likens would do the coloring. The knowledge about plant use was mostly orally transmitted for generations. Currently, some of said traditions can be found in crafting manuals and school education, all of which is used to produce unique sweaters in Lofoten wool. Creator An entity primarily responsible for making the resource 687 Language A language of the resource Norwegian Extent The size or duration of the resource. x x Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 410 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://lofoten-wool.no/en/pages/menneskene https://lofoten-wool.no/en https://www.nibio.no/prosjekter/amazing-grazing-baerekraftig-kjott-og-ull-fra-sau-som-beiter-i-norsk-utmark?locationfilter=true https://www.smabrukarlaget.no/aktuelt/bonde-og-smaabruker/, https://www.norskekunsthandverkere.no/kunstnerregister/ragnhild-lie https://husflid.no/ https://www.utdanningsforbundet.no/ https://www.bondelaget.no/ Esther Haukeland, Innføring til plantefarging. Cappellen, 1982. Animalia: Norwegian wool Standard. https://www.animalia.no/no/Dyr/ull-og-ullklassifisering/norsk-ullstandard/ Beder, Nicolina J., Seyður Ull Tøting. SPF. Sprotin, 2010. Flååt, Inger. Votter i Namdalen. Nauma Husflidslag, 2010. Grimstad, Ingun K. and Sårdal, Tone t. Norsk Strikkehistorie. Vormedal Forlag. 2018. Grimstad, Ingun K. and Sårdal, Tone T. Ren ull. Aschehoug, 2013. Hrútaskrá. https://www.rml.is/is/kynbotastarf/saudfjarraekt/hrutaskra Joensen, Robert. Seyðabókin. SPF. Sprotin, 2015. Johnston, Elizabeth and Juuhl, Marta K. The warp-weighted loom. Kljásteinavefstadurinn: kljásteinar klingja. Oppstadveven: klingande steinar. Skald, 2016. Kjellmo, Ellen. Båtrya i gammel og nyt tid. Orkana, 1996. Sundbø, Annemor. Usynlege Trådar i Strikkekunsten. Samlaget, 2006. https://www.norskebilledkunstnere.no/ Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 19/06/2025 Spatial Coverage Spatial characteristics of the resource. current,68.1490556685704,13.7622515654953; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Gammalnorsk sheep wool Natural Cultural Cultural Function For making textile objects by knitting, crochet, needle binding or other techniques Creation Purpose For sale Technique Spinning, industrial spinning. The wool is sorted out from the sheep of the local farmers, selecting the kinds of wool according to the desired textiles the yarn will be more adecuate for. Then is sent to the wool mill to clean it, comb it and spin it, after which it returns to Stamsund, to the Lofoten wool headquarters. There, the yarn is unwinded and made into skeins for selling Material Source Lofoten islands Conecept The use of local wool from old sheep breeds that are adapted to the climate and landscape as a way of preserving animals that pre-date industrialized production, makes customers feel more connected with the culture and the land. Both the tourists who look for an exclusive, locally made and usable souvenir, and the people who buy the yarn to craft their clothes look for the feeling of doing something good for the planet and the local economy. The branding of the wool also refers to elements of cultural interest, landscape and climatic characteristics of the region using suggestive names and photographs. Production Quality Small production External ID MN_AR_01 Field Worker Rebeca Franco Valle Craft fibre and textile crafts Tool Industrial washing machine, industrial comb, and industrial spinning machine. Unwinded in the worshop. Place The town or city Stamsund, Lofoten, Norway Prim Media 818 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Full Storm yarn skein, raw color Type The nature or genre of the resource Physical Object Description An account of the resource Yarn skein made out of Gammalnorsk sheep breed from the Lofoten islands, raw color. Date A point or period of time associated with an event in the lifecycle of the resource 2024 Creator An entity primarily responsible for making the resource 687 Language A language of the resource Norwegian Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 429 Source A related resource from which the described resource is derived craftedobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://lofoten-wool.no/en https://www.nibio.no/prosjekter/amazing-grazing-baerekraftig-kjott-og-ull-fra-sau-som-beiter-i-norsk-utmark?locationfilter=true https://www.smabrukarlaget.no/aktuelt/bonde-og-smaabruker/, https://www.norskekunsthandverkere.no/kunstnerregister/ragnhild-lie https://husflid.no/ https://www.utdanningsforbundet.no/ https://www.bondelaget.no/ Esther Haukeland, Innføring til plantefarging. Cappellen, 1982. Animalia: Norwegian wool Standard. https://www.animalia.no/no/Dyr/ull-og-ullklassifisering/norsk-ullstandard/ Beder, Nicolina J., Seyður Ull Tøting. SPF. Sprotin, 2010. Flååt, Inger. Votter i Namdalen. Nauma Husflidslag, 2010. Grimstad, Ingun K. and Sårdal, Tone t. Norsk Strikkehistorie. Vormedal Forlag. 2018. Grimstad, Ingun K. and Sårdal, Tone T. Ren ull. Aschehoug, 2013. Hrútaskrá. https://www.rml.is/is/kynbotastarf/saudfjarraekt/hrutaskra Joensen, Robert. Seyðabókin. SPF. Sprotin, 2015. Johnston, Elizabeth and Juuhl, Marta K. The warp-weighted loom. Kljásteinavefstadurinn: kljásteinar klingja. Oppstadveven: klingande steinar. Skald, 2016. Kjellmo, Ellen. Båtrya i gammel og nyt tid. Orkana, 1996. Sundbø, Annemor. Usynlege Trådar i Strikkekunsten. Samlaget, 2006. https://www.norskebilledkunstnere.no/ Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Full Storm ullnøste rå farge Spatial Coverage Spatial characteristics of the resource. current,68.1490556685704,13.7622515654953; Date Modified Date on which the resource was changed. 10/07/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Hvitsau sheep wool, cochineal (Tanacetum vulgare) Natural Cultural Cultural Function For making textile objects by knitting, crochet, needle binding or other techniques Creation Purpose For sale Technique Spinning, industrial spinning. The wool is sorted out from the sheep of the local farmers, selecting the kinds of wool according the desired textiles that the yarn will be more adecuated for. Then is sent to the wool mill to clean it, comb it and spinn it, after which it returns to Stamsund, to the Lofoten wool headquarters. There, the yarn is died and made into skeins, tagged and prepared for selling. Material Source Lofoten islands Conecept The use of local wool from old sheep breeds that are adapted to the climate and landscape as a way of preserving animals that pre-date industrialized production, makes customers feel more connected with the culture and the land. Both the tourists who look for an exclusive, locally made and usable souvenir, and the people who buy the yarn to craft their clothes look for the feeling of doing something good for the planet and the local economy. The branding of the wool also refers to elements of cultural interest in the area using suggestive names and photographs. In this case, the name of the yarn refers to the local heather that grows in abundance on the Norwegian Coasts. The European species of the Cochineal has been used for coloring wool yarn for centuries, as far back as the Viking Age (800-1150 AD). Production Quality Small production External ID MN_AR_02 Field Worker Rebeca Franco Valle Craft fibre and textile crafts Tool Industrial washing machine, industrial comb, and spinning machine. Hand dyed with traditional techniques. Place The town or city Stamsund, Lofoten, Norway Prim Media 835 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Grey seagul skein Type The nature or genre of the resource Physical Object Description An account of the resource Yarn skein made out of Kvit Sau sheep breed from the Lofoten islands. It is dyed using local reinfann (Tanacetum vulgare). Double thread yarn, 315m pr. 100g. Date A point or period of time associated with an event in the lifecycle of the resource 2024 Creator An entity primarily responsible for making the resource 687 Language A language of the resource Norwegian Extent The size or duration of the resource. 26cm x 12cm x cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 430 Source A related resource from which the described resource is derived craftedobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://lofoten-wool.no/en https://www.nibio.no/prosjekter/amazing-grazing-baerekraftig-kjott-og-ull-fra-sau-som-beiter-i-norsk-utmark?locationfilter=true https://www.smabrukarlaget.no/aktuelt/bonde-og-smaabruker/, https://www.norskekunsthandverkere.no/kunstnerregister/ragnhild-lie https://husflid.no/ https://www.utdanningsforbundet.no/ https://www.bondelaget.no/ Esther Haukeland, Innføring til plantefarging. Cappellen, 1982. Animalia: Norwegian wool Standard. https://www.animalia.no/no/Dyr/ull-og-ullklassifisering/norsk-ullstandard/ Beder, Nicolina J., Seyður Ull Tøting. SPF. Sprotin, 2010. Flååt, Inger. Votter i Namdalen. Nauma Husflidslag, 2010. Grimstad, Ingun K. and Sårdal, Tone t. Norsk Strikkehistorie. Vormedal Forlag. 2018. Grimstad, Ingun K. and Sårdal, Tone T. Ren ull. Aschehoug, 2013. Hrútaskrá. https://www.rml.is/is/kynbotastarf/saudfjarraekt/hrutaskra Joensen, Robert. Seyðabókin. SPF. Sprotin, 2015. Johnston, Elizabeth and Juuhl, Marta K. The warp-weighted loom. Kljásteinavefstadurinn: kljásteinar klingja. Oppstadveven: klingande steinar. Skald, 2016. Kjellmo, Ellen. Båtrya i gammel og nyt tid. Orkana, 1996. Sundbø, Annemor. Usynlege Trådar i Strikkekunsten. Samlaget, 2006. https://www.norskebilledkunstnere.no/ Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Gråmåke nøste Spatial Coverage Spatial characteristics of the resource. current,68.1490556685704,13.7622515654953; Date Modified Date on which the resource was changed. 10/07/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Sheep wool Natural Cultural Cultural Function Wearable, clothing. Creation Purpose For sale Technique Woven wool Material Source Lofoten Islands Conecept The use of local wool from old sheep breeds that are adapted to the climate and landscape as a way of preserving animals that pre-date industrialized production, makes customers feel more connected with the culture and the land. The landscape also benefits from traditional ways of sheep herding, that do not use any chemically-produced fertilizers. For sheep farmers, this is a way out for the derivate of their main industry. The hand-knitted sweaters from Lofoten wool Both the tourists who look for an exclusive, locally made and usable souvenir, and the people who buy the yarn to craft their clothes look for the feeling of doing something good for the planet and the local economy. The branding names of the wool also refer to the evocating cultural and natural elements of the region. Production Quality Small scale External ID MN_AR_04 Field Worker Rebeca Franco Valle Craft fibre and textile crafts Tool Automatized loom, outsourced. The wool is woven into a large piece of fabric in a weaving factory and then sent back to the headquarters in Stamsund. There the fabric is cut into the desired size for a shall, the hems are secured and the tag is put into it. The resulting fabric is the hand-died at the workshop in Stamsund. Place The town or city Stamsund, Lofoten, Norway Prim Media 842 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Indigo Shwall Type The nature or genre of the resource Physical Object Description An account of the resource A square-shapen woven shall made out of locally sourced wool from the Lofoten Islands, died with Indigo. Date A point or period of time associated with an event in the lifecycle of the resource 2024 Creator An entity primarily responsible for making the resource 687 Language A language of the resource Norwegian Extent The size or duration of the resource. 210cm x 70cm x cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 432 Source A related resource from which the described resource is derived craftedobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://lofoten-wool.no/en https://www.nibio.no/prosjekter/amazing-grazing-baerekraftig-kjott-og-ull-fra-sau-som-beiter-i-norsk-utmark?locationfilter=true https://www.smabrukarlaget.no/aktuelt/bonde-og-smaabruker/, https://www.norskekunsthandverkere.no/kunstnerregister/ragnhild-lie https://husflid.no/ https://www.utdanningsforbundet.no/ https://www.bondelaget.no/ Esther Haukeland, Innføring til plantefarging. Cappellen, 1982. Animalia: Norwegian wool Standard. https://www.animalia.no/no/Dyr/ull-og-ullklassifisering/norsk-ullstandard/ Beder, Nicolina J., Seyður Ull Tøting. SPF. Sprotin, 2010. Flååt, Inger. Votter i Namdalen. Nauma Husflidslag, 2010. Grimstad, Ingun K. and Sårdal, Tone t. Norsk Strikkehistorie. Vormedal Forlag. 2018. Grimstad, Ingun K. and Sårdal, Tone T. Ren ull. Aschehoug, 2013. Hrútaskrá. https://www.rml.is/is/kynbotastarf/saudfjarraekt/hrutaskra Joensen, Robert. Seyðabókin. SPF. Sprotin, 2015. Johnston, Elizabeth and Juuhl, Marta K. The warp-weighted loom. Kljásteinavefstadurinn: kljásteinar klingja. Oppstadveven: klingande steinar. Skald, 2016. Kjellmo, Ellen. Båtrya i gammel og nyt tid. Orkana, 1996. Sundbø, Annemor. Usynlege Trådar i Strikkekunsten. Samlaget, 2006. https://www.norskebilledkunstnere.no/ Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Indigo Sjal Spatial Coverage Spatial characteristics of the resource. current,68.1490556685704,13.7622515654953; Date Modified Date on which the resource was changed. 10/07/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Norwegian white sheep Natural Cultural Cultural Function Dressing, garnment Creation Purpose For sale Technique Machine Material Source Stamsund, Lofoten Conecept The pattern desing became popular as "islander" sweater worn by norwegian fishermen at the beginning of the 20th century, and became part of one of the traditional knitting desings. Lofoten wool desing is based of the photos taken to the fisherman Johannes Folgerø. These photos were taken on the occasion of the fishing exhibition in Bodø in 1904. The organizers wanted a photograph of a typical northern Norwegian fisherman, for use in marketing. The photographer Louise Engen from Bodø took the photos with Johannes Folgerø from Sandnessjøen as a model. He was 52 years old at the time, a fisherman and a well-known seiner, originally from Finnås in Hordaland. Folgerø had probably moved to Helgeland around 1870, in connection with the rich herring fishery. After a period on Dønna, where he also married, the family settled in Sandnes in Sandnessjøen. Around 1893, Folgerø bought a seiner together with merchant Otto Koch in Bodø. The photos belong to the museum's Lillegaard collection. Lofoten wool has taken this traditional knitting pattern and transformed into its own design, giving a new ligth to the emblematic design. The origin of the pattern is probably from the Feroe islands, since it was from there where many Norwegian fisherman got their sweaters at the end of the 19th and beginning of the 20th centuries. The Faroe Islands where great exporters of knitted goods to Scandinavia, but the history of this sweater needs to be researched in depth, something Ranghild is looking forward to do. Production Quality small External ID MN_AR_05 Field Worker Rebeca Franco Valle Craft fibre and textile crafts Tool 3D zero waste knitting machine Place The town or city Stamsund, Lofoten, Norway Prim Media 844 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sweater Islender Johannes Folgerø Type The nature or genre of the resource Physical Object Description An account of the resource Sweater Inspired by the historical photo of the North-Norwegian fisherman Johanner Folgerø. The pattern desing became popular from the charismatic photo of the fisherman. These photos were taken on the occasion of the fishing exhibition in Bodø in 1904. The organizers wanted a photograph of a typical northern Norwegian fisherman, for use in marketing. The photographer Louise Engen from Bodø took the photos with Johannes Folgerø from Sandnessjøen as a model. He was 52 years old at the time, a fisherman and a well-known seiner, originally from Finnås in Hordaland. Folgerø had probably moved to Helgeland around 1870, in connection with the rich herring fishery. After a period on Dønna, where he also married, the family settled in Sandnes in Sandnessjøen. Around 1893, Folgerø bought a seiner together with merchant Otto Koch in Bodø. The photos belong to the museum's Lillegaard collection. Lofoten wool has taken this traditional knitting pattern and transformed into its own design, giving a new ligth to the emblematic design. The origin of the pattern is probably from the Feroe islands, since it was from there where many Norwegian fisherman got their sweaters at the end of the 19th and beginning of the 20th centuries. The Faroe Islands where great exporters of knitted goods to Scandinavia, but the history of this sweater needs to be researched in depth, something Ranghild is looking forward to do. Date A point or period of time associated with an event in the lifecycle of the resource 2024 Creator An entity primarily responsible for making the resource 687 Language A language of the resource Norwegian Extent The size or duration of the resource. 71cm x 152cm x cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 433 Source A related resource from which the described resource is derived craftedobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://lofoten-wool.no/en https://www.nibio.no/prosjekter/amazing-grazing-baerekraftig-kjott-og-ull-fra-sau-som-beiter-i-norsk-utmark?locationfilter=true https://www.smabrukarlaget.no/aktuelt/bonde-og-smaabruker/, https://www.norskekunsthandverkere.no/kunstnerregister/ragnhild-lie https://husflid.no/ https://www.utdanningsforbundet.no/ https://www.bondelaget.no/ Esther Haukeland, Innføring til plantefarging. Cappellen, 1982. Animalia: Norwegian wool Standard. https://www.animalia.no/no/Dyr/ull-og-ullklassifisering/norsk-ullstandard/ Beder, Nicolina J., Seyður Ull Tøting. SPF. Sprotin, 2010. Flååt, Inger. Votter i Namdalen. Nauma Husflidslag, 2010. Grimstad, Ingun K. and Sårdal, Tone t. Norsk Strikkehistorie. Vormedal Forlag. 2018. Grimstad, Ingun K. and Sårdal, Tone T. Ren ull. Aschehoug, 2013. Hrútaskrá. https://www.rml.is/is/kynbotastarf/saudfjarraekt/hrutaskra Joensen, Robert. Seyðabókin. SPF. Sprotin, 2015. Johnston, Elizabeth and Juuhl, Marta K. The warp-weighted loom. Kljásteinavefstadurinn: kljásteinar klingja. Oppstadveven: klingande steinar. Skald, 2016. Kjellmo, Ellen. Båtrya i gammel og nyt tid. Orkana, 1996. Sundbø, Annemor. Usynlege Trådar i Strikkekunsten. Samlaget, 2006. https://www.norskebilledkunstnere.no/ Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Genser Islender Johannes Folgero Spatial Coverage Spatial characteristics of the resource. current,68.1490556685704,13.7622515654953; Date Modified Date on which the resource was changed. 10/07/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Intangible Prim Media 722 Context The practice doesnt stand alone, it is a part of the concept that the practitioner excersises in the forge. The practice is part of the interpersonal experience the blacksmith offers to his visitors and groups. Entertainment, jokes, stories and anecdotes are told by the blacksmith are part of the demonstation of making the objects, and building a connection. The practitioner creates objects using the same practice in the lower seasons, without visitors attending, to keep up the stock. Field Worker Agnes Csenki Climate Threats Sea-level rise,Increased rainfall,Deterioration of space Economic Threats Insufficient financial resources,Rapid economic transformation Weakened Practice Diminishing youth interest,Reduced practice Loss Threats Loss of knowledge,Material shortage,Loss of cultural significance SDG Responsible Consumption and Production,Partnerships for the Goals External ID MN_CP_03 Knowledge Both practical and theoretical knowledge is required, and a basic knowledge in metallurgy. Planning, and designing of products, a practical setup in the smithy or workshop is also helping the working process. Forging is a hard physical work, that requires physical strength knowledge of the properties of the material in use (iron, bronze, sopper, other metal), temperatures, tools and how the material reacts during the process. Most of the knowledge is practical. Speed, movements to create the wished form, knowledge of the use of different tools (pliers, hammers, brushes), knowledge of the properties and the effect of different temperatures to the metal to create the desired quality, how the metal will react in different stages of the work. Important to have good safety routines in personal safety and fire safety. Tor-Vegard has his own safety routines that he implies them to the visitors too in the workshop (for example hearing protection). Knowledge Transfer Tor-Vegard learned his skills from Hans Gjertsen, and was a trainee for two years under his supervision between 1987 and 1989. The practice is closely connected to the practitioner (Blacksmith of Sund). Tor-Vegard himself accepts trainees, his latest trainee was his son, who hopefully will carry on with the legacy of the previous practitoners in the Forge in Sund, as the new generation of the Blacksmith of Sund. The practice is well displayed in the workshop for visitors. All in general forging in Norway: It is possible to study forging in official Secondary education. That includes 2 years of theoretical and practical school studies and 2 years of practice at a company. Successful formal education results in a “svennebrev”, an official document, that secures quality and knowledge in the field. Forging course (smikurs); depending on the content and subject can vary form a few hours form several days (occasions). That provides a very basic knowledge of the skills and materials, an gives the possibility to create an object. From a practicing blacksmith who accepts trainees with a will to learn, outside formal education. Practitioners The bearer of the core of the practice is the blacksmith in Sund. Tor-Vegard worked alone in his workshop in the past years and was the soil bearer of the practice. Prior to him, it was Hans Gjertsen who carried and practiced the knowledge. Recently, the third generation of blacksmith, Tor-Vegards son, Hans is the candidate to carry on with the practice. He is a freshly graduated blacksmith. Function The two generations of practitioners built a reputation around the cormorant sculptures, that is well known from Sund. The emblematic form and product is well recognisable. It contribites to the local identity, and many locals follow the practitioner and his work on SoMe. The practice contributes to the local communty to be on the touristic map, and it creates a huge visitor number each year in the small village of Sund. During the touristic season, the practice is a part of a social setting. The practitoner interacts with the visitors during the process of making scultputes in the workshop. The interactions, stories and the multy-sensory experience creates and deepens the interest among visitors, and a will to buy. Origins and change The practice cannot be divided form the practitioner: The Blacksmith of Sund. The origin of the hand forged cormorant dates to the time of the old blacksmith, Hans Gjertsen. He opened his workshop in 1947, but became well known after 1963, when he surprised the Kind of Norway, Olav V. with a hand forged cormorant, sitting on a rounded granite stone from the Lofoten mountains. The cormorant design became known as "Kongeskarv", that we can translate as "King Cormorant". That first known cormorant memorabilia from Lofoten paved the road for Hans Gjertsen to establish the forge as one of the oldest tourist attractions in Lofoten. Tor-Vegard was a trainee 1987-89 and took over the forge in 1989. Hans Gjertsen was relatively active until 2004 and passed away in 2006. Tor-Vegard as the second generation of the blacksmith in Sund changed and adapted the practice to his ways, and to the larger demands, and introduced new products using the same starting point (cormorants in different variations, pinguins). Tor-Vegard uses the mechanical hammers in a different scale and he purchased an new mechanical hammer too. He also stoped forming a crown onto the top of the "King Cormorants" head. The third generation of blacksmith just got introduced and further development is expected in the future. Organisations Fishery Museum in Sund and the Forge in Sund are the closest related to the practice. In Norway, all in general, forging has a long traditon and history. In all fishing villages in Lofoten operated at least one forge at a time. Norwegian Fishing Village Musuem has a forge that disseminates forging, Lofotr Viking Museum is an important hub for different crafts, alongside iron age forging (the smithy unfortunately burned down in 2021, the reconsruction of the forge is still in progress). Forge Association: https://norsksmedforening.wordpress.com/; Hjerleid Håndverksskole https://www.hjerleid.no/no/vg2-smed, blacksmith groups on social media. Places The workshop itself in Sund, that is a part of the Fishery Museum in Sund. Artefacts We can group the artefacts, connected to the practice. Preparing the material: metal cutter. Warming up and forming the metal: coal forge, airing system-blower to keep the fire at a high temperature, hammers, pliers, mechanic hammers, anvil. Polishing the finished product: brushes, polishing machine. Protective wear, as leather apron, leather gloves, protective shoes, glasses, hearing protection. Tor-Vegard wears his glasses, a hat, black top and trousers and a leather apron on top of it. The finished products. Climate Threats Description Sea level rising is a threat in a coalstal community, like Sund. The rising sea level would efeect the toursism, that per today scapes 80-90% of the practitioners income. Several bridges are connecting the islands, the steep mountains are avalanche danger. If the bridges are closed due to weather conditions and the roads close due to avalance, supplies would be hard to get, the visitors cannot reach the forge. Economic Threats Description If the practice is no longer economilcally profitable, it reduces the possibilities of the practitioner to carry on. Sund in Lofoten islands is a remote village. Poor connections make it difficult for visitors to arrie to Lofoten. Weakened Practice Description Without successor, the practice is facing a threat. Loss Threats Description Without the knowledge, materials and the significance, the practice is loosing its basis, that threatens the practice. State of the practice stable Social sustainability The practice contributes to a small fishing village in Lofoten to be significant for visitors, arriving to Lofoten. The practitoner is an active member of the community, and lifts it throughout the practice. Environmental sustainability The practice contributes to enviromental sustainability, with it´s waste management and optimised logistics and material use. Economic sustainability No Place The town or city Sundveien 118, 8384 Sund, Flakstad Municipality, Lofoten Islands, Nordland County, Norway Place Description Sund is a traditional fishing village in the Lofoten Islands. These fishing villages were built on the cod fishery in Winter, and the production of stockfish. Northeast Atlantic Cod migrates from the Barents Sea to the Norwegian coast to spawn and can be found by the coastline of Lofoten from approx. January to April. That period is called the Lofoten-Fishing in Lofoten. Stockfish is unsalted, dried cod-a traditional food, produced by hanging and air-drying cod on wooden racks for 3-4 months. The winter fishery traditionally attracted fishermen from both south and north on the mainland. They were seasonally accommodated in the villages in cabins (rorbu). Stockfish was Norway’s most important commodity, and most of the production was sold to export. These fishing villages in Lofoten were owned by the crown until the late 18th century. Privileges were given to individuals: innkeepers, cargo-vessel owners, fish traders, who built up enough capital could buy them and the land surrounding. That was the start of the landowner system in Lofoten. Landowner or squires had monopoly on trade, land and properties in their villages, they rented out cabins to the travelling fishermen and bought the fish from them. Locals paid in free labour for the plot where their house stood. The forge had an important role in the fishing villages, as the blacksmith produced objects for the landowners, the locals need and served the fisheries needs: tools, equipment, nails, supplies for reparation work and other metal objects. The blacksmith workshop is part of the Fishery Museum in Sund, both are operated by Tor-Vegard Mørkved, the Blacksmith of Sund. Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Hot_and_warm_forging_of_a_bird_form_by_hand,_and_machanical_hammer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hot and warm forging of a bird form by hand, and machanical hammer Type The nature or genre of the resource Intangible Description An account of the resource Forging is working with iron, and other metals.Warm and hot forming requires a forge to warm up the metals, The hot and warm metals can be formed into shapes with the help of hammers, anvil, pliers and other tools. The different warming, temperatures and cooling methodes give different reults and properties to the finished products. Creator An entity primarily responsible for making the resource 689 Language A language of the resource Norwegian Extent The size or duration of the resource. x x Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 411 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://nordnorge.com/aktiviteter/smeden-i-sund-smir-skarver-pa-stein/ https://eng.handverksinstituttet.no/ https://norsksmedforening.wordpress.com/ Bergland, Håvar: Kunsten å smi: teknikk of tradisjon, Gyldendal yrkesopplæring, 2000 Bergland, Håvar: Knivsmeden : knvimakerarbeid og smiing Pehrson, Sjur Axel: Smedarbeid - vg2 og vg3, Yrkeslitteratur, 2009. Wefring, Christoffer-Gørrissen, Johan : Konstruksjons- og Verktøystål. Anvendelse og varmebehandling. Oslo, 1971 Norén, Karl-Gunnar-Enander, Lars: Nya järnsmidesboken. Nielsen Norén Förlag, 2008. Silje Sandø Rullestad:Den norrøne jernaldersmeden i tekst og kontekst Masteroppgave i arkeologi IAKH Det humanistiske fakultet Universitetet i Oslo Vår 2007 https://www.nb.no/items/8a8865bf9110dbe9f467b0267d2e3b9d?page=7&searchText=%22tor-vegard%20m%C3%B8rkved%22 https://www.nb.no/items/61c68e36aa516c4aa9cca0c97e99d4fa?page=3&searchText=kongeskarven https://www.nb.no/items/c0240c5d62c4528b227147d06f3d68ba?page=17&searchText=%22tor-vegard%20m%C3%B8rkved%22 https://www.nb.no/items/0b1664793a4dc5032499662692b054bc?page=0&searchText=%22kong%20olav%20V%22 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 19/06/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Varm smiinig av fygel med hånd,og mekanisk hammer Spatial Coverage Spatial characteristics of the resource. current,68.004948,13.207371; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Metal (steel), natural stone Natural Cultural Cultural Function The object has decorative and estetic functions. Creation Purpose The object was created for sale. Technique The object was hot, and warm forged by Tor-Vegard, then fastened onto a piece of stone. In details: the practitioner cut a piece of the choosen thickness of a steel round bar. He put the piece of metal the middle of the fire in the forge. After a few minutes he took it out with a pair or pliers and formed it with the help of a machine hammer. That gave a rough form of a bird to the metal. He carried on forming the figure with a hand hammer on an anvil. He glues the finished bird figure onto a grinded sone, with epoxy glue. Material Source Tor-Vegard purchases the metal from a distributor in Harstad, the stones are havested by Tor-Vegard himfelf in Finnmark. Conecept The object itself is a version of the cormorant figure, that became an emblematic artwork form Lofoten, produced by the blacksmith in Sund. The theme is a local sea bird, a cormorant, that is also known from legends from Lofoten (Skarvene fra Utrøst). Cormorants are a part of the landscape in West-Lofoten. The Forge in Sund and it´s cormorant sculpture is one of the earliest touristic attractions in Lofoten.As it became a phenomenon for tourists, local families also discovered the artwork and many families own an example in their homes. The cormorants as emblematic and well known product can add to local identity. The first known designs of the cormorant sculpture were created by the "old blacksmith" in Sund, Hans Gjertsen. In 1963 he gave one of the cormorant sculptures to King Olav V., who was visiting Lofoten to take part in the opening ceremonies of the new road between Å and Svolvær. The opening ceremony took place the first days of august, 1963. Hans Gjertsen surprised the king with a memory from Lofoten: a hand-forged cormorant, standing on a rounded granite stone. New versions were later introduced. Tor-Vegard developed the products, and he creates new and different versions of the original, with different finishes and shines. Production Quality Production scale is small. Each product is formed by Tor-Vegard, one by one. Each piece is individual and unique with the same starting point. External ID MN_AR_06 Field Worker Agnes Csenki Craft metalwork Tool A coal forge, pliers, hand hammer, machine hammer, anvil, brushes to polish the object, epoxy resin applicator Place The town or city Sundveien 118, 8384 Sund, Flakstad Municipality, Lofoten Islands, Nordland County, Norway Prim Media 1015 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sitting small cormonrant with brass colour Type The nature or genre of the resource Physical Object Description An account of the resource Metal sculpture of a cormorant, a native seabird in Lofoten. The bird is sitting on a naturally rounded stone, looking upwards with its peek towards the sky. The sculpture has a brass shine, by brushing brass ontot the hot surface. The form is an alternative to the well-known king cormorant sculpture, that is a "signiture" product from the Blacksmith in Sund, and is one of the oldest hand crafted memorabilia still in producation from Lofoten. That version is very like the famous cormorant sculpture, King Olav V. recieved in 1963 from the previous blachsmiht of Sund. Date A point or period of time associated with an event in the lifecycle of the resource 2024 Creator An entity primarily responsible for making the resource 689 Language A language of the resource Norwegian Extent The size or duration of the resource. 7cm x 9cm x 15cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 434 Source A related resource from which the described resource is derived craftedobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://smedenisund.no/nettbutikk/ https://www.nb.no/items/6d10de6230df63d278e6a9e1fef16ec8?page=11&searchText=%22tor%20vegard%20m%C3%B8rkved%22 Asbjørnsen, P. Chr. (Peter Christen): Skarvene fra Utrøst. Cappelen, 1974 Gansum, Terje: Fra jern til stål : mytologiske og rituelle aspekter i teknologiske prosesser. Borre, Midgard historisk senter, 2002. https://www.nb.no/items/0b1664793a4dc5032499662692b054bc?page=7&searchText=%22kong%20olav%20v.%22%20%20gjertsen https://www.nb.no/items/7c395122e3290def1768522b23f730db?page=19&searchText=%22kong%20olav%20v.%22%20%20gjertsen https://www.nb.no/items/0b1664793a4dc5032499662692b054bc?page=0&searchText=%22kong%20olav%20V%22 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Sittende liten skarv med messing farge Spatial Coverage Spatial characteristics of the resource. current,68.004948,13.207371; Date Modified Date on which the resource was changed. 05/08/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Metal (steel), natural stone Natural Cultural Cultural Function The object has decorative and estetic functions. Creation Purpose The object was created for sale. Technique The object was made with hot and warm forging by hand and mechanical hammers, and welding. The sculpture is fastened onto a base stone. Material Source The practitioner buys metal from a distributor in Harstad, the stones are havested by Tor-Vegard in Finnmark. Conecept The sea eagle is a majestic bird in Lofoten, the product was introduced by Tor-Vegard in the forge, after the emblematic cormorant statues. He worked for years on developing the shape and introducing it to visitors and customers of the forge, around 1998. Production Quality Small scale production. Each product is formed by Tor-Vegard,one by one. Each piece is individual and unique. External ID MN_AR_07 Field Worker Agnes Csenki Craft metalwork Tool A coal forge, pliers, hand hammer, machine hammer, anvil, brushes to polish the object, grinder to grin the stone the bird stands on; epoxy resin applicator Place The town or city Sundveien 118, 8384 Sund, Flakstad Municipality, Lofoten Islands, Nordland County, Norway Prim Media 1018 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sea eagle with fish Type The nature or genre of the resource Physical Object Description An account of the resource Metal sculpture of a sea eagle, a predatory seabird native to Lofoten. The bird stands on a naturally rounded base stone, holding a fish in its talons. The object has a golden sheen, which is the result of brushing brass to a hot surface. The object is signed and marked with a year of making on the buttom of the base stone. Date A point or period of time associated with an event in the lifecycle of the resource 2024 Creator An entity primarily responsible for making the resource 689 Language A language of the resource Norwegian Extent The size or duration of the resource. 14cm x 39cm x 25cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 435 Source A related resource from which the described resource is derived craftedobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://www.nb.no/items/d3de24906933c078089a792b4b5d4c3f?page=13&searchText=%22tor-vegard%20m%C3%B8rkved%22 https://smedenisund.no/nettbutikk/ https://www.nb.no/items/6d10de6230df63d278e6a9e1fef16ec8?page=11&searchText=%22tor%20vegard%20m%C3%B8rkved%22 https://www.nb.no/items/0b1664793a4dc5032499662692b054bc?page=7&searchText=%22kong%20olav%20v.%22%20%20gjertsen https://www.nb.no/items/7c395122e3290def1768522b23f730db?page=19&searchText=%22kong%20olav%20v.%22%20%20gjertsen https://www.nb.no/items/0b1664793a4dc5032499662692b054bc?page=0&searchText=%22kong%20olav%20V%22 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Ørn med fisk, Havørn Spatial Coverage Spatial characteristics of the resource. current,68.004948,13.207371; Date Modified Date on which the resource was changed. 05/08/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Metal (steel) Natural Cultural Cultural Function The object has decorative and estetic functions. Creation Purpose The object was created for sale, and stands on exhibition in the workshop, until visitors buys it. Technique Tor-Vegard forges the metall pieces in a coal forge, then welds the pieces together. The practitioner finishes the object with treating and brushing the surface. Material Source The metal comes from a distributor in Harstad. Conecept The practitioner is inspired by people around him, and their posture and manners influence his artwork. Many of the human-figures resemble local figures. In the workshop, visitors can observe the manufacturing. Tor-Vegard creates an atmosphere while working, by building connection and entertaining the visitors. That model of experience based visit also creates a will to buy. Production Quality Small scale of production. That product is not the main focus of Tor-Vegards profile. The human sculptures are his design, and he enjoys creating them. He often gets direct orders on them from visiting tourists. External ID MN_AR_08 Field Worker Agnes Csenki Craft metalwork Tool A coal forge, pliers, anvil, hand hammer, machine hammer, welding machine, brushes to polish the object Place The town or city Sundveien 118, 8384 Sund, Flakstad Municipality, Lofoten Islands, Nordland County, Norway Prim Media 1025 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Walking human figure Type The nature or genre of the resource Physical Object Description An account of the resource A human figure, designed and created by Tor-Vegard. A dynamic and minimalistic interpretation of a walking human figure, with long limbs and simple facial features. The figure stands on a rectangular foot, that is marked with the practitioners stample. Date A point or period of time associated with an event in the lifecycle of the resource 2024 Creator An entity primarily responsible for making the resource 689 Language A language of the resource Norwegian Extent The size or duration of the resource. 14cm x 7cm x 29cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 436 Source A related resource from which the described resource is derived craftedobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://www.lofotposten.no/turisme/dette-skjer-nar-smeden-har-rolige-dager/s/5-29-18760 https://www.smedenisund.no/museet.html https://www.smedenisund.no/hva_skjer.html SMEDEN I SUND - SUND FISKERIMUSEUM - Smia og museets historie https://www.barnasnorge.no/aktiviteter/sund-fiskerimuseum-og-smeden-i-sund https://arkivinordland.no/fylkesleksikon/innhold/hendelser-og-historie/smeden-i-sund.37737.aspx https://www.visitnorway.com/listings/the-blacksmith-of-sund-sund-fisherymuseum-entrance/208940/ https://visitlofoten.com/aktivitet/museum/smeden-i-sund-sund-fiskerimuseum-inngang/ https://www.lofoten-info.no/sund-mus.htm Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Menneskefigur Spatial Coverage Spatial characteristics of the resource. current,68.004948,13.207371; Date Modified Date on which the resource was changed. 05/08/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Metal (steel), natural stone Natural Cultural Cultural Function The object has decorative and estetic functions. Creation Purpose The object was created for sale, in a daily operation of production. Technique The object was hot and warm forged by Tor-Vegard, then fastened onto a piece of stone. In details: Tor-Vegard cuts the steel into the required lengths and sizes. He forges the metal pieces in a coal forge. He welds together the pieces. The raw form of the figure is surface-treated and brushed, polished. The practitioner glues the finished figure onto the stone with epoxy glue. Material Source The metal comes from a distributor in Harstad. Tor-Vegard collets the stones himself from Finnmark. Conecept The object itself is another version of the cormorant figure, that became an emblematic artwork form Lofoten, produced by the blacksmith in Sund. The theme is a local sea bird, a cormorant, that is also known from legends from Lofoten (Skarvene fra Utrøst). Cormorants are a part of the landscape in West-Lofoten. The Forge in Sund and its cormorant sculpture is one of the earliest touristic attractions in Lofoten. As it became a phenomenon for tourists, local families also discovered the artwork and many families own an example in their homes. The cormorants as emblematic and well known product can add to local identity. The first known designs of the cormorant sculpture were created by the "old blacksmith" in Sund, Hans Gjertsen. In 1963 he gave one of the cormorant sculptures to King Olav V., who was visiting Lofoten to take part in the opening ceremonies of the new road between Å and Svolvær. The opening ceremony took place the first days of august, 1963. Hans Gjertsen surprised the king with a memory from Lofoten: a hand-forged cormorant, standing on a rounded granite stone. That version didnt have wings. New versions were later introduced. Tor-Vegard developed the products, and he creates new and different versions of the original, with different finishes and shines. The cormorant with open wings is made in different sizes, and colours. Production Quality Small scale production. Each product is formed by Tor-Vegard,one by one. Each piece is individual and unique. External ID MN_AR_09 Field Worker Agnes Csenki Craft metalwork Tool A metal cutter, coal forge, pliers, anvil, hand hammer, machine hammer, welding machine, brushes to polish the object, epoxy glue pplicator Place The town or city Sundveien 118, 8384 Sund, Flakstad Municipality, Lofoten Islands, Nordland County, Norway Prim Media 1032 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "King Cormonrant", Great cormorant with spread wings Type The nature or genre of the resource Physical Object Description An account of the resource Metal sculpture of a great cormorant, a native seabird, with it´s wings spread. The bird is looking towards the sky and spreads it´s wings. The bird sits on a naturally rounded and grinded stone. The sculpture has a brass shine effect, that is a resutl of brushing brass onto the hot surface. The "King Cormorant" or "Kongeskarven" is the signature product of the practitioner and the Forge in Sund. The object is signed and dated on the buttom. (see attached media) Date A point or period of time associated with an event in the lifecycle of the resource 2024 Creator An entity primarily responsible for making the resource 689 Language A language of the resource Norwegian Extent The size or duration of the resource. 8cm x 20.5cm x 15cm Contributor An entity responsible for making contributions to the resource iain Source A related resource from which the described resource is derived craftedobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://smedenisund.no/nettbutikk/ https://www.nb.no/items/6d10de6230df63d278e6a9e1fef16ec8?page=11&searchText=%22tor%20vegard%20m%C3%B8rkved%22 Asbjørnsen, P. Chr. (Peter Christen): Skarvene fra Utrøst. Cappelen, 1974 Gansum, Terje: Fra jern til stål : mytologiske og rituelle aspekter i teknologiske prosesser. Borre, Midgard historisk senter, 2002. https://www.nb.no/items/0b1664793a4dc5032499662692b054bc?page=7&searchText=%22kong%20olav%20v.%22%20%20gjertsen https://www.nb.no/items/7c395122e3290def1768522b23f730db?page=19&searchText=%22kong%20olav%20v.%22%20%20gjertsen https://www.nb.no/items/0b1664793a4dc5032499662692b054bc?page=0&searchText=%22kong%20olav%20V%22 https://nordnorge.com/en/aktiviteter/the-blacksmith-of-sund-offers-an-iron-souvenir-you-wont-be-finding-elsewhere/ Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Kongeskarven, storkarv med åpent vinger Spatial Coverage Spatial characteristics of the resource. current,68.004948,13.207371; Date Modified Date on which the resource was changed. 05/08/2025 Identifier An unambiguous reference to the resource within a given context 527 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Metal (steel), natural stone Natural Cultural Cultural Function The object has decorative and estetic functions. Creation Purpose The object was created for sale, in a daily operation of production. Technique Tor-Vegard forges the metall pieces in a coal forge. He and welds together the pieces, in our case the wings, and the body. The raw form of the bird figure was polished to get a smooth and shiny surface. and glued onto the choosen stone with epoxy glue. Material Source The metal comes from a distributor in Harstad. Tor-Vegard collects the stoes himself from Finnmark. Conecept The object is closely related to the local identity and Lofoten itself. The cormorant sculptures from Sund are emblematic souvenirs, that recall the Lofoten islands. Decades of work built the reputation of the Blacksmith in Sund, and many of the local families also prouldy display his works in their homes. Production Quality The great corminrant, or as it is called, the "Kongeskarven", the king cormorant is Tor-Vegards signature product, that is sold in the workshop and from the webshop. Each piece is unique, the scale varies, but he always has to have a base stock. External ID MN_AR_10 Field Worker Agnes Csenki Craft metalwork Tool A metal cutter, coal forge, pliers, hand hammer, machine hammer, welding machine, brushes to polish the object Place The town or city Sundveien 118, 8384 Sund, Flakstad Municipality, Lofoten Islands, Nordland County, Norway Prim Media 1038 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Great cormorant with wings Type The nature or genre of the resource Physical Object Description An account of the resource Metal sculpture of a gret cormorant, with a less detailed wing. The bird is looking towards the sky and opens up its wings. Date A point or period of time associated with an event in the lifecycle of the resource 2024 Creator An entity primarily responsible for making the resource 689 Language A language of the resource Norwegian Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 437 Source A related resource from which the described resource is derived craftedobjects Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Kongeskarven, storkarv med vinger, "turist skarv" Spatial Coverage Spatial characteristics of the resource. current,68.004948,13.207371; Date Modified Date on which the resource was changed. 05/08/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: University of St Andrews Identifier An unambiguous reference to the resource within a given context 4 Intangible Prim Media 726 Context There’s the tradition from the same cultural area, apart from other places in Sweden associated with the forested regions, of braiding in birch bark. The braiding of birch also gives the pattern of woven squares which give shape and form to e.g. bowls, baskets, boxes. This expression of form is like that of the clothing with entrelac/näverstickning. Field Worker Ulrika Jäger, Sara Olsson Climate Threats Water pollution,Loss of biodiversity,Invasive species,Deforestation,Deterioration of material Economic Threats Insufficient renumeration,Arduous training Technological Threats Use of modern materials Policy Threats Lack of conservation policy,Threatening regional planning policies,Educational standardisation Globalisation New pastimes,Rapid sociocultural change Weakened Practice Aged practitioners,Diminishing participation,Diminishing youth interest,Halted transmission between generations,Reduced practice Loss Threats Loss of cultural spaces,Loss of knowledge,Loss of cultural significance SDG Responsible Consumption and Production External ID RV_CP_01 Knowledge The practice requre knowledge how to knit, handle yarn and to read and understand pattern. It's a difficult technique to master and is not easily learnt online (forexample Youtube) or other easily accessable places. Inez has written a book with patterns, but it's easiest learnt with a mentor. Knowledge Transfer Inez have had a couple of workshops in Värmland and currently is mentoring crafter and knitter Ulrika Jäger. She's most recently held a workhop in Finnskogen, Lekvattnet, in July of 2024. Inez has been a textile crafts teacher and taught her pupils to knit. Entrelac has been her focus when teaching since she retired. Practitioners Inez have inhereted the knowledge from her grand, grandmother. The tradition seems reserved for the female sphere. Function There are people that wants to learn the practise but there are few bearers of culture and practiotioners. Entrelac is a cultural heritage that communicates it's roots with the culture of forest finns which immigrated to the area during the 17th century. Origins and change The practice seems so have come to Värmland with the forest finns from Finland during the 17th century. Many used for decorating everyday used objects, such as clothes). Organisations Nordiska museet in Stockholm has one artefact with entrelac in their possession. Places The finn forest of Sweden and Norway Artefacts Mostly garments such as knitted mittens and socks State of the practice declining Social sustainability Knitting is a popular activity to meet and partake in socially, for example to meet in knitting cafés, which is inspiering and is a way reduce isolation and lonliness for all ages. Environmental sustainability Inez only uses wool, and uses wool which is produced in Norway. She buys her yarn locally in Sunne. She produced no waste. . Place The town or city Sunne, Värmland, Sweden Place Description Entrelac/näverstickning has associations to the Finn Forest where Inez grew up. This technique was brought over with the forest finns who emigrated to Sweden and current day Norway in the 17th century. The expression of the braided birch bark which shows the culture, also shown in the knitted garments. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Entrelac Type The nature or genre of the resource Intangible Description An account of the resource Entrelac is a knitting technique that is strongly reminicent of woven/braided birch back, which is traditionally made and used in the area. See RV_CP_01(01) Creator An entity primarily responsible for making the resource 695 Language A language of the resource Swedish Extent The size or duration of the resource. x x Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 412 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Marias vantar. En bok om näverstickning - vantar, mössor, småslöjd. Inez Assk ISBN9789186699659 Kontstrikk. Ruth Gullbekk Bolstad. ISBN9788291195353 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 19/06/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Näverstickning / Kontsrikk on the Norweigian side of the Finn forest Spatial Coverage Spatial characteristics of the resource. current,59.8376399,13.1230106; Date Modified Date on which the resource was changed. 15/09/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. University of St Andrews Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Rauma Ullvarefabrikk's "finullgarn" yarn: 175m/50gr. Rauma Ullvarefabrikk's website: www.rauma.no Natural Cultural Cultural Function Functional mittens Creation Purpose Exhibition Technique The artefact is made with stockinette stitch and entrelac. She knits them from the right side and with circular needles. Material Source The yarn Inez uses are from Norway. She finds that the norweigian yarn is of a especially high quality unlike other yarns. It is soft and easy to knit with. Inez buys her wool from a local knitting store in Sunne: www.lillagarnverstan.se. The yarn is from Rauma Ullvarefabrikk's website: www.rauma.no Conecept This is a pattern from Inez meternal great grandmother who lived in Finnskogen, Finnsjön. Inez dont know why the pattern is of a reindeer. Production Quality Inez is not sure of how many mitten with entrelac she's knitted, but estimates 60 pairs. External ID RV_AR_01 Field Worker Ulrika Jäger, Sara Olsson Craft fibre and textile crafts Tool Knitting needles 2,5 mm., 15 cm. Safety pins, messuring tape, scissor, needle Place The town or city Sunne, Värmland, Sweden Prim Media 1049 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wool mittens with entrelac technique Type The nature or genre of the resource Physical Object Description An account of the resource Pattern knitted mitten in entrelac and stockinette stitch with cable knitted collar in two colors of rauma (company name) fine wool yarn. The pattern depicts a reindeer. Date A point or period of time associated with an event in the lifecycle of the resource 2010s Creator An entity primarily responsible for making the resource 695 Language A language of the resource Swedish Extent The size or duration of the resource. 32cm x 9cm x 9cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 444 Source A related resource from which the described resource is derived craftedobjects,varmlandmap Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Näverstickad ullvante Spatial Coverage Spatial characteristics of the resource. current,59.8376399,13.1230106; Date Modified Date on which the resource was changed. 24/03/2026 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Rauma Ullvarefabrikk's lambswool 250m/50gr. 30m=10 cm, as well as leftover yarns. Natural Cultural Cultural Function Functional gloves Creation Purpose Exhibition Technique The artefact is made with stickinette stitch and entrelac, and they are embroided. Material Source The yarn Inez uses are from Norway. She finds that the norweigian yarn is of a especially high quality unlike other yarns. It is soft and easy to knit with. Inez buys her wool from a local knitting store in Sunne: www.lillagarnverstan.se. The yarn is from Rauma Ullvarefabrikk's website: www.rauma.no Conecept Inez was thought how to knit from her maternal great grandmother and grandmother. Entrelac/näverstickning has associations to the Finn Foest where she grew up. This technique was brought over with the forest finns who emigrated to Sweden in the 17th century. Production Quality Inez is not sure of how many gloves she's knitted External ID RV_AR_02 Field Worker Ulrika Jäger, Sara Olsson Craft fibre and textile crafts Tool Sock needles 2mm, safety pins, messuring tape, scissor, needle Place The town or city Sunne, Värmland, Sweden Prim Media 1051 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wool glove with entrelac technique Type The nature or genre of the resource Physical Object Description An account of the resource Knitted gloves in entrelac, stockinette and purl stitch in white made with rauma (company name) lambs wool yarn and enbroided with flowers in a salmon pink for decorations using leftover yarn. The gloves also bear the emblem "Utmärkt värmländsk slöjd" which translates to "craft from Värmland of extraordinaty quality", awarded to toptier quality by a jury of the local regional crafts association. Date A point or period of time associated with an event in the lifecycle of the resource 2010s Creator An entity primarily responsible for making the resource 695 Language A language of the resource Swedish Extent The size or duration of the resource. 28cm x 9cm x 9cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 445 Source A related resource from which the described resource is derived craftedobjects,varmlandmap Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Näverstickad fingervante Spatial Coverage Spatial characteristics of the resource. current,59.8376399,13.1230106; Date Modified Date on which the resource was changed. 24/03/2026 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Rauma Ullvarefabrikk's "finullgarn" yarn: 175m/50gr. Rauma Ullvarefabrikk's website: www.rauma.no Natural Cultural Cultural Function Functional mittens Creation Purpose Exhibition Technique Entrelac and embroidery Material Source The yarn Inez uses are from Norway. She finds that the norweigian yarn is of a especially high quality unlike other yarns. It is soft and easy to knit with. Inez buys her wool from a local knitting store in Sunne: www.lillagarnverstan.se. The yarn is from Rauma Ullvarefabrikk's website: www.rauma.no Conecept Inez was thought how to knit from her maternal great grandmother. Entrelac/näverstickning has associations to the Finn Foest where she grew up. This technique was brought over with the forest finns who emigrated to Sweden in the 17th century. Production Quality Inez is not sure of how many mitten with entrelac she's knitted, but estimates 60 pairs. External ID RV_AR_03 Field Worker Ulrika Jäger, Sara Olsson Craft fibre and textile crafts Tool Sock needles 2,5 cm, safety pins, messuring tape, scissor, needle Place The town or city Sunne, Värmland, Sweden Prim Media 1052 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wool mittens with entrelac technique Type The nature or genre of the resource Physical Object Description An account of the resource A wool mitten entirely knitted in entrelac. It's composed with two different grey yarns, with red details and embroidery with grey yarns. Date A point or period of time associated with an event in the lifecycle of the resource 2010s Creator An entity primarily responsible for making the resource 695 Language A language of the resource Swedish Extent The size or duration of the resource. 30cm x 9cm x 9cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 446 Source A related resource from which the described resource is derived craftedobjects,varmlandmap Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Näverstickad vante Spatial Coverage Spatial characteristics of the resource. current,59.8376399,13.1230106; Date Modified Date on which the resource was changed. 24/03/2026 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Rauma Ullvarefabrikk's "finullgarn" yarn: 175m/50gr. Rauma Ullvarefabrikk's website: www.rauma.no Natural Cultural Cultural Function Functional hat Creation Purpose Private use Technique The artefact is made with stockinette stitch and entrelac Material Source The yarn Inez uses are from Norway. She finds that the norweigian yarn is of a especially high quality unlike other yarns. It is soft and easy to knit with. Inez buys her wool from a local knitting store in Sunne: www.lillagarnverstan.se. The yarn is from Rauma Ullvarefabrikk's website: www.rauma.no Conecept Inez was thought how to knit from her maternal great grandmother. Entrelac/näverstickning has associations to the Finn Foest where she grew up. This technique was brought over with the forest finns who emigrated to Sweden in the 17th century. Production Quality Inez estimates that she's made more than 20 hats in entrelac External ID RV_AR_04 Field Worker Ulrika Jäger, Sara Olsson Craft fibre and textile crafts Tool Circular needles 2 och 2,5 mm, sock needles 2,5 mm, safety pins, messuring tape, scissor, needle Place The town or city Sunne, Värmland, Sweden Prim Media 1053 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Knitted hat in entrelac Type The nature or genre of the resource Physical Object Description An account of the resource Knitted hat with brim in entrelac technique in orange, yellow, grey and black with two felted wool pompoms Date A point or period of time associated with an event in the lifecycle of the resource 2010s Creator An entity primarily responsible for making the resource 695 Language A language of the resource Swedish Extent The size or duration of the resource. 22cm x 56cm x 9cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 447 Source A related resource from which the described resource is derived craftedobjects,varmlandmap Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Mössa med näverstickning Spatial Coverage Spatial characteristics of the resource. current,59.8376399,13.1230106; Date Modified Date on which the resource was changed. 24/03/2026 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Rauma Ullvarefabrikk's lambswool 250m/50gr. 30m=10 cm Natural Cultural Cultural Function Functional mittens Creation Purpose Exhibition Technique Stockinette, entrelac, pattern knitting Material Source The yarn Inez uses are from Norway. She finds that the norweigian yarn is of a especially high quality unlike other yarns. It is soft and easy to knit with. Inez buys her wool from a local knitting store in Sunne: www.lillagarnverstan.se. The yarn is from Rauma Ullvarefabrikk's website: www.rauma.no Conecept Inez was thought how to knit from her materna great grandmother. Entrelac/näverstickning has associations to the Finn Foest where she grew up. This technique was brought over with the forest finns who emigrated to Sweden in the 17th century. Production Quality Inez is not sure of how many mitten with entrelac she's knitted, but estimates 60 pairs. External ID RV_AR_05 Field Worker Ulrika Jäger, Sara Olsson Craft fibre and textile crafts Tool Sock knitting needles 2,5 mm., 15 cm. Safety pins, messuring tape, scissor, needle Place The town or city Sunne, Värmland, Sweden Prim Media 1054 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mittens in entrelac Type The nature or genre of the resource Physical Object Description An account of the resource Mitten knitted in entrelac that is shaped to fit the wrist and flair out towards the arm. White, black and salmon. Pattern is knitted in a pattern of stars/eight petal rose. Date A point or period of time associated with an event in the lifecycle of the resource 2010s Creator An entity primarily responsible for making the resource 695 Language A language of the resource Swedish Extent The size or duration of the resource. 34cm x 10cm x 9cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 448 Source A related resource from which the described resource is derived craftedobjects,varmlandmap Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Näverstickad vante Spatial Coverage Spatial characteristics of the resource. current,59.8376399,13.1230106; Date Modified Date on which the resource was changed. 24/03/2026 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: University of St Andrews Identifier An unambiguous reference to the resource within a given context 4 Intangible Prim Media 728 Context The technique similarly uses the qualities of wool as in fulling woven fabric (in Sweden usually vadmal/wadmal) in mills or manually with or without chemical agents. Field Worker Ulrika Jäger, Kajsa Stinnerbom Economic Threats Insufficient renumeration Technological Threats Use of modern materials Climate Actions Infrastructure Development,Research,Collaboration with other organisations ,Governance management and green policies SDG Decent Work and Economic Growth,Responsible Consumption and Production External ID RV_CP_02 Knowledge Knowledge of wool, and how to handle and process wool - from carding to felting to finished product. Knowledge Transfer It's possible to learn from courses, during textile educations, but also from doing not-on site courses, through video online and litterature - provided that you try it and practice. Practitioners It's a female dominated crafting technique. It's connected to the rural areas where the sheep and wool have been naturally more accessible. Felting is quite popular, and there's also carded wool and coloured wool in hobby stores in Sweden to purchase. Function Haglund has taugh felting for all children in year 4 (ages 10) in the town of Kil. What the children have made will be shown at the Fårfest event in Kil. Felting is a quite common activity at preschools and primary schools, usually the "tovning". Origins and change Haglund explaines that the type of wool carpets that she produces are manufactured and used in Kyrgystan, where the wool mats are used in jurts. Haglund first used her woodenrod jalousie when wet felting which she has now replaced with bubble wrap. She thinks that bubble wrap gives a smoother texture. It's also to be said that Haglund's husband has made her a machine that felts larger objects such as carpets, and is powered by human labour. Organisations FÅReningen, the sheep association (a non-profit association involved in all fields associated with sheep - crafts, husbandry, food) is a given organisation which gathers members who are involved with wool production and interests in quality. In Värmland there's also a folk high school (vocational adult education) with a course called "Ullakademin", the wool academy, which is a local, but of interest nationally, school in the art of felting. Places Fårfesten in Kil: farfestikil.com Artefacts Commonly clothes such as mittens, slippers, hats. Also items for the house such as seating, cushions, carpets. Artefacts of arts and crafts, and applied arts. State of the practice declining Environmental sustainability Haglund produces her products fully in wool. The sheep keeping and wool production of Sweden have been greatly diminished, which has led to a lot of wool that could have been used have been wasted or burnt. To produce in wool nationally and use Swedish wool is a great use of a ethical, non-hazardous, traditional and culturally important fiber that is accessible. Economic sustainability Like written above about the enviormental goals. Place The town or city Skacksjö 13, Östra Ämtervik, Sweden Place Description Östra Ämtervik is characteristic rural Swedish countryside where farmers have used the land for crops and husbandry. It’s a area which have been affected by the close by are of Nobel laureate in literature 1909 Selma Lagerlöf’s mansion Mårbacka situated in the area which have attracted cultural and international visitors, as well as the art museum Alma Löv. Residents of Östra Ämtervik commute for work to towns and citys nearby. The landscape is made up of fields, forests, farms and villas. Many keep livestock for a small scale self-sustainable lifestyle or grow crops or hunt wildlife for meat. Many artisans and culture practitioners live in the area. It's situated between lake Mellanfryken and Visten in Sunne Municipality, which has got about 13.000 inhabitants. Östra Ämtervik is an area of about 800 people. Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Felting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Felting Type The nature or genre of the resource Intangible Description An account of the resource Felting is a technique of joining fibers together. It can be done dry or wet, and Carina Haglund uses wet felting. In Swedish there are two different words usually used for felting: “tovning” which is most used, or “filtning”. “Tovning” can also be translated to roughly “tangling [of fibers]”, whereas “filtning” has the same etymology root as “felt” in English. Filtning (or felting in English) is done wet, and Haglund expresses that she rather presents what she makes in her studio as filtning, rather than tovning. Creator An entity primarily responsible for making the resource 701 Language A language of the resource Swedish Extent The size or duration of the resource. x x Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 413 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Tova- gammal teknik på nytt sätt. Gunilla Paetau Sjöberg Får boken- Anders Jansson, Nina Östman Felt passion- Ellen Bakker, RIchard Assman Att välja färg- Berit Bergström Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 19/06/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Tovning/filtning Spatial Coverage Spatial characteristics of the resource. current,59.729006,13.322161; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Wool of Finnsheep, Gotlandsheep and Leichester sheep. (Also glas cylinder but it's not crafted) Natural Cultural Cultural Function Pot for flower arrangements/potted plants Creation Purpose Sales Technique Wet felting Material Source Wool: Åddebo ull; addeboull,com. Glas cylinder: Våxtorps korgar; www.vaxtorpskorgar.se Conecept She's not making pots in tradition. This is part of Carina Höglund's experiments with the different usages of the wool and trying to find alternatives to clay pots. Production Quality Carina never makes two identical pots, and about ten pots/year External ID RV_AR_06 Field Worker Ulrika Jäger, Sara Olsson Craft fibre and textile crafts Tool Plastic bubble wrap, floor foam, dish soap, olive soap, water, splash bottle, wooden rod, textured rolling pin, scissors, Place The town or city Skacksjö 13, Östra Ämtervik, Sweden Prim Media 1055 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pot Type The nature or genre of the resource Physical Object Description An account of the resource A felted pot that's wet felted with a glas cylinder placed inside, so it can function as a water tight pot for e.g. a plant or a flower arrangement. Date A point or period of time associated with an event in the lifecycle of the resource 2019 Creator An entity primarily responsible for making the resource 701 Language A language of the resource Swedish Extent The size or duration of the resource. 26cm x 15cm x 0.8cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 449 Source A related resource from which the described resource is derived craftedobjects Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Kruka Spatial Coverage Spatial characteristics of the resource. current,59.729006,13.322161; Date Modified Date on which the resource was changed. 05/08/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Wool from Gotlandsheep, Finnsheep and Leichester sheep. Duffel button made of unknown wood, elastic, nylon thread Natural Cultural Cultural Function Seat cushion for outdoor use, for trips or seating outside Creation Purpose Sales. As an alternative to seat cushions in artifical materials Technique Wet felting, minor sewing for button Material Source Needle felt from Filtmakeriet; filtmakeriet.se, button, elastic and thread from Bibbis textil; bibbistextil.se Conecept Felted seat cushions are an extension and development from traditional skins (for ex. reindeer, sheep…) used for keeping warm while sitting putisde. As the weather is cold for several months in Sweden, it's common to bring a seating if going on a walk or trip in nature. The elastic and button makes the packing and transportation easier. Production Quality About 30/year External ID RV_AR_07 Field Worker Ulrika Jäger, Kajsa Stinnerbom Craft fibre and textile crafts Tool Plastic bubble wrap, dish soap, olive soap, water, splash bottle, wooden rod, scissors, fulling boards, rotary cutters. Place The town or city Skacksjö 13, Östra Ämtervik, Sweden Prim Media 1056 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Seat cushion Type The nature or genre of the resource Physical Object Description An account of the resource A felted seat cushion in 100% wool in a checkered pattern of a mustad yellow and burnt sierra orange on top of grey wool (peaking through in cracks of colour). At two ends there's a elastic ribbon and a coresponding wooden button. Date A point or period of time associated with an event in the lifecycle of the resource 2022 Creator An entity primarily responsible for making the resource 701 Language A language of the resource Swedish Extent The size or duration of the resource. 42cm x 34cm x 0.5cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 450 Source A related resource from which the described resource is derived craftedobjects Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Sittdyna Spatial Coverage Spatial characteristics of the resource. current,59.729006,13.322161; Date Modified Date on which the resource was changed. 05/08/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Needle felt, wool från Gotlandsheep, Finnsheep and Leichester sheep, wadmal, zipper, thread, feather pillow Natural Cultural Cultural Function For seated areas such as sofas or chairs. As a decoration in sofa or on bed. Creation Purpose Sale and exhibitions Technique Wet felting and sewing of cushion (sweing machine to join and fit zipper) Material Source Felt: Bibbis textil: bibbistextil.se; Wool: Åddebo ull; addeboull.com.; Wadmal: Korps, korps.se; feather pillow: IKEA; ikea.com Conecept This cushion is both for decorations and for comfort. Production Quality About 10/year External ID RV_AR_08 Field Worker Ulrika Jäger, Kajsa Stinnerbom Craft fibre and textile crafts Tool Plastic bubble wrap, dish soap, olive soap, water, splash bottle, wooden rod, scissors, fulling boards, rotary cutters, needle, sewing machine Place The town or city Skacksjö 13, Östra Ämtervik, Sweden Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Cushion Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cushion Type The nature or genre of the resource Physical Object Description An account of the resource A felted cushion - mustard yellow, black and white. The cushion's case is made of wool and is adorned in the shape of a stylized sun. The pillow inside is made of feathers. Date A point or period of time associated with an event in the lifecycle of the resource 2024 Creator An entity primarily responsible for making the resource 701 Language A language of the resource Swedish Extent The size or duration of the resource. 48cm x 48cm x 16cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 451 Source A related resource from which the described resource is derived craftedobjects Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Kudde Spatial Coverage Spatial characteristics of the resource. current,59.729006,13.322161; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Merino wool, wool yarn, wool locks, silk yarn, linen thread, lamp shade fram in metal Natural Cultural Cultural Function Functional lamp shade and as decoration Creation Purpose For sale Technique Wet felting, sewing (machine and by hand) Material Source Merino wool: Kristina Skovmose by hand, skovmosebyhand.se; Silke: Fingerborg butik och ateljé, fingerborgbutik.se; Wool locks: Åddebo, addeboull.com; Wool yarn and linen thread: inheritade from Haglunds paternal grandmother; lamp shade frame: second hand. Conecept It's a common lampshade type in Sweden, but with a untraditional style and aestetic. The materials are really shown in the style. Production Quality Around two lampshades per year External ID RV_AR_10 Field Worker Ulrika Jäger, Kajsa Stinnerbom Craft fibre and textile crafts Tool Plastic bubble wrap, dish soap, olive soap, water, splash bottle, wooden rod, textured rolling pin, scissors, sewing machine, needle Place The town or city Skacksjö 13, Östra Ämtervik, Sweden Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Lampshade Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lampshade Type The nature or genre of the resource Physical Object Description An account of the resource A lampshade in white merino wool. As a interior decoration either for ceilings or mounted on a lamp on foot. Date A point or period of time associated with an event in the lifecycle of the resource 2022 Creator An entity primarily responsible for making the resource 701 Language A language of the resource Swedish Extent The size or duration of the resource. cm x 20 (top), 33,5 (base)cm x 27.5cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 453 Source A related resource from which the described resource is derived craftedobjects Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Lampskärm Spatial Coverage Spatial characteristics of the resource. current,59.729006,13.322161; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Sturdy needle punched felt with wool from the Northern European short-tailed sheep. The pattern is made of wool from Gotlandsheep (black wool) and Leistersheep Natural Cultural Cultural Function Either a carpet or a wall decoration. As a warming, beautifying element or sound absorbant. Creation Purpose It's a product development from Haglund's previous work with seat cushions (see RV_AR_07), but scaled. Technique Wet felting with a felting machine that Haglund's husband built (see video) Material Source Felt: Filtmakeriet, filtmakeriet.se, Wool: Åddebo ull: addeboull.com Conecept Carpets have been used to heat floors and provide comfort indoors. As decorations indoors. Production Quality About 5/year External ID RV_AR_09 Field Worker Ulrika Jäger, Kajsa Stinnerbom Craft fibre and textile crafts Tool Felting machine, dish soap, olive soap, water, wooden rod Place The town or city Skacksjö 13, Östra Ämtervik, Sweden Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carpet Type The nature or genre of the resource Physical Object Description An account of the resource A carpet with pattern in needle punched felt, sturdy enough for being used as a floor carpet. It can also be hung on walls. The carpet has both warming and sound damping qualities. Date A point or period of time associated with an event in the lifecycle of the resource 2023 Creator An entity primarily responsible for making the resource 701,834 Language A language of the resource Swedish Extent The size or duration of the resource. 235cm x 130cm x 1cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 452 Source A related resource from which the described resource is derived craftedobjects Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Matta Spatial Coverage Spatial characteristics of the resource. current,59.729006,13.322161; Date Modified Date on which the resource was changed. 04/07/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: University of St Andrews Identifier An unambiguous reference to the resource within a given context 4 Intangible Prim Media 733 Context There's clear realtions to other practices. Most straight-forward being the wood craft that's needed for the tools of weaving, and secondly the crafts that can be made from the fabric such as folk costumes for example. Field Worker Ulrika Jäger, Sara Olsson Economic Threats Insufficient renumeration Technological Threats Use of modern materials Weakened Practice Halted transmission between generations SDG Decent Work and Economic Growth,Sustainable Cities and Communities,Responsible Consumption and Production External ID RV_CP_03 Knowledge Weaving on a heddle requires less skill than a loom, which in turn requiers quite a lot of knowledge to be able to thread and use. Far most common way to learn is in tradition from a practitioner, and at this is nowadays usually done in a course format. Vocational schools with textile focus and some textile universities are teaching handweaving. A decline in hand weaving at higher educational levels were experienced at the later half of the 1900 century in Sweden, but noticeably some schools never removed their hand looms from the classrooms and these days weaving is becoming more popular. Knowledge Transfer See above. Also a lot of transmission are done between practitioners themselves. Sweden has a quite strong culture of local weaving associations where women are meeting to weave. There has been a trend the last decade or so of these weaving spaces to be used in different ways, for example for study associations to remake them into pottery studios, as pottery is becoming increasingly popular in Sweden. For the younger generation it's Practitioners Today most of the practitioners in handweaving are women, but this is not a female activity exclusively, and it hasn't been historically either. Most of the practitioners today are older women. As looms take up much space and the craft can be quite time consuming, many weavers who weave for fun have to have a lifestyle and livingconditions where that is possible. Younger textile designers/artisans are learning from men and women in higher degree schools. Function Vävstugor, (lit. Weaving cabins") are common meeting groups for women who weave. (Found for example here: https://hemslojdsguiden.se/textil/vavstugor/) Usually this functions as a study association or volounteer association where a space is rented (or owned) and the members pay a fee to weave on the looms. There transmissions and learning are done peer-to-peer. The social aspect of the arrangements are usually very important to the members Origins and change The history of weaving in the greater picture of things is one thing, but the traditional patterns used in Sweden have different dates, but for example the rosepath pattern that Henner weaves is a technique that have been used in Scandinavia since the 18th century. Organisations Riksvävarna: https://www.riksvav.se/, Svenska Vävrådet: https://www.svenskavav.com/, Sätergläntan - institutet för slöjd och hantverk: https://www.saterglantan.se/ Places Like mentioned above, there's "vävstugor" where the craft is practiced. In Sweden there are hundreds of these spaces. Every three years, Europe's larges weaving fair (Vävmässan) is arranged in Sweden by Svenska Vävrådet (The Swedish Weaving Council) Artefacts All textiles that have been woven in the home. Also applied arts and cloth for clothes. Each of the hand weaving techniques are used for different types of fabric. State of the practice declining Social sustainability As the textile production of the world is associated with serious social issues, each textile product needed that is produced in an ethical way could be said to contribute to social sustainability. Environmental sustainability As the textile production of the world is a large culprit in i.a. monocultures and pollution to name a few, the handweaving practice is something essentially separate in its practice. Place The town or city Brunskog, Värmland, Sweden Place Description Brunskog, Arvika and the west parts of Värmland is a region where art and handicrafts have a long and strong tradition and that’s still largely present today. At the turn of the century 1900’s, many Swedish artists came to the area and an artists' colony, Rackstadkolonin, was established. The new ideas and expressions these artists brought with them along with the well-established and skilled craftsmanship that already existed here have contributed to the well-known arts and crafts area Arvika is today. The arts and crafts are greatly appreciated here by both practitioners, residents and visitors and are seen as a great asset and strong brand for the area. Arvika is a town of about 14.000, and the municipality has about 25.000 habitants. Brunskog's parish has about 2.000 inhabitants. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Handweaving Type The nature or genre of the resource Intangible Description An account of the resource Henner handweaves using a loom or a heddle. A loom can be of different sizes, ranging from smaller ones on a table and larger ones that fill smaller rooms. Henner's loom is a hand weaving looom, where she dones all the preperations and weaving herself. She uses natural fibers and traditional patterns and techniques. In this document there's a mixture about information about the hobbyist and the professionals perspectives. Creator An entity primarily responsible for making the resource 705 Language A language of the resource Swedish Extent The size or duration of the resource. x x Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 414 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Den vackra nyttan : om hemslöjd i Sverige / redaktör: Gunilla Lundahl. ISBN 9178442982 Verkstad : ett tidsdokument : Arvika Konsthantverk 100 år / Kristine Thenman, Liv Midbøe, Hilda Grahnat. ISBN 9789152743508 Klässbol - att väva sin historia ISBN: 97891978252 52 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 19/06/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Handvävning Spatial Coverage Spatial characteristics of the resource. current,59.6574488,12.890542; Date Modified Date on which the resource was changed. 19/06/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. University of St Andrews Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Warp is french linen yarn (8/2) Weft is home dyed wool yarn (6/2) Some acid dyed yarn and rests from smaller projects. Back is broadcloth.. Sewing tread, zipper, inner pillow of GOTS cotton and ethical European feather. Natural Cultural Cultural Function Cushion, as a interior element for funcional use and as decoration Creation Purpose For exhibitions and sales. Technique The front of the pillow is woven in traditional technique rölakan. In this instance with tabby structure and weft-faced rep. Material Source French linen yarn: Garnhuset i Kinna: garnhusetkinna.se; Wool from: Kampes spinneri: kampes.se and Hillesvåg Ullvarefabrik: ull.no and Rauma Garn: raumagarn.no. Broadcloth from Korps: korps.se. Thread: Gutermann sytråd. Pillow from Woomento, DE. Conecept The keeping of local crafts traditions, traditional patterns and techniques. The goal is to continue and transfer the traditional expression and give these artefacts a place in the contemporary interior and design context. Applied arts and interior artefacts are made with care and thought about material, sustainability and care towards the environment. Practical sustainability lies in the use of something that can be used in generations. Production Quality Each is unique. External ID RV_AR_11 Field Worker Ulrika Jäger, Sara Olsson Craft fibre and textile crafts Tool Counterbalance (floor) loom (Öxabäck), wind a warp, spool rack, lease sticks, warping trapeze, metal reed (30:10), sleying hook, shuttle, scissor, sewing machine (Husqvarna), needles, measuring stick and tape, chack and seam ripper. Place The town or city Brunskog, Arvika, Sweden Prim Media 2231 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rölakan Pillow, "Autumnal coziness" Type The nature or genre of the resource Physical Object Description An account of the resource Pillow with handwoven front in tapestry type weave "rölakan". Woven in plant dyed yarns and bought acid dyed yarns. The inside pillow is made of feathers. The back is made of broadcloth. Date A point or period of time associated with an event in the lifecycle of the resource 2024 Creator An entity primarily responsible for making the resource 705 Language A language of the resource Swedish Extent The size or duration of the resource. 50cm x 50cm x 15cm Contributor An entity responsible for making contributions to the resource iain Source A related resource from which the described resource is derived craftedobjects,varmlandmap References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Konsten att väva. En praktisk handbok. Av Åsa Pärson och Amica Sundström. ISBN: 9978-91-7887-085-1 Handbok i vävning. Bindningslära med konstvävnader. Av Ulla Cyrus- Zetterström. ISBN: 91-36-00445-6 Tapestry with pulled warp. INspiration, Technique and the Creative Process. Av Susan Iversen. ISBN: 987-0-7643-5933 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Rölakan Kudde, "Höstmys" Spatial Coverage Spatial characteristics of the resource. current,59.6574488,12.890542; Identifier An unambiguous reference to the resource within a given context 554 Date Modified Date on which the resource was changed. 24/03/2026 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material 100% linen with multiple weft of non-bleached linen yarn and linen. 10/6 in warp with 3 treads/cm. Hand lathed lamp hold in birch. CE-certified cord in jute. Armatur E14 and plastic outlet. Natural Cultural Cultural Function Pendent lamp/windowlamp, as a interior element for funcional use and as decoration Creation Purpose For exhibitions and sales Technique The pendent lamp is hand woven in loose tabby and gets it’s three dimensional shape from the technique “pulled warp”. Only one seem of the warp connects the shape at the back of the lamp (see image). The fixture which is lathed to the shape of a cone makes the lamp shade hold it’s form. Material Source Linen yarn: Garnhuset i Kinna: garnhusetkinna.se, and Holma Hälsingland Garner.; holma.se, and Klässbols Linneväveri klassbols,se, and Kasthall SWE kasthall.com. Left over yarn from previous projects and local weaving association. Lamp fixture is made of birch from own forest. Electrial components from local store in (Elon) Arvika Conecept The keeping of local crafts traditions, traditional patterns and techniques. The goal is to continue and transfer the traditional expression and give these artefacts a place in the contemporary interior and design context. Applied arts and interior artefacts are made with care and thought about material, sustainability and care towards the environment. Practical sustainability lies in the use of something that can be used in generations. Production Quality 5 lamps woven in total in this model and colourin as of 2024. Each lamp is unique since the technique pulled warp makes each lamp different. External ID RV_AR_12 Field Worker Ulrika Jäger, Sara Olsson Craft fibre and textile crafts,woodwork,other (specify) Tool Counterbalance (floor) loom (Öxabäck), wind a warp, spool rack, lease sticks, warping trapeze, metal reed (30:10), sleying hook, shuttle, scissor, lathe and tools. Place The town or city Brunskog, Arvika, Sweden Prim Media 2232 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pendant lamp "Linen bell" Type The nature or genre of the resource Physical Object Description An account of the resource A light fixture for a hanging lamp with a woven lampshade in 100 % linen. The lamp fixture is lathed in birch. Date A point or period of time associated with an event in the lifecycle of the resource 2021 Creator An entity primarily responsible for making the resource 705 Language A language of the resource Swedish Extent The size or duration of the resource. 30cm x 6–20cm x cm Contributor An entity responsible for making contributions to the resource iain Source A related resource from which the described resource is derived craftedobjects,varmlandmap References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Konsten att väva. En praktisk handbok. Av Åsa Pärson och Amica Sundström. ISBN: 9978-91-7887-085-1 Handbok i vävning. Bindningslära med konstvävnader. Av Ulla Cyrus- Zetterström. ISBN: 91-36-00445-6 Tapestry with pulled warp. INspiration, Technique and the Creative Process. Av Susan Iversen. ISBN: 987-0-7643-5933 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Pendellampa "Linklocka" Spatial Coverage Spatial characteristics of the resource. current,59.6574488,12.890542; Identifier An unambiguous reference to the resource within a given context 555 Date Modified Date on which the resource was changed. 24/03/2026 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Wool fabric (tabby) imported from Dngland, Wadley Bradford's. Locally (Brunskog) harvested leaves of beach rose. Rose madder root from Krops korps.se. Dye and craft materials from: Zenit Konstnärsmaterial. Sewing thread 100% cotton, Gutermanns. Natural Cultural Cultural Function Scarf to wear around body or neck. For warmth and beauty. Creation Purpose Exhibitions and sales Technique The pattern is eco-printed with beach rose and the lighter colour is dyed with rose madder. Henner has dyed the fabric by herself. Material Source See above Conecept Eco-print is a development of natural dying which expands on the textile design and art of natural dyes. Eco-printing provides a possibility of both using natures own shapes, and its own variables. Production Quality Unique object. A small collection with pattern of eco prints where made in 2024. Each had different sizes and different patterns from different plants and dyed with different natural dyes. External ID RV_AR_13 Field Worker Ulrika Jäger, Sara Olsson Craft fibre and textile crafts Tool Sewing machine, measuring tape, scissor, needle. Cauldron, whisk, themometer, steam box, bucket, rolling pin, string, thin plastic film, washing machine. Place The town or city Brunskog, Arvika, Sweden Prim Media 2233 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scarf with ecoprinted pattern Type The nature or genre of the resource Physical Object Description An account of the resource Scarf naturally dyed with rose madder and with eco-print patterns made of beach rose. Date A point or period of time associated with an event in the lifecycle of the resource 2024 Creator An entity primarily responsible for making the resource 705 Language A language of the resource Swedish Extent The size or duration of the resource. 170cm x 40cm x 0.1cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 454 Source A related resource from which the described resource is derived craftedobjects,varmlandmap References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Konsten att väva. En praktisk handbok. Av Åsa Pärson och Amica Sundström. ISBN: 9978-91-7887-085-1 Handbok i vävning. Bindningslära med konstvävnader. Av Ulla Cyrus- Zetterström. ISBN: 91-36-00445-6 Tapestry with pulled warp. INspiration, Technique and the Creative Process. Av Susan Iversen. ISBN: 987-0-7643-5933 A handweavers patterns book. Av Marguerite Proter Davison Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Halsduk med eko-tryckt mönster Spatial Coverage Spatial characteristics of the resource. current,59.6574488,12.890542; Date Modified Date on which the resource was changed. 24/03/2026 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material 100% linen, necklace lock with magnet of nickel and stainless metal Natural Cultural Cultural Function Necklace for everyday use and for festive occations. Creation Purpose Sample model for exhibition and own usage Technique Handwoven necklace in own design in tabby and weft-faced rep. The shape was made from the technique "pulled warp" Material Source Linen yarn: Garnhuset i Kinna, garnhusetkinna.se Holma Hälsningland Garner holma,se , Klässbols Linneväveri klassbols.se, Kasthall kastall.com, Kalinka Lingarn , Järbo lingarn SWE jarbo.se. Also left over yarn from previous projects and local weaving association. Lock for necklace from overseas. Conecept The keeping of local crafts traditions, traditional patterns and techniques. The goal is to continue and transfer the traditional expression and give these artefacts a place in the contemporary interior and design context. Development of the woven craft towards jewellery as a personal expression. Applied arts and interior artefacts are made with care and thought about material, sustainability and care towards the environment. Practical sustainability lies in the use of something that can be used in generations. Production Quality Unique, one of a kind as of october 2024 External ID RV_AR_14 Field Worker Ulrika Jäger, Sara Olsson Craft fibre and textile crafts Tool Smaller counterbalance loom: "Lill-Jonas" from "GP Snickerier", Motala Sweden. wind a warp, spool rack, lease sticks, warping trapeze, metal reed (40:10), sleying hook, scissors, measuring tape, needle, wax, textile glue, cardboard Place The town or city Brunskog, Arvika, Sweden Prim Media 2234 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Triple Curvature, Textile Necklace Type The nature or genre of the resource Physical Object Description An account of the resource Textile necklace in several strands and in various colours of green and blue. Date A point or period of time associated with an event in the lifecycle of the resource 2023 Creator An entity primarily responsible for making the resource 705 Language A language of the resource Swedish Extent The size or duration of the resource. 56cm x 23cm x cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 455 Source A related resource from which the described resource is derived craftedobjects,varmlandmap References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Konsten att väva. En praktisk handbok. Av Åsa Pärson och Amica Sundström. ISBN: 9978-91-7887-085-1 Handbok i vävning. Bindningslära med konstvävnader. Av Ulla Cyrus- Zetterström. ISBN: 91-36-00445-6 Tapestry with pulled warp. INspiration, Technique and the Creative Process. Av Susan Iversen. ISBN: 987-0-7643-5933 A handweavers patterns book. Av Marguerite Proter Davison Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Trippel Kurvatur, textilt halssmycke Spatial Coverage Spatial characteristics of the resource. current,59.6574488,12.890542; Date Modified Date on which the resource was changed. 24/03/2026 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Front is of 100% linen with multiple wefts with mixtures of linen yarn in both by and rep. Back is made of non-bleached linen fabric. Tassels made from linen too. Sewing tread, zipper, inner pillow of GOTS cotton and ethical European feather. Natural Cultural Cultural Function Cushion, as a interior element for funcional use and as decoration Creation Purpose For exhibitions and sale Technique The front of the pillow is woven in traditional technique rose path. In this instance with tabby structure. Material Source Linen yarn: Garnhuset kinna garnhusetkinna.se, Holma Hälsingland Garner holma.se, Klässbols Linneväveri, SWE klassbols.se. As well as leftover yarn from previous projects and from local weaving association. Unbleached linen fabric from Korps, korps.se. Thread from Gutermann Sytråd. Pillow from Woomento, DE. Conecept The keeping of local crafts traditions, traditional patterns and techniques. The goal is to continue and transfer the traditional expression and give these artefacts a place in the contemporary interior and design context. Applied arts and interior artefacts are made with care and thought about material, sustainability and care towards the environment. Practical sustainability lies in the use of something that can be used in generations. Production Quality Unique object. Small collection of 12 pillows for sale at Christmas 2024, each one in different patterns and combinations in the same colours of non-bleached linen and red External ID RV_AR_15 Field Worker Ulrika Jäger, Sara Olsson Craft fibre and textile crafts Tool Counterbalance (floor) loom (Öxabäck), wind a warp, spool rack, lease sticks, warping trapeze, metal reed (30:10), sleying hook, shuttle, scissor, sewing machine (Husqvarna), needles, measuring stick and tape, chack and seam ripper. Place The town or city Brunskog, Arvika, Sweden Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Christmas_Pillow,_Rustic_Rose-path Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Christmas Pillow, Rustic Rose-path Type The nature or genre of the resource Physical Object Description An account of the resource Square pillow in rose path and tabby pattern in un-bleached linen and red yarn, with red tassels at the corners. Creator An entity primarily responsible for making the resource 705 Language A language of the resource Swedish Extent The size or duration of the resource. 50cm x 50cm x 15cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 456 Source A related resource from which the described resource is derived craftedobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Konsten att väva. En praktisk handbok. Av Åsa Pärson och Amica Sundström. ISBN: 9978-91-7887-085-1 Handbok i vävning. Bindningslära med konstvävnader. Av Ulla Cyrus- Zetterström. ISBN: 91-36-00445-6 Tapestry with pulled warp. INspiration, Technique and the Creative Process. Av Susan Iversen. ISBN: 987-0-7643-5933 A handweavers patterns book. Av Marguerite Proter Davison Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Julkudde, Rustik rosengång Spatial Coverage Spatial characteristics of the resource. current,59.6574488,12.890542; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Maple wood Natural Cultural Cultural Function Decorative Creation Purpose The object is an artistic piece, intended for decorative purposes although it can also be used as a container. These types of pieces can be sold in local markets. Technique The object was made on a continuous electric lathe. Once the piece of wood is selected, roughing is done by hand, using an axe or adze, to give it an approximate preform. From there, it is fixed to the lathe, and using gouges, the excess wood is removed, performing an external hollowing. Using a faceplate, the piece is held on the lathe by the base to proceed with the internal hollowing. The final finish is done with texturing tools, and it is decorated with black and white paint, as well as wood oil. Material Source The woods used in the making of these pieces come from the forests near the artisan's workshop. Conecept The object is crafted using the woodturning technique, a craft with a long history in northern Spain. The shapes are reminiscent of the bowls and containers made by Asturian turners for domestic use (consumption and preservation of food). However, this piece is an original creation by the artisan. Production Quality The production scale is limited, as the artisan crafts these types of pieces during their free time External ID UNIOVI_AR_01 Field Worker Santiago Rodríguez Pérez Craft woodwork Tool Electric wood turning lathe, gouges and y texturing tools Place The town or city La Castañal, Bimenes, Asturias, Spain Prim Media 1119 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Closed bowl Type The nature or genre of the resource Physical Object Description An account of the resource Piece made of maple wood. It is a closed, rounded, and flattened container with a small mouth at the top. It has no lid and is completely hollow inside. The upper part is decorated with a series of rings inscribed with geometric motifs (oblique lines, triangles, etc.), which have been created on the lathe using texturing tools. The decorated area has been colored with white and black enamel. Date A point or period of time associated with an event in the lifecycle of the resource 2020 Creator An entity primarily responsible for making the resource 708 Language A language of the resource Asturian,Spanish Extent The size or duration of the resource. cm x 15cm x 11cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 457 Source A related resource from which the described resource is derived asturiasmap,craftedobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://www.instagram.com/picutorneru/ Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Bol cerrado Spatial Coverage Spatial characteristics of the resource. current,43.3335411671039,-5.5446023832244; Date Modified Date on which the resource was changed. 18/08/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Maple wood Natural Cultural Cultural Function Decorative; container for food and objects Creation Purpose The object is an artistic piece, intended for decorative purposes although it can also be used as a container. These types of pieces can be sold in local markets. Technique The object was made on a continuous electric lathe. Once the piece of wood is selected, roughing is done by hand, using an axe or adze, to give it an approximate preform. From there, it is fixed to the lathe, and using gouges, the excess wood is removed, performing an external hollowing. Using a faceplate, the piece is held on the lathe by the base to proceed with the internal hollowing. The finish is oil-based. Material Source The wood used in the making of this piece comes from the forests surrounding the craftsman's workshop Conecept The object is crafted using the woodturning technique, a craft with a long history in northern Spain. The shapes are reminiscent of the bowls and containers made by Asturian turners for domestic use (consumption and preservation of food). However, this piece is an original creation by the artisan. Production Quality The production scale is limited, as the artisan crafts these types of pieces during their free time External ID UNIOVI_AR_02 Field Worker Santiago Rodríguez Pérez Craft woodwork Tool Electric wood turning lathe and gouges Place The town or city La Castañal, Bimenes, Asturias, Spain Prim Media 1131 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cuenco Type The nature or genre of the resource Physical Object Description An account of the resource Piece made of maple wood. It is a wooden bowl with an open shape. It has a wide, flat upper rim. The piece is varnished with oils to enhance the wood grain, which includes knots and highlighted black streaks. Date A point or period of time associated with an event in the lifecycle of the resource 2020s Creator An entity primarily responsible for making the resource 708 Language A language of the resource Asturian,Spanish Extent The size or duration of the resource. cm x 15cm x 11cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 458 Source A related resource from which the described resource is derived craftedobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Graña García, A. (1985) La tornería en el occidente asturiano. Museo Etnográfico de Grandas de Salime https://www.instagram.com/picutorneru/ Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Cuenco Spatial Coverage Spatial characteristics of the resource. current,43.3335411671039,-5.5446023832244; Date Modified Date on which the resource was changed. 18/08/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Wood from fruit trees Natural Cultural Cultural Function The object is an artistic piece, for decorative purposes. It has no practical use, but pieces of this type can be used as a finial or decoration for furniture, clocks, etc. Creation Purpose The craftsman produces these objects to improve his technique, and as a piece of art. He keeps the production for his collection, gives it as a gift or sells it. Technique The object was made on a continuous electric lathe. Once the piece of wood has been selected, it is roughed by hand and with the electric planer to obtain the square base. The piece is placed on the lathe and held with the fingers while the lathe is turning, and the narrow, elongated part is roughed out with the gouge. The idea is to try to make as fine a shaft as possible. Material Source The woods used in the making of these pieces come from prunings, fellings, and cleanings of fruit tree plantations near the workshop. Conecept The object is made using the woodturning technique, which has historically been of some importance in northern Spain. However, it is not a traditional piece from the area, but is the result of the practice and knowledge of international woodturning. Production Quality The production scale is limited, as the artisan crafts these types of pieces during their free time External ID UNIOVI_AR_03 Field Worker Santiago Rodríguez Pérez Craft woodwork Tool Electric wood turning lathe, skew chisels, parting tools and spindle gouges. Place The town or city La Castañal, Bimenes, Asturias, Spain Prim Media 1133 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Finials Type The nature or genre of the resource Physical Object Description An account of the resource Pieces made of fruit tree wood. These are artistic and decorative pieces. They can be the finials of a piece of furniture or a clock. They have a base on which to stand, and consist of long wooden spindles, where the craftsman explores and improves his technique. The use of various woods is combined. Date A point or period of time associated with an event in the lifecycle of the resource 2020 Creator An entity primarily responsible for making the resource 708 Language A language of the resource Asturian,Spanish Extent The size or duration of the resource. cm x 2.5 - 5cm x 22cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 459 Source A related resource from which the described resource is derived asturiasmap,craftedobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Graña García, A. (1985) La tornería en el occidente asturiano. Museo Etnográfico de Grandas de Salime https://www.instagram.com/picutorneru/ Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Remates torneados Spatial Coverage Spatial characteristics of the resource. current,43.3335411671039,-5.5446023832244; Date Modified Date on which the resource was changed. 18/08/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Beech wood, natural pigments, cotton thread Natural Cultural Cultural Function The object is a children's toy and a piece of art Creation Purpose The craftsman creates these objects as a hobby. He keeps them if he likes the result, gives them as gifts, or sells them Technique The object was made on a continuous electric lathe. Once the piece of wood is selected, rough shaping is done using an electric planer or an adze to create a preform. The piece is then turned on the lathe using gouges to rough out and shape it to the desired profile. Holes for the handle mechanism and the spinning top are drilled with the help of drills. Material Source The wood used in the production of these objects comes from dry wood recovered from forests around the workshop Conecept The object is crafted using the woodturning technique, a craft with a long history in northern Spain. The shapes are reminiscent of the bowls and containers made by Asturian turners for domestic use (consumption and preservation of food). However, this piece is an original creation by the artisan Production Quality The production scale is limited because the artisan crafts these pieces during their free time External ID UNIOVI_AR_04 Field Worker Santiago Rodríguez Pérez Craft woodwork Tool Electric wood turning lathe, gouges and texturing tools Place The town or city La Castañal, Bimenes, Asturias, Spain Prim Media 1134 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spinning top Type The nature or genre of the resource Physical Object Description An account of the resource Pieces made of beech wood. This is a children's toy, a spinning top. It consists of two pieces, a wooden handle with which the spinning top is held before throwing it, and the spinning top itself. When you hold it by the handle and pull hard on the string, the spinning top spins quickly and the handle can be detached. Both the spinning top and the handle are decorated with decorative bands made with a texturing gouge (forming a series of triangles and oblique lines), and painted in black, yellow, white and green) Date A point or period of time associated with an event in the lifecycle of the resource 2020s Creator An entity primarily responsible for making the resource 708 Language A language of the resource Asturian,Spanish Extent The size or duration of the resource. 10 (handle), 5 (spinning top)cm x 2.5 max. (handle), 2,5-5 (spinning top)cm x 7 (spinning top)cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 460 Source A related resource from which the described resource is derived asturiasmap,craftedobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Graña García, A. (1985) La tornería en el occidente asturiano. Museo Etnográfico de Grandas de Salime https://www.instagram.com/picutorneru/ Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Peonza Spatial Coverage Spatial characteristics of the resource. current,43.3335411671039,-5.5446023832244; Date Modified Date on which the resource was changed. 02/12/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Fruit tree wood Natural Cultural Cultural Function It is a decorative object, but it can also serve a practical function, such as a jewelry box or for storing small items Creation Purpose The craftsman creates these objects as a hobby. He keeps them if he is pleased with the result, gives them as gifts, or sells them. Technique The object was made on a continuous electric lathe. Once the piece of wood is selected, rough shaping is done with an electric planer or an adze to create a preform. The piece is then turned using the lathe and gouges to rough out and shape it to the desired profile. The lid and the body of the container are made from the same piece of wood. The lid is decorated using texturing tools. Material Source The woods used in the making of these pieces come from dry wood recovered from forests near the workshop, or from prunings or felling in fruit tree plantations. Conecept The object is crafted using the woodturning technique, a craft with a long history in northern Spain. The shapes are reminiscent of the bowls and containers made by Asturian turners for domestic use (consumption and preservation of food). However, this piece is an original creation by the artisan. Production Quality The production scale is limited, as the craftsman makes these pieces in his free time. External ID UNIOVI_AR_05 Field Worker Santiago Rodríguez Pérez Craft woodwork Tool Electric wood turning lathe, gouges and texturing tools Place The town or city La Castañal, Bimenes, Asturias, Spain Prim Media 1137 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Turned wooden box with a lid Type The nature or genre of the resource Physical Object Description An account of the resource Pieces made from fruitwood. This is a small cylindrical box consisting of two parts: a cylindrical container and a round lid that fits on top, made from the same wood. The piece is finished with oil in a darker tone, and the lid is decorated on the top with concentric rings, into which geometric motifs are carved using a texturing gouge. Date A point or period of time associated with an event in the lifecycle of the resource 2020s Creator An entity primarily responsible for making the resource 708 Language A language of the resource Asturian,Spanish Extent The size or duration of the resource. 6cm x cm x 5cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 461 Source A related resource from which the described resource is derived asturiasmap,craftedobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Graña García, A. (1985) La tornería en el occidente asturiano. Museo Etnográfico de Grandas de Salime https://www.instagram.com/picutorneru/ Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Caja torneada Spatial Coverage Spatial characteristics of the resource. current,43.3335411671039,-5.5446023832244; Date Modified Date on which the resource was changed. 19/08/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: University of St Andrews Identifier An unambiguous reference to the resource within a given context 4 Intangible Prim Media 1128 External ID UNIOVI_CP_01 State of the practice thriving Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Wood_craft Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wood craft Type The nature or genre of the resource Intangible Creator An entity primarily responsible for making the resource 708 Extent The size or duration of the resource. x x Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 552 Source A related resource from which the described resource is derived asturiasmap Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 18/08/2025 Spatial Coverage Spatial characteristics of the resource. current,43.3335455978306,-5.5446023832244; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material glass beads, metal fastenings Natural Cultural Cultural Function They are decorative, colorful motifs are specific for young girls, while monochromic is specific for mature women or widows. For man the beads must be colorful so that the hat is rich in decorations. Creation Purpose In this case the artist sells these products Technique A fine beading needle (acul pentru mărgele) or a a weaving loom (război mic pentru țesut mărgele, optional) is used to arrange the beads, then the clasps or ribbon for fastening (închizători sau panglică) are attached. Material Source from specialized shops, not locally sourced Conecept It is a decorative item, used in moemnts of celebrations: festive days, hollidays, weddings,etc Production Quality The artist can allocate from a few minutes to a whole day, depending on the complexity of the model. External ID CJMM_AR_05 Field Worker Noemi Ganea Craft other (specify) Tool Small, multicolored glass beads (mărgele policrome) Strong thread or nylon fishing line (ață rezistentă) A fine beading needle (acul pentru mărgele) A weaving loom (război mic pentru țesut mărgele, optional) Clasps or ribbon for fastening (închizători sau panglică) Place The town or city Sighetu Marmației, Maramureș, Romania Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Beaded collar Type The nature or genre of the resource Physical Object Description An account of the resource By definition, the zgărdan is a narrow band adorned with multicolored beads, either woven or braided, worn by girls around the neck or by men on their hats. Date A point or period of time associated with an event in the lifecycle of the resource 2024 Language A language of the resource Romanian Extent The size or duration of the resource. 58cm x 2cm x cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 417 Source A related resource from which the described resource is derived craftedobjects Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Zgărdan Spatial Coverage Spatial characteristics of the resource. current,47.9289141324658,23.8924232813404; Creator An entity primarily responsible for making the resource 742 Date Modified Date on which the resource was changed. 02/07/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Red clay, warter, tin glazes and oxide pigments. Natural Cultural Cultural Function Jug for holding liquid, specifically cider Creation Purpose For sale Technique Made with red clay, shaped on a pedal-powered wheel, and its surface smoothed with a leather cloth. The walls are pierced with a punch. The kiln used is the "open kiln." It consists of two parts: the firing chamber, where the pieces are stacked, and a boiler in which the fuel is introduced. After the first firing, it is taken out of the kiln to be glazed and painted, after which it is placed back in the kiln. Material Source The clay is from Faro and the glases an pigments actually are industrial. Conecept Tradicional Faro pottery and Asturian cider culture Production Quality The number of objects produced in the same batch as the one presented is unknown, but they were made in series, meaning many identical ones were created. External ID LAPONTE_AR_05 Field Worker Carmen Pérez Maestro Craft ceramics Tool Foot-powered potter's wheel, cutting thread, specific tools for pottery (small wooden tools, knife),brush for applying the pigments and kiln. Place The town or city Faro, Asturias, Spain Prim Media 806 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cider jar Type The nature or genre of the resource Physical Object Description An account of the resource A one-handle jug that starts from the neck and ends at the widest part of the body. It has a trilobate lip, with a wide neck that narrows as it joins the globular body. The body tapers down to a circular base. This piece is made using a slow wheel and is glazed in white with yellow and green painted decoration. It features a yellow band flanked by green lines around the edge and lower part of the body. In the central area of the body, three identical representations of the Bird-Fish are painted. Language A language of the resource Spanish Extent The size or duration of the resource. 12cm x 8cm x 26cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 424 Source A related resource from which the described resource is derived craftedobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. de Aldecoa, E. I. (1985). La cerámica vidriada de Faro: motivos decorativos. Liño: Revista anual de historia del arte, (5), 235-246. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Xarra para sidra Spatial Coverage Spatial characteristics of the resource. current,43.355833,-5.794167; Creator An entity primarily responsible for making the resource 747 Date Modified Date on which the resource was changed. 04/07/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Clay and vegetal fiber Natural Cultural Cultural Function a lamp Creation Purpose an art piece for exhibiting Technique In this piece, marrow basketry is interwoven with a ceramic element, featuring a distinct geometric pattern.White clay, wheel-thrown with a metal strip, perforated, and stitched with vegetal fiber and natural marrow. Material Source Local vegetal fiber and clay of unknown origin. Conecept It symbolizes the connection between earth and art, the union of two artisanal techniques that, though different, complement each other in an organic and harmonious way. Production Quality single object External ID LAPONTE_AR_06 Field Worker Carmen Pérez Maestro Craft fibre and textile crafts,ceramics Tool hands and a metal strip Place The town or city El Valle, Candamo, Asturias, Spain Prim Media 810 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lamp Type The nature or genre of the resource Physical Object Description An account of the resource Object designed by the artist in which molded ceramics techniques are combined with basketry work. Date A point or period of time associated with an event in the lifecycle of the resource 2024 Creator An entity primarily responsible for making the resource 749,677 Language A language of the resource Spanish Extent The size or duration of the resource. 30cm x 57cm x 22cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 426 Source A related resource from which the described resource is derived craftedobjects Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Lámpara Spatial Coverage Spatial characteristics of the resource. current,43.4614901072019,-6.03943367496451; Date Modified Date on which the resource was changed. 04/07/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Lofoten Hvitsau wool Natural Cultural Cultural Function Wearable, clothing Creation Purpose For sale Technique Hand-knitting, stockinette for the main body and rib stitch for the cuffs and neckline. Traditional patterns, but in a new twist. Pattern from the Faroe Island (Farøeværing) . Islender Johannes . Rettstrikk or glattstrikk, branbørd, bolen (belly) ett ermea (arms). Barestikke (yoke) rundtbarestikke came in the 50's. The other sweater raglan with trapezoidal stitches. Material Source Vestvågøy, Nordland Conecept The use of local wool from old sheep breeds that are adapted to the climate and landscape as a way of preserving animals that pre-date industrialized production, makes customers feel more connected with the culture and the land. Both the tourists who look for an exclusive, locally made souvenir, and the people who buy the yarn to craft their clothes look for the feeling of doing something good for the planet and the local economy. The branding names of the wool also refer to the evocating cultural and natural elements of the region. Production Quality Made by customer request / bespoken External ID MN_AR_03 Field Worker Rebeca Franco Valle Craft fibre and textile crafts Tool Cable needles, and double-pointed needles. Place The town or city Stamsund, Lofoten, Norway Prim Media 838 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Norwegian knit sweater "Field Crop" Type The nature or genre of the resource Physical Object Description An account of the resource Sweater made out of local wool, using raw color yarn, and plant-dyed yarns. Date A point or period of time associated with an event in the lifecycle of the resource 2024 Language A language of the resource Norwegian Contributor An entity responsible for making contributions to the resource iain Source A related resource from which the described resource is derived craftedobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://lofoten-wool.no/en https://www.nibio.no/prosjekter/amazing-grazing-baerekraftig-kjott-og-ull-fra-sau-som-beiter-i-norsk-utmark?locationfilter=true https://www.smabrukarlaget.no/aktuelt/bonde-og-smaabruker/, https://www.norskekunsthandverkere.no/kunstnerregister/ragnhild-lie https://husflid.no/ https://www.utdanningsforbundet.no/ https://www.bondelaget.no/ Esther Haukeland, Innføring til plantefarging. Cappellen, 1982. Animalia: Norwegian wool Standard. https://www.animalia.no/no/Dyr/ull-og-ullklassifisering/norsk-ullstandard/ Beder, Nicolina J., Seyður Ull Tøting. SPF. Sprotin, 2010. Flååt, Inger. Votter i Namdalen. Nauma Husflidslag, 2010. Grimstad, Ingun K. and Sårdal, Tone t. Norsk Strikkehistorie. Vormedal Forlag. 2018. Grimstad, Ingun K. and Sårdal, Tone T. Ren ull. Aschehoug, 2013. Hrútaskrá. https://www.rml.is/is/kynbotastarf/saudfjarraekt/hrutaskra Joensen, Robert. Seyðabókin. SPF. Sprotin, 2015. Johnston, Elizabeth and Juuhl, Marta K. The warp-weighted loom. Kljásteinavefstadurinn: kljásteinar klingja. Oppstadveven: klingande steinar. Skald, 2016. Kjellmo, Ellen. Båtrya i gammel og nyt tid. Orkana, 1996. Sundbø, Annemor. Usynlege Trådar i Strikkekunsten. Samlaget, 2006. https://www.norskebilledkunstnere.no/ Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Norsk strikkegenser "Markens Grøde" Spatial Coverage Spatial characteristics of the resource. current,68.1490556685704,13.7622515654953; Creator An entity primarily responsible for making the resource 756 Date Modified Date on which the resource was changed. 05/08/2025 Identifier An unambiguous reference to the resource within a given context 526 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Wood, styrofoam, builders foam, plastic figurines, glue, glass Natural Cultural Cultural Function The model show how the historical town of Rombaksbotn looked. Creation Purpose Piece for exhibiting Technique Carpentry, glueing, painting, replicating the town from photos, maps and historical descriptions Material Source Most were bought from local shops, the figurines and trees etc. were ordered online. Conecept The model tells the story of the town Rombaksbotn, an important piece of local history of when the Ofotbanen railway was built, which also is very important for the history of Narvik city and its surrounding areas. Production Quality One of a kind External ID MN_AR_11 Field Worker Kjersti Robertsen, Ida Fossli Tool Wooden ruler, saw, scissors, knife, hammer, screwdriver Place The town or city Narvik stasjon, Narvik, Nordland, Norway Prim Media 1044 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Model of Rombaksbotn Type The nature or genre of the resource Physical Object Description An account of the resource Landscape model of the historical town of Rombaksbotn, with buildings, river, road and figurines. Language A language of the resource Norwegian Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 439 Source A related resource from which the described resource is derived craftedobjects Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Modell av Rombaksbotn Spatial Coverage Spatial characteristics of the resource. current,68.44154727069,17.4412277340889; Creator An entity primarily responsible for making the resource 765 Date Modified Date on which the resource was changed. 05/08/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Wood, styrofoam, builders foam, paint, glue, Natural Cultural Cultural Function Showing how the little historic village of Hundalen looked Creation Purpose Exhibiting Technique Carpentry, model building Material Source Bought locally, figurines and trees etc bought online Conecept Showing local history of the village of Hundalen under the building of the Ofotbanen railway, which is an important piece of history for the city of Narvik and the surrounding areas Production Quality One of a kind External ID MN_AR_12 Field Worker Kjersti Robertsen, Ida Fossli Craft woodwork Tool Saw, wooden ruler, screwdriver, hammer, knife, scissors, glue Place The town or city Verkstedbrakka, Katterat stasjon på Ofotbanen, Narvik kommune, Nordland, Norway Prim Media 1045 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Model of Hundalen Type The nature or genre of the resource Physical Object Description An account of the resource Landscape model with houses, river, figurines Creator An entity primarily responsible for making the resource 765 Language A language of the resource Norwegian Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 440 Source A related resource from which the described resource is derived craftedobjects Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/07/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Modell av Hundaleln Spatial Coverage Spatial characteristics of the resource. current,68.3973058377749,17.969671189785; Date Modified Date on which the resource was changed. 05/08/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: University of St Andrews Identifier An unambiguous reference to the resource within a given context 4 Intangible Prim Media 1072 Context Gaelic Language, oral story telling, maritime history. Field Worker Netty Sopata Climate Threats Deterioration of material Economic Threats Insufficient financial resources,Arduous training Policy Threats Lack of conservation policy,Educational standardisation Weakened Practice Aged practitioners,Reduced practice Loss Threats Loss of ancestral language,Loss of knowledge,Material shortage Climate Actions Community Engagement,Collaboration with other organisations SDG Responsible Consumption and Production External ID AAS_CP_02 Knowledge Extensive. An understanding of the traditional wooden boat building techniques and ability to apply them through thousands of hours of practice. The sequence in which the techniques need to applied and how to accommodate solo working to accomplish the highest quality. There is an aesthetic quality to wooden boats but fundamnetally thay are a functional item used to carry people in water. The traditonal wooden 'Sgoths'. that Mark can build from start to finish, or repair, are used for sailing in some of the most challenging sea areas in Scotland. There is a particular skills focus on how to work with the different types of wood used in traditional boat building in Scotland: Larch and Oak. 'Roving' is the technique this data input is focusing on in detail. In a new- build this requires the oak made 'ribs' of the boat to be steamed, applied and fixed to a planked mould. Copper nails are then hammered through pre - marked and drilled holes. The oak is only workable for 15 seconds post steaming and these permits the fixing of the nails through the oak without resistence. Once pushed through, copper rivets are used to fix the copper nails in place. 'Roving' also takes place during the replacement of planks in restoration work - it is this process that was captured on video and in photographs to document this cultural practice. (The steaming element of the ribs was not required during this restoration stage - the original holes were use). Knowledge Transfer In the past Mark Stockl ran a Boat Building course at Plockton High School form 2007 to 2023. Although highly successful this was withdrawn form the school curriculum by the local authority due to the costs involved. Out with apprenticeships, there is one boat building school in the United Kingdom that focuses on tradtional, wooden boat building skills: The Boat Building Academy and Furniture School in Lyme Regis. This has a City and Guilds, Level Three Diploma (Advanced) embedded within the intensive course delivered over forty weeks. Practitioners Traditional boat builders are the main bearers and practioners of this practice. There are no specific roles or catgeories for'boat buulding' at an independent, bespoke level. The roving technique requires two people to work together but the majority of the boat building process, using the methods that Mark uses, occur with just one practitioner. Function The traditional wooden 'Sgoths' reffered to above have a cultural significance in the retention and amplification of the gaelic language and maritime history. Falamadair proactivelt restroes and maintains the Sgoths under it's guardianship and interacts with other organisations to promote the heritage connected to them. Fèis na Fairge is a maritme festival organised by Urras Oighreachd Ghabhsainn (Galson Estate) to celebrate the maritime history of teh North of Lewis. The restoration work on the 'Sgoths' completed by Mark contributes significantly to their preservation. Origins and change Wooden fishig boats were used for line fishing during the 19th century but as this industry died out in the Western Isles, the number of wooden boats being built reduced. Some of the tools used remain the same and soe have been repaced with faster alternatives i.e for the 'Roving' hand drills have been replaced with battery operated drills. Organisations Falamadair - The North Lewis Maritime Trust. Comunn Eachdraidh Nis / Ness Historical Society and Urras Oighreachd Ghabhsainn (Galson Estate). Places As above. Artefacts As listed: AAS_AR_06 (Replica Sgoth built by Mark Stockl) and AAS_AR_10 (Clinker under rennovation). Also a battery operated hand drill (AAS_AR_09). For the roving process the drill is required to drill the holes to place/push the copper nails through ready fro the rivet to be fixed. Climate Threats Description In AAS_PR_002(INTVW) Mark makes reference to Scottish Larch (the wood required for the planks in wooden boat building) being used more intensivley by Architects and thus the construction industry. Economic Threats Description There is only one location individuals can currently attend to learn traditional boat building techniques in the U.K. The costs of doing so (£18K for 40 Weeks) is prohibiitve to majority of young people, particulary if they are from a disadvantaged background. Apprenticeships for sole practitioners (such as Mark) are prohibitive to negotiate due to costs and health and saftey guidlines that are required. This coupled with reduced spend capacity of local authorities limts access to learning thes traditonal skills to those that can afford to do so. Policy Threats Description There is only one location individuals can currently attend to learn traditional boat building techniques in the U.K. The costs of doing so (£18K for 40 Weeks) is prohibiitve to majority of young people, particulary if they are from a disadvantaged background. Apprenticeships for sole practitioners (such as Mark) are prohibitive to negotiate due to costs and health and saftey guidlines that are required. This coupled with reduced spend capacity of local authorities limts access to learning thes traditonal skills to those that can afford to do so. Weakened Practice Description There is only one location individuals can currently attend to learn traditional boat building techniques in the U.K. The costs of doing so (£18K for 40 Weeks) is prohibiitve to majority of young people, particulary if they are from a disadvantaged background. Apprenticeships for sole practitioners (such as Mark) are prohibitive to negotiate due to costs and health and saftey guidlines that are required. This coupled with reduced spend capacity of local authorities limts access to learning thes traditonal skills to those that can afford to do so. Loss Threats Description The maritime festivals are great way of amplifyin the anceteral language, knowledge and stories asscociated with traditonal wooden boat buulding ( sailing). But, these are not public policy. State of the practice stable Social sustainability Yes - by supporting the work of Falamadair. Environmental sustainability Yes. All the wood souced in the processes used by Mark is sourced in Scotland. The techniques are traditional so there is very little waste generated. Economic sustainability Mark's work provides an income for him. Some of the boats he builds / repairs are used by estates to faciliate fishing (leisure). The estates generate an income from fishing. Place The town or city 3 Loggie, Ullapool Place Description Ullapool is a small fishing harbour on the west coast of Scotland. It is also a gateway to the Western Isles for freight, tourism and island residents. Traditional fishing vessels on the west coast of Scotland were built from wood. Although the modern day 'trawlers' no-longer resemble these vessels, working examples of traditional wooden vessels do exist today, some in community trusts and some in private ownership. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Traditional Boat Building: Copper Roving Type The nature or genre of the resource Intangible Description An account of the resource One type of tradtional wooden fishing vessel is a ‘Sgoth’ or ‘Sgoth Niseach’ – a traditional type of clinker-built skiff with a dipping lug rig and a Lateen style sail, built mainly in Ness in the Western Isles of Scotland. These boats were used for line fishing during the 19th century but as this industry died out in the Western Isles, the number of Sgoths being built reduced. In 1935 ‘Jubilee,’ built by the late John Finlay Macleod, was launched and is the last original working ‘Sgoth.’ (Falamadair, 2025). Mark Stockl is a traditional boat builder based in Ullapool and has worked extensively with Falamadair _ The North Lewis Maritime Trust, in the restoration of Sgoths for which they are the guardians. He has also built replica Sgoths for private clients (see AAS_AR_06) and restored other Ness built clinkers (see AAS_AR_10). The full process of designing and building a traditional wooden ‘clinker’ boat is described in AAS_PR_002. The Cultural practice documented in this input focuses on the method of ‘Copper Roving’ (fixing the copper rivets through the planks to hold them in place) during the repair of AAS_AR_10. This artefact was in Mark’s workshop on the day of the interview. Creator An entity primarily responsible for making the resource 860,243 Language A language of the resource English Extent The size or duration of the resource. x x Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 533 Source A related resource from which the described resource is derived highlandandislands References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://www.galsontrust.com/single-post/launch-of-new-maritime-festival-fèis-na-fairge. (2025, July 28). Retrieved from Urras Oighreachd Ghabhsainn : https://www.galsontrust.com/ Boat Building Academy and Furniture School . (2025, July 28). Retrieved from Boat Building Academy and Furniture School : https://boatbuildingacademy.com/boat-building-courses/40-week-boat-building-course/ CEN, 2021. Comunn Eachdraidh Nis / Ness Historical Society. [Online] Available at: https://www.nesshistorical.co.uk [Accessed 19 July 2025]. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 11/08/2025 Spatial Coverage Spatial characteristics of the resource. current,57.8644615848094,-5.121928998; Date Modified Date on which the resource was changed. 13/10/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. University of St Andrews Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1166 Material Wood Natural Cultural Cultural Function Sailing Boat Creation Purpose Commissioned by a private collector Technique By hand as per tradtional Sgoth / Wooden built boat but ammended in size from replica inspiration of 'Callvicol' to 'Jubilee.' See AAS_PR_002 input for addional infomration on making process. Material Source Scotland Conecept Alhtough AAS_AR_0r is an artefact owned by a provate collector, the boats upon which she is designed are under the ownership of Falmadair, an organistion originally set up to work with Comunn Eachdraidh Nis Ness Historical Society to look after 'Jubilee' after her first renovation by John Murdo Macleod in the late 1970s. Her keel was laid by his father, John Finlay Macleod in 1935. Since then Mark Stockl ahas completed a number of restoration projects for the organisation. 'A Sgoth or Sgoth Niseach is a traditional type of clinker built skiff with a dipping lug rig, a Lateen style sail, built mainly in Ness in the Western Isles of Scotland. The boats were used as traditional fishing boats, particularly for line fishing, during the 19th century and until the early half of the twentieth century. ' (Falamdair 2025). This artefact was on display at the AAS RSI and has been scanned by USTAN for VERA. Production Quality As and when they are commisoned on a one to one basis. A 'Sgoth' is a particular style of dipping lug sailing boat used by fisheren in the North of Lewis of the Western Isles. This particular artefact, designed and built on the specifcations of 'Calvicol' and 'Jubilee' is a one off. External ID AAS_AR_06 Field Worker Netty Sopata Craft woodwork Tool Machine hand tools: Saw / Drill/Router. Hand Tools: Chisel / hammer Wood Steamer / Plank thinner. Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Wooden,_Diping-Lug_Sailing_Boat_(replica_build) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wooden, Diping-Lug Sailing Boat (replica build) Type The nature or genre of the resource Physical Object Description An account of the resource This replica build Sgoth was commission by Alasdair Smith and built by Mark Stockl (AAS_PR_002). The Sgoth is based on measurements taken from Callicvol, (a Sgoth built by John Murdo Macleod in the 1970’s) but has been lengthened by a foot to create a proportional balance similar to the Jubilee (another Sgoth, renovated by Mark Stockl and used for lesiure sailing by Falmadair). Date A point or period of time associated with an event in the lifecycle of the resource TBC Creator An entity primarily responsible for making the resource 860,243 Language A language of the resource Scottish Gaelic Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 566 Source A related resource from which the described resource is derived craftedobjects,scotlandobjects,highlandandislands References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Falamadair. (2025, July 27). Falamadair North Lewis maritime Society . Retrieved from Falamadair: https://www.falmadair.org Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 19/08/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Sgoth (replica build) Spatial Coverage Spatial characteristics of the resource. current,57.8644615848094,-5.121920998; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1170 Natural Cultural Cultural Function Used to shape wood by hand / cuts / incisions etc Creation Purpose For wood workers / joiners Technique Produced in a factory within the UK Material Source UK Conecept Wood working chisel are used for traditonal hand making techniques applied when working with wood. Production Quality Mass Production External ID AAS_AR_07 Field Worker Netty Sopata Craft woodwork,metalwork Tool Unknown - mass produced Place The town or city 3 Loggi, Ullapool Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Chisel_(wood_working) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chisel (wood working) Type The nature or genre of the resource Physical Object Description An account of the resource A wood working chisel with dark wooden handle and steel chisel. Creator An entity primarily responsible for making the resource 860,243 Language A language of the resource English Extent The size or duration of the resource. 25cm x 2-3cm x 2-3cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 567 Source A related resource from which the described resource is derived tools,scotlandobjects,highlandandislands Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 19/08/2025 Spatial Coverage Spatial characteristics of the resource. current,57.8644615848094,-5.121920998; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1172 Material Wood and steel Natural Cultural Cultural Function To shape wood Creation Purpose As a hand tool for wood workers Technique Factory, mass production Material Source United Kingdom Conecept Designed and manufactured for wood workers. Production Quality Mass produced External ID AAS_AR_08 Field Worker Netty Sopata Craft woodwork,metalwork Tool Machine and hand assembled Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hand Plane Type The nature or genre of the resource Physical Object Description An account of the resource Hand plane for shaping wood. Creator An entity primarily responsible for making the resource 860,243 Extent The size or duration of the resource. 25cm x 18cm x 6-7cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 568 Source A related resource from which the described resource is derived tools,scotlandobjects,highlandandislands Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 19/08/2025 Date Modified Date on which the resource was changed. 19/08/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material tinsmithing Natural Cultural Cultural Function The watering can is used to water vegetable gardens and rural plantations. It is an artifact for seasonal use. Creation Purpose For watering local vegetable gardens. Technique The craftsman uses a pair of scissors to cut the galvanised sheet metal. On the anvil, the sheet is given a curved shape with the help of a hammer, which is used to strike the sheet. He also uses tin solder to join the parts that make up the watering can. To make the holes, the craftsman uses a kind of metal straw on the galvanised sheet and with the hammer he makes quick blows so that the straw makes the necessary holes for the water to pass through. Conecept Before the widespread use of plastic in the equipment and objects industry for use in agriculture, watering cans handcrafted by master tinsmiths met the watering needs of small flowerbeds and vegetable gardens. Metal watering cans are more durable, and many made in the past are still used for small-scale watering or even decorative purposes. Production Quality Production is carried out according to demand, the artifacts are made to order. External ID UAVEIRO_AR_01 Field Worker Cristiane Menezes Craft metalwork Tool Scissors, hammer, metal hole punch, tin solder Place The town or city Lobão da Beira, Tondela, Portugal Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Watering can Type The nature or genre of the resource Physical Object Description An account of the resource Watering can made with galvanised sheet metal Date A point or period of time associated with an event in the lifecycle of the resource March 2025 Creator An entity primarily responsible for making the resource 918 Language A language of the resource Portuguese Extent The size or duration of the resource. 30cm x 55cm x 30cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 528 Source A related resource from which the described resource is derived cabeceirasdebastomap References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://old.cm-tondela.pt/index.php/servicos/museu-terra-de-besteiros/investigacao/funilaria Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 11/08/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Regador Spatial Coverage Spatial characteristics of the resource. current,40.521326,-8.032804; Date Modified Date on which the resource was changed. 22/09/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Galvanized sheet metal Natural Cultural Cultural Function Used to pick up grains to put in a bag or to weigh them. Artifact used in commercial establishments selling bulk grains and/or flours. Creation Purpose For serving grains or flour and transporting them to bags to be able to weigh them. Technique The craftsman uses a pair of scissors to cut the galvanised sheet metal. On the anvil, the sheet is given a curved shape with the help of a hammer, which is used to strike the sheet. He also uses tin solder to join the parts that make up the old grain scoop. Material Source specialty shops Conecept Previously, the Old grain scoop was used in warehouses and manufactured locally to meet the demand for bulk grain and flour delivery to customers. With the emergence of new materials, especially plastic, these utensils fell into disuse and were replaced. Production Quality Production is carried out according to demand, the artifacts are made to order. External ID UAVEIRO_AR_02 Field Worker Cristiane Menezes Craft metalwork Tool Scissors, hammer, tin solder Place The town or city Lobão da Beira, Tondela, Portugal Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Old_grain_scoop,_antique_chute Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Old grain scoop, antique chute Type The nature or genre of the resource Physical Object Description An account of the resource This artefact is like a spoon. Used to pick up grains to put in a bag or to weigh them. Artifact used in commercial establishments selling bulk grains and/or flours. Creator An entity primarily responsible for making the resource 918 Language A language of the resource Portuguese Extent The size or duration of the resource. 14cm x 20cm x 12cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 529 Source A related resource from which the described resource is derived cabeceirasdebastomap References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://old.cm-tondela.pt/index.php/servicos/museu-terra-de-besteiros/investigacao/funilaria https://uniaodasfreguesiastondelanandufe.pt/2022/01/18/museu-terras-de-besteiros/ Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 11/08/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Corredouro (colher para servir cereais) Spatial Coverage Spatial characteristics of the resource. current,40.521326,-8.032804; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Galvanized sheet metal Natural Cultural Cultural Function Used for transfer liquids, such as oil, milk or wine from one container to another. It facilitates the transfer of liquids without spilling. Creation Purpose The artisan makes these objects to sell to customers who seek them out. Technique First, the pattern is transferred to the sheet metal using a pointer and a compass. Then, the sheet metal is cut with special shears. The part is then shaped with a wooden mallet and an iron hammer on an anvil or rounded block. Finally, the die is used to make the necessary seams, folds, or edges. He also uses tin solder to join the parts that make up the funnel. Material Source specialty shops Conecept It was a practical and sustainable solution, made with durable metal materials before the popularization of disposable plastics. This object is associated with functionality, durability, and local production with the resources available at the time. Production Quality Production is carried out according to demand, the artifacts are made to order. External ID UAVEIRO_AR_03 Field Worker Cristiane Menezes Craft metalwork Tool Scissors, hammer, tin solder Place The town or city Lobão da Beira, Tondela, Portugal Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Funnel Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Funnel Type The nature or genre of the resource Physical Object Description An account of the resource A funnel is used to transfer liquids from one container to another, preventing spills and simplifying the process. Creator An entity primarily responsible for making the resource 918 Language A language of the resource Portuguese Extent The size or duration of the resource. 15cm x 20cm x 15cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 530 Source A related resource from which the described resource is derived cabeceirasdebastomap References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://old.cm-tondela.pt/index.php/servicos/museu-terra-de-besteiros/investigacao/funilaria https://uniaodasfreguesiastondelanandufe.pt/2022/01/18/museu-terras-de-besteiros/ Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 11/08/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. funil Spatial Coverage Spatial characteristics of the resource. current,40.521326,-8.032804; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Galvanized sheet metal Natural Cultural Cultural Function Used for put liquids, such as water and wine. Creation Purpose The artisan makes these objects to sell to customers who seek them out. Technique First, the pattern is transferred to the sheet metal using a pointer and a compass. Then, the sheet metal is cut with special shears. The part is then shaped with a wooden mallet and an iron hammer on an anvil or rounded block. Finally, the die is used to make the necessary seams, folds, or edges. He also uses tin solder to join the parts that make up the pitcher. Material Source specialty shops Conecept It was a practical and sustainable solution, made with durable metal materials before the popularization of disposable plastics. This object is associated with functionality, durability, and local production with the resources available at the time. Production Quality Production is carried out according to demand, the artifacts are made to order. External ID UAVEIRO_AR_04 Field Worker Cristiane Menezes Craft metalwork Tool Scissors, hammer, tin solder Place The town or city Lobão da Beira, Tondela, Portugal Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Pitcher Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pitcher Type The nature or genre of the resource Physical Object Description An account of the resource It is a container with two handles. It is used to store and transport liquids. It can be used for water, wine, milk or any other liquid that you want to store or transport. Date A point or period of time associated with an event in the lifecycle of the resource April 2025 Creator An entity primarily responsible for making the resource 918 Language A language of the resource Portuguese Extent The size or duration of the resource. 25cm x 40cm x 25cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 531 Source A related resource from which the described resource is derived cabeceirasdebastomap References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://old.cm-tondela.pt/index.php/servicos/museu-terra-de-besteiros/investigacao/funilaria https://uniaodasfreguesiastondelanandufe.pt/2022/01/18/museu-terras-de-besteiros/ Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 11/08/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Cântaro Spatial Coverage Spatial characteristics of the resource. current,40.521326,-8.032804; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: University of St Andrews Identifier An unambiguous reference to the resource within a given context 4 Intangible Context Related practices include metalworking/blacksmithing; agricultural grain handling and volumetric measuring (e.g., the corredor); a strong repair–reuse culture (tool upkeep, patching/retinning, recycling offcuts); oral transmission/apprenticeship with workshop jargon and templates; community/market work (fairs, seasonal gutter maintenance); and heritage/tourism through restoration and public demos/workshops. Economic Threats Insufficient renumeration,Rapid economic transformation Weakened Practice Diminishing participation,Diminishing youth interest,Halted transmission between generations,Reduced practice SDG Quality Education,Decent Work and Economic Growth External ID UAVEIRO_CP_01 Knowledge Cutting, shaping, riveting/welding; marking out and reading measurements; volume calibration (measuring sticks). Technical drawing & layout: reading/sketching simple plans; sheet-metal geometry (developments for cones/prisms); marking out with rule, dividers/compass, and scriber. Measuring & calibration: accurate use of rulers, gauges and templates; volumetric calibration for grain measures (e.g., the corredor). Cutting & edge prep: straight/curved cuts with hand snips and bench shears; deburring and safe edge treatment. Forming & shaping: hand forming over stakes/anvils; bending/folding, rolling beads (“canelinhos”) on a beading machine; setting angles with wooden mallet. Joining methods: locked seams, lap seams, riveting, and tin soldering (flux control, heat management, “tirar o lume”/clean-up). Finishing & QA: truing (“rigor”), leak and watertightness tests for gutters/containers; functional fit on site. Material knowledge: properties of zinc/galvanised sheet (thicknesses, work-hardening, corrosion behavior), compatible solders and fasteners. Tool care & safety: maintenance of snips, stakes, soldering irons/torches; safe handling of heat, sharp edges, and fumes. Contextual knowledge: local building uses (gutters/downpipes), agricultural uses (grain measuring), and repair practices. Knowledge Transfer Practical and oral learning, usually in family workshops. Practitioners Tinsmiths/blacksmiths; apprenticeship in workshop. Function Production of everyday utensils and containers; preservation of traditional know-how. Origins and change Tinsmithing is a pre-industrial craft involving the cold working of sheet metal to make and repair domestic, agricultural, and construction utensils. In Portugal, it became established with tinplate and later with galvanized sheet (zinc). Until the mid-20th century it played a central role (gutters, watering cans, funnels, containers), but industrialization and plastics reduced demand, shifting the craft to niches (repairs, custom orders, heritage). Tools have modernized without losing the core know-how, and transmission moved from the master–apprentice model to mixed formats; today the craft focuses on maintaining built heritage, producing durable and custom pieces, and the cultural/touristic valorization of traditional knowledge. Organisations Museu Terras de Besteiros (Lands of Crossbowmen Museum), the University of Aveiro, Places The practice is in decline in the region, with few tinsmiths still working. It is a profession that is no longer passed on to younger people, as it once was. Artefacts Hand snips and bench shears; folding brake; stakes/anvils and bick; wooden and steel mallets; hammers; punches and rivet sets; seamers/groovers. Beading machine (“caneleira”/“máquina de carrete”) for rolling stiffening beads. Soldering iron or blowtorch, flux/appliances; clamps and simple jigs. Measuring/marking tools: steel rule, dividers/compass, protractor/angle blocks, scriber, templates. Domestic/agricultural: funnels, watering cans, buckets, oil cans, storage containers. Measuring device: corredor — grain-measuring vessel (volume-calibrated). Weakened Practice Description The practice is in decline: there are fewer active practitioners due to competition from industrial products and lower demand for repairs; young people's interest is reduced by the perception of low returns and the lack of training courses; the intergenerational transmission that previously took place in family workshops has been interrupted; and daily activity has been restricted to niche areas (restoration, specific orders). Together, these factors — a market dominated by plastic/mass production, an unattractive economy, the closure of workshops and a lack of training — are squeezing the viability of the craft and accelerating the loss of skills. Safeguarding activities No measures have been taken. State of the practice endangered Social sustainability The practice is in sharp decline: there are few practitioners left (mostly elderly), young people's interest is low, intergenerational transmission has been broken, workshops have closed, and the market has been replaced by industrial/plastic products. Demand is sporadic (restoration/orders), making economic continuity unviable and putting the know-how at risk of disappearing within a generation without urgent safeguarding measures. Environmental sustainability Metalworking contributes to environmental sustainability by extending the useful life of utensils through repair and custom-made parts, avoiding replacements and waste; it uses zinc/galvanised steel, a durable and 100% recyclable material, and reuses scrap metal in the workshop itself. Production is local and small-scale, reducing logistics/transport footprint, and the process is low energy consumption (cold work, heat only during welding). Economic sustainability Even in decline, bodywork can contribute to local economic sustainability by: generating repair work and custom-made parts. Place The town or city Lobão da Beira - Tondela, Portugal Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Handcrafted sheet metal work (working with zinc sheets). Type The nature or genre of the resource Intangible Description An account of the resource Traditional practice of working with zinc sheet metal to produce utensils (e.g. gutters, grain measuring troughs, funnels, pitchers). Today, tinsmithing is merely a residual activity, reminiscent of other crafts that were once more prominent. The municipality of Tondela is no exception. It is therefore important to learn about this art form, which is almost extinct, and to understand the whole range of objects that tinsmiths used to make in the past, now struggling against competition from equivalent items made from other materials, mainly plastic. Language A language of the resource Portuguese Extent The size or duration of the resource. x x Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 731 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://old.cm-tondela.pt/index.php/servicos/museu-terra-de-besteiros/investigacao/funilaria http://programasaberfazer.gov.pt/arte/latoaria Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 27/10/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Funilaria, latoaria Spatial Coverage Spatial characteristics of the resource. current,40.521326,-8.032804; Creator An entity primarily responsible for making the resource 918 Date Modified Date on which the resource was changed. 28/10/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. University of St Andrews Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Natural Cultural Cultural External ID UAVEIRO_AR_05 Material galvanised sheet metal Function Used for signaling and communication. Used for music, sports and traffic signaling, and also for emergency signaling. Technique tinsmithing Material Source Galvanised metal Production Quality Production is carried out according to demand, the artifacts are made to order. Craft metalwork Tool The craftsman uses a pair of scissors to cut the galvanised sheet metal. The craftsman uses pliers to make bends in the metal and build the shape of the whistle. On the anvil, the sheet is given a curved shape with the help of a hammer, which is used to strike the sheet. Place The town or city Lobão da Beira, Tondela, Portugal Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Metal whistle Type The nature or genre of the resource Physical Object Language A language of the resource Portuguese Extent The size or duration of the resource. 5cm x 3cm x 2cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 734 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 27/10/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Apito Spatial Coverage Spatial characteristics of the resource. current,40.521326,-8.032804; Description An account of the resource A small object wind instrument that produces a shrill sound. Creator An entity primarily responsible for making the resource 918 Source A related resource from which the described resource is derived craftedobjects,portugalobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://uniaodasfreguesiastondelanandufe.pt/2022/01/18/museu-terras-de-besteiros/ Date Modified Date on which the resource was changed. 27/10/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material galvanised sheet metal Natural Cultural Cultural Function Used for decoration Creation Purpose The artisan uses scraps of sheet metal to cut out the petals and leaves, which are then used to construct the flowers. It is a way of reusing waste from the production of other artefacts. Technique tinsmithing Material Source Galvanised metal Production Quality The artisan reuses waste from the production of other artefacts and, when there are no orders, he makes decorative flowers. External ID UAVEIRO_AR_06 Craft metalwork Tool The craftsman uses a pair of scissors to cut the galvanised sheet metal. On the anvil, the leaf is given a curved shape with the help of a hammer, which is used to hit the leaf. He also uses tin solder to join the parts that join the leaves and flowers to the main stem. Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Decorative_Flowers Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Decorative Flowers Type The nature or genre of the resource Physical Object Description An account of the resource Hand-painted metal flowers Date A point or period of time associated with an event in the lifecycle of the resource 2025 Creator An entity primarily responsible for making the resource 918 Language A language of the resource Portuguese Extent The size or duration of the resource. 20cm x 20cm x 50cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 735 Source A related resource from which the described resource is derived craftedobjects,portugalobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://uniaodasfreguesiastondelanandufe.pt/2022/01/18/museu-terras-de-besteiros/ Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 27/10/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Flores decorativas Spatial Coverage Spatial characteristics of the resource. current,40.521326,-8.032804; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1882 Material galvanised sheet metal Natural Cultural Cultural Function Used for decoration Creation Purpose The lamp was designed by the designer, as part of the UA.LABDESIGN 2025 immersion project in Múceres, and the prototype was produced in conjunction with the craftsman. Technique tinsmithing Material Source Galvanised metal Conecept The aim of this artifact was to take advantage of the shape of a cruet set, which is no longer in use, and transform it into a lamp. Production Quality Prototype External ID UAVEIRO_AR_36 Craft metalwork Tool The craftsman uses a pair of scissors to cut the galvanised sheet metal. On the anvil, the leaf is given a curved shape with the help of a hammer, which is used to hit the leaf. He also uses tin solder to join the parts that join the leaves and flowers to the main stem. Place The town or city Múceres, Tondela, Portugal Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Galhetto_Lamp Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Galhetto Lamp Type The nature or genre of the resource Physical Object Description An account of the resource A lamp inspired by the shape of a Portuguese cruet. It features holes in different positions, allowing it to be hung on the wall in a variety of ways. Date A point or period of time associated with an event in the lifecycle of the resource 2025 Creator An entity primarily responsible for making the resource 918 Language A language of the resource Portuguese Extent The size or duration of the resource. 30cm x 25cm x 50cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 750 Source A related resource from which the described resource is derived craftedobjects,portugalobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://uniaodasfreguesiastondelanandufe.pt/2022/01/18/museu-terras-de-besteiros/ Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 27/10/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Luminária Galhetto Spatial Coverage Spatial characteristics of the resource. current,40.521326,-8.032804; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 122 Material Ram’s scrotum, woollen and cotton fabric, bone and metal accessories Tawing, sewing, cutting, smoothing, drilling Natural Cultural Cultural External ID UTARTU_AR_01 Field Worker Kristi Grünberg Function During the 17–19th centuries leather pouches made of ram’s testicles, were used as money-bags and tobacco pouches. They were tanned along with the skins and decorated with applique, beads, copper rings and fabric. Nowadays the pouch is suitable for coins, cellphone, pipe, dice, tobacco, talisman etc. Creation Purpose Made for sale Technique Tawing, sewing, cutting, smoothing, drilling. It is the form of the scrotum, among other things, that fascinates the artisan Monika Hint. Seeking to make the most of this material, she combines skin with textiles for durability, functionality and looks, and with details made of bone, which is another favorite material of hers. She either taws scrotums with alum and salt, which produces results quickly, or tans them in acidified rye flour. In the latter case, scrotums are soaked for several days in fermented cereal mixture made of flour. In addition to rye, wheat, barley, and oats can be used to process leather. Flour tanning is one of the oldest tanning technologies in Estonia and is particularly suitable for sheep and ram skins. Material Source Collaborating with local farmers, hunters and other artisans, Monika Hint uses and often recycles bone, horn, leather, wool and other natural materials to create products that build on and develop further traditional methods and artefacts. The pouches made in Koordikamber are organic for the simple reason that nowadays only organic farms keep rams, i.e. uncastrated male sheep. The scrotums come from a small organic farm in southern Estonia. Conecept While these products are of high quality and exclusive, they come from an ethos of subsistence that for centuries used to define rural life in Estonia. Monika Hint aims to keep the production process as nature-friendly, local, simple and resource efficient as possible. This means using as few resources as possible, recycling as much possible and minimizing waste. In fact, much of what she works with is waste: byproducts and materials that others have no use for. Production Quality The scrotums are delivered to Monika Hint maybe twice a year in batches of approximately 10. Because this raw material is so precious, and the traditional techniques used to process it tend to be time-consuming and labor-intensive, Monika Hint makes artefacts out of ram’s scrotum only a couple of times a year. Tool Knives, awls, burscissors, needle, thread. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A pouch made of a ram’s scrotum Type The nature or genre of the resource Physical Object Description An account of the resource Monika Hint, an student of the University of Tartu Viljandi Culture Academy, runs her own studio, Koordikamber, in Koordi farm in Viljandi county. Collaborating with fellow artisans, local farmers, and hunters, she uses bone, horn, leather, wool, and other natural, often recycled materials to create products that build on and develop further traditional technologies. Koordikamber also offers courses and workshops. Tanning and tawing are traditional leather processing methods in Estonia. While tanning requires vegetables or flour, alum and salt are used in tawing. Until the beginning of the 20th century, these skills were widely practised domestically, though there also existed village tanners. During the 17–19th centuries leather pouches made of ram’s scrotums were used as money bags and tobacco pouches. They were tanned along with the skins and decorated with applique, beads, copper rings and fabric. Nowadays the pouch is suitable for coins, cellphone, pipe, dice, tobacco, talisman etc Date A point or period of time associated with an event in the lifecycle of the resource 2019 Creator An entity primarily responsible for making the resource 934,647 Extent The size or duration of the resource. 18cm x 13cm x cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 91 Source A related resource from which the described resource is derived 11estonia,craftedobjects,estoniaobjects,viljandicountymap Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 14/09/2024 Spatial Coverage Spatial characteristics of the resource. current,58.321648,25.726901; Date Modified Date on which the resource was changed. 24/02/2026 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Tubakakott References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Hint, Monika. 2013. “Luu töötlemine lamba sääreluust vilepilli näitel.” Studia Vernacula 4: 58-72. https://doi.org/10.12697/sv.2013.4.58-72. Uus, Made 2019. “Traditional Leather Processing Using Domestic Methods in Estonia.” Studia Vernacula 11: 164–179. https://doi.org/10.12697/sv.2019.11.164-179. Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://culturality.museum/11-2/ https://culturality.museum/omeka/files/original/da0a6265916e1b7d624008f91407a933.png 96406c298b5883b3a253fad9a4cef382 Tour Author iain Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Yellow_Broom,_Cairngorms Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yellow Broom, Cairngorms Type The nature or genre of the resource Tour Creator An entity primarily responsible for making the resource Catherine Cassidy and Sharon Pisani Contributor An entity responsible for making contributions to the resource iao@st-andrews.ac.uk Publisher An entity responsible for making the resource available VERAPlatform License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Identifier An unambiguous reference to the resource within a given context 485 Source A related resource from which the described resource is derived tours Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 07/24/2025 01:16:40 pm Spatial Coverage Spatial characteristics of the resource. current,57.0606109,-3.6090392; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://openvirtualworlds.viewin360.co/share/collection/7Dhxn?logo=0&info=0&fs=1&vr=1&sd=1&initload=0&thumbs=1