2 100 1975 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Pear wood Natural Cultural Cultural Function Decorative. The bowl is occasionally used to put small breads in it (workshops). Creation Purpose Petra made the bowl for herself: at workshops and fairs, small bread rolls are put in a bowl to be eaten. Technique The bowl has a machine-turned centre (made by the craftsman Janez Jankovec) and the rim is hand-carved with chisels. The bowl is oiled and stacked. Material Source Wood and wood scraps Petra gets or buys from carpenters; sometimes she buys small boards from local farmers, especially if they have pear wood; sometimes she buys a piece of log, preferably pear. Production Quality Unikate. External ID ZRCSAZU_AR_02(3) Field Worker Barbara Ivančič Kutin AI Tools Yes AI Content Chat GPT was used for summarisation and translation of the text. Craft woodwork Tool Various chisels, wooden hammer, natural brush. Place The town or city Škofja Loka, Gorenjska, Slovenia Prim Media 2099 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A carved bowl, with the slogan Poglej in pojej - "See and savour" in the artist's workshop. Type The nature or genre of the resource Physical Object Description An account of the resource A wooden decorative bowl. Date A point or period of time associated with an event in the lifecycle of the resource 2020 Creator An entity primarily responsible for making the resource 2088 Extent The size or duration of the resource. 27cm x 5cm x 34cm Contributor An entity responsible for making contributions to the resource iain Source A related resource from which the described resource is derived craftedobjects,uppercarniola References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://www.obrazislovenskihpokrajin.si/oseba/plestenjak-podlogar-petra/ http://www.nesnovnadediscina.si/en/register-of-intangible-cultural-heritage/making-small-breads-and-wooden-models https://www.kulturnadozivetja.si/rokodelski-center-duo/mojstri-rokodelci/item/28-petra-plestenjak-podlogar.html https://www.loski-muzej.si/spletni-arhiv-zusl/petra-plestenjak-podlogar/ Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 13/01/2026 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Izrezljana lesena skleda z večjezičnim napisom "Pogflej in pojej" v delavnici Spatial Coverage Spatial characteristics of the resource. current,46.16645630152873,14.307220267982746; Date Modified Date on which the resource was changed. 13/01/2026 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/2800642915104dd71c24581cf1827a09.jpg b8b3c4e441c01c0647263e20c05bcb3e Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A carved bowl, with the slogan Poglej in pojej - "See and savour" in the artist's workshop. Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-06 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Barbara Ivančič Kutin https://culturality.museum/omeka/files/original/168377fc6df10e949c99ee33148289d2.jpg bbb26943b576af310b8ece2e4d322dc9 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID MN_AR_23(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A coffee bag Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2023-01-27 Spatial Coverage Spatial characteristics of the resource. current,68.5849716247542,16.7055792760146; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Unknown Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Norway https://culturality.museum/omeka/files/original/978f1f9e016e045ae54750a9e1c066d5.jpg 98d78443b339f3838cb74875fffad1ad Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Damascus knife with a wooden handle. In the background, more Damascus knives with handles made of various materials can be seen. The photograph was taken in Krmelj's small museum, where some of his products are on display. Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-13 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Barbara Ivančič Kutin https://culturality.museum/omeka/files/original/264f53b58d93f8ddd40275131cb24a46.jpg cd6afcd685b7ac00a21a40672446fb52 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID LAPONTE_AR_21(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A frame lifter and a hive tool Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-05-05 Spatial Coverage Spatial characteristics of the resource. current,43.27386,-6.0009365; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Carmen Pérez Maestro Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/707aed5d7aeeb13293af18316eabd744.JPG f0acbd40dd5cf8da3e03b753cf3f35ef Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID MN_AR_10(04) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A metal sculpture "Great cormorant with wings" on a stone base (back view) Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-12 Spatial Coverage Spatial characteristics of the resource. current,68.0049977533612,13.2073237978534; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Agnes Csenki Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Norway https://culturality.museum/omeka/files/original/2f52d5d895b8d713094ae2f2c935b735.JPG 534512f9382fb4211fe6550eca5b65e5 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID MN_AR_10(05) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A metal sculpture "Great cormorant with wings" on a stone base (front view, closeup) Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-12 Spatial Coverage Spatial characteristics of the resource. current,68.0049977533612,13.2073237978534; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Agnes Csenki Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Norway https://culturality.museum/omeka/files/original/138f3cb9ba9949f761faf2869dacdf3f.JPG 949026a9cb96b80b04965aad55513fbc Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID MN_AR_10(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A metal sculpture "Great cormorant with wings" on a stone base (front view) Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-12 Spatial Coverage Spatial characteristics of the resource. current,68.0049977533612,13.2073237978534; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Agnes Csenki Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Norway https://culturality.museum/omeka/files/original/3d41bd299c5332e88bee07a6c701e31d.JPG 35a357472ab5b94d3319b1777dd56aba Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID MN_AR_10(02) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A metal sculpture "Great cormorant with wings" on a stone base (side view) Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-12 Spatial Coverage Spatial characteristics of the resource. current,68.0049977533612,13.2073237978534; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Agnes Csenki Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Norway https://culturality.museum/omeka/files/original/e51d2a25e46c08235d53d88ba727e88d.jpg e340006d1998681ef8f6b087bca58558 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID LAPONTE_AR_20(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A modern bee smoker Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-05-05 Spatial Coverage Spatial characteristics of the resource. current,43.27386,-6.0009365; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Carmen Pérez Maestro Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/6ed805dab4618a86c96cc1bf777c4391.jpg 475a77961c446f52fbca97730c0f33b9 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID UNIOVI_AR_45(02) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A pair of brown and white knitted wool socks with a pattern Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-06-06 Spatial Coverage Spatial characteristics of the resource. current,43.2049336487794,-5.99387663815977; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/6d241f1f48d9b97b6b1299f741c394b4.jpg 918169f6da5b54f2ab5be8ca06e8a6dd Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID UNIOVI_AR_45(03) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A pair of brown and white knitted wool socks with a pattern Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-06-06 Spatial Coverage Spatial characteristics of the resource. current,43.2049336487794,-5.99387663815977; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/7ded6e6b552021aafa4b5a32d043771b.jpg e4b345cea94853b5f7025f865313c8ac Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID RV_AR_02(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A pair of gloves in white with embroidery in a salmon colour. The tag of "Utmärkt värmländsk slöjd" is shown attatched Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2024-11-21 Spatial Coverage Spatial characteristics of the resource. current,59.8376399,13.1230106; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ulrika Jäger, Sara Olsson Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Sweden https://culturality.museum/omeka/files/original/cd3f48a8f4c93569f51a19bbebfd3cfd.jpg 2bcee792022fdabfebac8247a8cf357b Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID RV_AR_03(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A pair of grey mittens in entrelac with embrodiery Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2024-11-21 Spatial Coverage Spatial characteristics of the resource. current,59.8376399,13.1230106; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ulrika Jäger, Sara Olsson Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Sweden https://culturality.museum/omeka/files/original/7a2861d149176b345a63e87ddc110d7b.jpg 7119de647c3ab81e5ddb493616edc23c Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID UNIOVI_AR_45(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A pair of white knitted wool socks Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-06-06 Spatial Coverage Spatial characteristics of the resource. current,43.2049336487794,-5.99387663815977; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/4d5ada873d3cfe9a884f65100b1cfc71.jpg a82fc750ad141d66060cf3d591b7963b Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID RV_AR_01(03) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A piece of paper with Inez Assk's great grandmother's original pattern scheme for the mittens Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2024-11-21 Spatial Coverage Spatial characteristics of the resource. current,59.8376399,13.1230106; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ulrika Jäger, Sara Olsson Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Sweden https://culturality.museum/omeka/files/original/e836edcc7df68b7f4cb87673b8de6e0f.jpeg f9b70d4272b5b997eff27b5d0b22e70d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID AAS_AR_06(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A replica of a traditional wooden 'Sgoth' Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2024-10-03 Spatial Coverage Spatial characteristics of the resource. current,58.4127061597788,-6.44176477638589; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. USTAN Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Scotland https://culturality.museum/omeka/files/original/555ce4bcf5b1eb935f95faead91d1111.jpeg d15bf631ecbc22144852381e415d10be Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID AAS_AR_06(02) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A replica of a traditional wooden 'Sgoth' Bow close up (front of boat). Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2024-10-03 Spatial Coverage Spatial characteristics of the resource. current,58.4127061597788,-6.44176477638589; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. USTAN Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Scotland https://culturality.museum/omeka/files/original/d95d44867c978e36661de557573d280d.jpg 348325a7a259b5b6f8d50843b9c59fa8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID UNIOVI_AR_02(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A round deep wooden plate, cuenco (general view with scale) Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2024-11-27 Spatial Coverage Spatial characteristics of the resource. current,43.3335455978306,-5.5446023832244; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/c82f811be7ba97f836828c1221ca83f7.jpg 347a7bbc9e50684de5d908864b8eed91 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID UNIOVI_AR_02(02) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A round deep wooden plate, cuenco (general view with scale) Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2024-11-27 Spatial Coverage Spatial characteristics of the resource. current,43.3335455978306,-5.5446023832244; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/a7d6674be155586e6c59485fa0ce71f1.jpg 85ee985a3a5192ac7c079f21bca364c0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Asturias Identifier An unambiguous reference to the resource within a given context 190 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID UNIOVI_AR_01(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A round wooden bowl decorated with geometrical patterns in grey (general view with scale) Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2024-11-27 Spatial Coverage Spatial characteristics of the resource. current,43.3335455978306,-5.5446023832244; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/20b12f667e6294ee41a5f1a73450cbff.jpg 57d792402051044f08866d42630e314a Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID UNIOVI_AR_01(02) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A round wooden bowl decorated with geometrical patterns in grey (general view) Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2024-11-27 Spatial Coverage Spatial characteristics of the resource. current,43.3335455978306,-5.5446023832244; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/3450bb4d660568256e325507c90877e2.jpg dce5f94d18b8f2cb17697007755ec2ce Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A series of identical heavy hammers, where it is clear that each product is slightly different and unique due to being handmade. Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-13 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Barbara Ivančič Kutin https://culturality.museum/omeka/files/original/19713de6fd2716f9644ca011c82aaf56.jpg 21fbf7e8a9907ec44a72502c2d2c4d78 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID CJMM_AR_03(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A small white woven woolen carpet made by Anuța Stan Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2024-12-12 Spatial Coverage Spatial characteristics of the resource. current,47.9667699419435,23.6999999964607; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Marius Muresan Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Romania https://culturality.museum/omeka/files/original/2bda19420543b75f9a12ca10a643973c.JPG dfbd2fb9a68aa2ca59d3b99045c956a1 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID MN_AR_10(06) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A stone base of the metal sculpture "Great cormorant with wings" with an inscription "Tor-Vegard // 2024" (bottom view) Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-12 Spatial Coverage Spatial characteristics of the resource. current,68.0049977533612,13.2073237978534; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Agnes Csenki Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Norway https://culturality.museum/omeka/files/original/87e9cf21ce9a7ea0efa4f4dd10737ecf.jpg 6d1de7af84b37f86018c2bd9978cc106 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Object:Beaded collar Identifier An unambiguous reference to the resource within a given context 741 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID CJMM_AR_05(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A straw hat decorated with beadwork Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2024-12-14 Spatial Coverage Spatial characteristics of the resource. current,47.9289141324658,23.8924232813404; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Marius Muresan Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Romania https://culturality.museum/omeka/files/original/d09d5bc0abf7b1a2b6bd711a948675d1.jpg d44ba4a96182f81d215c3d03c5534f2e Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID RV_AR_23(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A vase for a smaller bouquet of flowers in a twisted pattern of black and brown Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-17 Spatial Coverage Spatial characteristics of the resource. current,59.6373482,12.7951043; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ulrika Jäger Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Sweden https://culturality.museum/omeka/files/original/c457a4055233f18fb4336f34def66b42.jpg 02c919c8a33681cc8c0c259d17736e77 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID RV_AR_23(02) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A vase for a smaller bouquet of flowers in a twisted pattern of black and brown Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-17 Spatial Coverage Spatial characteristics of the resource. current,59.6373482,12.7951043; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ulrika Jäger Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Sweden https://culturality.museum/omeka/files/original/7abfdac39f4d55381ba5c00e1fb42c7b.JPG e7b4002a320bd3eafc3b3adf685d6a19 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Object:Vase from the EDRA collection Identifier An unambiguous reference to the resource within a given context 743 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID LAPONTE_AR_01(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A vase from the Edra collection, made on a slow potter's wheel Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2024-12-03 Spatial Coverage Spatial characteristics of the resource. current,43.461389,-6.039444; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Carmen Pérez Maestro Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/6da98c2a80a0a0b9ed80919b56aac60a.JPG 4d6902505103ce23685151a80b3c8a41 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Object:Vase from the EDRA collection Identifier An unambiguous reference to the resource within a given context 743 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID LAPONTE_AR_01(02) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A vase from the Edra collection, made on a slow potter's wheel Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2024-12-03 Spatial Coverage Spatial characteristics of the resource. current,43.461389,-6.039444; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Carmen Pérez Maestro Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/bc931261282b5e3b11467ba253f3cf35.JPG 8f0fa20fe031944e86c4eef50bf4d62d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Object:Vase from the EDRA collection Identifier An unambiguous reference to the resource within a given context 744 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID LAPONTE_AR_02(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A vase from the Edra collection. Two vases with the same shape and different surface treatments Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2024-12-03 Spatial Coverage Spatial characteristics of the resource. current,43.461389,-6.039444; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Carmen Pérez Maestro Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/63eec0cadf8bde2da150e71fe0351dad.JPG 15fefaaa60e5827b4e58fffdf146a8ab Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Object:Vase from the EDRA collection Identifier An unambiguous reference to the resource within a given context 743 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID LAPONTE_AR_01(03) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A vase from the Edra collection. View of the vase's mouth Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2024-12-03 Spatial Coverage Spatial characteristics of the resource. current,43.461389,-6.039444; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Carmen Pérez Maestro Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/ada6ed5dac34ab6842bdaa69fbc0e18b.jpg 4abb58f4162d69dfd0d845e0aafcf2ec Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A wooden bowl (cachu) (top view) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025-03-06 Spatial Coverage Spatial characteristics of the resource. current,42.959326,-6.644387; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Olaya Alonso López https://culturality.museum/omeka/files/original/104db2b9bba2c28b381d1ba2924e9ef9.jpg c0a3e396f58e97c864d462434c336188 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A wooden bowl (cachu) with an inscription (bottom view) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025-03-06 Spatial Coverage Spatial characteristics of the resource. current,42.959326,-6.644387; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Olaya Alonso López https://culturality.museum/omeka/files/original/dad983083bdd9fc3b16dc7c1c7aac29e.jpg 933d6dc5803d7b5f99536b8e4875544d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A wooden bowl (cachu) with an inscription "A. Ferreira" (side view) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 2025-03-06 Spatial Coverage Spatial characteristics of the resource. current,42.959326,-6.644387; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Olaya Alonso López https://culturality.museum/omeka/files/original/22d5a2f14c70e1993d0feed1316e3063.jpg d22526bd17f3d81efffdc34d1783a923 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID ESPTOR_AR_01(02) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A wooden bowl (tachadeira) (top view) Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-02-20 Spatial Coverage Spatial characteristics of the resource. current,42.959326,-6.644387; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Víctor García Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/363b45a0fb065b91328e4649f76c6df4.jpg 63b1b98f7013b680a133d5b3448bacf1 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID ESPTOR_AR_04(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A wooden keychain Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-03-06 Spatial Coverage Spatial characteristics of the resource. current,42.959326,-6.644387; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Olaya Alonso López Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Wood, birch Natural Cultural Cultural Function Decorative Creation Purpose To keep at home or for sale Technique Pedal lathe and Hand-carved with gouges. It takes about 3 to 4 hours to make the piece, in addition to the time required for felling and drying. Material Source Local wood: Parque Natural de Cangas del Narcea, Ibias y Degaña Conecept Diversification of the items they offer from their wood production External ID ESPTOR_AR_05 Field Worker Olaya Alonso López Craft woodwork Tool Chainsaw, axe, pedal lathe, gouges, and sandpaper Place The town or city El Bao (Il Bau) and Sisterna (Astierna) in Ibias; El Corralín (El Curralín) and Tablado (Trabáu) in Degaña (Asturias, Spain) Prim Media 1313 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A wooden shoe Type The nature or genre of the resource Physical Object Description An account of the resource A madreña is a traditional wooden clog from Asturias, designed to protect the feet from the mud and wet conditions of rural life in the region. Traditionally made from wood, they were used by farmers, shepherds, and workers in the countryside, offering a practical solution for walking in harsh weather conditions. In this case, the madreña is a small-sized variation, intricately engraved with the cross from the flag of Asturias and the tourist logo of the region. This version is designed as a souvenir or gift, combining the traditional craftsmanship of the madreña with regional symbols, making it a meaningful and unique keepsake for visitors to Asturias. Date A point or period of time associated with an event in the lifecycle of the resource 2021 Creator An entity primarily responsible for making the resource 1195 Language A language of the resource Asturian,Spanish Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 597 Source A related resource from which the described resource is derived asturiasmap Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/09/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Madreña Spatial Coverage Spatial characteristics of the resource. current,42.959326,-6.644387; Date Modified Date on which the resource was changed. 08/09/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/9baceffc932c9cdc78fd70a07a3a0b89.jpg 1f0a3ad42f9705afaa1b6b86a96eb8c7 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID ESPTOR_AR_05(04) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A wooden shoe (madreña) (bottom view) Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-03-06 Spatial Coverage Spatial characteristics of the resource. current,42.959326,-6.644387; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Olaya Alonso López Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/41a13caf07d15fbab60177320e68a582.jpg bfa24548e8b580f66b18a51cd04b54f2 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID ESPTOR_AR_05(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A wooden shoe (madreña) (top view) Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-03-06 Spatial Coverage Spatial characteristics of the resource. current,42.959326,-6.644387; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Olaya Alonso López Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/39874fd2043b67593af3a38f37ca2f36.jpg 385b615b89bffc26c7f0c1f189d44ed2 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID ESPTOR_AR_05(02) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A wooden shoe (madreña) with an inscription "Asturias // paraiso natural" (side view) Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-03-06 Spatial Coverage Spatial characteristics of the resource. current,42.959326,-6.644387; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Olaya Alonso López Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/df2e82bfe6cdf635ab70c94ce987a01b.jpg a34064111793db2942cef35b6933aba3 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID ESPTOR_AR_05(03) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A wooden shoe (madreña) with an inscription "Asturias // paraiso natural" (three-quarter view) Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-03-06 Spatial Coverage Spatial characteristics of the resource. current,42.959326,-6.644387; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Olaya Alonso López Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/8befe7f5fda311556c0c8ec3e61d3eb6.jpg d0a8cf24f512e84a0dab10750530c7e4 https://culturality.museum/omeka/files/original/b6d1f22f5fd3eca6a79b7f725b1c465a.jpg ad0b05db440c93c87bd002a5f2a4cc6e https://culturality.museum/omeka/files/original/7c4567416f910850181dc9061bdf507f.jpg 967c84615aa823b58543997c4c40e8fe Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID ESPTOR_AR_03(04) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A wooden spoon Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-03-06 Spatial Coverage Spatial characteristics of the resource. current,42.959326,-6.644387; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Olaya Alonso López Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/156e4495cbfddc0ec5b30a9d391498f4.jpg c27e75f159fae3514c83a896626ee893 https://culturality.museum/omeka/files/original/37ddd4b63eea9f020188796db7c321be.jpg 99b467ba6b1f8282f5160fe3ac218826 https://culturality.museum/omeka/files/original/372bb7fd11c19ab68e32c654deda6e54.jpg 2d95d2a0395e5e70faab08f4bbf5793f Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID ESPTOR_AR_03(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A wooden sugar bowl with a closed lid, and a wooden spoon Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-03-06 Spatial Coverage Spatial characteristics of the resource. current,42.959326,-6.644387; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Olaya Alonso López Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain Artisan An artisan Contact cc274@st-andrews.ac.uk Author cc274@st-andrews.ac.uk Email The email address of the museum. aaronsterritt@hotmail.com Prim Media 2295 Field Worker Catherine Anne Cassidy Gender male Area Relation native Occupation woodwork Shop https://www.aaronsterrittwoodwork.co.uk/online-store/SHOP-c63034004 Material Description greenwoodworker, furniture and sculpture, tree felling, handtools Social Media The social media links. twitter,https://x.com/ASWoodwork;facebook,https://www.facebook.com/AaronSterrittWoodwork; Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Aaron_Sterritt Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aaron Sterritt Type The nature or genre of the resource Artisan Description An account of the resource Aaron Sterritt lives and works in Scotland within the Cairngorms National Park. ​Aaron Sterritt Woodwork creates contemporary pieces that are inspired by the natural characteristics of the wood in which he works. It takes creative imagination to visualise a tree transformed into a stunning individual piece of art, sculpture or furniture. That is what Aaron Sterritt does on a daily basis. Aaron’s creativity and relationship with wood is in his DNA. Raised in a log cabin in the heart of the Scottish Highlands – Aaron was born to work with wood. Aaron’s understanding of wood and how he stamps his personality on it is totally focused on shaping and crafting wood in a natural way. Splitting the wood along the cells of the grain, keeping the strength of the timber intact, creating beautiful natural shapes. Aaron’s skill is then to take the split wood and form it into a piece of furniture or sculpture that are one off creations. This is done by the axe; shave horse, drawknife and spoke shave tools. The end result is a combination of creativity, a deep understanding of wood and the craftsmanship skills to create truly beautiful functional and decorative items. Aaron runs green woodworking workshops at his workshop outside Forres, Scotland. Green woodworking is a traditional practice using fresh wood still full of sap allowing the tools to split, slice, shave and cleave through the wood with ease. He uses techniques that have been developed over hundreds of years, that are in harmony with the nature and qualities of the wood itself. No prior wood working experience is necessary, courses are for all abilities. Language A language of the resource English Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Extent The size or duration of the resource. x x Identifier An unambiguous reference to the resource within a given context 953 Spatial Coverage Spatial characteristics of the resource. current,57.527881702267976,-3.664064454740475; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Scotland Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Aaron Sterritt https://culturality.museum/omeka/files/original/43a72fac2d894b44183d0996c08ef037.jpg a6ffe0326cd5a866248466ba7b3d6eed Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource AAS_PR_002_01 Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 2025:07:28 14:14:37 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/9beaff41b40673f7b8f8f2103f3d73ab.m4a 28adbe387b160b8fc3c9d5c8f987292d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Sue Blair Identifier An unambiguous reference to the resource within a given context 234 Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource AAS_PR_01(01) audio Type The nature or genre of the resource Sound Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource audio/mp3 License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. SOUND Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Cow's milk, rennet, salt Natural Cultural Cultural Function It is a food product and a traditional way to preserve domestic milk production Creation Purpose Retail sale Technique The milk delivered to the cheese factory is stored in an outdoor tank at temperatures below 4 degrees Celsius. The following morning, it is pasteurized using a pasteurizer, subjecting it to 72 degrees Celsius for 5 seconds, which eliminates bacteria and microorganisms. Subsequently, the pasteurizer pours the milk into curdling vats, where it is maintained at an average temperature of 27-28 degrees Celsius, ideal for producing this type of cheese. Once in the vats, the milk is left for 3 to 4 hours to allow its pH to drop to a level of 4.5-5. Afterward, rennet is added. Originally, the rennet was of animal origin, though nowadays it is produced in laboratories. The amount used is 45 milliliters of rennet per 1,000 liters of milk, representing a very small quantity. Traditionally, in the production of afuega’l pitu cheese, two processes can be followed, historically documented and related to the curdling process. It is possible to curdle without rennet by utilizing temperature differences and pH reduction. However, the issue with this curd, known in Asturian as leche presa, is that it has much less consistency. If poured into a mold with holes (barreña), the curd escapes through the openings. For this reason, a piece of cloth (trapu) is used to strain the whey when pouring the curd. If rennet is used, the curd gains greater consistency and can be directly placed into the barreñas to finish draining the whey. Rennet (cuayo in Asturian) is a digestive enzyme that enables milk coagulation, traditionally obtained from the stomach of ruminants. However, in the past, this enzyme was also extracted from the intestines of pigs, which were slaughtered at home for domestic consumption during the traditional pig-slaughtering (matanzas). The curd of Afuega’l Pitu cheese is of an acid-lactic or mixed type, as the milk coagulates due to the pH reduction caused by acidity, with rennet aiding in the process. Once the milk is placed in the curdling vat, it is left to rest for 24 hours Material Source The milk comes from pasture-based farms located in villages near the cheese factory. Conecept The 'Atroncáu cheese-queisu del horro' is one of the traditional varieties of Afuega’l Pitu cheese, produced in the region where the cheese factory is located. It is made following traditional procedures. In this case, it is a cheese very similar to the traditional cheeses that were stored in elevated granaries. Production Quality In batches of between 150-200 cheeses. External ID UNIOVI_AR_08 Field Worker Santiago Rodríguez Pérez Tool Milk pasteurizer, coagulation vat, ladle, cheese draining mold, curating chamber. Place The town or city Ambás, Grau/Grado, Asturias, Spain Prim Media 1353 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Afuega'l Pitu Cheese. 'Atroncáu blancu - queisu del horro' variety Type The nature or genre of the resource Physical Object Description An account of the resource Afuega’l pitu ‘Atroncáu blancu - queisu del horro’ cheese is made from pasteurized cow's milk. Its conical shape is due to the mold used in its production, called ‘barreña’. The cheese's consistency varies depending on its degree of maturation, as does its color, which changes from white to yellowish over time. Its rind is natural, and as it matures, after 30 days, the mold ‘geotricum candida’ appears, originating from the milk itself. It has a slightly acidic and mildly salty taste, is creamy, and quite dry. Date A point or period of time associated with an event in the lifecycle of the resource Cheeses are produced daily at the cheese factory. The documented piece was made days before our visit Creator An entity primarily responsible for making the resource 1242 Language A language of the resource Asturian Extent The size or duration of the resource. cm x 5–12cm x 8–14cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 624 Source A related resource from which the described resource is derived asturiasmap,craftedobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Cuesta, P., Fernández-García, E., González De Llano, D., Montilla, A., & Rodríguez, A. (1996). Evolution of the Microbiological and Biochemical Characteristics of Afuega’l Pitu Cheese During Ripening. Journal of Dairy Science, 79(10), 1693–1698. https://doi.org/10.3168/jds.S0022-0302(96)76534-7 González Álvarez, M. G., Díaz-Méndez, C., & Novo Vázquez, A. (2019). De la agricultura familiar a las denominaciones de origen protegida (DOP): Transformación del sector del queso en asturias. In Agricultura familiar y derecho a la alimentación: Reflexiones desde España, América Latina y el Caribe (pp. 131–142). Ediciones de la Universidad de Oviedo. https://investigacion.usc.es/documentos/600b7d595ef744589ee4ccfd?lang=es Fernández Ramírez, I., & González de la Plata, I. (2006). El queso Afuega’l Pitu. Fenicia / Gráficas Muñiz. López Murias, Raquel. «Las cinco muyeres de Grau que salvaron al “queisu” que llegó a prohibirse en Asturias: el Afuega’l Pitu». ElDiario.es, 15 de febrero de 2025. https://www.eldiario.es/asturias/cinco-muyeres-grau-salvaron-queisu-llego-prohibirse-asturias-afuega-l-pitu_1_12053455.html MAPAMA. (2016). Pliego de condiciones de la denominación de origen protegida (D.O.P.) ”Afuega’l Pitu”. Ministerio de Agricultura y Pesca, Alimentación y Medioambiente (MAPAMA). [Specification of Afuega’l Pitu P.D.O. Ministry of Agriculture and Fisheries, Food and Environment (MAPAMA)]. Official website of the Protected Designation of Origin "Afuega'l Pitu": https://doafuegalpitu.es/ Piñeiro Lago, L. (2021). Study of the thermo-rheological and biochemical parameters of Afuega’l Pitu PDO cheese [Doctoral dissertation, Universidade de Vigo]. http://hdl.handle.net/11093/2269 Turismo Asturias. (2020, January 13). DOP Queso Afuega’l Pitu [Video recording]. https://www.youtube.com/watch?v=VhtNe344HzM Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/09/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Queisu de Afuega'l pitu. Variedá Atroncáu blancu 'queisu del horro' Spatial Coverage Spatial characteristics of the resource. current,43.3169333969445,-6.13166887325786; Date Modified Date on which the resource was changed. 08/09/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Cow's milk, rennet, salt Natural Cultural Cultural Function It is a food product and a traditional way to preserve domestic milk production Creation Purpose Retail sale Technique The milk delivered to the cheese factory is stored in an outdoor tank at temperatures below 4 degrees Celsius. The following morning, it is pasteurized using a pasteurizer, subjecting it to 72 degrees Celsius for 5 seconds, which eliminates bacteria and microorganisms. Subsequently, the pasteurizer pours the milk into curdling vats, where it is maintained at an average temperature of 27-28 degrees Celsius, ideal for producing this type of cheese. Once in the vats, the milk is left for 3 to 4 hours to allow its pH to drop to a level of 4.5-5. Afterward, rennet is added. Originally, the rennet was of animal origin, though nowadays it is produced in laboratories. The amount used is 45 milliliters of rennet per 1,000 liters of milk, representing a very small quantity. Traditionally, in the production of afuega’l pitu cheese, two processes can be followed, historically documented and related to the curdling process. It is possible to curdle without rennet by utilizing temperature differences and pH reduction. However, the issue with this curd, known in Asturian as leche presa, is that it has much less consistency. If poured into a mold with holes (barreña), the curd escapes through the openings. For this reason, a piece of cloth (trapu) is used to strain the whey when pouring the curd. If rennet is used, the curd gains greater consistency and can be directly placed into the barreñas to finish draining the whey. Rennet (cuayo in Asturian) is a digestive enzyme that enables milk coagulation, traditionally obtained from the stomach of ruminants. However, in the past, this enzyme was also extracted from the intestines of pigs, which were slaughtered at home for domestic consumption during the traditional pig-slaughtering (matanzas). The curd of Afuega’l Pitu cheese is of an acid-lactic or mixed type, as the milk coagulates due to the pH reduction caused by acidity, with rennet aiding in the process. Once the milk is placed in the curdling vat, it is left to rest for 24 hours Material Source The milk comes from pasture-based farms located in villages near the cheese factory Conecept The 'Atroncáu cheese' is one of the traditional varieties of Afuega’l Pitu cheese, produced in the region where the cheese factory is located. It is made following traditional procedures Production Quality In batches of between 150-200 cheeses. External ID UNIOVI_AR_07 Field Worker Santiago Rodríguez Pérez Tool Milk pasteurizer, coagulation vat, ladle, cheese draining mold, curating chamber. Place The town or city Ambás, Grau/Grado, Asturias, Spain Prim Media 1352 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Afuega'l Pitu Cheese. 'Atroncáu blancu' variety Type The nature or genre of the resource Physical Object Description An account of the resource Afuega’l pitu ‘Atroncáu blancu’ cheese is made from pasteurized cow's milk. Its conical shape is due to the mold used in its production, called ‘barreña’. The cheese's consistency varies depending on its degree of maturation, as does its color, which changes from white to yellowish over time. Its rind is natural, and as it matures, after 30 days, the mold ‘geotricum candida’ appears, originating from the milk itself. It has a slightly acidic and mildly salty taste, is creamy, and quite dry. Date A point or period of time associated with an event in the lifecycle of the resource Cheeses are produced daily at the cheese factory. The documented piece was made days before our visit Creator An entity primarily responsible for making the resource 1242 Language A language of the resource Asturian Extent The size or duration of the resource. cm x 5-12cm x 8-14cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 623 Source A related resource from which the described resource is derived asturiasmap,craftedobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Cuesta, P., Fernández-García, E., González De Llano, D., Montilla, A., & Rodríguez, A. (1996). Evolution of the Microbiological and Biochemical Characteristics of Afuega’l Pitu Cheese During Ripening. Journal of Dairy Science, 79(10), 1693–1698. https://doi.org/10.3168/jds.S0022-0302(96)76534-7 González Álvarez, M. G., Díaz-Méndez, C., & Novo Vázquez, A. (2019). De la agricultura familiar a las denominaciones de origen protegida (DOP): Transformación del sector del queso en asturias. In Agricultura familiar y derecho a la alimentación: Reflexiones desde España, América Latina y el Caribe (pp. 131–142). Ediciones de la Universidad de Oviedo. https://investigacion.usc.es/documentos/600b7d595ef744589ee4ccfd?lang=es Fernández Ramírez, I., & González de la Plata, I. (2006). El queso Afuega’l Pitu. Fenicia / Gráficas Muñiz. López Murias, Raquel. «Las cinco muyeres de Grau que salvaron al “queisu” que llegó a prohibirse en Asturias: el Afuega’l Pitu». ElDiario.es, 15 de febrero de 2025. https://www.eldiario.es/asturias/cinco-muyeres-grau-salvaron-queisu-llego-prohibirse-asturias-afuega-l-pitu_1_12053455.html MAPAMA. (2016). Pliego de condiciones de la denominación de origen protegida (D.O.P.) ”Afuega’l Pitu”. Ministerio de Agricultura y Pesca, Alimentación y Medioambiente (MAPAMA). [Specification of Afuega’l Pitu P.D.O. Ministry of Agriculture and Fisheries, Food and Environment (MAPAMA)]. Official website of the Protected Designation of Origin "Afuega'l Pitu": https://doafuegalpitu.es/ Piñeiro Lago, L. (2021). Study of the thermo-rheological and biochemical parameters of Afuega’l Pitu PDO cheese [Doctoral dissertation, Universidade de Vigo]. http://hdl.handle.net/11093/2269 Turismo Asturias. (2020, January 13). DOP Queso Afuega’l Pitu [Video recording]. https://www.youtube.com/watch?v=VhtNe344HzM Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/09/2025 Spatial Coverage Spatial characteristics of the resource. current,43.3169333969445,-6.13166887325786; Date Modified Date on which the resource was changed. 08/09/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Queisu de Afuega'l pitu. Variedá Atroncáu blancu Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/11fa852f90cc800795afcd02476aa134.jpg 84cf62cefee7cbc7914b86edd6d51e50 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID UNIOVI_AR_08(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Afuega'l Pitu Cheese. 'Atroncáu blancu - queisu del horro' variety Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-01-30 Spatial Coverage Spatial characteristics of the resource. current,43.3169333969445,-6.13166887325786; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/79cf84064a717da46bde0822f5f6641d.jpg cff8f441a20af9b5d05d4293d243cf04 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID UNIOVI_AR_07(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Afuega'l Pitu Cheese. 'Atroncáu blancu' variety Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-01-30 Spatial Coverage Spatial characteristics of the resource. current,43.3169333969445,-6.13166887325786; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Cow's milk, rennet, salt Natural Cultural Cultural Function It is a food product and a traditional way to preserve domestic milk production Creation Purpose Retail sale Technique The milk delivered to the cheese factory is stored in an outdoor tank at temperatures below 4 degrees Celsius. The following morning, it is pasteurized using a pasteurizer, subjecting it to 72 degrees Celsius for 5 seconds, which eliminates bacteria and microorganisms. Subsequently, the pasteurizer pours the milk into curdling vats, where it is maintained at an average temperature of 27-28 degrees Celsius, ideal for producing this type of cheese. Once in the vats, the milk is left for 3 to 4 hours to allow its pH to drop to a level of 4.5-5. Afterward, rennet is added. Originally, the rennet was of animal origin, though nowadays it is produced in laboratories. The amount used is 45 milliliters of rennet per 1,000 liters of milk, representing a very small quantity. Traditionally, in the production of afuega’l pitu cheese, two processes can be followed, historically documented and related to the curdling process. It is possible to curdle without rennet by utilizing temperature differences and pH reduction. However, the issue with this curd, known in Asturian as leche presa, is that it has much less consistency. If poured into a mold with holes (barreña), the curd escapes through the openings. For this reason, a piece of cloth (trapu) is used to strain the whey when pouring the curd. If rennet is used, the curd gains greater consistency and can be directly placed into the barreñas to finish draining the whey. Rennet (cuayo in Asturian) is a digestive enzyme that enables milk coagulation, traditionally obtained from the stomach of ruminants. However, in the past, this enzyme was also extracted from the intestines of pigs, which were slaughtered at home for domestic consumption during the traditional pig-slaughtering (matanzas). The curd of Afuega’l Pitu cheese is of an acid-lactic or mixed type, as the milk coagulates due to the pH reduction caused by acidity, with rennet aiding in the process. Once the milk is placed in the curdling vat, it is left to rest for 24 hours Material Source The milk comes from pasture-based farms located in villages near the cheese factory. Conecept The 'Trapu blancu' is one of the traditional varieties of Afuega’l Pitu cheese, produced in the region where the cheese factory is located. It is made following traditional procedures. Production Quality In batches of between 150-200 cheeses. External ID UNIOVI_AR_09 Field Worker Santiago Rodríguez Pérez Tool Milk pasteurizer, coagulation vat, ladle, cheese draining mold, curating chamber. Place The town or city Ambás, Grau/Grado, Asturias, Spain Prim Media 1354 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Afuega'l Pitu Cheese. 'Trapu blancu' variety Type The nature or genre of the resource Physical Object Description An account of the resource Afuega’l pitu ‘Trapu blancu’ cheese is made from pasteurized cow's milk. Its shape, resembling that of a small pumpkin, is a result of the production process. To achieve this, the fresh cheese is kneaded and wrapped in a cloth (Trapu), tied at the top to allow the whey to drain, and then placed in the maturation chamber.The cheese's consistency varies depending on its degree of maturation, as does its color, which changes from white to yellowish over time. Its rind is natural, and as it matures, after 30 days, the mold ‘geotricum candida’ appears, originating from the milk itself. It has a slightly acidic and mildly salty taste, is creamy, and quite dry. Date A point or period of time associated with an event in the lifecycle of the resource Cheeses are produced daily at the cheese factory. The documented piece was made days before our visit Creator An entity primarily responsible for making the resource 1242 Language A language of the resource Asturian Extent The size or duration of the resource. cm x 5–12cm x 8–14cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 625 Source A related resource from which the described resource is derived asturiasmap,craftedobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Cuesta, P., Fernández-García, E., González De Llano, D., Montilla, A., & Rodríguez, A. (1996). Evolution of the Microbiological and Biochemical Characteristics of Afuega’l Pitu Cheese During Ripening. Journal of Dairy Science, 79(10), 1693–1698. https://doi.org/10.3168/jds.S0022-0302(96)76534-7 González Álvarez, M. G., Díaz-Méndez, C., & Novo Vázquez, A. (2019). De la agricultura familiar a las denominaciones de origen protegida (DOP): Transformación del sector del queso en asturias. In Agricultura familiar y derecho a la alimentación: Reflexiones desde España, América Latina y el Caribe (pp. 131–142). Ediciones de la Universidad de Oviedo. https://investigacion.usc.es/documentos/600b7d595ef744589ee4ccfd?lang=es Fernández Ramírez, I., & González de la Plata, I. (2006). El queso Afuega’l Pitu. Fenicia / Gráficas Muñiz. López Murias, Raquel. «Las cinco muyeres de Grau que salvaron al “queisu” que llegó a prohibirse en Asturias: el Afuega’l Pitu». ElDiario.es, 15 de febrero de 2025. https://www.eldiario.es/asturias/cinco-muyeres-grau-salvaron-queisu-llego-prohibirse-asturias-afuega-l-pitu_1_12053455.html MAPAMA. (2016). Pliego de condiciones de la denominación de origen protegida (D.O.P.) ”Afuega’l Pitu”. Ministerio de Agricultura y Pesca, Alimentación y Medioambiente (MAPAMA). [Specification of Afuega’l Pitu P.D.O. Ministry of Agriculture and Fisheries, Food and Environment (MAPAMA)]. Official website of the Protected Designation of Origin "Afuega'l Pitu": https://doafuegalpitu.es/ Piñeiro Lago, L. (2021). Study of the thermo-rheological and biochemical parameters of Afuega’l Pitu PDO cheese [Doctoral dissertation, Universidade de Vigo]. http://hdl.handle.net/11093/2269 Turismo Asturias. (2020, January 13). DOP Queso Afuega’l Pitu [Video recording]. https://www.youtube.com/watch?v=VhtNe344HzM Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/09/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Queisu de Afuega'l pitu. Variedá Atroncáu blancu 'queisu del horro' Spatial Coverage Spatial characteristics of the resource. current,43.3169333969445,-6.13166887325786; Date Modified Date on which the resource was changed. 08/09/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/5ab81d6d36748cdb94990f3d4eaffd11.jpg 853c3a906edb1e2f8e3c161037de75f6 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID UNIOVI_AR_09(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Afuega'l Pitu Cheese. 'Trapu blancu' variety Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-01-30 Spatial Coverage Spatial characteristics of the resource. current,43.3169333969445,-6.13166887325786; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/ad560343561ba1a4ab68b8706b64a7fe.jpg dfc829fd4ef82ac1e79ad2826f7e7b85 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID UNIOVI_AR_09(02) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Afuega'l Pitu Cheese. 'Trapu blancu' variety Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-01-30 Spatial Coverage Spatial characteristics of the resource. current,43.3169333969445,-6.13166887325786; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Cow's milk, rennet, salt Natural Cultural Cultural Function It is a food product and a traditional way to preserve domestic milk production Creation Purpose Retail sale Technique The milk delivered to the cheese factory is stored in an outdoor tank at temperatures below 4 degrees Celsius. The following morning, it is pasteurized using a pasteurizer, subjecting it to 72 degrees Celsius for 5 seconds, which eliminates bacteria and microorganisms. Subsequently, the pasteurizer pours the milk into curdling vats, where it is maintained at an average temperature of 27-28 degrees Celsius, ideal for producing this type of cheese. Once in the vats, the milk is left for 3 to 4 hours to allow its pH to drop to a level of 4.5-5. Afterward, rennet is added. Originally, the rennet was of animal origin, though nowadays it is produced in laboratories. The amount used is 45 milliliters of rennet per 1,000 liters of milk, representing a very small quantity. Traditionally, in the production of afuega’l pitu cheese, two processes can be followed, historically documented and related to the curdling process. It is possible to curdle without rennet by utilizing temperature differences and pH reduction. However, the issue with this curd, known in Asturian as leche presa, is that it has much less consistency. If poured into a mold with holes (barreña), the curd escapes through the openings. For this reason, a piece of cloth (trapu) is used to strain the whey when pouring the curd. If rennet is used, the curd gains greater consistency and can be directly placed into the barreñas to finish draining the whey. Rennet (cuayo in Asturian) is a digestive enzyme that enables milk coagulation, traditionally obtained from the stomach of ruminants. However, in the past, this enzyme was also extracted from the intestines of pigs, which were slaughtered at home for domestic consumption during the traditional pig-slaughtering (matanzas). The curd of Afuega’l Pitu cheese is of an acid-lactic or mixed type, as the milk coagulates due to the pH reduction caused by acidity, with rennet aiding in the process. Once the milk is placed in the curdling vat, it is left to rest for 24 hours Material Source The milk comes from pasture-based farms located in villages near the cheese factory Conecept The 'Trapu roxu' is one of the traditional varieties of Afuega’l Pitu cheese, produced in the region where the cheese factory is located. It is made following traditional procedures. Production Quality In batches of between 150-200 cheeses External ID UNIOVI_AR_10 Field Worker Santiago Rodríguez Pérez Tool Milk pasteurizer, coagulation vat, ladle, cheese draining mold, curating chamber Place The town or city Ambás, Grau/Grado, Asturias, Spain Prim Media 1357 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Afuega'l Pitu Cheese. 'Trapu roxu' variety Type The nature or genre of the resource Physical Object Description An account of the resource Afuega’l pitu ‘Trapu blancu’ cheese is made from pasteurized cow's milk. Its shape, resembling that of a small pumpkin, is a result of the production process. The "Trapu roxu" cheese is made by kneading fresh cheese. It has a spicy and acidic flavor, slightly dry and doughy in texture. The red color comes from the use of paprika during its production. Date A point or period of time associated with an event in the lifecycle of the resource Cheeses are produced daily at the cheese factory. The documented piece was made days before our visit Creator An entity primarily responsible for making the resource 1242 Language A language of the resource Asturian Extent The size or duration of the resource. cm x 5–12cm x 8–14cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 626 Source A related resource from which the described resource is derived asturiasmap,craftedobjects References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Cuesta, P., Fernández-García, E., González De Llano, D., Montilla, A., & Rodríguez, A. (1996). Evolution of the Microbiological and Biochemical Characteristics of Afuega’l Pitu Cheese During Ripening. Journal of Dairy Science, 79(10), 1693–1698. https://doi.org/10.3168/jds.S0022-0302(96)76534-7 González Álvarez, M. G., Díaz-Méndez, C., & Novo Vázquez, A. (2019). De la agricultura familiar a las denominaciones de origen protegida (DOP): Transformación del sector del queso en asturias. In Agricultura familiar y derecho a la alimentación: Reflexiones desde España, América Latina y el Caribe (pp. 131–142). Ediciones de la Universidad de Oviedo. https://investigacion.usc.es/documentos/600b7d595ef744589ee4ccfd?lang=es Fernández Ramírez, I., & González de la Plata, I. (2006). El queso Afuega’l Pitu. Fenicia / Gráficas Muñiz. López Murias, Raquel. «Las cinco muyeres de Grau que salvaron al “queisu” que llegó a prohibirse en Asturias: el Afuega’l Pitu». ElDiario.es, 15 de febrero de 2025. https://www.eldiario.es/asturias/cinco-muyeres-grau-salvaron-queisu-llego-prohibirse-asturias-afuega-l-pitu_1_12053455.html MAPAMA. (2016). Pliego de condiciones de la denominación de origen protegida (D.O.P.) ”Afuega’l Pitu”. Ministerio de Agricultura y Pesca, Alimentación y Medioambiente (MAPAMA). [Specification of Afuega’l Pitu P.D.O. Ministry of Agriculture and Fisheries, Food and Environment (MAPAMA)]. Official website of the Protected Designation of Origin "Afuega'l Pitu": https://doafuegalpitu.es/ Piñeiro Lago, L. (2021). Study of the thermo-rheological and biochemical parameters of Afuega’l Pitu PDO cheese [Doctoral dissertation, Universidade de Vigo]. http://hdl.handle.net/11093/2269 Turismo Asturias. (2020, January 13). DOP Queso Afuega’l Pitu [Video recording]. https://www.youtube.com/watch?v=VhtNe344HzM Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/09/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Queisu de Afuega'l pitu. Variedá Atroncáu blancu 'queisu del horro' Spatial Coverage Spatial characteristics of the resource. current,43.3169333969445,-6.13166887325786; Date Modified Date on which the resource was changed. 08/09/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/c61c60bb175513aee034b1e77b40a533.jpg abd608668b1fcb88d34af4366c32b13a Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID UNIOVI_AR_10(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Afuega'l Pitu Cheese. 'Trapu roxu' variety Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-01-30 Spatial Coverage Spatial characteristics of the resource. current,43.3169333969445,-6.13166887325786; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain https://culturality.museum/omeka/files/original/0200f8f540034136a08a844ad9430428.jpg d74cffbeb585a1ddb3df5f108cdc0351 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID UNIOVI_AR_10(02) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Afuega'l Pitu Cheese. 'Trapu roxu' variety Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-01-30 Spatial Coverage Spatial characteristics of the resource. current,43.3169333969445,-6.13166887325786; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Cow's milk, rennet, salt Natural Cultural Cultural Function It is a food product and a traditional way to preserve domestic milk production Creation Purpose Retail sale Technique The milk delivered to the cheese factory is stored in an outdoor tank at temperatures below 4 degrees Celsius. The following morning, it is pasteurized using a pasteurizer, subjecting it to 72 degrees Celsius for 5 seconds, which eliminates bacteria and microorganisms. Subsequently, the pasteurizer pours the milk into curdling vats, where it is maintained at an average temperature of 27-28 degrees Celsius, ideal for producing this type of cheese. Once in the vats, the milk is left for 3 to 4 hours to allow its pH to drop to a level of 4.5-5. Afterward, rennet is added. Originally, the rennet was of animal origin, though nowadays it is produced in laboratories. The amount used is 45 milliliters of rennet per 1,000 liters of milk, representing a very small quantity. Traditionally, in the production of afuega’l pitu cheese, two processes can be followed, historically documented and related to the curdling process. It is possible to curdle without rennet by utilizing temperature differences and pH reduction. However, the issue with this curd, known in Asturian as leche presa, is that it has much less consistency. If poured into a mold with holes (barreña), the curd escapes through the openings. For this reason, a piece of cloth (trapu) is used to strain the whey when pouring the curd. If rennet is used, the curd gains greater consistency and can be directly placed into the barreñas to finish draining the whey. Rennet (cuayo in Asturian) is a digestive enzyme that enables milk coagulation, traditionally obtained from the stomach of ruminants. However, in the past, this enzyme was also extracted from the intestines of pigs, which were slaughtered at home for domestic consumption during the traditional pig-slaughtering (matanzas). The curd of Afuega’l Pitu cheese is of an acid-lactic or mixed type, as the milk coagulates due to the pH reduction caused by acidity, with rennet aiding in the process. Once the milk is placed in the curdling vat, it is left to rest for 24 hours Material Source The milk comes from pasture-based farms located in villages near the cheese factory. Conecept Fresh cheese" or "barreña con sal" is one of the traditional varieties of Afuega’l Pitu cheese, produced in the region where the cheese factory is located. It is made following traditional procedures Production Quality In batches of between 150-200 cheeses. External ID UNIOVI_AR_06 Field Worker Santiago Rodríguez Pérez Tool Milk pasteurizer, coagulation vat, ladle, cheese draining mold, curating chamber. Place The town or city Ambás, Grau/Grado, Asturias, Spain Prim Media 1351 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Afuega'l Pitu Cheese. Fresh cheese with salt Type The nature or genre of the resource Physical Object Description An account of the resource Afuega’l pitu fresh cheese is made from pasteurized cow's milk. Its conical shape is due to the mold used in its production, called ‘barreña’. Fresh cheese has a maturation period of 24 hours, it has not been aged in a chamber, and is intended for consumption as fresh cheese, or blended with milk and sugar—a traditional Asturian dessert known as 'barreña' Date A point or period of time associated with an event in the lifecycle of the resource Cheeses are produced daily at the cheese factory. The documented piece was made days before our visit Creator An entity primarily responsible for making the resource 1242 Language A language of the resource Asturian Extent The size or duration of the resource. cm x 5-12cm x 8-14cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 622 Source A related resource from which the described resource is derived asturiasmap References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Cuesta, P., Fernández-García, E., González De Llano, D., Montilla, A., & Rodríguez, A. (1996). Evolution of the Microbiological and Biochemical Characteristics of Afuega’l Pitu Cheese During Ripening. Journal of Dairy Science, 79(10), 1693–1698. https://doi.org/10.3168/jds.S0022-0302(96)76534-7 González Álvarez, M. G., Díaz-Méndez, C., & Novo Vázquez, A. (2019). De la agricultura familiar a las denominaciones de origen protegida (DOP): Transformación del sector del queso en asturias. In Agricultura familiar y derecho a la alimentación: Reflexiones desde España, América Latina y el Caribe (pp. 131–142). Ediciones de la Universidad de Oviedo. https://investigacion.usc.es/documentos/600b7d595ef744589ee4ccfd?lang=es Fernández Ramírez, I., & González de la Plata, I. (2006). El queso Afuega’l Pitu. Fenicia / Gráficas Muñiz. López Murias, Raquel. «Las cinco muyeres de Grau que salvaron al “queisu” que llegó a prohibirse en Asturias: el Afuega’l Pitu». ElDiario.es, 15 de febrero de 2025. https://www.eldiario.es/asturias/cinco-muyeres-grau-salvaron-queisu-llego-prohibirse-asturias-afuega-l-pitu_1_12053455.html MAPAMA. (2016). Pliego de condiciones de la denominación de origen protegida (D.O.P.) ”Afuega’l Pitu”. Ministerio de Agricultura y Pesca, Alimentación y Medioambiente (MAPAMA). [Specification of Afuega’l Pitu P.D.O. Ministry of Agriculture and Fisheries, Food and Environment (MAPAMA)]. Official website of the Protected Designation of Origin "Afuega'l Pitu": https://doafuegalpitu.es/ Piñeiro Lago, L. (2021). Study of the thermo-rheological and biochemical parameters of Afuega’l Pitu PDO cheese [Doctoral dissertation, Universidade de Vigo]. http://hdl.handle.net/11093/2269 Turismo Asturias. (2020, January 13). DOP Queso Afuega’l Pitu [Video recording]. https://www.youtube.com/watch?v=VhtNe344HzM Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/09/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Queisu de Afuega'l pitu. Queisu frescu con sal Spatial Coverage Spatial characteristics of the resource. current,43.3169333969445,-6.13166887325786; Date Modified Date on which the resource was changed. 08/09/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/c2a28dc586b3ca5ff7e9cc80fd7bd70c.jpg cff8f441a20af9b5d05d4293d243cf04 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID UNIOVI_AR_06(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Afuega'l Pitu Cheese. Fresh cheese with salt Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-01-30 Spatial Coverage Spatial characteristics of the resource. current,43.3169333969445,-6.13166887325786; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Santiago Rodríguez Pérez Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: University of St Andrews Identifier An unambiguous reference to the resource within a given context 4 Intangible Context Two fundamental cultural practices are associated with the production of Afuega’l Pitu cheese. First, the preservation of traditional cattle farming in the areas covered by the protected designation of origin (PDO). Regulations require producers to use milk from Friesian cows or "Asturiana de los Valles" cows. Additionally, the animals must graze freely in pastures close to the facilities and be gathered for milking at sunset. Despite the challenges faced by small dairy farms today, the PDO encourages the use of milk from family-run farms. Secondly, the direct sale of the product to consumers at local markets helps preserve these weekly markets. In Asturias, since the Middle Ages, each municipality has held a weekly market where, until recently, surplus local agricultural produce was sold. However, the rural crisis and the emergence of large retail chains have threatened the survival of these traditional markets. The direct sale of cheese at these markets not only helps preserve this cultural tradition but also strengthens their significant social and economic roles at the local level. Field Worker Santiago Rodríguez Pérez Climate Threats Loss of biodiversity,Deterioration of space Economic Threats Rapid economic transformation Technological Threats Industrial production Demographic Threats Rural-urban migration,Degraded habitat Decontextualization Touristification,Theatrification Globalisation Rapid sociocultural change Weakened Practice Aged practitioners,Reduced practice Loss Threats Loss of ancestral language,Loss of cultural spaces,Loss of knowledge,Loss of cultural significance Climate Actions Community Engagement,Educational programs,Governance management and green policies SDG No Poverty,Zero Hunger,Good Health and Wellbeing,Gender Equality,Decent Work and Economic Growth,Reduced Inequalities,Sustainable Cities and Communities,Responsible Consumption and Production,Climate Action,Life On Land External ID UNIOVI_CP_02 Knowledge Cheese making is a relatively simple process, but it requires certain skills. First, it is essential to have a thorough knowledge of the raw material—local milk—since its quality is crucial to the final product. In addition, manual dexterity and strict adherence to the established times and temperatures for coagulation, ladling into molds, and curing are necessary. However, for the craftswomen who produce it, the most important aspect is to demonstrate a special sensitivity and a deep respect for the cultural tradition that this cheese represents, which entails making it correctly and following traditional methods. Although some innovations have been introduced, only those necessary to improve working conditions have been implemented, without altering the properties and characteristics of the final product. Knowledge Transfer Artisanal tradition has been passed down from generation to generation through the women of rural families, as they are predominantly the ones who have preserved this knowledge by historically being responsible for producing cheese and butter. Today, this knowledge is still transmitted within the family since there is no formal training or official course for those who wish to learn or set up a small factory, although some school workshops are offered for educational and outreach purposes. Moreover, there is literature available on the subject, and the regulations of the Protected Designation of Origin establish how the product’s manufacturing process should be carried out. Additionally, some accredited courses in food handling, among others, are offered, but most of the craftswomen learned the trade at home from their elders. Practitioners In the past, on family farms (caserías), cheese was produced both for domestic consumption and, primarily, for sale at the weekly markets held in the municipal capitals. The sale of cheese and homemade butter generated significant economic benefits that were reinvested in acquiring goods that the farms could not produce themselves, such as tools, services, or consumer products (coffee, sugar, rice, oil, etc.). The know-how for cheese making was widely disseminated among peasants, and it was generally a task carried out by women, who were responsible for both production on the farm and its transportation and sale at the markets. Since it was a family-made product, the transmission of this knowledge was passed down from mothers to daughters, and even today we can observe this tradition in numerous family-run cheesemakers, originally founded by mothers and currently maintained by daughters. Nowadays, though to a lesser extent and in an almost symbolic manner, some people still produce this cheese at home for their own consumption, much like it was traditionally made. Currently, almost all of the production is carried out by the seven cheeseries covered by the Protected Designation of Origin, most of which are family-run enterprises where women play a predominant role. Function Afuega’l Pitu cheese represents a tradition deeply connected to the region, local consumers, and the families who produce it, while also being a highly sought-after product. This artisanal cheese, whose consumption is firmly rooted in Asturias, is an essential part of the Asturian gastronomic identity. Origins and change Afuega’l Pitu is likely one of the oldest Asturian cheeses. Some of its varieties are made through the natural acidic coagulation of milk, combined with heat treatments, without the need for rennet. Although no earlier records exist, this cheese has been documented since at least the 18th century, when it was even used as currency to pay taxes. By the late 19th century, various writers had referenced it. Félix Aramburu y Zuloaga described it as the "primitive queso de puñu or afuega’l pitu, common in almost all the municipalities of Asturias." Around the same time (1900), the book Asturias by Octavio Bellmunt and Fermín Canella also mentioned it, highlighting its widespread presence throughout the region and referring to it as "the ones commonly found everywhere, called afuega’l pitu or by other names." These were the cheeses typically made on farms, distinct from those available in markets, which came from elsewhere. Traditionally, it was made using raw milk. By the 1960s, farms had specialized in dairy production, but with the rise of mass-produced packaged milk from large dairy industries and the low prices paid to producers, some farmers began using their raw material to create a processed product—cheese. Before 1980, farms were free to sell their products in local markets. However, from that year onward, public authorities began requiring sanitary registration for both facilities and production due to health concerns in Asturian livestock farms. This measure led to conflicts with the Administration, which even went so far as to ban cheese commercialization until certain hygiene standards were met, including the mandatory pasteurization of milk. Cheese production then became professionalized, marking the start of mandatory compliance with sanitary regulations. This resulted in a decline in the number of producers, who transitioned into small family-run businesses. At the same time, facilities were modernized with the introduction of pasteurization machines, r Organisations Afuega’l Pitu cheese holds the Protected Designation of Origin (PDO). In 2003, the Asturian government promoted and managed this designation to ensure the product’s survival, since—even though it was historically produced across a vast region of Asturias—its production had been in decline. Moreover, this measure was part of a strategy to revitalize the rural areas where the cheese was produced. To that end, the Regulatory Council for the Protected Designation of Origin “Afuega’l Pitu” was established, an organization in which all registered producers participate and which ensures compliance with the PDO regulations. The Asturian government demonstrates a strong commitment to local products by actively incorporating them into its tourism and gastronomic campaigns. Culinary competitions and events related to this cheese are frequently organized. Additionally, many of its producers are members of the Association of Artisan Cheesemakers of Asturias. Although there is no museum in Asturias dedicated exclusively to this product, the Museu Etnográficu de la Llechería in Morcín, which focuses on dairy production, stands out as an important center for its dissemination. Places In the production of Afuega’l Pitu cheese, we find three important elements to understand its historical and social context. A.
Traditional agrarian landscapes. The milk comes from open-pasture livestock farming. Although nowadays most cattle are intended for meat production, the Asturian landscape is dominated by meadows where cows graze for both meat and milk production. The local, high-quality grass influences the organoleptic characteristics of this cheese. Its production also contributes to the preservation of these landscapes. B.
Elevated granaries. One of the elements of traditional Asturian architecture, the elevated wooden granaries, known as 'hórreos' and 'paneras,' are connected to the production of this cheese. Traditionally, before professionalization and the advent of maturation chambers, the cheeses were aged inside these elevated granaries. In fact, one of their interior pieces, the 'cheese beam,' owes its name to its use for storing cheeses there. The cheese factory Ca Sanchu in Grau produces a long-aged variety of Afuega’l Pitu inside a 'hórreo.' C.
Traditional outdoor local markets. Since the Middle Ages, outdoor markets have been held in all the municipal capitals of Asturias, where local farm products were sold. They are an intangible cultural heritage, a meeting point for the local population, and essential for proximity commerce. Today, they still exist but are somewhat in decline due to the rise of large commercial supermarkets. Artefacts In the production of Afuega’l Pitu cheese, there are two fundamental elements which, although they retain their traditional use, are now made with modern materials. The first is the conical mold used to drain the cheese, traditionally called "barreña" in Asturias. It consists of a conical-shaped container perforated across its entire surface, acting as a strainer to separate the whey from the curd. Originally made of ceramic, nowadays they are manufactured using food-grade plastic. In domestic dairies, there used to be one or two of these molds, as milk production was smaller and intended for household consumption, but nowadays a dairy requires hundreds of barreñas to produce cheese. The second is the "garciella," the ladle used to take the curd from the tank and layer it into the molds (barreñas). This method of layering the curd in the mold is essential to give the cheese its distinctive texture. State of the practice thriving Social sustainability The practice enhances social sustainability and contributes positively to various areas. Gender equality. Most of the companies dedicated to producing Afuega’l Pitu cheese are managed by women and provide employment opportunities to other women (La Borbolla, Temia, Ca Sanchu, La Arquera, among others). These companies not only offer jobs but also play an essential role in empowering women in rural areas, strengthening their presence and fostering their development in these regions. Another key aspect is the retention of population and resources in rural areas. By being economically viable, these companies establish themselves as an essential resource for the local economy. Their work ensures the permanence of resources and population in rural areas, promoting a sustainable balance for the environment and communities. These activities not only support community development but also encourage the preservation of cultural and economic traditions unique to the region. Environmental sustainability It contributes decisively in several aspects: Use of local raw materials. Locally sourced milk is utilized, supporting the regional economy and ensuring a fresh and high-quality product. Renewable energy. Although renewable energy sources are not currently used, there is a willingness to adopt them in the near future. Some dairies have already taken steps by installing solar panels, demonstrating a commitment to sustainability. Waste management. The practice generates very little waste, mainly limited to whey, which is a biodegradable material. Efforts are underway to explore ways to use this by-product in both animal and human nutrition. Furthermore, whey is utilized as a natural fertilizer, promoting a circular economy. Proximity markets. The product is primarily marketed locally, minimizing the carbon footprint by reducing the need for long-distance transportation. Quality and sustainability assurance. It holds designation of origin seals and undergoes strict controls, ensuring both the quality of the product and its contribution to sustainability. Economic sustainability The practice contributes significantly to economic sustainability in several aspects: Job creation in isolated rural areas. The production of a high-quality food product generates job opportunities in rural communities, strengthening the local economy and stabilizing population in these regions. Redistribution of benefits in rural areas. The income generated is distributed among local traders and providers of goods and services, also benefiting farmers in the region. This promotes a more equitable and robust economy within the rural environment. Accessibility and local markets. A large portion of the product from some dairies is sold directly to the public at outdoor markets. With reduced prices, the product is made accessible to everyone. Additionally, the philosophy of these dairies focuses on offering an affordable artisanal product, fostering proximity trade and strengthening local economies. Place The town or city Municipalities of Morcín, Riosa, Santo Adriano, Grau/Grado, Salas, Pravia, Tinéu, Belmonte de Miranda, Cudillero, Candamo, Las Regueras, Muros de Nalón, and Sotu'l Barcu. Asturias, Spain. Place Description Asturias is a region located in the north of the Iberian Peninsula, on the Atlantic coast. It consists of an area of 10,556 km² and forms an autonomous community within the Spanish state. Geographically, it is situated at the western end of the Atlantic Biogeographic Region, with an oceanic and temperate climate characterized by mild temperatures, abundant rainfall, and high cloud cover. Its terrain is predominantly mountainous, with average slopes of 33%, featuring three distinct landscapes: the coastal plain, the interior valleys, and the high mountains. Asturian flora falls within the European Atlantic flora, with deciduous broadleaf forests being particularly notable. The capital of the region is Oviedo/Uviéu, and the population currently stands at 1,009,599, with 80% concentrated in the central metropolitan area. Historically, agriculture, livestock, and fishing have been the fundamental livelihoods of its inhabitants. In the late 19th century, industrialization developed in the central part of the province, with coal mining in the central basins and the rise of the iron and steel industry. In the rest of the community, traditional peasant agriculture persisted until the 1960s. Family farms (“caserías”) were the basis of rural settlement and agricultural production, grouping together into villages. The "casería" was the home of peasant families and included the dwelling and the buildings intended for production, as well as the cultivated lands, livestock, and rights over communal property. Traditional agriculture was geared towards the self-sufficiency of peasant families and was based on cereal production, which constituted the main sustenance, with part of the surplus being sold in local markets. In the early 20th century, with the arrival of industrialization to rural areas, cattle farming for milk and meat production was boosted, which drove the development of an important dairy industry in the region, spurred both by agricultural policies and by the regio Prim Media 1266 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Afuega'l pitu cheesemaking Type The nature or genre of the resource Intangible Description An account of the resource Afuega’l Pitu cheese is an artisanal product crafted with traditional methods in several regions of Asturias. It is made exclusively from cow’s milk—sourced from local farms and derived from either Frisona or Asturian valley breeds. This rich, fatty cheese is produced primarily through acid coagulation and can be enjoyed either fresh or aged. The name Afuega’l Pitu (which translates to “choke the throat” in the Asturian dialect) has an uncertain origin, and several interpretations have been proposed for this unusual name. One theory suggests that it may refer to the occasional difficulty in swallowing the cheese due to its uniquely compact and firm texture. Afuega’l Pitu is produced on a small scale and crafted artisanally under the Protected Designation of Origin (PDO). Currently, its annual production is approximately 125,000 kg. Afuega’l Pitu cheese with PDO is produced in four traditional varieties, which are differentiated by the type of mould used—either a truncated cone-shaped mould ("atroncau") or a gauze tied at its ends, giving it a courgette-like shape ("trapu")—as well as by the absence ("blancu") or presence ("roxu") of paprika. This results in the following varieties: atroncau blancu, atroncau roxu, trapu blancu, and trapu roxu. Additionally, there are technological differences, such as the kneading of the curd—a process typical of the trapu variety and of cheeses containing paprika (i.e., trapu blancu, trapu roxu, and atroncau roxu). The cheeses typically weigh between 200 and 600 grams and are enjoyed both fresh and ripened. Afuega’l Pitu cheese is highly esteemed for its sensory attributes. According to product specifications, it has a slightly sour taste, minimal saltiness, and a creamy yet relatively dry texture; the addition of paprika gives it a stronger, spicier flavour. Its aroma is mild, becoming more pronounced as it ripens (Piñeiro Lago, 2021, p. XI). Language A language of the resource Asturian,Spanish Extent The size or duration of the resource. x x Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 593 Source A related resource from which the described resource is derived asturiasmap References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Cuesta, P., Fernández-García, E., González De Llano, D., Montilla, A., & Rodríguez, A. (1996). Evolution of the Microbiological and Biochemical Characteristics of Afuega’l Pitu Cheese During Ripening. Journal of Dairy Science, 79(10), 1693–1698. https://doi.org/10.3168/jds.S0022-0302(96)76534-7 Fernández Ramírez, I., & González de la Plata, I. (2006). El queso Afuega’l Pitu. Fenicia / Gráficas Muñiz. González Álvarez, M. G., Díaz-Méndez, C., & Novo Vázquez, A. (2019). De la agricultura familiar a las denominaciones de origen protegida (DOP): Transformación del sector del queso en asturias. In Agricultura familiar y derecho a la alimentación: Reflexiones desde España, América Latina y el Caribe (pp. 131–142). Ediciones de la Universidad de Oviedo. https://investigacion.usc.es/documentos/600b7d595ef744589ee4ccfd?lang=es López Murias, Raquel. «Las cinco muyeres de Grau que salvaron al “queisu” que llegó a prohibirse en Asturias: el Afuega’l Pitu». ElDiario.es, 15 de febrero de 2025. https://www.eldiario.es/asturias/cinco-muyeres-grau-salvaron-queisu-llego-prohibirse-asturias-afuega-l-pitu_1_12053455.html MAPAMA. (2016). Pliego de condiciones de la denominación de origen protegida (D.O.P.) ”Afuega’l Pitu”. Ministerio de Agricultura y Pesca, Alimentación y Medioambiente (MAPAMA). [Specification of Afuega’l Pitu P.D.O. Ministry of Agriculture and Fisheries, Food and Environment (MAPAMA)]. Official website of the Protected Designation of Origin "Afuega'l Pitu": https://doafuegalpitu.es/ Piñeiro Lago, L. (2021). Study of the thermo-rheological and biochemical parameters of Afuega’l Pitu PDO cheese [Doctoral dissertation, Universidade de Vigo]. http://hdl.handle.net/11093/2269 Turismo Asturias. (2020, January 13). DOP Queso Afuega’l Pitu [Video recording]. https://www.youtube.com/watch?v=VhtNe344HzM Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 02/09/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Queisu d'Afuega'l Pitu Spatial Coverage Spatial characteristics of the resource. current,43.3873217019935,-6.07267544503857; Date Modified Date on which the resource was changed. 28/10/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. University of St Andrews https://culturality.museum/omeka/files/original/3affa578e6e21d16cd29668a736ba7f8.jpg 10daa34d6dd86ffecc796a48179558b2 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Agnieszka Golda, Jo Law, and Martin Johnson, “Twilight State and the Edges of Darkness”, (2016) Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain136 Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. Creative Commons Attribution-NonCommercial-NoDerivs License Medium The material or physical carrier of the resource. Wherewithart Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Organisation A person. Contact alan.miller@st-andrews.ac.uk Social Media The social media links. linkedin,https://www.linkedin.com/in/alan-miller-76b86ab/;facebook,https://www.facebook.com/alan.miller.3386; Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Alan Miller Type The nature or genre of the resource Organisation Date A point or period of time associated with an event in the lifecycle of the resource 21/08/1964 Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 61 Source A related resource from which the described resource is derived people Spatial Coverage Spatial characteristics of the resource. current,56.34037712748279,-2.8084057570777086; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Artisan An artisan Contact aturrutaredes@gmail.com Author iain Email The email address of the museum. aturrutaredes@gmail.com Phone The phone number Spanish phone code: 34 / 644 27 28 56 Prim Media 2067 Biographical Text Alba was born in Madrid but moved to Asturias in 2014, and currently lives in the village of Veneros in the municipality of Caso. Since 2016, she has been a beekeeper, mountain guide, and works as a manager of the beekeeping and wood museums in Caso. Alba has her own company called ‘Aturruta’ where she gives interpretive tours of the Redes Natural Park to raise awareness of the cultural and historical values of the area. She also organises guided tours of the beekeeping museum and the wood museum in Caso. Beekeeping workshops are currently offered to visitors so that they can learn about the environmental value of bees' work and the value of honey as a traditional craft. External ID LAPONTE_PR_13 Knowledge Acquisition In 2018, Alba began her apprenticeship and it was her partner who taught her all the basic techniques. She started out as her partner's assistant, where she gradually learned about the different processes. Unfortunately, in that same year, 2018, her partner had an accident in the mountains and passed away. From that moment on, Alba took charge of the hives and continued her apprenticeship on her own, reading books, searching for information on the internet, watching videos/tutorials, etc. Alba mentions that her partner's family has been very supportive and that without their help the project would not have gone ahead. Knowledge Transfer She currently offers basic workshops with educational themes for tourists and external visitors, but she does not have any formal apprentices seeking to continue her legacy. Field Worker Sofía Gonzalez Sandoval Gender female Area Relation incomer Area Reason Alba was born in Madrid but moved to Asturias in 2014, and currently lives in the village of Veneros in the municipality of Caso. Since 2016, she has been a beekeeper, mountain guide, and works in the beekeeping and wood museums in Caso. Alba mentions that she found a better quality of life in a rural area than in a big city like Madrid, as the village is like her family, there is solidarity and support, and in nature she finds more freedom and opportunities to do meaningful activities. Occupation other (specify),other (specify) Involvment full-time paid job knowledge1 In Alba's case, she is not only a beekeeper, she is also a mountain guide. Therefore, it is very important to have a deep knowledge of the territory, its history, its resources, the changes it has undergone over time, and the aspects that make this area unique and important in terms of its conservation. In addition, she has knowledge of heritage interpretation, enabling her to conduct tours of the museums in the municipality of Caso. When it comes to beekeeping, it is important to learn not only about bees as a species, but also about their needs in the territory, the climatic threats (or invasive species) they face, etc. material1 Local bees from the region. material2 N/A material3 Bees do not generate waste. Everything is used for their own consumption: honey and wax. production1 To produce honey, Alba continues to use traditional techniques, carrying out the processes by hand. For example, they use wooden hives, which are simple wooden boxes with various compartments, hand tools (such as knives for scraping wax) and manual cranks to process honey (instead of electric centrifuges). She mentions that although much time has passed and technology is now available, many beekeepers continue to use traditional techniques. production2 1) Wooden beehives – boxes with various compartments inside, which are stacked on top of each other. 2) Knives and scrapers for scraping honey and wax. 3) Beekeeper's suit for protection. 4) Traditional smoker. 5) Their hands to carefully handle the hives. production3 For Alba, her tools are very special because they are all inherited. For example, some tools come from neighbours who used to be beekeepers but can no longer do so due to their advanced age, or tools that were given to her by friends. Because of this, whenever a tool breaks, she tries to repair it (with glue, tape, etc.) so as not to throw anything away, because she is fond of all her tools. She mentions that it is important to take care of what has been inherited because it has a special value and history. production4 In beekeeping, Alba does not use any type of energy, as everything is done by hand and she does not have industrial machinery or any other type of modern technology. production5 N/A workshop Yes, their workplace is the museums mentioned above and the Redes Natural Park. As for the beekeeping workshops, part of the workshops consist of visiting the apiaries located in the mountains in Caso. It is a high-altitude place with lots of nature and local scenery. products1 100% natural honey. products2 Alba does not sell the honey she produces, as she has very few apiaries. The honey is produced for two reasons: 1) for ecological/environmental reasons, as bees are pollinators that are essential for the balance of ecosystems, and the Beekeeping Museum aims to preserve traditional beekeeping as a traditional craft, as well as protecting bee populations. 2) for educational reasons, to raise awareness of the importance of protecting bees, the value of honey as a symbol of Asturian traditions, as a nutritious product and as a historical craft. products3 N/A products4 Yes, at the Caso Beekeeping Museum, workshops are given to visitors explaining all the basic principles of beekeeping: types of bees in the region, the bee cycle and their different roles in the hive, how an apiary works, how honey is obtained, the different types of tools used, etc. After the theoretical explanation inside the museum, the group goes to the apiaries (up in the mountain) so they can put their knowledge into practice. products5 N/A products6 Most of the customers who take part in the beekeeping workshops and museum visits are local people from Asturias and foreigners. During the summer, Alba receives many visits from foreigners who are in the area and looking for a variety of activities. Alba mentions that it is difficult to get local participation from the municipality of Caso. products7 N/A tourism1 Yes, she is a mountain guide and is responsible for managing visits to the Redes de Caso Natural Park. She also manages the Beekeeping Museum and the Wood Museum in the same municipality. Her main activities are guided tours of the museums and beekeeping workshops with visitors, so that they can learn the basic principles of honey production using traditional techniques. tourism2 1) "Los visitantes llegan aquí, hasta Caso, gracias a las redes sociales. Es increíble lo mucho que se mueve la gente en las redes sociales! yo publico algún evento y la gente lo ve de inmediato y participan. También estamos en la página web del ayuntamiento de Caso y eso ayuda mucho". 2) "Queremos que lleguen turistas que estén interesados en lo que estamos contanto, que se interesen por lo que vivimos y por nuestro territorio. No queremos este turismo masivo y esta persona insensible que tú le estás mostrando algo (como una planta local en peligro de extinción) y que ni presten atención." partnership Yes, she is part of the ‘Caso Beekeepers Association’ and a network called ‘Redes Natural’ (Natural Networks), which is a network of local entrepreneurs (people from the community) who support each other to promote economic activity in Caso, support entrepreneurship, etc. challenges1 One of the main challenges is the distance and being located in a little-known rural area. According to Alba, the municipality of Caso is not very far away, and access is not difficult; it is a common road that is easy to reach. However, for tourists, it is not attractive to go to rural areas that are not so well known, as they want quick activities, things that are along the way, places close to more urban areas challenges2 "Las personas creen que un sitio está muy lejos solo porque no lo conocen, creen que el acceso a estas zonas es difícil o peligroso solo por el simple hecho de no estar familiarizados con el territorio, es falta de educación y eso es un reto para el turismo". references https://www.youtube.com/watch?v=GwoSCRVCGc0 https://www.turismoasturias.es/descubre/cultura/museos-y-espacios-culturales/espacios-culturales/aula-de-la-apicultura Social Media The social media links. facebook,https://www.facebook.com/aturruta;instagram,https://www.instagram.com/aturrutaredes/?igshid=qhuu2e6ce8rg; Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Alba_López_Garrido Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Alba López Garrido Type The nature or genre of the resource Artisan Date A point or period of time associated with an event in the lifecycle of the resource 1991 Language A language of the resource Spanish Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 794 Source A related resource from which the described resource is derived artisans,asturiasmap Spatial Coverage Spatial characteristics of the resource. current,43.360259,-5.844758; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Alba López Garrido Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://aturruta.com/ Organisation A person. Contact elen.g.minsk@gmail.com ToMap 1 Register true Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Alena Khudnitskaya Type The nature or genre of the resource Organisation Identifier An unambiguous reference to the resource within a given context 123 Source A related resource from which the described resource is derived people Description An account of the resource Digital technology and culture researcher Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Museum Represents a museum Contact melendezenrique@uniovi.es Author melendezenrique@uniovi.es Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Alfar_de_Faro Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Alfar de Faro Type The nature or genre of the resource Museum Contributor An entity responsible for making contributions to the resource melendezenrique@uniovi.es Extent The size or duration of the resource. x x Identifier An unambiguous reference to the resource within a given context 539 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Alfar de Faro Intangible Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Alfar de Llamas del Mouro Type The nature or genre of the resource Intangible Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 386 Extent The size or duration of the resource. x x Source A related resource from which the described resource is derived artisans Date Modified Date on which the resource was changed. 25/07/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Artisan An artisan Contact melendezenrique@uniovi.es Author melendezenrique@uniovi.es Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Alfar_el_Rayu Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Alfar el Rayu Type The nature or genre of the resource Artisan Contributor An entity responsible for making contributions to the resource melendezenrique@uniovi.es Identifier An unambiguous reference to the resource within a given context 546 Source A related resource from which the described resource is derived artisans,asturiasmap Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Alfar el Rayu https://culturality.museum/omeka/files/original/db732246b94b23072606ed0a0c64c86c.png 2beeb7d60bc07ee81f7d8864b888392b Map Overlay North 60.152549133625584 South 60.14562250139548 East 12.547304463199996 West 12.533388434008291 Zoom Max 17 Zoom Min 1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource All Buildings No Background Type The nature or genre of the resource Map Overlay License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Site Contact info@almalov.se Institutional nature Museum, Ecomuseum, Extended Museum, Territorial Museum, Cultural Center, Memory House, e-Museum, etc Cultural Heritage Social Media The social media links. facebook,https://www.facebook.com/almalovcia;instagram,https://www.instagram.com/stellabroos_almalovmuseum/; Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Alma Löv Museum of Unexp. Art Type The nature or genre of the resource Site Description An account of the resource Alma Löv Museum is a contemporary art museum that consists of about ten pavilions scattered in nature and the large main building Paleis Oranjestraat with three floors where there is both a theater hall, exhibition halls and a café. Subject The topic of the resource Art Identifier An unambiguous reference to the resource within a given context 142 Source A related resource from which the described resource is derived ruralvarmland Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 23/10/2024 Contributor An entity responsible for making contributions to the resource stefan.barkman@regionvarmland.se Spatial Coverage Spatial characteristics of the resource. current,59.70612826589186,13.22678804397583; Date Modified Date on which the resource was changed. 11/25/2025 03:04:08 pm Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Alma Löv Museum of Unexp. Art Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://www.almalov.se Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Sweden Artisan An artisan Contact cc274@st-andrews.ac.uk Author cc274@st-andrews.ac.uk Email The email address of the museum. amy@thethirdaye.com Gender female Occupation metalwork Shop https://www.thethirdaye.com/jewellery-making-classes-make-your-own-wedding-rings Material Description jewellery making in recycled silver and gold Social Media The social media links. facebook,https://www.facebook.com/TheThirdAyeJewellery;instagram,https://www.instagram.com/the_third_aye/; Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Amy_Ferguson_Niven Prim Media 2286 Material recycled gold,recycled silver Field Worker Catherine Anne Cassidy Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amy Ferguson Niven Type The nature or genre of the resource Artisan Description An account of the resource Amy is a jeweller and creative practitioner whose work bridges art, ecology, and personal storytelling. Initially drawn to both the arts and sciences, she studied Jewellery & Silversmithing before dividing her time between marine conservation work around the world and developing her jewellery practice in Edinburgh. Later settling with her husband in the Cairngorms National Park, Amy established a home, jewellery studio, gallery, and workshop space alongside a luxury garden cabin for visitors. Her practice evolved organically from commissions created for friends and families seeking meaningful, personal pieces to mark marriages, birthdays, and other significant moments. Amy’s work is rooted in collaboration, drawing on themes of personal history, ecology, and philosophy. She frequently works with inherited or family gold, melting and reforming it into contemporary designs using traditional techniques. Many of her pieces incorporate contour lines and landscapes connected to the stories and places that hold significance for her clients. Living and working in a rural environment has also shaped Amy’s interest in cultural sustainability and the relationship between creative practice and tourism. Together with her husband, she views their decision to build a livelihood as artists in the Highlands as both a leap of faith and an ongoing opportunity to connect with and learn from creative communities around the world. Language A language of the resource English Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Identifier An unambiguous reference to the resource within a given context 949 Spatial Coverage Spatial characteristics of the resource. current,57.26298333938629,-3.6481177891465544; Subject The topic of the resource PEOPLE Source A related resource from which the described resource is derived artisans Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Scotland Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Amy Ferguson Niven Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://www.thethirdaye.com/ https://culturality.museum/omeka/files/original/1101297fa6b29fbc472cf0cd93da5feb.png 9625a63349b72a7fcbed2d846f7d07d1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Highlands and Islands Identifier An unambiguous reference to the resource within a given context 434 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. DescriptionEN English Description Photo of Amy Ferguson Niven of The Third Aye, a jeweller working with recycled silver and gold, located in the Cairngorms National Park, Scotland. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amy Ferguson Niven Type The nature or genre of the resource Still Image Description An account of the resource Photo of Amy Ferguson Niven of The Third Aye, a jeweller working with recycled silver and gold, located in the Cairngorms National Park, Scotland. Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/png License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Spatial Coverage Spatial characteristics of the resource. current,57.262979070378815,-3.6481155336866142; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/62c21f3a5d89e5f005bf0d9229ab8af6.jpg b2c871ea7f9a573cdcbb15bcae5b5e72 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physical Object:Beaded collar Identifier An unambiguous reference to the resource within a given context 741 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID CJMM_AR_05(02) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An element of beadwork while making Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2024-12-14 Spatial Coverage Spatial characteristics of the resource. current,47.9289141324658,23.8924232813404; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Marius Muresan Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Romania https://culturality.museum/omeka/files/original/19f6672c686e154736d59946602e9b73.jpg 7a22a7138b4457b4e48526cac81748ef Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID LAPONTE_AR_20(02) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An old bee smoker Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2025-05-05 Spatial Coverage Spatial characteristics of the resource. current,43.27386,-6.0009365; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Carmen Pérez Maestro Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain Artisan An artisan Contact info@cerawoods.com Author iain Email The email address of the museum. info@cerawoods.com Phone The phone number 00386 31 206 123 Biographical Text Ana Trampuš spent her childhood in Ljubljana. After graduating from secondary veterinary school in Ljubljana, she worked for several years in a pet shop. After maternity leave, when she realized that there were no jobs in her profession, she took ceramics classes and then started her own practice in seoson 2013/2014 as a part job. She would like to make a living from this in the future. External ID ZRCSAZU_PR_05 Knowledge Acquisition Twelve years ago, she first attended a beginner's and advanced ceramics course with a potter Barbara Štamberger in Kranj. She then taught herself through trial and error, gaining much of her knowledge from materials (information, videos) available online. Knowledge Transfer She occasionally leads workshops for children and families at the Škofja Loka Handicraft Center (DUO centre). However, the technique is not suitable for a short workshop as the processes are long. Field Worker Barbara Ivančič Kutin AI Tools Yes AI Content Deepl translator. Gender female Area Relation native Area Reason Ana Trampuš has been living in Škofja Loka since 2011. Before that, she lived in Ljubljana, but her grandparents are from Škofja Loka, so she has been connected to the area her whole life. Occupation ceramics Involvment part-time paid job knowledge1 Working with clay requires manual skills, precision, and a good sense of form. Technical knowledge about clay, firing, and glazes is essential. Creativity and problem-solving abilities when working with materials are also important. material1 All products are made of clay. She uses only white and black clay for use on the potter's wheel. She also uses colors for ceramics (engobes) and glazes. material2 She buys the clay and paintings from a potter in Radovljica, who also has a shop. The clay is supplied by Italian suppliers. material3 There is no waste. She recycles unburned clay, i.e., uses it again, and gives away unsuccessful products if someone likes them; a very small portion, if something breaks, is taken to the trash. There is very little of this. production1 She uses classic hand-building techniques and potter's wheel techniques. and classical and raku firing. First, the clay is shaped (by hand or on a potter's wheel), then it needs to dry slowly until it's totally dry (this can take anywhere from a day to a few days, depending on the size). This is followed by bisque firing, in which the dry product is fired in a pottery oven (at approximately 1000°C). The fired product is then decorated with colors (engobes, underglazes, or overglazes) and covered with a glaze—a protective glass layer. It is then fired again (also at approximately 1000°C), which completes the production process. Some products are also fired at 1200-1300°c. In raku technique, after the second firing at 1000 degrees, the product is decorated by placing it hot in a container with leaves, straw, and other materials, creating various unique and unpredictable patterns. production2 Pottery wheel, various knives, scrapers, smoothing tools, sponges, brushes, and a pottery kiln. For raku technique, for second firing she uses a gas kiln (up to 1000 degrees Celsius), while for the classic technique she uses an electric pottery kiln, which can reach temperatures of up to 1300 degrees Celsius. KOLIKO UR1. in 2. žganje in raku. production3 When manufacturing ceramic products, the most important tools are the pottery kiln and the potter's wheel for shaping the pottery. Therefore, they must function flawlessly. The oven and electric pottery wheel are homemade, made by Ana's husband. production4 Thenelectricity to power the electric potter's wheel and traditional pottery kilns, and gas for the outdoor pottery kiln, where he fires his products using the raku technique. production5 There is no waste; all leftover fresh clay is reused. There are few failed fired products—Ana gives these to friends if they like them; damaged, broken fired bricks are used for something else or taken to the dump, but there is very little of this. workshop Ana has a small workshop in one of the rooms in the basement of her family home. products1 Most of the products are useful items such as cups, bowls, potica molds (ceramic molds for baking a traditional Slovenian dessert called potica). There are also decorative items such as wall clocks, ceramic decorative magnets, earrings, etc. products2 She manufactures products for sale, but this does not yet enable her to make a living solely from this activity. Sometimes customers request a specific motif, so she occasionally makes custom orders (for Christmas and birthdays), but she still likes to follow her creative inspiration. Some products were created as part of a local handicraft colony for a group exhibition. products3 She sells her products at the DUO craft center in Škofja Loka and occasionally at fairs. She does not yet have an online store, but plans to launch one soon. She posts photos of her products on Facebook and Instagram so that customers can order them (she delivers them to their homes or they can pick them up themselves). products4 She makes custom-made items sometimes, but does not provide any other services. products5 No. products6 Anyone who likes ceramics and appreciates unique handcrafted items. products7 Her products carry the Art & Craft Slovenia certificate, issued by the Chamber of Craft and Small Business of Slovenia. tourism1 She participates in various tourist events (fairs, workshops) in Škofja Loka, which are visited by domestic and foreign tourists, organized by the DUO Craft Center and in Ljubljana through the Artish summer fairs. Once a year, she participates in a local crafts colony and group exhibition. tourism2 Vse keramične izdelke rada delam in včasih se moram prav zavestno odločiti, kaj bom izdelala najprej, da ne skačem z enega izdelka na drugega (smeh). I enjoy making all ceramic products, and sometimes I have to consciously decide what to make first so that I don't jump from one product to another (laugh). partnership Ana is a member of the DUO Škofja Loka Handicraft Centre and the Škofja Loka Regional Chamber of Crafts and Arts. challenges1 She is currently setting up an online shop and hopes to establish permanent cooperation with a souvenir shop in a tourist destination in Croatia, which she is already negotiating. She would also like to work with her husband, who works with wood. They already had this in mind when choosing the brand name for her products, Cerawoods. One day, she would like to make a living from her work. challenges2 "Ko se res posvetiš samo temu (glini), en mir ti da. To je fajn služba. " (When you really devote yourself to just that (clay), it gives you a sense of peace. It's a great job.) references https://www.centerduo.eu/en/masters-of-crafts/ana-trampus-cerawoods/ https://www.centerduo.eu/druzinska-delavnica-ustvarjanja-iz-gline/ https://www.facebook.com/cduo.skofjaloka/photos/dru%C5%BEinska-delavnica-ustvarjanja-iz-gline-vabljeni-na-delavnico-ustvarjanja-iz-gl/936398151866654/?_rdr Social Media The social media links. facebook,https://www.facebook.com/ana.trampus;instagram,https://www.instagram.com/cera.woods/; Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Ana_Trampuš Prim Media 2141 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ana Trampuš Type The nature or genre of the resource Artisan Date A point or period of time associated with an event in the lifecycle of the resource 1982 Language A language of the resource English,Slovene Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 825 Source A related resource from which the described resource is derived artisans,uppercarniola Spatial Coverage Spatial characteristics of the resource. current,46.1564750452414,14.311619759188; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Slovenia Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Ana Trampuš Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://www.cerawoods.com https://culturality.museum/omeka/files/original/ddda458acc72d551b78fbb5dc4cd281d.jpg 139b57a0195d651ae1e41c6e6a2804fc Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ana Trampuš in her studio. Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 13/02/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://culturality.museum/omeka/files/original/cd30eb1e27572ba3216c46835e594816.jpg 137ebdadd20b0ba7218263756834b289 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ana Trampuš in her studio. Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 13/02/2025 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Barbara Ivančič Kutin https://culturality.museum/omeka/files/original/046aef14a6d9387cdceab93f2e2c7967.mp4 8b828fd3fa6e6d8b8cb330881f789e7f Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ancient carol from historical Maramures area Type The nature or genre of the resource Moving Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource video/mp4 License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Date A point or period of time associated with an event in the lifecycle of the resource 04/12/2024 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. VIDEO Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Marius Muresan Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://culturality.museum/galleries/upload/CJMM_CP_01_CAROLING_ILEANA_MATUS.mp4 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Material Clay, wood. Natural Cultural Cultural Function Decorative relief. Creation Purpose The piece was made for sale. Technique The artwork is composed of a combination of air-dried clay pieces on a wooden base. The pieces are cut from rolled clay, dried and painted, then glued onto a painted wood base. Material Source She buys clay and acrylic paints from the shop, she gets wood from a local joiner. Conecept The product is innovative. Production Quality It depends on the inspiration. Each product is unique. External ID ZRCSAZU_AR_03(3) Field Worker Barbara Ivančič Kutin AI Tools Yes AI Content Translation (deepl translator). Craft other (specify) Tool Roller, knife, brushes. Place The town or city Gorenja vas, Gorenjska, Slovenia Prim Media 2112 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Angel. Relief made from air-dried clay on wooden base. Type The nature or genre of the resource Physical Object Date A point or period of time associated with an event in the lifecycle of the resource January 2025 Creator An entity primarily responsible for making the resource 2100 Extent The size or duration of the resource. 10cm x 1cm x 10cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 816 Source A related resource from which the described resource is derived practices,uppercarniola References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://www.centerduo.eu/mojstri-rokodelci/lidija-debelak/ https://www.centerduo.eu/razstava-izdelkov-lidije-debelak-pravljicnih-7/ http://www.duo-kunsthandwerk.eu/news_sl/detail/833 https://www.podblegaske-novice.si/sl/news/navdiha-ne-crpam-saj-zivi-v-meni.html https://www.kulturnadozivetja.si/en/art-and-craft-centre/masters-craftsmen/item/19-lidija-debelak.html Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 13/01/2026 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Angel. Relief iz zračno sušene gline na lesu. Spatial Coverage Spatial characteristics of the resource. current,46.1072,14.1481; Date Modified Date on which the resource was changed. 13/01/2026 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/e5ceb9210ed98b1e5daf7a05bdc7658b.glb 39d1f9d8987a47fb749d49ae0f1ceabb 3D Object DescriptionEN English Description Wooden collar for livestock, featuring a brass plate nailed to the surface and decorated with stamped motifs. The initials “M. A.” likely indicate the owner of the animal, and the rest of the carved decorations include vegetal patterns and circles. An iron piece connects both ends of the collar, which originally held a bell. Vertices 47196 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Animal collar Type The nature or genre of the resource 3D Object Description An account of the resource Wooden collar for livestock, featuring a brass plate nailed to the surface and decorated with stamped motifs. The initials “M. A.” likely indicate the owner of the animal, and the rest of the carved decorations include vegetal patterns and circles. An iron piece connects both ends of the collar, which originally held a bell. Date A point or period of time associated with an event in the lifecycle of the resource 2025 Contributor An entity responsible for making contributions to the resource melendezenrique@uniovi.es Format The file format, physical medium, or dimensions of the resource model/gltf-binary License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Identifier An unambiguous reference to the resource within a given context 8c8110a6236b45adac578ffce48925fd Spatial Coverage Spatial characteristics of the resource. current,43.53689604607413,-5.634997934103013; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. 3D Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Universidad de Oviedo Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://sketchfab.com/models/8c8110a6236b45adac578ffce48925fd/embed Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Paula Labrador, Enrique Meléndez y Santiago Rodríguez Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Site: Barn Identifier An unambiguous reference to the resource within a given context 929 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 606 Material Wood: Iron; Brass Natural Cultural Cultural Function Collar Creation Purpose Herding; Livestock farming Technique Wood carving; Forging; Stamping Field Worker Enrique Meléndez Galán Craft woodwork Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Animal_collar Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Animal collar Type The nature or genre of the resource Physical Object Description An account of the resource Wooden collar for livestock, featuring a brass plate nailed to the surface and decorated with stamped motifs. The initials “M. A.” likely indicate the owner of the animal, and the rest of the carved decorations include vegetal patterns and circles. An iron piece connects both ends of the collar, which originally held a bell. Date A point or period of time associated with an event in the lifecycle of the resource ca. 1940/1950 Subject The topic of the resource Art,PEOPLE,SOCIAL HISTORY Extent The size or duration of the resource. 34cm x 19cm x 7cm Contributor An entity responsible for making contributions to the resource melendezenrique@uniovi.es Identifier An unambiguous reference to the resource within a given context 364 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 05/05/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Collera Spatial Coverage Spatial characteristics of the resource. current,43.53689604607413,-5.634997934103013; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT metalwork woodworking https://culturality.museum/omeka/files/original/78b47d61a7a8a1dea137bff1eab318df.glb 9c10866822c71ece410361ea3f0bfd08 3D Object DescriptionEN English Description Wooden collar with riveted iron reinforcements at both ends, connected by an iron piece designed to hold a bell. The wood is decorated with carved six-petal flowers distributed around the entire piece. Vertices 44087 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Animal collar Type The nature or genre of the resource 3D Object Description An account of the resource Wooden collar with riveted iron reinforcements at both ends, connected by an iron piece designed to hold a bell. The wood is decorated with carved six-petal flowers distributed around the entire piece. Date A point or period of time associated with an event in the lifecycle of the resource 2025 Contributor An entity responsible for making contributions to the resource melendezenrique@uniovi.es Format The file format, physical medium, or dimensions of the resource model/gltf-binary License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Identifier An unambiguous reference to the resource within a given context aaea4ca99d9b4fa88661c0ee02ffd985 Spatial Coverage Spatial characteristics of the resource. current,43.53689604607413,-5.634997934103013; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. 3D Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Universidad de Oviedo Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://sketchfab.com/models/aaea4ca99d9b4fa88661c0ee02ffd985/embed Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Paula Labrador, Enrique Meléndez y Santiago Rodríguez Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Site: Barn Identifier An unambiguous reference to the resource within a given context 929 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 612 Material Wood: Iron Natural Cultural Cultural Function Collar Creation Purpose Herding; Livestock farming Technique Wood carving; Forging Field Worker Enrique Meléndez Galán Craft woodwork Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Animal_collar Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Animal collar Type The nature or genre of the resource Physical Object Description An account of the resource Wooden collar with riveted iron reinforcements at both ends, connected by an iron piece designed to hold a bell. The wood is decorated with carved six-petal flowers distributed around the entire piece. Date A point or period of time associated with an event in the lifecycle of the resource ca. 1900/20 Subject The topic of the resource Art,PEOPLE,SOCIAL HISTORY Extent The size or duration of the resource. 30cm x 15cm x 5cm Contributor An entity responsible for making contributions to the resource melendezenrique@uniovi.es Identifier An unambiguous reference to the resource within a given context 366 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 08/05/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Collera Spatial Coverage Spatial characteristics of the resource. current,43.53689604607413,-5.634997934103013; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT metalwork woodworking Artisan An artisan Contact cc274@st-andrews.ac.uk Author cc274@st-andrews.ac.uk Phone The phone number +44 (0)1397 712121 Prim Media 2298 Field Worker Catherine Anne Cassidy Gender female Area Relation native Occupation other (specify),other (specify) Shop https://www.greatglencharcuterie.com/shop Material Description smoked local venison charcuterie Social Media The social media links. instagram,https://www.instagram.com/greatglencharcuterie; Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Anja_Baak Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anja Baak Type The nature or genre of the resource Artisan Description An account of the resource In the heart of the Scottish Highlands, Anja Baak's small family-run business The Great Glen Charcuterie specialises in handcrafted charcuterie made using the finest Scottish venison. Based in the village of Roy Bridge, the business is rooted in a deep respect for the landscape, local ingredients, and traditional craftsmanship. Originally from The Netherlands, Anja moved to Scotland more than 20 years ago after falling in love with the country’s rugged beauty and exceptional natural produce. Her passion for venison began while living on a Highland estate, where she and Jan Jacobs became closely connected to the sustainable management of the local wild deer population. Inspired by the quality and flavour of the meat, she started experimenting with smoking and curing venison at home using a hand-built smoker in the garden. What began as a passion shared with family and friends soon grew into a dedicated artisan business, producing distinctive smoked and cured venison charcuterie that celebrates the rich flavours and traditions of the Highlands. Language A language of the resource English,Dutch Contributor An entity responsible for making contributions to the resource cc274@st-andrews.ac.uk Subject The topic of the resource PEOPLE Identifier An unambiguous reference to the resource within a given context 954 Source A related resource from which the described resource is derived artisans Spatial Coverage Spatial characteristics of the resource. current,56.91289392170995,-4.905333462474276; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Scotland Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Anja Baak Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://www.greatglencharcuterie.com/ Artisan An artisan Author iain Email The email address of the museum. anja@musek.eu Phone The phone number +386 31 855 468 Prim Media 446 Biographical Text Anja Musek, a landscape architect by profession, managed her own business for several years, specializing in garden and park design. However, as she sought greater professional fulfillment and creative expression, she discovered the art of wet felting. Driven by a profound passion for the craft, she transitioned from landscape architecture to textile artistry, transforming her hobby into a full-time profession that seamlessly integrates creativity, craftsmanship, and artistic innovation. In pursuit of a dedicated creative space, Anja and her husband (a violin maker) acquired an old house in the medieval town center of Škofja Loka, Slovenia. This building now accommodates her workshop where she designs and produces her handcrafted creations. At the entrance into the building, she has established a showroom and retail space, offering visitors the opportunity to explore and purchase her felted designs. Under her brand AMUSE, Anja Musek specializes in the creation of high-quality, handcrafted fashion accessories and garments, including scarves, bags, jackets, and jewelry. Employing the technique of wet felting, she crafts each piece by hand, ensuring exceptional attention to detail and material integrity. External ID ZRCSAZU_PR_01 Knowledge Acquisition She learned the felting technique at workshops at the DUO Škofja Loka Handicraft Centre and is now building on it with her own ideas. She also participates in workshops and training courses abroad. She is always looking for new knowledge in the field. Knowledge Transfer Anja also conducts various wet felting workshops, offering both group sessions and individual masterclasses. She teaches a range of techniques, from basic to advanced, primarily in her own studio but also as part of programs at the Škofja Loka Craft Center. Additionally, she collaborates with local schools and educational institutions, introducing younger generations to the art of felting. Recently, she has also conducted a workshop for design faculty students, further expanding her engagement in creative education. Field Worker Katarina Šrimpf Vendramin Gender female Area Relation incomer Area Reason She moved to Škofja Loka with her family around 2010 due to high housing prices in Ljubljana. She and her partner also saw Škofja Loka as a city of creators and artists. Involvment full-time paid job knowledge1 Felting requires specific knowledge of the properties and processing procedures of the base material - wool. Knowledge of the wool of different breeds of sheep is required in terms of suitability for use (coarse wool, e.g. for carpets, furniture pieces, slippers; finer wool for clothing and personal products). It is necessary to know the entire production process (from conceptual design to product layout, shrinkage factor calculation, production of enlarged layout and templates, etc.). Design skills and a sense of aesthetics are also needed for high quality products. material1 She works exclusively with natural fibers. As a base material, she primarily uses various types of wool, sourced from abroad, but also incorporates wool from indigenous Slovenian sheep breeds, though she notes that it is more difficult to obtain. In addition to wool, she enhances her creations with other natural fibers, such as silk, linen, ramie, and nettle, adding unique texture and depth to her designs. High-quality soap made from olive oil is also essential for her work, as it plays a crucial role in the felting process. material2 She sources her materials primarily from specialized companies abroad, mainly in Italy, while also obtaining a smaller quantity of wool locally. material3 In her wet felting technique and the way she works, there is no waste. Any material left over from one piece can be repurposed for another. She also designs all her creations according to the zero-waste principle, ensuring that no materials go unused. This approach extends to her seamless garments, which are crafted in a single piece, eliminating fabric waste entirely. production1 She works exclusively with the wet felting technique, which encompasses various subcategories, including nuno felting, cobweb felting, 3D or relief felting, and other specialized methods. production2 She completes most of the work by hand, as her hands are her primary tool. However, she also uses simple tools such as wooden smoothers and rollers, watering cans and sponges, and felting needles to assist in the process. She shortens certain processes using machines adapted for new purposes. For example, she utilizes a grinding machine to accelerate the felting process and a specialized felting machine to enhance efficiency while maintaining the craftsmanship of her work. production3 Tools serve primarily as occasional aids in her creative process, helping to streamline or shorten certain tasks that would otherwise be more time-consuming or physically demanding. production4 She completes most of the work by hand, but shortens certain processes using electric powered machines. production5 In wet felting technique and the way she works, there is no waste. workshop Anja has her own workshop and store, which she has set up in an old house in the historic center of Škofja Loka. The workshop is a spacious area, with storage cabinets along one wall where she keeps her materials. The space includes two large work surfaces, where she both creates her pieces and conducts workshops. On the opposite side, she has a felting machine, as well as a niche with a sink, water access, and a work counter. In the lower part of the house, she has two separate rooms—one slightly larger and the other smaller—both serving as her retail space, where she showcases and sells her handcrafted felted creations. products1 She creates a wide range of products, including handbags, scarves (in various techniques), felted soaps, necklaces, brooches, footwear, clothing, bowls, and artistic wall pictures. products2 She creates products exclusively for sale, as this is her primary source of livelihood. products3 She primarily sells her creations in her own store, with additional sales through online platforms and various shops specializing in handmade and artisan products. products4 In addition to selling her products, she also offers group workshops, which she regularly conducts in her own studio or at the Škofja Loka Craft Center. She also provides individual, multi-week workshops or masterclasses, available through an online platform as part of the "Vacation with an Artist" experience. products5 Yes, when customers purchase larger items, she provides guidance on proper care and maintenance, which helps minimize the need for repairs. As a result, she rarely has to make repairs, with the exception of felted slippers, which are the most commonly repaired items. products6 Her customers are primarily middle-aged women who are highly educated and financially well-situated. products7 All of her products carry the Art & Craft Slovenia certificate, issued by the Chamber of Craft and Small Business of Slovenia. Originally, this certification was intended to recognize high-quality artisan craftsmanship. However, in recent years, the standards and criteria have become somewhat less stringent. tourism1 Her activity in leading individual workshops as part of the "Vacation with an Artist" program can also be seen as a tourism-related experience. So far, she has offered these workshops exclusively to international visitors. tourism2 Polovica žensk, ki je prišla k meni, ni vedela, kje je Slovenija, preden so do mene prišle. Tako da bi rekla lahko, da spodbujamo [turizem] na ta način. So prišle dejansko se k meni učit. (0:46:30) partnership Anja is a member of the Chamber of Craft and Small Business and the Škofja Loka Craft Center. She is also part of a textile hub, where she collaborates with three other local textile artisans on group projects. Together, they create large-scale textile installations for festivals such as BIEN (Biennial of Contemporary Textile Art Slovenia). However, she notes that she has limited collaboration with local institutions or academic organizations. challenges1 Anja highlights that craftsmanship is often perceived as merely a supplementary activity for older generations rather than a viable profession. She points out the widespread belief that one cannot make a living from crafts, a perception reinforced by the education system, which does not present craftwork as a legitimate career path. Another challenge she identifies is that, while handcrafted products are valued, their high price often deters customers, as many people do not fully appreciate the time, skill, and effort required to create such pieces. She also highlights the challenge that artisans often struggle to find time for developing new products or enhancing their skills, as they lack financial compensation or support for the time invested in innovation. Since their livelihood depends on the continuous production and sale of their existing products, dedicating time to creative development and professional growth becomes difficult. challenges2 Anja highlights that craftsmanship is often perceived as merely a supplementary activity for older generations rather than a viable profession. She points out the widespread belief that one cannot make a living from crafts, a perception reinforced by the education system, which does not present craftwork as a legitimate career path. Another challenge she identifies is that, while handcrafted products are valued, their high price often deters customers, as many people do not fully appreciate the time, skill, and effort required to create such pieces. She also highlights the challenge that artisans often struggle to find time for developing new products or enhancing their skills, as they lack financial compensation or support for the time invested in innovation. Since their livelihood depends on the continuous production and sale of their existing products, dedicating time to creative development and professional growth becomes difficult. references http://www.amuse.si/my-story.html https://www.centerduo.eu/kreativnice/anja-musek/ https://365.rtvslo.si/arhiv/vizionar-obrtnik-in-podjetnik/175079215 https://www.ra-sora.si/razstava-anja-musek-amuse/ Social Media The social media links. facebook,https://www.facebook.com/AMUSEbyAnjaMusek;instagram,https://www.instagram.com/amusebyanjamusek/; Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Anja_Musek AI Tools Yes AI Content Chat GPT was used to summarise and translate the text Occupation fibre and textile crafts,artist Place The town or city Škofja Loka, Gorenjska, Slovenia Material Wool,silk,Linen,ramie,nettle,olive oil Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anja Musek Type The nature or genre of the resource Artisan Date A point or period of time associated with an event in the lifecycle of the resource 1975 Language A language of the resource English,Slovene Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 308 Spatial Coverage Spatial characteristics of the resource. current,46.1663222982793,14.307308507957; Source A related resource from which the described resource is derived artisans,people,uppercarniola Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Slovenia Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Anja Musek Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. http://www.amuse.si/ https://culturality.museum/omeka/files/original/8f37538a8f99b96d7545df5a795232ea.png 65272cc6f54a7f7c3519f934c5986037 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anna jumper Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/png License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 115 Material Wool Manual wool processing from shearing to yarn, dying and knitting Natural Cultural Cultural Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anna jumper Type The nature or genre of the resource Physical Object Date A point or period of time associated with an event in the lifecycle of the resource 2022 Creator An entity primarily responsible for making the resource Lofoten wool Extent The size or duration of the resource. 50cm x 40cm x cm Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 88 Source A related resource from which the described resource is derived 7northernnorway,craftedobjects Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 14/09/2024 Description An account of the resource Textile artisan Ragnhild Lie discovered that most of the wool from the area was being sent out of the country while people were knitting with foreign-produced yarn. This led her to reclaim the wool and cultural heritage in the craft. With a background in working with wool, Lie decided to establish a workshop centred around sheep, wool and craftsmanship on her small farm. In 2013, she introduced the first 6 wild sheep to the farm. Lofoten Wool was founded in 2014, with sustainability at the core of everything they do. Their commitment to quality, both in design and product, forms the foundation of their work. Lofoten Wool believes in a short production line with local roots that take into account and continue old handicraft traditions. They shear their own sheep and take care of the cultural landscape through traditional grazing techniques. A modern garment with a new design based on a historical knitting tradition is the result. Traditional practices with wool have developed to yarn production, and a substantial progress in knitting patterns and techniques. They also try to use as much of the sheep as possible: from making soap from the fat, liver pate from the meat, lamb roll, pinnekjøtt (traditional dish), and skin and yarn from the wool. The yarn is spun at Hillesvåg Ullvarefabrikk in Nordhordland before it gets dyed in Lofoten Wool’s workshop using natural colours, some of which come from traditions dating back to Viking times. The garments are hand-knit by local artisans, showcasing a love for craftsmanship and sustainability. Without sheep and wool, people would never have been able to settle in the north. Wool, the raw material, is regionally distinct because of the unusual climatic conditions of the Lofoten Islands in Norway, north of the Arctic Circle. The wool comes from an old sheep variety “gammelnorsk sau”. The “gammlenorsk sau” sheep variety is extremely hardy and robust, thus tolerating the conditions outdoors all year around. They have a unique pro Date Modified Date on which the resource was changed. 20/09/2024 Spatial Coverage Spatial characteristics of the resource. current,68.149009,13.759657; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://culturality.museum/7-northern-norway/ Artisan An artisan Contact nettysopata@gmail.com Author iain Email The email address of the museum. nettysopata@gmail.com Phone The phone number 07881 273 966 Biographical Text Netty moved to the Isle of Lewis in 2006 to take up a Kiltmaking Apprenticeship. After two years she started her own business and explored using locally woven Harris Tweed in her designs. This led to a number of commissions and displays including at Norton and Son’s, Saville Row and through this contemporary kilt production for fashion designer Christopher Kane. After fifteen years of working o na self-employed basis Netty strated to teach Fashion Design at the local height education college on a part-time basis. Since then she has continued her kiltmaking and garment design business but on a reduced scale, whilst also fulfilling the role as a board member with Applied Arts Scotland, project managing national and international craft focused projects and recently, becoming editor of community newsaper – Fios. An area Netty has developed over the past twenty years is usung the wool form her families flock of Hebridean Sheep to be washed, cardded and spun in to weaving yarn at Uist Wool. This yarn has then been woven in Harris Tweed by a local weaver . External ID AAS_PR_06 Knowledge Acquisition Served a traditonal apprenticeship and then adapted the skills to develop Harris Tweed kilts. Harris Tweed is heavier then the tradiitonal tartan cloth used to make kilts. Knowledge Transfer Yes through evening classes at the lcoal arts centre. Field Worker Netty Sopata Gender female Area Relation incomer Area Reason Moved in 2006 to commence a Kiltmaking Apprenticeship in Stornoway Occupation fibre and textile crafts knowledge1 Tradtional hand tailoring techniques applied to kilt making: Measurement, pleat calculations and chalking out, hand sewing and steam pressing. material1 Harris Tweed. Leather (for straps) and brass / other metals for buckles. material2 Local Harris Tweed mills. material3 Donates them to local higher education college production1 Calking out (to mark the pleats and kilt pattern); Hand sewing (using a thimble); Steam pressing (to set the pleats) production2 Thimble, measuring tape (inches), pattern master (straight edge ruleer to mark out the pleats). Steam Iron and pressing table. Needle and scissors. production3 Tape and thimble belonged to her grandmother who was a hoe based seamstress in London. production4 Electricity for lighting and steam press. Peat for heating stove in studio. production5 Cut-away' segemnts of cloth are donated to the local college fro students to use in mood boards etc. workshop Yes. The upstairs area of her domestic house is a dedicated studio space. products1 Handtailored Kilts and contemproray garments products2 For people to wear products3 The kiltmaking service is no longer advertised and commissions are completed on a word of mouth basis only. products4 Bespoke one to one orders. products5 For kilts only yes products6 Locally based cliets fro repairs and alterations. Visitors to the Hebrides who have a connection to the location and/or want to have something created fro them that resonates with the location. products7 Harris Tweed label tourism1 Netty used to display work and take orders at the local music festival: HebCelt. This four day festival attracts the perfect target market for bepoke kilts. The tourists at this event are from a range of national and international locations. tourism2 An interview was not conducted. partnership Applied Arts Scotland. challenges1 Outwith the HebCelt festival, accessing physical events to display and take orders at was not cost efficient sdue to being located on an island. challenges2 An interview was not conducted. Social Media The social media links. instagram,Diggory Brown ; Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Annette_Sopata Prim Media 2306 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Annette Sopata Type The nature or genre of the resource Artisan Date A point or period of time associated with an event in the lifecycle of the resource 47 Language A language of the resource English Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 802 Spatial Coverage Spatial characteristics of the resource. current,58,6; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Scotland Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Annette Sopata Artisan An artisan External ID AAS_PR_03 Place The town or city Habost, Port of Ness, Isle of Lewis Area Relation incomer Area Reason Moved in 2006 to commence a kiltmaking apprenticeship in Stornoway Occupation fibre and textile crafts Biographical Text Netty moved to the Isle of Lewis in 2006 to take up a kiltmaking apprenticeship. After two years, she started her own business and explored using locally woven Harris Tweed in her designs. This led to a number of commissions and displays, including at Norton & Sons, Savile Row, and through this contemporary kilt production for fashion designer Christopher Kane. After fifteen years of working on a self-employed basis, Netty started teaching part-time Fashion Design at the local higher education college. Since then, she has continued her kiltmaking and garment design business, but on a reduced scale, whilst also fulfilling the role of board member with Applied Arts Scotland, project managing national and international craft-focused projects, and, recently, becoming editor of the community newspaper – Fios. An area Netty has developed over the past twenty years is usung the wool form her families flock of Hebridean Sheep to be washed, cardded and spun in to weaving yarn at Uist Wool. This yarn has then been woven into Harris Tweed by a local weaver. Email The email address of the museum. nettysopata@gmail.com Phone The phone number 07881 273 966 Social Media The social media links. instagram,https://www.instagram.com/diggorybrown/; knowledge1 Traditional hand-tailoring techniques applied to kilt-making: measurement, pleat calculations, chalking-out, hand sewing, and steam pressing. Knowledge Acquisition Served a traditional apprenticeship and then adapted the skills to develop Harris Tweed kilts. Harris Tweed is heavier than the traditional tartan cloth used to make kilts. Knowledge Transfer Yes, through evening classes at the local arts centre. material1 Harris Tweed. Leather (for straps) and brass, other metals for buckles. material2 Local Harris Tweed mills material3 Donates them to local higher education college production1 Calking out (to mark the pleats and kilt pattern); hand sewing (using a thimble); steam pressing (to set the pleats). production2 Thimble, measuring tape (inches), pattern master (straight edge ruler to mark out the pleats). Steam Iron and pressing table. Needle and scissors. production3 Tape and thimble belonged to her grandmother, who was a home-based seamstress in London. production4 Electricity for lighting and the steam press. Peat for a heating stove in the studio. production5 Cut-away' segments of cloth are donated to the local college for students to use in mood boards, etc. workshop Yes. The upstairs area of her home is a dedicated studio space. products1 Handtailored kilts and contemproray garments products2 For sale products3 The kiltmaking service is no longer advertised, and commissions are completed on a word-of-mouth basis only. products4 Bespoke one-to-one orders products5 Only for kilts products6 Locally based clients for repairs and alterations. Visitors to the Hebrides who have a connection to the location and/or want to have something created for them that resonates with the location. products7 Harris Tweed label tourism1 Netty used to display work and take orders at the local music festival: HebCelt. This four-day festival attracts the perfect target market for bespoke kilts. The tourists at this event are from a range of national and international locations. partnership Applied Arts Scotland challenges1 Outwith the HebCelt festival, accessing physical events to display and take orders was not cost-efficient due to being located on an island. Prim Media 2306 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Annette Sopata Type The nature or genre of the resource Artisan Contributor An entity responsible for making contributions to the resource Netty Sopata Date A point or period of time associated with an event in the lifecycle of the resource 1978? Language A language of the resource English Spatial Coverage Spatial characteristics of the resource. current,58.4917648473254,-6.23148173863765; Identifier An unambiguous reference to the resource within a given context 935 Europeana Specific elements of the Europeana Semantic Elements. Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Scotland Artisan An artisan Author iain Phone The phone number 351 967061360 Biographical Text A black clay potter in Molelos (Tondela), António Manuel Matos Marques started in the art at the age of 14, learning from his uncle (who in turn had learned from his grandfather). He has more than four decades of continuous practice, producing mainly utilitarian and decorative pieces on a potter's wheel, with a traditional burnished finish. He continues to fire his pieces in a reducing environment (wood-fired kiln) and values the transmission of know-how — he even taught a colleague when he was 19 years old. In the workshop, the polishing stage is often carried out by local craftswomen (e.g. Lurdes Coimbra). Among his current pieces are jugs (c. 20 minutes/unit), baking trays and tableware, preserving the formal grammar of the Molelos pottery centre. External ID UAVEIRO_PR_02 Knowledge Acquisition António Marques learned the art at the age of 14 from his uncle, who in turn had inherited it from his grandfather, perpetuating a family tradition spanning several generations. The know-how was passed on orally and through daily practice in the workshop, observing and repeating gestures, techniques and work rhythms until he achieved full autonomy. Knowledge Transfer The craftsman passed on his craft to a colleague when he was 19 years old and occasionally participates in demonstrations, particularly at annual festivals and local cultural events. Teaching takes place in a practical manner, through direct supervision at the wheel and by sharing techniques for preparing and polishing clay. Gender male Occupation ceramics Involvment full-time paid job knowledge1 The potter masters all stages of traditional black clay production: the extraction and preparation of clays (‘weak clay’ and ‘strong clay’), modelling on the wheel, burnishing and polishing with pebbles, controlled drying and firing in a wood-fired kiln with a reducing atmosphere. It also requires sensitivity to the temperature, colour and texture of the clay, as well as empirical knowledge of drying and firing times. material1 Black clay of Molelos material2 The clay is obtained from local barriers in the parish of Molelos and surrounding areas, in clay soils rich in iron, suitable for the production of black clay. Traditionally, the potter himself extracted and prepared the clay, selecting different types (‘weak clay’ and ‘strong clay’) to create the right mixture for the wheel and firing. Currently, part of the raw material is collected in controlled areas or purchased from regional suppliers, ensuring the continuity of traditional quality and reducing the physical effort of manual extraction. material3 Clay scraps are reused in their entirety. The potter collects the dry scraps, grinds them up and mixes them with fresh clay and water, creating a new paste suitable for modelling. This recycling process is common practice among Molelos potters and ensures waste reduction. Only fragments of already fired pieces that are impossible to reuse are discarded, usually in specific areas next to the workshop. production1 Potter's wheel; manual shaping of moulds. production2 Potter's wheel; hand tools; river stones, wooden sticks. production3 The tools are extensions of the potter's hands and symbols of family continuity. The wheel is central to the practice; the hand tools and burnishing stones reflect the connection to nature and inherited tradition. production4 It uses firewood (pine, oak, eucalyptus) in traditional kilns and, in some cases, propane gas for controlled firing. Electricity is used in the potter's wheel. production5 The black clay production process generates very little waste. The main ‘leftovers’ are unused clay or clay that dries too quickly, which is recycled: it is crushed again, moistened and reintegrated into the new mixture. The water used in preparation and polishing is reused whenever possible. Fragments of broken or deformed pieces after firing are the only non-reusable waste; these are usually deposited next to the workshop and sometimes reused to fill land or paths. workshop The potter has his own workshop located in Molelos, a parish in the municipality of Tondela, in central Portugal. The space is a traditional masonry building, adapted over the years, which houses the potter's wheel, the drying area for the pieces and the wood-fired kiln used for firing. It is a functional environment, organised into sequential work areas — clay preparation, modelling, polishing and firing — reflecting the accumulated practical knowledge. The space is heated by a wood-burning fireplace, which is also used to dry some pieces during the winter. The workshop retains the family and artisanal character typical of Molelos potteries, being a place of production and, at the same time, of knowledge transfer. Next to the workshop is the shop with pieces on display and for sale. The wood-fired kiln is located outside the workshop. products1 He produces utilitarian and decorative pieces in black clay: jugs, pitchers, bowls, pots, wine jugs, sugar bowls, flower vases, baking dishes and pitchers, as well as design pieces inspired by the Molelos tradition. products2 It is his profession. products3 Sell the products in the shop next to the workshop and in specialist shops selling typical Portuguese handicrafts. products4 No. products5 No. products6 Tourists, local customers, restaurants, local shops. products7 Yes. Molelos Black Pottery has been certified since 2020 as a ‘Certified Handcrafted Product’, recognised by PPART - Programme for the Promotion of Handicrafts and Micro-enterprises (IEFP, Portugal). This certification distinguishes traditional handcrafted production, guaranteeing the authenticity of the techniques, materials and manufacturing processes. The pieces by potter António Manuel Matos Marques are thus covered by this collective certification, valuing black clay as a heritage product of local origin. tourism1 Yes. He participates in public demonstrations of ‘soenga’ and welcomes visitors to his workshop. The activities take place at local cultural events, with national and international audiences interested in traditional ceramics. tourism2 “Já não podemos cozer todas as peças na soenga, como os antigos, mas é muito importante fazermos esta soenga uma vez por ano — para mostrar às pessoas como era e para que não se perca esta arte.” partnership He collaborates with other potters, the Terras de Besteiros Museum and Tondela Municipal Council in demonstrations of traditional pottery techniques and cultural projects. He participates in initiatives with schools and researchers on black clay. challenges1 Difficulty in obtaining clay and firewood; ageing potters; lack of generational succession; low profitability and environmental restrictions on traditional firing; logistical and market challenges in rural areas. challenges2 “Se há tarefas duras, ir à barreira extrair e carregar o barro é uma delas! Hoje, com este processo, além da qualidade do barro, poupamo-nos muito.” references https://www.youtube.com/watch?v=W3FS07QYpD0 https://www.cm-tondela.pt/1309/barro-negro-de-molelos https://7maravilhas.pt/portfolio/louca-preta-de-molelos/ Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/António_Manuel_Matos_Marques Prim Media 1859 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource António Manuel Matos Marques Type The nature or genre of the resource Artisan Description An account of the resource A black clay potter in Molelos (Tondela), António Manuel Matos Marques started in the art at the age of 14, learning from his uncle (who in turn had learned from his grandfather). He has more than four decades of continuous practice, producing mainly utilitarian and decorative pieces on a potter's wheel, with a traditional burnished finish. He continues to fire his pieces in a reducing environment (wood-fired kiln) and values the transmission of know-how — he even taught a colleague when he was 19 years old. In the workshop, the polishing stage is often carried out by local craftswomen (e.g. Lurdes Coimbra). Among his current pieces are jugs (c. 20 minutes/unit), baking trays and tableware, preserving the formal grammar of the Molelos pottery centre. Date A point or period of time associated with an event in the lifecycle of the resource 1969 Language A language of the resource Portuguese Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 733 Source A related resource from which the described resource is derived artisans Spatial Coverage Spatial characteristics of the resource. current,40.530278,-8.095556; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Portugal Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. António Manuel Matos Marques Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. External ID LAPONTE_AR_60 Place The town or city Beekeeping museum, Tanes, Asturias, Spain Craft metalwork Material Metal Material Source Unknown Technique Unknown Tool Unknown Function Designed to extract honey from the comb without destroying it. Creation Purpose For sale Production Quality Unknown Conecept La Moderna Apicultura was founded in May 1919 with the aim of becoming the first company in Spain dedicated to the industrial manufacture of beehives and beekeeping equipment, and it is also one of the most historic in Europe. Its creation was closely linked to King Alfonso XIII, who had a strong interest in agriculture, particularly beekeeping. The monarch commissioned his close circle to establish a company to promote the specialisation and professionalisation of beekeeping in Spain, as there were no establishments where the necessary equipment could be purchased, and beekeepers were forced to produce their own hives in a rudimentary manner. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Antique honey extraction machine Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Extractor de miel Type The nature or genre of the resource Physical Object Contributor An entity responsible for making contributions to the resource Carmen Pérez Maestro Language A language of the resource Spanish Spatial Coverage Spatial characteristics of the resource. current,43.2038384146373,-5.39500544539384; Extent The size or duration of the resource. 90cm x 80cm x cm Date A point or period of time associated with an event in the lifecycle of the resource first half 20th century Description An account of the resource A manual centrifugal metal device designed to separate honey from the comb without destroying it. It works by spinning uncapped frames at high speed to expel the honey, allowing the comb to be reused by the bees. It consists of a cylindrical drum, an internal rotating basket, and a tap for the honey to flow out. This model was manufactured in the first half of the 20th century by the factory ‘La Moderna Apicultura’, based in Madrid. References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://lamodernaapicultura.es/la-primera-tienda-de-miel-en-madrid/ Identifier An unambiguous reference to the resource within a given context 946 Europeana Specific elements of the Europeana Semantic Elements. Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain Artisan An artisan Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Stan,_Anuța Place The town or city Săpânța, Maramures, Romania External ID CJMM_PR_02 Author iao@st-andrews.ac.uk Field Worker Noemi Ganea Gender female Area Relation native Occupation fibre and textile crafts,artist Biographical Text She is a native of Săpânță, her grandmother introduced her into the practice of weaving at the age of 5, later on when she was 15 she was hired as to work at home within a workers cooperative. She has been weaving within this arrangement for 15 years, and after retiring she continued to supported her family of 3 children alongside her husband. They made a living out this job, creating traditional bags: traistă (in Romanian), carpets (cergi in Romanian), etc. Involvment full-time paid job Knowledge Acquisition Her mother and especially her grandmother taught her the entire process from shearing, scouring, shedding to carding . Knowledge Transfer It is a family practice that she passed on to her daugther Mariana, but she is engaged in public events, promoting her skill to the wide public, making sure that the manual production of wool will not be forgotten Prim Media 514 knowledge1 Dexterity, manual skills and practice material1 She uses first hand wool from the local sheep breeders and occasionaly from outside the region. She uses vegetal colors from plants like walnut leaves, red onions, privet for black color. The long fibers of wool are left white while the shorter yellowish wool will be colored. material2 Locally from breeders most of the time. material3 No leftovers production1 She manages the entire process manually production2 She has the loom (război de țesut) more that 100 years old, reel (crâng/vîrtelniță), carder (rășchitor), sley (sucală), warp (urzoi), spindle (fuse), spinning wheel for a thicker type of wool (drugă/fuior) production3 All her tools that she currently uses have been inherited from her grandmother so they have a personal significance, more than 100 years old. production5 She says that there is no waste in the process workshop Yes, next to her home she has an annex equipped. products1 She produces traditional bags ( traistă), blankets (cergi) and carpets products2 She sells these items making a living out of it products3 She participates to dedicated events like local, regional or national craftsmen fairs, tourism related fairs and she is also available to provide commissioned item products5 No products6 Tourists mainly both national and international that look for souvenirs. products7 No tourism1 Yes, she is often invited to dedicated tourism fairs where is given a live demonstration of her craft tourism2 My hands are my visit card for all those enthusiasts of Maramures partnership She is steady collaborator of the County Council of Maramures especially within national and international events dedicated to the promotion of tourism and of the regional brand challenges1 Access to a wider market, lacking of marketing skills challenges2 I created my entire life, i built up my house and raised my children with the use of my skill, so i am lucky to be able to provide for myself by use my talent and skill that my grand mother passed on to me. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anuța Stan Type The nature or genre of the resource Artisan Date A point or period of time associated with an event in the lifecycle of the resource 1961 Contributor An entity responsible for making contributions to the resource iao@st-andrews.ac.uk Identifier An unambiguous reference to the resource within a given context 393 Spatial Coverage Spatial characteristics of the resource. current,47.9667699419435,23.6999999964607; Language A language of the resource Romanian Source A related resource from which the described resource is derived artisans,taralapusuluimap Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Stan, Anuța Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Romania https://culturality.museum/omeka/files/original/a2dd5854058a369917ef67cb65010b0c.jpg 33a9ec267937d4e902d3da6b20a3629f Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID CJMM_PR_02(01) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anuța Stan in her workshop Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2024-12-12 Spatial Coverage Spatial characteristics of the resource. current,47.9667699419435,23.6999999964607; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Marius Muresan Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Romania https://culturality.museum/omeka/files/original/be36fc4472c9ace38a7e357eb1b5a73b.jpg 93c6eb862131b1dae1944f7c24201beb Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID CJMM_PR_02(02) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anuța Stan in her workshop Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2024-12-12 Spatial Coverage Spatial characteristics of the resource. current,47.9667699419435,23.6999999964607; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Marius Muresan Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Romania https://culturality.museum/omeka/files/original/dfc27ba1ce6741ab021331b20439dbf9.JPG 4de70e4badb2e969362828ba433e4dcd Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. External ID CJMM_PR_02(03) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anuța Stan in her workshop Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2024-12-12 Spatial Coverage Spatial characteristics of the resource. current,47.9667699419435,23.6999999964607; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Marius Muresan Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Romania https://culturality.museum/omeka/files/original/32918e385b0652c8f8900df8a9e049c7.jpg 76d451468e580fd5a6cb563566af27b9 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anvil Type The nature or genre of the resource Still Image Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource image/jpeg License A legal document giving official permission to do something with the resource. In Copyright (InC) Date A point or period of time associated with an event in the lifecycle of the resource 2025-06-13 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Barbara Ivančič Kutin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: University of St Andrews Identifier An unambiguous reference to the resource within a given context 4 Intangible Prim Media 1766 Context Beekeeping is related, for example, to the traditional use of home remedies to treat stings. The most commonly used consist of applying or rubbing the sting area with different substances or plants: sweat from the armpits or testicles; smegma; mud or soil; dung; honey; garlic; parsley; houseleeks (Sempervivum montanum); "millo de rey" (an unknown plant); llantaine (Plantago media), and fern root. Other less widespread remedies included placing a silver coin (Taladriz, Ibias municipality) or sheep dung (Teyeo, Lena municipality). To relieve the pain of stings, infusions of a/triaca (Tanacetum vulgare) were also taken, especially in eastern Asturias. This practice also has a cultural connection with language. Abeyeiro and abeyista are Asturian terms used in some municipalities in the western part of the region to refer to people who keep bees. In Asturias, the word meleiro (honey seller) is used to describe "a person who sells honey," as well as someone with a gentle, mellifluous character who charms with their conversation. Likewise, the term miel (honey) is used to describe people with a soft and kind character, calling them "meixamiel," or applying the saying: "Faiste de miel y cómente les mosques" ("You are made of honey and eaten by flies"). Field Worker Carmen Pérez Maestro Climate Threats Loss of biodiversity,Invasive species Economic Threats Insufficient financial resources Weakened Practice Diminishing participation,Diminishing youth interest,Reduced practice Loss Threats Loss of cultural spaces,Loss of knowledge SDG Zero Hunger,Good Health and Wellbeing,Affordable and Clean Energy,Climate Action External ID LAPONTE_CP_04 Knowledge Management techniques are one of the most crucial aspects of apicultural production, as human capacity to work with bees directly affects the sustainability and productivity of the apiary. In western Asturias, a set of techniques was traditionally known that allowed for the maintenance and expansion of beehives: natural swarms were captured during May and June, and it was also possible to induce artificial swarms when necessary. In March, the old wax at the bottom of the hives—known to encourage the spread of wax moths and hinder proper brood development—was removed. Colonies were fed if required, and finally, a portion of the bees’ harvest was extracted, ensuring that enough was left behind for the colony to survive the winter. By contrast, in the central-eastern areas of Asturias, beekeeping operations were generally reduced to two basic tasks: the capture of swarms in spring—an essential practice to maintain the apiary—and the complete extraction of honey and wax. For this purpose, the heaviest hives were selected, and all the bees were killed in the process. The coexistence of these two extraction methods—one involving partial harvesting ("cutting" or "castrating" the hive), and the other involving total extraction through the destruction of the colony—clearly delineates a fundamental difference between the apicultural practices of western Asturias and those of the central and eastern zones (López, 1994). Abeyeiros (traditional Asturian beekeepers) are drawn to the behavior and biology of bees, demonstrating a profound and often intuitive understanding of the species they work with. Knowledge Transfer The learning of bee care was done, as with all teachings related to rural life, within the family. The youngest children, who did not take part in the hard tasks, would instead accompany their grandparents or parents to capture swarms in the spring and visit the beehives with them. Practitioners Although beekeeping is generally considered a male activity, in western Asturias—where bees play a significant role in the domestic economy and the apiaries are scattered throughout the countryside—it was traditionally an exclusively male occupation. Conversely, in the central and eastern regions of Asturias, it was common for women to take care of hives within their homes. Currently, the majority of practitioners remain men; however, there is also a notable presence of women, with both young men and women actively involved in the practice. Function Beekeeping represents an economic supplement or even a primary source of income for some beekeepers, particularly through the production of honey, wax, propolis, and other derivatives. This activity is closely linked to Asturian rural identity and has historical ties to traditional practices. In the context of rural depopulation and the loss of traditional occupations, sustaining beekeeping is viewed as an act of cultural resistance and the preservation of intangible heritage. Origins and change Traditional hives in Asturias are vertical and fixed-frame, meaning the combs are attached permanently to the hive body and can only be removed by breaking them. In contrast, modern movable-frame hives feature combs placed in removable frames that can be extracted without damage and then returned after honey extraction. The advantage of the latter system lies not only in harvesting honey without harming the bees but also in the ability to easily inspect and manipulate the colony. Until a few decades ago, more rudimentary methods were used to calm the bees during hive management: a tile with burning dung; a mechón or fumeiro—a bundle of old rags rolled up, which was the most common method; an escacio (an epiphytic lichen) harvested from trees; and oak bark. Nowadays, bellows smokers are employed. Organisations The Federation of Beekeepers’ Associations of Asturias (FAPI) represents beekeepers before official bodies, private entities, and other institutions, advocating for the collective interests of the apicultural community. Additionally, ADAPAS (Association for the Defense of Bees of the Principality of Asturias) works to protect and promote the welfare of bees in the region. Places Two specific constructions from this activity, of great ethnographic value, are the talameiros or talameras and, above all, the cortinos, beehives built in the mountains that appear in the western part of Asturias. Both types of beehives were and still are scattered across the sunny slopes of the low mountains and served to protect the hives from fire and bears. At the Beekeeping Museum of Caso, the life cycle of bees and their importance for the natural balance of the planet are displayed, helping to understand the foundations of the beekeeper’s work and the applications of the products obtained. Through its exhibition, one can observe the evolution of hives, the work involved in their preparation, the care they required, and the extraction of honey. Alongside this, there is an interesting collection of tools, utensils, and clothing necessary for beekeepers to carry out their work. The Beekeeping House in Los Mazos, Boal, is a center for dissemination and interpretation related to the art of bee breeding: traditional beekeeping, modern beekeeping, products extracted from the hive, life within the colony... At the Asturias People’s Museum in Gijón, there is also a collection of objects related to traditional beekeeping: hives of different types, honeycomb cutters, smokers, containers for storing honey, and wax presses. Artefacts Truebano, queisieyu o coxedor (se emplea para coger los enjambres que huyen lejos del colmenar o que se posan en la rama de un árbol), ahumadores de fuelle o soplón, cortadeiras, esmielgadoras o jegras empleadas por los abeyeiros están formadas por un mango y una hoja de doble filo y curva. Recipientes para almacenar la miel, trobos da mel o truébanos del miel, si son de madera y olla, el puchero, la tarreña, la xarrina y el pucherín si son de cerámica. Climate Threats Description Reduction of floral diversity. Invasive species—the Asian hornet (Vespa velutina), a predator of bees and a cause of stress in the hives, which reduces food collection. Deterioration of traditional structures for protecting the hives and access to them. Economic Threats Description No hay suficiestes ayudas por parte de las administraciones públicas para el mantenimiento de la apicultura. Safeguarding activities Activities organized by the two associations (see the organizations section). State of the practice declining Social sustainability Its main role is the maintenance of ecosystems and biodiversity precisely through entomophilous pollination carried out by the beekeeping population. Its environmental contribution can be measured both by an improvement in the final agricultural production, in quantity and quality, and by its contribution to the maintenance of biodiversity. No other livestock sector uses natural resources as sustainably while simultaneously providing environmental benefits and supporting rural areas, thus contributing to their maintenance and development. Therefore, it is an example of a Sustainable and Environmentally Beneficial Production Model, understood as one in which economic interests (production of honey and hive products that provide profitability to beekeeping operations), social aspects (settling populations in rural areas where there are hardly any other economic activities), and the environment (not only respectful of the environment but also providing a service to society through the pollination of our fields) converge. Environmental sustainability Contributing to the maintenance of the vegetation layer in our environment, to the production of pastures, apples, blueberries, chestnuts, cherries, etc Economic sustainability Beekeeping represents an economic supplement or even a primary source of income for some beekeepers, especially through the production of honey, wax, propolis, and other derivatives. Place The town or city Toda la provincia de Asturias Place Description Beekeeping in Asturias has a long-standing tradition, with a production structure linked to small-scale operations where self-consumption was a primary purpose of the harvests. This cultural practice is associated not only with traditional and ancestral knowledge and techniques, but also with a rich material heritage, as well as the important role of the "abeyeru" or "abeyeiro", the specialist in this type of livestock. Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Apicultura_artesanal_ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Apicultura artesanal Type The nature or genre of the resource Intangible Description An account of the resource Beekeeping has historically been an integral part of rural life in Asturias. According to the census conducted by the Marquis of Ensenada in the mid-18th century, a total of 65,813 beehives were documented in the region. The cultural and economic relevance of apiculture is reflected in practices such as the inclusion of hives and apiaries in dowries provided by parents to their daughters upon marriage, as well as in testamentary bequests—such as that of Licentiate Juan Sierra de Castañedo (from the municipality of Allande), who in 1659 stated: “a good hive shall be given to the priest attending my death, and if there are two, each shall take one.” The imposition of wax-based tributes by monastic institutions on Asturian peasants further contributed to the entrenchment, expansion, and institutionalization of beekeeping in the region. By 2007, official records indicated the presence of approximately 25,000 beehives within the Principality of Asturias. Of these, 13,232 were registered under the Federation of Beekeepers’ Associations of the Principality of Asturias (FAPI), and were managed by a total of 776 apiarists. Asturias exhibits an average of approximately 15 hives per beekeeper, with a significant number of practitioners operating at small scale. This pattern reveals a high degree of dispersion of beekeeping activity across the Asturian territory. While the overall volume of honey production may be modest, the ecological benefits in terms of pollination, as well as the high quality of bee-derived products—such as honey, pollen, and propolis—underscore the continued importance of apiculture in the region. Creator An entity primarily responsible for making the resource 1204 Extent The size or duration of the resource. x x Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 721 Source A related resource from which the described resource is derived asturiasmap References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Avila, J. (2022). Los otros apicultores de Taramundi (Asturias). Vida apícola: revista de apicultura, (232), 58-61. Copena, D.(2023). Abejas melíferas y comunidades rurales: una caracterización de los principales elementos patrimoniales en Galicia y Asturias. Cuadiernu: Revista internacional de patrimonio, museología social, memoria y territorio, (11), 121-146. Díaz, E. y J. Naves (2010). Los colmenares tradicionales del noroeste de España. AÇAFA On Line 3: 1-37. López, X. (1994). Las abejas, la miel y la cera en la sociedad tradicional asturiana. Real Instituto de Estudios Asturianos. López, J (2022). Arqueología de la apicultura en la Asturias preindustrial. New Approaches to the Archaeology of Beekeeping, 216. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 13/10/2025 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Apicultura artesanal Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/ca5c348d2eb3d100e4a0ad2b62ebba12.png 550d6462a3704403921e4f32a9df62d1 Museum Represents a museum Author iain Social Media The social media links. twitter,https://twitter.com/AppliedArtsScot;facebook,https://www.facebook.com/AppliedArtsScot/;instagram,https://www.instagram.com/appliedartsscotland/; Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Applied_Arts_Scotland Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Applied Arts Scotland Type The nature or genre of the resource Museum Description An account of the resource Applied Arts Scotland is a membership organisation run ‘by makers for makers‘ in Scotland. We nurture the creative heart and soul of making practice, celebrate expertise, and facilitate practical opportunities for creative and professional development. Language A language of the resource English Identifier An unambiguous reference to the resource within a given context 12 Source A related resource from which the described resource is derived partnersculturality Spatial Coverage Spatial characteristics of the resource. current,57.1437234,-2.1063941; Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 04/02/2024 02:04:20 pm Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Scotland Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Applied Arts Scotland Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://www.appliedartsscotland.org.uk Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: University of St Andrews Identifier An unambiguous reference to the resource within a given context 4 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 1906 Natural Cultural Cultural Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ard Beag Ceramic Large Bowl Type The nature or genre of the resource Physical Object Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 752 Source A related resource from which the described resource is derived craftedobjects,timespanrural Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 04/11/2025 Date Modified Date on which the resource was changed. 17/05/2026 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT https://culturality.museum/omeka/files/original/ee038f2bb337cd975808834417434703.mtl 1f47f05abc61b6b3079bb9cc000d8457 https://culturality.museum/omeka/files/original/6d07eeb618b170c987510c236534d28d.obj 8aa87fa85e704a108d7acec66e21093e https://culturality.museum/omeka/files/original/bfb7db77e66e2db5f9353eb209af2010.jpg cbfab5d7bf8c36a784c3aeb8fd79c6d4 https://culturality.museum/omeka/files/original/dbdb7a547319d4cf6badf3afdd9d5dde.glb 24ab372ab889a18961c71958d322d959 https://culturality.museum/omeka/files/original/3f1dfef572ee376cd44277409c576e21.glb 24ab372ab889a18961c71958d322d959 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: Louise Nadin Identifier An unambiguous reference to the resource within a given context 2308 3D Object Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ard Beag Cermaics Large Bowl Type The nature or genre of the resource 3D Object Contributor An entity responsible for making contributions to the resource iain Format The file format, physical medium, or dimensions of the resource text/plain Alias/WaveFront Object License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. 3D Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://sketchfab.com/models/918652ca7d544068b234970369b06256/embed Artisan An artisan Author iain Wiki A link to a wiki entry about this item. https://culturality.museum/wiki/index.php/Artesanías_Forcinas Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artesanías Forcinas Type The nature or genre of the resource Artisan Contributor An entity responsible for making contributions to the resource iain Identifier An unambiguous reference to the resource within a given context 385 Description An account of the resource The artisan who created the Basket bag item. Source A related resource from which the described resource is derived artisans,asturiasmap Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. Spain Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Artesanías Forcinas