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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>2025-02-04</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="81">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="11784">
                <text>current,68.244008477137,13.7572701433528;</text>
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            </elementTextContainer>
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        </elementContainer>
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      <elementSet elementSetId="4">
        <name>Europeana</name>
        <description>Specific elements of the Europeana Semantic Elements.</description>
        <elementContainer>
          <element elementId="100">
            <name>Europeana Type</name>
            <description>The Europeana material type of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="11779">
                <text>IMAGE</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="99">
            <name>Europeana Rights</name>
            <description>Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal.</description>
            <elementTextContainer>
              <elementText elementTextId="11782">
                <text>Rebeca Franco Valle</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="92">
            <name>Country</name>
            <description>The name of the country of the data provider or “Europe” in the case of Europe-wide projects.</description>
            <elementTextContainer>
              <elementText elementTextId="31515">
                <text>Norway</text>
              </elementText>
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        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="1296" public="1" featured="0">
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="132">
          <name>Material</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="18136">
              <text>Trysil Garn Sportsgarn, three stranded 100% wool yarn. Uses leftover strans for embroidery.</text>
            </elementText>
          </elementTextContainer>
        </element>
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          <name>Natural Cultural</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="18138">
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          </elementTextContainer>
        </element>
        <element elementId="223">
          <name>Function</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="18139">
              <text>Hat for warmth and for regular use or to wear with the local folk costume. It’s a garment and accessory which shows tradition and heritage both in the technique and form.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="224">
          <name>Creation Purpose</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="18140">
              <text>Bengtsson made the first hat over 20 years ago, and she wanted to create something inspired and belonging to the Dalby mittens. She makes hats for exhibitions and for sale.</text>
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          </elementTextContainer>
        </element>
        <element elementId="225">
          <name>Technique</name>
          <description/>
          <elementTextContainer>
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              <text>Made with nålbindning technique, see RV_CP_06 for further information.</text>
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        <element elementId="226">
          <name>Material Source</name>
          <description/>
          <elementTextContainer>
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              <text>Bengtsson buys her yarn in Norway, at Europris. trysilgarn.europris.no</text>
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        </element>
        <element elementId="227">
          <name>Conecept</name>
          <description/>
          <elementTextContainer>
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              <text>The hat is made in the image of the Dalby mitten and uses the same nålbindning technique and a similar embroidery. As the nålbindning is a cultural heritage and history of the region, the hat is a continuation and development of the unbroken practice in the valley.</text>
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          </elementTextContainer>
        </element>
        <element elementId="228">
          <name>Production Quality</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="18144">
              <text>Bengtsson has made about 20 hats</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="187">
          <name>External ID</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="18145">
              <text>RV_AR_26</text>
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          </elementTextContainer>
        </element>
        <element elementId="236">
          <name>Field Worker</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="18146">
              <text>Ulrika Jäger, Kajsa Stinnerbom</text>
            </elementText>
          </elementTextContainer>
        </element>
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          <name>Craft</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="18148">
              <text>fibre and textile crafts</text>
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          </elementTextContainer>
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        <element elementId="275">
          <name>Tool</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="18149">
              <text>Needle made from moose bone, pattern templates, embroidery needle, pliers, chochet needle. Also uses a glass of water and ”såpa”, gel like (toilet) soap made from fat and potassium, to moist the fingers to help splice the threads and yarn. Saliva is also possible to use.</text>
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          </elementTextContainer>
        </element>
        <element elementId="155">
          <name>Place</name>
          <description>The town or city</description>
          <elementTextContainer>
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              <text>Sysslebäck, Sweden</text>
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          </elementTextContainer>
        </element>
        <element elementId="130">
          <name>Prim Media</name>
          <description/>
          <elementTextContainer>
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              <text>1346</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18125">
                <text>Knitted cap from Dalby - &amp;quot;stitched and ruffled&amp;quot;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18126">
                <text>Physical Object</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18127">
                <text>The knitted hat is made in the nålbidning of Northen Värmland with white wool yarn with flower embroidery and decorated with borders of red wool yarn. The design is inspired by the Dalby mitten of the region. The embroidery presented have the traditional flowers of the mittens such as: rose, viola/pansy and myosotis/forget-me-nots. The red border around is ”crows kicks”, and marks where the hat was made.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18128">
                <text>2020s (before 2025)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18129">
                <text>1234</text>
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            </elementTextContainer>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18131">
                <text>Swedish</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="18132">
                <text>22cm x 0.3cm x 27.5cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="18133">
                <text>iain</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="18134">
                <text>varmlandmap</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="75">
            <name>References</name>
            <description>A related resource that is referenced, cited, or otherwise pointed to by the described resource.</description>
            <elementTextContainer>
              <elementText elementTextId="18135">
                <text>Vinterblomster. Nålbundna vantar från Dalby i Värmland. Elisabet Jacks Svantesson. ISBN 9789163391026</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="59">
            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="18137">
                <text>02/09/2025</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="52">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
            <elementTextContainer>
              <elementText elementTextId="18147">
                <text>Dalbymössa - sömmad och krusad</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="81">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="18151">
                <text>current,60.71118,12.88606;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="61">
            <name>Date Modified</name>
            <description>Date on which the resource was changed.</description>
            <elementTextContainer>
              <elementText elementTextId="18936">
                <text>08/09/2025</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="18940">
                <text>631</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
      <elementSet elementSetId="4">
        <name>Europeana</name>
        <description>Specific elements of the Europeana Semantic Elements.</description>
        <elementContainer>
          <element elementId="100">
            <name>Europeana Type</name>
            <description>The Europeana material type of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="18130">
                <text>TEXT</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="774" public="1" featured="0">
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="132">
          <name>Material</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="10727">
              <text>Rauma Ullvarefabrikk's "finullgarn" yarn: 175m/50gr. Rauma Ullvarefabrikk's website: www.rauma.no</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="189">
          <name>Natural Cultural</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="10729">
              <text>Cultural</text>
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        </element>
        <element elementId="223">
          <name>Function</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="10730">
              <text>Functional hat</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="224">
          <name>Creation Purpose</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="10731">
              <text>Private use</text>
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          </elementTextContainer>
        </element>
        <element elementId="225">
          <name>Technique</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="10732">
              <text>The artefact is made with stockinette stitch and entrelac</text>
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          </elementTextContainer>
        </element>
        <element elementId="226">
          <name>Material Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="10733">
              <text>The yarn Inez uses are from Norway. She finds that the norweigian yarn is of a especially high quality unlike other yarns. It is soft and easy to knit with. Inez buys her wool from a local knitting store in Sunne: www.lillagarnverstan.se. The yarn is from Rauma Ullvarefabrikk's website: www.rauma.no</text>
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          </elementTextContainer>
        </element>
        <element elementId="227">
          <name>Conecept</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="10734">
              <text>Inez was thought how to knit from her maternal great grandmother. Entrelac/näverstickning has associations to the Finn Foest where she grew up. This technique was brought over with the forest finns who emigrated to Sweden in the 17th century.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="228">
          <name>Production Quality</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="10735">
              <text>Inez estimates that she's made more than 20 hats in entrelac</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="187">
          <name>External ID</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="10736">
              <text>RV_AR_04</text>
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          </elementTextContainer>
        </element>
        <element elementId="236">
          <name>Field Worker</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="10737">
              <text>Ulrika Jäger, Sara Olsson</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="274">
          <name>Craft</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="10739">
              <text>fibre and textile crafts</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="275">
          <name>Tool</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="10740">
              <text>Circular needles 2 och 2,5 mm, sock needles 2,5 mm, safety pins, messuring tape, scissor, needle</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="155">
          <name>Place</name>
          <description>The town or city</description>
          <elementTextContainer>
            <elementText elementTextId="10741">
              <text>Sunne, Värmland, Sweden</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="130">
          <name>Prim Media</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="13889">
              <text>1053</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10716">
                <text>Knitted hat in entrelac</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
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                <text>Physical Object</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10718">
                <text>Knitted hat with brim in entrelac technique in orange, yellow, grey and black with two felted wool pompoms</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>2010s</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10720">
                <text>695</text>
              </elementText>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10722">
                <text>Swedish</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="10723">
                <text>22cm x 56cm x 9cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10724">
                <text>iain</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="10725">
                <text>447</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="10726">
                <text>craftedobjects,varmlandmap</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="59">
            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="10728">
                <text>02/07/2025</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="52">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
            <elementTextContainer>
              <elementText elementTextId="10738">
                <text>Mössa med näverstickning</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="81">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="10742">
                <text>current,59.8376399,13.1230106;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="61">
            <name>Date Modified</name>
            <description>Date on which the resource was changed.</description>
            <elementTextContainer>
              <elementText elementTextId="13890">
                <text>24/03/2026</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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        <name>Europeana</name>
        <description>Specific elements of the Europeana Semantic Elements.</description>
        <elementContainer>
          <element elementId="100">
            <name>Europeana Type</name>
            <description>The Europeana material type of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="10721">
                <text>TEXT</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
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  <item itemId="1053" public="1" featured="0">
    <fileContainer>
      <file fileId="669">
        <src>https://culturality.museum/omeka/files/original/a0d457ab3231e3d769b506726776cb12.jpg</src>
        <authentication>48965b05b4527447ca67cbe9c27222f8</authentication>
      </file>
    </fileContainer>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
      <elementContainer>
        <element elementId="187">
          <name>External ID</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="31699">
              <text>RV_AR_04(01)</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13880">
                <text>Knitted hat shown in grey, black, orange and red with pompoms on braid on top</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13881">
                <text>Still Image</text>
              </elementText>
            </elementTextContainer>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13887">
                <text>2024-11-21</text>
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          <element elementId="81">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="13888">
                <text>current,59.8376399,13.1230106;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
      <elementSet elementSetId="4">
        <name>Europeana</name>
        <description>Specific elements of the Europeana Semantic Elements.</description>
        <elementContainer>
          <element elementId="100">
            <name>Europeana Type</name>
            <description>The Europeana material type of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="13883">
                <text>IMAGE</text>
              </elementText>
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          </element>
          <element elementId="99">
            <name>Europeana Rights</name>
            <description>Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal.</description>
            <elementTextContainer>
              <elementText elementTextId="13886">
                <text>Ulrika Jäger, Sara Olsson</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="92">
            <name>Country</name>
            <description>The name of the country of the data provider or “Europe” in the case of Europe-wide projects.</description>
            <elementTextContainer>
              <elementText elementTextId="31700">
                <text>Sweden</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="1781" public="1" featured="1">
    <itemType itemTypeId="15">
      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="130">
          <name>Prim Media</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="23222">
              <text>1775</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="132">
          <name>Material</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="23224">
              <text>Virgin wool from Xalda sheep, available in three natural shades: black, grey, and white — the original colors of the animal.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="189">
          <name>Natural Cultural</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="23226">
              <text>Cultural</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="223">
          <name>Function</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="23227">
              <text>Unisex knitwear</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="224">
          <name>Creation Purpose</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="23228">
              <text>Direct sale to customers.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="225">
          <name>Technique</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="23229">
              <text>The wool comes from local farms in Asturias, where native sheep breeds are raised. Marina personally selects the raw material, respecting the natural colors of the wool and avoiding the use of dyes, which adds authenticity and sustainability to the process.  Once collected, the wool is sent to a specialized spinning mill, where it undergoes washing, carding, and spinning using traditional methods that preserve the quality of the material.  The prepared yarn is then returned to Marina, who carefully selects the wool cones before sending them to a knitting workshop located in Béjar (Salamanca). This workshop is run by a small family business and is equipped with specific knitting machinery (tricotosa), allowing for the creation of uniquely handcrafted knitwear.  Each garment is designed by Marina, who blends tradition, respect for materials, and a contemporary aesthetic. The entire process is carried out without the use of dyes, maintaining the natural tones of the wool and reducing environmental impact.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="226">
          <name>Material Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="23230">
              <text>The wool comes from Xalda sheep raised on farms in Asturias. The buttons are made from Spanish olive wood and have been manufactured in Spain.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="227">
          <name>Conecept</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="23231">
              <text>Knitted fabrics began to gain popularity in Spain during the 20th century. Prior to that, women knitted wool socks, stockings, and other garments at home using four needles. With the invention of knitting machines and the rise of hand knitting with needles, domestic production expanded to include sweaters and jackets.  These jackets, simple in design and intended for warmth, were widely worn in the rural areas of northern Spain, although they have gradually been replaced by synthetic garments. The use of wool from native sheep breeds aims to reconnect clothing traditions with local identity and landscape.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="228">
          <name>Production Quality</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="23232">
              <text>Limited-run production</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="187">
          <name>External ID</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="23233">
              <text>UNIOVI_AR_42</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="236">
          <name>Field Worker</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="23234">
              <text>Rodríguez Pérez, Santiago</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="274">
          <name>Craft</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="23236">
              <text>fibre and textile crafts</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="275">
          <name>Tool</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="23237">
              <text>Machinery for washing, carding, and spinning wool; knitting machinery. Occasional finishing touches with knitting needles.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="155">
          <name>Place</name>
          <description>The town or city</description>
          <elementTextContainer>
            <elementText elementTextId="23238">
              <text>Tene, Quirós, Asturias, Spain</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Wiki</name>
          <description>A link to a wiki entry about this item.</description>
          <elementTextContainer>
            <elementText elementTextId="23240">
              <text>https://culturality.museum/wiki/index.php/Knitted_wool_jacket_/_cardigan</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="23211">
                <text>Knitted wool jacket / cardigan</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="23212">
                <text>Physical Object</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="23213">
                <text>This jacket is made from pure virgin wool sourced from Xalda sheep, a native breed of Asturias known for the quality of its fiber and its adaptation to rural environments. The design is simple and functional, featuring two front pockets, long sleeves, and an open front without lapels. The buttons are crafted from Spanish olive wood, adding a natural and artisanal touch that reinforces the garment’s sustainable character.  The jacket follows a classic rural style, reinterpreted by Marina with a focus on comfort and versatility. Her goal was to create an open garment suitable for all seasons, and especially practical for breastfeeding, without compromising on aesthetics or functionality. The result is a practical, adaptable piece with a strong identity.  Although originally conceived as a unisex jacket, experience showed that many potential customers were unable to purchase it due to sizing limitations. As a result, Marina has begun developing a men’s version in a larger size, expanding its market potential while maintaining the essence of the original design.  The jacket was launched recently, but is not yet available for purchase on her website. It represents a proposal that blends tradition, sustainability, and contemporary design, highlighting local resources through artisanal fashion.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="23214">
                <text>The jackets are produced continuously, depending on the availability of raw materials and demand. This particular piece was made in 2025 and is currently stored in stock, ready for commercial distribution.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="23215">
                <text>1616</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="23217">
                <text>Spanish</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="23218">
                <text>60cm x cm x 50cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="23219">
                <text>iain</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="23220">
                <text>724</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="23221">
                <text>asturiasmap</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="75">
            <name>References</name>
            <description>A related resource that is referenced, cited, or otherwise pointed to by the described resource.</description>
            <elementTextContainer>
              <elementText elementTextId="23223">
                <text>Kensington, S. (2024, septiembre 1). The Evolution and Impact of the Cardigan: A Knitted Icon. Paul James Knitwear. https://www.pauljamesknitwear.com/blogs/guide/history-of-cardigans&#13;
Llorente, L. (2022). Los tejidos de entreguerras, 1920-1939. Modelos del mes. Museo del Traje, 4. https://www.cultura.gob.es/dam/jcr:b414b4b1-0da1-44bb-937a-90b2f4c4e331/mdm11-2022-tejidos-digital.pdf&#13;
R., B. (2013, junio 19). Imagesa—Industria Madrileña de Géneros de Punto—Pueblo Nuevo. Historias matritenses. https://historias-matritenses.blogspot.com/2013/06/imagesa-industria-madrilena-de-generos.html</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="59">
            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="23225">
                <text>13/10/2025</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="52">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
            <elementTextContainer>
              <elementText elementTextId="23235">
                <text>Chaqueta de punto de lana</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="81">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="23239">
                <text>current,43.204933648779495,-5.993876638159771;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
      <elementSet elementSetId="4">
        <name>Europeana</name>
        <description>Specific elements of the Europeana Semantic Elements.</description>
        <elementContainer>
          <element elementId="100">
            <name>Europeana Type</name>
            <description>The Europeana material type of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="23216">
                <text>TEXT</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="721" public="1" featured="0">
    <itemType itemTypeId="43">
      <name>Intangible</name>
      <description/>
      <elementContainer>
        <element elementId="130">
          <name>Prim Media</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9408">
              <text>720</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="236">
          <name>Field Worker</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9411">
              <text>Elisabeth Rosa Brusin, Ole Andreas Sagmo, Rebeca Franco Valle</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="190">
          <name>Climate Threats</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9412">
              <text>Water pollution,Loss of biodiversity,Invasive species,Coastal erosion,Sea-level rise,Increased rainfall,Deterioration of material,Deterioration of space</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="191">
          <name>Economic Threats</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9413">
              <text>Rapid economic transformation</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="192">
          <name>Technological Threats</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9414">
              <text>Industrial production,Surge of new technologies</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="193">
          <name>Policy Threats</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9415">
              <text>Lack of conservation policy,Educational standardisation</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="194">
          <name>Conflicts</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9416">
              <text>Human encroachment on boundaries</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="195">
          <name>Demographic Threats</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9417">
              <text>Rural-urban migration</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="196">
          <name>Decontextualization</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9418">
              <text>Touristification,Misappropriation</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="197">
          <name>Globalisation</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9419">
              <text>New pastimes,Rapid sociocultural change</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="198">
          <name>Weakened Practice</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9420">
              <text>Aged practitioners,Diminishing participation,Halted transmission between generations,Reduced practice</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="199">
          <name>Loss Threats</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9421">
              <text>Loss of cultural spaces,Loss of knowledge,Material shortage,Loss of cultural significance</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="200">
          <name>Climate Actions</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9422">
              <text>Research,Community Engagement,Collaboration with other organisations </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="201">
          <name>SDG</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9423">
              <text>Decent Work and Economic Growth,Industry Innovation and Infrastructure,Reduced Inequalities,Sustainable Cities and Communities,Responsible Consumption and Production,Climate Action,Life On Land</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="187">
          <name>External ID</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9424">
              <text>MN_CP_02</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="276">
          <name>Knowledge</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9425">
              <text>Knowledge of different types of wool, their different textures, and their applications to different kinds of clothing. Different knitting techniques and design patterns. Implementation of machine knitting techniques in the production line. In Lofoten Wool, the production of garment is divided into two practices: hand made knitting and machine knitting. Handmade knitting is carried out by skilled ladies who knit from home. The knitters are located in whole Northern Norway, and are coordinated by one of Ragnhild's co-workers, Nora. Machine knitting is carried out with the 3D zero waste knitting technology, which is a knitting practice that has been implemented by Lofoten Wool in order to offer more affordable, but still high-quality, garments. The garments made with this technique are machined knitted by partner companies in Tingvoll (Tingvoll Ull?) and Sykkylven (Krivi?), about 700 km southern Lofoten. The 3D zero waste knitting practice knits a sweater in 40 minutes, and reduces the yarn waste by using only the yarn needed for the production of the garment. The practitioner weaves and knits some of the garments herself, as well as designs new models and patterns with the collaboration of responsible for the quality check of the garments </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="230">
          <name>Knowledge Transfer</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9426">
              <text>There are schools for learning traditional fiber and textile work. Higher education in fashion design. Lugger (shoes for walking in the snow, in the dry winters. old woolen parts and then they would knit the shoes). Snow, shoes. </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="277">
          <name>Practitioners</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9427">
              <text>Current practitioners of the office: traditional textile workers, and employees responsible for coordination and administrative work. They can be learnt by choosing to work in that particular work. There is general gender differences that rely on longer cultural undercurrents (ie. wool textile workers are generally woman). Lofoten wool Hand-made sweaters relies on the work of  knitters located in Northern Norway, that produce the sweaters for the company. The knitter may have school education, or practice-base knowledge to produce the sweaters. Current practitioners of machine knitted garments: partner companies in Tingvoll and Sykkylven (Norway).</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="223">
          <name>Function</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9428">
              <text>Besides preserving the sense of belonging to a long-term domestic tradition, it opens the gates to thinking about fiber choices, local production and slow-fashion as gatheways to the sustainable fashion industry. Tourists engage in this sustainable industry by choosing locally produced raw materials and products that support the local primary sector, but also acquire a durable piece of clothing made in ways that respect the local nature and culture.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="278">
          <name>Origins and change</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9429">
              <text>The current practices are not directly tied to old traditions, but they aim to recover, maintain and enhance the former domestic textile production. Knitwear is known in Scandinavia since the Middle Ages, and has a long tradition in domestic production until recent times.  With the arrival of regulated public education to Norway, schools of offices also took up textile learning traditions, and offered them as professional education, while domestic hobby craft was kept in the families. However, the learning of hand-made crafting educations has been diminishing during the past decades, where fast-fashion industry has slowly been taking over consumer needs. Hand-made knitwear survives today partially as a hobby craft, and through revival initiatives. The connections of the craft with the land in Lofoten wool however, permeate much deeper than the hobby stores, investing in local ancient sheep breeds to produce fashionable items for tourist, naturally bridging between the primary and quaternary sectors with their textile (sweater) productions.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="279">
          <name>Organisations</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9430">
              <text>Lofotr Viking Museum, the slaughtery, the organizations Norske Kunsthandverkerer and Norske Biledkunstnerer, Småbrukerlager and Bondelaget, and Husflidlaget.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="280">
          <name>Places</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9431">
              <text>Local husflidslaget, factories in Ålesund area (Tingvoll and Sykkylven).</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="292">
          <name>Artefacts</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9432">
              <text>Different types of knitting needles, 3D knitting machines, industrial loom, yarn unwinder, pots and utensils for dying. </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="281">
          <name>Climate Threats Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9433">
              <text>Water pollution as a result of industrial production. Loss of Biodiversity: there are few sheep farms left in Lofoten. Invasive species come with streams of imported products, vacations abroad and mass tourism. As an island, coastal erosion and rise of sea level may affect the place. Increased rainfall modifies the flora and the naturall cicles on which fodder for the sheep is produced. </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="286">
          <name>Economic Threats Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9434">
              <text>Raw material production is being increasingly outsourced, away from the country. Rural road infrastructure in the islands with few options of public transport</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="282">
          <name>Technological Threats Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9435">
              <text>Indrustrial production has to be used to make the business sustainable. Surge of new technologies to improve the machine knitted production.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="283">
          <name>Conflicts Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9436">
              <text>The increasing pressure of new inhabitants on the area and vacation houses creates conflicts with the use of pastures for the sheep. Younger generations are moving away from Lofoten/Northern Norway creating a a lack of generational turnover when it comes to learning and carrying out textile traditional handicraft.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="284">
          <name>Decontextualization Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9437">
              <text>Mass tourism demands more and faster production of garments to be sold. Traditional weaving patterns are appropiated by fast fashion industries.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="289">
          <name>Globalisation Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9438">
              <text>Craft hobbies with wool have been reduced in the past decades. At the same time, industrial production of clothes and fast fashion produced in other countries, with more affordable products, makes the products less attractive.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="285">
          <name>Weakened Practice Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9439">
              <text>Knitting is a popular hobby in Norway. However, there is a steady decrease of textile production in Norway in favor of relocation to countries where production is cheaper. </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="290">
          <name>Loss Threats Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9440">
              <text>With the loss of traditions linked to traditional manners of processing the wool, also the old tool usage has been lost to big extends. Oral traditions preserved are very few, since the founder of the project Lofoten wool is not a local herself. </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="298">
          <name>State of the practice</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9441">
              <text>thriving</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="293">
          <name>Social sustainability</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9442">
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              <text>Sheep farming has very little impact over the local landscape. It helps preserving the landscape too. There is very waste generated during thr process of obtaining the wool. The energy employed is electric. The materials are sources locally, but the wool preparation has to be outsourced from another region, since there is no local installations that offer this service and the production center is not big enough. </text>
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              <text>It diversifies the production of the region, offering locally produced textiles using local raw materials. This also benefits the local sheep farmers, that find a use for the sheep wool that would otherwise go to waste.</text>
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              <text>Lofoten wool is situated in the proximity of the town of Stamsund. The town belongs to the municipality of Vestvågøy, in the Lofoten Archipelago and by 2023 counts 1.104 inhabitants. The town is one of the largest fishing towns in Lofoten, and an important fishing harbour. The fishing town was established in 1983 by JM Johansen, and today houses one of the largest fish processing plants of Lofoten, a Tran refinery, and its own shipping company. </text>
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                <text>The know-how about curating, harvesting and selecting the best parts of the sheep wool and different uses according to its natural properties: socks, sweaters, woven fabrics and felted wools. Knitting has been a practiced traditionally carried out at home by women. Spinning, knitting and weaving was common knowledge un homes up until 100 years ago, when industrial production begun to take over home-made textiles. Knitting culture has survived in Lofoten to greater extends than in other European countries, and traditional pattern and techniques are still known. Every piece of clothing, being socks, sweaters, mittens or hats, requiere speceific knowledge about stitch density, patterning and wool texture. When industrial dyes were not widely available, local natural plants and likens would do the coloring. The knowledge about plant use was mostly orally transmitted for generations. Currently, some of said traditions can be found in crafting manuals and school education, all of which is used to produce unique sweaters in Lofoten wool. </text>
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                <text>https://lofoten-wool.no/en/pages/menneskene https://lofoten-wool.no/en https://www.nibio.no/prosjekter/amazing-grazing-baerekraftig-kjott-og-ull-fra-sau-som-beiter-i-norsk-utmark?locationfilter=true https://www.smabrukarlaget.no/aktuelt/bonde-og-smaabruker/, https://www.norskekunsthandverkere.no/kunstnerregister/ragnhild-lie https://husflid.no/ https://www.utdanningsforbundet.no/ https://www.bondelaget.no/ Esther Haukeland, Innføring til plantefarging. Cappellen, 1982. Animalia: Norwegian wool Standard. https://www.animalia.no/no/Dyr/ull-og-ullklassifisering/norsk-ullstandard/  Beder, Nicolina J., Seyður Ull Tøting. SPF. Sprotin, 2010. Flååt, Inger. Votter i Namdalen. Nauma Husflidslag, 2010. Grimstad, Ingun K. and Sårdal, Tone t. Norsk Strikkehistorie. Vormedal Forlag. 2018. Grimstad, Ingun K. and Sårdal, Tone T. Ren ull. Aschehoug, 2013. Hrútaskrá. https://www.rml.is/is/kynbotastarf/saudfjarraekt/hrutaskra Joensen, Robert. Seyðabókin. SPF. Sprotin, 2015. Johnston, Elizabeth and Juuhl, Marta K. The warp-weighted loom. Kljásteinavefstadurinn: kljásteinar klingja. Oppstadveven: klingande steinar. Skald, 2016. Kjellmo, Ellen. Båtrya i gammel og nyt tid. Orkana, 1996. Sundbø, Annemor. Usynlege Trådar i Strikkekunsten. Samlaget, 2006. https://www.norskebilledkunstnere.no/</text>
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                <text>19/06/2025</text>
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              <text>Cutlers (Knife Makers) (BBC 2024) Cutlery and tableware making </text>
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          <description/>
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              <text>Different properties of metel blades - steel / stainless steel. The different angles required and the techniques required to achieve them. The different process that can be used: Leather strop / wet and dry / grinder. Paul uses the 'Wet Stone' process. To sharpen his knives takes about 2.5 hours. Starting withthe coursest grain stone and finishing with the smoothest. </text>
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          <name>Knowledge Transfer</name>
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              <text>Peer to peer learning for Chefs is one approach. It is not something that is necessarily taught within higher education environments for chefs and street vendor services / door to door services  no longer exist in the UK. (or are very rare). Short courses in tool sharpening skills are available at some UK locations: https://sharpening-training.co.uk/about-us/ and Tom Banks, a Craft Practtioner in Aviemore, in the Cairngorms (Scotland) offers short courses in tool and knive sharpening: https://www.craftcourses.com/courses/tool-sharpening-workshop.  </text>
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              <text>Chefs need to work with sharp knives and if a service is not provided for them they take on the role of  the practice. Paul refelcted that he has only had four 'every day' knives in his career of 35 years. He has just bought a new knife and after 8 months is still getting used to it. </text>
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              <text>The traditional 'knife sharpener' trade does not exist as it once did. The role, in the case of chefs is now practised by them. Alternatively, postal services for knive sharpening do exist: https://knifesharp.co.uk or https://bladeandbutler.co.uk/home</text>
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              <text>In the mid 20th century it was common practice for knife sharpners to be present as street vendors with grinding wheels. Alternativley some vendors would go door to door offering to sharpen knives. However, as mass production of stainless steel knives increased,, the demand for knife sharpeners decreased. The craft practice behind sharpening knives is however still very much used within the cullinary world, with different types of knives/blades  requiring different methods of sharpening.</text>
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              <text>Heritage Crafts; Sheffield Museums. </text>
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          <description/>
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              <text>https://www.craftcourses.com/ (associated with Heritage Crafts) is the foundation web page where Tom Banks advertises his tool sharpening course. </text>
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          <description/>
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              <text>Knives (AAS_AR_12) and Wet and Dry Stones (AAS_AR_13). </text>
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          <name>Technological Threats Description</name>
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              <text>Change in knife production methods and materials used, has reduced the demand for knive sharpeners</text>
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              <text>Change in knife production methods and materials used, has reduced the demand for knive sharpeners BUT Chefs and other tool users still require sharp knives and tools. The craft practcie has become internalised with separate disciplines. </text>
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              <text>Yes. If knives are purchased with the intention of retaining their quality  and looking after them then the purchase is far more sustainable than repeatedly replacing the knife with a new purchase. However, knives to chefs are their main tool and so they uderstand the significance of the investment in purchasing ones of high quality. Mainstream consumers do not always recognise this. </text>
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              <text>The practice contributes to chefs being able to maintain their equipment which is more economically viable for them. For craft practtioners such as Tom Banks, the process of teaching people how to sharpen blades provides a diversification of income. </text>
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              <text>Ness, Isle of Lewis, Outer Hebrides</text>
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              <text>Ness is within the community owned,  Galson Estate, consisting of 56,000 acres of coast, agricultural land and moor in the North West of the Isle of Lewis in the Outer Hebrides of Scotland. The estate comprises of 22 villages running from Upper Barvas to Port of Ness with a population of nearly 2,000 people. The estate passed into community ownership on 12 January 2007, to be managed on their behalf by Urras Oighreachd Ghabhsainn (https://www.galsontrust.com) The area is rural, with a strong cultural heritage centered around the gaelic language, traditional music and crofting https://www.crofting.scotland.gov.uk. </text>
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                <text>The Western Isles  have a rich source of croft reared meat from sheep and cattle. Local venison is also available as are supplies of fesh fish and shellfish form the sea. Guga (young gannet) is a speciality of Ness, as is black pudding (made from lambs blodd rather than pigs blood). Many local chefs are now focusing on using local produce in their menus. However, the cultural practice this data collection is focusing on links to one of the fundamental tools used by chefs – Knives. These need to be sharpened and different chefs have different methods of doing so.  Paul sharpens his own knives using a 'wet and dry' technique that he was taught by a travelling knive sharpener  when he was training at the beginning of his career. This service no - longer exists but the practice of knive sharpening is fundamental to maintaining tools. </text>
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                <text>Simmons, A. (2016 ). The Knife and the Sharpener . Gastronomica , 92-94.&#13;
Symons, M. (2002). Cutting Up Cultures . Sociology Lens , 431-450.&#13;
Symons, M. (2018). Sharp: The Definitive iNtrodcution to Knives, Sharpening and Cutting. San Francisco: Chronicle Books LLC.&#13;
BBC. (2024, July 4). Married 'mesters' crafting knives in the shed. Retrieved from BBC News South Yorkshire : https://www.bbc.co.uk/news/articles/c3gvxzekqzgo</text>
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              <text>Kristine grew up in Edane. She lived elsewhere for a few years while she studied ceramics and then returned to work with ceramics. She has studied ceramics at art colleges in both Bergen, Norway, and in Gothenburg, as well as at folk high schools. She has her own studio and workshop near her home (walking distance). She works with ceramics full-time and mainly with modeling, hand building, rolling/slab and turning. She has about two exhibitions per year, is a member of a craft collective in Arvika. Sells her objects at retailers, in her webshop and at Arvika konsthantverk.</text>
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              <text>Course for Ian Hagard, Skutboudden. High school: aestetic field, Solberga. Folk high school in Grebbestad 1 year, throwing. Kuben, 1 år in Gothenburg. 2007 Magister's degree in applied arts, ceramic art, HDK, School of Design and Crafts, Gothenburg. 2005 Bachelor, section for ceramics, Bergen Academy of the Arts, Norway.</text>
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              <text>Thenman sometimes teaches ceramics students at folk high schools. She has had a few courses in her workshop. Artisan Joel Stuart Beck and Thenamn have had an exhibition at the Rackstad Museum where they talked about their work. She has a lot of study visits from classes when she shows how she does it. Folk high schools: Kyrkerud, Mullsjö, Bordinge By, Ingesund. About 11 minutes into the interview.</text>
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              <text>Ulrika Jäger, Kajsa Stinnerbom</text>
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              <text>To know processes and techniques from clay to finished product. Different clays, glazes, firing, shape and pattern creation. Which tools are used when and for what. Thenman, together with another ceramicist (Joel Stuart Beck) in the area, has dug up and used clay from the area.</text>
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              <text>She buys most of her supplies from a retailer in Kil, Värmland who buys from www.cebex.se. It's easy for her to buy there, cebex has a kind of monopoly on the kind of material she needs.</text>
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              <text>Sludge is collected through the slush in a special barrel. Broken pottery becomes pottery again.</text>
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              <text>She made the saw blades herself and she has a lathe that she has had since high school.</text>
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              <text>Thenman is within walking distance of her workshop, which is located in Edane. Her father previously owned the premises (wood processing in a sawmill, they made moldings and other things) which is now owned by her brother. She rents the premises from her brother. There is a large veranda at the entrance, high ceilings and large windows with lots of light. There is a large garage wall to wall where there is winter storage for e.g. caravans, boats. She shares some spaces with that workshop.</text>
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              <text>On one occasion there was a two-year warranty (large wall decoration sold to the government office where two parts had come loose). Otherwise no.</text>
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              <text>See her website for who are the purchasers, in addition to private individuals, of her ceramics and services: regions, the state, municipalities and other public administrations.</text>
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              <text>Jag ser inte hur jag ska kunna få.....alltså jag har...det jag gör säljer jag så jag har inget överskott av produkter så....då vet jag inte riktigt vad...Jag skulle kunna ha kurser för turister då. Men det har jag egentligen inte lust med för jag har inte tid för att jag ska göra de här produkterna som jag ändå säljer. Det går ihop tidsmässigt. Sen kanske det hade varit smart å jobba med turism å ha kurser för att man kunde få mer pengar för mindre tid så men det är ju inte där mitt intresse ligger. (cirka 27 min into the interview).</text>
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              <text>She finds it challenging with society's view of what is important and her work is not seen as important. And certainly not today when culture is so undervalued. She finds that difficult. She sees a bright future for her in ceramics, there is an interest among people and people want to do it. It is difficult to get people to understand that ceramics take time to make and need to be priced accordingly.</text>
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              <text>Jag tycker att den största utmaningen är att få det att gå ihop ekonomiskt, så är det ju. Och tiden då. Sen men sen kan jag rent sådär personligt brottas man ju lite med det här att känna sig ibland kan man känna som att man att man inte riktigt är en del av samhället att man liksom man att det man för inte är på riktigt så. Men det där går i vågor. Det psykiska måendet.</text>
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              <text>https://kristinethenman.se/ https://arvikakonsthantverk.se/medlemmar/kristine-thenman.html https://finelittleday.com/artists/kristine-thenman/ https://sv.wikipedia.org/wiki/Kristine_Thenman</text>
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              <text>facebook,https://www.facebook.com/kristine.thenman/;instagram,https://www.instagram.com/kristine_thenman/;</text>
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                <text>Thenman, Kristine</text>
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            <description>A legal document giving official permission to do something with the resource.</description>
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