Grey seagul skein
Dublin Core
Title
Grey seagul skein
Description
Yarn skein made out of Kvit Sau sheep breed from the Lofoten islands. It is dyed using local reinfann (Tanacetum vulgare). Double thread yarn, 315m pr. 100g.
Creator
687
Source
craftedobjects
Date
2024
Contributor
iain
Language
Norwegian
Type
Physical Object
Identifier
430
Alternative Title
Gråmåke nøste
Date Submitted
02/07/2025
Date Modified
04/07/2025
References
https://lofoten-wool.no/en
https://www.nibio.no/prosjekter/amazing-grazing-baerekraftig-kjott-og-ull-fra-sau-som-beiter-i-norsk-utmark?locationfilter=true
https://www.smabrukarlaget.no/aktuelt/bonde-og-smaabruker/,
https://www.norskekunsthandverkere.no/kunstnerregister/ragnhild-lie
https://husflid.no/
https://www.utdanningsforbundet.no/
https://www.bondelaget.no/
Esther Haukeland, Innføring til plantefarging. Cappellen, 1982.
Animalia: Norwegian wool Standard. https://www.animalia.no/no/Dyr/ull-og-ullklassifisering/norsk-ullstandard/
Beder, Nicolina J., Seyður Ull Tøting. SPF. Sprotin, 2010.
Flååt, Inger. Votter i Namdalen. Nauma Husflidslag, 2010.
Grimstad, Ingun K. and Sårdal, Tone t. Norsk Strikkehistorie. Vormedal Forlag. 2018.
Grimstad, Ingun K. and Sårdal, Tone T. Ren ull. Aschehoug, 2013.
Hrútaskrá. https://www.rml.is/is/kynbotastarf/saudfjarraekt/hrutaskra
Joensen, Robert. Seyðabókin. SPF. Sprotin, 2015.
Johnston, Elizabeth and Juuhl, Marta K. The warp-weighted loom. Kljásteinavefstadurinn: kljásteinar klingja. Oppstadveven: klingande steinar. Skald, 2016.
Kjellmo, Ellen. Båtrya i gammel og nyt tid. Orkana, 1996.
Sundbø, Annemor. Usynlege Trådar i Strikkekunsten. Samlaget, 2006.
https://www.norskebilledkunstnere.no/
Extent
26cm x 12cm x cm
Spatial Coverage
current,68.1490556685704,13.7622515654953;
Europeana
Europeana Type
TEXT
Physical Object Item Type Metadata
Prim Media
835
Material
Hvitsau sheep wool, cochineal (Tanacetum vulgare)
Natural Cultural
Cultural
Craft
fibre and textile crafts
Tool
Industrial washing machine, industrial comb, and spinning machine. Hand dyed with traditional techniques.
Place
Stamsund, Lofoten, Norway
Material Source
Lofoten islands
Technique
Spinning, industrial spinning. The wool is sorted out from the sheep of the local farmers, selecting the kinds of wool according the desired textiles that the yarn will be more adecuated for. Then is sent to the wool mill to clean it, comb it and spinn it, after which it returns to Stamsund, to the Lofoten wool headquarters. There, the yarn is died and made into skeins, tagged and prepared for selling.
Function
For making textile objects by knitting, crochet, needle binding or other techniques
Creation Purpose
For sale
Production Quality
Small production
Conecept
The use of local wool from old sheep breeds that are adapted to the climate and landscape as a way of preserving animals that pre-date industrialized production, makes customers feel more connected with the culture and the land. Both the tourists who look for an exclusive, locally made and usable souvenir, and the people who buy the yarn to craft their clothes look for the feeling of doing something good for the planet and the local economy. The branding of the wool also refers to elements of cultural interest in the area using suggestive names and photographs. In this case, the name of the yarn refers to the local heather that grows in abundance on the Norwegian Coasts. The European species of the Cochineal has been used for coloring wool yarn for centuries, as far back as the Viking Age (800-1150 AD).
External ID
MN_AR_02
Citation
687, “Grey seagul skein,” VERAP, accessed July 5, 2025, https://culturality.museum/omeka/items/show/755.
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