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Photogrammetry Report.
Component 1: Body

Image Data
Orientation Report
1.

Number of input data

134

2.

Registered images count

133/134

3.

Points count

358777

4.

Total projections

1646575

5.

Average images per tie point

4.6

6.

Maximum reprojection error [pixels]

2.00

7.

Median reprojection error [pixels]

0.4

8.

Mean reprojection error [pixels]

0.5

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 1 – Composite 4 Views

Model Data
Poly Report
1.

High Poly Triangle count

17286992

2.

Low Poly Triangle count

74958

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 2 – High Poly

Fig. 3 – Low Poly

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Component 2: Lid

Image Data
Orientation Report
9.

Number of input data

176

10. Registered images count

176/176

11. Points count

413268

12. Total projections

1455705

13. Average images per tie point

3.5

14. Maximum reprojection error [pixels]

2.00

15. Median reprojection error [pixels]

0.32

16. Mean reprojection error [pixels]

0.43

Fig. 4 – Composite 4 Views

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Model Data
Poly Report
3.

High Poly Triangle count

13272528

4.

Low Poly Triangle count

74992

Fig. 5 – High Poly

Fig. 6 – Low Poly

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Texturing Report.
Roughness and Texture corrections

Fig. 7 – Before texturing with SP

Fig. 8 – After texturing with SP

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 9 – Before texturing with SP

Fig. 10 – After texturing with SP

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�PBR Textures

Fig. 11– AO, Diffuse, Normal (top), Metallic, and Roughness (bottom) from body

Fig. 12– AO, Diffuse, Normal (top), and Roughness (bottom) from lid

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Blender Report.
Rendering

Fig. 13 – Rendered image of the final model

Fig. 14 – Final model rendered in context

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Scaling

Fig.15 – Different views of the 3D model showing, front, back, sides, bottom and top perspectives

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Data Sheet.
Data

Horn container
Site

Muséu del Pueblu d´Asturies / RDM1311

Origin

-

Creator

-

Technique

Wood carving; Forging; Horn carving

Material

Horn; Iron; Wood

Date

Ca. 1875-1900

Purpose of

Herding; Dairy industry

Production
Size

23x16x10cm

Description
Horn container with an iron handle and a wooden base, traditionally used for milking in mountainous
areas. It features inscriptions on both sides: “I belong to Jose” (“Soy de Jose”) and “Enrique Mart.,”
accompanied by garlands and vegetal motifs. Two fish appear below the first inscription, and a carved
clock stopped at a quarter to twelve completes the decorative programme.

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�</text>
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Photogrammetry Report.
Component

Image Data
Orientation Report
1.

Number of input data

257

2.

Registered images count

254/257

3.

Points count

396638

4.

Total projections

1322073

5.

Average images per tie point

3.3

6.

Maximum reprojection error [pixels]

2.00

7.

Median reprojection error [pixels]

0.41

8.

Mean reprojection error [pixels]

0.54

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 1 – Composite 4 Views

Model Data
Poly Report
1.

High Poly Triangle count

23508128

2.

Low Poly Triangle count

74998

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 2 – High Poly

Fig. 3 – Low Poly

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Texturing Report.
Roughness, Metalness, and Texture Correction

Fig. 4 – Before texturing with SP

Fig. 5 – After texturing with SP

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�PBR Textures

Fig. 6 – AO, Diffuse, Normal (top), Metalness and Roughness (bottom)

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Blender Report.
Mesh Restoration

Fig. 7 – 3D Model before restoration

Fig. 7 – 3D Model after restoration

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Rendering

Fig. 9 – Rendered image of the final model

Fig. 10– Final model rendered in context

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Scaling

Fig.11 – Different views of the 3D model showing front, side, back, side, bottom, and top perspectives

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Data Sheet.
Data

Wooden
container
Site

Muséu del Pueblu d´Asturies / FM001742

Origin

Quirós

Creator

-

Technique

Carving

Material

Wood; Iron

Date

Ca. 1940

Purpose of

Agricultural tasks

Production
Size

23,5x7,7x7,2

Description
Gaxapu used to keep the sharpening stone in water for the scythe. This wooden container has a prismatic
body supported by four small feet. A handle allows it to be attached to a belt, and geometric motifs
surround the initials “V. V.” on the front of the object.

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�</text>
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Photogrammetry Report.
Component

Image Data
Orientation Report
1.

Number of input data

216

2.

Registered images count

214 / 216

3.

Points count

517858

4.

Total projections

2292154

5.

Average images per tie point

4.4

6.

Maximum reprojection error [pixels]

2.00

7.

Median reprojection error [pixels]

0.32

8.

Mean reprojection error [pixels]

0.42

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 1 – Composite 4 Views

Model Data
Poly Report
1.

High Poly Triangle count

10889654

2.

Low Poly Triangle count

74998

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 2 – High Poly

Fig. 3 – Low Poly

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Texturing Report.
Roughness and Texture Correction

Fig. 4 – Before texturing with SP

Fig. 5 – After texturing with SP

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�PBR Textures

Fig. 6 – AO, Diffuse, Normal (top), and Roughness (bottom)

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Blender Report.
Mesh Restoration

Fig. 7 – Mesh before restoration

Fig. 8– Mesh after restoration

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Rendering

Fig. 9 – Rendered image of the final model

Fig. 10 – Final model rendered in context

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Scaling

Fig.11 – Different views of the 3D model showing front, back, sides, bottom, and top perspectives

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Data Sheet.
Data

Marco / Stamp
Site

Muséu del Pueblu d´Asturies / FM003418

Origin

Tanes

Creator

-

Technique

Carving

Material

Wood

Date

Ca. 1910 / 1920

Purpose of

Dairy industry

Production
Size

4x8,5x8,1cm

Description
Small circular wooden stamp used to mark Casín cheese. A handle allows it to be held and used to
stamp the carved geometric solar disc on its surface.

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

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Photogrammetry Report.
Component

Image Data
Orientation Report
1.

Number of input data

182

2.

Registered images count

178/182

3.

Points count

519303

4.

Total projections

1831695

5.

Average images per tie point

3.5

6.

Maximum reprojection error [pixels]

2.00

7.

Median reprojection error [pixels]

0.34

8.

Mean reprojection error [pixels]

0.46

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 1 – Composite 4 Views

Model Data
Poly Report
1.

High Poly Triangle count

23972038

2.

Low Poly Triangle count

74998

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 2 – High Poly

Fig. 3 – Low Poly

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Texturing Report.
Roughness and Texture Correction

Fig. 4 – Before texturing with SP

Fig. 5 – After texturing with SP

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�PBR Textures

Fig. 6 – AO, Diffuse, Normal (top), and Roughness (bottom)

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Blender Report.
Mesh Restoration

Fig. 7 – 3D Model before restoration

Fig. 7 – 3D Model after restoration

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Rendering

Fig. 9 – Rendered image of the final model

Fig. 10– Final model rendered in context

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Scaling

Fig.11 – Different views of the 3D model showing front, side, back, side, bottom, and top perspectives

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Data Sheet.
Data

Wooden
container
Site

Muséu del Pueblu d´Asturies / FM001741

Origin

Bimenes

Creator

-

Technique

Carving

Material

Wood

Date

Ca. 1940

Purpose of

Agricultural tasks

Production
Size

23x8,5x7,8

Description
Wooden gaxapu with a prismatic body and a semicircular base. On the back, a handle allows it to be
attached to a belt, holding the sharpening stone for the scythe. On the front, two horseshoes with a
nail between them appear at the top, while a large rosette is carved in the center. The lower part
features various carved geometric motifs and surface textures.

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

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Photogrammetry Report.
Component

Image Data
Orientation Report
1.

Number of input data

69

2.

Registered images count

67 / 69

3.

Points count

120767

4.

Total projections

317312

5.

Average images per tie point

2.6

6.

Maximum reprojection error [pixels]

2.00

7.

Median reprojection error [pixels]

0.28

8.

Mean reprojection error [pixels]

0.41

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 1 – Composite 4 Views

Model Data
Poly Report
1.

High Poly Triangle count

15696104

2.

Low Poly Triangle count

74996

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 2 – High Poly

Fig. 3 – Low Poly

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Texturing Report.
Roughness and Texture Correction

Fig. 4 – Before texturing with SP

Fig. 5 – After texturing with SP

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�PBR Textures

Fig. 6 – AO, Diffuse, Normal (top), and Roughness (bottom)

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Blender Report.
Mesh Restoration

Fig. 7 – 3D Model before restoration

Fig. 7 – 3D Model after restoration

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Rendering

Fig. 9 – Rendered image of the final model

Fig. 10– Final model rendered in context

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Scaling

Fig.11 – Different views of the 3D model showing front, side, back, side, bottom, and top perspectives

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Data Sheet.
Data

Wooden
Container
Site

Muséu del Pueblu d´Asturies / FM000193

Origin

-

Creator

-

Technique

Knife Carving

Material

Chestnut Wood

Date

Ca. 1901/1933

Purpose of

Agricultural tasks

Production
Size

23x6,7x6.5

Description
Wooden container with a prismatic shape—semicircular at the base and square at the mouth—used to
hold water in which the sharpening stone is kept. A handle on the back allows it to be attached to a belt.
The front features geometric motifs with various patterns, highlighting the inscription “A. A.”

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�</text>
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            <description>The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy.</description>
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              <elementText elementTextId="6955">
                <text>https://sketchfab.com/models/b5b6765e9f7c4ce087f55d6de87df59f/embed</text>
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          </element>
          <element elementId="99">
            <name>Europeana Rights</name>
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            <elementTextContainer>
              <elementText elementTextId="6956">
                <text>Paula Labrador, Enrique Meléndez y Santiago Rodríguez</text>
              </elementText>
            </elementTextContainer>
          </element>
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                  <elementText elementTextId="23949">
                    <text>Wooden container

Photogrammetry Report.
Component

Image Data
Orientation Report
1.

Number of input data

125

2.

Registered images count

120 / 125

3.

Points count

176164

4.

Total projections

500763

5.

Average images per tie point

2.8

6.

Maximum reprojection error [pixels]

2.00

7.

Median reprojection error [pixels]

0.34

8.

Mean reprojection error [pixels]

0.48

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 1 – Composite 4 Views

Model Data
Poly Report
1.

High Poly Triangle count

20941176

2.

Low Poly Triangle count

74998

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 2 – High Poly

Fig. 3 – Low Poly

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Texturing Report.
Roughness

Fig. 4 – Before texturing with SP

Fig. 5 – After texturing with SP

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�PBR Textures

Fig. 6 – AO, Diffuse, Normal (top), and Roughness (bottom)

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Blender Report.
Mesh Restoration

Fig. 7 – 3D Model before restoration

Fig. 7 – 3D Model after restoration

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Rendering

Fig. 9 – Rendered image of the final model

Fig. 10– Final model rendered in context

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Scaling

Fig.11 – Different views of the 3D model showing front, side, back, side, bottom, and top perspectives

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Data Sheet.
Data

Wooden
container
Site

Muséu del Pueblu d´Asturies / FM000613

Origin

Llamas del Mouru

Creator

-

Technique

Carving

Material

Chestnut Wood

Date

Ca. 1925/1950

Purpose of

Agricultural tasks

Production
Size

25x8,8x7,5

Description
Chestnut wood gaxapu with a prismatic body that narrows toward the base. The three front faces are
carved with geometric and vegetal motifs, highlighting a central rosette and the initials “M. A.” A handle
allows it to be attached to a belt, keeping the sharpening stone submerged in water and ready for use
with the scythe.

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�</text>
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      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
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                <text>application/pdf</text>
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              <elementText elementTextId="6963">
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            <name>Date</name>
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            <elementTextContainer>
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            <elementTextContainer>
              <elementText elementTextId="6964">
                <text>Enrique Meléndez Galán</text>
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          </element>
          <element elementId="97">
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              <elementText elementTextId="6966">
                <text>https://culturality.museum/galleries/upload/37_Gaxapu_Report.pdf</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="130">
          <name>Prim Media</name>
          <description/>
          <elementTextContainer>
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              <text>582</text>
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          <elementTextContainer>
            <elementText elementTextId="6978">
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        <element elementId="189">
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          <elementTextContainer>
            <elementText elementTextId="6981">
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          </elementTextContainer>
        </element>
        <element elementId="224">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="6982">
              <text>Agricultural tasks</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="225">
          <name>Technique</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="6983">
              <text>Wood carving </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="236">
          <name>Field Worker</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="6984">
              <text>Enrique Meléndez Galán</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="274">
          <name>Craft</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="6986">
              <text>woodwork</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="155">
          <name>Place</name>
          <description>The town or city</description>
          <elementTextContainer>
            <elementText elementTextId="6987">
              <text>Llamas del Mouro</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Wiki</name>
          <description>A link to a wiki entry about this item.</description>
          <elementTextContainer>
            <elementText elementTextId="6989">
              <text>https://culturality.museum/wiki/index.php/Wooden_container</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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              </elementText>
            </elementTextContainer>
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          <element elementId="41">
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            <elementTextContainer>
              <elementText elementTextId="6970">
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          <element elementId="40">
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>ca. 1925/1950</text>
              </elementText>
            </elementTextContainer>
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            <description>The topic of the resource</description>
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                <text>Art,PEOPLE,SOCIAL HISTORY</text>
              </elementText>
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          <element elementId="78">
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          <element elementId="37">
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            <elementTextContainer>
              <elementText elementTextId="6979">
                <text>30/04/2025</text>
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            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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          <element elementId="81">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="6988">
                <text>current,43.53689604607413,-5.634997934103013;origin,43.24844165220961,, -6.427881691050573;</text>
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        <description>Specific elements of the Europeana Semantic Elements.</description>
        <elementContainer>
          <element elementId="100">
            <name>Europeana Type</name>
            <description>The Europeana material type of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="6972">
                <text>TEXT</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="4">
        <name>woodworking</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="585" public="1" featured="0">
    <fileContainer>
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      <elementContainer>
        <element elementId="110">
          <name>DescriptionEN</name>
          <description>English Description</description>
          <elementTextContainer>
            <elementText elementTextId="6994">
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            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="310">
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            </elementText>
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        </element>
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          <element elementId="41">
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            <elementTextContainer>
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              </elementText>
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          <element elementId="40">
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          <element elementId="64">
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            <description>A legal document giving official permission to do something with the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="6999">
                <text>Creative Commons Attribution-ShareAlike License</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
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            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
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            </elementTextContainer>
          </element>
          <element elementId="81">
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      <elementSet elementSetId="4">
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        <description>Specific elements of the Europeana Semantic Elements.</description>
        <elementContainer>
          <element elementId="100">
            <name>Europeana Type</name>
            <description>The Europeana material type of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="6997">
                <text>3D</text>
              </elementText>
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          </element>
          <element elementId="93">
            <name>Europeana Data Provider</name>
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            <elementTextContainer>
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              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="97">
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              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="99">
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            <elementTextContainer>
              <elementText elementTextId="7003">
                <text>Paula Labrador, Enrique Meléndez y Santiago Rodríguez</text>
              </elementText>
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  </item>
  <item itemId="586" public="1" featured="0">
    <fileContainer>
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        <authentication>56bd1804fcb45acb614f9e54e690793b</authentication>
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                <name>Text</name>
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                <elementTextContainer>
                  <elementText elementTextId="23950">
                    <text>Stirrups

Photogrammetry Report.
Component 1: Stirrup 1

Image Data
Orientation Report
1.

Number of input data

170

2.

Registered images count

164 / 170

3.

Points count

202353

4.

Total projections

667923

5.

Average images per tie point

3.3

6.

Maximum reprojection error [pixels]

2.00

7.

Median reprojection error [pixels]

0.46

8.

Mean reprojection error [pixels]

0.58

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 1 – Composite 4 Views

Model Data
Poly Report
1.

High Poly Triangle count

26254236

2.

Low Poly Triangle count

74978

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 2 – High Poly

Fig. 3 – Low Poly

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Component 2: Stirrup 2

Image Data
Orientation Report
9.

Number of input data

202

10. Registered images count

194 / 202

11. Points count

376450

12. Total projections

1484586

13. Average images per tie point

3.9

14. Maximum reprojection error [pixels]

2.00

15. Median reprojection error [pixels]

0.49

16. Mean reprojection error [pixels]

0.59

Fig. 4 – Composite 4 Views

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Model Data
Poly Report
3.

High Poly Triangle count

29764234

4.

Low Poly Triangle count

74988

Fig. 5 – High Poly

Fig. 6 – Low Poly

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Texturing Report.
Roughness, Levels and Texture corrections

Fig. 7 – Stirrup 1 Before texturing with SP

Fig. 8 – Stirrup 1 After texturing with SP

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 9 – Stirrup 2 before texturing with SP

Fig. 10 – Stirraup 2 after texturing with SP

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�PBR Textures

Fig. 11– AO, Diffuse, Normal (top), and Roughness (bottom) from Stirrup 1

Fig. 12– AO, Diffuse, Normal (top), and Roughness (bottom) from Stirrup 2

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Blender Report.
Mesh Restoration

Fig. 13 – Stirrup 1 before restoration

Fig. 14 – Stirrup 2 after restoration

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Rendering

Fig. 15 – Rendered image of the final model

Fig. 16 – Final model rendered in context

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Scaling Stirrup 1

Fig.15 – Different views of the 3D model showing, front, back, sides, bottom and top perspectives

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Scaling Stirrup 2

Fig.15 – Different views of the 3D model showing, front, back, sides, bottom and top perspectives

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Data Sheet.
Data

Stirrups
Site

Muséu del Pueblu d´Asturies / RDM1335

Origin

-

Creator

-

Technique

Wood carving

Material

Wood

Date

Ca. 1900/1920

Purpose of

Equine farming

Production
Size

14x20x14cm

Description
Wooden stirrups featuring geometric and vegetal motifs carved on their various sides. A handle at the
top is also decorated.

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

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Photogrammetry Report.
Component

Image Data
Orientation Report
1.

Number of input data

103

2.

Registered images count

96 / 103

3.

Points count

137774

4.

Total projections

374737

5.

Average images per tie point

2.7

6.

Maximum reprojection error [pixels]

2.00

7.

Median reprojection error [pixels]

0.31

8.

Mean reprojection error [pixels]

0.43

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 1 – Composite 4 Views

Model Data
Poly Report
1.

High Poly Triangle count

18422104

2.

Low Poly Triangle count

74990

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 2 – High Poly

Fig. 3 – Low Poly

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Texturing Report.
Roughness and Texture Corrections

Fig. 4 – Before texturing with SP

Fig. 5 – After texturing with SP

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�PBR Textures

Fig. 6 – AO, Diffuse, Normal (top), and Roughness (bottom)

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Blender Report.
Mesh Restoration

Fig. 7 – 3D Model before restoration

Fig. 7 – 3D Model after restoration

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Rendering

Fig. 9 – Rendered image of the final model

Fig. 10– Final model rendered in context

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Scaling

Fig.11 – Different views of the 3D model showing front, side, back, side, bottom, and top perspectives

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Data Sheet.
Data

Wooden
container
Site

Muséu del Pueblu d´Asturies / FM009288

Origin

Siero

Creator

-

Technique

Carving: Polychromy

Material

Chestnut Wood

Date

Ca. 1925/1950

Purpose of

Agricultural tasks

Production
Size

24x7x8.3cm

Description
Chestnut wood gaxapu with a body that has a semicircular base. The front side features floral and
geometric motifs and retains traces of red and blue polychromy. On the back, a handle allows the object
to be attached to a belt.

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�</text>
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          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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                <text>application/pdf</text>
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            <name>License</name>
            <description>A legal document giving official permission to do something with the resource.</description>
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              <elementText elementTextId="7056">
                <text>Creative Commons Attribution-ShareAlike License</text>
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            <name>Date</name>
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        <name>Europeana</name>
        <description>Specific elements of the Europeana Semantic Elements.</description>
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          <element elementId="100">
            <name>Europeana Type</name>
            <description>The Europeana material type of the resource.</description>
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                <text>TEXT</text>
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            <name>Europeana Rights</name>
            <description>Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal.</description>
            <elementTextContainer>
              <elementText elementTextId="7057">
                <text>Enrique Meléndez Galán</text>
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          <element elementId="97">
            <name>Object</name>
            <description>The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy.</description>
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              <elementText elementTextId="7059">
                <text>https://culturality.museum/galleries/upload/30_Gaxapu_Report.pdf</text>
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    </elementSetContainer>
  </item>
  <item itemId="592" public="1" featured="0">
    <fileContainer>
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        <authentication>9bb087028505431fd1725dfb572d7d93</authentication>
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            <name>PDF Text</name>
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                <name>Text</name>
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                    <text>Wooden container

Photogrammetry Report.
Component

Image Data
Orientation Report
1.

Number of input data

103

2.

Registered images count

96 / 103

3.

Points count

137774

4.

Total projections

374737

5.

Average images per tie point

2.7

6.

Maximum reprojection error [pixels]

2.00

7.

Median reprojection error [pixels]

0.31

8.

Mean reprojection error [pixels]

0.43

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 1 – Composite 4 Views

Model Data
Poly Report
1.

High Poly Triangle count

18422104

2.

Low Poly Triangle count

74990

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 2 – High Poly

Fig. 3 – Low Poly

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Texturing Report.
Roughness and Texture Corrections

Fig. 4 – Before texturing with SP

Fig. 5 – After texturing with SP

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�PBR Textures

Fig. 6 – AO, Diffuse, Normal (top), and Roughness (bottom)

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Blender Report.
Mesh Restoration

Fig. 7 – 3D Model before restoration

Fig. 7 – 3D Model after restoration

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Rendering

Fig. 9 – Rendered image of the final model

Fig. 10– Final model rendered in context

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Scaling

Fig.11 – Different views of the 3D model showing front, side, back, side, bottom, and top perspectives

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Data Sheet.
Data

Wooden
container
Site

Muséu del Pueblu d´Asturies / FM009288

Origin

Siero

Creator

-

Technique

Carving: Polychromy

Material

Chestnut Wood

Date

Ca. 1925/1950

Purpose of

Agricultural tasks

Production
Size

24x7x8.3cm

Description
Chestnut wood gaxapu with a body that has a semicircular base. The front side features floral and
geometric motifs and retains traces of red and blue polychromy. On the back, a handle allows the object
to be attached to a belt.

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�</text>
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      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
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              <elementText elementTextId="7102">
                <text>application/pdf</text>
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            <description>A legal document giving official permission to do something with the resource.</description>
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              <elementText elementTextId="7103">
                <text>Creative Commons Attribution-ShareAlike License</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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        <name>Europeana</name>
        <description>Specific elements of the Europeana Semantic Elements.</description>
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          <element elementId="100">
            <name>Europeana Type</name>
            <description>The Europeana material type of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="7101">
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          <element elementId="99">
            <name>Europeana Rights</name>
            <description>Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal.</description>
            <elementTextContainer>
              <elementText elementTextId="7104">
                <text>Enrique Meléndez Galán</text>
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          </element>
          <element elementId="97">
            <name>Object</name>
            <description>The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy.</description>
            <elementTextContainer>
              <elementText elementTextId="7106">
                <text>https://culturality.museum/galleries/upload/30_Gaxapu_Report-1.pdf</text>
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            <element elementId="50">
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              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1">
                  <text>Physical Object: Mittens in entrelac</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="130">
          <name>Prim Media</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="7117">
              <text>591</text>
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        <element elementId="132">
          <name>Material</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="7118">
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          <description/>
          <elementTextContainer>
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        <element elementId="225">
          <name>Technique</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="7123">
              <text>Wood carving; Painting </text>
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          </elementTextContainer>
        </element>
        <element elementId="236">
          <name>Field Worker</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="7124">
              <text>Enrique Meléndez Galán</text>
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        <element elementId="274">
          <name>Craft</name>
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          </elementTextContainer>
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        <element elementId="155">
          <name>Place</name>
          <description>The town or city</description>
          <elementTextContainer>
            <elementText elementTextId="7127">
              <text>Siero</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Wiki</name>
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          <elementTextContainer>
            <elementText elementTextId="7129">
              <text>https://culturality.museum/wiki/index.php/Wooden_container</text>
            </elementText>
          </elementTextContainer>
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        <elementContainer>
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            </elementTextContainer>
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          <element elementId="41">
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            <elementTextContainer>
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              </elementText>
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          <element elementId="40">
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            </elementTextContainer>
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          <element elementId="49">
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            <elementTextContainer>
              <elementText elementTextId="7113">
                <text>Art,PEOPLE,SOCIAL HISTORY</text>
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                <text>02/05/2025</text>
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            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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          <element elementId="81">
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            <description>Spatial characteristics of the resource.</description>
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              <elementText elementTextId="7128">
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    <tagContainer>
      <tag tagId="4">
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    </tagContainer>
  </item>
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      <elementContainer>
        <element elementId="110">
          <name>DescriptionEN</name>
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          <elementTextContainer>
            <elementText elementTextId="7135">
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        <element elementId="310">
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          <elementTextContainer>
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              <elementText elementTextId="7139">
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            </elementTextContainer>
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          <element elementId="64">
            <name>License</name>
            <description>A legal document giving official permission to do something with the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="7140">
                <text>Creative Commons Attribution-ShareAlike License</text>
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        <description>Specific elements of the Europeana Semantic Elements.</description>
        <elementContainer>
          <element elementId="100">
            <name>Europeana Type</name>
            <description>The Europeana material type of the resource.</description>
            <elementTextContainer>
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          <element elementId="93">
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                <text>Universidad de Oviedo</text>
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            <elementTextContainer>
              <elementText elementTextId="7143">
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          <element elementId="99">
            <name>Europeana Rights</name>
            <description>Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal.</description>
            <elementTextContainer>
              <elementText elementTextId="7144">
                <text>Paula Labrador, Enrique Meléndez y Santiago Rodríguez</text>
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  <item itemId="595" public="1" featured="0">
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              <element elementId="311">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="23953">
                    <text>Horn container

Photogrammetry Report.
Component

Image Data
Orientation Report
1.

Number of input data

185

2.

Registered images count

138 / 185

3.

Points count

368139

4.

Total projections

1659729

5.

Average images per tie point

4.5

6.

Maximum reprojection error [pixels]

2.00

7.

Median reprojection error [pixels]

0.43

8.

Mean reprojection error [pixels]

0.54

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 1 – Composite 4 Views

Model Data
Poly Report
1.

High Poly Triangle count

13302530

2.

Low Poly Triangle count

74994

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 2 – High Poly

Fig. 3 – Low Poly

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Texturing Report.
Roughness, Metalness and Texture Correction

Fig. 4 – Before texturing with SP

Fig. 5 – After texturing with SP

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�PBR Textures

Fig. 6 – AO, Diffuse, Normal (top), Metallic and Roughness (bottom)

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Blender Report.
Mesh Restoration

Fig. 7 – 3D Model before restoration

Fig. 7 – 3D Model after restoration

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Rendering

Fig. 9 – Rendered image of the final model

Fig. 10– Final model rendered in context

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Scaling

Fig.11 – Different views of the 3D model showing front, side, back, side, bottom, and top perspectives

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Data Sheet.
Data

Horn Container
Site

Muséu del Pueblu d´Asturies / RDM1315

Origin

-

Creator

-

Technique

Carving; Forging; Punching

Material

Horn; Iron

Date

ca. 1875/1890

Purpose of

Agricultural task.

Production
Size

20x12x9cm

Description
Horn container with an iron handle and the inscription “I belong to Benjamín Cabeza” (“Soy de Benjamín
Cabeza”). Used as a gaxapu, this object features various geometric and vegetal motifs, such as garlands,
palmettes, a circle, and a heart.

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

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                    <text>Horn container

Photogrammetry Report.
Component

Image Data
Orientation Report
1.

Number of input data

º27

2.

Registered images count

127 / 127

3.

Points count

346949

4.

Total projections

1781589

5.

Average images per tie point

5.1

6.

Maximum reprojection error [pixels]

2.00

7.

Median reprojection error [pixels]

0.39

8.

Mean reprojection error [pixels]

0.5

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 1 – Composite 4 Views

Model Data
Poly Report
1.

High Poly Triangle count

10666896

2.

Low Poly Triangle count

74996

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 2 – High Poly

Fig. 3 – Low Poly

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Texturing Report.
Roughness, Metalness and Texture Correction

Fig. 4 – Before texturing with SP

Fig. 5 – After texturing with SP

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�PBR Textures

Fig. 6 – AO, Diffuse, Normal (top), Metallic and Roughness (bottom)

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Blender Report.
Mesh Restoration

Fig. 7 – 3D Model before restoration

Fig. 7 – 3D Model after restoration

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Rendering

Fig. 9 – Rendered image of the final model

Fig. 10– Final model rendered in context

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Scaling

Fig.11 – Different views of the 3D model showing front, side, back, side, bottom, and top perspectives

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Data Sheet.
Data

Horn Container
Site

Muséu del Pueblu d´Asturies / RDM1317

Origin

-

Creator

-

Technique

Carving; Forging;

Material

Horn; Iron

Date

ca. 1875/1880

Purpose of

Agricultural task: Herding

Production
Size

20x12x8cm

Description
Horn container with an iron handle. The front side features a scene of a man with a scythe, surrounded
by garlands and vegetal motifs. The inscription “I belong to Manuel Jesús Calvo” (“Soy de Manuel Jesús
Calvo”) indicates the ownership of the object.

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�</text>
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Photogrammetry Report.
Component

Image Data
Orientation Report
1.

Number of input data

174

2.

Registered images count

173 / 174

3.

Points count

400808

4.

Total projections

1869468

5.

Average images per tie point

4,7

6.

Maximum reprojection error [pixels]

2.00

7.

Median reprojection error [pixels]

0.42

8.

Mean reprojection error [pixels]

0.53

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 1 – Composite 4 Views

Model Data
Poly Report
1.

High Poly Triangle count

15615982

2.

Low Poly Triangle count

74996

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 2 – High Poly

Fig. 3 – Low Poly

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Texturing Report.
Roughness, Metalness and Texture Correction

Fig. 4 – Before texturing with SP

Fig. 5 – After texturing with SP

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�PBR Textures

Fig. 6 – AO, Diffuse, Normal (top), Metallic and Roughness (bottom)

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Blender Report.
Mesh Restoration

Fig. 7 – 3D Model before restoration

ed

Fig. 7 – 3D Model after restoration

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Rendering

Fig. 9 – Rendered image of the final model

Fig. 10– Final model rendered in context

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Scaling

This process has been carried out following the size established in the Cer.es, so it may vary slightly.

Fig.11 – Different views of the 3D model showing front, side, back, side, bottom, and top perspectives

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Data Sheet.
Data

Horn Container
Site

Muséu del Pueblu d´Asturies / RDM1312

Origin

-

Creator

-

Technique

Carving; Forging;

Material

Horn; Iron; Wood

Date

Ca. 1885/1900

Purpose of

Agricultural task

Production
Size

17x10x7cm

Description
A carved horn with a wooden base. Used as a gaxapu, its surface is decorated with various motifs. A man
riding a horse, vegetals, and flowers are part of the decorative programme, which concludes with two
animals: a peacock and a snake. The latter takes the shape of an "S" to begin the inscription "Soy de Jose
Cavallin" ("I belong to Jose Cavallin").

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�</text>
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Photogrammetry Report.
Component

Image Data
Orientation Report
1.

Number of input data

183

2.

Registered images count

155 / 183

3.

Points count

424152

4.

Total projections

1470527

5.

Average images per tie point

3.5

6.

Maximum reprojection error [pixels]

2.00

7.

Median reprojection error [pixels]

0.39

8.

Mean reprojection error [pixels]

0.51

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 1 – Composite 4 Views

Model Data
Poly Report
1.

High Poly Triangle count

32688690

2.

Low Poly Triangle count

74974

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 2 – High Poly

Fig. 3 – Low Poly

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Texturing Report.
Roughness and Texture Correction

Fig. 4 – Before texturing with SP

Fig. 5 – After texturing with SP

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Normal Correction

Fig. 6 – Before correcting

Fig. 7 – After correcting

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�PBR Textures

Fig. 8 – AO, Diffuse, Normal (top), and Roughness (bottom)

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Blender Report.
Rendering

Fig. 9 – Rendered image of the final model

Fig. 10– Final model rendered in context

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Scaling

Fig.11 – Different views of the 3D model showing front, back, sides, bottom, and top perspectives

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Data Sheet.
Data

Basket bag
Site

Muséu del Pueblu d´Asturies / FM012452

Origin

Forcinas

Creator

Artesanías Forcinas

Technique

Split wood shaped over a mold

Material

Chestnut Wood; Brass

Date

Ca. 1960 / 1990

Purpose of

Domestic activities; Accesories

Production
Size

21x24x23cm

Description
Basket with a cubic shape and a lid attached with two hinges. A semicircular handle allows for
comfortable transport. This type of basketry from Forcinas comes from one of the most important
workshops, which employed over eighty artisans during the second half of the twentieth century,
known for its high quality, design, and attention to trends

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

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Photogrammetry Report.
Component

Image Data
Orientation Report
1.

Number of input data

117

2.

Registered images count

117 / 117

3.

Points count

236795

4.

Total projections

837301

5.

Average images per tie point

3.5

6.

Maximum reprojection error [pixels]

2.00

7.

Median reprojection error [pixels]

0.39

8.

Mean reprojection error [pixels]

0.51

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 1 – Composite 4 Views

Model Data
Poly Report
1.

High Poly Triangle count

17678142

2.

Low Poly Triangle count

74996

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 2 – High Poly

Fig. 3 – Low Poly

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Texturing Report.
Roughness, Metalness and Texture Correction

Fig. 4 – Before texturing with SP

Fig. 5 – After texturing with SP

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�PBR Textures

Fig. 6 – AO, Diffuse, Normal (top), Metallic, and Roughness (bottom)

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Blender Report.
Rendering

Fig. 7 – Rendered image of the final model

Fig. 8 – Final model rendered in context

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Scaling

Fig.9– Different views of the 3D model showing front, side, back, side, bottom, and top perspectives

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Data Sheet.
Data

Horse collar
Site

Muséu del Pueblu d´Asturies / FM011313

Origin

-

Creator

-

Technique

Carving; Forging

Material

Wood; Iron; Brass

Date

Ca. 1940/1950

Purpose of

Herding; Livestock farming

Production
Size

34x19x7

Description
Wooden collar for livestock, featuring a brass plate nailed to the surface and decorated with stamped
motifs. The initials “M. A.” likely indicate the owner of the animal, and the rest of the carved decorations
include vegetal patterns and circles. An iron piece connects both ends of the collar, which originally held
a bell.

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

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Photogrammetry Report.
Component 1: Stirrup 1

Image Data
Orientation Report
1.

Number of input data

190

2.

Registered images count

186 / 190

3.

Points count

342060

4.

Total projections

1131127

5.

Average images per tie point

3.3

6.

Maximum reprojection error [pixels]

2.00

7.

Median reprojection error [pixels]

0.4

8.

Mean reprojection error [pixels]

0.53

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 1 – Composite 4 Views

Model Data
Poly Report
1.

High Poly Triangle count

34793160

2.

Low Poly Triangle count

74988

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 2 – High Poly

Fig. 3 – Low Poly

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Component 2: Stirrup 2

Image Data
Orientation Report
9.

Number of input data

202

10. Registered images count

200 / 202

11. Points count

405368

12. Total projections

1378127

13. Average images per tie point

3.4

14. Maximum reprojection error [pixels]

2.00

15. Median reprojection error [pixels]

0.38

16. Mean reprojection error [pixels]

0.51

Fig. 4 – Composite 4 Views

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Model Data
Poly Report
3.

High Poly Triangle count

31745716

4.

Low Poly Triangle count

74982

Fig. 5 – High Poly

Fig. 6 – Low Poly

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Texturing Report.
Roughness and Metallic, and Texture Correction

Fig. 7 – Stirrup 1 Before texturing with SP

Fig. 8 – Stirrup 1 After texturing with SP

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 9 – Stirrup 2 before texturing with SP

Fig. 10 – Stirraup 2 after texturing with SP

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�PBR Textures

Fig. 11– AO, Diffuse, Normal (top), Metallic and Roughness (bottom) from Stirrup 1

Fig. 12– AO, Diffuse, Normal (top), Metallic and Roughness (bottom) from Stirrup 2

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Blender Report.
Rendering

Fig. 13 – Rendered image of the final model

Fig. 14 – Final model rendered in context

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Scaling Stirrup 1

Fig.15 – Different views of the 3D model showing, front, back, sides, bottom and top perspectives

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Scaling Stirrup 2

Fig.16 – Different views of the 3D model showing, front, back, sides, bottom and top perspectives

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Data Sheet.
Data

Stirrups
Site

Muséu del Pueblu d´Asturies / RDM1349

Origin

-

Creator

-

Technique

Wood carving; Forging

Material

Wood; Iron

Date

Ca. 1865 / 1900

Purpose of

Equine farming

Production
Size

20x30x17cm

Description
Wooden stirrups reinforced with wrought iron, which is shaped into stylized vegetal forms on the front
side of the object.

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

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Photogrammetry Report.
Component

Image Data
Orientation Report
1.

Number of input data

117

2.

Registered images count

67 / 71

3.

Points count

94605

4.

Total projections

281065

5.

Average images per tie point

3.00

6.

Maximum reprojection error [pixels]

2.00

7.

Median reprojection error [pixels]

0.33

8.

Mean reprojection error [pixels]

0.46

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 1 – Composite 4 Views

Model Data
Poly Report
1.

High Poly Triangle count

17678142

2.

Low Poly Triangle count

74994

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 2 – High Poly

Fig. 3 – Low Poly

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Texturing Report.
Roughness, Metalness and Texture Correction

Fig. 4 – Before texturing with SP

Fig. 5 – After texturing with SP

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�PBR Textures

Fig. 6 – AO, Diffuse, Normal (top), Metallic, and Roughness (bottom)

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Blender Report.
Rendering

Fig. 7 – Rendered image of the final model

Fig. 8 – Final model rendered in context

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Scaling

Fig.9– Different views of the 3D model showing front, back, sides, bottom, and top perspectives

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Data Sheet.
Data

Horse collar
Site

Muséu del Pueblu d´Asturies / FM005767

Origin

-

Creator

-

Technique

Carving; Forging

Material

Wood; Iron;

Date

Ca. 1900/1920

Purpose of

Herding; Livestock farming

Production
Size

30x15x5

Description
Wooden collar with riveted iron reinforcements at both ends, connected by an iron piece designed to
hold a bell. The wood is decorated with carved six-petal flowers distributed around the entire piece.

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�</text>
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Photogrammetry Report.
Component

Image Data
Orientation Report
1.

Number of input data

212

2.

Registered images count

139 / 212

3.

Points count

297599

4.

Total projections

1010547

5.

Average images per tie point

3.4

6.

Maximum reprojection error [pixels]

2.00

7.

Median reprojection error [pixels]

0.36

8.

Mean reprojection error [pixels]

0.49

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 1 – Composite 4 Views

Model Data
Poly Report
1.

High Poly Triangle count

20327548

2.

Low Poly Triangle count

74992

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 2 – High Poly

Fig. 3 – Low Poly

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Texturing Report.
Roughness and Texture Correction

Fig. 4 – Before texturing with SP

Fig. 5 – After texturing with SP

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�PBR Textures

Fig. 6 – AO, Diffuse, Normal (top), and Roughness (bottom)

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Blender Report.
Rendering

Fig. 7 – Rendered image of the final model

Fig. 8 – Final model rendered in context

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Scaling

Fig.9 – Different views of the 3D model showing, front, back, sides, bottom and top perspectives

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Data Sheet.
Data

Castanet
Site

Muséu del Pueblu d´Asturies / FM010863

Origin

Cangas de Narcea

Creator

-

Technique

Knife-carving

Material

Chestnut wood

Date

1934

Purpose of

Musical instruments

Production
Size

4,2x16,1x13,4cm

Description
Castanet used for musical accompaniment. The body is entirely decorated with geometric motifs, with a
prominent eight-petal rosette featured at the center. A carved inscription shows the date “VIII-XXXIIII”
(August 1934). This piece comes from Cangas del Narcea and displays the typical characteristics of the
area: large size and rich ornamentation.

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�</text>
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                <text>Paula Labrador, Enrique Meléndez y Santiago Rodríguez</text>
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Photogrammetry Report.
Component

Image Data
Orientation Report
1.

Number of input data

196

2.

Registered images count

158 / 196

3.

Points count

355061

4.

Total projections

1344891

5.

Average images per tie point

3.8

6.

Maximum reprojection error [pixels]

2.00

7.

Median reprojection error [pixels]

0.42

8.

Mean reprojection error [pixels]

0.54

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 1 – Composite 4 Views

Model Data
Poly Report
1.

High Poly Triangle count

21496168

2.

Low Poly Triangle count

74988

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Fig. 2 – High Poly

Fig. 3 – Low Poly

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Texturing Report.
Roughness and Metalness

Fig. 4 – Before texturing with SP

Fig. 5 – After texturing with SP

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�PBR Textures

Fig. 6 – AO, Diffuse, Normal (top), and Roughness (bottom)

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Blender Report.
Mesh Restoration

Fig. 7 – 3D Model before restoration

Fig. 8 – 3D Model after restoration

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Rendering

Fig. 9 – Rendered image of the final model

Fig. 10– Final model rendered in context

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Scaling

Fig.11 – Different views of the 3D model showing front, side, back, side, bottom, and top perspectives

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Data Sheet.
Data

Horn container
Site

Muséu del Pueblu d´Asturies / RDM1302

Origin

-

Creator

-

Technique

Carving; Forging

Material

Horn; Iron

Date

Ca. 1875/1900

Purpose of

Dairy Industry; Herding

Production
Size

37x26x14

Description
A large horn container featuring a wide range of decorative motifs and notable inscriptions. Garlands,
plants, and flowers are accompanied by animals and hybrid creatures. One inscription indicates
ownership: “I belong to Juan Rodríguez” (“Soy de Juan Rodríguez”), while another reflects on the
creation of the object: “I cannot do it better / because my sight is failing / and I also lack / both study
and the help of grace” (“No puedo acerlo [sic] mejor / porque la vista me falta / también faltan falta [sic]
los / estudios y la yuda [sic] de gracia”).

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�</text>
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          <name>Function</name>
          <description/>
          <elementTextContainer>
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          <name>Creation Purpose</name>
          <description/>
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Photogrammetry Report.
Component

Image Data
Orientation Report
1.

Number of input data

145

2.

Registered images count

139/145

3.

Points count

137006

4.

Total projections

400603

5.

Average images per tie point

3.1

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Confidence

Fig. 1 – Confidence

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Model Data
Poly Report
1.

High Poly Triangle count

19373300

2.

Low Poly Triangle count

4992

Fig. 2 – High Poly

Fig. 3 – Low Poly

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Texturing Report.
Texture Correction

Fig. 4 – Before texturing with SP

Fig. 5 – After texturing with SP

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Normal Restoration

Fig. 6 – Before Restoration

Fig. 7 – After Restoration

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�PBR Textures

Fig. 8 – AO, Diffuse, Normal (top), and Roughness (bottom)

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Blender Report.
Mesh Restoration

Fig. 9 – Before Mesh Restoration

Fig. 10– After Mesh Restoration

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Rendering

Fig. 11 – Rendered image of the final model

Fig. 12– Rendered image of the final model (detail)

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

�Data Sheet.
Data

Jumper
Site

Timespan Museum

Origin

Helmsdale

Creator

-

Technique

Knitting

Material

3-ply yarn

Date

Mid-20th century

Purpose of

Fishing

Production
Size

-

Description
This is a fine example of a traditional 'Helmsdale' patterned fisherman's gansey or jumper, dating back to
the mid-20th century. The design features motifs that include the diamond shape of herring nets and the
cable patterns reminiscent of rope and rigging. This particular jumper was typically worn on special
occasions or Sundays, rather than while at sea. Fisherwomen, who were skilled knitters, created ganseys
during their spare time as they awaited the herring catch to arrive at the quayside.

CULTURALITY · This project has received funding by the European Union’s Horizon Europe research and innovation programme under
Grant Agreement No. 101132628

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                <text>One of the areas of the laboratory is ARBIO, dedicated to the production of biodegradable fabrics that the made by kÖs firm of Constantino and Yolanda uses to make some of its pieces. This collaboration is part of the key points of the lab, which seeks synergies with designers, experts, researchers, and the community in general. Constantino learned to sew with his mother and later trained in Fashion and Clothing. Inspired by his research and interest in textile history and historical recreation, he established the made by kÖs brand in 2013, combining traditional inspiration with contemporary designs, after a work of reproducing old pieces based on paintings and photographs with traditional scenes, especially from the 19th century. After a few years, Yolanda joined, who also began sewing with her mother, as well as with her grandmother and her aunts. She is in charge of reproducing the pieces based on Constantino’s model, as well as the more business work, related to suppliers and orders. Her line of garments, with very selected projects, are produced on a small scale and locally, proposing pieces inspired by rural areas, village life and traditional clothing, incorporating current elements to give rise to handmade designer pieces</text>
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              <text>it can be transmitted as a family tradition, part of the heritage of each family transmitted from  generation to generation, but in Maramures there are local folk art schools that educated potential singers in this area</text>
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              <text>Early Preparations: Carolling preparations begin weeks in advance, as children and young people rehearse their songs and create traditional costumes or props.&#13;
Groups and Routes: The carollers, known as colindători, form groups that travel through villages, stopping at each household to sing.&#13;
Blessings and Rewards: Hosts welcome the carollers with food, sweets, nuts, apples, and sometimes money as a token of appreciation and blessing for the new year.&#13;
Types of Carols in Maramureș&#13;
Religious Carols: Many songs focus on the birth of Christ, the Virgin Mary, and the Nativity.&#13;
Folk Carols: Some carols reflect local legends, pastoral life, and historical elements of the region.&#13;
Joyful and Festive Carols: These include songs meant to bring good luck, prosperity, and happiness to the family.&#13;
Unique Elements of Maramureș Carolling&#13;
Traditional Costumes: Carollers often wear beautifully embroidered garments specific to the Maramureș region.&#13;
Wooden Churches and Community Gatherings: Villagers often gather at local wooden churches to celebrate with communal carolling and festive meals.&#13;
Feciorii Satului: A group of young men known as Feciorii Satului often take the lead in carolling and festive celebrations, ensuring that traditions are passed down.</text>
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              <text>Carolling is an opportunity for families to show hospitality by welcoming carollers with food, sweets, or small gifts. The act of giving and receiving reinforces social harmony, mutual respect, and the importance of generosity.&#13;
&#13;
5. Celebration of Identity and Regional Pride&#13;
Maramureș is known for its strong cultural identity, and carolling is an expression of this. The songs, costumes, and rituals associated with carolling reflect local customs, linguistic expressions, and folk beliefs that distinguish Maramureș from other regions in Romania.&#13;
&#13;
6. Spiritual and Moral Education&#13;
The themes of carols often include messages of peace, faith, and goodwill. These reinforce moral and ethical values within the community, encouraging virtues such as kindness, respect, and solidarity.&#13;
&#13;
7. Social Entertainment and Festivity&#13;
Carolling is a joyful activity that adds to the festive spirit of Christmas. It provides a moment of entertainment, music, and socializing, allowing villagers to take a break from daily work and engage in communal celebration.&#13;
&#13;
8. Strengthening Rural Social Structures&#13;
In smaller villages, carolling strengthens rural social structures by maintaining traditions that encourage participation from the entire community. The hierarchical organization of carolling groups (led by experienced members) reflects and preserves the traditional social order.</text>
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&#13;
Inclusivity: People of all ages participate, from children to the elderly, creating a shared sense of belonging.&#13;
Reciprocity and Social Bonds: Households welcome carollers with food, gifts, and warm hospitality, reinforcing community solidarity.</text>
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              <text>Nănești is a village in Maramureș County, Romania, situated within the commune of Bârsana. The village's name has appeared in historical documents in various forms, including Naufalva, Nanfalva, Nanfalua, Nanfalwa, Nonești, and Nanfalu, all derived from the personal name "Nan" and its derivative "Nănești." The first documented mention of Nănești dates back to 1412, when King Sigismund granted the Nănești estate to Ioan, son of Daan from Văncești (now Oncești), and his cousins. For a significant period, Nănești's history was intertwined with neighboring villages such as Oncești and Valea Porcului, collectively forming part of the territory known as "Olacalis Waralia," attested around 1360. &#13;
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The social fabric of Nănești reflects the broader cultural heritage of the Maramureș region, renowned for its wooden churches, vibrant folklore, and enduring traditions. The village is part of the commune of Bârsana, which is home to the Bârsana Monastery, a UNESCO World Heritage site celebrated for its distinctive wooden architecture. Residents of Nănești actively participate in traditional crafts, music, dance, and festivals that highlight the region's rich cultural legacy.&#13;
Historically, Nănești's economy has been predominantly agrarian, with villagers engaged in farming and animal husbandry. The fertile lands along the Iza River support the cultivation of various crops, while the surrounding hills provide ample grazing grounds for livestock. In recent years, there has been a growing interest in rural tourism, leveraging the area's cultural and natural attractions to promote economic diversification. &#13;
In summary, Nănești is</text>
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              <text>It is a family practice that she passed on to her daugther Mariana, but she is engaged in public events, promoting her skill to the wide public, making sure that the manual production of wool will not be forgotten</text>
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              <text>My hands are my visit card for all those enthusiasts of Maramures</text>
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              <text>I created my entire life, i built up my house and raised my children with the use of my skill, so i am lucky to be able to provide for myself by use my talent and skill that my grand mother passed on to me.</text>
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                <text>Stan, Anuța</text>
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              <text>The weaver working on traditional wool shoulder bag in Maramures</text>
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            <name>Europeana Type</name>
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            <description>Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal.</description>
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                <text>Carmen Pérez Maestro</text>
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                <text>https://culturality.museum/galleries/upload/LAPONTE_PR_01_03_.mp4</text>
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              <text>iain</text>
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          <name>Email</name>
          <description>The email address of the museum.</description>
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              <text>hola@woodic.es</text>
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              <text>Born in Laviana, Asturias in 1976. Designer and ceramist. Graduate in Fine Arts, specialising in Design, from the University of Barcelona and a Higher Graduate in Artistic Ceramics from the School of Arts and Crafts of Barcelona, Llotja, San Andreu. In the village of El Valle, in Candamo, she created a design workshop in ceramics and wood, materials that give name to her brand WOODIC, in which she designs and creates unique and totally handmade pieces in a commitment to honest designs based on the feminine imaginary, mythology and the forms of nature.She is also a dynamiser of the rural environment through workshops and activities.</text>
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              <text>At the University, she is Graduate in Fine Arts, specialising in Design and Higher Graduate in Artistic Ceramics.</text>
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              <text>Yes, she is currently running workshops in hand and slow wheel pottery for adults and children. These are introductory classes to try out techniques and develop pieces that he teaches in hes rural studio. He also conducts kintsugi workshops, the Japanese art of soldering pieces of ceramic fragments with gold.</text>
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              <text>The clay is bought on the internet and does not know its origin. Many of the glazes she used were imported from the UK, but because of Brexit the tariffs have risen so high that she can no longer buy them.</text>
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              <text>Ceramic is 100% recyclable. The residues of each piece produced are reused in another piece, even with the fragments of broken objects he has made mosaics for reuse.</text>
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              <text>She works with plaster moulds whose prototypes he designs digitally. She makes 3D prints of the moulds and then manufactures the piece using the casting clay technique. Casting clay consists of pouring liquid clay into a plaster mould. This mould absorbs the water, leaving a layer of clay in a solid state. For the surfaces, he uses different treatments, such as engobes or glazes. Ceramic objects are fired in the oven. She produces some objects hybridising ceramics and vegetable fibres braided by another craftsman.</text>
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              <text>Use the computer to create the designs, the 3d printer to make the plaster moulds, the roller, knife, and wooden tools to process the clay. He also uses the potter's wheel.</text>
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              <text>He takes special care of his tools, because if, for example, the potter's wheel breaks down, there is no one around to fix it. His favourite tool is the knife, with which he has a ‘love-hate’ relationship. When she was a student she stuck it in her hand, but she likes it very much because it is a specific tool of a potter's craftswoman. She also loves the potter's wheel. She has three, two to teach and one to work on her own.</text>
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              <text>Ceramic is 100% recyclable. The residues of each piece produced are reused in another piece, even with the fragments of broken objects he has made mosaics for reuse. lead is no longer used for enamels because it is a pollutant. Sometimes gold is used, and the plastic containers are deposited with a label in specific places for this purpose.</text>
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              <text>The working and workshop space is the same. It is a small building with large windows and a mezzanine inside, built next to the artisan's home. It has an approximate internal size of approximately 35 square metres. In the central part of the lower floor there is a large wooden table and on the sides there are shelves with objects made by the artisan and her students, as well as moulds, clay and tools.</text>
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              <text>Firstly as a creative experience for the craftswoman and secondly as an economic livelihood.</text>
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              <text>Basically she sells through her website. She also receives many commissions because her pieces have been seen at fairs and exhibitions.</text>
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              <text>She offers workshops to learn how to make ceramic objects and kintsugi workshops for small groups. She also offers an activity called ‘create memories’, where babies' handprints are put on ceramic plates.It also offers the Family day for a specific pottery workshop for the family and the Clayparty to celebrate anniversaries or birthdays.</text>
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          <description/>
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              <text>Yes, because she considers her workshops as part of a cultural tourism offer. Both domestic and foreign tourists participate in these workshops.</text>
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        <element elementId="269">
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          <description/>
          <elementTextContainer>
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              <text>El espacio es una oferta turistica cultural en la que se valora procesos y lo que se hace en los entornos rurales de una forma respetuosa…asi nos apoya de manera económica pero también nos ayuda a generar redes. "</text>
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          <name>partnership</name>
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              <text>She is a member of the group of ceramists of Asturias, of Nexodos (a contemporary creation collective that develops projects linked to peripheral territories, the enhancement of alternative spaces and the promotion of new formats for citizen participation) and collaborates with several public institutions such as the city council and ‘el Camin real de la Mesa’ (a local development group). Its very important for her to create a network of rural women and she is very interested in getting involved in research projects both in universities and museums.</text>
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              <text>The biggest challenge is the transfer between generations, both for life in rural areas and for the profession. The biggest challenge is generational renewal, both for rural life and for the profession. Natalia also calls for academic training spaces, where young people are trained in rural areas.</text>
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          <description/>
          <elementTextContainer>
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              <text>necesitamos una escuela de arte, una escuela de artesanía, una universidad rural…necesitamos un espacio donde la gente joven venga a formarse en lo rural</text>
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              <text>https://nexodos.art/natalia-suarez-woodic-nexodoscandamo2024/ https://www.elconfidencial.com/empresas/2024-09-19/natalia-suarez-woodic-bra_3954222/</text>
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          <name>Social Media</name>
          <description>The social media links.</description>
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            <elementText elementTextId="8482">
              <text>facebook,https://www.facebook.com/woodic.es;instagram,https://www.instagram.com/woodic.es/;</text>
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          <description>A link to a wiki entry about this item.</description>
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              <text>https://culturality.museum/wiki/index.php/Natalia_Suárez</text>
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