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                <text>Maria Bruno Néo</text>
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                <text>Saša Poljak Istenič</text>
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                <text>Saša Poljak Istenič</text>
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                  <text>Museum: University of St Andrews</text>
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              <text>Oral tradition within the Hebrides is one of the key areas explored within the residencies Jon is involved in. The differences between people having to speak in person to people to understand aspects of their culture differs greatly to online , digital, desk-based research. Other areas, specifically maritime heritage is explored within the Muir is Tuir residency - this again connects to oral story telling, but also craftmanship, music and ther social practices. The crofting community is also key to the residnecy experience - specifically in experiencing and understanding the surrounding landscape and how and why it has evolved as it has. </text>
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              <text>The coordination of Artist Residencies requires a deep and connected understanding of the landscape and cultural heritage within which the residency is to be held. For example, Jon has lived in the Isle of Lewis fro over twenty years. Throughout this time he has developed an indepth understanding of the local customs, language, landscape and seasons. He is also part of a community of artists and creative practitioners and understands the enrichment that an artist from outside that communtiy can bring to the Island(s) and vice-versa. Although planning and connectvity is key to facilitation, so to is the acceptence of serendipidity. For example, 'on paper' it may look as if a group of particular artists may work well together with a certain element of a residency, but in reality there may be unforseen conflicts. Likewise, a fine artist and a hebridean fisherman may, 'on paper' have very little to connect them, but in - person may bond, become life long friends and inspire each other to create different work. </text>
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              <text>Developing experience in coordinating residencies is an acculmulative processs. Very often artsits experience them as part of their own practice and then become involved in coordinating as part of larger projects. It is common pratcice in Soctland for many Art Centres to be involved in artist residencies. From a Craft practitoner perspective, Applied Arts Scotland has run a number or residencies in partnership with The British Council. Applied Arts Scotland also faciliates the skill transmission of the project management  skills required to coordinate these, with new board members often shadowing more expereinced board members to understand the work involved (ASS CF 2025). </text>
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              <text>Developing experience in coordinating residencies is an acculmulative processs. Very often artsits experience them as part of their own practice and then become involved in coordinating as part of larger projects. It is common pratcice in Scotland for many Art Centres to be involved in artist residencies and to have desginated people employed to operate within that role (for example Jon's role in An Lanntair). </text>
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              <text>Artist Residencies are coordinated excursions in which artists of various disciplines from music, craft or visual practices are hosted at different venues to take time to reflect, discuss, inspire and be inspired to create new work. They are a method of networking and social enrichment for both the artists that travel into and through communities and for the people within those communities that host the artists and share their way of life, heritage, language and customs. </text>
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              <text>Communication about opportunities is one of the key areas that has altered over time with residencies. Jon reflected in the interview on how, when he was at art school in the 1990s there was 'The Artist's News Letter' a very English led coordination / prommotion of opportnities. Now, different organisations promote different things and the style of the residencise have altered, they also differ within different countries, with some, for example in the Nordic countires being supportive of the Artist's families forming part of the residencies. The industry/cultural practice of residenices is a growth industry. </text>
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              <text>Creative Scotland; Craft Scotland; Applied Arts Scotland; The Victoria and Albert Museum; Sail Britain and The Churchill Fellowship programme –  UK charity which supports individual UK citizens to follow their passion for change, through learning from the world and bringing that knowledge back to the UK (Churchill 2025).  </text>
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              <text>An Lanntair - the local Arts Centre in Stornoway and Grianneabhat, a community centre in the ruaral area of Bragar, on the west coast of Lewis. </text>
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              <text>The final work generated by artists (if any) would be seen as artefacts, however, for this data input Jon provided: 'A Box of Tangible Prompts.' These are passed round on the boat to promt discussion. Marram Grass Root,Wool etc. See AAS_AR_14.</text>
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              <text>All of these threats may/or may not be explored through artsists residencies. </text>
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              <text>All of these threats may/or may not be explored through artsists residencies. </text>
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              <text>All of these threats may/or may not be explored through artsists residencies. </text>
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              <text>All of these threats may/or may not be explored through artsists residencies. </text>
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              <text>All of these threats may/or may not be explored through artsists residencies. </text>
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              <text>All of these threats may/or may not be explored through artsists residencies. </text>
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              <text>All of these threats may/or may not be explored through artsists residencies. </text>
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              <text>All of these threats may/or may not be explored through artsists residencies. </text>
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              <text>All of these threats may/or may not be explored through artsists residencies. </text>
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              <text>All of these threats may/or may not be explored through artsists residencies. </text>
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              <text>thriving</text>
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              <text>Artist residencies introduce a different dialogue to the communities in which they are held, both geographically and within commuties of practice. Within the ecology of residencies, you cannot  underestmate the social connection and significanace of them, nor the long term, positive impacts for social and mental well-being. </text>
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              <text>Inspiring positive change for the ocean through sailing, ecology and the creative arts – Sail Britains strap line. Grainnabhat - Polycrubs. Local materials sourced from these for art workshops. Woad in the garden etc. Not importing art materials but being resourceful and susatinable. </text>
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              <text>The two organisations Jon works with are complimentary. One is rural, one is in the town. Accomodation is availbale at the rural venue (Grianneabhat). The interdependency of these organisations supports the economic sustainablity of both. </text>
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              <text>Stornoway or in Gaelic – Steòrnabhagh is the main town in the Isle of Lewis. With a popoultaion of just under 7,000 it is the main haulage and adminstartive hub for the Western Isles. A harbour town, the fishing industry has played a significant part in the history of Stornoway, particulary the herring boom of the late 19th and earlt 20th Century. Stornoway’s 'Herring Girls' earned a strong reputation for their skill, and the industry’s wealth helped shape the town into what it is today. At its height, Stornoway was one of the most important herring ports in Britain—if not Europe—with up to 1,000 boats crowding the harbour in summer (OHT 2025).  Today, there are more leisure sailing boats in the harbour than there are fishing trawlers and last year, Stornoway Port Authority completed a new 'deep water port.' This has faciliated the growth of the cruise liner tourism industry leading to a visible change in the trading opportuiies within the town centre for local restaurants, cafes and gift shops. </text>
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                <text>Artist Residencies are coordinated excursions in which artists of various disciplines from music, craft or visual practices are hosted at different venues to take time to reflect, discuss, inspire and be inspired to create new work. They are a method of networkng and social enrichment for both the artists that travel into and through communities and for the people within those communities that host the artists and share their way of life. Jon Macleod facilitates residency programmes for the local arts centre in Stornoway – An Lanntair (The Lighthouse). This involves securing funding for the  programmes  and then the selection of particpants and mangement of the residency experiences. This cultural practice has evolved over the decades and Muir is Tir – The Land and the Sea , is one such residency. </text>
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                <text>AAS CF . (2025, July 29). Retrieved from Applied Arts Scotland : https://www.appliedartsscotland.org.uk/projects/crafting-futures/&#13;
Churchill. (2025 , 07 29). Retrieved from The Churchill Fellowship : https://www.churchillfellowship.org&#13;
CS. (2025, JUly 29). Creative Scotland . Retrieved from Creative Scotland : https://www.creativescotland.com/about&#13;
OHT. (2025, July 2025). The Herring Girls of the Hebrides: The Backbone of a Bygone Industry. Retrieved from Vist Outer Hebrides : https://www.visitouterhebrides.co.uk/hebrideanway/blogs/read/2025/03/the-herring-girls-of-the-hebrides-the-backbone-of-a-bygone-industry-b35&#13;
SB. (2025, JUly 29). Muir is Tuir . Retrieved from Sail Britain : https://www.sailbritain.org/muir-is-tir/&#13;
Stornoway Port Authority . (2025, July 29). Retrieved from Stornoway Port : https://www.stornowayportauthority.com&#13;
V&amp;A. (2025, July 29). Residencies . Retrieved from The Victoria and Albert Mueseum : https://www.vam.ac.uk/info/residencies?srsltid=AfmBOortTV19ecef7XKmCyWhvQOprWYqAyz2bO9SbJzD7YT1ZjN86Re4</text>
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              <text>facebook,https://www.facebook.com/Arvika-Konsthantverk-479185885489498;instagram,https://www.instagram.com/arvikakonsthantverk;</text>
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                <text>Arvika Konsthantverk is an association for artisans in Arvika that runs Sweden's oldest specialty shop for local arts and crafts.</text>
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                <text>Arvika Konsthantverk</text>
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              <text>With the Asturianada, Tonada, or Asturian Song, which is a traditional song of popular type, the bagpipe serves as accompaniment. The performance begins with a floréu, or melodic introduction, played by the musician. The bagpipe also accompanies traditional Asturian dances and forms a fundamental part of the Bagpipe Mass.                                       </text>
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              <text>The bagpipe craftsman (Facedor de gaites) must be familiar with the types of wood available in the forest in order to choose the most suitable for making the instrument. They should know how to work and turn the wood, as well as the process of tanning hides (although today most bellows are made from synthetic materials or fabrics, as are the decorative coverings of the bagpipe). They must also have knowledge of music, which allows the maker to understand scales, tones, and how to tune each pipe of the instrument so that it sounds harmonious. "To successfully practise the craft of bagpipe making, appropriate machinery and tools are required, along with manual skills, knowledge of materials, a good eye for proportions, and the trained ear of an experienced musician" (Web Taller de Gaitas Alberto Fernández).</text>
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              <text>In Asturias today, the transmission of the craft of bagpipe making, that is, the artisanal construction of the Asturian bagpipe, occurs through a combination of channels: family-run workshops and the training of new luthiers, who learn either independently or under guidance. The organisation Conceyu de la Gaita plays a significant role in promoting the craft; its website serves as a reference point and provides visibility for those wishing to get started. There are also courses, workshops, and educational activities; for example, some artisans run practical sessions on basic maintenance, the adjustment and construction of bagpipe components, including woodturning, timber selection, reed adjustment, and tuning.                     </text>
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              <text>The craft of making bagpipes in Asturias is traditional and remains predominantly male, although the “vistíu” (decorative covering of the airbag) and the “pezolera” (textile ornamentation on the drone) are created by women. Public information about the women who specifically make the decorations and bellows of Asturian bagpipes is not readily available. However, the Conceyu de la Gaita website provides a list of bagpipe makers: Alberto Fernández, Vicente Prado “El Pravianu”, Chus Solís, Gaitas Linde, Simón San José, Oliver Gaitas, David López, and Obradoiro de Gaitas Seivane.</text>
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              <text>The making of bagpipes in Asturias is important for several cultural, economic, and social reasons. Asturian bagpipes are a traditional symbol of the region, present in festivals, popular celebrations, and both folk and contemporary music. Having bagpipes made in Asturias strengthens the connection between music, tradition, and local identity. Bagpipes crafted in Asturias adhere to traditional standards of sound and construction. This ensures that musicians can accurately perform Asturian folk music. This activity not only preserves traditional techniques but also inspires innovation within the craft, combining artisanal skills with creativity in design and ornamentation.</text>
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          <name>Origins and change</name>
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              <text>Thanks to the Bagpipe Museum located in the city of Gijón, musicians, craftsmen, and researchers can access documentation, historical instruments, and gain detailed insight into how the construction of bagpipes has evolved. There is extensive documentation on bagpipers, that is, those who play the bagpipe, but far less on the makers and the manufacturing process of the instrument. According to documentation from the 1920s (Fernández, 2008a), Asturian craftsmen worked with woods such as boxwood, which grows very slowly and was scarce, using rudimentary tools that limited their rate of production. The lathe consisted of a system of rope, pedal, and flexible pole that allowed the piece of wood to rotate, making the application of tools more difficult. These tools were homemade and included gouges, chisels, and augers, while the interior of the chanter was hollowed out using reamers made by the craftsmen themselves. Finishing was done with coarse cloth, beeswax, or occasionally shellac. The most highly valued skins were kid skins, and the making of the bagpipe covers was usually carried out by the craftsmen’s wives, who even handcrafted the fringes knot by knot. Innovation and changes in contemporary manufacturing have come with the use of new types of wood, the inclusion of methacrylate components and other plastics and fully mechanised turning tools, although some finishing work is still carried out by hand. Decorative elements have also changed, such as the tassels (farrapos) and the bag cover, which are used to personalise the instruments. Asturian craftsmen, drawing on their experience with historical bagpipes, developed a model suited to the needs of younger players, featuring tempered tuning and chromatic fingering. In 1991, a second method was published, still in use today, which introduced an alternative position for the seventh degree of the scale and an empirically developed chromatic chart. Influenced by interceltic festivals, emphasis was placed on the B♭ d</text>
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              <text>Asociación Cultural Conceyu de la Gaita: It is a non-profit cultural association founded in Asturias, with the mission of revitalising and keeping the world of the Asturian bagpipe alive from a transversal perspective. It serves as a meeting point for professionals, enthusiasts, researchers, and instrument makers, all united by the same passion: the Asturian bagpipe and its cultural heritage.         </text>
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              <text>here are no collective spaces for the manufacture of bagpipes, nor are there any buildings specifically devoted to their production that have been granted cultural heritage status</text>
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              <text>Woodworking Tools: Mechanical or electric lathe,Electric drill, Milling machine, Band saw / circular saw,Electric sander,Gouges, Chisels, Augers, Reamers, Calipers and micrometers.Tuning and Acoustic Tools. A reamer (escariador) is a tool used to widen, shape, or smooth the interior of a hole or tube. In the context of bagpipe making, the reamer is primarily used to hollow out and give the correct taper to the interior of the chanter or pipe, ensuring that the bore is uniform and that the airflow is correct for proper tuning and sound quality.</text>
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          <name>Economic sustainability</name>
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              <text>Not applicable</text>
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        <element elementId="155">
          <name>Place</name>
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              <text>The whole of Asturias</text>
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              <text>The history of bagpipe making in Asturias is linked to its origins as a popular instrument in the Middle Ages, with the earliest depictions dating back to the 13th century. The artisanal tradition, based on ancestral techniques, has remained alive over the centuries, although with the introduction of mechanical improvements and the emergence of modern innovations such as the electronic bagpipe.The Gaita Asturiana is not only a musical instrument; it is a complete cultural practice, as it has the following characteristics: it is closely linked to the identity of the Asturian people; it is used at festivals, pilgrimages, weddings and traditional events; it involves traditional knowledge, such as playing it, making it and teaching its use; and it is passed down through oral teaching and traditional music schools. </text>
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                <text>Asturian Bagpipe Manufacturing</text>
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                <text>The Asturian bagpipe belongs to the group of aerophones with a flexible air reservoir and, in its most common form, consists of a mouth-blown blowpipe, a bass drone with a single reed, and a conical chanter with a double reed. The earliest surviving examples in Asturias date from the mid-19th century, although iconographic sources and written records suggest that the instrument may have been introduced as early as the Middle Ages (Fernández, 2008). </text>
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              <text>Direct sale to customers.</text>
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              <text>The wool comes from local farms in Asturias and has been carefully selected by Marina, preserving the natural colors of the Xalda sheep breed (black, grey, and white). The raw material is sent to a specialized spinning mill, where it undergoes washing, carding, and spinning processes.  Marina crafts these headscarves by hand, knitting with needles. At times, to speed up production, she collaborates with another artisan who uses a knitting machine (tricotosa), while maintaining the handcrafted nature of each piece.</text>
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              <text>The wool comes from Xalda sheep raised on farms in Asturias. </text>
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              <text>Knitted fabrics began to gain popularity in Spain during the 20th century. Before that, women knitted wool socks, stockings, and other garments at home using four needles. With the invention of knitting machines and the rise of hand knitting, domestic production expanded to include a wide range of garments such as jackets and sweaters, as well as accessories like gloves, hats, and scarves.  The baby bonnet is not part of traditional Asturian attire, but it has been adopted in modern times thanks to the growing popularity of knitted fabrics. This particular model, made from native sheep’s wool, aims to be a contemporary garment that also evokes the past. Its purpose is to reconnect clothing traditions with cultural identity and the surrounding landscape.</text>
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                <text>This baby bonnet is made from pure virgin wool sourced from Xalda sheep, a native breed of Asturias. The design is very simple: a cap that fully covers the head, with two woolen ties to fasten it at the front.  It is a practical and versatile garment, designed to keep little ones warm during the winter. It originated from Marina’s personal need for a warm accessory, and is now part of her handcrafted collection, available for purchase.</text>
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                <text>The baby bonnets are produced continuously, depending on the availability of raw materials and demand. The piece in question was made in 2025 and is currently stored in stock, ready for sale.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Joicey, C. (2025). History of Fashion for children. Thames &amp; Hudson.</text>
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              <text>Used for roasting kid in the oven. A typical dish of the region, made in black earthenware.</text>
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              <text>The artefact is made from moulds that the craftsman created so that they all have the same thickness and size. The finish is done in such a way as to ensure that the tray can be used in the oven with food.</text>
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              <text>The potter collects black clay from a local plot of land designated for the extraction of the material.</text>
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              <text>The use of this baking tray and the preparation of roast kid are linked to the cultural and gastronomic identity of the Serra do Caramulo, and are considered part of Portugal's Intangible Cultural Heritage.</text>
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              <text>The artisan produces baking trays, which are one of the best-selling items, for individual customers and local restaurants.</text>
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              <text>The baking trays in particular are manufactured on a board, in various sizes, depending on the dimensions of the piece. The artefact is made from moulds. The finish is done in such a way as to ensure that the tray can be used in the oven with food. Once moulded, the baking tray is left to dry. The firing process hardens the clay, transforming it into a durable ceramic piece ready for use. </text>
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          </element>
          <element elementId="64">
            <name>License</name>
            <description>A legal document giving official permission to do something with the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="21590">
                <text>Creative Commons Attribution-ShareAlike License</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
      <elementSet elementSetId="4">
        <name>Europeana</name>
        <description>Specific elements of the Europeana Semantic Elements.</description>
        <elementContainer>
          <element elementId="100">
            <name>Europeana Type</name>
            <description>The Europeana material type of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="21588">
                <text>VIDEO</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="99">
            <name>Europeana Rights</name>
            <description>Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal.</description>
            <elementTextContainer>
              <elementText elementTextId="21591">
                <text>Sofia Gonzalez Sandoval</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="97">
            <name>Object</name>
            <description>The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy.</description>
            <elementTextContainer>
              <elementText elementTextId="21592">
                <text>https://culturality.museum/galleries/upload/LAPONTE_PR_10_12_.mp4</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="1177" public="1" featured="1">
    <itemType itemTypeId="15">
      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="130">
          <name>Prim Media</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="15741">
              <text>1176</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="132">
          <name>Material</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="15743">
              <text>Metal and plastic </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="189">
          <name>Natural Cultural</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="15745">
              <text>Cultural</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="223">
          <name>Function</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="15746">
              <text>To drill holes through different types of materials.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="224">
          <name>Creation Purpose</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="15747">
              <text>Designed and produced for construction work</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="225">
          <name>Technique</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="15748">
              <text>Mass produced factory production </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="226">
          <name>Material Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="15749">
              <text>Unknown </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="227">
          <name>Conecept</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="15750">
              <text>No. But the ease of use facilitates faster production and reduces labour input  </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="228">
          <name>Production Quality</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="15751">
              <text>Mass production </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="187">
          <name>External ID</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="15752">
              <text>AAS_AR_09</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="236">
          <name>Field Worker</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="15753">
              <text>Netty Sopata</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="274">
          <name>Craft</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="15754">
              <text>metalwork,other (specify)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="275">
          <name>Tool</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="15755">
              <text>Factory production - unknown </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="155">
          <name>Place</name>
          <description>The town or city</description>
          <elementTextContainer>
            <elementText elementTextId="15756">
              <text>3 Loggie, ullapool </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Wiki</name>
          <description>A link to a wiki entry about this item.</description>
          <elementTextContainer>
            <elementText elementTextId="15758">
              <text>https://culturality.museum/wiki/index.php/Battery_operated_hand_drill_</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15732">
                <text>Battery operated hand drill </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15733">
                <text>Physical Object</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15734">
                <text>Battery operated hand drill. Removable and rechargable battery. Used to drill holes / screws. Modern replacment for a hand turned drill. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15736">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="15737">
                <text>35cm x 28cm x 15cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15738">
                <text>iain</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="15739">
                <text>569</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="15740">
                <text>tools,scotlandobjects,highlandandislands</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="75">
            <name>References</name>
            <description>A related resource that is referenced, cited, or otherwise pointed to by the described resource.</description>
            <elementTextContainer>
              <elementText elementTextId="15742">
                <text>https://uk.milwaukeetool.eu/en-gb/power-tools/drilling-and-chipping/</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="59">
            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="15744">
                <text>19/08/2025</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="81">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="15757">
                <text>current,57.86446158 ,-5.121920998;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
      <elementSet elementSetId="4">
        <name>Europeana</name>
        <description>Specific elements of the Europeana Semantic Elements.</description>
        <elementContainer>
          <element elementId="100">
            <name>Europeana Type</name>
            <description>The Europeana material type of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="15735">
                <text>TEXT</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="741" public="1" featured="0">
    <itemType itemTypeId="15">
      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="132">
          <name>Material</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9828">
              <text>glass beads, metal fastenings</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="189">
          <name>Natural Cultural</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9830">
              <text>Cultural</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="223">
          <name>Function</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9831">
              <text>They are decorative, colorful motifs are specific for young girls, while monochromic is specific for mature women or widows. For man the beads must be colorful so that the hat is rich in decorations.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="224">
          <name>Creation Purpose</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9832">
              <text>In this case the artist sells these products </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="225">
          <name>Technique</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9833">
              <text>A fine beading needle (acul pentru mărgele) or a  a weaving loom (război mic pentru țesut mărgele, optional) is used to arrange the beads, then the clasps or ribbon for fastening (închizători sau panglică) are attached.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="226">
          <name>Material Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9834">
              <text>from specialized shops, not locally sourced</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="227">
          <name>Conecept</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9835">
              <text>It is a decorative item, used in moemnts of celebrations: festive days, hollidays, weddings,etc</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="228">
          <name>Production Quality</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9836">
              <text>The artist can allocate from a few minutes to a whole day, depending on the complexity of the model.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="187">
          <name>External ID</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9837">
              <text>CJMM_AR_05</text>
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          </elementTextContainer>
        </element>
        <element elementId="236">
          <name>Field Worker</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9838">
              <text>Noemi Ganea</text>
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          </elementTextContainer>
        </element>
        <element elementId="274">
          <name>Craft</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9840">
              <text>other (specify)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="275">
          <name>Tool</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9841">
              <text>Small, multicolored glass beads (mărgele policrome)&#13;
Strong thread or nylon fishing line (ață rezistentă)&#13;
A fine beading needle (acul pentru mărgele)&#13;
A weaving loom (război mic pentru țesut mărgele, optional)&#13;
Clasps or ribbon for fastening (închizători sau panglică)</text>
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          </elementTextContainer>
        </element>
        <element elementId="155">
          <name>Place</name>
          <description>The town or city</description>
          <elementTextContainer>
            <elementText elementTextId="9842">
              <text>Sighetu Marmației, Maramureș, Romania</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9818">
                <text>Beaded collar</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9819">
                <text>Physical Object</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9820">
                <text>By definition, the zgărdan is a narrow band adorned with multicolored beads, either woven or braided, worn by girls around the neck or by men on their hats.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>2024</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9823">
                <text>Romanian</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="9824">
                <text>58cm x 2cm x cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9825">
                <text>iain</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="9826">
                <text>417</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="9827">
                <text>craftedobjects</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="59">
            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="9829">
                <text>02/07/2025</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="52">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
            <elementTextContainer>
              <elementText elementTextId="9839">
                <text>Zgărdan</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="81">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="9843">
                <text>current,47.9289141324658,23.8924232813404;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9859">
                <text>742</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="61">
            <name>Date Modified</name>
            <description>Date on which the resource was changed.</description>
            <elementTextContainer>
              <elementText elementTextId="9860">
                <text>02/07/2025</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
      <elementSet elementSetId="4">
        <name>Europeana</name>
        <description>Specific elements of the Europeana Semantic Elements.</description>
        <elementContainer>
          <element elementId="100">
            <name>Europeana Type</name>
            <description>The Europeana material type of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="9822">
                <text>TEXT</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="2057" public="1" featured="1">
    <itemType itemTypeId="65">
      <name>Artisan</name>
      <description>An artisan</description>
      <elementContainer>
        <element elementId="178">
          <name>Contact</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="26466">
              <text>queserialacasavieya@gmail.com</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="175">
          <name>Author</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="26468">
              <text>iain</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="152">
          <name>Email</name>
          <description>The email address of the museum.</description>
          <elementTextContainer>
            <elementText elementTextId="26471">
              <text>queserialacasavieya@gmail.com</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="153">
          <name>Phone</name>
          <description>The phone number</description>
          <elementTextContainer>
            <elementText elementTextId="26472">
              <text>Spanish phone code: 34 / 608 58 69 92</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="35">
          <name>Biographical Text</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="26475">
              <text>Beatriz Rodríguez and Francisco Wagner are shepherds, cattle farmers, and producers of Gamonéu del Valle cheese in Parda, Cangas de Onís. The Gamonéu cheese is a traditional blue cheese from Asturias and parts of the Picos de Europa, Its creation dates back to ancient times and forms an important part of Asturian cultural heritage, both tangible and intangible. Beatriz and Francisco are recognized as the first producers of organic/ecological Gamonéu del Valle cheese. Their product has Protected Designation of Origin status and has been certified by COPAE since 2021. The aim of Beatriz and Francisco's cheese small factory, called “Queseria de la Casa Vieya,” is to produce 100% artisanal (using ancestral techniques) and organic cheese using three types of milk: goat's milk, sheep's milk, and cow's milk. To achieve this goal, they maintain a traditional system of small-scale grazing and livestock farming with a few Casina cows, 32 sheep, and 60 “Bermeya” goats. </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="187">
          <name>External ID</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="26476">
              <text>LAPONTE_PR_06</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="229">
          <name>Knowledge Acquisition</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="26477">
              <text>Beatriz and Francisco learned mainly through self-teaching and constant work and experimentation, which gave them a lot of experience over the years. Neither of them has family members who have been involved in cheese making, so they did not inherit the artesanal job from anyone. However, there was an important formative part that Francisco mentions: "We were lucky enough to attend the shepherding course in the Picos de Europa, which unfortunately no longer exists. We went to the last course and learned all the theoretical part, which is very important to acquire. The methodology of the course was that you went up into the mountains and lived with the shepherds to learn as much as possible. There were two important trainers named Cándido Asprón (a renowned and award-winning cheesemaker from Asturias) and Jesús." However, Francisco mentions that even though you receive a lot of theoretical training, the most important part comes in practice, and in that process they spoiled a lot of cheese, made mistakes, and had some problems.  After spending some time with their first cheese productions, they received a visit and mentoring from the famous cheesemaker Cándido Asprón, who reviewed the ways in which they were preparing the cheese and gave them advice on things they needed to fix or change to improve their production. Since then, Beatriz and Francisco have improved and refined their cheese-making techniques until they obtained recognition and certificates for their Designation of Origin product. </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="230">
          <name>Knowledge Transfer</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="26478">
              <text>No</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="236">
          <name>Field Worker</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="26479">
              <text>Carmen Pérez Maestro</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="249">
          <name>Area Reason</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="26480">
              <text>They have been living in Cangas de Onís for more than 10 years. Although they are not from Parda in Cangas de Onís, both are Asturians and have always had a strong connection with the rural area. They decided to start raising livestock and making cheese because they used to own a bar and a gas station. They mention that they were not happy running those businesses due to the issue of “self-exploitation” and that for them, happiness means living in the countryside and dedicating themselves to something meaningful. </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="34">
          <name>Occupation</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="26481">
              <text>other (specify),other (specify)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="250">
          <name>Involvment</name>
          <description/>
          <elementTextContainer>
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              <text>full-time paid job</text>
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              <text>In addition to the knowledge required to make cheese, it is very important to have knowledge about grazing: the correct ways to take animals to pasture, protect them from predators, keep them safe, and knowledge about the health and nutritional needs of goats, sheep, and cows. Another important area of knowledge is that of the territory: knowing which communal pastures are accessible, climate change (droughts and high temperatures) that affect the availability of food for animals and affect cheese production, since cheese is very vulnerable to high temperatures and excessive humidity. Beatriz and Francisco work with living elements, from the rural territory to their animals and the bacteria found in their cheeses. It is important to know how to manage and identify the needs of these living beings. </text>
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              <text>To produce Gamoneu cheese, cows, goats, and sheep are needed in order to mix three types of milk, and a vital or important material is communal pastures, which are public pastures where their animals can obtain all the food they need. Another important aspect is to have access to the high caves to storage the cheese. </text>
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              <text>Cheeses are made using three types of milk: cow’s, sheep’s and goat’s milk. To achieve the best quality, Beatriz and Francisco make sure that most of the milk used in their cheeses comes from sheep and goats, as these provide a great deal of flavour and complexity, which makes the product stand out from the rest. Nowadays, Gamoneu cheese is produced mainly with cow’s milk, which does not have the same flavour or the same quality. The animals live freely and are milked by hand. The milk is then processed, curdled and drained to obtain the cheese. This is followed by the cheese “curing” process: the cheeses are smoked for 12 to 15 days at Beatriz and Francisco’s home and then taken up to the mountains, where they are stored in a cave at an altitude of 1,300 metres to continue the maturation process. The minimum maturation time is one and a half months, although some cheeses are matured for much longer</text>
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              <text>Main tools: milk cooling tank (to keep the milk at exactly 5 degrees Celsius), a basin for mixing the milk, some simple tools such as a ladle for stirring the milk, natural rennet, a blanket for draining the cheese, a knife for cutting the cheese, and a thermometer for monitoring the temperature. Tools needed after the cheese has been prepared: a very small stove for smoking the cheese and wooden structures for placing the cheese in the smoking chamber. </text>
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              <text>Energy from the cooling tank and wood for the cheese smoker. This is not excessive energy use, as they produce cheese in small quantities; it is not industrial production. </text>
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              <text>Yes, the cheese dairy is a two-storey building located near the artisans’ home. On the ground floor, the raw materials are processed to make the cheeses, and the finished products are stored there. On the upper floor, the drying and smoking processes take place.</text>
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              <text>Gamonéu cheese: this is a traditional blue cheese from Asturias and the Picos de Europa mountains. Unlike other blue cheeses from Asturias (such as Cabrales cheese), Gamonéu cheese is smoked and has a rind that prevents the blue mold from penetrating too deeply, giving it a harder texture that crumbles easily. The key to producing good Gamonéu cheese is to use a higher percentage of sheep and goat milk (local breeds adapted to the landscape whose milk is richer in fat) and a lower percentage of cow milk. </text>
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              <text>Beatriz and Francisco have a huge passion for everything that goes into making Gamonéu cheese: traditional livestock farming and grazing systems, living in a rural area surrounded by nature, continuing ancestral legacies, protecting Asturian cultural heritage through a 100% artisanal cheese, and helping to keep an important part of Asturian identity alive. </text>
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              <text>For Beatriz and Francisco, it is very important that their cheese reaches people who will appreciate it and who will not try to lower the price, as its production is an arduous process that involves a lot of work to achieve the highest quality standards. That is why Beatriz personally distributes her cheese to people in the local community, to a restaurant in Cangas de Onís that she trusts, and she has a WhatsApp profile where people she knows can personally order cheese from her. She also attends specific craft markets: those that sell authentic artesanal products.</text>
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              <text>The local community from Cangas de Oníse/ Pople from Asturias who knows the value of their cheese / People from the rest of Spain and few tourists who are "fans" of cheese. </text>
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              <text>Yes, their Gamoneu cheese has the COPAE certificate. This certification means that their product is artesanal, ecological and localy produce under high quality standards. </text>
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              <text>No. Currently, they prioritize the local community to have access to their handmade products. Francisco mentioned that he does not like tourism, and Beatriz said that the most they have done is attend some craft markets. However, both maintain a critical perspective on these markets, since not all vendors sell authentic artisanal products... but rather poor-quality or industrial-quality products that are passed off as traditional regional products. Beatriz mentions that they cannot offer their cheese in these spaces because it detracts from the value that its ecological and artisanal production truly represents. Francisco acknowledges that tourism increases sales of their cheese, but they prefer that local people or people who truly appreciate cheese and its history be their main consumers. Beatriz adds that they produce very little cheese and cannot sell it to hotels, supermarkets, or other high-demand tourist spots because they would not be able to meet that demand. In any case, they are not interested in expanding their project through tourism, increasing production, and meeting demand because they would lose their artisanal production process and their ecological seal. In addition, Beatriz mentions an important point: "I am the one who visits specific places such as a local restaurant, or goes directly to the neighbors, or shows up at authentic artisan markets to sell the cheese, because not everyone will take care of the cheese like we do. For example, supermarkets would store the cheese in a standard refrigerator with the wrong temperature, the wrong humidity level, etc., and my cheese would be ruined! Not everyone is going to take good care of a product that you have put so much effort and work into, which is why we prefer to distribute the cheese ourselves. </text>
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              <text>Francisco: "A mí eso del turismo no me gusta nada. Sí, es verdad que con el turismo se vende más queso, pero nosotros no estamos interesados en vender en masa porque no todo el mundo lo aprecia. Preferimos venderlo a locales o gente que sepa apreciarlo." ......................... Beatriz: Nosotros producimos pequeñas cantidades de queso, somos muy cuidadosos con la difusión o publicidad que le damos a nuestro producto porque no podríamos satisfacer una alta demanda. Y de todos modos, no es lo que queremos, porque queremos seguir produciendo de forma artesanal, ecológica y para eso es necesario hacerlo en pequeña escala"</text>
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              <text>They do belong to some associations (the Bermeya goat association for cheese production, the COPAE association that certifies the product, the mountain management association, etc.), but they do not collaborate directly with anyone. Nor do they make cheese together with anyone else. Their cheese factory is their own individual project. </text>
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              <text>Challenge 1) Finding public land (known as “communal pastures”) that meets ecological certification requirements so that animals can graze at different times of the year. There are very complicated bureaucratic processes and environmental protection laws that restrict farmers and shepherds from using the land. This poor administrative management and lack of policies are preventing Gamoneu cheese from being reduced to production in the valley and not in Puerto, which are high mountain areas where animals can also graze and Gamoneu cheese from Puerto can be produced. Challenge 2) In this other high mountain area Puerto, there are no cheese factories where Francisco and Beatriz can work and make their own cheese. According to Francisco, there are only two cheese factories in the Principality of Asturias, and they are managed by the same people who have always managed them. In these areas, there are abandoned spaces and huts that could be used to live in and keep animals, but there are no cheese factories.</text>
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              <text>Beatriz: "Nosotros queremos trashumar y llevar a los animales a Puerto para hacer queso allá, pero también es muy difícil encontraler pastos comunales, porque le quitan al pastor y al ganadero el derecho de llevar a sus animales a pastar. Además ahora hay mucha zona protegida que empeora las políticas de acceso." .................Francisco: "El problema es, que queremos hacer queso no solo en El Valle, pero también en Puerto, pero no hay queserías. Algunos pondrán la excusa de que es por el frío o el clima duro que no se puede acceder a Puerto, pero no, es por falta de queserías. Solamente hay dos queserias y son del principado de Asturias." </text>
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              <text>facebook,https://www.facebook.com/lacasavieyaquesugamoneu/?locale=es_ES;</text>
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                <text>Beatriz Rodríguez and Francisco Wagner are shepherds, cattle farmers, and producers of Gamonéu del Valle cheese in Parda, Cangas de Onís. The Gamonéu cheese is a traditional blue cheese from Asturias and parts of the Picos de Europa, Its creation dates back to ancient times and forms an important part of Asturian cultural heritage, both tangible and intangible. Beatriz and Francisco are recognized as the first producers of organic/ecological Gamonéu del Valle cheese. Their product has Protected Designation of Origin status and has been certified by COPAE since 2021. The aim of Beatriz and Francisco's cheese small factory, called “Queseria de la Casa Vieya,” is to produce 100% artisanal (using ancestral techniques) and organic cheese using three types of milk: goat's milk, sheep's milk, and cow's milk. To achieve this goal, they maintain a traditional system of small-scale grazing and livestock farming with a few Casina cows, 32 sheep, and 60 “Bermeya” goats. </text>
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                <text>Beatriz Rodríguez and Francisco Wagner</text>
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                <text>Bed Blanket Coat &amp;ldquo;Manta da Cama Coat</text>
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                <text>Bed Blanket Coat &amp;ldquo;Manta da Cama Coat&amp;quot;</text>
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                <text> Helena Cardoso is a Portuguese designer and visual artist. Cardoso has worked since the late ‘70s, with several artisans specialising in different handmade techniques and materials in northern Portugal, especially traditional Portuguese crafts. Cardoso has been active in the areas of product design, fashion design, interior design, jewellery, social design and visual art. Regarding her work at villages, Cardoso officially started, in 1982, her partnership as a tutor with the Commission on the Status of Women –CCF (nowadays it is called CIG- Commission for Citizenship and Gender Equality) and worked to support groups of women in underprivileged villages in northern Portugal until the present day. &#13;
In 2010, Cabeceiras de Basto City Council invited designer Helena Cardoso to work with artisan women, resulting in a set of new contemporary pieces (some of which use industrial wool), while maintaining the traditional way of making them. The designer was inspired to create the Manta de Cama Coat, which uses ancestral weaving skills —the chequered pattern—, but replaces the colour palette (blacks, oranges, and browns) with a monochromatic one (white and black) with brightly coloured accents using rags of burel. </text>
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                <text> Design by Helena Cardoso handcrafted by the  artisans Bucos Women of Casa da Lã group  2023 </text>
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                <text>3portugal,craftedobjects,portugalobjects</text>
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            </elementTextContainer>
          </element>
          <element elementId="59">
            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="1473">
                <text>17/03/2025</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="61">
            <name>Date Modified</name>
            <description>Date on which the resource was changed.</description>
            <elementTextContainer>
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                <text>17/03/2025</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="81">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="4698">
                <text>current,41.5729836,-8.0416041;</text>
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      <elementSet elementSetId="4">
        <name>Europeana</name>
        <description>Specific elements of the Europeana Semantic Elements.</description>
        <elementContainer>
          <element elementId="100">
            <name>Europeana Type</name>
            <description>The Europeana material type of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="1466">
                <text>TEXT</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="97">
            <name>Object</name>
            <description>The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy.</description>
            <elementTextContainer>
              <elementText elementTextId="2037">
                <text>https://culturality.museum/3-portugal/</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="93">
            <name>Europeana Data Provider</name>
            <description>The name or identifier of the organisation that contributes data to Europeana.</description>
            <elementTextContainer>
              <elementText elementTextId="4598">
                <text>Universidade de Aveiro</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="1279" public="1" featured="0">
    <itemType itemTypeId="15">
      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="132">
          <name>Material</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17653">
              <text>The combustion chamber is made of metal, and the bellows are made of wood and leather.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="189">
          <name>Natural Cultural</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17655">
              <text>Cultural</text>
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          </elementTextContainer>
        </element>
        <element elementId="223">
          <name>Function</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17656">
              <text>It is used to calm the bees and facilitate their handling during hive inspections and honey collection.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="224">
          <name>Creation Purpose</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17657">
              <text>It is a working tool.</text>
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          </elementTextContainer>
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          <name>Technique</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17658">
              <text>Unknown</text>
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          <name>Material Source</name>
          <description/>
          <elementTextContainer>
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              <text>Unknown</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="227">
          <name>Conecept</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17660">
              <text>An object associated with beekeeping. The older one is the most cherished by the interviewed beekeeper.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="228">
          <name>Production Quality</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17661">
              <text>Unknown</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="187">
          <name>External ID</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17662">
              <text>LAPONTE_AR_20</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="236">
          <name>Field Worker</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17663">
              <text>Carmen Pérez Maestro</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="274">
          <name>Craft</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17665">
              <text>woodwork,metalwork,leatherwork</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="275">
          <name>Tool</name>
          <description/>
          <elementTextContainer>
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              <text>Unknown</text>
            </elementText>
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        </element>
        <element elementId="155">
          <name>Place</name>
          <description>The town or city</description>
          <elementTextContainer>
            <elementText elementTextId="17667">
              <text>Villanueva de Santo Adriano, Asturias, Spain</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="130">
          <name>Prim Media</name>
          <description/>
          <elementTextContainer>
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              <text>1324</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>A bee smoker is an essential tool in beekeeping, used to calm the bees and make hive inspections and honey collection easier. The smoker produces smoke that disrupts the bees’ alarm pheromones, making them less aggressive. Manual smokers consist of a combustion chamber where fuel (such as straw or hay) is placed and lit to produce smoke; a bellows or blower, which pushes air into the combustion chamber to maintain the fire and the flow of smoke; and a spout or smoke outlet that concentrates the smoke so it can be directed toward the hive. In this case, we have both an old and a modern model of manual smokers—the latter includes an external protective grid around the combustion chamber.</text>
              </elementText>
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          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>2010s (older model 1950s)</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>1204</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="17648">
                <text>Spanish</text>
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            </elementTextContainer>
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          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="17649">
                <text>cm x 40 (older model 30)cm x cm</text>
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            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>iain</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>602</text>
              </elementText>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>asturiasmap</text>
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            </elementTextContainer>
          </element>
          <element elementId="59">
            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="17654">
                <text>02/09/2025</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="52">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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              <elementText elementTextId="17664">
                <text>Ahumador</text>
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            </elementTextContainer>
          </element>
          <element elementId="81">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="17668">
                <text>current,43.27386,-6.0009365;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="61">
            <name>Date Modified</name>
            <description>Date on which the resource was changed.</description>
            <elementTextContainer>
              <elementText elementTextId="18720">
                <text>08/09/2025</text>
              </elementText>
            </elementTextContainer>
          </element>
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        <name>Europeana</name>
        <description>Specific elements of the Europeana Semantic Elements.</description>
        <elementContainer>
          <element elementId="100">
            <name>Europeana Type</name>
            <description>The Europeana material type of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="17647">
                <text>TEXT</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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  </item>
  <item itemId="2279" public="1" featured="0">
    <itemType itemTypeId="15">
      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="187">
          <name>External ID</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="29831">
              <text>LAPONTE_AR_58</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="155">
          <name>Place</name>
          <description>The town or city</description>
          <elementTextContainer>
            <elementText elementTextId="29838">
              <text>Beekeeping museum, Tanes, Asturias, Spain</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="274">
          <name>Craft</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="29840">
              <text>woodwork</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="132">
          <name>Material</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="29841">
              <text>Wood</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="226">
          <name>Material Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="29842">
              <text>Unknown</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="225">
          <name>Technique</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="29843">
              <text>A bundle of thin sticks bound together with three plant-based ties.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="275">
          <name>Tool</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="29844">
              <text>Unknown</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="223">
          <name>Function</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="29845">
              <text>Beehive</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="224">
          <name>Creation Purpose</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="29846">
              <text>Personal use</text>
            </elementText>
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        <element elementId="228">
          <name>Production Quality</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="29847">
              <text>Unknown</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="227">
          <name>Conecept</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="29848">
              <text>In traditional Asturian beekeeping, the basic unit of the apiary is the ‘trobo’ (from the Latin dolium, meaning vessel), a name used across most of the Astur-Leonese area; it is also known as ‘truébano’ in regions closer to Cantabria. Inside the trobos, one or two crosses made of thin sticks (rockrose, poplar, heather, etc.) were placed. These, known as justres, are where the bees begin to build their combs, in which they rear brood and store pollen and honey. These combs are not straight, as in modern hives, but take on a variety of shapes and sizes and cannot be removed without breaking. The crosses, or justres, also determined how much comb and honey the beekeeper could harvest, leaving the remainder for the bees to survive the winter.</text>
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        </element>
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    </itemType>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="29829">
                <text>Beehive</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="52">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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              <elementText elementTextId="29830">
                <text>Truébano/Colmena</text>
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            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="29832">
                <text>Physical Object</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="29833">
                <text>Carmen Pérez Maestro</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="29834">
                <text>Spanish</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="81">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="29835">
                <text>current,43.2038384146373,-5.39500544539384;</text>
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          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
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                <text>cm x 45cm x 120cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="29837">
                <text>Unknown</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="29839">
                <text>A very rustic beehive made from locally sourced materials, created by weaving together various plant stems to form a cylindrical container. It measures approximately 1,2 metres in length and 45 cm in diameter.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="75">
            <name>References</name>
            <description>A related resource that is referenced, cited, or otherwise pointed to by the described resource.</description>
            <elementTextContainer>
              <elementText elementTextId="29849">
                <text>https://www.abejaspaisajeculturalasturias.org/que-buscamos/colmenas/</text>
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            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>944</text>
              </elementText>
            </elementTextContainer>
          </element>
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      <elementSet elementSetId="4">
        <name>Europeana</name>
        <description>Specific elements of the Europeana Semantic Elements.</description>
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          <element elementId="92">
            <name>Country</name>
            <description>The name of the country of the data provider or “Europe” in the case of Europe-wide projects.</description>
            <elementTextContainer>
              <elementText elementTextId="29851">
                <text>Spain</text>
              </elementText>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="187">
          <name>External ID</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="29856">
              <text>LAPONTE_AR_59</text>
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        <element elementId="155">
          <name>Place</name>
          <description>The town or city</description>
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            <elementText elementTextId="29863">
              <text>Beekeeping museum, Tanes, Asturias, Spain</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="274">
          <name>Craft</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="29865">
              <text>woodwork</text>
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        </element>
        <element elementId="132">
          <name>Material</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="29866">
              <text>Wood</text>
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        </element>
        <element elementId="226">
          <name>Material Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="29867">
              <text>Unknown</text>
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        <element elementId="225">
          <name>Technique</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="29868">
              <text>For the manufacture of the trobo, truébano and wooden hive box, logs that were fairly dry and hollow were selected, as they were easier to bore out and hollow using a gouge. In Asturias, chestnut wood was preferred, although examples can also be found in oak, elm, ash, and other woods. Their dimensions generally range from 60 to 120 cm in length and around 50 cm in diameter, with the trunk walls left at an approximate thickness of 5 cm, providing insulation against both cold and external heat.</text>
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        <element elementId="275">
          <name>Tool</name>
          <description/>
          <elementTextContainer>
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              <text>Unknown</text>
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          </elementTextContainer>
        </element>
        <element elementId="223">
          <name>Function</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="29870">
              <text>Beehive</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="224">
          <name>Creation Purpose</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="29871">
              <text>Personal use</text>
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        </element>
        <element elementId="228">
          <name>Production Quality</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="29872">
              <text>Unknown</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="227">
          <name>Conecept</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="29873">
              <text>In traditional Asturian beekeeping, the basic unit of the apiary is the ‘trobo’ (from the Latin dolium, meaning vessel), a name used across most of the Astur-Leonese area; it is also known as ‘truébano’ in regions closer to Cantabria. Inside the trobos, one or two crosses made of thin sticks (rockrose, poplar, heather, etc.) were placed. These, known as justres, are where the bees begin to build their combs, in which they rear brood and store pollen and honey. These combs are not straight, as in modern hives, but take on a variety of shapes and sizes and cannot be removed without breaking. The crosses, or justres, also determined how much comb and honey the beekeeper could harvest, leaving the remainder for the bees to survive the winter.</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="29854">
                <text>Beehive</text>
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            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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                <text>Truébano/Colmena</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Physical Object</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="29858">
                <text>Carmen Pérez Maestro</text>
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            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="29859">
                <text>Spanish</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="81">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="29860">
                <text>current,43.2038384146373,-5.39500544539384;</text>
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          </element>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="29861">
                <text>cm x cm x cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="29862">
                <text>Unknown</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="29864">
                <text>Two examples of vertical beehives made from tree trunks, approximately 70 cm in height. One is rectangular, while the other is cylindrical. They have lids. The rectangular one is made from wooden planks, while the cylindrical one is made from the tree trunk itself.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="75">
            <name>References</name>
            <description>A related resource that is referenced, cited, or otherwise pointed to by the described resource.</description>
            <elementTextContainer>
              <elementText elementTextId="29874">
                <text>https://www.abejaspaisajeculturalasturias.org/que-buscamos/colmenas/</text>
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            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="29875">
                <text>945</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
      <elementSet elementSetId="4">
        <name>Europeana</name>
        <description>Specific elements of the Europeana Semantic Elements.</description>
        <elementContainer>
          <element elementId="92">
            <name>Country</name>
            <description>The name of the country of the data provider or “Europe” in the case of Europe-wide projects.</description>
            <elementTextContainer>
              <elementText elementTextId="29876">
                <text>Spain</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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  <item itemId="1234" public="1" featured="1">
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      <name>Artisan</name>
      <description>An artisan</description>
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        <element elementId="178">
          <name>Contact</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="16731">
              <text>kajsaheden@hotmail.com</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="175">
          <name>Author</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="16733">
              <text>iain</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="152">
          <name>Email</name>
          <description>The email address of the museum.</description>
          <elementTextContainer>
            <elementText elementTextId="16736">
              <text>kajsaheden@hotmail.com</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="153">
          <name>Phone</name>
          <description>The phone number</description>
          <elementTextContainer>
            <elementText elementTextId="16737">
              <text>46705638049</text>
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          </elementTextContainer>
        </element>
        <element elementId="130">
          <name>Prim Media</name>
          <description/>
          <elementTextContainer>
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              <text>1230</text>
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        <element elementId="35">
          <name>Biographical Text</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="16741">
              <text>Bengtsson is from the area and has lived in Stockholm. She moved back home after a few years. She has worked in care (home care, nursing home). She has goats and usually keeps them at Ransbysätern during the summer. Ransbysätern is a hostel and there is a café where she also works sometimes. She nålbinder and knits and sells her products mostly from home but also via the Utmarksmuseet where she sells her handicraft products under commission. She takes care of her goats and also makes products from goat's milk, she knows how to do the (nordic) hearding cattle call. She lives in a small house with her partner.</text>
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          </elementTextContainer>
        </element>
        <element elementId="187">
          <name>External ID</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="16742">
              <text>RV_PR_06</text>
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        <element elementId="229">
          <name>Knowledge Acquisition</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="16743">
              <text>Bengtsson learned to make the Dalby mittens "Dalbyvantar" of Karin Amundsen during 1986-1987. Amundsen learnt from Torp-Mari. Technique is shown in the book: "Vinterblomster. Nålbundna vantar från Dalby i Värmland". Elisabeth Jacks Svantesson.</text>
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        </element>
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          <name>Knowledge Transfer</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="16744">
              <text>Bengtsson has taught p2p, held courses and workshops and has taught and lectured at the local high school about the mittens, their history and the technique. She's teaching a local girl and a woman remotely by phone. People can call her to get help, and then she sits down by the phone with her needle so she can describe what she's doing.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="236">
          <name>Field Worker</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="16745">
              <text>Ulrika Jäger, Kajsa Stinnerbom</text>
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        <element elementId="247">
          <name>Gender</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="16746">
              <text>female</text>
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        <element elementId="248">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="16747">
              <text>native</text>
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        <element elementId="249">
          <name>Area Reason</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="16748">
              <text>Bengtsson is native to the area, and returned after a few years in Stockholm.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="34">
          <name>Occupation</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="16749">
              <text>fibre and textile crafts</text>
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          </elementTextContainer>
        </element>
        <element elementId="251">
          <name>knowledge1</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="16750">
              <text>To make the Dalbyvantar, Dalby mittens, one need to use the specific nålbindnings technique. It is described as "the Dalby technique" and is illustrated in the book "Vinterblomster. Nålbundna vantar från Dalby i Värmland" (p.36). It requiers a knowledge in the decoration with embrodery. It's a practical and traditional knowledge.</text>
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        </element>
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          <name>material1</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="16751">
              <text>Only wool yarn</text>
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          </elementTextContainer>
        </element>
        <element elementId="253">
          <name>material2</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="16752">
              <text>Bengtsson buys her wool yarn from Norway at Europris. trysilgarn.europris.no. She does not want to buy online, since she needs to experience the quality of the yarn and choses to shop in a phisical store. She likes the Swedish yarns sold at Wåhlsteds wahlstedts.com and Gästrikegarn jarbo.se</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="254">
          <name>material3</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="16753">
              <text>She does emboridery with the left overs, and make yarn balls for her cat.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="255">
          <name>production1</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="16754">
              <text>She does nålbidning, embrodery and sews.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="256">
          <name>production2</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="16755">
              <text>Needle made from moose bone, pattern, embroidery needle, pliers and chochet hooks. She also uses soap, see artefacts RV_AR_26-30</text>
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          </elementTextContainer>
        </element>
        <element elementId="257">
          <name>production3</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="16756">
              <text>Bengtsson has two needles in moose bone that means something special for her, which she got from the cultural bearer Karin Amundsen, in her youth. These needles has followed her throuout her life. Bengtsson makes her own needles from moose bone, but it's difficult to get good moose bones.</text>
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        </element>
        <element elementId="258">
          <name>production4</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="16757">
              <text>Wood stove, electricity.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="259">
          <name>production5</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="16758">
              <text>No waste.</text>
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          <name>workshop</name>
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          <elementTextContainer>
            <elementText elementTextId="16759">
              <text>Bengtsson makes all her products at home in her house and has no studio.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="261">
          <name>products1</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="16760">
              <text>Bengtsson makes the tradtitional mittens and other objects inspired by the specific design, such as hats, bowties, broches, bridal crowns, bells for decorating.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="262">
          <name>products2</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="16761">
              <text>Sales, exhibitions and for own use.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="263">
          <name>products3</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="16762">
              <text>Bengtsson sells from her home, and she sells hat and leaves at the local museum where it's sold on commission.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="264">
          <name>products4</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="16763">
              <text>She teaches the technique and sells her products.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="265">
          <name>products5</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="16764">
              <text>It's difficult to repair others works, says Bengtsson, because it's so individual. She has finished others works occationally. She has also helped with the embroidery.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="266">
          <name>products6</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="16765">
              <text>Women, both local and people from far away. Many find it beautiful and want to buy as presents.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="267">
          <name>products7</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="16766">
              <text>She applied for a patent for the hat, but it was declined due to the existence of the mittens.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="268">
          <name>tourism1</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="16767">
              <text>The hostel and café (Ransbysäterna), Utmarksmuseet, mostly during summers. She usually sits and does the craft at those places.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="269">
          <name>tourism2</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="16768">
              <text>Ibland är det nån som...då har man haft nålbidning där öpp åsså har dä leij åsså kommer dä nön "ja jag kan också nålbinda" åsså ser jag liksom att den sitter o höller på...och det är som ett helt annat stygn...nej...nej....lät bli..dä blir ju helt fel. (cirka 42 min into the interview).</text>
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          </elementTextContainer>
        </element>
        <element elementId="270">
          <name>partnership</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="16769">
              <text>She's not part of any knitting groups or cafés, but she sometimes joins others who have craft meetings. She has a partnership with the museum. She's had partnerships with the schools.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="271">
          <name>challenges1</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="16770">
              <text>Learning the practice takes a long time and few are taking up the practice</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="272">
          <name>challenges2</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="16771">
              <text>Ja, den är nog som den är..och framtiden den fortsätter väl....jag fortsätter väl å nålbind så länge fingran örke och ögat ser (cirka 59 min into the interview</text>
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          </elementTextContainer>
        </element>
        <element elementId="273">
          <name>references</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="16772">
              <text>Vinterblomster. Nålbundna vantar från Dalby i Värmland. Elisabet Jacks Svantesson.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Social Media</name>
          <description>The social media links.</description>
          <elementTextContainer>
            <elementText elementTextId="16774">
              <text>facebook,https://www.facebook.com/bibbi.bengtsson;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Wiki</name>
          <description>A link to a wiki entry about this item.</description>
          <elementTextContainer>
            <elementText elementTextId="16775">
              <text>https://culturality.museum/wiki/index.php/Bibbi_Bengtsson</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="155">
          <name>Place</name>
          <description>The town or city</description>
          <elementTextContainer>
            <elementText elementTextId="30279">
              <text>Kajsaheden 1 Hedgärdet, Sysslebäck, Sweden</text>
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          </elementTextContainer>
        </element>
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        <name>Dublin Core</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="16724">
                <text>Bibbi Bengtsson</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16725">
                <text>Artisan</text>
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            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16727">
                <text>1960</text>
              </elementText>
            </elementTextContainer>
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            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16730">
                <text>Swedish</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="16732">
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="16738">
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            </elementTextContainer>
          </element>
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            <name>Source</name>
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            <elementTextContainer>
              <elementText elementTextId="16739">
                <text>artisans,ruralvarmland,varmlandmap</text>
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        <description>Specific elements of the Europeana Semantic Elements.</description>
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          <element elementId="100">
            <name>Europeana Type</name>
            <description>The Europeana material type of the resource.</description>
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            <name>Country</name>
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            <elementTextContainer>
              <elementText elementTextId="16729">
                <text>Sweden</text>
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            </elementTextContainer>
          </element>
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                <text>Bibbi Bengtsson</text>
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                <text>Bibbi Bengtsson demonstrating the n&amp;aring;lbindning knitting technique</text>
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              <elementText elementTextId="17235">
                <text>Creative Commons Attribution-ShareAlike License</text>
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                <text>2025-02-07</text>
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            <description>Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal.</description>
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              <elementText elementTextId="17236">
                <text>Ulrika Jäger</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2025-02-07</text>
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                <text>current,60.71118,12.88606;</text>
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        <name>Europeana</name>
        <description>Specific elements of the Europeana Semantic Elements.</description>
        <elementContainer>
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            <name>Europeana Type</name>
            <description>The Europeana material type of the resource.</description>
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                <text>IMAGE</text>
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          <element elementId="99">
            <name>Europeana Rights</name>
            <description>Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal.</description>
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                <text>Ulrika Jäger</text>
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            <name>Country</name>
            <description>The name of the country of the data provider or “Europe” in the case of Europe-wide projects.</description>
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                <text>Sweden</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <name>Material</name>
          <description/>
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              <text>Black clay of Molelos</text>
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          <name>Natural Cultural</name>
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          <name>Function</name>
          <description/>
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              <text>The black clay bowl is used for oven cooking, such as oven-baked rice.</text>
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          <name>Creation Purpose</name>
          <description/>
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              <text>For sale.</text>
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          <name>Technique</name>
          <description/>
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            <elementText elementTextId="24666">
              <text>To make a black clay bowl, the potter first prepares the clay, a process that includes kneading the clay to remove bubbles and impurities and leave it with a smooth consistency. Next, the clay is shaped on the potter's wheel, using the hands to give the bowl the desired shape. After shaping the piece, it is left to dry slowly before being placed in the kiln. </text>
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          <name>Material Source</name>
          <description/>
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              <text>The potter collects black clay from a local plot of land designated for the extraction of the material.</text>
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        <element elementId="227">
          <name>Conecept</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="24668">
              <text>The black clay bowl is traditionally used for cooking, especially for preparing rice in the oven. </text>
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        <element elementId="228">
          <name>Production Quality</name>
          <description/>
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              <text>The artisan actively continues to produce this piece.</text>
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          </elementTextContainer>
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        <element elementId="187">
          <name>External ID</name>
          <description/>
          <elementTextContainer>
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              <text>UAVEIRO_AR_35</text>
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          <name>Craft</name>
          <description/>
          <elementTextContainer>
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              <text>ceramics</text>
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          <name>Tool</name>
          <description/>
          <elementTextContainer>
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              <text>Potter's wheel and finishing tools.</text>
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          <name>Place</name>
          <description>The town or city</description>
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              <text>Molelos, Tondela, Portugal</text>
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          <name>Wiki</name>
          <description>A link to a wiki entry about this item.</description>
          <elementTextContainer>
            <elementText elementTextId="24676">
              <text>https://culturality.museum/wiki/index.php/Black_Clay_Chandelier</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Black Clay Chandelier</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Physical Object</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text> The clay is moulded into the desired shape, which can range from a simple structure to an elaborate chandelier with various details and decorations.</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>1858</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>Portuguese</text>
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          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>60cm x 60cm x 80cm</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
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                <text>iain</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>749</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>craftedobjects,portugalobjects</text>
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          <element elementId="75">
            <name>References</name>
            <description>A related resource that is referenced, cited, or otherwise pointed to by the described resource.</description>
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                <text>https://uniaodasfreguesiastondelanandufe.pt/2022/01/18/museu-terras-de-besteiros/&#13;
https://www.patrimoniocultural.gov.pt/wp-content/uploads/2025/01/Ficha-MatrizPCI.pdf&#13;
https://www.youtube.com/watch?v=W3FS07QYpD0 </text>
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          <element elementId="59">
            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
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              <elementText elementTextId="24662">
                <text>27/10/2025</text>
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          <element elementId="52">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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                <text>Candelabro de barro negro</text>
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            <description>Spatial characteristics of the resource.</description>
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                <text>current,40.530278,-8.095556;</text>
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        <name>Europeana</name>
        <description>Specific elements of the Europeana Semantic Elements.</description>
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            <name>Europeana Type</name>
            <description>The Europeana material type of the resource.</description>
            <elementTextContainer>
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                <text>TEXT</text>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="51">
                  <text>Museum: University of St Andrews</text>
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            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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      <elementContainer>
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          <name>Context</name>
          <description/>
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              <text>Molelos black clay is linked to local cuisine, where some recipes are prepared in black clay pots, giving them a unique flavour. </text>
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        <element elementId="191">
          <name>Economic Threats</name>
          <description/>
          <elementTextContainer>
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              <text>Insufficient renumeration</text>
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        <element elementId="192">
          <name>Technological Threats</name>
          <description/>
          <elementTextContainer>
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              <text>Industrial production</text>
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          </elementTextContainer>
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        <element elementId="195">
          <name>Demographic Threats</name>
          <description/>
          <elementTextContainer>
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              <text>Rural-urban migration</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="196">
          <name>Decontextualization</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="24043">
              <text>Touristification</text>
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          </elementTextContainer>
        </element>
        <element elementId="200">
          <name>Climate Actions</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="24044">
              <text>Research,Community Engagement,Collaboration with other organisations </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="201">
          <name>SDG</name>
          <description/>
          <elementTextContainer>
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        <element elementId="187">
          <name>External ID</name>
          <description/>
          <elementTextContainer>
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              <text>UAVEIRO_CP_02</text>
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        <element elementId="276">
          <name>Knowledge</name>
          <description/>
          <elementTextContainer>
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              <text>Preparation of pastes (mixture of “weak” and “strong” clays), wheel throwing, polishing with pebbles, controlled drying and reduction firing ("soenga"; wood/gas kilns).</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="230">
          <name>Knowledge Transfer</name>
          <description/>
          <elementTextContainer>
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              <text>Intergenerational transmission through family lines (e.g. grandfather → uncle → António Marques) and practical learning in workshops; annual demonstration of soenga reinforces the continuity of know-how.</text>
            </elementText>
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        <element elementId="277">
          <name>Practitioners</name>
          <description/>
          <elementTextContainer>
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              <text>Potters and craftspeople from Molelos; today, men and women share specialised tasks.</text>
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        <element elementId="223">
          <name>Function</name>
          <description/>
          <elementTextContainer>
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              <text>Supply of cooking and tableware, decorative objects and affirmation of the territory's identity; heritage and tourism promotion (public demonstrations of soenga).</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="278">
          <name>Origins and change</name>
          <description/>
          <elementTextContainer>
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              <text>Attested since the 16th century; between the 19th and 20th centuries, it was one of the largest national centres. In the 20th century, wood-fired kilns appeared, followed by gas-fired kilns; partial mechanisation of clay preparation; maintenance of the pottery workshop in a demonstration context.</text>
            </elementText>
          </elementTextContainer>
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          <name>Organisations</name>
          <description/>
          <elementTextContainer>
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              <text>Tondela City Council</text>
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          <name>Places</name>
          <description/>
          <elementTextContainer>
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              <text>Workshops and kilns in various locations within the parish (Raposeiras, Machorro, Vela); Tondela Municipal Museum (black pottery room).</text>
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          <name>Artefacts</name>
          <description/>
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              <text>Utility items; decorative objects.</text>
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          </elementTextContainer>
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        <element elementId="286">
          <name>Economic Threats Description</name>
          <description/>
          <elementTextContainer>
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              <text>Limited profitability, ageing workforce and industrial competition.</text>
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          <name>Technological Threats Description</name>
          <description/>
          <elementTextContainer>
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              <text>The introduction of gas kilns and modern techniques may alter the traditional character of reduction firing.</text>
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          <name>Demographic Threats Description</name>
          <description/>
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              <text>The migration of young people to urban centres in search of employment and education has contributed to the depopulation of rural areas in Tondela and the decline of craft activities. Many descendants of potters did not remain in Molelos, which interrupted the family succession in the workshops. This migration reduces the number of potential apprentices and threatens the continuity of local craft production, which depends on constant presence in the community and direct access to raw materials.</text>
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        <element elementId="297">
          <name>Safeguarding activities</name>
          <description/>
          <elementTextContainer>
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              <text>Transmission occurs through demonstrations, workshops and sharing between generations.</text>
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        <element elementId="298">
          <name>State of the practice</name>
          <description/>
          <elementTextContainer>
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              <text>declining</text>
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          <name>Social sustainability</name>
          <description/>
          <elementTextContainer>
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              <text>Black clay pottery contributes to social sustainability by strengthening local identity and a sense of belonging to the Molelos community. The practice involves families and different generations, promoting social cohesion and the appreciation of traditional knowledge. The participation of women in polishing and finishing the pieces reinforces gender equality and the recognition of complementary roles. Public demonstrations of the ‘soenga’ encourage intergenerational dialogue and heritage education.</text>
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        <element elementId="294">
          <name>Environmental sustainability</name>
          <description/>
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              <text>The practice upholds principles of environmental sustainability, using natural and local raw materials (clay extracted in the region and wood from controlled sources). The reuse of clay scraps and firing in traditional kilns are examples of a circular economy. Despite environmental restrictions on firing, potters have adapted their processes — combining gas kilns and occasional soengas — to reduce emissions and preserve the heritage character of black clay.</text>
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          <name>Economic sustainability</name>
          <description/>
          <elementTextContainer>
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              <text>Molelos pottery contributes to the economic sustainability of the region, ensuring craftsmanship and promoting products with local identity and added value. The certification of Louça Preta de Molelos (2020) has opened up new market opportunities and increased the value of this craft product. Collaboration with designers and cultural institutions allows for diversification of income sources and increased visibility for the sector, although the economic balance remains fragile in the face of industrial production.</text>
            </elementText>
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        <element elementId="155">
          <name>Place</name>
          <description>The town or city</description>
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              <text>Molelos, Tondela, Portugal</text>
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          <description/>
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              <text>A black clay potter in Molelos (Tondela), António Manuel Matos Marques began his career at the age of 14, learning from his uncle (who in turn had learned from his grandfather). He has more than four decades of continuous practice, producing mainly utilitarian and decorative pieces on a potter's wheel, with a traditional burnished finish. He continues to fire his pieces in a reducing environment (wood-fired kiln) and values the transmission of know-how — he even taught a colleague when he was 19. In the workshop, the polishing stage is often carried out by local craftswomen (e.g. Lurdes Coimbra). Among his current pieces are jugs (c. 20 minutes/unit), baking trays and tableware, preserving the formal grammar of the Molelos pottery centre.</text>
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        <element elementId="108">
          <name>Wiki</name>
          <description>A link to a wiki entry about this item.</description>
          <elementTextContainer>
            <elementText elementTextId="24066">
              <text>https://culturality.museum/wiki/index.php/Black_Clay_Pottery_of_Molelos</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <description>The nature or genre of the resource</description>
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            <description>An account of the resource</description>
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                <text>Molelos Black Pottery is a traditional craft involving ceramics fired in a reducing atmosphere, characterised by wheel-throwing, polishing/buffing and traditional firing (in wood-fired kilns; today also gas-fired). Historically one of the largest centres for black pottery in Portugal (documented since the 16th century), it maintains family and professional production, combining utilitarian (thick pottery) and decorative types, with a strong local identity.</text>
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            <description>The size or duration of the resource.</description>
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            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
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            <name>References</name>
            <description>A related resource that is referenced, cited, or otherwise pointed to by the described resource.</description>
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                <text>https://7maravilhas.pt/portfolio/louca-preta-de-molelos/&#13;
https://www.patrimoniocultural.gov.pt/wp-content/uploads/2025/01/Ficha-MatrizPCI.pdf&#13;
https://www.youtube.com/watch?v=W3FS07QYpD0</text>
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            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
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            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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                <text>Barro Preto de Molelos; Olaria de Molelos</text>
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            <description>Spatial characteristics of the resource.</description>
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            <description>The Europeana material type of the resource.</description>
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            <description>The Europeana material type of the resource.</description>
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            <description>A legal document giving official permission to do something with the resource.</description>
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