Grey seagul skein

Dublin Core

Title

Grey seagul skein

Description

Yarn skein made out of Kvit Sau sheep breed from the Lofoten islands. It is dyed using local reinfann (Tanacetum vulgare). Double thread yarn, 315m pr. 100g.

Creator

687

Source

craftedobjects

Date

2024

Contributor

iain

Language

Norwegian

Type

Physical Object

Identifier

430

Alternative Title

Gråmåke nøste

Date Submitted

02/07/2025

Date Modified

04/07/2025

References

https://lofoten-wool.no/en https://www.nibio.no/prosjekter/amazing-grazing-baerekraftig-kjott-og-ull-fra-sau-som-beiter-i-norsk-utmark?locationfilter=true https://www.smabrukarlaget.no/aktuelt/bonde-og-smaabruker/, https://www.norskekunsthandverkere.no/kunstnerregister/ragnhild-lie https://husflid.no/ https://www.utdanningsforbundet.no/ https://www.bondelaget.no/ Esther Haukeland, Innføring til plantefarging. Cappellen, 1982. Animalia: Norwegian wool Standard. https://www.animalia.no/no/Dyr/ull-og-ullklassifisering/norsk-ullstandard/ Beder, Nicolina J., Seyður Ull Tøting. SPF. Sprotin, 2010. Flååt, Inger. Votter i Namdalen. Nauma Husflidslag, 2010. Grimstad, Ingun K. and Sårdal, Tone t. Norsk Strikkehistorie. Vormedal Forlag. 2018. Grimstad, Ingun K. and Sårdal, Tone T. Ren ull. Aschehoug, 2013. Hrútaskrá. https://www.rml.is/is/kynbotastarf/saudfjarraekt/hrutaskra Joensen, Robert. Seyðabókin. SPF. Sprotin, 2015. Johnston, Elizabeth and Juuhl, Marta K. The warp-weighted loom. Kljásteinavefstadurinn: kljásteinar klingja. Oppstadveven: klingande steinar. Skald, 2016. Kjellmo, Ellen. Båtrya i gammel og nyt tid. Orkana, 1996. Sundbø, Annemor. Usynlege Trådar i Strikkekunsten. Samlaget, 2006. https://www.norskebilledkunstnere.no/

Extent

26cm x 12cm x cm

Spatial Coverage

current,68.1490556685704,13.7622515654953;

Europeana

Europeana Type

TEXT

Physical Object Item Type Metadata

Prim Media

835

Material

Hvitsau sheep wool, cochineal (Tanacetum vulgare)

Natural Cultural

Cultural

Craft

fibre and textile crafts

Tool

Industrial washing machine, industrial comb, and spinning machine. Hand dyed with traditional techniques.

Place

Stamsund, Lofoten, Norway

Material Source

Lofoten islands

Technique

Spinning, industrial spinning. The wool is sorted out from the sheep of the local farmers, selecting the kinds of wool according the desired textiles that the yarn will be more adecuated for. Then is sent to the wool mill to clean it, comb it and spinn it, after which it returns to Stamsund, to the Lofoten wool headquarters. There, the yarn is died and made into skeins, tagged and prepared for selling.

Function

For making textile objects by knitting, crochet, needle binding or other techniques

Creation Purpose

For sale

Production Quality

Small production

Conecept

The use of local wool from old sheep breeds that are adapted to the climate and landscape as a way of preserving animals that pre-date industrialized production, makes customers feel more connected with the culture and the land. Both the tourists who look for an exclusive, locally made and usable souvenir, and the people who buy the yarn to craft their clothes look for the feeling of doing something good for the planet and the local economy. The branding of the wool also refers to elements of cultural interest in the area using suggestive names and photographs. In this case, the name of the yarn refers to the local heather that grows in abundance on the Norwegian Coasts. The European species of the Cochineal has been used for coloring wool yarn for centuries, as far back as the Viking Age (800-1150 AD).

External ID

MN_AR_02

Citation

687, “Grey seagul skein,” VERAP, accessed July 5, 2025, https://culturality.museum/omeka/items/show/755.

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